Call of Empire by Peter Watt

On November 15, 2022 By The Unseen LibraryIn Australian, Historical Fiction2 Comments

Call of Empire Cover

Publisher: Macmillan (Trade Paperback – 25 October 2022)

Series: The Colonial series – Book Five

Length: 368 pages

My Rating: 4.5 out of 5 stars

Australia’s master of the historical adventure returns with another deeply exciting and highly intriguing character driven read that follows one historical family as they embark on war and adventure across the world, Call of Empire by Peter Watt.

Towards the end of each year, I always know that I am about to have my historical action and adventure quota filled as the new Peter Watt is coming out. Watt has been a particularly enjoyable and compelling Australian author for years, producing intriguing historical fiction books with a focus on Australian history. His works have so far included the long-running Frontier series and his compelling Papua trilogy, both of which contained some remarkable historical adventures. However, I personally have been really getting into his currently body of work, The Colonial series, which I have had a wonderful time reading in recent years.

The Colonial series started of back in 2018 with The Queen’s Colonial, an intriguing read that followed young Australian Ian Steele in 1845 as he switched places with an English nobleman to take up his commission in a British regiment. Becoming Captain Samuel Forbes, Steele found himself drawn into several of England’s deadly 19^th century wars, while also forced to confront several dangers back in England as the real Samuel Forbes’ family sought to have him killed. This fantastic series continued for two more books, The Queen’s Tiger and The Queen’s Captain, both of which were excellent reads. Watt continued the series last year with The Colonial’s Son, which jumped ahead a couple of decades to follow the main character’s oldest son as he followed in his father’s footsteps and become a soldier in the Queen’s army. I had a great deal of fun with these exciting books, and I was very happy when I received the next entry in the series, Call of Empire.

Starting in 1885, several years after the conclusion of The Colonial’s Son, Call of Empire sees protagonist Ian Steele finally living the quiet life in New South Wales, enjoying time with his family and friends, and expanding his business empire. However, the British Empire is constantly finding itself in conflict across the globe, and soon the young New South Wales colony is called upon to send troops to assist the British campaign in Sudan.

Determined to serve the Empire once again, Ian’s oldest son, Josiah, takes a commission in the New South Wales army and journeys to Africa to fight the Sudanese forces for the British. However, his decision will alienate him from the love of his life, Marian Curry, who is determined that he stop fighting in imperialistic wars. At the same time, Ian’s younger son, Samuel, is learning the family business out in the Pacific with the family’s friend, Ling Lee. However, Samuel and Lee are soon dragged into a dangerous plot to smuggle guns for the Chinese, as Lee’s obsession with freeing China from European control leads them into mortal danger.

Soon the entire Steele family finds themselves in deep trouble across the world, and only the most daring of actions will help them survive. But as the Empire’s wars continue and the Steele family and their friends are drawn into even more conflicts, can even their legendary luck continue? Death and tragedy awaits them all, and soon the Steele family will face a loss they never expected.

This was another fantastic and deeply exciting novel from Watt, who continues to dazzle with his fast-paced writing and impressive historical insights. I loved the awesome story contained in Call of Empire, and I ended up powering through this book in less than a day.

Watt produces another exciting and ultra-fast paced story for Call of Empire that takes the reader on a wild and captivating journey through some interesting parts of late 19^th century history. Starting in 1885, Call of Empire primarily follows the three male members of the Steele family as they attempt to overcome the various challenges they face in their respective endeavours. Watt tells a multi-layered, multi-generational, character driven story that follows multiple characters simultaneously as they engage in their own story. This means that readers are often treated to a range of different storylines in the same chapter, having one character engaged in war, while another deals with issues at home, and at the same time a third finds themselves caught up in adventures at sea. This makes for quite a complex read, although the range of storylines are well balanced and never oversaturate or confuse the story. Indeed, Watt is a pretty clear and concise writer, and the reader is able to have a lot of fun with several of the storylines at the same time. Watt features an outstanding range of storylines throughout Call of Empire, and I loved the blend of war, politics, exploration, business, romance, character development and legal concerns that were featured at various points throughout the 15 year long plot. This reminded me a lot of the author’s previous Frontier novels, especially the focus on one big family, and I had a wonderful time seeing the elaborate narrative he wove around his characters. Watt really takes this story in some interesting directions, and there are a few big surprises, as well as some tragedies that established readers of this series will be hit hard by. This proved to be quite an addictive read, and I loved seeing his characters continue to traverse through life in their chaotic and adventurous ways. The book ends at the start of the new century, and it looks like Watt will be taking his characters in World War I next time, which I am sure will be suitably traumatic.

Easily my favourite thing about this book was Watt’s excellent dive into the always eventful colonial history of Australia. In particular, Watt examines several lesser-known wars and conflicts from the 19^th century, with a particular focus on the role of New South Wales. This starts early in the plot with one of the characters getting involved in the Suakin Expedition in Sudan, which was part of the larger Mahdist War. This deployment saw a battalion of New South Wales soldiers travel to Sudan as part of the war effort and was the very first military force to be raised and deployed overseas by Australia. While there wasn’t a lot of fighting involved with this campaign, I was deeply intrigued by the history and the politics behind it, and Watt did a wonderful job of exploring it in great detail throughout the book by inserting his characters. Watt continued this trend throughout the rest of the book, which saw several of his characters involved in both the Boer War and the Boxer Rebellion in China. Both conflicts had Australian soldiers involved, fighting on the side of the British, and Watt took exquisite care to explore what role the Australians played in them, and how they came to be involved in the conflict.

Out of all of them, I particularly enjoyed the captivating examination of the Boer War in Africa, which was one of the more deadly wars Australians fought in during the 19^th century. This war, and one of the character’s roles in it, dominated a good part of the book, and Watt did an amazing job of bringing different parts of the conflict to life. The author really captured just how dark and bloody this war was, from snipers in the African bush, to the horrors inflicted on the Boer settlers. However, Watt saves some of his best writing for the Battle of Elands River, a protracted battle that saw the Boers surround a force of Australians and their allies in a brutal siege for 13 days. Naturally, one of the characters is right in the middle of this fight, and Watt really showcased the carnage and terror that the Australians would have felt being surrounded and bombarded. I honestly didn’t know a great deal about some of these early Australian military conflicts, and it was absolutely fascinating to see them come to life in the hands of this talented author. Having this great historical background really enhanced the overall quality of the novel, and I had a wonderful time diving back into these sometimes overlooked parts of Australian military history.

