Tag: Narrator

The Bone Maker by Sarah Beth Durst

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books6 Comments

The Bone Maker Cover

Publisher: HarperAudio (Audiobook – 9 March 2021)

Series: Standalone

Length: 16 hours and 35 minutes

My Rating: 5 out of 5 stars

Amazon

One of the leading voices in fantasy fiction, the impressive Sarah Beth Durst, returns with another epic standalone fantasy read, The Bone Maker.

Sarah Beth Durst is an amazingly talented author who has been dominating the fantasy market for the last several years.  Initially debuting with several fun young adult and middle grade novels, such as the 2009 release Ice, Durst made the jump to adult novels in 2014 with The Lost, before writing her bestselling Queens of Renthia fantasy series.  I only recently started reading Durst’s work when I checked out her 2020 novel, Race the Sands.  Race the Sands was a gripping standalone fantasy read that featured a thrilling tale of adventure and redemption set around monster racing in a desert kingdom.  I absolutely loved Race the Sands, and it ended up being one of my top books and audiobooks of last year, and Durst was easily one of the best new-to-me authors I checked out in 2020.  As a result, I have been really keen to see what Durst would write next, and I was excited when I heard about her new book, The Bone Maker.  The Bone Maker was one of my most anticipated novels of 2021, and I ended up having a wonderful time reading it.

25 years ago, the nation of Vos was threatened by a terrible foe, the rogue bone maker Eklor, whose nightmarish creations of animal bone and mechanical components sought to overwhelm everything.  In the end, Vos was saved by five heroes who led an army to Eklor’s door to destroy him.  However, their victory came at a steep cost, as one of the heroes died a tragic death, and only four walked away from Eklor’s tower.

In the years that followed, the leader of the heroes, Kreya, has lived a life of exile, determined to resurrect her husband, Jentt, who died to stop the evil assailing their realm.  Using Eklor’s notes, Kreya has succeeded in cracking the spells needed to complete the resurrection, but bringing the dead back to life has a heavy cost.  Not only does Kreya lose a day of her life for every day that Jentt lives, but Kreya also requires human bones to complete the spell,. The bones of the dead are ritualistically burnt throughout Vos specifically to prevent bone workers using them for dark magic, so Kreya is forced to look elsewhere for her materials.  In her desperation, she decides to return to the one place she swore never to go back to: the plains outside Eklor’s tower, where the bones of those fought against Eklor’s monsters still lie.

Making the arduous and forbidden journey to Eklor’s tower, Kreya makes a terrifying discovery that threatens everything she fought for all those years ago.  With the dangers of the past threatening to overwhelm her, Kreya has no choice but to reunite her comrades 25 years after their famous victory.  But will these damaged heroes be enough to face the evil threatening to overwhelm them, or will an evil long thought destroyed arise again to finish off what it started?

Wow, Durst definitely does not disappoint as she has created another impressive and powerful fantasy novel.  I had an absolute blast reading this fantastic new book and I managed to finish it off relatively quickly, especially once I got wrapped up in the outstanding story, clever setting and the lives of her amazing protagonists.  I really enjoyed this awesome standalone fantasy read and I have to give The Bone Maker a full five-star rating.

For her latest amazing fantasy novel, Durst has come up with a very complex and powerful story that dives deep into the hearts of her fantastic characters while also taking them on an epic journey of redemption.  I have to admit when I read some of the early descriptions of The Bone Maker I assumed it was going to be the central protagonist, Kreya, going up against her old companions as they tried to stop her from resurrecting her husband.  Instead, Durst works in a very different narrative that sees Kreya encounter the enemy from her past, which forces her to bring her friends back together herself.  Durst sets up this narrative really well, and the reader gets a sense of the tragedy of Kreya and the lengths she is planning to go to reunite with Jentt.  You also get a fantastic idea of the trauma from the protagonist’s past battles with Eklor and how this has shaped their lives.  There are some great moments in the opening half of this book, including several amazing and magically charged action sequences as the protagonists go up against a range of different foes, as well as some intense drama as the five are gradually reunited and come to terms with their past failures.  I loved how the narrative gradually morphed into a bit of a political thriller in the second half of the book as the protagonist encounters an old foe in a different setting.  The flow from the various sections of the story works extremely well, and Durst weaves together a really comprehensive and powerful standalone story.  I liked the excellent blend of action, fantasy elements and intense emotion exploration, which helped to produce a very comprehensive narrative, and The Bone Maker turns into quite an epic and exceptional read.

Easily the highlights of this book are the complex and damaged central characters that the story follows.  The five main characters are heroes who previously saved Vos from a great evil, and I loved this exploration of renowned fantasy heroes years after they saved the world, the usual climax of a story.  The central character of the story is Kreya, the group’s leader, who disappeared after ensuring their previous victory, mourning her dead husband.  Kreya performs multiple attempts at resurrection at the cost of her own life, and I really appreciated the author’s interpretation of this character’s grief leading her to risk it all.  Kreya has a rough and powerful journey throughout this book as she comes back to lead her team and is forced to deal with the expectations of all those around her.  Despite the immense amount of guilt, grief and regret that Kreya experiences throughout this story, Kreya proves to be a talented leader, directing them through several unique fights, and is the only person that can hold this ragged group of characters together.  The counterpoint to Kreya’s toughness and leadership is her deceased husband, Jentt, who, after his resurrection, proves to be the heart and light of the group.  Despite his more buoyant personality, Jentt has to deal with the consequences of his resurrection, especially when he finds out the cost of his continued life, and this leads him to several harrowing mental places.

The next member of the heroes of Vos is the bone wizard Zera, who specialises in creating the best magical talismans in the world.  Zera is the only member of the group who cashed in on her fame after their victory and has grown rich off her skills and reputation.  Zera is a fantastically sarcastic and entertaining addition to the cast, as she revels in her wealth and privilege, while also providing some of the best lines in the entire novel.  Despite a sense of intense betrayal at Kreya’s abandoning of her all those years ago, Zera agrees to help her with her mission, but finds herself constantly conflicted by her feelings of resentment, her own well-hidden damage, and her changed vision of what Kreya’s relationship with her was.  As a result, she has quite a journey throughout The Bone Maker and I loved her inclusion in this novel.

The other two major protagonists are the bone reader Marso and the warrior Stran, both of whom survived the battles with Eklor in very different ways.  While Stran is reasonably mentally healthy, having chosen to live a simple life with his wife and children, Marso has been broken by both his powers and the events of the past.  These two are a great contrast to one another, and both add some intriguing elements to the overall narrative.  I quite enjoyed seeing Marso slowly rebuild his sanity throughout the book while also coming to terms with a magical power he no longer trusts.  Stran’s apparent normality and stable family life is so amazingly different from the other characters in the book that it really stands out, and I liked seeing how each character was just a little bit different.  Overall, all five of these awesome protagonist really help to make The Bone Maker a powerful and impressive read and I am extremely glad that Durst took the time to build each of these great characters up.

One of the things I really must discuss is the outstanding setting that Durst created for this great book, especially as the author did such an impressive job coming up with yet another unique world.  The land of Vos is an amazing fantasy realm, loaded up with its own blend of troubles, culture and magic, which is living in the shadows of the tragic bone wars 25 years prior.  Durst sets this new landscape up perfectly in the early stages of the novel, and the reader gets a great sense of the people and mentality of this realm, especially when it comes to the trademark bone magic.  As the novel progresses, Durst visits several fantastic and compelling parts of this land.  This includes the gigantic and wealthy capital city where many terrible events take place, the hilly landscape that makes up the majority of Vos, a mist-shrouded valley loaded up with a collection of dangerous, gigantic monsters, and the plains surrounding Eklor’s tower, where deadly secrets lurk.  These landscapes are a lot of fun to explore, and Durst works them into her narrative perfectly.  I really enjoyed all of the major locations that the protagonists visit, although my favourite has to be the valley of monsters, as some intense and action-packed sequences take place there.

In addition to the amazing setting, I also really appreciate the rich and distinctive bone magic that Durst came up with for The Bone Maker.  This type of magic features three distinctive types of bone workers, including bone readers who can use animal bones to read the future, bone wizards who create powerful bone talismans, and bone makers who inscribe bones to animate a range of constructs.  Each of these magical disciplines is explored in great detail by the author and are all strongly utilised in the plot.  I loved seeing these magical elements at work throughout the action sequences in the book, and Durst uses them to great effect, with the characters gaining flight, stealth, strength and speed in every epic fight sequence.  The various examples of bone making are also pretty cool, and you get some great magical constructs.  I liked how there was a fun contrast between the protagonists’ cuter, yet still effective constructs, and the antagonists monstrous figures, and it makes for some great combat scenes, especially when the protagonist goes big towards the end of the book.  All of these magical elements are really exceptional, and I think it is an absolute testament to Durst’s sheer imagination and creativity that she is so effectively able to come up with a brand new style of magic and a new magical realm for every single one of her standalone fantasy reads.

I ended up enjoying The Bone Maker in its audiobook format, which proved to be a fantastic way to experience Durst’s epic story.  The Bone Maker audiobook has a decent run time of 16 hours and 35 minutes, which I ended up getting through rather quickly and is not too much of challenge for dedicated listeners to finish off.  One of the best things about this great audiobook is the amazing narrator, Soneela Nankani.  Nankani is a veteran audiobook narrator, but despite her prevalence as a narrator of fantasy fiction, I have not previously had the pleasure of experiencing Nankani’s vocal talents before, although she has worked on several other fantasy novels that I am keen to check out.  Nankani was an outstanding narrator whose voice really enhanced this already amazing novel.  Not only did Nankani provide a quick and exciting tone for the entire novel, moving the story along at a brisk and enjoyable pace that continuously kept the reader’s attention; she also provided several fantastic voices for the various protagonists.  All the voices that she used were pretty impressive, and I felt that they fit the damaged and dark personalities of each of the main characters very well.  As a result, I would strongly recommend the audiobook format to anyone interested in checking out The Bone Maker as it is an amazing way to check out this compelling novel.

The Bone Maker by Sarah Beth Durst is an exceptional and captivating standalone fantasy novel that I had an amazing time reading.  Durst has produced an epic and elaborate tale of life, death and magic, which follows five damaged and broken heroes years after their supposed great victory.  There are so many awesome elements to this fantastic book, and readers are going to fall in love with The Bone Maker’s addictive narrative, powerful characters and cool magical elements.  While I did enjoy Durst’s previous novel, Race the Sands, a little more, this was still an outstanding read, which comes highly recommended.

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Throwback Thursday – Star Wars: Maul: Lockdown by Joe Schreiber

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Thriller, Throwback Thursday, Tie-in Novel15 Comments

Star Wars - Maul - Lockdown Cover

Publisher: Random House Audio (Audiobook – 28 January 2014)

Series: Star Wars

Length: 12 hours and 20 minutes

My Rating: 4.5 out of 5 stars

Amazon

This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

2021 has so far been a fantastic year for Star Wars novels with excellent releases such as the two Star Wars: The High Republic novels, Light of the Jedi and Into the Dark, and the final entry in the Alphabet Squadron trilogy, Victory’s Price.  I have been really enjoying these new Star Wars novels but I recently got a hankering for something a little different and decided to go back and check out some of the older Star Wars tie-in novels.  While there were several intriguing options (I was strongly eyeing off A New Dawn by John Jackson Miller, Darth Plagueis by James Luceno and Razor’s Edge by Martha Wells), I eventually settled for the one of the last entries in the Star Wars: Legends range of books, Maul: Lockdown by Joe Schreiber, an intensely exciting and dark novel with an amazing story to it.

