Race the Sands by Sarah Beth Durst

Race the Sands Cover

Publisher: HarperAudio (Audiobook – 21 April 2020)

Series: Standalone

Length: 15 hours and 45 minutes

My Rating: 5 out of 5 stars

Bestselling author Sarah Beth Durst returns with a pulse pounding and compelling new novel, Race the Sands, an excellent fantasy novel that has a really great story to it.

In the kingdom of Becar, the most important thing to a person is the state of their soul. Guided by the augurs, priests who can read people’s aura, the inhabitants of Becar do all they can to better themselves, as who you are in this life determines your future lives. The purest souls come back as humans or a great animal, while those more corrupt individuals come back as something lower, such as insects or vermin, a state that can only be redeemed after several lifetimes. However, for those truly evil beings, their punishment is to come back as a monster, as a kehok. Kehoks are chimera-like beasts who spawn out in the wilds and who live existences of pure anguish and pain. These monsters have no hope of redemption or salvation and each time they die they will come back as a different type of kehok. The only way that a kehok can break this hellish cycle of resurrection is to become grand champion of the Races, the favoured pastime of the Becaran people. The Races pit several kehoks and their riders against each other to find out not only who has the fastest kehok but which rider has the greatest mental control over their charge.

Tamra used to be an elite kehok rider, but now she scrapes a living as a professional trainer. After several setbacks, including a tragic accident at the previous year’s Races, Tamra is in need of a win, not only to get back on top but to get the prize money that will allow her to pay for her daughter’s expensive augur training. As none of the professional riders will trust her, Tamra is forced to take on and train an unknown street girl, Raia. Raia recently ran away from home to escape her terrible family and a potentially deadly arranged marriage, and she is desperate to find a way to make a living.

Together, Tamra and Raia make an unlikely pair, but with Tamra’s experience and Raia’s natural talent, they might stand a chance, especially as Tamra has managed to obtain a swift and unusual kehok. As Tamra, Raia and their new kehok all attempt to change their destinies, events from around Becar start to impact them. Chaos is engulfing the kingdom, as the former emperor’s reincarnated vessel has yet to be found. Without the vessel no new emperor can be crowned, and the kingdom is on the brink of collapse and invasion. Can this team succeed in the chaos, or will their success have unexpected consequences?

This was an extremely compelling and deeply enjoyable book from a very talented author, Sarah Beth Durst. Durst is a veteran author who has produced a number of young adult and adult fantasy fiction novels since her 2007 debut, Into the Wild. Durst is probably best known at the moment for her Queens of Renthia series, which started in 2016 with her highly acclaimed novel, The Queen of Blood. Durst is actually a new author to me, and I have not had the pleasure of reading any of her previous novels. I have to admit that checking out Race the Sands was a bit of an impulse choice for me; while I was aware that this interesting sounding book was coming out, it was not one that I was initially planning on reading. However, I heard some rather good things about it from a bunch of other reviewers and their glowing praise convinced me that it would be worth reading. I am extremely glad that I did read it, as it turned out to be an excellent read that I deeply enjoyed.

Race the Sands is a standalone fantasy novel that tells a complex and intriguing story completely separate from Durst’s previous works of fiction. Durst does an outstanding job coming up with a deeply compelling and exciting novel that combines a clever fantasy story about racing monsters with an inventive setting and a cast of great characters to create an overall fantastic read. Despite being a book primarily for the adult fantasy fiction crowd, Race the Sands reads a lot like a young adult fiction novel at times, and it has immense appeal for a huge group of different readers, no matter where your interest in fantasy fiction lies.

At the centre of Race the Sands lies an amazing story of action, intrigue and character growth, all based around the really cool concept of people racing monsters out in the desert for glory, money and redemption. This story starts off extremely strong, introducing the high-stakes world of kehok racing and the intriguing main characters, and I would have happily read a whole book based around the races. However, while all the race sequences are extremely exciting, the book ultimately morphs into a much larger narrative, that revolves around the fate of the entire kingdom of Becar. I really liked how the entire story unfolded, especially as all the political intrigue and overarching threats resulted in an epic and impressive conclusion, that was well presented and which showed the book’s protagonists in the most awesome light possible. This was a truly compelling and memorable story, and Durst does a fantastic job packing so much plot and action into a single, standalone novel.

In addition to the excellent story, I was also really impressed with the clever setting and background that Durst came up with for Race the Sands. Becar is an intriguing nation with ancient Egyptian overtones to it, and its two most distinctive features are its obsession with racing monsters and its complex system of reincarnation. I have already mentioned the kehok races above, and they are a really great highlight of Race the Sands. Durst expertly introduces the races and the key concepts behind them early on in the novel, and every single aspect about them is an extremely cool part of the story. However, I really want to emphasise the story element of the Becaran reincarnation system and soul reading that dictates how the populace acts and behaves during their lifetime. This whole system of good and bad souls, which are read by the benevolent augurs, is an important part of the narrative, and is routinely examined by all of the major character throughout the course of the book. In essence the reincarnation system sounds simple: lead a pure life and you come back in a better form in your next reincarnation; be a bad person and come back as something worse. However, it soon becomes clear that there is something rotten at the heart of the whole system, and quite a lot of the story is dedicated to exploring what is wrong and who is behind it. It leads to some real metaphysical discussions about choices, ethics and corruption, which proves to be an excellent and clever part of the book. All of this makes for a great backdrop to this story, and it was a truly fascinating to see how the author explores and utilises these elements throughout the book.

Durst also spends a good amount of time setting up several great characters, who are the heart and soul of the novel, and who each add their own unique elements to the story. There are around five main characters, each of whom serves as a point-of-view character for much of the book, as well as several significant side characters, with one or two of these also serving as lesser point-of-view characters, and each of them add their own unique perspective to the story. At the top of this list is Tamra, the tough as nails, no-nonsense kehok trainer who is haunted by her mistakes and who is eager to redeem herself by training a new racer, which will also allow her to hold onto her daughter. Despite her rough and powerful exterior, Tamra is really a caring and motherly character, who is willing to compromise her own soul and beliefs if it ensures that the people she cares about are safe and happy. Tamra is a fantastic central character, and I loved her raw determination and notable cynicism about the world she lives in. I also have to mention the awesome part she plays in the outstanding conclusion, where she comes across as an amazing badass, completely changing everything in one of my favourite parts of the entire book.

In addition to Tamra, the next major character is the racer Raia, whom Tamra takes under her wing. Raia is introduced as a flighty and scared creature, a failed augur student who is fleeing from her terrible parents and her murderous future fiancé. Despite having no experience, Raia’s only option to survive and make a living is to get involved in kehok racing, and her natural connection to the lion kehok that Tamra buys, ensures that she is taken on as a student. Due to plot circumstances, Raia is given a crash course in kehok racing, and it is through her eyes that we see a lot of details about the Races and what it takes to become a successful rider, which is an exciting part of the book. Raia is also the character who goes through the most growth throughout the course of the book, as she attempts to leave the shadow cast over her by her terrible parents, and quickly gains confidence thanks to her success as a racer, her mentorship under Tamra, some new friendships and the connection she has with her kehok. I really liked seeing Raia’s growth, and she is one of the more inspiration characters within the book.

Another great character is augur Yorbel, the friend and confidant to the heir to the throne, who sets out to find the late king’s reincarnated host in the most unlikely of places. Yorbel, who starts off as a rather naive and sheltered character due to his upbringing in the temple as an augur, finds himself involved in secrecy and intrigue as he attempts to undertake his mission. However, throughout the course of the book, Yorbel finds himself learning more and more about the dark side of humanity, and the difficulties involved with keeping a pure soul. Despite being one of the nicest and most innocent characters, Yorbel has quite a few ethical dilemmas during this book, and the conclusion of his arc was somewhat shocking and intense. I also have to mention Lady Evara, the rich, noble sponsor of Tamra and Raia. I went into Race the Sands knowing to look out for Lady Evara, as several other reviewers identified her as their favourite character. I can definitely see why, as she was easily the most entertaining character in the entire book. Coming across as a snobbish, self-serving master manipulator, it was a lot of fun to see her interact with characters like the serious Tamra or the passive Yorbel. However, Evara also has a lot of depth to her character as well as some interesting backstory, and the parts of the book that featured her were a real treat. I really enjoyed all the main characters in this book, and this great cast of protagonists helped to turn Race the Sands into a first-class read.