As I mentioned above, Call of Empire was a very character focused book that featured a range of fantastic point of view protagonists through whose eyes the story unfolded. Watt features a great combination of characters, with a compelling mixture of younger figures who were the focus of The Colonial’s Son, and even a few characters from the first three Colonial books. There was quite a range of different character storylines in Call of Empire, and you swiftly get drawn into the various unique adventures of each of the characters. It was fascinating to see how the older characters had evolved since their original adventures, and I liked how Watt started focusing more on the next generation, including by expanding the role of the younger Steele son, Sam, who had an amazing outing here. There is a great examination of the events that help to form these figures character, and it was fantastic to see them overcome so much adversity at various parts of their life. I will say that some of the male Steele characters did tend to blend personality wise as the book proceeded, mostly as they are cut from the same adventurous cloth, but you still grow to like all of them, and you ended up getting touched when bad things happen to them. There are some very interesting and powerful developments that hit the main characters in this book, and this ended up being a very key novel in the family history. I had a wonderful time seeing the latest exploits of the Steele family, and with the next generation being introduced towards the end of the book, you know that they have even more adventures to come.

Peter Watt continues to showcase his talent as Australia’s premiere author of the Australian historical adventure with his latest Colonial novel, Call of Empire. Bringing back several of his fantastic protagonists from the previous books, Watt crafts together another exciting read that dives into some intriguing parts of Australia’s military history. Fast paced and full of awesome action, Call of Empire is another amazing read from Watt, and one that I had a lot of fun getting through.

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Upgrade by Blake Crouch

On September 3, 2022 By The Unseen LibraryIn Five-Star Books, Science Fiction, Thriller1 Comment

Publisher: Macmillan (Trade Paperback – 7 July 2022)

Series: Standalone

Length: 341 pages

My Rating: 5 out of 5 stars

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The master of the high-concept science fiction thriller, Blake Crouch, returns with another exceptional and deeply addictive standalone read, Upgrade, which takes the reader on a deep journey into the world of genetic engineering.

In the near future, Earth is facing multiple threats and catastrophes that are slowly destroying the human race. However, the greatest threat to humanity may come from within, as advances in genetic engineering and manipulation have allowed scientists to change DNA itself. Following a massive genetic disaster that led to the destruction of an entire food supply and the deaths of hundreds of millions of people, all genetic research has been made illegal and is strictly policed by world governments.

Logan Ramsay is an agent in the newly created Gene Protection Agency that enforces the research ban in the United States and which comes down hard on anyone illegally modifying genes. The son of the scientist responsible for the last crisis, Logan works to atone for his role in her work and no longer believes in the benefits of genetic research of that kind. However, when a raid goes wrong and Logan is targeted by a bomb designed to inject an unknown gene hack into him, Logan’s entire life and grasp on humanity is changed forever.

With enhanced physical and mental capacities, Logan has been upgraded into something superhuman. Forced to leave his family behind and flee from his own agency, Logan soon finds himself caught up in a war for control of humanity’s future, with dangerous forces seeking to change everything about the species. To survive and prevent another genetic catastrophe, Logan must dive deep into his past and his family’s legacy. But the more upgraded he becomes, the harder it is for him to care about everyone’s fate.

Wow, Crouch does it again with Upgrade, combining an intense and compelling thriller storyline with an outstanding and highly detailed scientific principle, to create an exceptional and extremely addictive story. I knew that I was going to enjoy Upgrade when I got it, especially after having such a brilliant time with Crouch’s previous novel, Recursion, and the author really did not disappoint. Upgrade is a gripping and powerful read, and I ended up powering through it in very quick order once I got addicted to its excellent plot.

I absolutely loved the exciting and clever science fiction thriller narrative that Crouch featured in Upgrade, which swiftly drags you in with its unique story and compelling concepts. Crouch really kicks everything off in high gear right from the start, providing a quick but efficient introduction to the protagonist, Logan Ramsay, and the dystopian future of the novel, before kicking off the key plot events. The protagonist is almost immediately placed into danger from a booby trap that alters his genetics, and he is forced to deal with the side effects as he is upgraded to superhero levels. Forced to escape from his own employers, Logan must come to terms with the changes being done to him, while also diving into some deep family drama as he realises his connection to the person behind it. After a journey of discovery, Logan ends up in a war to decide the future of humanity’s genetics, as he goes up against a group determined to alter humans against their will. This led to some big and intense sequences as genetically enhanced beings face off in some powerful and cleverly crafted moments. Everything is wrapped up in a compelling and emotionally heavy way, and readers will come away very happy after getting caught up in Upgrade’s elaborate and highly entertaining story.

I felt that Crouch did a brilliant job setting out Upgrade’s narrative, and it is perfectly designed to keep the reader absorbed in the plot. I loved the faster pace of the book, which ensured that you power through the novel very quickly, although it isn’t so fast that you lose sight of its many featured scientific elements. There are several time skips throughout the course of the plot, which help to move the story along and set up some interesting changes in the character’s situation. The story is set in a near-futuristic dystopian setting which has been rocked by a series of environmental and genetic disasters. Seeing some of the author’s suggested futures for certain famous cities (a semi-abandoned Las Vegas and a partially flooded New York), was very interesting, and it worked well with some of the other cool science fiction elements featured throughout. I also appreciated Crouch’s interesting philosophical take on what it means to be human and the depths of human nature. There are multiple discussions between the key characters in Upgrade, as they debate the changes being undertaken, as well as humanity’s overwhelming self-destructive tendencies. This becomes a rather interesting overall theme for the book, and a captivating motivation for some of the characters. I also must highlight the awesome action sequences spread out through the book, which add some exciting punch to the narrative. Not only are these very entertaining, but I loved how they were showcased through the protagonist’s eyes, especially once his upgrades take over, and the clinical detail he attributes to various actions give them a fun twist. This fantastic narrative really comes together well throughout Upgrade, and I felt that this was an exceptional read.