Welcome to the space station Cog Hive Seven, the most dangerous prison in the entire galaxy.  Here inmates are forced to fight to the death in matches broadcast to millions of gamblers across the Republic determined to make a profit off the blood of the galaxy’s worst killers and criminals.  No one escapes from Cog Hive Seven, and every one of its deadly and evil inhabitants know that they will eventually die there.  However, not even these deranged inmates are prepared for the new evil that has been thrown into their midst, the lethal dark-side assassin, Darth Maul.

Sent by Darth Sidious to contact a secretive weapons merchant, Iram Radique, Maul has disguised himself as a notorious mercenary and killer.  Determined to complete the mission his master has given him, Maul begins to upend the prison to find the elusive Radique, quickly establishing himself as a destructive force of chaos.  However, his notoriety also sees him forced into progressively more dangerous matches against some of the deadliest creatures in the galaxy.

Bereft of his lightsaber, forbidden from using the force and with bombs injected into both his hearts, Maul must rely on his brutal combat abilities and own inner strength to succeed.  But the closer he gets to finding Radique, the more he realises that not everything is as it seems aboard Cog Hive Seven and that his target will do everything is his power to avoid meeting with Maul.  Worse, dangerous factions have taken notice of the prison and its deranged warden and soon Maul must contend with a death cult, the followers of Jabba the Hutt and a horrifying monster living within the walls of the prison.  Can even Darth Maul overcome the odds in front of him, or will the creatures of Cog Hive Seven swallow him whole?

I think readers of this blog will not be too surprised to hear that the moment I found out that there was a book that followed Darth Maul participating in death matches aboard a space prison, I knew I would have to read it, and boy am I glad I did.  Maul: Lockdown is an impressive and fantastic novel that I found to be instantly captivating and which I powered through in a short amount of time.  Author Joe Schreiber, whose previous novel, Death Troopers, featured an outstanding story about key Star Wars characters encountering a zombie horde (it is as awesome as it sounds) came up with a pretty epic narrative for this Star Wars novel, and I really enjoyed this cool, Darth Maul-centric book.

I have to say that I was really surprised about how complex and impressive Maul: Lockdown’s narrative turned out to be.  Based on the plot description, I would have expected a simple, action-orientated story, but instead Schreiber crafted together a dark and powerful Star Wars tale with some compelling mystery elements.  This book reads a lot like a prison thriller, with Maul thrust into the middle of a dangerous jail which he must navigate to find his target.  While there is a natural focus on the fights between Maul and the other dangerous inmates, which results in some exceptional action sequences, the author also works in some great mystery and crime fiction elements that combine perfectly with the Star Wars backdrop.  The author utilises a bunch of multiple perspectives to show the chaotic nature of the prison, and there are several great storylines based around supporting characters which twist their way around Maul’s central story of surviving and attempting to find the secretive arms dealer.

As the story progresses, more and more dangerous elements and antagonists are thrown into the narrative, including monsters, deranged cultists and even Jabba the Hutt, intensifying the obstacles facing Maul and raising the thrilling stakes of the narrative.  I really enjoyed the main storyline of the hunt for Radique, and there were plenty of false leads and twists around who he was and where he was hiding.  I did think the eventual reveal of the character (spoiler ahead!!!) was a tad weak, mainly as it ended up being a character we hadn’t seen before (spoiler end), but it was still an interesting and exciting centre to the narrative.  Schreiber also weaves some excellent horror elements into the story, especially surrounding one unique creature in the prison.  The author makes this creature particularly horrifying to behold, both because of its appearance and its unsettling abilities, and there are some real terrifying sequences surrounding it.  All these great elements come together perfectly into one fantastic and captivating tale that proves to be extremely addictive and very clever.

This is an exciting Star Wars novel that fans of the franchise are really going to enjoy.  Maul: Lockdown was one of the later entries in the previous Star Wars extended universe which is now known as the Star Wars: Legends range.  Despite no longer being considered canon, the Star Wars: Legends books still have some great stories, such as the impressive heist novel Scoundrels, and this was a pretty cool entry.  Set a year before The Phantom Menace, this book is loaded with a ton of references to other pieces of Star Wars media, including several previous Star Wars: Legends novels and comics, Schreiber’s previous book Death Troopers (featuring a clever cameo), and even an old Star Wars video game, Bounty Hunter.  There are lots of interesting pieces of Star Wars lore in here, and the author features a couple of major figures from the prequel films, as well as a few obscure characters from some of the older Star Wars novels, including a corrupted Padawan of Count Dooku I had not heard of before (she is not in the new canon).  I really enjoyed the author’s inclusion of a battle of intrigue between Darth Sidious and his master Darth Plagueis, and the story in Maul: Lockdown has some great connections to certain events in the Darth Plagueis novel.  While Schreiber has included a lot of high-level lore, I felt that this was quite an accessible Star Wars novel and anyone who saw Darth Maul emerge in The Phantom Menace will definitely enjoy this darker and captivating piece of Star Wars fiction.

One of the most intriguing things about this novel is the way in which the author attempts to dive into the mindset of fan-favourite character Darth Maul.  Ever since he whipped out his dual-bladed lightsaber in The Phantom Menace, Maul has been a much beloved figure in the Star Wars franchise, but you do not often get to see much of his inner thoughts.  While I would probably be happy reading a simple hack-and-slash adventure featuring Maul, I really appreciated the way in which Schreiber takes the time to examine Maul’s inner psyche, and you get an intriguing glimpse into his thoughts about his mission, his purpose in life and his loyalty to his master.  I found it quite fascinating to see the way in which Schreiber portrays Maul’s complex feelings about Sidious, as he is both simultaneous absolutely loyal to him while also being deeply suspicious about his intentions.  Maul spends most of the book believing that everything he is experiencing is a test or deception levelled at him by his Master and he also hints at his suspicions that he will eventually be betrayed.  While this examination of Maul’s more complex thoughts and feelings is quite interesting, it is also perfectly counterbalanced by a huge number of scenes that examine just how much of a badass Maul is.  Schreiber has loaded this book up with awesome and brutal fight sequences pitting Maul up against a range of deadly opponents, which are made even more awesome by the fact that Maul is unable to use either his lightsaber or force abilities.  Instead, Maul shows off his impressive unarmed fighting skills and his natural cunning, as he overwhelms his opponents in some brutal and clever ways.  The author also fits in some compelling hints and depictions of Maul’s training and early life, which I found to be very interesting, particularly as some of these events slightly differ from the current canon.  All of this makes for an exceptionally cool Darth Maul novel, and I loved seeing this great character in all his deadly glory.

I ended up checking out Maul: Lockdown on audiobook, which is easily the best way to enjoy a Star Wars book.  The Maul: Lockdown audiobook has a reasonable run time of 12 hours and 20 minutes, which dedicated listeners can get through in a couple of sittings.  I absolutely powered through this audiobook myself, especially once I got caught up in the cool story, and I had a great time experiencing all the features of this format.  Like most Star Wars audiobooks, Maul: Lockdown makes excellent use of the iconic sound effects and musical scores from the Star Wars films and television series to enhance its story.  The sound effects are particularly impactful in Maul: Lockdown, and I liked the way they made the many fight sequences pop with the sounds of violence and weapons blasting.  They also made one horrifying creature even more terrible to listen to thanks to the slithering and sucking sounds that played when it appeared.  This audiobook also made great use of John Williams’ amazing scores.  I always love hearing the inspirational and moving Star Wars music during these audiobooks, and while it was more restrained in this audiobook than some others I have enjoyed, it still helped to make several emotional or exciting scenes just a little more epic.

In addition to the cool sound effects and awesome music, Maul: Lockdown’s audiobook also made great use of exceptional narrator Jonathan Davies.  Davies is a veteran narrator who has lent his voice to several Star Wars novels in the past, such as Doctor Aphra, Dooku: Jedi Lost, Master and Apprentice and Lords of the Sith.  He does a fantastic job bringing the various characters in Maul: Lockdown to life, and I really enjoyed the unique tones that each character received.  I really liked the voices that he used for established Star Wars characters, which were close, if not spot on, to how they appeared in the films or television series.  This includes the menacing tones he came up with for Maul, which contained all the character’s barely supressed anger and hatred, and he did a rather good Darth Sidious which was reminiscent of Tim Curry’s take on him in The Clone Wars animated series.  Davis also did a perfect Jabba the Hutt (not exactly sure that is a compliment, but please take it as such), and I loved hearing him do Jabba’s iconic laugh.  Overall, his narration was pretty damn awesome and, when combined with the fantastic sound effects and great musical inclusions, helped to really enhance Maul: Lockdown’s narrative and continued the trend of outstanding Star Wars audiobooks.

Star Wars: Maul: Lockdown by Joe Schreiber is an outstanding and awesome novel that sees one of the best characters in the Star Wars canon fighting for his life in a dangerous setting.  Featuring a powerful and addictive narrative, loaded with intrigue, betrayal, and a whole lot of violence, this is a rich, clever, and dark Star Wars novel that comes highly recommended.  I had an incredible time reading this cool and captivating book and I really need to check out some of the other amazing sounding novels in the Star Wars: Legends range.

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Serpentine by Jonathan Kellerman

On By The Unseen LibraryIn Audiobook, LGBT+, Murder Mystery20 Comments

Serpentine Cover

Publisher: Random House Audio (Audiobook – 2 February 2021)

Series: Alex Delaware – Book 36

Length: 12 hours and 10 minutes

My Rating: 4.5 out of 5 stars

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One of the leading stars of the murder mystery genre, Jonathan Kellerman, returns with the latest entry in his long-running Alex Delaware series, Serpentine.

For years LAPD detective Lieutenant Milo Sturgis has tended to do things his own way in the department.  Thanks to his impressive solve rate and his unique and successful partnership with his best friend, psychologist Alex Delaware, Milo has been able to crack some of the toughest murder cases that the department has come up across while managing to avoid the lows of office politics.  However, not even Milo is able to withstand pressure from the very top of the LAPD, so when an extremely wealthy businesswoman wants help from the department’s best, Milo is forced to work an impossible case.

The businesswoman, young entrepreneur Eleanor Barker, wants closure over the death of her mother, a mysterious woman who was found dead decades ago in a torched Cadillac with a bullet in her head.  Despite their reservations over the way the case was assigned to them, Milo is determined to do the best job possible, and with Alex’s help he begins his investigation.  However, with no evidence, no case file, no witnesses and no real idea about their victim’s past or origins, their chances of success seem slim.

Forced to look for answers in some unusual places, Milo and Alex are slowly able to pull together a picture of the events surrounding the death of Eleanor’s mother.  However, the more they dig, the more unusual coincidences begin to arise as what they discover deviates massively from the established facts.  It soon becomes apparent that there is far more to this case than was initially believed and that someone out there is determined to stop any investigation into this brutal murder.  Can Milo and Alex solve their most difficult case yet, or will a cunning killer continue to remain free?

Well, that was a pretty cool murder mystery!  Serpentine is the 36th entry in Jonathan Kellerman’s amazing Alex Delaware series, which has been running since 1985.  I am a relative newcomer to Kellerman’s work, having only stumbled onto series when I read his 34th book, The Wedding Guest, back in 2019.  I had an excellent time reading The Wedding Guest and the loved the authors distinctive writing style and ability to weave together a great mystery.  I enjoyed it so much I ended up checking out Kellerman’s next book, the 2020 release The Museum of Desire, which contained an impressive murder case and ended up being another amazing read.  As a result, I have been very keen to check out Kellerman’s latest book for a while now and I have to say that I was very pleased with how awesome Serpentine turned out to be.