I chose to listen to Race the Sands’ audiobook format, and I found it to be a fantastic way to enjoy this excellent book. The audiobook has a run time of 15 hours and 45 minutes and it is narrated by the talented Emily Ellet. I absolutely blew through this audiobook in only a few days, and it became harder and harder to turn it off the more I got engrossed in the story. I thought that the audiobook format really brought all the intense race scenes to life in all their glory, and I especially loved hearing some of the epic moments from the book’s conclusion. I really liked the various voices that Ellet came up with for the books various characters, and I felt that her portrayals of characters like Tamra, Raia and Yorbel were pretty perfect and really reflected how they were written. I also enjoyed the voice that the narrator provides to all of the book’s highborn women, including Lady Evara and the female augurs, put me a bit in mind of Inara from Firefly, i.e. very posh, confident and in complete control of every situation. That being said, all the highborn women do sound very similar to each other, although I didn’t find that to be too distracting. Overall, I had an outstanding time listening to Race the Sands, and it is an amazing format for any potential readers to utilise.

Race the Sands by Sarah Beth Durst is a deeply impressive and highly enjoyable fantasy read which comes highly recommended. This book contains an exciting and addictive narrative that makes great use of its complex characters and intriguing plot elements to tell a story full of action, adventure and brilliant character development. I had an awesome time reading this book, and it gets a full five stars from me. I am really glad that I decided to check this book out, and I will be definitely be checking out some of Durst’s other novels in the future.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.

Throwback Thursday: Usagi Yojimbo: Volume 6: Circles by Stan Sakai

Usagi Yojimbo Circles

Publisher: Fantagraphics Books (Paperback – 1994)

Series: Usagi Yojimbo – Book Six

Length: 164 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, after reviewing Lone Goat and Kid a couple of weeks ago, I am still in a Usagi Yojimbo mood, so I thought I would check out the sixth volume of this fantastic comic book series, Circles.

Usagi 25

Circles is another fun and exciting addition to this excellent series which I honestly cannot praise enough (although I have been trying very hard in my last several Throwback Thursday articles). This sixth volume once again presents the reader with several outstanding and inventive stories that chronicle the adventures of the rabbit samurai, Miyamoto Usagi, as he journeys around a unique version of historical Japan. This volume contains five separate stories, derived from issues #25 – 31 of the Fantagraphics Books run on the Usagi Yojimbo series, as well as a short story taken from Critters number #50 (a comic magazine that had some early Usagi Yojimbo appearances). There are some rather amazing stories featured within this volume, and I had an incredible time reading them.

The first story contained within this sixth volume is called The Bridge, which sees Usagi encountering a demon out of Japanese folklore. During a dark a stormy night, Usagi is entering a village from across a bridge when suddenly he lashes out with his sword behind him, convinced something is sneaking up on him. When he finds nothing there, Usagi shrugs it off and enters the nearest inn, only to learn from the villagers that the bridge he just crossed has been possessed by a demon, and Usagi’s back now bears the claw marks of the demon. Awaking next morning, the villagers find a severed monstrous hand on the bridge, which Usagi appeared to have cut off the night before. Taking the hand into the inn, Usagi and villagers wait for a priest to arrive in order to perform an exorcism on the severed limb, but the demon of the bridge has other plans.

Usagi 26

This was a rather good supernatural story that sees Usagi go up against one of Japan’s many demons and monsters. Several significant elements from this story are taken from the story of the demon of Rashomon Gate, including the severing of the arm and the demon disguising itself as an old woman to recover its severed limb (although unlike the samurai in the legend, Usagi doesn’t fall for it). The demonic antagonist of this story is rather sinister in its drawing style and methods of attack, and it proves to be a dangerous opponent for Usagi. I love the extended fight on the bridge, and I especially enjoyed the way that the whole event ended, providing a side-character in the story their moment of vengeance. Overall, this was a tight, well-written story that was a lot of fun to read.

The next story in this volume is titled The Duel, and, as the name suggests, it features some duels between samurai. Usagi arrives in a village and is challenged to a public duel by the local champion while the watching villagers place bets with a travelling bookmaker, a duel that eventually results in Usagi’s opponent’s death. Completing the duel, Usagi meets and has lunch with a fellow unemployed samurai, Shubo, who subtly takes his measure. It is revealed that Shubo, who is a talented swordsman, is in league with the bookmaker who manipulates the odds of Shubo’s duels in order to make money off the betters. Shubo, who needs the money to provide for his wife and child, believes that he can beat Usagi, and the bookmaker inflates the odds in Usagi’s favour so that they can clean up when Shubo wins. Forcing Usagi into a duel, the two engage in a quick fight to death, with tragic results.

Usagi 27

This was a really clever and captivating single story that Sakai did an incredible job writing. The whole story concept is just brilliant, and Sakai sets it up and executes the plot brilliantly. There are some amazing scenes throughout The Duel, and the story features an excellent mix of comedy and tragedy which work together amazingly to produce a gripping narrative. Usagi, as the reluctant participant of this duel, is pissed at the entire affair, and his outraged reaction to the town people cheering his victory is rather good, especially as the peasants show over-the-top fake remorse in order to get him to go away so they can collect their winnings: “We are lower than the scum at the bottom of a stagnant pool!” While there is some fun and well-deserved karma coming down onto the bookkeeper who overextends himself and tries to escape, nothing quite takes away from the tragedy of Shubo’s wife and young child. The final panel of this story is incredibly heartbreaking, as it shows the wife and child waiting just outside the village for him to return. But as the light in the sky gets darker and darker, you can see the worry start to work its way onto the wife’s face, until she breaks down completely in the final panel, fully realising that her husband is dead. The wife comes across as a massively tragic character in this story, and the major impact that this final page has is a testament to how amazing Sakai’s storytelling and illustrations are.

The third story in the volume is the rather short entry, Yurei, which is the story that appeared in Critters. In this tale, Usagi, who is camping at the edge of a river, awakens to find a Yurei, a ghost, floating before him. The ghost imparts her tragic story to Usagi; she was betrayed and murdered by her husband, and she now seeks justice. Usagi then awakens and finds a woman’s hairpin on the ground next to him. Thinking his encounter with the ghost was just a dream, he travels to a nearby inn and attempts to trade the pin for a meal. What he does not realise is that the innkeeper is the murderous husband from the ghost’s tale, and his discovery of the pin leads to a series of deadly events. This was a good, fast-paced story which tells a compact and intriguing tale. I loved the supernatural elements in this story, and it was interesting to see Usagi portrayed as a tool of fate, who wonders into some ghostly revenge without even realising it. This was a fantastic short entry in this volume and was great to check out.

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The next entry in Circles is an entertaining and over-the-top tale titled My Lord’s Daughter. In this story, Usagi, who is telling a bedtime tale to children, is shown as the classic hero from Japanese legend, fighting through vast hordes of demons, monsters, and obstacles to rescue a beautiful princess from an Oni. This was a fun take on some of the traditional Japanese heroic legends, and it was cool to see Sakai draw a classic tale with Usagi as the protagonist. Sakai has some obvious fun setting the Usagi hero fearlessly against armies of demons and monsters, and he comes up with some clever fight sequences and scenes in this book, from a brutal duel with an Oni, to an underwater battle between Usagi, a shark and a giant octopus wielding several swords in its tentacles. This is an entertaining and exciting story, and I had a good laugh at the end reference to Sakai’s old comic, Groo the Wanderer.