I deeply enjoyed the compelling and intense scientific framework that went into Upgrade. Crouch does an impressive and expansive dive into the world of genetics for this book, and the reader is soon inundated with information about DNA, genes, and genetic research. It is very clear that the author has really done their research when it comes to this subject, and this combined with his immense imagination results in some intriguing story elements. Crouch postulates multiple potential genetic upgrades to humans and other species throughout this book and how such manipulations could be brought about. As such, you see a lot of very cool stuff throughout Upgrade, particularly enhanced human beings who move and think at superhuman rates. The author paints a very interesting and compelling picture about what such enhanced humans would be capable of, and it was fascinating to experience them throughout the course of the plot especially as you see them happening through the eyes of someone going through these changes. There are various evolutions of these genetic upgrades throughout the novel and watching the characters become more and more powerful while simultaneously losing their humanity is a fantastic and captivating element. Crouch also presents some compelling and thought-provoking discussions about whether genetic engineering should be allowed and would humanity benefit from it. The different points of view and the resultant debates are an outstanding part of book, and I am sure that many people will come away from Upgrade with a different opinion on the subject.

While Crouch does dive deep into the science for Upgrade, I found that I was able to follow along with the various premises without too many issues. The author really tries to explain the genetic science to the reader in an interesting way, which I really appreciated. There were no points in the book where I couldn’t follow what was happening, and I ended up getting really interested in all the potential genetic manipulations that might be possible in the future. I also felt that these scientific elements were worked into the plot of Upgrade extremely well, and the awesome thriller narrative really wrapped around it. Overuse of genetic manipulation is a real potential threat in the future, so having government agencies, underground labs and world-affecting schemes in place isn’t too far-fetched, and these science elements serve as a rich ground for the cool storylines. I loved seeing upgraded humans facing off against agents and SWAT teams, and it resulted in some brilliant scenes. The underlying message about the responsibility of those involved in genetic research played well with the action-packed narrative, and I was once again really impressed with how the author can seamlessly combine science with fiction.

Another outstanding element of Upgrade was its fantastic protagonist and point-of-view character, Logan Ramsay. Logan is quite a fascinating and complex character, especially as Crouch establishes him as the son of the brilliant genetic scientist who caused the ban and was partially responsible for the resulting mass deaths. For most of the novel he is trying to redeem himself for these actions, mainly through his work as a government agent. However, his entire life changes when he becomes genetically enhanced, and there are some deep emotional scenes and narrative threads that are explored because of this. While he is initially horrified by the changes, Logan soon realises they are exactly what he always wanted, and he must reconcile that with his perceptions of humanity and the damage he has already caused. At the same time, he is also finding himself changing, and the continued and detailed examinations of all his upgrades and altered perceptions are showcased in an excellent way by the author. The increased physical and mental capacities are worked into his character well, and it was fascinating to see the first-person perspective of everything that happens to him. I particularly appreciated the slow loss of his emotional self and as the book proceeds, he becomes less and less human in many ways, unable to connect with the people around him. This is sad in a lot of ways, especially as he must give up his family, but you get an impressive understanding of everything the protagonist is going through and grow closer to him as a result. There is some excellent character work around this protagonist in Upgrade, and I really appreciated the emotional depth that it brought to this already captivating story.

With Upgrade, Blake Crouch continues to shine as one of the most creative and brilliant authors of science fiction in the world today. The compelling, science-based ideas he comes up with combine perfectly with his exciting and emotionally powerful storylines to create an excellent narrative with amazing characters. I had such a great time with Upgrade, and it is one of the better science fiction novels I have read so far in 2022. I also think it was also really good in comparison to the other Crouch book I have read, Recursion, which I hold in really high regard. While I think that Recursion had the better overall narrative, I appreciated the scientific elements of Upgrade a little more and I felt it fit into the plot a little better. As such, I think that Upgrade is another five-star read, and it comes very highly recommended by me. A must-read for all science fiction fans in 2022!

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Quick Review – Dirt Town by Hayley Scrivenor

On August 23, 2022 By The Unseen LibraryIn Australian, Drama, Murder Mystery, Quick ReviewLeave a comment

Dirt Town Cover

Publisher: Macmillian (Trade Paperback – 31 May 2022)

Series: Standalone

Length: 359 0ages

My Rating: 4.25 out of 5 stars

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Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.

Plot Synopsis:

My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.

On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.

Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.

Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.

Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.

Five days later, Esther’s buried body is discovered.

What do we owe the girl who isn’t there?

Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.

Esther will always be a Dirt Town child, as we are its children, still.

Dirt Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading. Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home. The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days. The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.

The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more. This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing. All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light. At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative. The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here. The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there. Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.

This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale. While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk. This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways. It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship. Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring. These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.

Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction. A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.

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Kagen the Damned by Jonathan Maberry

On July 31, 2022March 5, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Thriller16 Comments

Publisher: Macmillan Audio (Audiobook – 10 May 2022)

Series: Kagen the Damned – Book One

Length: 20 hours and 53 minutes

My Rating: 5 out of 5 stars

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One of my favourite unusual thriller writers, the legendary Jonathan Maberry, enters the world of fantasy in a big way with Kagen the Damned, a dark fantasy masterpiece with a brutal heart to it.

I have made no secret of the fact that I am a huge Jonathan Maberry fan. I got into Maberry’s writings when I chanced upon a copy of his 10^th Joe Ledger novel, Deep Silence, a few years ago, which introduced me to both Maberry’s unique writing and his iconic protagonist, the titular Joe Ledger, a badass action hero who saves the world from crazy and dark science creations. I deeply enjoyed Deep Silence (it was one of my favourite books of 2018) and quickly moved onto his other Joe Ledger books, diving back to the start of the series with Patient Zero, and then working my way through the rest of the awesome entries, such as The Dragon Factory, Code Zero, Predator One and Dogs of War. I also kept up with his latest releases, including the two entries in the follow-up Rogue Team International series, Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), and his standalone novel Ink (one of my favourite books and audiobooks of 2020). I have been very eager to see what awesome novel Maberry releases in 2022, and, luckily for me, that materialised in the form of Kagen the Damned.

Kagen the Damned is an interesting and unique read from Maberry, as it is his debut foray into the fantasy genre. While many of his other books have had fantasy elements to them (albeit with a horror edge), this is his first pure fantasy fiction novel, as well as the start of his Kagen the Damned series. Naturally I was rather curious about how Maberry would transition to a new genre, and while I was a tad disappointed that the Rogue Team International series isn’t getting a new entry any time soon, Kagen the Damned ended up pretty high on my most anticipated reads for 2022 list. After a few weeks of other books getting in the way, I finally got the chance to listen to Kagen the Damned, and it turned out to be quite an impressive novel.

