Star Wars: Darth Vader: Volume One: Dark Heart of the Sith

Darth Vader - Dark Heart of the Sith

Publisher: Marvel Comics (Paperback – 24 November 2020)

Series: Darth Vader (2020) – Volume One

Writer: Greg Pak

Artist: Raffaele Ienco

Colour Artist: Neeraj Menon

Letterer: VC’s Joe Caramagna

Length: 136 pages

My Rating: 5 out of 5 stars

One of the first entries in a new set of Star Wars comics is here and it is pretty damn awesome, as Greg Pak, Raffaele Ienco and Neeraj Menon present the first volume of the 2020 Darth Vader series, Dark Heart of the Sith.

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Dark Heart of the Sith contains issues #1-5 of the Darth Vader (2020) comic book series which takes place right after The Empire Strikes Back.  The Darth Vader (2020) series is part of a new range of Star Wars comics which include the Star Wars (2020), Doctor Aphra (2020) and Bounty Hunters series, all of which are set in the year between the events of The Empire Strikes Back and Return of the Jedi.  These comics follow on from earlier series which were set between the events of A New Hope and The Empire Strikes Back.  This latest round of comics attempts to provide details about what occurred between the events of the second and third films, as well as create some new and exciting adventures.  All of the comics in this range sound fantastic, and I have been eagerly anticipating all of them, especially Darth Vader (2020) due to all the potential for action and drama that it has.

To tell this unique tale, Marvel have utilised the fantastic team of author Greg Pak, artist Raffaele Ienco and colour artist Neeraj Menon.  Greg Pak is a film director and author who has written several amazing comics in his career, with a particular focus on the Hulk and Hercules series for Marvel.  I am somewhat familiar with Pak’s work, enjoying his current run of Firefly comics for Boom!.  I am a little less familiar with Ienco and Menon (although Menon did work as a colourist on the Target Vader limited series), but both are experienced artists who have worked on some intriguing-sounding projects in the past.  This is an intriguing team, and they came together to produce an excellent and powerful Darth Vader story.

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During the climatic events of The Empire Strikes Back, Darth Vader revealed that he was Anakin Skywalker to his son, Luke, and offered him a chance to rule the galaxy by his side.  However, Luke refused to join him out of fear and disgust, choosing instead to plunge to an unknown fate beneath Cloud City.  Now, rejected and betrayed, Vader finds himself full of rage and determined to seek revenge on anyone who kept his son from him and made him weak.

Tracing Luke’s life before the Rebellion, Vader attempts to find anyone he can take his frustrations out on.  But with everyone in Luke’s past dead and beyond his wrath, Vader decides to investigate what happened to his wife, Padmé Amidala, after their final confrontation on Mustafar.  Investigating a listening device left in Padmé’s apartments on Coruscant, Vader travels to a hidden Rebel base where he makes the startling discovery of a woman with a shocking resemblance to an older Padmé.

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Despite the initial shock, Vader is soon able to determine that this is not his dead wife returned from the grave but the Queen’s Shadow, Sabé.  Sabé was once Padmé’s most loyal friend, handmaiden, bodyguard and double, and her death has haunted Sabé for years.  Determined to use Sabé to find the answers he is looking for; Vader decides to work with the former handmaiden to find out the truth of Padmé’s last moments.  The information that they need apparently resides on Naboo, and Vader is forced to relive the ghosts of his past life as Anakin Skywalker to find the truth.  However, more treachery awaits Vader on Naboo as a secret organisation waits to kill him.  The Handmaidens of Amidala know who truly killed their mistress, and they are finally ready to take their revenge.

What is it about Darth Vader that makes it impossible for someone to create a bad comic about him?  I mean, seriously, all the previous Darth Vader comics in the current canon have been absolute masterpieces, from the epic 2015 Darth Vader series (check out my reviews for Volume One: Vader, Volume Two: Shadows and Secrets and the crossover comic Vader Down), the impressive prequel series Darth Vader: Dark Lord of the Sith (check out my reviews for Volume Two: Legacy’s End and Volume Three: The Burning Seas), the first volume of the 2015 Star Wars series, Skywalker Strikes, or the fun limited series, Dark Visions.  Each of these comics has been impressive in its own way, and in each of them Darth Vader shines as the ultimate badass.  This first volume of the new Darth Vader series is no exception as it follows Vader through a harrowing journey of discovery that takes him back into his tumultuous past and explores the consequences of his actions at the formation of the Empire.

