Blood Sugar by Sascha Rothchild

On June 27, 2022August 20, 2022 By The Unseen LibraryIn Thriller2 Comments

Blood Sugar Cover

Publisher: Trapeze (Trade Paperback – 26 April 2022)

Series: Standalone

Length: 328 pages

My Rating: 4.75 out of 5 stars

Outstanding screenwriter Sascha Rothchild presents her debut novel with the utterly addictive Blood Sugar, an awesome and clever thriller with a sweet twist.

Ruby Simon has been a killer since she was five years old. On a sunny day, young Ruby took an opportunity to rid herself and her sister of the school bully by helping him drown at the local Miami beach. After managing to get away with her crime, Ruby expected to feel guilty for the life she took, but instead all she felt was relief that the boy would never hurt her sister again. This action led to Ruby having a realisation that sometimes killing a terrible person is not necessarily a bad thing.

Twenty-five years later, Ruby appears to have it all. A successful and driven psychologist in Miami, Ruby has killed several times over the intervening years and has never felt guilt for her actions. However, everything she has built is about to come crumbling down when she finds herself in an interrogation room under suspicion of murder. In front of her lie four photographs of people who she once knew and who are all now dead.

As the interrogation continues, Ruby soon discovers a significant problem: of the four victims she is accused of murdering, she has only killed three of them, and it is the death she is not responsible for that the police are most determined to bring her down for. Can Ruby prove she is innocent of this one murder? And even if she can, does she even deserve to be set free?

This was an impressive and compelling debut from Sascha Rothchild that I was really quite happy to get a copy of. Not only did it have an awesome-sounding plot but I was also very intrigued by the author, as Rothchild already had some major writing creds after her work on several television shows, including GLOW, which I was a big fan of. I ended up really loving Blood Sugar and I swiftly got drawn into its witty, humorous and powerful story set around an unlikely and extremely likeable murderer.

Blood Sugar has a distinctive and fun narrative that really grabs your attention from the beginning, starting as it does with child-on-child murder. Told exclusively from the perspective of central character Ruby Simon, the book is an impressive, deep and occasionally humorous character study of a very unique fictional killer. The initial narrative is split between events in the character’s present, where she is being interrogated by the police, and an extended look back at her past, as you see all the major events in her life. These flashback sequences take up the majority of the first two thirds of the book, and they present some powerful and intriguing examinations of the protagonist and all the moments that led to her present. In particular, they look at her key relationships, her schooling, the events that made her into the successful person she is today, as well as the moments where she decided to take a life. These two separate narrative threads play off each other extremely well, with the character history providing some intriguing context to the character’s background and mindset, while the present-day interrogation does a good job at hinting at events that are still to be revealed in the flashbacks. Rothchild’s excellent writing style and ability to forge interesting and compelling characters are on full display during this part of the novel, and she is effortlessly able to construct a powerful and natural life story around the very relatable protagonist, with her occasional murders cleverly worked in. The blend of character history and justified killings really works well to keep your attention, while also making you really start to care about the protagonist and her future. Both separate linear threads bind together perfectly as the novel progresses and leads the reader towards Blood Sugar’s awesome third and final act.

The final third of Blood Sugar takes on a completely new format as the first-person examination of the protagonist’s past is wrapped up and the book turns into an intense legal thriller. This fantastic and powerful change of pace is quite jarring and sees the protagonist encounter all manner of personal setbacks and attacks as the police close in on her. Thanks to all the awesome work that the author did in the first part of the novel, the reader is now incredibly invested in Ruby’s life story, and you feel incredibly sympathetic for her. As such, it hurts a little to see her so terribly attacked, even though many of the things that they are accusing her of are true and a key part of her life. This final part of the novel is incredibly intense, and Rothchild brings out all manner of intriguing twists and turns to shake the reader, especially as you still a little uncertain about who is responsible for one of the key events. The author comes up with an intriguing and entertaining conclusion for the novel that really makes one of the supporting characters shine. I really liked how everything wrapped up here, and it really did the rest of the book justice. An overall impressive and highly addictive narrative that I powered through in very short order.

I deeply enjoyed some of the unique elements that Rothchild sprinkled throughout her novel. While there is a natural focus on the morality of murder and the mindset of her protagonist, the author also takes the time to examine other interesting elements in her own entertaining way. Many of these elements revolve around relationships, with the protagonist finding herself connected to multiple interesting people in a variety of complex ways, from a very close platonic friendship that experiences major highs and severe lows, to a loving relationship that tries to overcome mistrust and traumatic pasts. The author also presents one of the most honest and powerful examinations of the relationships people have with their pets, as the protagonist becomes extremely close with several animals that she adopts. While one of these ends quite tragically (I was legitimately heartbroken when this happened), it transitions into a very moving and accurate examination of the strong grief that people often feel for their pets, and it is one that every animal lover will understand and appreciate. The various relationships featured in Blood Sugar form a key part of the story, and it was fascinating to see them unfold around the protagonist, especially as they brought out some unique family dynamics, and I really appreciated the clever ways that the author worked them into the wider plot.