Kagen Vale was once one of the most trusted and revered fighters in the entire Silver Empire. A scion of the legendary Vale family, who have served the Silver Empire for generations, Kagen was a beloved member of the royal court and so highly regarded that he was entrusted as the guardian of the Seedlings, the Empresses’ children. That was until the fateful night when, out drinking and whoring, he was drugged and left for dead. Awakening in a daze, Kagen found himself in the midst of hell as the capital of Silver Empire, Argentium, was besieged by a foe long thought dead, the dread nation of Hakkia, whose dark magic has once again emerged to blot out the world.

Arriving to the palace too late to save anyone, including the Seedlings, Kagen falls into despair at failing his sacred duty and can only watch in horror as the Gods of the Garden, the deities of the Silver Empire, turn their back on him and damning him for all time. Now with everything and everyone he has ever known lost forever, Kagen the Damned wanders the ruined countryside a broken drunk, dreaming of revenge on the one man responsible for all his ills, the mysterious and feared Witch-king of Hakkia.

However, not everything is as lost as it seems, as shadowy figures across the world being to formulate their plans to repel the Witch-king’s evil. As two young women embark on a deadly quest to awaken a sleeping, ancient god from beneath the waves, a covenant of resistance attempts to find their own magic to oppose the Witch-king with. Determining that Kagen may bear the best chance of recovering the tools needed to succeed, they manipulate events to set him on his path to revenge. However, what price will a doomed man truly pay to get the revenge he so desperately seeks, and will Kagen be ready for the terrible secrets he uncovers along the way? Only the gods and the damned know for sure!

Well, it is now more apparent than ever that there is no Jonathan Maberry book I will not enjoy to the extreme. Kagen the Damned is an incredible and very memorable novel from Maberry, who puts the ‘dark’ in dark fantasy, with this barbaric and action-packed journey into hell. Making use of his trademark style, flair for horror and exceptional character work, Maberry pulls together a deeply addictive and extremely exciting story that I fell in love with very, very quickly. This was another easy five star read for me, and I loved every single second I spent reading it.

Maberry once again blew me away with an outstanding and high-action narrative, and I quickly got very attached to Kagen the Damned. This book has an extremely memorable start to it, showing the bloody fall of Argentium from the perspective of Kagen, who awakens from a drunken haze to find a vast army in his supposedly impenetrable city, destroying and killing everything they see. This was a very compelling and brutal start the novel, and its one that I quite enjoyed, especially as you see just how dangerous the enemies are and the chaos they have unleashed. Maberry does a great job of setting up multiple key storylines, settings and characters in this early section, and while the focus is primarily on Kagen, you get some interesting insights into other figures that will impact the rest of the book. The entire first part of the book is very distinctive and really showcases how dark this novel is going to get, especially when it comes to the character of Kagen and the fate of the royal children. This whole first section ends on a brilliant note, with Kagen left broken and damned, while the once great Silver Empire, which you only saw glimpses of, is destroyed and replaced with a new world order.

Following this epic start, the narrative slows down a little, as Maberry works to set up some alternate storylines and characters, while as taking the time to do some compelling and extended word building. Set in the direct aftermath of the opening sequence, the story primarily splits into three different streams at this point, with the main one following a despondent Kagen as he traverses the former Silver Empire, lost in grief and drink. At the same time, two separate storylines tell some great connected narratives, with one following two young women as they journey off into the unknown, while the rest focuses on the Hakkian takeover back in Argentium. This focus on the Hakkians and their plans, as told by the Witch-king’s advisors, as well as a resistance group, is very awesome, and it was fascinating to see some impressive political intrigue going on behind the scenes as the antagonists work to consolidate power through various methods. While the rest of the narrative continues in a straight line, the story around Kagen slowly adapts as he meets some new friends and begins his mission of revenge as planned, with some detours.

This leads up to the excellent final part of the book, which I powered through extremely quickly to see how everything ended. All three major storylines are reaching there climax here, and they start to blend a lot more closely, especially the ones focusing on Kagen and the Hakkians. Everything leads up to a highly anticipated confrontation that sees Kagen finally face his enemies, and it is just as epic as I was hoping. There is a ton of action, tragedy, twists and revelations here, as many of the plot elements and storylines come full circle. I loved the various reveals that happen here, and most have been set up really well throughout the extended course of the narrative. I really should have seen the identity of the Witch-king coming, but it was the right choice by Maberry, which leaves some big questions open for the future. Everyone will come away from Kagen the Damned extremely satisfied, as Maberry leaves everyone on a brilliant note, that ensures that readers will definitely come back for more. This is an outstanding and deeply addictive narrative that is guaranteed to grab your attention early one and refuse to let go.

I really enjoyed how well Kagen the Damned was written, as Maberry brought his unique style to bear to help create an outstanding story. In many ways, this novel proved to be essentially one of Maberry’s thrillers set in a fantasy universe. Indeed, there were a lot of similarities in the style, the structure of the chapter, the pacing and even the use of familiar horror elements that I have previously seen and loved in the Joe Ledger books and I think this cool style worked well to tell an intense fantasy narrative. As such, Kagen the Damned is a swift and well-structured book that pushes the story along at a swift pace, while also taking the time to build up the universe and the multitude of characters. Maberry utilises a great range of story elements throughout this novel, and the readers are treated with a fantastic blend of action, intrigue, dark, over-the-top moments, horror, despair and humour, as the characters experience all manner of devastating trials and oppositions.

I also have a lot of love for the way that the author sets up the story and showcases the elaborate events that are occurring. Maberry makes excellent use of a huge number of shorter, focused chapters told from a variety of viewpoints. These briefer chapters really increase the pace and intensity of the book, and I deeply appreciated how the narrative quickly jumped across the various characters. The interplay between the three central storylines, which are primarily anchored around Kagen, is extremely good, and I loved seeing the characters react to some of the same events or actions of their fellow cast members. These storylines are also joined by a series of interludes that show the various impacts that the Hakkian invasion has on the wider world, especially those attuned to magic. These interludes are usually very fascinating, and they are often used to introduce some minor supporting characters in a fun and unique way. I loved the complexity that these interludes usually have, and the often self-contained stories are well structured and always feature a distinctive or chilling conclusion. Maberry uses these interludes cleverly, often inserting them between major or extremely powerful chapters to help relieve tension, or to remind the reader of the wider stakes or events occurring around the main story. I definitely enjoyed this larger look at the world that Maberry provided through them, and it was an outstanding part of Kagen the Damned’s story.