I ended up absolutely powering through this latest Alex Delaware novel, especially once I got hooked on its exceptional and impressive murder mystery narrative.  Kellerman came up with an amazing narrative for this novel that proved to be particularly captivating right off the bat as his two established protagonists become embroiled in a seemingly impossible-to-solve case.  Forced to dig around in the past, the protagonists slowly determine the events surrounding the old murder via odd bits of evidence and a range of interesting witnesses.  While the investigative process is quite fun to see, Kellerman has also thrown a ton of fantastic twists into the story, ensuring that the reader has no idea how the mystery is going to unfold.  I love some of the unique directions that the author took this compelling case and I was impressed with some of the clever reveals that he chucked in, especially as they were set up beautifully and added some fantastic surprises to the plot.  While I did think that the book concluded rather rapidly and some storylines could have been wrapped up a little better, this was still an exceptional narrative which I deeply enjoyed.

Easily my favourite thing about the Alex Delaware novels is the great way that the author portrays the ongoing investigation.  Kellerman always ensures that his investigations extremely realistic and as a result his protagonists always engage in a methodical examination of the sources, slowly gaining the information they need and building up connections and discovering any inconsistencies.  A lot of their evidence is obtained through discussions with potential witnesses, colleagues and experts, and there may be multiple conversations with various persons of interest to find out different nuggets of information.  This then results in the main characters throwing out theories about what potentially happened and basing their future investigative directions on the most promising clues.  This manner of investigation proves to be very different to other crime fiction novels I have read, and I really enjoy this more realistic portrayal of how police could solve a difficult case, especially as the author works in time delays for evidence analysis, unreliable witnesses and colleagues, and lack of resources.  I particularly enjoyed the investigation featured within Serpentine as it forces the protagonists to solve a murder that occurred over 30 years previously.  As a result, the characters lack any sort of evidence, useful witnesses, or previous investigations to help them find the killer, and they are forced to utilise more creative methods to find information or track down anyone who has the slightest idea of who the victim was or what happened to them.  This extremely cold case was a fantastic part of Serpentine’s plot and it proved to be deeply fascinating to see how he envisioned detectives solving this sort of investigation.  I loved this realistic and methodical portrayal of a murder investigation and it really made Serpentine stand out as a fantastic crime fiction novel.

I also must highlight the outstanding two lead characters who form the heart of Serpentine, and indeed the entire series, titular protagonist Alex Delaware and LAPD detective Milo Sturgis.  Alex and Milo are a fantastic pair of crime-fighting protagonists who have taken on some extremely tricky murders during their partnership.  Both characters bring a lot to the novel.  Alex is the more serious of the two.  As a clinical child psychologist with a head for mysteries, Alex can provide some intriguing insights into the minds of the victims, witnesses, and potential suspects, which provide new insight into their cases.  Milo on the other hand is the food-loving, cynical veteran cop who works the hard grind of a LAPD detective.  While I enjoy both characters, Milo is easily my favourite due to his constant wise cracks, the author’s tasteful portrayal of the character as a homosexual LAPD lieutenant, and his somewhat maverick cop persona.  Alex is also quite fun, especially as his psychological insights have a basis in the author’s own training as a psychologist, and I liked his constant clever quips about the situations they encounter.  The real joy of these two characters, however, is the way they work together.  These two make an amazing team, especially as they have become close best friends who are able to work together perfectly in sync.  I loved the way these two were able to work together to solve crimes, and their innate teamwork and friendship is a fantastic centre of the book’s story.  I also enjoyed the way the two characters play off each other throughout the story, as their personalities and unique sense of humour really gel together well and produce a lot of fun jokes and moments.  Overall, I had an amazing time following Alex and Milo through another excellent book, and I cannot wait to see what crazy case they encounter next time.

To check out Serpentine I grabbed a copy of its audiobook format, which was narrated by John Rubinstein.  This audiobook, which has a run time of just over 12 hours, ended up being an amazing way to enjoy this fantastic book and I powered through it in no time at all, especially once I got caught up in the outstanding mystery.  Rubinstein, whose has previously lent his voice to a great collection of crime fiction novels, including previous Alex Delaware audiobooks, did an outstanding job narrating this novel, and I felt that he moved the story along at a fast and enjoyable pace which really captured the audience’s attention.  I also rather enjoyed the various voices that he utilised throughout Serpentine, as each character was given their own unique voice, which I felt fit their respective personality perfectly.  I really loved the voice that Rubinstein uses for Milo in particular, as it just screams veteran cop, and it really helped enhance how much I enjoyed this already awesome character.  As a result, I would strongly recommended Serpentine’s audiobook to anyone interested in checking out this book and listeners are in for a good time with this format.

Serpentine by Jonathan Kellerman is another impressive and clever addition to the great Alex Delaware series.  This latest book features a complex and captivating murder mystery investigation which forces Kellerman’s fantastic and lovable protagonists to dive back into the past and solve an intriguing cold case.  Full of several outstanding twists around Kellerman’s latest compelling case, Serpentine has an incredible story and readers are going to have an amazing time unwinding this great mystery.  I deeply enjoyed this fantastic novel, and this might be the best Alex Delaware novel I have read so far.  Highly recommended.

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Star Wars: Victory’s Price by Alexander Freed

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, LGBT+, Science Fiction, Star Wars, Tie-in Novel17 Comments

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

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One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series.

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story.

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future.

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him.

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

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Throwback Thursday – The Last Continent by Terry Pratchett

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Fantasy, Five-Star Books, Throwback Thursday12 Comments

The Last Continent Cover

Publisher: Doubleday and ISIS Audiobook (1 May 1998)

Series: Discworld – Book 22

Length: 9 hours and 57 minutes

My Rating: 5 out of 5 stars

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This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this Throwback Thursday I take a look at one of my absolute favourite books of all time, the incredibly funny and always enjoyable The Last Continent, by legendary author Sir Terry Pratchett.

I have never made it a secret that I absolutely love the works of the late, great, Terry Pratchett, who I consider to be one of the best authors of all time.  I love and adore every single one of Pratchett’s hilarious and captivating novels, especially the entries in the wacky and wild Discworld series, a comedy fantasy series set in an absolutely insane world of magic, monsters and outrageous personalities that lies upon a disc shaped world, borne through space on the back of four elephants, who themselves are on the back of a giant turtle.  I have so much love for this outstanding and hilarious series, and I have read each and every entry in multiple times.  Heck, even the name of my blog, The Unseen Library, is taken from a fictional institution in the Discworld series!  However, despite how much I love the series, I have so far only reviewed one Discworld novel on this blog so far (Shame! Shame! Shame!), Moving Pictures, and this is something I have been meaning to rectify for some time.

I recently did a Top Ten Tuesday list where I looked at some of the funniest books I have ever read, which included several Discworld novels, and this inspired me to do a review for another Pratchett read.  I ended up going with one of my favourite Discworld novels of all time, the incredible and wildly entertaining The Last Continent, which places one of the author’s most iconic characters into the most dangerous places imaginable, Australia.  I am reviewing this book slightly out of the order I originally planned, but I figured reviewing this one now may encourage me to get to others in the future.  I should admit that I have not read The Last Continent recently, but this is one of the many Discworld novels that I have read multiple times, either in its paperback (I’ve actually got a signed copy of this book) or its audiobook format, and at this point I have it pretty much memorised.

So the first thing I should cover is:

“This is not a book about Australia.  No, it’s about somewhere entirely different which just happens to be, here and there, a bit…Australian.

Still…no worries, right?”

Welcome to EcksEcksEcksEcks (XXXX), the Discworld’s last continent.  Made by a rogue creator who snuck in after the rest of the Disc was created and kept hidden away from its other civilisations by a series of massive storms, XXXX is a deadly and dangerous place.  Filled with some of the most lethal and confusing creatures on the entire Disc and populated by a friendly, if occasionally murderous, group of people, XXXX is a hell of a place to live.  Unfortunately, everything in it is about to die as the water dries out and even the beer is getting hard to find.

Luckily for the people of XXXX, a hero has been found, one who is battling his way through the wastes and towns of the country, his legend growing all along.  But who is this road warrior, sheep shearer, horse wrangler, beer drinker and ballad-worthy bush ranger, and why is he apparently so determined to run away from his heroic destiny?

That man is Rincewind, the Discworld’s most cowardly and inept wizard, who has been bounced from one end of the Disc to the other and been chased by every sort of monster, maniac and seller of regional delicacies you can imagine.  All Rincewind wants to do is go home, and he is determined to avoid any new adventures as a chosen hero, no matter what the talking kangaroo stalking him tries to tell him.  Despite his best efforts, Rincewind once again finds himself caught up in the special craziness of the locals, and if he wants to survive, he needs to find a way to save everyone.  What’s the worst that could happen???

So, as you may be able to tell from the above synopsis, this is a bit of a crazy novel, but it is one that is always guaranteed to make me laugh, especially with its fantastic Australian-based humour.  The Last Continent is the 22nd overall entry in the Discworld series and the sixth book to focus on the character of Rincewind.  I personally have a lot of love for this particular Terry Pratchett novel, and it is probably one of my all-time favourite Discworld novels.

Pratchett came up with a pretty clever and fantastic story for The Last Continent, which sees several of his established characters get involved in wackiness all around a newly discovered continent.  The main story follows Rincewind as he tracks across the wastelands of XXXX after getting sent there at the end of his previous novel, Interesting Times (there was an accident with a butterfly), and he is now primarily concerned with trying to find a way home.  However, mysterious forces soon work to turn him into the hero who will save XXXX from a thousand-year crippling drought.  Rincewind, who is more concerned with reaching the nearest port, soon gets involved with all manner of road bandits, deadly creatures, drunken locals and an annoying talking kangaroo, all of which lead him to the secrets at the heart of this lost continent.  At the same time, the wizard faculty at Unseen University are faced with a serious problem when their trusty orangutan colleague, the Librarian, falls ill, and they require his real name to work a spell to save him.  However, the only person who knows the Librarian’s real name is Rincewind, and so the faculty blunder their way through a magical portal to find him.  However, in predictable fashion, they find themselves trapped on a weird island thousands of years in the past and forced to deal with an immature and slightly beetle-obsessed god of evolution.

I really enjoyed both story arcs contained within this book, and Pratchett did an amazing job bringing them together.  Both have some fantastic and weird elements to them and they make great use of the particular adventures and attitudes of their relevant characters.  While Rincewind is forced to run away from all manner of deadly situations you typically see here in Australia (let me tell you, the dropbears and road gangs are murder), the wizard faculty blunder their way through all manner of unique situations, mostly by ignoring what is happening to them.  Each storyline is unique and has some fantastic highlights, but the real strength is the way in which Pratchett combines them together into one cohesive narrative.  Not only are both distinctive arcs perfectly spread out and separated throughout the course of the book, but Pratchett does a fantastic job combining them together in a clever way.  This ended up serving as a great near-final adventure for Rincewind (he’s more of a supporting character in his following appearances), and I think it did a wonderful job wrapping up his main arc.  While readers should probably read some of the earlier Discworld novels featuring Rincewind (especially the preceding Interesting Times), The Last Continent can easily be read alone, and readers will have an outstanding time reading this fun and compelling comedic adventure.

In my opinion, The Last Continent is one of Pratchett’s funniest novels, although I might be somewhat biased by my own personal humour and background.  I always have an outstanding time reading this book and there are so many clever jokes and amusing references that I cannot help but laugh, no matter how many times I hear them.  This book has a lot of Pratchett’s classic humour elements to it, such as the unusual quirks of his various characters and the funny little footnotes, filled with great references and punchlines.  The author goes off on some very entertaining segues during this book, and I love some of the great jokes he came up with, especially those that make fun of Australia.