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Dark Heart of the Sith contains an epic and emotional narrative which follows one of fiction’s greatest villains after he encounters one of the biggest setbacks in his life.  Set mere moments after Vader’s final appearance in The Empire Strikes Back, the Dark Lord of the Sith embarks on a deeply personal mission that is half rampage and half voyage of discovery.  After some initial setbacks, Vader eventually finds Sabé, the Queen’s double, whose appearance in the final panel of Issue #1 was a major selling point for the series.  Sabé’s introduction to the plot leads Vader to revisit some of the most important locations from his life as Anakin Skywalker, before an inevitable run-in with Padmé’s former followers, who hold Vader responsible for her death and the death of Anakin Skywalker.  This entire arc is extremely well written, and I absolutely loved the ambitious and clever story that Pak came up with.  The author does an awesome job of combining an exciting narrative made up of several epic and impressive moments and with a deep dive into Vader’s mind, and this results in a captivating and powerful read that serves as a particularly distinctive chapter in the history of Darth Vader.  I really enjoyed where Pak took Dark Heart of the Sith’s amazing story, and while certain elements lose their impact in the internet age of freely available spoilers, there are some big and impressive moments in here that all Star Wars fans need to see.

One of the things I most enjoyed about this comic was the way that the creative team brought in elements from the Star Wars prequel films and inserted them into a story set right after The Empire Strikes BackDark Heart of the Sith takes the reader back to several key locations from the prequel films and reintroduces several minor characters who appeared in them, including Sabé, one of the pilots from The Phantom Menace and Captain Gregar Typho, Padmé’s security guard in Attack of the Clones and Revenge of the Sith.  This use of these elements from the prior movies works extremely well in the context of this comic’s story, as Vader is forced to revisit his past at a point when he is the most vulnerable in the present.  This makes Dark Heart of the Sith quite an interesting comic for Star Wars fans, who will greatly enjoy the inclusion of elements from two distinctive eras of the franchise.  I felt that Dark Heart of the Sith was a very accessible comic for readers with limited familiarity with Star Wars fiction, and readers only need to check out some of the films to get a good understanding of what is happening. 

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However, as an established fan of the franchise, I was quite overjoyed to see that this comic had an interesting connection to some interesting pieces of Star Wars extended fiction, namely two recent novels by E. K. Johnston, Star Wars: Queen’s Shadow and Star Wars: Queen’s Peril.  These two novels, which serve as sequel and prequel to The Phantom Menace respectively, are set around the lives of Padmé and her handmaidens and provide added details about how they came into her service and the loyalty that they felt to her.  The narrative contained within this comic serves as a sequel to an arc set up in Queen’s Shadow, where Sabé swears to find justice for the death of Padmé, with several of the unique characters who were either introduced or sufficiently fleshed out in these novels also appearing.  This results in several awesome scenes, including one particularly epic sequence in which Vader is confronted by Padmé’s surviving handmaidens, who engage in an all-out brawl against him.  I found all of this to be immensely cool, and I really enjoyed seeing some of the elements from these books concluded in this comic, especially as Dark Heart of the Sith serves as a definitive conclusion to these character arcs.

Unsurprisingly, the standout character of this comic is Darth Vader himself, who goes through a lot during Dark Heart of the Sith.  Pak really turns this first volume into a deep exploration of Vader’s complex psyche, and there is an interesting examination of how Vader is feeling in the immediate aftermath of Luke rejecting him.  Without his usual determination and dedication to the Dark Side, Vader is lost in this comic, acting out of impulse and searching for someone or something to take his rage out against.  The introduction of Sabé and the return to several key locations from his past only adds to his confusion and emotional instability, and it is blatantly obvious that this is not the same Vader we have come to fear and admire.  Instead, this Vader hesitates to do some of his usual acts of destruction.  Certain memories from his past suddenly spring to the forefront of his mind, turning him away from his desired actions, such as sparing Sabé after revisiting his memory of killing Padmé.  Vader is also continually thrown by the return of several figures from his past, each of whom had a connection to both Padmé and Anakin Skywalker, and it proved to be quite fascinating to see Vader interact with them differently, especially as none of them are aware that Vader is Anakin. 