Now let us get to the fifth story of this book, which is kind of the main event of the entire volume. This is a big story, told across four issues, titled Circles. This story follows Usagi as he returns home for the first time since the events of volume one, The Ronin. There are actually a couple of distinctive parts to this story, especially the first issue, which is somewhat separate from the rest of the story (with the exception of some build-up at the end). For this first part, Usagi, on his way back home, decides to stop at his old master’s house to pay his respects to the grave marker of Katsuichi, the man who taught him how to wield a blade. The story then shows a flashback, which serves as a continuation to part of the origin story Usagi told in the second Usagi Yojimbo volume, Samurai, about Usagi’s past. In the flashback, it is shown that Usagi’s master was ambushed and seemingly killed by members of the Dogora Fencing School after Usagi beat their students in a tournament. However, upon arriving at Katsuichi’s old house, he discovers that his master is still alive, having survived the ambush, and has taken on a new student. I liked this revisit of Usagi’s origin story with Katsuichi, although the whole death scene in the flashback comes a little bit out of nowhere. Still, it was interesting to see how much Usagi has matured since he was learning the way of the sword, and it was nice to see the teacher and student reuniting. The flashback sequence is also top quality, and Sakai illustrates up a storm in this one, showing a fierce battle and some intense emotions from Usagi, who goes from a full-on berserker rage as he gets his revenge on his master’s killer to an intense grief in just a few scenes.

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The story then continues as Usagi journeys back to his village, only to be confronted by his old childhood rival, Kenichi. It turns out that Jotaro, Kenichi’s son with Usagi’s former love, Mariko, has gone missing, and bandits are roaming the area. While Usagi and Kenichi are able to defend their town from a raiding party, the attackers reveal that Jotaro has been kidnapped by the bandits and are holding him hostage. Leading an army of local peasants against the bandit’s hideout, Kenichi and Usagi hope to rescue Jotaro and end the raids that have been plaguing them. However, what they do not realise is that the bandits are being led by the deranged and dangerous former adversary of Usagi, Jei, a mysterious and seemingly unkillable murder with a black blade, who hopes to use Jotaro to get his revenge on Usagi. But even Jei is not the most dangerous thing that lies ahead, as old resentments between Usagi and Kenichi, their shared love for Mariko and certain revelations may tear everything apart.

Wow, I have to say that the final three issues of Circles are just incredible. There is so much to unpack from them, as Sakai brings together a brilliant and powerful story. First of all, it was great to see Jei return as a villain once again. Jei, who was introduced in volume 3, The Wanderer’s Road, is an outstanding antagonist, and his continued feud with Usagi is just brilliant. The two engage in a fantastic and extended duel in this story, and Sakai did a fantastic job showing off each combatant’s skill and martial ability through his drawings. I also love the extensive battle between Kenichi’s peasant army and the bandits, which proved to be rather eye-catching. Not only is there a beautifully drawn sequence in the misty forest before the big battle in which Usagi does a great Jei impersonation to scare a bandit sentry, but Sakai illustrates a massive battle between the two forces. The massive single panel that shows the pitched battle is just impressive, and I love the detailed and entertaining scene that the author produced here.

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While all of the above is pretty amazing, what really makes this captivating story is the complex relationship between Usagi, Kenichi and Mariko. There are so many great layers plastered into this relationship. Usagi and Mariko were deeply in love when they were younger, and they still have great feelings for each other. However, Mariko ended up marrying Kenichi, and she is bound by duty, and her child, to him, no matter how she feels about Usagi. Kenichi, on the other hand, has always borne antagonism towards Usagi, which has been compounded over the years by their differences in skill and the fact that Usagi was chosen to serve Lord Mifune and left the village. However, Kenichi’s resentment towards Usagi is even greater, as he knows that Usagi is in love with his wife, and that these feelings are reciprocated by Mariko.

This leads to some outstanding scenes throughout this story, as these three try to come to terms with their complicated emotions. I particularly loved one scene in the middle of the story, where Usagi and Mariko discuss their feelings and reveal that they still both love each other, although Mariko makes it clear that they can never be together. The scene ends when Kenichi interrupts them, and while the look of heartbreak and shame on Mariko’s face is notable, what really gets me is the way that Kenichi’s usual stern/angry look is replaced with one of sad resignation in the last panel once he realises how Mariko still feels about Usagi. Despite this, Kenichi comes across in this story as a surprisingly honourable and well-intentioned character who puts aside his negative feelings for Usagi for the greater good, and it is a fantastic examination of a character who has mostly been antagonistic in the previous volumes. Sakai also drops a massive bombshell at the end of this story, when he reveals that Jotaro is actually Usagi’s son, and that Kenichi has known this and raised him as his own. Because of this, Mariko asks Usagi to leave and not try to settle down in their home village, as she fears it will put a wedge between Jotaro and Kenichi, who she sees as Jotaro’s true father. Usagi regretfully accepts this in another dramatic and captivating scene, although Mariko arranges for Usagi to see Jotaro as he leaves, and Usagi has a heartfelt time with his son, noting the similarities between them, and even suggesting Jotaro seek out Katsuichi as a teacher in later years. All of this is some first-rate storytelling and character development, and cannot praise Sakai enough for this amazing, emotional storyline. This is actually the last book that Kenichi and Mariko appear in (so far), and I think that Sakai did a fantastic job tying their love triangle together. All in all, Circles is easily my favourite story in this entire volume (The Duel comes close), and it is worth grabbing this volume just to check this key story out.

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It should come as no surprise to anyone considering all the praise I elicited above that I am giving this sixth volume of Usagi Yojimbo a full five star rating. This was another incredible comic book that features Sakai’s outstanding blend of powerful stories, memorable characters, intense action, fun references and depictions of traditional Japanese culture and history and some truly impressive artwork. I absolutely loved this volume, and this entire awesome series, comes highly recommended and is an unquestionable must-read.

Howling Dark by Christopher Ruocchio

Howling Dark Cover

Publisher: Gollancz and Recorded Books (16 July 2019)

Series: Sun Eater – Book 2

Length: 679 pages or 28 hours and 3 minutes

My Rating: 5 out of 5 stars

Outstanding new author Christopher Ruocchio, who blew me away last year with his debut novel, Empire of Silence, returns with the second book in his brilliant Sun Eater series, Howling Dark.

Empire of Silence was one of my favourite books from last year, easily making my Top Ten Reads for 2018 list, and I absolutely loved the author’s highly addictive story and its vast new science fiction universe. This was a fantastic first book from Ruocchio, and when I finished it, I really wanted to know what happened next. As a result, I have been waiting to read this sequel for a while, having done a Waiting on Wednesday article on it and including it on my Top Ten Most Anticipated July – December 2019 Releases list. I was pretty excited to receive a copy of this book a few weeks ago, especially as Ruocchio was nice enough to mention my blog in his acknowledgements (this has not affected my review or rating in any way). However, due to having a huge number of other books that were high priority reads, I ended up listening to the audiobook format of Howling Dark instead, which is narrated by Samuel Roukin. I had extremely high hopes when I started reading this book, and I was definitely not disappointed by the final result.

The Sun Eater series is set far in humanity’s future, where humans have left Earth and expanded out to thousands of worlds. While humanity, mostly in the form of the Roman-inspired Sollan Empire, has flourished, for the last four hundred years they have been fighting a brutal and destructive war with the Cielcin, a spacefaring race of aliens who have destroyed hundreds of colonies and billons of humans. Each of the books in the series is written as a part of the autobiographical chronicle of series’ protagonist, Hadrian “Halfmortal” Marlowe, otherwise knowns as the Sun Eater. Hadrian is the man who will one day destroy a sun in order to burn every Cielcin to a cinder, and in doing so become both history’s greatest hero and most infamous monster. However, these events are set to occur much further on in the future, and these earlier books focus on the events that formed Hadrian’s character, and show how he became the man to end it all.

In Howling Dark, the story is set some 50 years after the events of Empire of Silence. During this time Hadrian Marlowe has been wandering the outer fringes of the galaxy trying and failing to find a myth. Leading a band of mercenaries, former gladiators and disguised Imperial legionnaires, and carrying a cargo of frozen Cielcin prisoners, Hadrian hopes to travel the lost planet of Vorgossos. The planet’s mysterious master apparently has a way to contact the Cielcin, who Hadrian hopes to finally negotiate peace with, ending the brutal war that has ravaged both races.