There is also an outstanding look at the media circus that surrounds big crimes, especially once the protagonist finds their previous crimes under investigation. Watching Ruby’s entire carefully constructed life come unravelled in the public eye is one of the more intense parts of Blood Sugar, and Rothchild pulls no punches when it comes to the savagery of the media and the isolation that accused people find themselves in. I also appreciated the intense dive into the world of the personal psychology, as the protagonist uses her training to explore her mind as well as issues surrounding several of her clients. This was a very intriguing part of the book’s plot, and I liked how Rothchild praised therapy, showing that it can be very beneficial to people, even trained psychologists and serial killers. However, the most impressive story element that Rothchild worked into the novel was the in-depth examination of diabetes and the impacts it can have. Due to a key plot point, quite a lot of the book revolves around a character’s diabetes, with their low blood sugar (yep, that is what the book is named after), become a major factor in the case against Ruby. Rothchild has clearly done her research when it comes to the intricacies of diabetes, and I really appreciated how she was able to imagine a potential murder based around this disease. All these distinctive elements and more are expertly utilised in the wider plot and become a key part of the protagonist’s unique and complex life.

Finally, I really must touch on Blood Sugar’s awesome protagonist of Ruby Simon, who stands out as one of the most original and surprisingly likeable literary characters of 2022. Ruby is a very distinctive figure; she first killed at a very young age and has gone on to murder again several times through her life. Even though she feels no guilt for these killings, Ruby is not portrayed as a psychopath or a serial killer; she is simply someone able to justify the actions she took in a very logical way. Due to the way that the novel is set out, you see most of Ruby’s life through her eyes and you swiftly come to appreciate her point of view, especially as she appears as a mostly normal person who finds herself in some unique situations. Each of her killings is laid out to the reader in a very logical and natural way, and you honestly have a hard time understanding and even supporting her reasons or justifications for the killings. Due to this, as well as the extremely relatable way that Rothchild portrays her, you become strongly connected to the character, and you quickly start rooting for her to avoid being capture or prosecuted for her crimes. I honestly cannot remember becoming as attached to a killer character as did with Ruby in Blood Sugar, and Rothchild really went out of her way to ensure that you liked her protagonist. An excellent and memorable bit of character work.

Overall, Blood Sugar was one of the more unique and entertaining releases of 2022 so far, and I was really impressed with Sascha Rothchild’s first novel. Featuring an extremely clever, hilarious, thrilling and addictive story, Blood Sugar was a very fun novel to dive into, especially once you become attached to the amazing main character. Powerful, intense and very distinctive, Blood Sugar is easily one of the best debut novels of 2022 and it comes very highly recommended by the Unseen Library.

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Lost by James Patterson and James O. Born

On January 19, 2020February 2, 2023 By The Unseen LibraryIn Thriller5 Comments

Lost Cover

Publisher: Century (Trade Paperback – 7 January 2020)

Series: Stand Alone/Book One

Length: 328 pages

My Rating: 4 out of 5 stars

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From the excellent crime fiction team of James Patterson and James O. Born comes Lost, an enjoyable and thrilling novel that sets a fun new protagonist against the scourge of international human trafficking.

Detective Tom Moon is a Miami man, born and bred, who loves to protect his city. Assigned to lead a new FBI joint task force that’s been set up in the city, his new job is to tackle international crime. However, their job gets very complicated when they receive a tip about a man coming in through Miami International Airport from Amsterdam. Upon arresting their suspect, they find that he was attempting to smuggle in several children from Europe and that he is part of a notorious human trafficking ring.

Working closely with Dutch Detective Marie Meijer, Moon and his team work to uncover the full extent of the trafficking ring in both Amsterdam and Miami. However, the traffickers are being led by a ruthless pair of Dutch siblings who are desperate to succeed and even willing to target the police hunting them. Worse, the traffickers are working with a powerful syndicate of Russian gangsters who have a strong foothold in both Europe and Miami. When Moon and his team receive news that a massive shipment of people is being smuggled into Miami, they know that this is the break they need to bring down the entire operation. But with money and family on the line, both the Russians and the traffickers are desperate to claim their cargo and will go to any lengths to secure it, even if that means killing Moon and everyone he cares about.

Lost is the latest novel from co-writers James Patterson and James O. Born. Patterson is an author who needs very little introduction, having contributed to well over 100 crime fiction novels since his debut in 1976, including his bestselling Alex Cross series. Patterson has a longstanding tradition of collaborating with other crime fiction authors to create some intriguing reads, including the Detective Harriet Blue series with Candice Fox, the Women’s Murder Club series with Andrew Gross and Maxine Paetro, the Michael Bennett series which he has mostly done with Michael Ledwidge, the NYPD Red series with Marshall Karp and the Private series co-written with several different authors. James O. Born has been writing since 2004, when he debuted with the intriguing-sounding Walking Money. Born has written several novels in his career so far and has been collaborating with Patterson since 2016. Patterson and Born have already written several together, including the Mitchum series (the third book of which, The River Murders, was released only a few days ago) and the latest two entries in the Michael Bennett series. The two writers are also releasing a third Michael Bennett novel, Blindside, in the next week, which actually sounds pretty interesting and I might have to try and check out.