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This comic also contains some key moments of history for Vader; not only does he finally visit Padmé’s tomb but he also admits to her murder, all of which have major emotional implications for him.  I quite enjoyed this dive into Vader’s psyche and I really appreciated the way that the creative team tried to show just how complex and conflicted the character can be.  Based on how Volume One ends, this is probably going to be a recurring theme of the Darth Vader (2020) series and it will be interesting to see the many different changes in the character’s psyche.  I should mention that even though this is a focus on Vader’s mind and his innumerable regrets, the creative team do go out of their way to show just how much of a badass he is and there are several impressive sequences where he doles out death and destruction on an epic level, including killing some of the biggest and most dangerous creatures on Naboo.  All of this results in a deeply impressive Darth Vader comic, and I love the creators’ take on this amazing villain.

Aside from Vader and the returning characters from the prequels, Dark Heart of the Sith also features a fun new posse for Vader in the form of three Death Troopers (the elite Stormtroopers introduced in Rogue One) and the forensics droid Zed Six Seven, who accompany Vader throughout this mission.  While the Death Troopers do have a key role in this comic as Vader’s bodyguards and backup, they are mostly just background characters, without any major defining characteristics or moments.  Zed Six Seven, on the other hand, does a lot of talking, commenting on every event and revelation that occurs within the course of the narrative.  This extra commentary is essential, as Zed Six Seven provides nearly all the necessary exposition within the narrative, as Vader has less dialogue than a typical comic protagonist.  Despite primarily being an exposition machine, Zed Six Seven does prove to be an entertaining character, and I quite enjoyed his reactions to certain revelations or the events, even if his inability to keep his robotic mouth shut does cost him in the end.  Overall, I really liked all the character inclusions and development featured within Dark Heart of the Sith, and it helped to make an epic and powerful story.

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I really must highlight the exceptional art featured within this volume as the two artists, Ienco and Menon, do an amazing job bringing this captivating narrative to life.  I absolutely loved all the art contained within this comic and I felt that each of the scenes was drawn very well, with the various featured characters representing their film counterparts in impressive detail.  I particularly enjoyed the excellent way that the artists recreated a ton of key events from the prequel movies and featured them throughout the comic.  The recreated shots from the films were done with a distinctive red filter and were utilised as Vader’s flashbacks to key events from his life.  These flashback scenes help to highlight just how muddled and conflicted Vader’s thoughts are, and they are utilised to great effect throughout this first volume, often shown side-to-side with current events for some amazing contrasts.  I felt that this excellent artwork really helped to enhance Pak’s clever story, especially as the artwork provides the reader with some fantastic visuals of Vader’s emotional range.  It is a real testament to their drawings that you constantly have an idea of how Vader is feeling even with the mask on, and a lot of this is down to the way that the artists portray his body language and reactions.  I also loved several sequences that recreate Luke’s fall to the bottom of Cloud City at the end of their duel in The Empire Strikes Back.  These sequences are featured multiple times throughout the comic, with Luke replaced with several other characters, including various iterations of Vader himself, reflecting just how fractured or lost Vader feels.  This comic is also filled with some action-packed and explosive moments that see Vader attempt to kill everyone and everything in his path.  These action sequences are an exciting treat at several key points throughout the narrative and it is always fun to see Vader kick ass and take names.  Highlights included several sequences where Vader faces off against the megafauna of Naboo, including one massive leviathan (whose introduction is one of my favourite panels in the entire comic).  There is also a particularly brutal fight sequence towards the end of the comic where Vader releases years of anger and frustration in one destructive flurry.  All this awesome art adds so much to the comic and I cannot compliment it enough.

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Dark Heart of the Sith, the first volume of the Darth Vader (2020) series, is an absolute triumph that may be one of the best pieces of Star Wars fiction this year.  Featuring an outstanding combination of exciting narrative, compelling character development and eye-popping artwork, Dark Heart of the Sith was an absolute treat to read from start to finish.  I loved the way in which the creative team dived into the mind of my favourite Star Wars character, and it proved to be a gripping and powerful read.  This was one of the best things I read all year and it gets an easy five-star rating from me.

Ink by Jonathan Maberry

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Publisher: Macmillan Audio (Audiobook – 17 November 2020)

Series: Standalone/Pine Deep series

Length: 15 hours and 9 minutes

My Rating: 4.75 out of 5 stars

Prepare to journey back to the weirdly dangerous town of Pine Deep as one of my favourite authors, Jonathan Maberry, presents his latest novel, Ink, an intriguing and clever horror thriller that dives down into the world of memories and tattoos.