However, finding Vorgossos has proven far more difficult than Hadrian initially anticipated. The legendary planet is well hidden, and the only way to uncover its location is to deal with the Extrasolarians, a group of humans who live outside of Imperial control and whose reliance on technology and enhancements borders on the heretical. As Hadrian and his companions locate a promising lead, they are suddenly ordered back to the fleet as the war against the Cielcin needs every soldier.

Determined to bring his plan for peace to fruition, Hadrian and his companions disobey these orders and go rogue. Entering the worlds of the Extrasolarians, the Exalted and other grim horrors at the edge of the known universe, they are able to obtain passage to Vorgossos. However, what they find at their destination may be even worse than the alien foes they are attempting to contact. Between facing technological monstrosities, a cruel, immortal king and the appearance of humanity’s oldest and most feared enemy, Hadrian has his work cut out for him. But the further along his path he travels, the more Hadrian begins to understand the grim destiny in front of him and the terrible cost he will have to pay.

This is another epic book from Ruocchio! Howling Dark is a dark, gothic science fiction masterpiece that was an absolute treat to read, and which really highlights the author’s creativity and ability to create a wide-ranging universe with some unique and captivating features.

This was another incredible and ambitious story from Ruocchio, who takes the reader on an extended and powerful adventure through his great universe. The Howling Dark contains a lengthy and compelling plot which goes in some very interesting directions. While this is a long book, Ruocchio does a great job of pacing the story out, and there is rarely a moment where the plot is not progressing in an intriguing way, or where the reader is left bored. I really enjoyed some of the dark places that the author took the story in this book, and there are a variety of cool new locations, antagonists and other monsters that the protagonist and his friends need to deal with in one way or another. Hadrian goes through some notable character development in this story as he takes more and more steps down the road to becoming the biggest legend in the universe. Howling Dark has a pretty epic conclusion to it, with some major plot developments occurring in the last 100 pages or so, and I really liked how Ruocchio wrapped up the storyline. Overall, this book has an intense and captivating storyline to it, and I am exceedingly glad I got a chance to read it.

I did find that the start of the book was a tad hard to get into. Due to the complex storylines (and possibly because I have read so many different books in the last year) it took me a little while to remember whom some of the characters were and where the plot was up to. It did not help that the story had jumped ahead by 50 years, and some of the events that occurred during this break are mentioned a few times at the start of the book. However, once I was able to get my bearings, it did not take me long to get hooked on the story and I had no problems following the enjoyable plot, especially as the author does a great job explaining these missing events and offering the reader several recaps of the events from the first book. Readers of the physical copy of Howling Dark will also be helped by the detailed dramatis personae, index of worlds and lexicon of terms that is included at the back of the novel, which can really help to clear up some confusion about the events that have occurred. I would say that readers would probably be best served checking out Empire of Silence first before trying to read Howling Dark, but I believe that new readers will be able to fully enjoy this story once they reach the recaps and get a sense of what happened in the previous books.

I really enjoyed how Ruocchio continued to write his story in the chronicle format that worked so well in the first book. Each of the books in the Sun Eater series are presented as part of a self-written chronicle of Hadrian’s life, penned some years in the future after he destroyed the sun. As a result, the story is told exclusively from Hadrian’s perspective and features his memories of the various events that formed his character. This is a great way to tell the story, mainly because the reader gets to see a contemplative version of the narrative. There is a real and palpable sense of regret in Hadrian’s narration, which really adds to the book’s grim tone, as the reader gets to hear the protagonist recount events that are not only traumatic for him, but which set him down the path to his defining moment. Due to Hadrian’s lifetime of self-reflection, you also get a far more in-depth examination of the character’s motivations for taking certain actions, as well as an analysis of why other characters acted the way did, which adds a great edge to the story. I also liked how the protagonist hinted at some of the key moments that occur later in the book or may occur in later books. This dramatic irony does a wonderful job of keeping a sense of tension in the air, as the reader knows that the worst is yet to come. Ruocchio’s use of the chronicle format for these novels is cleverly done, and I really enjoyed how it helped enhance the overall story.

Possibly Ruocchio’s biggest strength as a writer is his amazing ability to come up with a widespread and intriguing new universe to use as a setting for his fantastic story. This was one of my favourite things about Empire of Silence, as I loved the large, sprawling human empire that Hadrian lived in during the first book. This Sollan Empire was created after a major war with artificial intelligences thousands of years before, and therefore any technology that is too advanced or which thinks for itself is considered heretical by a controlling religious organisation. The massive empire is heavily inspired by the Roman Empire, with a similar government, military system, social castes and culture. This also affects the overall tone of the story, as the narrator, Hadrian, is a true son of this empire, and thus has a classical education that guides his overall view of life. As a result, the story is filled with the Hadrian quoting a number of historical verses and aphorisms to tell his tale, which really helps to give the overall story a more classic tone in the science fiction environment. I really liked this cool combination of science fiction elements with this antique mindset, and the general history of the Sollan Empire, with its veneration of other historical empires such as the Romans or the Victorians, is deeply interesting. This Sollan Empire actually reminded me a bit of the Imperium from Warhammer 40k, which also has a Roman inspiration and overarching gothic theme to them. As a fan of Warhammer 40k, it was cool see a universe built along similar ideas, and Ruocchio comes up with a number of clever and unique new elements to make his Sollan Empire stand out. Although most of the story in Howling Dark is spent outside of the main empire, the author still spends time expanding on elements of this massive organisation, and the reader gets more of a sense of them. I especially enjoyed seeing the Imperial legions in battle during this book, and it results in a number of incredible scenes that I really enjoyed.

Ruocchio also does an outstanding job introducing a number of intriguing new universe elements to this book in the form of the Extrasolarians. I found the dive into the world of the Extrasolarians to be extremely fascinating, especially as Ruocchio let his creativity run wild during this part of the books, coming up with all manner of technological marvels, body augmentations, genetic modifications and other science fiction wonders. However, many of these technologies have a darker side to them, which the protagonist and his friends find out the hard way. Some of these modifications are downright creepy, and this really helped the author create a dark and distinctive expansion to his universe. I was especially impressed with one of the new antagonists of this story, Kharn Sagara, a sinister, technologically enhanced ancient with hidden motivations (check out the cover below to see how cool his character design is). The reader also gets a much more in-depth look at the Cielcin in this book, as the protagonist starts to understand more about them and how they think. Ruocchio does a fantastic job exploring the mindset of these creatures and showing them as truly alien beings with very little similarities to humanity, and the reader starts to get an understanding of why Hadrian will eventually be forced to destroy them. All of this is really cool, and I could honestly go on for pages about all the cool world building that Ruocchio does in this book, it was that impressive.

As I mentioned above, I ended up listening to Howling Dark’s audiobook format. The audiobook runs for 28 hours and 3 minutes and is narrated by Samuel Roukin, who does a fantastic job bringing this story and the characters to life. This is a lengthy audiobook, and readers will need to make a bit of room in their listening schedule to get through it. It is actually the longest science fiction audiobook that I have ever listened to (so far) and would easily make my Top Ten Longest Audiobooks That I Have Listened To list. I found that Howling Dark’s audiobook format was a great way to enjoy this epic novel. I always find that listening to a complex story helps me absorb a lot more of the story and universe details, making for a much fuller read. This was definitely true for Howling Dark, as I was able to really appreciate the huge amount of gothic science fiction detail that Ruocchio installed in his work. I also found that Roukin’s narration also did a wonderful job of capturing Hadrian’s inherent regret and despair, and this really helped me appreciate the entirety of the book’s story. Roukin also creates some terrific voices for the various characters and does a fantastic job bringing them to life through the audiobook. This was a fantastic format to enjoy Howling Dark with, and I will strongly consider listening to the audiobook of the next book in this series.