Now, despite what the author says at the front of this book, The Last Continent is clearly a parody of Australia, and Pratchett clearly enjoyed utilising every single Australian reference or cliché he could think of to craft his funny book.  The continent of XXXX is an over-the-top fantasy version of Australia, with many of the outrageous stereotypes that you would expect, as well as some more subtle choices, and it serves as a truly amusing setting for this book, especially as Rincewind perfectly plays the part of clueless tourist.  While you could potentially discount The Last Continent as merely satirising Australia, I have always seen it as something cleverer, as I think that Pratchett was more making fun of the stereotypes that outsiders came up with rather than Australia itself.  That being said, Pratchett, as a Brit, did take a few good shots, although that’s only to be expected.  As an Australian myself, I always enjoy when comedy writers try to encapsulate Australia in their works, as it is quite amusing to see what they reference.  I always thought that Pratchett did this the best with The Last Continent, as he really dived into so many aspects of Australia life, nature and culture, and there are some truly funny jokes contained within.  Australian historical or cultural icons like Mad Max, Priscilla, Queen of the Desert, Skippy, The Man From Snowy River, Crocodile Dundee, and Ned Kelly are utilised in this book to great effect throughout The Last Continent, and there are some truly outrageous and clever references and jokes here.

While The Last Continent is filled with many, many funny Australian jokes, a few really stick out to me.  I personally always laugh so hard when Death, wanting to learn more about the continent his elusive prey Rincewind has landed on, decides to ask his library for a list of all the deadly animals on XXXX.  However, this results in him being buried by a massive pile of reference books, including “Dangerous Mammals, Reptiles, Amphibians, Birds, Fish, Jellyfish, Insects, Spiders, Crustaceans, Grasses, Trees, Mosses and Lichens of Terror Incognita: (Volume 29c, Part Three).  This is followed up by a request for a list of harmless creatures on the continent, and a single card appears bearing the sentence “some of the sheep”.  I love that over-the-top joke about how dangerous Australia’s wildlife is (it is honestly not that bad, although my editor was bitten by a sheep the other day), and that was one of the best ways I have seen it bought up.  I also loved the references to Australian hero worship of notorious criminals such as Ned Kelly or the jolly swagman from Waltzing Matilda.  There are some amazing jokes here, from people attempting to make catchy ballads, to the prison guards providing advice and help on last words and escape possibilities, all of which capture the rebellious Australian spirit.  I particularly liked Pratchett’s version of Waltzing Matilda, which was perfect in its rhyme, its satirical analysis of the original poem, and how it fit into The Last Continent’s narrative:

“Once a moderately jolly wizard camped by a waterhole under the shade of a tree that he was completely unable to identify.  And he swore as he hacked and hacked at a can of beer, saying ‘what kind of idiots put beer in tins?’”

Other great Australian comedic sequences for me include the scene where the Unseen University wizards attempt to design a duck by committee, resulting in the mighty platypus, an impromptu Mad Max road chase with horse-drawn carts and the constant references to a certain line in our national anthem.  All of these jokes, and more, were pretty amazing and I really enjoyed seeing some of the outrageous and over-the-top elements that British culture picks up about Australia.

While I really enjoyed all the fun references to Australia, some of Pratchett’s best jokes in The Last Continent occurred during the secondary storyline that followed the faculty of Unseen University as they go back in time and encounter the god of evolution.  The author uses this part of the book to make comedic observations about time travel, evolution and advanced biology.  Not only does include a particularly hilarious sequence in which someone tries to explain the grandfather paradox to a group of wilfully ignorant wizards, but there are some truly funny jokes about evolution and biology which cleverly reference some advanced concepts and historical basis of the science.  While I read this book years ago, it wasn’t until I took some specific biology classes that I fully grasped just how intelligent some of the jokes in this part of the book are.  I personally love a book which you can come back to time and time again and find some new joke or layer to, and this is the case with The Last Continent, which no doubt still contains elements or references I’ve missed.  All of this results in a comically brilliant read, and The Last Continent remains one of my favourite Disworld reads as a result.

I have always enjoyed the great character choices contained within this book, as Pratchett brings together some old favourites, as well as a few entertaining new ones, to tell the story.  The main character of The Last Continent is Pratchett’s original Discworld protagonist, Rincewind, the cowardly and inept hero who cannot even spell “wizard” properly, but who has served as a world-saving hero on multiple occasions.  Rincewind is always a particularly fun character to follow, not only because he constantly finds himself caught in all manner of unique situations which he heroically tries to run away from (he has become quite the expert at running away), but he has a certain realistic approach to life that allows him to see through the ridiculousness around him and address it in a funny manner.  At this point in the series, Rincewind has been bounced around from adventure to adventure against his will so much that he has developed a bit of knack for knowing when it is going to happen again, including figuring out all the signs someone gives off when they are trying to con him into being a hero.  It proves to be quite entertaining to see Rincewind try to escape from people trying to drag him into the narrative, especially as all his attempts to get out of dangerous situations generally put him in even worse trouble.  It is also really worth seeing Rincewind’s reactions to the various elements of XXXX life, especially as he soon begins to realise that everyone there has some very unusual ideas about how to live and die, most of which he is very opposed to.  I really enjoyed this more mature and somewhat resigned version of Rincewind and I have to say that this is one of my more favourite adventures of his (either this or Interesting Times).  It was definitely great to see the character get a happy ending towards the end of the book for once, which he frankly deserved after his last few adventures.

While Rincewind is tearing it up in not-Australia, Pratchett also dedicates around half of The Last Continent to the characters who form the faculty of the Disc’s premier wizard school, Unseen University.  Many wizard characters have featured in the Discworld books, but this current iteration of the faculty (with the exception of the Librarian) was originally introduced in the 10th book, Moving Pictures, and has remained pretty constant ever since.  This group includes the hunting-obsessed Archchancellor, Mustrum Ridcully; the quite insane Bursar; the incredibly obese Dean; the amusing team of the Senior Wrangler, the Chair of Indefinite Studies and the Lecturer in Recent Runes; the orangutan Librarian (working in a library is dangerous work); and the long-suffering Ponder Stibbons, the youngest member of the faculty and the only one with any common sense.  Pratchett had previously done an amazing job building up all of these characters in prior books, highlighting their unique quirks and issues, including the overwhelmingly stubborn, childish and traditionalist personalities of the older wizards.  This excellent blend of personality types really makes the older wizard characters really amusing and their adventures, especially when encountering strange gods and creators who they generally ignore, are extremely funny.  While an entire book about these characters would potentially be a bit overwhelming, I think that Pratchett got the balance right in The Last Continent, and they ended up serving as a fun counterpoint to Rincewind.  Stibbons was also a particularly good straight-man to his fellow wizards, and the contrast between keen intellectualism and entrenched “wisdom” is a fantastic part of the book.  I rather enjoyed Stibbons arc in this book, especially as you get to appreciate the true depth of his frustration with his fellow wizards, although he does gain a deeper appreciation for them as the book progresses.  Other amusing storylines with the wizards includes the Senior Wrangler’s obsession with housekeeper, Mrs Whitlow, which eventually gets shared with some of the other wizards, and the uncontrollable shapeshifting infecting the Librarian, which makes for some entertaining gags.  I also really enjoyed the fact that much of the book’s plot revolves around the fact that no-one actually knows the Librarian’s name, a fun feature from the previous books, and it was interesting to see the reasons why this was the case.

Aside from this fun collection of wizard characters, Pratchett makes great use of a fine selection of supporting characters, each of whom add some fantastic fun to the overall story.  This includes a very inventive group of new characters, each of whom represent various parts of XXXX life, whether they be depressed operatic chefs, police officers more concerned with getting their charges ballads and famous last stands, bushland drovers, belligerent drinkers, desert-wandering crossdressers in a princess-themed cart and even a crazed road warrior named Mad.  Despite most of them being the result of a punchline or extended joke, Pratchett sets each of these characters up really well and ensures each of them has a fun and satisfying character arc in the book.  I also quite enjoyed the return of fan favourite character, Death, who goes on a bit of a tourist phase through the book.  I really liked Death’s random appearances throughout The Last Continent, especially as he drops some amusing anecdotes about dying in XXXX, and it was also great to see his current viewpoint on Rincewind.  Whereas before he was always determined to catch and kill Rincewind, as he was the one mortal who constantly got away from him, in this book, Death, who no longer has any idea of when Rincewind is actually going to die and is now quite fascinated by him, keeps himself appraised of his progress and is generally friendly to him, even if that freaks Rincewind out.  I also loved the appearance of another member of the extended Dibbler clan, even if the XXXX version was a parody of a certain unpleasant right-wing political figure here in Australia.  The appearance of another ruthlessly mercantile hot-food dispenser with inedible food is a great continuation of a running joke Pratchett has been using for several books, and it is one that really pays dividends in The Last Continent, when Rincewind recounts all the terrible foods he’s eaten over the years from the various Dibblers he has encountered, which then runs into a fantastic diatribe about the dangers of national delicacies, especially XXXX’s meat pie floater (a real meal here in Australia, although there is no way in hell I would ever eat one).  All of these characters add so much to the book’s story, and I love the inventiveness that Pratchett puts into them.

While I have enjoyed all the Discworld novels in their physical paperback format at one point or another, my preferred way to experience a Pratchett novel these days is in its audiobook form.  All of the Discworld novels have been turned into excellent audiobooks over the years, and The Last Continent is no exception.  Narrated by the outstanding Nigel Planer, who ended up narrating over 20 Discworld novels (The Last Continent was the penultimate Discworld book he leant his voice to), and with an easily enjoyable runtime of just under 10 hours, this is a pretty fantastic audiobook that I regularly rush through in not time at all.  I find that all the awesome jokes in this book come across in the audiobook format extremely well, even the jokes traditionally contained within the book’s footnotes, and Planer’s witty voice is always pitched at the best tone to bring out the joke’s potential.  I really appreciate the way in which Planer utilised the same voices for the various recurring characters he has used in all their previous appearances, and each of the voices fit the characters very well.  I also really enjoyed the voices he came up with all the new characters, and it was exceedingly amusing to see him come up with a range of Australian voices and accents and have them belt out a variety of outlandish slang terms.  All in all, this turns out to be an excellent audiobook version of The Last Continent and it is pretty much the only way I enjoy this novel at the moment.

As you can see from the huge review I pulled together above (I have written university essays that were shorter), I really love The Last Continent.  This fantastic Australian parody is easily one of my favourite Discworld novels, and I deeply enjoy the outstanding and entertaining story that Pratchett wove around this outrageous version of my country.  Anyone who is familiar with anything Australian is going to have an incredible time reading this book, and I honestly do not think I could give this anything less than five stars.  A highly recommended read from one of the funniest authors of all time.

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The Kaiser’s Web by Steve Berry

On By The Unseen LibraryIn Audiobook, Thriller18 Comments

The Kaiser's Web Cover

Publisher: Hodder & Stoughton/Macmillan Audio (Audiobook – 23 February 2021)

Series: Cotton Malone – Book 16

Length: 14 hours and 32 minutes

My Rating: 4.5 out of 5 stars

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The always impressive Steve Berry returns with another amazing great historical conspiracy thriller, The Kaiser’s Web, which sees his long running protagonist Cotton Malone investigate secrets left over from World War II.