Pine Deep, Pennsylvania is a town long-steeped in blood and death.  After barely surviving the terrible events of 15 years ago, now known by the locals as The Trouble, the town has slowly recovered, with fresh businesses and people bringing in new life.  However, no one is ever truly safe in Pine Deep, especially with a malicious predator haunting the streets, one with very particular appetites.

Monk Addison is man who has experienced many weird and horrifying things in his life, but what he is about to encounter in Pine Deep will shake him to his core.  A bounty hunter who has sought redemption in life by covering his body with tattoos depicting the faces of murder victims, Monk has recently moved to Pine Deep to be closer to his friend and tattoo-artist Patty Cakes, but what he arrives he finds Patty in a state of shock.  An important tattoo on Patty’s hand has started to disappear, and as it fades, so do the memories associated with it until Patty can no longer remember anything about, not even the precious person who inspired it.

As Monk desperately tries to understand what is happening to his friend, a pattern begins to emerge.  Several people within Pine Deep are experiencing losses of traumatic or significant memories, and in every case tattoos related to these events have also disappeared.  Worse, in some cases new tattoos are appearing on people, forcing them to do terrible deeds.  Working with Pine Deep’s chief of police, Malcolm Crow, and his adopted son, Mike Sweeney, Monk, Patty and other impacted residents of Pine Deep attempt to discover who or what is behind these stolen memories.  But can they find who is responsible before their memories fade, or will this predator continue to feast on the very thing that makes them human?  The Lord of the Flies is hungry, and his reign of terror has only just begun!

Over the last couple of years, I have become a major fan of Jonathan Maberry’s writings, and I only just recently finished reading all 10 Joe Ledger novels, as well as the first Rogue Team International book, Rage, so I was very excited to get my next fix of Maberry excitement with InkInk was one of my most anticipated novels for the second half of 2020, and it really did not disappoint in any way, as Maberry has produced an intense and captivating horror novel that proved to be both extremely exciting and deeply terrifying.

Ink is an outstanding and impressive book that contains one heck of a story that sees several remarkable characters attempt to deal with a weird and powerfully scary supernatural threat that is attempting to destroy what is most precious to them.  Maberry has crafted together a fantastic narrative for this book that is equal parts clever, compelling and scary, and which dives down deep into the psyche of several complex individuals.  The author utilises his trademark style to produce a wide-ranging, multi-character story that shows the full impact of the antagonist’s dark machinations, and the slow hunt of the protagonists to comprehend what is happening to them, and their subsequent attempts to combat the threat.  While I did think that the story was a little slow at the start, once it gets going the reader has a hard time putting it down, as they become obsessed with seeing the full extent of the horror, as well as becoming connected to the characters featured within.  While Ink contains a lot less action than a typical Maberry novel, this is an extremely exciting and fast-paced read, with the thrilling game of cat and mouse between the villain and his victims proving to be quite intense.  Readers should be warned that this is an extremely adult read, containing some fairly graphic sequences of violence, torture, mental manipulation and sexual content, which may not be for everyone.  Overall though, this is an exceptional read, and I really loved getting to the end of this enthralling and excellent narrative.

While Ink is ostensibly a standalone novel, in many ways it is a sequel to Maberry’s debut series, the Pine Deep trilogy, while also being set in the same universe as several of his other books, namely the Joe Ledger novels.  The entirety of Ink is set in the town of Pine Deep, which was the titular setting of the original trilogy.  As a result, several characters from these books appear throughout the course of the novel and there are a lot of mentions of the events of the Pine Deep trilogy, some of which play into the plot.  While you potentially could get a little more out of Ink by reading the Pine Deep novels first, I would say that you really do not need any prior knowledge of these books to enjoy Maberry’s latest novel.  Like always, Maberry’s writing is very inclusive, providing the reader with relevant information about the events that occurred in these previous novels.  As a result, the reader gets a decent summary of what occurred in the Pine Deep trilogy and how it relates to Ink.  This allows readers unfamiliar with the Pine Deep books to enjoy Ink without any issues, and this might even be a good Maberry starter novel for anyone who has been interested in reading some of his books.  On the other hand, those fans of Maberry who are familiar with this prior trilogy will no doubt really enjoy the return to this iconic setting and will have an amazing time seeing what has happened in the 15 years following the end of Bad Moon Rising (the third and final book in the Pine Deep trilogy).  The summaries of the Pine Deep novels contained within Ink are rather easy to get through and Maberry works them into the story extremely well, so those people familiar with these prior works should be able to read them without getting bored of a forced recap, and this is book that any horror or thriller fan can easily enjoy.