One of the major highlights of the writing in Kagen the Damned is the intricately described and fast-paced action, which is a major hallmark of Maberry’s writing style. Maberry has always excelled at writing brutal fight scenes in a way that paints a vivid mental picture for the reader, and this was once again the case for Kagen the Damned. The many, many action and fight sequences are brought to life in exquisite and bloody detail, and the reader is easily able to imagine every strike and slice as they happen. This makes the action sequences really pop, and they were a particularly awesome highlight of this great book. This focus on action and combat was really effective in this fantasy novel, and it was very cool to see Maberry bring his knowledge of combat and the accompanying writing skill to bear on large scale battles between armed and armoured fighters, while magic and gods blow stuff away around them. There are some really great fight scenes loaded throughout this book, and I loved every skirmish, battle and duel that was featured within it.

While I did really love the action and brutal combat sequences within Kagen the Damned, I probably should add a warning about how dark and gruesome it can get in places. Maberry’s writing style has always relied on over-the-top violence, cruelty and brutality to a degree, and this was once again the case in Kagen the Damned, which not only featured a ton of killing but also gruesome scenes of torture, corpse desecration and depictions of sexual violence. While I think that these ultra-violent moments do work to showcase just how dark and savage the new world order is, they are often a bit hard to witness. I will note that Maberry did take the time to discuss the emotional and social impacts of the various acts of sexual violence in the book, rather than just including them for gratuitous effect. There are also some great scenes where the protagonist calls out and belittles several characters willing to commit such acts, before delivering his own violent justice, and I think that the author did his best to show have damaging it can be in his own way. However, readers should probably be aware that these scenes exist, as people might find them to be a bit shocking.

I was also a major fan of the cool new fantasy universe that Maberry cooked up with Kagen the Damned, mainly because it is such a distinctive creation of the author. Set on a giant continent made up of various nations, this is an impressive and compelling world, filled with a unique history, gods, people and settings. The author does a great job of swiftly introducing this world and some of the key parts of its history in the early parts of the book, mainly so that readers can be a little more shocked at the early events and full appreciate the destruction and change that the Hakkian nation brings with it. Maberry is clearly emulating some classic fantasy novels and settings throughout Kagen the Damned, and I loved seeing this bold new world that he has created. There are some unique and cool elements featured within, and I liked how there are certain shades of grey shown when it comes to the morality and righteousness of the various factions. Maberry also takes the time to highlight the changes that are coming to the world, thanks to the return of the Hakkian Witch-king, and the slow and steady resurgence of magic and the death of a certain pantheon of gods, are highlighted really well, both in the main story and the interlude chapters.

Perhaps one of the most distinctive features of this new world is the horror elements that Maberry worked into the plot. I really should not have been surprised at the strong Lovecraftian elements that featured, as the author has used them strongly in some of his previous books. However, it is even more explicit here in Kagen the Damned, with several notable Elder Gods playing key roles in the plot and even appearing in some epic scenes. While I am not personally a fan of Lovecraft, I did quite like how Maberry utilised these elements throughout this book, and they gave parts of the book a darker and more eldritch quality that I quite enjoyed. This, and certain discussions about other worlds and alternate realities, potentially links this series to some of Maberry’s existing works, and it wouldn’t surprise me if there were some form of crossover in the future, although it would have to be handled well. I had a great time exploring this new fantasy world in Kagen the Damned, and I look forward to seeing what other surprises and dark gods appear in future entries of this series.

I also must highlight the incredible character work featured with Kagen the Damned, as Maberry went all out to create an excellent and unique cast of characters, whom the excellent narrative revolves around. There are some amazing characters featured within this novel, and the author works hard to feature all of them in some impressive roles. I had a lot of fun with the huge cast of Kagen the Damned, and there are deep and emotional figures featured here.

The most prominent and intriguing character is the titular Kagen, who takes on the moniker of Kagen the Damned. Maberry really does a number on his central protagonist early on, as Kagen awakens from a drunken haze to find that everything he cared about and held dear had been lost while he slept. Despite his best efforts to redeem himself in the battle that follows, he still fails miserably, and manages to escape the conquered capital in a fractured haze. Broken, dazed and emotionally destroyed, Kagen becomes even more despondent when he sees his gods in the sky turn their back on him due to his failure to maintain his sacred oaths, which convinces him that he is damned. Naturally, these events leave him severely emotionally damaged, and he spends most of the book trying to come to terms with his failure while also trying to find some way to get revenge on the Witch-king for all he has done. A large amount of the book is dedicated to Kagen falling into despair, and Maberry presents a realistic depiction of a man who has lost everything and who is barely able to survive, relying heavily on drink and violence to get through his days. While Kagen is eventually able to throw off much of this despair, it is still lurking within him, and he is often shown living in regret at his failure, even though no one else blames him as much as he does. Kagen working through these complex feelings of failure results in much of the novels emotional strength, and Kagen serves as a moving and powerful heart for the entire novel.

While I did deeply enjoy this intriguing central character and his rough and emotional journey through this book, it is hard not to notice some similarities between Kagen and another one of Maberry’s protagonists from another series. Kagen is in many ways a fantasy version of Joe Ledger, with similarities including a propensity for violence, extreme skill with knives (technically short-swords in Kagen’s case), and even a similar sense of humour during some of the lighter moments of the books. There is also the same high level of mental damage brought on by extreme trauma, with both characters often seeking revenge against the people who wronged them and those they loved. Despite these similarities, I still really appreciated Kagen as a protagonist, and I felt that some of his additional elements, such as his complex familiar bonds and strong sense of failure, did set him apart in some key ways. No matter what, Kagen is a pretty awesome character to follow, and I loved seeing him continue to go through all his dark moments to keep going.