Overall, I think that Christopher Ruocchio does an excellent job following up on his spectacular debut, Empire of Silence. Howling Dark is an amazing read that I absolutely loved. Ruocchio has come up with a complex story for this book, which is massively enhanced by his clever writing style and impressive imagination. Clearly, Empire of Silence was no fluke, as Howling Dark gets a full five stars from me. I am really looking forward to checking out the next book in the series, especially as Ruocchio has left a huge number of intriguing storylines open, and I fully intend to stick with this series until Hadrian destroys that sun.

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Dark Blade by Steve Feasey

Dark Blade Cover

Publisher: Bloomsbury (Trade Paperback – 11 July 2019)

Series: Whispers of the Gods – Book 1

Length: 352 pages

My Rating: 4 out of 5 stars

For those readers looking for a cool new young adult fantasy series to check out, look no further than Dark Blade, the first book in Steve Feasey’s Whispers of the Gods series.

The gods have abandoned the land, monsters are starting to return, war is afoot and in the darkness of the Void, an ancient evil begins to stir, eager to return to the mortal world.

Into all this, a young boy, Lann, is born. Left as a foundling and with no knowledge of his past, Lann lives a normal life as a farmer’s son until destiny suddenly finds him on the eve of his 14th birthday. Barely surviving an attack from a vicious monster, Lann is left blinded and is taken in by Fleya, a powerful witch with knowledge of his past. While Lann learns to cope with his blindness, dangerous events are unfolding in the land.

In Stromgard, a young and bitter member of the royal family, Kelewulf, has utilised dangerous magic to bind a powerful lich to his body. Together, the young sorcerer and his new undead shadow plan to open a gateway to the void and release a powerful dark god imprisoned there. After murdering the king and framing his son for his death, Kelewulf begins to implement his evil plans unopposed, while the king’s young daughter, Astrid, is forced to take the throne in an attempt to save her brother’s life,

The only hope for the world may be Lann, who awakens one night to find one of the ancient gods in his room. In exchange for the return of his sight, all Lann has to do is take up the Dreadblade, a powerful and ancient blade with a dark history. As the Dreadblade’s wielder, Lann becomes a deadly warrior compelled to hunt down the monsters that roam the land. However, the Dreadblade is a sentient item with its own destructive objectives. Can Lann learn to wield the sword before it is too late, or will an ancient evil once again be let loose?

This is a fantastic new book from established young adult author Steve Feasey. Feasey has been writing for around 10 years, creating two intriguing young adult series. These include the Changeling series, which follows the adventures of a young teen werewolf, and the Mutant City books, which focus on a group of super-powered mutants in a dystopian future. His latest book, Dark Blade, is the first novel in his Whispers of the Gods series, which focuses on a new young protagonist in an original fantasy world.

This was a really fun and enjoyable young adult fantasy book that does a wonderful job setting up a new series with some real potential. Feasey has come up with some really interesting ideas for his fantasy world, populating a Norse-inspired landscape with deadly creatures, fading gods, powerful magic and intense adventures. This book is incredibly fast paced, jumping from intriguing scene to intriguing scene exceedingly fast while maintaining the overall integrity of the story. The story goes in some interesting directions, and Feasey does a good job introducing several enjoyable major characters, including a ruthless villain and a great female protagonist in Astrid. On top of that, there are some amazing action sequences, especially surrounding the main character as he and his magic sword face off against a variety of monsters.

While the overall story is filled with some interesting twists and some creative story developments, the Dark Blade does utilise a number of classical or general adventure tropes. The story of a young orphaned hero who discovers that he has a secret destiny and is gifted a weapon of immense powers (SPOILERS: which used to belong to his father) and who finds a wise mentor to guide him in the first book are all pretty familiar story ideas. However, Feasey uses them to great effect and they help enhance his overall story and help make his book feel more like a young adult version of an old school epic fantasy. The author also makes some amazing changes to the classic storylines, such as granting the sword a malevolent and dominating sentience that attempts to manipulate the protagonist into destroying evil, no matter the cost. Lann’s struggles to control to the sword and stop its attempts to influence him make for some intriguing scenes, and I loved one sequence that sees the Dreadblade go to some extreme lengths to achieve its goals.

Dark Blade is a really fun read that is mostly aimed towards a younger audience. Containing a number of intense battle sequences and scenes of magical devastation, this novel is probably best suited to younger teen or pre-teen readers, who will love the fun adventure contained within this book. This first entry in the Whispers of the Gods series would actually serve as an excellent introduction to the fantasy genre for young readers, who will really enjoy the great combination of action, clever story and interesting fantasy elements.

Overall, this is a compelling and exciting novel that does a wonderful job setting up an intriguing series. Dark Blade has a number of great elements, including an enjoyable, fast-paced story and some inventive modernisation of classic fantasy features, all of which make for a cool read that younger readers in particular will find enjoyable. The Whispers of the Gods series is off to a fine start, and I look forward to seeing how Feasey expands his story in the future.

Knight of Stars by Tom Lloyd

Knight of Stars Cover

Publisher: Gollancz (Hardcover – 27 June 2019)

Series: The God Fragments – Book 3

Length: 440 pages 

My Rating: 4 out of 5 stars

Lynx, Toil and the rest of the Cards are back for another rip-roaring fantasy adventure, as the “heroes” of Tom Lloyd’s The God Fragment series prepare to bring all manner of violence and chaos to another unsuspecting corner of their fantasy world.

Knight of Stars is the third book in The God Fragments series, which follows the adventures of Anatin’s Mercenary Deck, a band of skilled mercenaries otherwise known as the Cards, whose adventures have caused havoc across the Riven Kingdom. The Cards are so called as each member of the band are given a card number or description based on a fictional deck of cards from this universe, which corresponds to their rank within the band. This is the third series from Lloyd, who has previously written the Twilight Reign and The Empire of a Hundred Houses series. The God Fragments series has so far consisted of Stranger of the Tempest in 2016 and Princess of Blood in 2017, with each of the book titles referring to the rank one of that particular novel’s major or most significant character.

In this third book, the Cards are celebrating after surviving and getting paid for their previous adventures in the Labyrinth under the city of Jarrazir. However, their last adventure had unexpected side effects as several of the band have also been magically marked by the powerful Dugar artefact they discovered in the Labyrinth. Not only have these marks magically bound many of the Cards together but they have also had unexpected effects on the Deck’s mages, who have found their magical abilities greatly increased.

The Deck’s employer, the dangerous relic hunter and intelligence officer Toil, has found them a relatively simple job in the distant Mage Islands to take over the holdings of a defaulting gang for a powerful bank. With the prospect of good food, sun, booze, bar fights and the chance to let loose in combat, the Cards are treating it like a holiday, especially as it moves them out of reach of several powerful enemies they have recently made. While Toil seeks out allies and resources for her patron city, the company’s mages attempt to research the magical consequences of their time in the Labyrinth.

However, no mission for the Cards ever goes as planned, and the Mage Islands are a very dangerous place to visit. Between the rival mage guilds, the various gangs and the thousands of giant serpentine tsyarn that surround the city, any miss-step could lead to disaster, and none of the Cards are known for treading lightly, especially as their number includes an infamous exile from the Mage Islands who has left many enemies behind. Unsurprisingly, the members of the Deck soon find themselves in conflict with many powerful members of the Mage Islands’ hierarchy. However, the real trouble comes when several of the Cards accidently awaken something dangerous that dwells beneath the islands.

I was initially drawn to Knight of Stars by the cool plot synopsis, but I found the first 50 or so pages, which detailed the actual journey to the Mage Islands, to be very slow and a little hard to follow. This may have been partly because this was my first time exploring The God Fragment series; I have not had the pleasure of reading the first two books in the series. As a result, I spent quite a bit of time trying to come to grips with the story and the large number of returning characters who were featured in the opening pages of the book. While the summary at the start of the book does a great job of detailing the major points of the adventures that occurred in the previous books in the series, this summary only focuses on a few of the main characters. This means that new readers will not have a good basis for several of the important side characters and may struggle to work out who they are. After getting deeper into the book I was eventually able to come to grips with all of the characters, especially as more details about them were released; however, it was easy to become lost when trying to figure out who was who to begin with. It also didn’t help that the real action and intrigue didn’t really start until the characters got to the Mage Islands, as before that they are mostly stuck talking on a couple of barges. There is a brief fight with some elementals, although what they were and the reason for their presence was a bit unclear in my opinion. While I am glad that I continued past it and enjoyed the rest of story, the first part of the book might not be able to hold some new readers’ interest.