Germany is in the midst of a ferocious electoral battle as two very different candidates vie to become chancellor.  One is the incumbent chancellor, a long-term public servant who believes in the goodness of her fellow Germans, while her opponent is a far-right populist, stoking the flames of nationalistic hatred and resentment to gain his power.  Both have their own vision for the future, but the key to this election may lie in the past, specifically, to what really happened on 30 April 1945, the day that Hitler and Eva Braun supposedly died in their bunker underneath Berlin. 

When a series of mysterious documents hinting at secrets from her opponent’s past are delivered to the German chancellor, she turns to her long-time friend, former United States President Danny Daniels for help.  Determined to keep Germany from going to the far-right, Daniels calls on the services of former American intelligent agent, Cotton Malone, and his girlfriend, the resourceful Cassiopeia Vitt.  Together, Malone and Vitt follow the trail left in the documents to Chile, where they uncover a dangerous web of deceit and hidden Nazi money, seemingly created by Hitler’s closest confidant and personal secretary, Martin Bormann.

When evidence suggests that Bormann, who everyone believes died in the last days of the war, may have actually survived and fled to South America with billions in stolen wealth, Malone and Vitt are shocked.  However, they soon discover that not everything is as it seems, and that someone has woven a dangerous trap around them, one that could tip the election in the far-right’s favour.  In order to save Germany from itself, Malone and Vitt must unravel the entire truth behind the conspiracy known as the Kaiser’s Web before it is too late.  But what impact can secrets from over 70 years ago have on present day Germany, and how far are people willing to go to protect them?  The truth about Hitler, Braun and Bormann will shock the world, and not even the legendary Cotton Malone will be prepared for the consequences.

Berry has been writing exciting and clever thrillers for nearly 20 years, ever since his 2003 debut, The Amber Room.  While he has written several standalone novels, Berry is best known for his Cotton Malone books, which started in 2006 with The Templar Legacy, and The Kaiser’s Web is the 16th entry.  I only started getting into the Cotton Malone series a few years ago when, on a whim, I decided to try the 14th book in the series, The Malta Exchange.  I ended up really enjoying the amazing story contained within The Malta Exchange, which combined together historical tales of Malta, the Knights Hospitaller and the Vatican, to create an impressive and addictive read.  I was also lucky enough to receive a copy of the 15th book in the series, The Warsaw Protocol, last year, which turned out to be another awesome read that dived deep into the heart of Poland’s history and politics.  Both books were really intriguing reads and I am now quite determined to check out any and all new Cotton Malone novels that come out.  I was particularly interested when I saw the synopsis for The Kaiser’s Web last year and I have been looking forward to reading it ever since.  I am extremely glad that I did, as Berry has once again produced a fantastic and captivating thriller that not only weaves a unique fictional historical conspiracy into an excellent and highly enjoyable story, but which also allows new readers to dive in and readily enjoy. 

For his latest novel, Berry has come up with another cool and impressive story that combines an investigation into historical secrets with an intense and dramatic thriller.  Told from the perspective of all the various players in the book, The Kaiser’s Web’s narrative starts off quickly when a mystery with world-altering implications is presented to the protagonists, forcing them to explore the final days of the Nazi regime and travel all over the world to find the answers.  While it initially seems like the protagonists are caught up in an elaborate and dangerous trap, the narrative quickly takes a turn when a third party intervenes, disrupting the entire plot and leaving everything, including the protagonist’s success or failure, up to chance.  There are so many amazing elements to this story and I loved the way that the author works his altered historical details into a high takes, thrilling narrative, with the secrets of the past very much having an impact of key events from the future.  Like several of Berry’s previous novels, The Kaiser’s Web has a lot less action in it than most thrillers do; instead most of the narrative is filled with talking, historical flashbacks and character building, which I personally really liked and which give this book a much more distinctive feel than some other examples of this genre.  That being said, there are several great, fast-paced action scenes in this book, which, when combined with the clever historical elements and investigation, resulting a thrilling and powerful novel.  I also liked how The Kaiser’s Web has much more a political thriller vibe to it than some of the previous Cotton Malone novels I have enjoyed, with the result of the protagonist’s investigation having severe impacts on the fate of Germany’s election, and indeed Berry works several different stages of the opponent’s campaign into the overarching story, showing how close the election is.  All of this comes together into one big and captivating conclusion, and while I was able to predict a couple of the big twists, including a particularly major reveal, Berry still surprised me in places, and I had an outstanding time getting through this awesome story.

To really flesh out The Kaiser’s Web’s narrative, Berry dives deep into the heart and soul of the country of Germany and its people to set up the story’s central conspiracy and explain its significance.  This includes a really intriguing examination of Germany’s history, both during the war and in the post-war period, and readers get a comprehensive understanding about what happened in Hitler’s bunker, and how history has recorded or, in many cases, failed to properly record these events.  Berry also features a really in-depth examination of some key Nazi figures, including Martin Bormann and Eva Braun, showcasing their psyches and personalities, as well as exploring their role in the war, the major policies that Bormann enacted and their significance to people like Hitler.  There is also an intriguing exploration around their recorded deaths, and the historical inaccuracies about them become a key part of the plot.  There is also a compelling look at what happened to former Nazis post World War II, both in Germany and outside of it.  In particular, the story traces the routes and hideouts that several former Nazis had in South American countries, and it was fascinating to see some of the real-life examples of fleeing Nazis that are repurposed for this narrative.  All of these historical aspects are very interesting, and I love the unique and clever story that Berry was able to create using them.

In addition to Germany’s wartime history, Berry also examines the current political and social climate of Germany, which becomes a significant part of the book’s plot.  Berry really attempts to explore a lot of the current attitudes that the modern German people have, especially as certain resentments, forced political concessions and other factors have seen a re-emergence of the far-right in Germany (and other European countries), and the election featured within the book becomes a real battle for the soul of the country.  The author has obviously spent a lot of time researching current German moods and political preferences, and this proves to be a powerful and compelling heart to the novel, especially as he really does not have to exaggerate some of the problems that new hard-right organisations in Germany are causing.  Berry does a fantastic job not only exploring the roots of a lot of these problems, many of which date back all the way to the war, but also working it into his clever thriller story, resulting in an amazingly powerful narrative that, thanks to these real-world issues, really drags you in.

One of the things that I always like about the Cotton Malone novels are the awesome depictions of the different countries and landscapes that form the backdrop for the impressive narrative.  It is obvious that the author has a real passion for travel and new landscapes, and this really flows through into his writing as Berry spends a lot of time describing all the key features and locations his characters see, both man-made and natural, in exquisite detail.  These depictions are so detailed and compelling that the reader can often believe they are standing next to the characters enjoying the view.  The Kaiser’s Web is no exception to this as the author once again details several amazing places that form the backdrop to the complex story.  As a result, the reader gets to experience some really cool locations, including several provinces of Germany, parts of Chile, brief looks at countries like Switzerland, Belarus and Austria, and an expanded exploration of the Free State in South Africa.  In each of these locations, Berry provides the reader with fantastic details about the landscape, the people, local industries and politics, as well as some fun snippets of history, most of which relate to the post-war period.  This becomes an extremely fascinating part of the book, especially as Berry’s enthusiasm for different horizons is quite infectious, and I had a great time exploring these new locations.  I cannot wait to see where the next Cotton Malone novel is set, as the author is bound to feature some new and intriguing places.

I have to say that I also really enjoyed some of the new characters featured within The Kaiser’s Web.  This was a pretty good book for characters, as Berry continues to not only showcase his long-running protagonist Cotton Malone but also reintroduces two characters who were somewhat underutilised in the previous book.  Cotton, who is something of a nexus for historical conspiracies, has another great adventure in this novel, and I loved seeing this ageing former agent turned rare book dealer get into all manner of trouble as he attempts to find the truth.  Despite being the nominal main character of this novel, I did think that Cotton was slightly pushed into the background of the story, mainly because several of the other characters were very heavily featured.  Part of this is because Cotton spends the entire novel teaming up with his love interest Cassiopeia Vitt.  Due to the fact that I have only read a couple of Cotton Malone novels, this was the first time I have seen the character of Cassiopeia in action, and I quite enjoyed her as a character.  Cassiopeia, who is also the focus of several Berry’s short stories and novellas, is another great character to follow and it was interesting to see her counterpoint to Cotton’s perspectives.  Cotton and Cassiopeia form a fantastic team in this book and I enjoyed seeing them work together and support each other in various ways.  Aside from Cotton and Cassiopeia, it was also great to see more of former US President Danny Daniels, who becomes a key part of the story.  I loved the idea of a popular former President running important international espionage missions after his retirement (could you imagine Obama doing something like that? That sounds pretty awesome), and he serves as a great supporting character getting Cotton and Cassiopeia involved in the story.

While the returning characters are good, my favourite point-of-view characters had to be Marie Eisenhuth, the current German chancellor who finds herself caught in the middle of dangerous events, and her main opponent in the upcoming election, Theodor Pohl, the book’s primary antagonist.  These two characters represent the very different ends of the German political spectrum, with Eisenhuth a pro-immigration and anti-Nazi politician, while Pohl is a far-right figure who is attempting to utilise the conservative populations to introduce damaging nationalistic policies.  Both Eisenhuth and Pohl get a substantial amount of focus in this book and it proved extremely fascinating to see them throughout the novel, especially as their electoral campaign plays out like a battle for the soul of Germany.  It was also great to see Pohl’s perspectives, especially when he is manipulating people or reacting to the actions of Cotton and his friends and is forced to put more deadly plans into play.  While The Kaiser’s Web initially focuses on their political differences, the novel soon examines various parts of both characters’ lives, pasts and families, which proves to be deeply compelling and interesting.  I love the cool reveals behind these characters, and their storylines reveal a very intriguing case of nature versus nature.  I think both characters had exceptional story arcs throughout this book and their storylines ended up being an outstanding part of The Kaiser’s Web.

I ended up listening to The Kaiser’s Web on audiobook, mainly because I have found that Berry’s awesome historically based conspiracies translate across to the audiobook format extremely well and I end up following all the cool detail and inclusions a lot more.  With a run time of 14 hours and 32 minutes, this is a fairly decent sized audiobook, but listeners should generally be able to power through it rather easily, especially once the cool conspiracy really hits its height.  I also really enjoyed the awesome narration of Scott Brick, who does an exceptional job with this latest Cotton Malone book.  Brick is a well-established narrator who has contributed his voice to an amazing number of audiobooks, including all the previous entries in the Cotton Malone series, as well as the fantastic Orphan X series (for example, he did a great job narrating Into the Fire and Prodigal Son).  I particularly enjoyed Brick’s amazing voice work in The Kaiser’s Web, mainly because he got an opportunity to show off the wide range of accents he could do.  Not only does he pull off a range of German accents for the various German characters, but he also does some amazing South American accents and some extremely authentic South African accents.  The South African accent, which is a really hard one to pull off (so many narrators and voice actors try and fail to do it properly, often coming off as Australian), was really good in this book, and I am really impressed by Brick’s skill.  At the same time, Brick’s general narration voice fit the intense tone of The Kaiser’s Web extremely well, and I thought that he moved this dense and complex story along at a decent pace, ensuring that the listener’s attention was constantly drawn in.  As a result, I had an exceptional time listening to this audiobook and this is easily my preferred format to enjoy Berry’s Cotton Malone novels with.

The Kaiser’s Web is another outstanding novel from Steve Berry, who has once again produced a captivating and clever historical conspiracy thriller.  Featuring a unique tale, intriguing dives into several countries and some fantastic characters, The Kaiser’s Web is a must-read for thriller fans and comes highly recommended.  I personally loved untangling all the threads in this cool thriller and I cannot wait to see what Berry comes up with next.