Aside from Kagen, there are several other amazing characters featured in this novel, all of whom have some outstanding storylines around them. Two of the most prominent are Ryssa and Miri, who were in Argentium when the Hakkians invade. Both junior members of the Silver Empire’s clergy, the two women initially appear to be primarily concerned with surviving the invasion. However, it soon becomes apparent that Miri, whose knowledge of the gods and creatures of this world are far greater than they should be, has a different agenda. Taking Ryssa with her on a big journey to a remote island nation, Miri soon engages in a plot to save the world her way. Ryssa and Miri make up a fun combination that Maberry weaves some interesting storylines around. While these characters aren’t explored as deeply as Kagen, you still get a great sense of who they are, particularly Ryssa, who is the primary point-of-view character between them. Their entire storyline is covered in mystery and uncertainty as Ryssa is left in the dark about what is coming her way. I liked the religious world-building that went into this character storyline, and there are some excellent moments in it loaded with tragedy and despair. Even with their storyline being mostly separated from the rest of the characters, and it was a little predictable that Maberry would turn them into a lesbian couple, they had a compelling relationship and I felt that they added a lot to the narrative.

I also had a great deal of fun with the primary Hakkian characters featured in Kagen the Damned. While they are ostensibly the antagonists of the book, Maberry takes the time to really establish the main four characters and presents them as a lot more complex and even sympathetic in places. The main Hakkian character is their leader, the Witch-king, a character shrouded in mystery for most of the book. A previously unknown figure, the Witch-king uses his magic to defeat the entire Silver Empire in a night and then spends the rest of the book trying to set himself up as the legitimate ruler of the land while also advancing the position of his brutal god. I loved the way that Maberry kept the details about the Witch-king’s past and identity hidden for most of the narrative, although there is some great foreshadowing of his identity scattered throughout the novel. The Witch-king cuts a fantastic and menacing figure for most of the book, and it was intriguing to see him present himself as a fair and loving ruler, while simultaneously exuding an aura of menace and dark magic. It was pretty hilarious to see him terrify his key advisors for much of the book, and I loved all the hints about his true objectives. An overall excellent central antagonist, I look forward to getting more details about him and his history in the rest of the series, especially after the revelations at the end of this book.

The other three key Hakkian characters are the Witch-king’s advisors, the chamberlain Lord Nespar, necromancer Lady Kestral, and newcomer Jakob. Nespar and Kestral are fantastic characters who spend most of the book administrating the Witch-king’s will, running his empire, hunting for Kagen, and setting up the upcoming coronation of the Witch-king to become emperor. While they are initially shown to be quite dangerous and evil, mainly due to their role in destroying the Silver Empire and Kestral’s disturbing magic, you eventually see that there is a lot more to them. In particular, you see that they are actually extremely terrified of the Witch-king and are desperately obeying his will in order to survive. You actually end up feeling a bit sympathetic for the pair of them, even after you see Kestral tear a corpse apart for a ritual, and I enjoyed the intrigue and politics they got involved with to rule the new empire. The other character is Jakob, a Silver Empire historian who is drafted into the Witch-king service as his minister for propaganda. Rechristened as Jakob Ravensmere, he becomes fully compliant in the Hakkian takeover and proves to be a very competent advisor and political mind while also working to rewrite history to increase the legitimacy of the Witch-king. It was extremely fascinating to see Jakob discussing the control given by those who control history and propaganda, and I really enjoyed his role in the new empire. It was also fun to see his rather quick slide towards the dark side as he fully embraces the Hakkian lifestyle and even starts to develop a taste for a power. I always love seeing Maberry’s narrative unfold from the antagonist’s point of view, and this worked out extremely well again in Kagen the Damned.

The final characters I need to highlight are some of the excellent supporting cast surrounding Kagen. Kagen has two excellent companions who work with him throughout the book, Tuke and Filia. Tuke is a giant professional thief who recruits Kagen for a job that will help an anti-Hakkian resistance movement. Tuke serves as the comic relief for much of the book, and I loved the outstanding chemistry he had with Kagen. The two play off each other extremely well, and their excellent camaraderie and humour were pretty fun to see. Not only does Tuke have some of the best lines (and the funniest curses) in the book, but he also serves as an emotional sounding board to Kagen, helping him get better after all the tragedy he experienced. Filia is a strong-willed warrior and former associate of Kagen who finds herself dragged into the chaos around the war and Kagen’s wild adventures. Filia’s no-nonsense attitude and sarcasm are a great counterpart to the other characters in Kagen the Damned, and I especially liked it when it combined with the humour of Kagen and Tuke. These characters, and more, really enhanced the overall quality of this impressive narrative, and I loved seeing their powerful storylines unfold in some excellent and enjoyable ways.

There was no way that I was going to check out the new Jonathan Maberry novel in any format other than audiobook. I have had some outstanding experiences with Maberry’s audiobooks over the years, and all of them have been deeply impressive and extremely enjoyable. This again proved to be the case with Kagen the Damned, as I had an outstanding time having this dark epic read out to me, especially as it really helped me to absorb all the details of the characters and the impressive new universe. With a runtime of just under 21 hours, this is a pretty lengthy audiobook to get through, but it is well worth the time investment, especially as it delivers the story in such an awesome way.

Easily the best thing about this audiobook is the outstanding narration from the very, very awesome Ray Porter. Porter, who is one of my favourite audiobook narrators, who has previously narrated Maberry’s books, as well as contributing his voice to other works like The Apollo Murders and The Sandman audio adaptation. As such, the moment I heard that Porter was also going to narrate Kagen the Damned, I knew that I had to get this audiobook. Porter has an amazing ability to move the story along, and his voice is perfect for all the intense action, world-building and intrigue Maberry features in his novels. I love the way that Porter dives into the various characters featured in the books, with every single person getting their own distinctive voice, while Porter also effortlessly emotes all their emotion to the listener. This includes a very sinister voice that Porter saves for when the villains are talking or some incredibly dark moments are happening, and having him use variations of this voice to highlight just how brutal a moment is being, is always a great experience. It also works well when the characters start speaking in the languages associated with the Elder Gods, and the resultant ceremonies and spells are quite spooky to hear in Porter’s voice.

Porter also did a particularly good job at inhabiting the voice of Maberry’s central protagonist, Kagen, and you get a real sense of who he is and the intense pain he is feeling throughout the book. While the voice Porter uses from Kagen is a little like that of Joe Ledger from Maberry’s other audiobooks (a side effect of Porter ensuring that the main protagonist’s voice matches the tone he uses for basic narration), Porter does add a little more of a growl to it here, which helped to a degree. This was another incredible performance from Porter, and I am so very glad that they got him back to narrate Maberry’s new series. I cannot emphasise how outstanding the Kagen the Damned audiobook turned out to be (although I did feature it in my recent best audiobooks from the first half of 2022 list before I’d even finished it), and this is the absolute best way to enjoy Kagen the Damned.