Lost is a standalone novel that features a brand-new protagonist, Tom Moone. Lost is a fantastic piece of crime fiction with a massively enjoyable story that was a lot of fun to check out. This was an exceedingly accessible novel from this writing pair, which requires no prior knowledge of any of the books in Patterson’s extensive library of works. Patterson and Born have produced an entertaining and very fast-paced story that I was to power through in a very short period of time. The story is told in a series of extremely short chapters, which helps to move the plot along at a quick clip, which I really appreciated. The authors also cleverly utilise multiple character perspectives to create a richer and more compelling overall novel. Around half the novel is told from the first-person perspective of the book’s protagonist, Tom Moon, while the rest of the novel is told from the third-person perspective of several other characters. The most prominent of these characters are the smuggler team of Hanna and Albert Greete, who serve as some of the book’s main antagonists. This great use of perspective has some real advantages for the story, as it allows a deeper look at this new exciting protagonist whilst also providing the reader with an enticing view of the dark underbelly that is the world of human trafficking.

The authors’ decision to focus this book on human trafficking was an interesting choice and one which I felt really payed off for this book. This whole criminal enterprise is both fascinating and despicable, and results in a number of fantastic sequences throughout Lost. The two authors do an excellent job of covering all the angles surrounding the human trafficking and their inclusion of multiple character perspectives is really useful here. Not only do we get to see the viewpoints of the police who are trying to stop these crimes but we also get to see the perspective of the traffickers and some of the people they are smuggling. This allows the authors to show some of the tricks and techniques that human traffickers use to smuggle people into the United States, and we also get to see the eventual fates of several people who are successfully trafficked (it doesn’t go well for them). We also see what has driven several smuggled people into the arms of the traffickers; whether they are there by choice or whether they have been forced their against their will, their story is generally a bleak one, and I liked that the authors tried to examine the victims of this crime in some detail. The use of international human trafficking as the central crime also allows this novel to have more of a multinational fair to it, as police from two separate countries, in this case agents of a United States FBI taskforce and the Dutch police, work together to solve the crime. I liked the various scenes set in Amsterdam, and it was really interesting to see the author’s interpretation of the city and how it has been impacted by international crime. It was also fun to see the two main police characters in the book, Miami cop Moon and Amsterdam police officer Meijer, spend time learning more about the cultures of their international counterpart, as both characters get tours of the other’s respective cities. I personally really enjoyed this captivating aspect of the book, and it really helped make this cool crime fiction novel even more enjoyable.

Patterson has a fantastic habit of coming up with a number of memorable protagonists for his works. The bestselling author and his co-writers have created some truly compelling protagonists to help helm their books, many of whom are then utilised as the central character of long-running series. In Lost, Patterson and Born have come up with another interesting main character in the form of Detective Tom Moon, who was an excellent protagonist for this new novel. Moon is a pretty distinctive police officer, whose large physical appearance clashes with a number of character traits featured within this book, such as his calm, philosophical nature, his soft spot for children and his dedication to his family. Moon is a truly nice guy who has earned the trust of the Miami street community and even some criminals thanks to his status as a local, his well-known past as a poor college athlete and his sense of fair play. I really enjoyed the whole man-of-the-streets vibe that the authors came up with for Moon, and it was fun seeing several examples of local people helping him out with his enquires, even the criminals. While we mainly see Moon being nice and helpful, he is not always such a laid-back guy, especially when his family is being threatened. He can actually get quite vicious at times, especially in one club scene when his sister is around, and he really doesn’t get intimidated, choosing to go after several dangerous people, often in fairly tactless ways (there is one entertaining scene where he calls out a criminal in a very public way). All of this adds up to another distinctive and enjoyable protagonist, and I quite enjoyed the combination of charm, humour and street smarts that made up Detective Moon. That being said, I think that the book would have survived without the continued stream of philosophically meaningful quotes he was spouting, and it really wasn’t my favourite thing in Lost.

Overall, Lost by James Patterson and James O. Born is another great piece of crime fiction that is bound to keep a lot of readers entertained. These two authors have come up with another intriguing story, which dives deep into the world of international human trafficking to produce an excellent read. I very much enjoyed this new novel, and I would love to see more of Tom Moon in the future, especially if the authors come up with some other fascinating examples of international crime to investigate. Lost is worth checking out, especially if you are in the mood for a compelling, fast-paced crime fiction novel with a fantastic protagonist.

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