While this is not the most ideal start to the book, those readers who persevere will find that Lloyd has created an excellent and highly entertaining novel. The author has done a wonderful job of taking his band of rogues to a deadly new location within his fantasy universe and the allowing them to run wild, resulting in all manner of chaos. The overall story becomes extremely compelling the deeper you get into it, and the last 150-odd pages are pretty darn epic, featuring some big moments with some significant stakes for the protagonists. All of this results in a very enjoyable story, and I ended up have an absolute blast reading this book.

One of the main things that I liked about this book that was the non-stop fantasy action featured within it. It is obvious that Lloyd has a real talent for writing exciting combat sequences, which he uses to his full advantage by featuring a huge number of electrifying fight scenes throughout the course of his book. Many of these amazing scenes feature elements of the unique magical system that Lloyd has created for The God Fragments series, and I particularly liked the mage-guns that were a major feature of the action. Mage-guns are specialised weapons which all the Cards are armed with that fire various magical rounds of ammo to great effect. This includes electrical blast, ice shots, blasts of flame and devastating earth based shots designed to smash buildings and the ground. The author does an amazing job showcasing these unique weapons and the tactics behind them throughout the book, and they really add a whole new element to the combat sequences. While the combat for the first three quarters of the story is really cool, the fight between the Cards and the major opponents that they encounter in the last part of the book are extremely impressive and very ambitious. I would therefore heartily recommend Knight of Stars to those readers who are looking for a good piece of fantasy action, as it is an amazing feature of this book.

On top of the awesome action, the Cards of the Mercenary Deck are pretty fun. I really liked how Lloyd decided to set a story around a group of rough, fun-loving group of frankly oversexed mercenaries, as it makes for a very amusing tale. The story is told from the perspective of several members of the group, including Lynx, the original protagonist of the series; Toil, the secret agent who is funding the group; and Sitain, one of the group’s three mages. The Cards are a fun group of protagonists, most of whom have seen or done too much violence, so they now see the world through a rather cynical viewpoint. Their love for life is quite infectious, and they make for an entertaining group of narrators, with their rude and crude attitudes often coming to the fore. The Cards also have a very unique way of dealing with problems, and it is always fun to follow a group whose master plan involves starting a particularly violent bar fight. Several of the characters have interesting story arcs within this book, especially Teshen, the titular Knight of Stars, who returns to the Mage Islands to face the demons of his past. There are a couple of major developments for some of the characters in this book, and readers should be careful about some upcoming heartbreak. This is a wonderful group of characters, and I really enjoyed seeing how their story progressed in this book.

The location for this latest book, the Mage Islands, is a really cool setting for this action-packed story. The Mage Islands is a brand-new setting, located some distance away from where any of the previous books were set. The Mage Islands is home to a ramshackle city of canals, slums, lagoons and giant sloths as pack animals, and is a great backdrop for all the action and criminal activity that occurs throughout the book. Lloyd does an excellent job of portraying a hot, tropical location filled with all manner of dangers, criminals and pests. However, rather than the usual vast number of tropical bugs and insects, the city is surrounded by a huge swarm of giant monsters, the tsyarn (the monster on the cover). As you can probably guess from the name, the city is also home to a massive population of mages, and the Cards find themselves drawn into a conflict between some of the rival mage guilds. Overall, this was a fantastic location for this enjoyable story, and I look forward to seeing where the Cards end up next.

Knight of Stars is an exciting and captivating third instalment in Tom Lloyd’s The God Fragments series. While I did initially struggle to get into the story, once I stuck with it, I was able to enjoy its compelling plot, amazing action, great characters and excellent new location. This book is worth checking out, and I look forward to reading Lloyd’s future instalments in this series.

The Boneless Mercies by April Genevieve Tucholke

The Bonless Mercies Cover.jpg

Publisher: Simon & Schuster

Publication Date – 2 October 2018

 

In the dark and cold realm of Vorseland, life is hard and death is easy.  This is especially the case for young women Frey, Ovie, Juniper and Runa, who eke out a living as Boneless Mercies.  Mercies are those people who travel the land exchanging mercy killings for coin in order to alleviate suffering, both mental and physical, in those living in the harsh land.  Only women can become Boneless Mercies, as men cannot do this dark and sad work.

While their roles as Mercies have provided this group of young women with an escape from the horrors or uncertainties of their previous lives, each of them, as well as their young male companion Trigve, seeks something different from this depressing routine of death dealing.  Runa dreams of joining the Quicks, the bands of forest-dwelling hunters and revellers with mastery of the bow; the former Sea Witch Juniper wants to return to her sisters; while Ovie seeks companionship after the trials of her previous life.  But their leader, Frey, wants something very different: fame and glory.

Hearing of a dangerous monster roaming in a far-off land, killing all the men and terrorising the landscape, the girls decide to change their fate and become heroes.  In order to reach their destination, they first have to engage on a dangerous journey through a harsh countryside.  First finding themselves caught up in the middle of a war between rival factions of witches, the Mercies find acceptance and camaraderie in the land they have come to save.  But as the monster they’ve come to face makes an appearance, the girls must finally face up to their destinies.  Will they be able to defeat a creature that so many have already died facing?

The Boneless Mercies is the fourth and latest book from dark fantasy young adult author April Genevieve Tucholke, whose previous works include the two books of the Between series, Between the Devil and the Deep Blue Sea and Between the Spark and the Burn, as well as her 2016 standalone novel, Wink Poppy Midnight.  All three of these previous novels dealt with a young adult supernatural romance set in a modern-day location.  The Boneless Mercies is Tucholke’s first foray into her own fantasy world, and it is the first book that is not as focused on a major romantic subplot.  The Boneless Mercies serves as a great standalone novel, although it has potential as the first book in a new series that either follows the characters introduced in this volume or that utilises Tucholke’s fantasy landscape.

The overall story of The Boneless Mercies is an interesting creation from Tucholke, as it is a good combination of character development, world building and searches for glory.  The premise of this story is unique.  Four professional mercy killers seeking better lives for themselves through fighting monsters is a fantastic pitch from the author that really drove me to read this story.  The author has made a clear attempt to emulate the sagas of old, and it is easy to note its similarities to Beowulf, especially when it comes to the monster.  The book’s central characters helped reinforce this by reciting several sagas that exist within their fantasy world, even coming up with a few verses for their own adventure.  I was a bit surprised about how only the last third of the book focused on the protagonists’ hunt for the monster; the antagonist that was such a focus of the book’s blurb and publication material, and instead a lot more of the book was spent focusing on the adventure getting there.

This actually works out really well, with the characters’ involvement with the various witch characters serving as the centre of the book.  The protagonists find themselves recruited to fight in a war between two rival factions of witches, which leads to some tough and damaging choices for Frey while the also allowing Tucholke to create a harrowing extended sequence in deadly marsh landscape.  The reversal of gender roles within the story is another great part of the story, and it is intriguing to see women in a more central role of these saga storylines in both the protagonists and antagonist roles.  The Boneless Mercies contains a unique and memorable central story that will prove to be appealing to a huge audience.  With several exciting romps through Tucholke’s new fantasy landscape, the book has an excellent conclusion, as well as several plot threads that could lead to intriguing future stories in the same universe.

Tucholke has woven some wonderful character dynamics into this story and introduced several intriguing protagonists for the reader to enjoy.  The book’s five main characters, Frey, Ovie, Juniper, Runa and Trigve, have all found an escape from their terrible past lives by coming together and following each other down the destructive path of the mercy killing trade.  Each of the characters has their own distinctive traits.  Frey is the big sister and reluctant leader of the group, and must struggle to balance her own desires with the needs of the people under her care.  Runa is the rebellious and free-spirited member of the group, eager to live the carefree life of a Quick in order to escape the horrors of her past.  Juniper is the dreamer, and her minor magical abilities and connection with the Sea Witches are essential to the plot in the middle of the book.  Ovie is the tough, no-nonsense member of the group, and is the group’s main warrior, teaching the others how to fight.  Despite some insights into her past, Ovie is the character who is explored the least out of each of the characters, although she does serve as a bit of a moral compass for Frey’s decision.