Well, after rabbiting on for nearly seven pages, I think it is exceedingly obvious that I loved Kagen the Damned. Jonathan Maberry’s latest novel was extremely compelling and deeply exciting, and I was really impressive with the author’s jump to the fantasy genre. Featuring a clever, complex, and action-packed narrative loaded with destruction, thrilling revenge and some great, damaged characters, Kagen the Damned was an outstanding read and its one that I absolutely flew through. Kagen the Damned is easily one of the top books of 2022 and this is a favourite new series for me. I am extremely excited to see where the Kagen the Damned series will go in the future, and the next book, Son of the Poison Rose, is out in a few months’ time, and I cannot wait to get my hands on it.

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The Colonial’s Son by Peter Watt

On November 7, 2021November 15, 2022 By The Unseen LibraryIn Australian, Historical Fiction8 Comments

The Colonial's Son Cover

Publisher: Macmillan (Trade Paperback – 26 October 2021)

Series: The Colonial Series – Book Four

Length: 367 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s best historical fiction authors, Peter Watt, returns with The Colonial’s Son, the first book in a new series that follows on from his exceptional Colonial trilogy.

Peter Watt is a fun and talented author whose work I have been deeply enjoying over the last few years. Watt specialises in historical fiction novels with a focus on Australian characters and has so far written three great series. This includes his long-running Frontier series, which followed two rival Australian families throughout the generations as they got involved in some of the defining moments of Australian history (check out my reviews for While the Moon Burns and From the Stars Above). He also wrote the fantastic Colonial trilogy that followed an Australian blacksmith who joined the British army as an officer during the mid-19^th century. This was an amazing and action-packed historical series, and featured three great books, The Queen’s Colonial, The Queen’s Tiger and The Queen’s Captain. Watt’s most recent novel, The Colonial’s Son, is a direct sequel to the Colonial series, set several years after the conclusion of The Queen’s Captain.

Sydney, 1875. After leaving the army and returning to Australia, former British army captain, Ian Steele, better known by the moniker his troops gave him, the Colonial, has settled down and started a successful business empire. Now the father of three children, Ian is hoping for a quiet life, but is still facing several problems, including the fact that his oldest son, Josiah Steele, is determined to follow in his footsteps and join the British army as an officer.

When an old friend from his army days requests his help, Ian takes Josiah to Queensland to visit the notorious goldfields near the Palmer River. There, Josiah gets his first taste for action as he and his father find themselves beset by bushrangers, hostile Indigenous tribes and warring Chinese criminal organisations. Despite experiencing the terrors and tragedies of combat, Josiah is more determined than ever to join the army and travels to England to enrol in a prestigious military academy. However, rather than gaining a formal training, he is immediately drafted into England’s latest war as a junior officer.

Travelling to Afghanistan, Josiah and his men engage in a series of bloody battles to hold onto the dangerous land for the empire. Gaining the attention of his commanders, Josiah is chosen for a different sort of mission and sent to the newly united Germany where an old friend may hold the answer to the future of British/German relations. Back in Australia, Ian Steele finds himself fighting a new enemy, one whose insidious ways could bring down everything he has struggled to build. Can Ian survive this latest threat, especially when it drives him to do the unthinkable, and will Josiah be able to live up to the impossible military legacy of the Colonial?

This was another exciting and very enjoyable novel from Watt, who has proven himself one of the best authors of Australian historical adventure novels. The Colonial’s Son is an amazing sequel to Watt’s prior series, and I really enjoyed seeing all the characters, both new and those from the prior series, engage in this latest series of adventures. I ended up getting through this entire novel in one day, and I had a wonderful time reading it.

This latest novel has a very Watt narrative to it, utilising his typical style of multiple character perspectives to tell a compelling overarching tale of adventure and intrigue. The Colonial’s Son primarily follows new protagonist Josiah and previous protagonist Ian as they find themselves in all manner of dangerous situations, together and separately. This includes facing dangers and criminal conspiracies out in the goldfields, deep personal attacks in Sydney, or the various battles and political intrigues Josiah encounters once he joins the army. At the same time, multiple other perspectives from side characters are utilised to enrich the narrative, with everyone from villains, love interests and friends adding to the story. Watt tells a very interesting tale in this novel, combining a coming-of-age tale with the dynastic style of his previous Frontier books, and I really appreciated the way in which the author continues several storylines from the previous trilogy. The combination of military action, criminal activity and intrigue makes for quite a fun narrative and The Colonial’s Son proves to be extremely addictive and easy to read. I loved the many intense fight sequences featured throughout this novel, and Watt has a real flair for bringing brutal battles to life. While fans of the Colonial trilogy will probably get a bit more out of this book due to the connected storylines, The Colonial’s Son is very accessible to new readers.

Just like he has done with all his prior novels, Watt makes sure that The Colonial’s Son features a range of intriguing and dangerous historical locations serving as fun backdrops to this awesome story. There is a bit of a time skip between this novel and the previous Colonial trilogy, which opened up some different wars and settings for Watt to explore. I particularly enjoyed the scenes set in the goldfields of North Queensland, a particularly grim and unforgiving bush setting full of fun antagonists. The second half of the novel contains several other historical locales, all of which are shown in quick succession. This includes Victorian London, Afghanistan, Germany and even Africa, all of which are the setting for some form of conflict. The scenes set in Afghanistan during the British occupation of this land are very interesting, especially when you consider contemporary events, and there are some noticeable similarities between the historical conflict and more recent battles. There is also a very fascinating look at Germany, which in 1875 had only just recently been unified into a single country with a more militaristic outlook. Watt also ensures that The Colonial’s Son contains several hints about future conflicts that the protagonist may find himself involved in. For example, the inclusion of several prominent Chinese characters in the first half of the novel will probably result the characters getting involved in the Boxer Rebellion, which would be pretty fascinating. Overall, there are some great historical settings in this novel, and I cannot wait to see what conflicts the characters venture into next.