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Relentless by Mark Greaney

On By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller36 Comments

Relentless by Mark Greaney Cover

Publisher: Sphere/Audible Audio (Audiobook – 16 February 2021)

Series: Gray Man – Book 10

Length: 15 hours and 39 minutes

My Rating: 5 out of 5 stars

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One of the leading authors of the spy thriller genre, Mark Greaney, returns with the tenth epic book in his long-running Gray Man series, Relentless, an impressive and captivating read.

Mark Greaney is talented author who has been absolutely killing it over the last 10+ years ever since his 2009 debut.  While he has written some other books, including seven contributions to Tom Clancy’s iconic Jack Ryan universe (three cowritten with Clancy, and four written after Clancy’s death) and the military thriller Red Metal (cowritten with Hunter Ripley Rawlings, and one of my favourite books and audiobooks of 2019), Greaney is probably best known for his awesome Gray Man series.  Starting with The Gray Man in 2009, this series follows Court Gentry, a disavowed CIA operative turned assassin known as the Gray Man.  I am a major fan of this series, having read the last few entries, Mission Critical and One Minute Out (the latter was one of my favourite books and audiobooks of 2020), and I have been looking forward to this book for a while (indeed it was one of my most anticipated releases for 2021).

Around the world, several top intelligence agents are disappearing, and CIA deputy director Matthew Hanley wants to know why.  When a former American agent who was believed to be dead resurfaces in Venezuela under the protection of the local secret police, Hanley has no choice but to send in his most dangerous asset, Court Gentry, the Gray Man.  As the Gray Man, Gentry is feared around the world as a lethal assassin and rogue operative, but his real role is as a deniable hitter for Hanley at the CIA.  Journeying down to Venezuela, Gentry makes contact with the former agent, who spins a tale of conspiracy and espionage in the heart of Europe before being brutally murdered by a heavily armed team of assassins.

Barely managing to escape with his life and convinced of a larger conspiracy at foot, Gentry convinces Hanley to send him to Berlin to uncover the truth.  At the same time, Gentry’s fellow CIA agent and lover, Zoya Zakharova, is infiltrating a private German intelligence firm with connections to the dead man in Venezuela.  As Zoya attempts to find out who is really running the organisation, she finds herself once again in the crosshairs of her former masters in Russian intelligence, who send their most lethal assassin to kill her.

As Gentry and Zoya fight for their life in Berlin, they start to understand the full breadth of the conspiracy they have found themselves amid.  Someone is playing a dangerous game at a global level and they are willing manipulate the American and European governments to further their goals.  Can Gentry and his allies get to the bottom of this conspiracy before it is too late or will a terrible attack lead America into an unwinnable war?

The hits keep on coming from Greaney, as Relentless was a fantastic and incredible novel that is one of the best books of 2021 so far.  I loved the impressive and complex story contained within Relentless with all its twists and turns, and I swiftly became enthralled by the well-written and intense narrative.  I had an outstanding time reading this book and it gets an easy five-star rating from me.

At the heart of this awesome novel is an intense and fast-paced narrative that readers will quickly become addicted to.  Set shortly after the events of One Minute Out, this multi-perspective narrative sends protagonist Court Gentry to South America on a dangerous mission that has connections to the main conspiracy.  After a not entirely unexpected destructive fire fight from a third party, Gentry heads to Europe where he seeks to back up his love interest, Zoya, who is undercover in Berlin following another connected lead.  At the same time, the narrative expands out to showcase other groups involved in the conspiracy, including a manipulative spy master, two separate teams of killers who are hunting different protagonists, and an Iranian sleeper agent, just to name a few.  All their various storylines and character arcs are extremely interesting and exciting, as the author has crafted together some compelling narratives for each of them.  Greaney throws in a lot of amazing surprises and twists throughout the novel, and while I was able to guess how a few things were going to turn out, I could not predict the amazing scale and complexity of the overarching conspiracy that the characters find themselves involved with.  There is a comprehensive and captivating focus on international espionage throughout Relentless which fits into the story perfectly, and I loved all the cool details that author included, including a recreation of a recent real-life espionage event of great significance.  All these storylines come together extremely well, ending with a massive and memorable conclusion that was a lot of fun, and I ended up loving every second of this cool story.  Greaney also sets up some intriguing storylines for future novels in the series and I am really looking forward to seeing what happens next.

In addition to Relentless’s epic story, I really enjoyed Greaney’s cool writing style, which complemented the narrative perfectly.  The novel can be easily enjoyed by people unfamiliar with the series, and I really appreciated the amazing amount of detail and excitement loaded into the book.  There a particular focus on trade craft with this latest novel, with some great explanations about the various spy techniques utilised by the various characters, and this pumped some real authenticity into the story.  I also really enjoyed all the incredible action sequences featured within this latest novel.  Greaney has always had a talent for writing explosive and powerful action scenes, and Relentless contains some impressive examples of this as the protagonists duke it out with a wide range of enemies across the world.  Every action scene is well-planned out, realistic and very intense, ensuring the reader is constantly on the edge of their seat.

I also absolutely loved the author’s excellent use of multiple perspectives throughout the novel, which was a real highlight for me.  While there is an obvious focus on characters like Gentry and Zoya, nearly every other character, including many of the antagonists, have their side of the story shown.  I found this worked extremely well to tell a complex narrative, as the reader gets to see what everyone, from the mastermind of the conspiracy to members of the various kill teams hunting the protagonists, is doing and thinking.  Not only does this build up suspense, as you know in advance some of the dangers and threats coming towards the protagonists, but you also get to see the antagonists react to all of Gentry’s actions and watch them adjust accordingly.  This makes for a much richer and more impressive story, and it works particularly well in some of the combat sequences, as you get to see all the characters manoeuvring around the battlefield.  There are also some extremely awesome chapters where various characters are following each other throughout Berlin.  Watching several point-of-view characters engaging in surveillance and countersurveillance operations against each other, with some other interested parties thrown in for good measure, was very cool, and it ended up being one of the cleverest sequences in the novel.  I really loved how this awesome writing style enhanced the story and I think it worked really well.

As usual, Greaney comes up with an excellent selection of characters for Relentless, all of whom get explored in substantial detail throughout the book.  Most of Relentless’s focus is naturally on the series’ main protagonist, the titular Gray Man himself, Court Gentry.  Greaney continues to paint an interesting figure with Gentry, as a former official CIA operative who was forced to become an assassin with a conscience, before secretly re-joining the CIA in the Poison Apple program as a deniable asset.  Gentry has a great, action-packed story in Relentless, getting into all manner of dangerous situations, and I loved the cool ways he attempts to extricate himself from them, often by killing his opponents.  I also really liked how Greaney gave Gentry a significant handicap in this latest adventure, as he is suffering from a serious infection from a stab wound gained in One Minute Out.  This infection reduces his reaction speed and physical prowess throughout the book and forces him to seek continued medical care, all of which makes his mission even more dangerous and problematic, and which really raises the stakes for the entire book.  It was also great to see more of Zoya and Zack Hightower, the other two Poison Apple agents, both of whom were not featured that much in the previous novel.  Both these agents have some compelling and entertaining arcs in this book, and I always enjoy how well the former Russian knockout and the aging American special operator compliment Gentry as a team.  Interestingly, you also get to see a lot more of CIA deputy director Matthew Hanley, the man secretly running Gentry, as he even gets into the field for a particularly dangerous assignment.  Some big moments occur for Hanley in Relentless, and it will be interesting to find out what happens to him next.  I also quite enjoyed the wild Russian assassin, Maksim Akulov, a drunk lunatic with a death wish, who is assigned to kill Zoya, but eventually starts targeting Gentry, seeing him as the ultimate challenge.  All these amazing characters, and more, really added a lot to the story, and I look forward to seeing how the ones who survived are utilised in the future.

While I did receive a physical copy of Relentless, I ended up enjoying this book in its audiobook format instead.  I have had a lot of fun with Greaney’s audiobooks in the past and I generally find that the intense and epic action and espionage translates into this format extremely well.  Relentless was no exception, and I found myself really enjoying listening to all the cool sequences unfold and at times I almost felt like I was there witnessing it.  With a run time of 15 hours and 40 minutes, Relentless’s audiobook is pretty long and might take listeners a while to get through.  However, it is worth the time investment and you will find yourself quickly powering through it once you get caught up in the story (I personally listened to it for nearly five hours straight at one point).  This latest Gray Man audiobook also sees the return of Jay Snyder as narrator.  Snyder is an experienced and prolific audiobook narrator who has contributed his voice to a wide range of awesome audiobooks in the past, including all the previous entries in the series.  Snyder has a fantastic gruff voice that fits the tone of Relentless perfectly, and which he uses to great effect moving the story along and describing all the deadly action and chaos.  Snyder also produces some great voices for the various characters which I think encapsulate each person really well and proved to be very effective.  I was a little wary about a Minnesota accent that he had to do for one of the characters, but it grew on me as the book progressed and I think it was a decent attempt in the end.  All of this makes for an epic and enjoyable audiobook and this is definitely an amazing way to check Relentless out.

Relentless is another exceptional spy thriller from the always impressive Mark Greaney that comes very highly recommended.  The 10th entry in the always outstanding Gray Man series, Relentless contains another captivating and deeply exciting narrative, which, combined with Greaney’s impeccable writing and fun characters, makes for a truly excellent thriller.  I had such an awesome time reading Relentless, and this book is one of the best releases of 2021 so far.  I look forward to seeing how Greaney continues this series in the future, and I must really go back and check out some of the earlier Gray Man novels this year, especially as a movie adaption of The Gray Man is currently being made by the Russo brothers with Ryan Gosling and Chris Evans set to star (I mean, talk about a movie with some real potential).

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Throwback Thursday – Storm Front by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Murder Mystery, Throwback Thursday29 Comments

Storm Front Cover

Publisher: Buzzy Multimedia (Audiobook – 1 April 2000)

Series: Dresden Files – Book One

Length: 8 hours and 2 minutes

My Rating: 5 out of 5 stars

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For my latest Throwback Thursday I finally check out the first novel in the epic and highly acclaimed Dresden Files series, Storm Front, by legendary author Jim Butcher, which is an amazing and impressive read.

Jim Butcher is an outstanding author who has been dominating the fantasy market for nearly 20 years.  While he has written a couple of series, including his Codex Alera books, and some standalone novels, such as the tie-in novel Spider-Man: The Darkest Hours, Butcher is easily best known for his Dresden Files novels.  These books follow the adventures of titular protagonist Harry Dresden, Chicago’s only official wizard, who solves magical crimes and serves as a protector of the innocent against a range of supernatural threats.  This series has been running since 2000 and with 17 current entries (the 18th is on the way) it is generally considered to be the gold-standard of urban fantasy series.  While I have always heard amazing things about these books, I arrived a little late to the party, having only read the 17th book, Battle Ground, last year.  Battle Ground was a pretty epic read, containing an off-the-chain fantasy war in the heart of the city, and it ended up being one of my favourite novels (and audiobooks) of 2020.  Due to how much I enjoyed this latest book, as well as a general desire to explore the rest of the series, I decided to go back and read the first entry in the series, Butcher’s debut novel, Storm Front.

Harry Dresden is a man who leads an interesting life.  As the only openly practicing magic user in Chicago (his name is even in the phonebook under wizard), Harry scrapes a living investigating small and unusual cases, such as finding lost items and performing paranormal investigations while trying to avoid the attentions of the White Council, a governing body of magical practitioners who have placed Harry on a lethal probation.  However, his latest cases are about to make his life very complicated in ways he never expected.