The main male character, Trigve is also an interesting inclusion, as he fills the role of the assistant and bastion of knowledge that the girls, especially Frey, go out of the way to protect.  This is a noticeable and intriguing change in the traditional gender roles within an adventurer group, and it is interesting to note that Trigve is usually sent away by the girls before any of the big action scenes.  His relationship with Frey is also one of the book’s main romantic subplots, and I liked the complex and mostly unspoken relationship these two characters had.  Overall, all of these main characters are great additions to the book, and Tucholoke spends considerable time exploring how these characters, all of whom have been forced to sever their previous connections, have come together into a surrogate family.  I really appreciated watching the characters’ relationships with each other build, as that worked really well to make the reader connect with each of them and become concerned with their fates.  The slow reveal of each character’s previous lives and the events that drove them to the other Boneless Mercies was also handled wonderfully and worked with the other story elements to create a powerful overarching narrative.

I also enjoyed the great new fantasy world that Tucholke created for this novel.  The author really gets to grips with the harsh, cold and unforgiving scenery of her Norse-inspired landscape of Vorseland, and the reader gets a real idea of why many inhabitants are tempted to employ the Boneless Mercies.  There are also a number of fantastic elements included throughout this world that really help make it an amazing location for this intriguing adventure.  The various bands of different fantasy professionals, such as the Boneless Mercies or the Quicks, give it an interesting flair.  The various groups of witches, including Marsh Witches, Sea Witches and even a group of pig mystics, become deeply entangled in the main story, and will also be significant players in any future books set in this universe.  This is an excellent and creative new fantasy world from Tucholke that works incredibly well for this book’s story.

April Tucholke has created an exciting and intense piece of young adult fiction in her latest novel, The Boneless Mercies.  Creating an intriguing narrative around a group of female former mercy killers embarking on a quest for glory in a dark and saga-rich fantasy landscape is a masterstroke from Tucholke, especially when she combines it with a fantastic story and close-knit and likeable group of protagonists.  The strong female characters make this an excellent one for a young adult audience, and I enjoyed the story’s darker background and storylines.  Special appreciation goes to the book’s great covers as well; the copy I had an iridescent feather design which was cool, but I also really enjoyed the excellent cover with the red wolf and the protagonist’s shadows.  Overall, The Boneless Mercies is a great piece of young adult fiction which presents the reader with something enjoyably different from the classic fantasy adventure.

My Rating:

Four stars

Bloody Rose by Nicholas Eames

Bloody Rose Cover.jpg

Publisher: Orbit

Publication Date – 10 July 2018

 

Sensational fantasy author Nicholas Eames follows up his exceptional debut with the five-star novel Bloody Rose, featuring an epic quest storyline which takes its protagonists through a series of wild adventures in a spectacular and large-scale fantasy landscape.

In the human lands of Grandual, mercenary bands hold a celebrity status among the people.  Originally formed to help protect against the horrors of the world, most bands now spend their days touring from city to city, fighting monsters in arenas in order to gain fame, glory and money.  The most famous of these bands is Fable, led by the notorious Bloody Rose, daughter of the land’s greatest hero, Golden Gabe.  Years after her father led a mercenary army to rescue her from a horde of monsters, Rose has reformed Fable with the druin Freecloud, the shaman Brune, the Inkwitch Cura and their booker, the waggish satyr Roderick.  With a massive chip on her shoulder, Rose is determined to take on the toughest jobs and challenges that she can find.

In the city of Ardburg, Tam Hasford is sick of her job slinging drinks at the local pub to the famous mercenaries passing through.  As the daughter of two mercenaries herself, Tam craves adventure, and when Fable rolls into town looking for a new bard, Tam jumps at the opportunity to travel with Bloody Rose and her band.  Gaining a well-deserved reputation for her singing and an accidental reputation as a fighter, Tam receives the moniker ‘The Bard’ and a crash course in the mercenary lifestyle of drinking, gambling, fighting and good times.

But while Tam is having fun in her new role, there is still work to be done.  A massive monster horde has once again left the wilds and is threatening several human cities.  All of Grandual’s mercenary bands are gathering to meet them, all except Fable.  Rose is leading her band in the opposite direction and appears unconcerned with the potential devastation the monsters could cause.  Has Bloody Rose lost her nerve or does she have a far more dangerous quest in mind?  While Fable’s plan to become legends may prove to be successful, they will have far more destructive consequences than anyone could ever predict.

Bloody Rose is the incredible sequel to Eames’s 2017 debut, Kings of the Wyld, and forms the second book in Eames’s The Band series.  Set several years after the events of the first book, Eames switches up the story, focusing on the adventures of Rose and her band of mercenaries, while telling the narrative through the eyes of new point-of-view character Tam.  While there are many tie-ins with the first book, including several of the main characters, Eames has mostly shifted the focus onto a new generation of characters.

Although Bloody Rose is the second instalment in this series, curious readers can easily start their adventure with this book.  This book’s point-of-view character, Tam, never directly experienced the battles of the first entry in the series, and she ends up having quite a few conversations that describe or dramatise the events of the previous novel.  As a result, new readers who start with Bloody Rose will not experience any confusion and will be able to enjoy this story right off the bat.  That being said, readers who start with this book will probably get a hankering to read Kings of the Wyld due to how amazing Bloody Rose is.

This is a substantial piece of fantasy literature with a powerful story that is guaranteed to draw the reader in from the first page.  The huge scope of this story is just remarkable, as what begins as a simple adventure story transforms into an epic battle for the survival of all life in the world.  Much of this scope is the result of the significant number of secondary characters and antagonists that are introduced throughout the book.  It is a testimony to Eames’s skill as a writer that all these characters don’t overwhelm the story, and the reader finds themselves interested in seeing how each these characters ends up.  The use of a brand new point-of-view character to tell this story is a clever move from Eames as it allows a fresh insight into this world of mercenary bands and monsters, moving on from the old veterans that were the focus of Kings of the Wyld.

The author has infused his narrative with a huge amount of humour, most of it quite adult and over the top in nature.  This humorous tone infects quite a lot of the way that the book is told and makes it a very fun read.  There are some extremely funny scenes through the book, from debates about fake cockatrices, to the antics of a drunken satyr, to discussions about the dietary requirements of minotaurs.  While this humour is a key and overwhelmingly fun part of the story, Eames does get deadly serious in several parts of the book when the protagonists encounter dark days.  These darker scenes are felt particularly hard by the reader, mainly due to the sudden shift away from the lighter tone of the rest of the book.  While there are several examples of this throughout the story, I found that the final scenes of this book were particularly intense and had me absolutely captivated.  This clever combination of the outstanding comedy overtones and the gripping dramatic moments works exceedingly well and turns Bloody Rose’s story into one of the best fantasy narratives I’ve had the pleasure of reading.

In addition to the great use of comedy, drama and story, Eames has also packed this book with a significant amount of action and adventure.  The protagonists of this story essentially fight everyone as they adventure across the land, and participate in all sorts of combat, including arena battles with monsters, fights with titanic creatures, large-scale battles and even a few tavern brawls.  All these action sequences work well with the book’s other elements.  Not only do these battles result in some devastating moments but Eames also includes some comedy in these fight scenes, which can prove to be very entertaining.  Readers should also keep an eye out for the fun and inventive combat tactics used throughout this book, which are not only destructive but creative.  Never has red hair been used in battle so effectively.  With as much conflict and combat as you’ll ever need in a book, this is a perfect read those looking for those looking for their next injection of thrilling action and adventure.