At the heart of Ink are the excellent main point-of-view characters that Maberry utilises to tell his complex tale.  There are several major characters featured throughout the book, including several original characters created specifically for Ink.  The most notable of these is Monk Addison, the relentless and scary former soldier who is desperately seeking redemption after a long and bloody life.  Monk turned out to be an amazing central character for this book and I loved the way that Maberry slowly revealed his past in order to show just how special he his.  Monk goes through a fair bit of development in this novel, and I found myself getting quite attached to him as the story progressed.  In addition to Monk, Ink also has a particular focus on Patty Cakes, Monk’s tattoo artist friend whose memories are impacted by the book’s antagonist.  Patty is a deeply tragic and magical character who has gone through a lot in her life and who now finds herself being attacked in a much more personal and devastating way.  Seeing Patty being overwhelmed by the loss of her memories is really disturbing and heartbreaking and you cannot help but feel her loss deep in your soul, which is a testament to Maberry’s excellent writing.  Patty is another character who you grow to care for as the story unfolds and the constant danger she is put into, both mentally and physically, keeps the reader on edge.  The other two original major characters I need to highlight are Dianna and Gayle.  Dianna is a medium who also has her memories stolen by Ink’s antagonist, while Gayle is someone who builds a connection to Dianna, who is then impacted by Gayle’s lost memories in a different way.  I liked the way that Dianna and Gayle were worked into the story, and they helped to provide a new angle to the narrative.  Watching them team up with Patty added some enjoyable female empowerment elements to the novel, and there is a touching LGBT romance between Dianne and Gayle that I thought Maberry handled well, even if it was a tad explicit.

In addition to these new characters, Maberry also makes use of the protagonists from the Pine Deep novels who return as major characters in Ink.  This includes major characters Malcolm Crow, Mike Sweeney, Val Guthrie and Jonatha Corbiel (now Jonatha Newton).  While Val and Jonatha have mostly smaller roles in this book, Malcolm and Mike are major point-of-view characters, performing their own investigation of the latest batch of weird events occurring around Pine Deep.  Both proved to be exceptional additions to the cast, as not only are they complex characters (especially after the events of the Pine Deep trilogy), but they also add some distinctive viewpoints into the investigate parts of the book.  Maberry does a fantastic job introducing these characters to new readers, while those who have read the Pine Deep books will deeply appreciate seeing what has happened to them since the events of this initial trilogy.  While I am sure that many of Maberry’s readers would have hoped for happy lives for Malcolm, Mike and Val after all they have been through, all three characters have experienced additional difficulties and tragedies in the last 15 years.  These additional life events, as well as their traumas from the Pine Deep books, are expertly incorporated into their characterisation for Ink, and it proved deeply compelling to see their arcs unfold.  I personally enjoyed seeing the new protagonists’ reactions when encountering Malcolm and Mike, and there are a lot of depictions about realising how dark, dangerous and damaged both of them are.  Some of these new characters are also in for a hair-raising surprise when it comes to Mike, and it was interesting to see how that certain aspect of Mike’s character has evolved since his last book.  All of the characters featured in Ink were deeply compelling, and I felt that Maberry did an exceptional job featuring them throughout this novel.

If there is one thing that Maberry is particularly good at it, it is creating iconic and despicable antagonists for his novels.  Ink is no exception to this, as Maberry has once again produced a dark and sinister figure in Owen Minor, the self-proclaimed Lord of the Flies.  Owen is an inherently creepy and deeply disturbing individual who has gained the ability to steal people’s tattoos and the associated memories with them, as well as several other abilities.  Thanks to a series of intriguing interludes, Maberry dives into the history of Owen, showing his origins as a character, what his motivations are and how he realised what his powers were.  This examination of Owen’s psyche and history is both fascinating and unsettling and getting this deeper look into the character’s soul makes the reader dislike him even more, especially as you begin to realise just how twisted he truly is.  The author also includes a number of chapters from the point of view of several different side characters who have been infected by Owen in some way or another.  These scenes not only help to explore the true extent of his abilities but they also show the lengths he is willing to go to get his favourite meal.  The way in which he attacks his victims and then revels in their mental agony ensures that the reader builds a deep hatred for him and you really cannot wait to see him get some form of comeuppance.  All in all, this was another great antagonist from Maberry, and I look forward to seeing what sort of maniac creature he comes up with next time.