Two people have been murdered in a particularly gruesome manner, with their hearts bursting out of their chests during an act of passion.  Called in by the Chicago P.D., which has him on retainer as a magical consultant, Harry determines that their deaths were caused by the darkest of spells.  Despite being forbidden by the White Council to know anything about the deadly arts, Dresden begins to dive into the case, determined to find out who is responsible and how they did it.  At the same time, Monica Sells, a local housewife, has provided Dresden with a great deal of money to find her missing husband, someone who has apparently had his own recent misadventures with magic.

As Harry investigates both the murder and the disappearance, he finds himself under attack from all sides.  Not only does the most feared gangster in Chicago want him to drop the case, but the White Council views him as the prime suspect in the deaths due to his deadly past.  Worse, a shadowy figure wants him dead and is unleashing dangerous magical creatures upon him.  However, you cannot keep a good wizard down, and Harry plans to use every trick at his disposal to stay alive long enough to find the killer, even if it burns every bridge he has.

Well, that was a pretty awesome read, and one that I wish I had checked out a very long time ago.  Storm Front is an exciting and clever book that combines a compelling story with some great characters, an interesting urban fantasy setting and a fantastic, humour laden tone, all of which come together into an impressive novel.  Storm Front also serves as an excellent first novel in the wider Dresden Files series, and it was extremely interesting to see it after previously reading a more recent entry in the series.  I had an amazing time with this novel and, while it is a tad rough in places, especially compared to Butcher’s later work, I must give Storm Front a full five-star rating.

At the centre of Storm Front lies a particularly good fantasy murder mystery narrative that sees the protagonist take on some challenging cases that result in death and destruction raining down on his life.  The story starts up quickly with Dresden, whose role as a wizard is more like a supernatural PI, being employed to find a missing husband, while also helping the police solve a twisted magical double murder.  This results in a fast-paced narrative that sees Dresden investigate both cases in his own unique way, which results in dangerous complications as people attempt to either discourage him or outright kill him.  I loved how the story read a lot like a hardboiled detective fiction novel, albeit with a lot more quips and amusing jokes, and this style of writing worked extremely well with the magical elements featured throughout the book.  The narrative gets more complex as the book progresses, with additional side characters, greater lore inclusions and more sophisticated dangers, and I felt that the author was able to work all of this into story extremely well, ensuring that the reader becomes enthralled with the intense magical action, entertaining characters, and outlandish threats.  The author also throws in some clever twists, which includes the protagonist becoming the main suspect in the murders, resulting in a lot of tense and dangerous situations as he tries to avoid everyone coming after him.  All of this leads up to an epic and fantastically written conclusion which pulls all the threads of the story together and ensures that the reader is left wanting more.  If I had to make one criticism about the book, it would be that the identity of the main antagonist/murder is extremely obvious right from the outset, and that ruins a lot of the surprises that the author was clearly hoping for.  However, I still really enjoyed Storm Front’s captivating tale, and it is worth hanging around to see the story unfold.  Overall, I felt that this was an exceedingly strong story and it honestly does not take long to get hooked on it.

Easily the top highlight of this book is the outstanding protagonist and narrator, Harry Dresden (full name: Harry Blackstone Copperfield Dresden, named after famous stage magicians), the rogue and public wizard.  Dresden is an amazing and entertaining protagonist who the reader quickly becomes attached to thanks to his antics, morality, unpredictable nature and skills as magic user.  I always enjoy smartass characters, and Dresden is one of the better ones I have read.  A lot of the book’s excellent comedic undertones are thanks to Dresden’s dry and timely sense of humour as he provides some excellent quips and commentary, both out loud and in his head.  Despite being a mostly funny character, Butcher ensures that his protagonist has a hard and dark edge to him that helps to make him even more compelling and intriguing to follow.  Not only does the reader get an in-depth and comprehensive look into his troubled psyche, especially when he is experiencing guilt, trauma or despair, but there are some intriguing hints at his dark past, some of which come into play throughout the book.  I also liked how the author set up and explored Dresden’s magical ability, especially as the protagonist is not the most powerful magical user out there, although he makes up for it through trickery, training and intelligence.  I particularly liked the way in which he was able to defeat an antagonist with substantially more raw magical power with some simple tricks or the use of some psychology, and the author did a great job highlighting his protagonist’s analytical thinking as one of his key strengths.  I also have to say that I really enjoyed the fantastic look that Butcher sets up for his character, with the black duster, the staff and the Blue Beetle car, making him a very distinctive figure.  This ended up being an outstanding introduction to the character, and it will be interesting to see how he develops to the powerful badass that later appears in Battle Ground.

In addition to Dresden, the author also features an interesting collection of characters throughout Storm Front who add some additional, exciting layers to the overall story.  Each of the supporting characters in this novel is very well-written and layered, featuring some intriguing histories (although they all have secrets that will be revealed later).  Many of these characters become major figures in the larger Dresden Files series, and this serves as an excellent introduction to them.  Of all the characters a few really stood out to me, including Bob, an air spirit who inhabits a skull in Harry’s lab.  Bob is a fun, if unusual, character who has a somewhat perverted/voyeuristic streak that causes Harry all manner of trouble and leads to some very entertaining moments throughout the book.  I also quite liked the introduction of Karrin Murphy, the hardnosed Chicago detective who utilises Dresden as her magical consultant.  Karrin is a great no-nonsense character who is one of the few people to call Dresden out on his actions and who has a complex relationship with him in this book.  I really must highlight the introduction of “Gentleman” John Marcone, Chicago’s premier crime boss who is antagonistic towards Dresden for much of the book.  Marcone is portrayed is a stone-cold killer with a hidden past, and there are some great hints at what sort of recurring character he becomes in future entries in this series.  I also thought that the overall antagonist of this novel was pretty good and served as a great counterpoint to Dresden throughout the book.  Despite the identity of the antagonist being rather obvious for much of the novel, I felt that Butcher provided them some complex motivations for their actions in Storm Front, and it was intriguing to see how they slid down into using dark magic.  This antagonist has a couple of fantastic scenes in this novel, and I particularly liked the clever way in which their storyline came to an end.  Each of these side characters added so much to the book’s plot, and I had an amazing time getting to know them.

I also really enjoyed the amazing urban fantasy setting that Butcher came up with for Storm Front.  This series is set in a world where magic is semi-hidden from mortals, although there is substantial dangerous magical activity occurring in the underbelly of cities like Chicago.  The author does a great job of setting up the basics of this fantasy reality throughout the first book, and the reader is given an effective rundown of all the unique features and limitations of magic and magical creatures for these books.  Butcher made the smart choice of starting small with this first book, and while there are mentions of the wider magical world, enough to draw the curiosity of the reader, for the most part the magical elements are limited to what is relevant to the story.  I liked that the reader was not overwhelmed with lore right off the bat, especially as this allowed them to enjoy the cool story, but it is clear a lot of what was mentioned will be explored in far greater detail in the future.  The grimy and dangerous magical cityscape also served as an awesome background to the noir style story contained within Storm Front, and it was great to see the character get involved with both the criminal and magical underbelly of the city.  I had a lot of fun with this setting, and I look forward to learning more about the rules and hidden magical lore in the future.

Considering how outstanding my previous experience with a Dresden Files audiobook was, there was no way that I was not going to check out Storm Front’s audiobook format, especially as it was once again narrated by Spike himself, James Marsters (I also loved him in Torchwood and Smallville, but he was at his best in Buffy and Angel).  Unsurprisingly I had an incredible time listening to Storm Front’s audiobook and I ended up knocking it out in a couple of days, especially as it has a relatively short runtime of 8 hours.  This was an incredible audiobook, not only because the great story translated really well into the format, but also because of Marsters’ fantastic narration.  Marsters did an outstanding job narrating this story at a quick pace, drawing listeners into the story while also utilising a voice that perfectly fits Storm Front’s tone.  I also really appreciated the way in which Marsters dove into the role of the central protagonist, Harry Dresden, and he really brings this maverick character to life throughout the production, especially when it comes to encapsulating Dresden’s dry wit, strange sense of humour and enthusiasm.  Marsters did use similar voices for some of the supporting characters, however listeners are able to easily follow the story without getting confused about who is talking.  Overall, this was a pretty good performance from Marsters (this was actually one of the first audiobooks he narrated), and I know that he gets a lot better in later books, with some varied voices and even greater enthusiasm as a narrator.  As a result, I fully intend to check out the rest of the Dresden Files novels in their audiobook format and I would strongly recommend that anyone interested in this series do the same.

Storm Front by Jim Butcher is an exceptional and captivating debut novel that more than lives up to all the hype that has been generated about it in the last 20 years.  Thanks to the cool story, great characters, and fantastic setting, this was an awesome book to read, and I loved seeing this maverick wizard solving supernatural crimes in Chicago.  Storm Front also served as an incredible introduction to the wider Dresden Files novels, and I was glad to see how this entire epic series started.  I fully intend to go back and check out this entire series over the next couple of years and I am very excited to see what over intense and entertaining adventures Butcher has come up with in.

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The Thursday Murder Club by Richard Osman

On By The Unseen LibraryIn Audiobook, Five-Star Books, Murder Mystery42 Comments

The Thursday Murder Club Cover

Publisher: Penguin Audio (Audiobook – 22 September 2020)

Series: Thursday Murder Club – Book One

Length: 12 hours and 25 minutes

My Rating: 5 out of 5 stars

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British comedian and television personality Richard Osman presents one of the best debut novels of 2020 with The Thursday Murder Club, a clever and hilarious murder mystery novel that was an absolute treat to read.

Welcome to Coopers Chase, a luxury retirement estate near the town of Fairhaven where the elderly can relax and enjoy their final years in peace, quiet and good company.  But for four enterprising septuagenarians, Elizabeth, Joyce, Ibrahim and Ron, retirement also offers them a bold opportunity for some excitement and adventure as the Thursday Murder Club.  Meeting up each Thursday in the Jigsaw Room, these four friends attempt to solve cold cases forgotten by the police.  While it may seem like a harmless hobby, these retirees are thrilled by their amateur investigations and welcome the chance to bring a little justice in the world.  However, when a local property developer with a dodgy past is brutally murdered with a mysterious photograph left next to his body, the Thursday Murder Club jump at the chance to investigate a real live case.

Thanks to a lifetime of connections, skills and intuition, the members of the Thursday Murder Club are able to quickly position themselves in the middle of the burgeoning case, much to the frustration of the local police.  Using every unorthodox and somewhat unethical trick at their disposal, the club members gain vital information about the murder.  However, when a second person is poisoned right in front of them, the club soon begin to realise how high the stakes are.  A killer is stalking Coopers Chase and they will do anything to protect their secret.  Can the Thursday Murder Club stop them before it is too late, or will their first real mystery be their last?

Well, that was exceedingly delightful.  Osman is a fantastic British comedian who has been in a number of great British television programs (we’re big fans of Pointless), and, like many celebrities, he decided to have a go at writing his own novel.  I have to admit that when I first heard that Osman was writing a crime fiction book, I was intrigued but I did not initially plan to read it.  However, after hearing some positive buzz from other reviewers and being in the mood for something a little different I decided to check it out, and boy was I glad that I did!  The Thursday Murder Club turned out to be an exceptional read which blew me away with this incredible and unique crime fiction story.  Osman has come up with something special with this book, and I had an outstanding time listening to it and exploring the fun story, unique characters, and clever depictions of the elderly of Britain.  This is easily one of my favourite debuts of 2020 and it gets a full five stars from me.