Eames has also created a vast world to be the setting for this story, filled with a huge number of fantasy creatures and massive amount of world building lore.  Having such a large and well-established world is essential for a story of this magnitude.  The protagonists do a substantial amount of travel from one end of Grandual to the other, exploring large cities, small towns, barren wastes, massive battlefields and dangerous forested areas.  The author has also filled this story with every classic fantasy and mythological creature one could think of, as well as a few unique creatures from his own imagination.  All these creatures are a great addition to the story, resulting in some very fun battle sequences throughout the book, especially when their a huge number of these creatures in action.  One of the more intriguing races is the druin, the rabbit-eared humanoids created by Eames which used to rule all the humans and monsters of this fantasy world.  There is some fascinating history around the druin which has some significant impacts on the story, as well as gifting these creatures with some cool abilities that come into play in a variety of great ways.

The author has also spent time developing a fantastic band of main characters for the reader to follow on their adventure.  Using his new narrator, Tam, to full effect, the reader is given an introduction to every member of Fable and learns their history and motivations in significant and interesting detail.  A decent amount of time is spent looking at all of the members of Fable and the reader is given a deep understanding of each of them.  Each member of the band is a fairly unique fighter and character in their own right, but together they form a fun team.  Eames really hammers home how close these band members become throughout the book, and the reader becomes attached to the characters as they grow closer together.  This makes any potential harm or trauma they experience particularly hard for the reader to experience, and really adds to the books emotional depth.

With the follow-up to his epic debut, Eames has once again demonstrated why he is one of the freshest and most exciting new voices in fantasy fiction.  This exceptional story is an action-packed bonanza that sees several compelling characters engage in a heroic quest across an impressive fantasy landscape.  With the perfect blend of comedic adventure, epic fantasy storytelling and some dramatic character moments, Bloody Rose is an exceptional and excellent read that is guaranteed to become your new favourite story.

My Rating:

Five Stars

Dreadful Company by Vivian Shaw

Dreadful Company Cover.jpg

Publisher: Orbit

Publication Date – 24 July 2018

 

Those looking for an entertaining, intriguing and different take on the horror genre should investigate Dreadful Company, the latest book from author Vivian Shaw, which contains a thrilling story based around the doctor to your favourite fictional monsters.

Greta Helsing is London’s medical practitioner for the undead, providing specialised treatment to the city’s hidden community of ghouls, vampires, mummies and zombies.  After being called to Paris to attend a supernatural medical conference, Greta’s plans to enjoy a stimulating discourse and debate on monster medicine is ruined when she is suddenly kidnapped off the street.  Her abductors turn out to be a coven of young and murderous vampires led by the unhinged Corvin, who bears a particular grudge against Greta’s vampire friend Ruthven.  Even more concerning, a member of Corvin’s coven is using magic to summon small and friendly magical creatures.  While the creatures may be harmless, the ripples they are causing in reality are not, and represent a significant threat to our world.

While Greta is trapped in the tunnels and catacombs below Paris, her friends arrive in the city to save her.  Legendary elder vampire Ruthven and Greta’s vampyre boyfriend, Sir Francis Varney, team up with Paris’s guardian werewolf, two immortal paranormal investigators and the city’s resident demon to free Greta and put an end to the dimensional instability.  But Greta and her companions are about to find out that there are weirder and more dangerous things than a collection of bloodthirsty vampires in the tunnels underneath Paris.

Dreadful Company is Shaw’s follow-up to her 2017 debut novel, Strange Practice, and is the second book in her Dr Greta Helsing series.  Dreadful Company returns several of the protagonists from the first book while also adding in a healthy number of new and exciting characters.  A third book in the series is already planned; I will definitely be keeping an eye out for Grave Importance next year.

Shaw’s latest book contains a fun and electrifying adventure that pits several ancient beings and their doctor against a coven of vampires and the magical catastrophe they have created.  The author tells her story through a range of characters to show many different perspectives of the adventure taking place.  Not only is every single protagonist – including returning characters Greta, Ruthven and Varney, as well as new characters the werewolf St Germain, the remedial psychopomps Brightside and Dammerung and the demon Irazek – a point of view character, but so are several of the young vampires who serve as the book’s antagonists.  This allows Shaw to tell a much wider story.  Not only is the central adventure explored in greater detail from a several angles, but the motivations, shared histories and the underlying thought processes of the story’s key players are presented to the reader.

Shaw has made a smart decision to change the book’s main setting from London to Paris.  Many writers can get bogged down in one location during their series, but Shaw did a fantastic job adapting her story to a completely new and unique cityscape, a trend that she will apparently continue to follow in her 2019 addition to the series.  Shaw makes full use of several iconic Paris locations, particularly the catacombs and tunnels underneath the streets, which are the perfect setting for a horror story.  Overall, Dreadful Company contains a rather exciting adventure story that makes spectacular use of its horror and fantasy elements, while also making use of the humour and history of its many point-of-view characters to lighten the darker tone of the book and create a unique and entertaining read.

I was extremely happy that Shaw included more examples of monster medicine within Dreadful Company.  The examination of the medical techniques used on supernatural characters was one of the best features of Strange Practice, and was a very unique and compelling element of this first book.  There are a number of wonderful general monster medicine scenes throughout the book, including a supernatural medicine conference where topics include ‘An overview of the various treatment modalities for tissue degeneration in Class A revenants’ (how to stop bits falling off zombies).  Readers will really enjoy Dreadful Company’s interesting focus on the medicine of vampires.  Shaw did spend a little time exploring the biology and treatment of vampires in the first book, which is expanded upon in Dreadful Company.  There are several discussions about vampire anatomy and physiology, including some of the features of the different vampire subspecies.  There is also a detailed look at the effect of certain substances on vampiric characters, including drugs and garlic, as well as the surprisingly devastating absinthe.  The protagonist is also forced to treat a number of different vampire characters for a variety of different conditions, including an overdose, stab wounds and an infection caused by a ghoul bite.  Once again, Shaw’s inclusion of monster medicine was an amazing part of this book, and I am looking forward to the third novel in the series, Grave Importance, which will focus on the care of mummies.

Aside from the examination of vampire biology, Shaw has also included a fascinating look into the different vampire mentalities, particularly when it comes to the old school versus the young bloods.  The two elder vampire characters, Ruthven and Varney, are reformed from their violent past and are instead trying to live normal and peaceful lives alongside humans.  The younger vampires, on the other hand, are bloodthirsty creatures who don’t follow any rules, kill indiscriminately and indulge in drugs and wanton behaviour.  The differences between the behaviours of these two different types of vampires are quite noticeable, especially when the younger vampires try to live up to all of the vampire stereotypes, such as sleeping in coffins, wearing elaborate clothes and makeup, making up dumb names for themselves, developing a superiority complex and trying out various ways to make themselves glitter.  While these inclusions are extremely fun, the readers will really experience chills when they see how angry the usually calm characters Ruthven and Varney get when they encounter these younger vampires and realise what taboos they have broken.

In addition to the creative and captivating use of vampire characters throughout the book, Shaw has referenced several other classic horror creatures and villains.  There are several allusions to Frankenstein and The Phantom of the Opera, with the protagonists actually visiting the Phantom’s underground lair at one point.  There are also other creatures, such as magically summoned hair monsters, well monsters and a whistle-summoned spirit, all of which play an interesting role in the plot.  Some great humour also comes from the inclusion of several ghosts, many of whom can be found having a lively party in Paris’ iconic Père Lachaise cemetery.  Highlights of this scene include a snarky Oscar Wilde and a musical Jim Morrison, both of whom have some great interactions with the new characters, Brightside and Dammerung.

Dreadful Company sees new author Vivian Shaw return with another fun and thrilling horror novel that contains a fast-paced adventure and a light comedy enhance tone.  Shaw has invested in a range of new characters, a fresh setting and some appealing fantasy and horror elements.  The author’s clever and memorable inclusion of monster medicine once again shines through as the book’s best feature, as well as the detailed examination of the vampire psyche.  An absolutely amazing second outing from Shaw, Dreadful Company is a fantastic read that will prove to be both unique and captivating to a huge range of readers.

My Rating:

Four and a half stars