As I mentioned above, Maberry returns to his iconic town of Pine Deep for this latest novel, with most of the story set within it.  This proves to be a fascinating and dark location for this great book, and I think that Maberry had fun revisiting this haunted town.  The author really loads a sense of menace and despair into nearly every scene set within the town, and this is enhanced by every character recognising just how weird and dangerous the place can be.  There is a lot of history associated with Pine Deep, as during the original Pine Deep trilogy the town was nearly destroyed by dark forces, with the survivors deeply traumatised as a result.  These events, now know by everyone as The Troubles, are a major part of the town’s identity, and Maberry does a great job teasing out what happened during The Troubles to new readers, with only hints and vague comments describing for the first part of the book.  It proved to be quite fascinating to see how the town has recovered in the roughly 15 years since the events of the Pine Deep trilogy, and Maberry fans will have an amazing time seeing this continuation of the setting.  I really enjoyed seeing the characters explore Pine Deep once again and I hope that Maberry has plans to revisit again in some of his future novels.

One of the more compelling elements of this book is the author’s examination of the importance of tattoos and the memories that people associate with them.  I have to admit that I am not particularly into tattoos; while I can appreciate the cool art that other people get, it is really not something I would consider doing for myself.  However, I deeply enjoyed the way in which Maberry explored the tattoo world in this novel, examining both tattoo artists and the people who desire the art on their body.  In particular, he explores the way in which people get tattoos to mark special or significant occasions, or how tattoos can be used to memorialise tragedy or dark moments from someone’s life and the emotional and memory connections that result from the tattoos.  This becomes quite a significant part of the novel, because the antagonist steals the tattoos to get to the memories associated with it.  As a result, Maberry than examines the impact of losing such a memory and what it could potentially do it to a person.  While some characters manage ok with losing these darker memories, a lot of them are deeply troubled by it, as going through these events and overcoming them, are key to their identity.  Without these memories, and the tattoos that personify them on their body, these characters become despondent, and in many cases it becomes too much for them to bear.  It helps to really emphasise just how evil and malignant the actions of the antagonist is, and I really appreciated the author’s dives into the human psyche and his compelling depiction of what happens when someone loses their memory and identity.  The removal of certain memories from the various point-of-view characters also adds a new level of difficulty to the protagonist’s investigation, as they have to try and find a way to hunt down someone who they can’t remember.  These inclusions really added a lot to the story, and readers may come away with a deeper understanding of how important tattoos can be to people.

As with all of Maberry’s novels that I have so far enjoyed, I really could not resist grabbing the audiobook version of Ink.  The Ink audiobook has a run time of just over 15 hours, which is a typical length for one of Maberry’s novels, and I found it extremely easy to power through this book in less than a week.  Part of this was because of the excellent narration of long-time Maberry narrator, Ray Porter, who once again lends his awesome vocal talent to this thrilling book.  Porter is probably one of my favourite audiobook narrators at the moment, and I cannot imagine listening to one of Maberry’s novels without his amazing voices.  Just like he does in the Joe Ledger novels, Porter really dives into the characters he is portraying, ensuring that the full range of their emotions become abundantly clear to anyone to who listening to the story.  He is also does an amazing job enhancing the horror elements of this book with some of his creepier tones, and the listener can get chills at the horrible and slimy voices he uses for the antagonist or for some of the darker scenes in Ink.  While it was a little disconcerting at time to hear some of the familiar voices from the Joe Ledger audiobooks in this new novel, Porter was once again fantastic narrating Ink, and I would strongly recommend this format as the ideal way to check this book out.

Jonathan Maberry once again shows why he is one of the preeminent authors of the weird thriller novel, with this outstanding horror book InkInk is an extremely clever and thrilling horror book that grabs the reader’s attention from the beginning and refuses to let go.  Thanks to the outstanding narrative, impressive characters and interesting themes, Ink proves to be a captivating and exciting read, especially when combined with the distinctive setting of Pine Deep from Maberry’s previous novels.  As a result, Ink comes highly recommended, especially in its audiobook format, and this novel is worth checking out.  I had an exceptional time reading this book and I cannot wait for Maberry’s next novel, Relentless, which comes out in several long months.