Osman has come up with an elaborate and entertaining story for The Thursday Murder Club that combines an excellent murder mystery with large amounts of brilliant humour and several amazing and tragic moments of drama.  The author makes great use of multiple character perspectives to tell his clever story, and the reader is soon wrapped up in a number of different personal tales that all tie into the murders that form the centre of this book.  While The Thursday Murder Club is a little slow at the start, it does not take long for the story to get going, and once the first body drops the reader is firmly entranced and cannot wait to see where the author is going next.  There are so many great elements associated with this book, and you are guaranteed to have an outstanding time getting through The Thursday Murder Club.

At the centre of The Thursday Murder Club’s narrative lies a compelling and intriguing murder mystery that follows an intense case around the Coopers Chase retirement village.  Osman has weaved together a pretty impressive murder mystery here, with two disreputable people killed in quick succession in apparently connected killings, which prompts the members of the Thursday Murder Club to get involved.  Watching these characters investigate proved to be extremely fascinating and entertaining, especially as they employ some much more unique and unusual methods to get the answers they are looking for.  Osman pairs this unorthodox search for the killer with the official investigation being conducted by the police, and the two different methodologies make for a good contrast, especially when they both get some extremely different results.  The two murder cases go in some extremely compelling and clever directions, and Osman has come up with a number of impressive twists and misleading suspects to deflect from the real culprits.  The conclusions of the cases were really good; I loved how the entirety of the mystery came together and how the various crimes were connected.  Osman adds in lot of foreshadowing for the various twists featured within The Thursday Murder Club, but some of the results were still pleasantly unexpected.  I was able to predict one of the major twists of the book in advance, which allowed me to work out who a killer was and why they were doing it, but I did not see certain other twists and reveals coming.  I really love it when a mystery can shock and surprise me and I think that The Thursday Murder Club was one of the best murder mystery novels I read all year.

An exceptional highlight of The Thursday Murder Club is the excellent characters from whose eyes we see the story unfold.  The Thursday Murder Club is made up of four unusual friends who make for very fun central protagonists.  All four members of the Thursday Murder Club are entertaining and complex characters in their own right and who each add a lot to the story.  Osman spends a great deal of time exploring each of these characters, and the reader soon becomes intimately familiar with their lives while also becoming enamoured with their intriguing personalities.  The main character of the book is probably Elizabeth, the founder of the Thursday Murder Club and its apparent leader.  Elizabeth is extremely determined, and it is strongly hinted throughout the book that she was formerly a rather successful spy.  Described by one of the other characters as being essentially Marlon Brando in The Godfather, Elizabeth is the driving force behind the club’s investigation into the murders around Coopers Chase, especially with her innumerable contacts and natural intuition.  Elizabeth has a very strong personality, and it is fantastic to see her go about her business, intimidating and outmanoeuvring everyone she encounters with practiced ease.  Despite this hard, clever exterior, Elizabeth has a number of emotional vulnerabilities, including an ailing husband and a comatose best friend, which Osman explores throughout the novel.  These vulnerabilities help to drive Elizabeth throughout the book, and she becomes quite a complex character as a result.

The other female member of the Thursday Murder Club is Joyce, a former nurse.  Joyce is a great character who becomes an invaluable part of the investigation.  Appearing to be mostly quiet and somewhat placid, Joyce is actually a deeply intelligent person who uses her mild and kind personality to get people to do what she wants.  As the newest member of the club, Joyce provides the reader with an outsider’s view of the other major characters, and you get an interesting glimpse of how the investigation is progressing as her point-of-view chapters are written in a fun journal format that is unique to her.  Aside from Elizabeth, Joyce probably gets the most character assessment and development in The Thursday Murder Club, especially as some of her personal relationships become key parts of the plot, and she proves to be a particularly intriguing character as a result.

The other members of the Thursday Murder Club are Ibrahim and Ron, two very different people who are actually the best of friends.  Ibrahim is a particularly pleasant man, a former psychologist, who is nice and sociable to everyone he meets and who serves as the heart and soul of the team.  Out of all the main characters in this book I think that Ibrahim got the least amount of development, which was a shame considering how entertaining he proved to be.  I hope he gets more of a storyline in the future entries of this series and I look forward to seeing how Osman expands this character out.  Ron, on the other hand, is the complete opposite of Ibrahim.  A famous former union activist, Ron enjoys the spotlight and revels in fighting for lost causes against authority figures.  Ron is the hot-headed member of the group and he has a personal stake in the investigation when his son becomes a prime suspect for the police.  Despite his rough and impulsive attitude, Ron fits in well with the rest of the club and is a keen investigator, mainly because of the way he refuses to believe anything anyone else tells him.  All four of these main characters are exceptionally well written, and I really enjoyed the way that they played off each other and used their unique talents to solve the case.

This novel also focuses on two police officers, Donna and Chris, who are leading the official investigation into the murders and who find themselves working with the members of the Thursday Murder Club.  Donna is a young rookie cop who has transferred over from the London Police and now finds herself bored to death as a member of a small town force.  Thanks to the manipulations of Elizabeth, she finds herself assigned to the case, which revitalises her and helps address some of her issues and concerns from her past.  Donna proves to be a fun character to follow, especially as she is the only younger person who sees through the members of the Thursday Murder Club and doesn’t fall for their antics.  She also has a fun partnership with Chris, the senior officer investigating the case, and the two swiftly form a connection throughout the story.  Chris, despite being a clever and experienced detective, is a bit of a sad-sack who finds himself stuck in a rut.  This fresh case also reinvigorates Chris, and he starts to fall out of his bad habits with Donna’s help.  However, unlike Donna, Chris is a lot more susceptible to the charms of the Thursday Murder Club, and it is extremely entertaining to see him get manipulated for a good part of the novel.  These two police characters get a fair bit of attention throughout the novel, and their official investigation nicely complements the unofficial one being run by the Thursday Murder Club, with the divergent information they receive coming together perfectly in the final results.  I also quite enjoyed the friendship that forms between Donna and Chris, as it allows both of them to grow and has a very nice development at the end which I thought was rather sweet.

Osman also creates a bevy of distinctive and entertaining side characters, many of whom have a connection to the crime or are a potential suspect.  This includes all the residents of the retirement village, which is filled with unique personalities with lifetimes of secrets.  Osman explores several of these great characters throughout the course of the book, providing some rich backstory and intriguing motivations for their potential involvement.  I personally enjoyed the character of Bogdan, a relatively young Polish immigrant who works as a labourer for the local property developers and who finds himself involved in the case after finding a body.  Bogdan forms a fantastic friendship with Elizabeth and her husband throughout the book, and I really enjoyed his guarded personality and shrewd intelligence, which proves to be an excellent match for the secretive Elizabeth.  I also have to highlight the two major murder victims.  Both of these victims get a few scenes early on in the novel before they are killed, and Osman sets them up as particularly outrageous and unlikeable people.  While this does ensure that the readers are not too cut up when they end up dead, it does mean that there are a whole of suspects when it comes to their murders, and I liked how that added to the case.  All of the characters featured in The Thursday Murder Club were a lot of fun and I had an amazing time seeing how each of their individual arcs unfolded and what each of them was capable of deep down.

I quite enjoyed how Osman turned The Thursday Murder Club into a fun and entertaining ode to the elderly that highlights the fact that retirees can achieve quite a bit and have a lot to offer to the world.  I really enjoyed the author’s story idea of four senior citizens investigating a murder and it produced a truly entertaining and enjoyable read.  Some of The Thursday Murder Club’s funniest moments revolved around the four protagonists manipulating or swindling the younger characters in the book to get what they want, whether it be information on the case or a confession about certain illegal actions.  The way in which they go about influencing the younger people they encounter is very entertaining, as they mostly utilise the classic trick of appearing helpless and innocent, while in reality they are controlling the entire situation.  Some of their methods will be very familiar to any reader with an elderly grandparent or parent, and I personally laughed my head off at one scene where one younger character is slowly worn down through a unique interrogation method involving crowded chairs, friendly company, an overflowing mug of tea and crumbly cake.  Watching the veteran police characters slowly work out how and why they are being manipulated was extremely funny, and by the end of the book they are noticeably more wary about dealing with the members of the Thursday Murder Club.  As this is a book about senior citizens, there are naturally a number of jokes about growing old, including entertaining discussions about their thoughts on today’s society and several depictions of them trying and failing to work modern technology.  While most of the discussion about the elderly is light-hearted and inspiring, it does get quite sad in places.  There are a number of scenes that focus on the debilitating impacts of aging, with each of the protagonists witnessing someone close to them starting to fade for one reason or another, resulting in several deep sequences when they consider their own mortality or frailty.  There are also a number of extremely tragic character moments involving age, and you can’t help but feel a little heartbroken in several places thanks to Osman’s excellent writing.  This adds some memorable and necessary drama to the overall narrative and it really helps to turn The Thursday Murder Club into a much more captivating read.  Overall, I think that Osman captured the issues surrounding aging extremely well, and I very much enjoyed his depictions of these badass septuagenarians outsmarting everyone they meet.

I also liked how Osman went out of his way to make his debut novel exceedingly British.  Everything about this book screams “British” to the reader, from the way the characters, act, talk and interact with each other, to the classic, subtle humour that is featured throughout.  Osman also includes a ton of references to various cultural, social and political elements of the country, with the characters discussing or reminiscing about everything from their favourite foods, television shows, bands, locations, historical experiences (Ron, for example, has some thoughts on Thatcher) and various other aspects of day-to-day life.  Due to the way that British culture funnels down into Australia, I had a decent understanding of most of the references that Osman made, although I imagine that some readers could get a little offput by the many references to aspects of the culture they are unfamiliar.  That being said I found the constant discussion about everything British to be exceedingly fun, and I really appreciated the way in which the author made a truly British book.

In order to enjoy this fantastic book I decided to grab a copy of the audiobook version of The Thursday Murder Club which was narrated by actress Lesley Manville.  The Thursday Murder Club audiobook has a run time of 12 hours and 25 minutes, and I got through it rather quickly, especially once I become wrapped up in the fun and captivating mystery.  I found myself really enjoying this excellent audiobook version of this novel and I think that having the events of the book narrated to me helped me follow the plot more closely and connect to the characters more.  I do have to admit that I was a tad disappointed that Osman did not narrate his own audiobook, but this disappointment quickly faded once I experienced Manville’s excellent narration.  Manville’s voice and narration style really fit into the unique tone of The Thursday Murder Club, and she was able to convey all of the novel’s humour, mystery and drama extremely well.  I also absolutely loved the great voices that Manville came up with for the characters featured within the novel, and I felt that she was able really accentuate the various personalities that made up the story, as well as come up with several different accents.  While Osman doesn’t narrate this audiobook, there is an interview between Osman and Marian Keyes featured at the end of it, in which Osman details how he came up with the idea for his book and why he wrote it, which I am sure many people will find fascinating.  I ended up having a wonderful time listening to this version of The Thursday Murder Club, and it ended up being one of my favourite audiobooks of 2020.

The Thursday Murder Club by Richard Osman is an exceptional and masterful crime fiction novel that is easily one of the best debuts of 2020.  Osman has crafted together an outstanding read that follows some entertaining and compelling protagonists as they investigate a complex murder mystery in a very fun way.  I had an amazing time listening to this fantastic novel and I would strongly recommend this book to anyone interested in a fun and intriguing read.  This was an absolute triumph from Osman, and I am extremely keen to see what he writes next.  I note that a sequel to The Thursday Murder Club is planned for next year and I cannot wait to get my hands on a copy.

Make sure to also check out my review for the sequel novel, The Man Who Died Twice.

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Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

On By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Tie-in Novel19 Comments

Doctor Aphra Audio Cover

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

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The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of Games.  Doctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

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