Watt makes sure to feature a ton of intriguing and memorable characters throughout The Colonial’s Son, each of whom adds some interesting details to the story. This latest novel contains a great combination of new characters and protagonists from the Colonial series. I rather enjoyed this cool mixture of characters, especially as you get to see new protagonists develop, while also learning the fate of the surviving characters from the original trilogy. I particularly appreciated seeing more of original protagonist Ian Steele, and it was fun to see what happened to him after all his adventures in the Colonial books. I was honestly surprised how much of a focus Ian got in this new trilogy, but I wasn’t complaining too much as I had gotten invested in his development in the original trilogy. New protagonist Josiah also proved to be a great addition to the plot, even if there are a lot of similarities between him and the younger version of his father from the previous trilogy. It was kind of fun to see history repeat itself, and I like the interesting developments that occur around Josiah attempting to live up to the legacy of his father, while also making all the same mistakes he did. There were some other fun new characters featured in this book, including a charismatic young man of Chinese descent on the road to becoming a revolutionary and a young German countess who Josiah befriends. I also appreciated some of the compelling and unlikable antagonists featured in the novel, as Watt has a real talent for writing scummy villains for the reader to root against. I deeply enjoyed getting to know this new batch of characters, and I look forward to seeing what happens to all these excellent figures, both new and existing, in the future books.

With his latest novel, The Colonial’s Son, Peter Watt continues to highlight just why he is the leading author of Australian historical adventures. Featuring an incredibly fun and action-packed plot, The Colonial’s Son does not slow down throughout its entire length, and readers are treated non-stop battles and intrigue. I loved how this latest novel continued the cool storylines from Watt’s Colonial series, and I cannot wait to see what battles and character developments occur throughout the rest of this series.

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Viral by Robin Cook

On October 27, 2021August 15, 2022 By The Unseen LibraryIn Thriller2 Comments

Viral Cover

Publisher: Macmillan (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 418 pages

My Rating: 4 out of 5 stars

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The leading author of the medical thriller genre, Dr Robin Cook, returns with another eye-opening and deeply relevant novel, Viral, that takes a deep an unsettling look at America’s healthcare system and the grim horrors that could strike anyone.

Robin Cook is an interesting author who has been one of the most unique writers of thriller fiction for years. A doctor and former member of the United States Navy, Cook made his debut back in 1972 with The Year of the Intern, a medical drama about the pressures of a young doctor. He then followed it up with his first thriller in 1977, Coma, which featured criminal activities within a hospital. Since then, Cook has written over 30 additional thrillers, nearly all of which feature either medical elements or doctors as the protagonists. Cook’s catalogue of works features a huge collection of standalone reads, as well as his long-running Jack Stapleton and Laurie Montgomery series, and all of them contain an interesting array of plots. I have been meaning to try out some of Cook’s novels for a while and I finally got a chance a few weeks ago when I received a copy of his latest novel, Viral, which contained a deep and powerful story.

As the COVID-19 pandemic winds down, former police officer Brian Murphy and his family take the opportunity to have a well-deserved vacation. After several days of relaxing times at the beach and night-time cookouts, the fun comes to an end as Brian’s wife, Emma, comes down with severe flu-like symptoms. Fearing COVID, the family returns to New York, only for Emma to suffer a traumatic seizure in the car, forcing them to the emergency room.

It soon becomes apparent that Emma is suffering from a rare and lethal disease known as eastern equine encephalitis, likely brought on by mosquito bites while at the beach. As the doctors work to save Emma’s life, Brian is forced to contend with another major shock when he receives a cripplingly expensive hospital bill, worth hundreds of thousands of dollars. With his business already failing due to COVID, Brian is unable to cope with the inflated bill before him, and turns to his insurance company for help, only to be blindsided when they reject his claim on arbitrary grounds.

Forced to try and come up with the money to pay for his wife’s bills, Brian dives into the shocking world of corrupt healthcare and insurance, discovering the insidious legal practice of overcharging patients and not providing insurance coverage. Already on a knife edge due to his wife’s condition, Brian is determined to fight this injustice. However, there is little he can legally do, especially with every procedure adding more to his immense debt. But when his daughter also begins showing symptoms, and his wife’s care is being negatively impacted by his financial position, Brian will be driven to seek justice another way.

Viral is an intense and extremely fascinating novel that I had an interesting time reading. Cook has come up with an extremely fast-paced narrative here that dives into compelling contemporary issues. This results in quite an exciting and addictive read that I found to be particularly distinctive and memorable.

Cook has written a pretty cool story for Viral that takes the reader on a harrowing and dramatic ride. While it has a bit of a slow start, mostly to set up the characters and the situation, it does not take long for the book to get crazy, with the protagonist’s wife getting sick and rushed to hospital very quickly. What follows is an agonising thrill-ride of emotion as she gets sicker, while the protagonist is forced to deal with a series of disruptive situations as the hospital and the insurance company take turns to bleed him for money and impact his wife’s health. Due to Cook’s realistic portrayal of certain modern phenomena involving healthcare and finance, Viral ended up being a pretty terrifying read that was in some ways scarier than a horror novel. There are some very traumatic moments scattered throughout the novel, and two big tragedies occurring in the central part of the story result in some significant changes in the story direction. The last third of the book is pretty fast-paced and shows a protagonist tipped to the edge, attempting to find justice the only way he knows how. I rather liked how Cook ended the novel, and it was certainly fascinating the way that he utilised thriller elements to conclude what had previously been more of a medical drama. This is a really good narrative, and found myself getting quite drawn into it, especially as Cook paints such a vivid picture of the medical issues and the various problems surrounding them. I did have some issues with some character interactions and dialogue, as a lot of the communication and discussions seemed a bit unnatural to me. I also had a very hard time connecting with any of the characters featured in the novel, as they were a little one-dimensional. Still, the intense and compelling narrative more than made up for it and I had a wonderful time getting through this book.

I really appreciated the deep examinations of certain medical aspects throughout Viral, and this includes Cook’s fascinating look at viruses, pandemics, and infections. Cook is a master of examining medical concerns, including pandemics (Pandemic was the name of one of his previous books, released in December 2018), and while I will admit to a certain internal exhaustion at stories concerning pandemics (a sentiment I am sure many others share), I think he did a pretty good job of featuring these aspects here. Viral contains a range of interesting medical elements, such as examining the social and financial impacts COVID-19 had on New York, with multiple characters suffering because of it. Cook also takes the time to try and terrify his readers by highlighting what diseases he believes are going to impact us next. In particular, he focuses on eastern equine encephalitis, a disease transmitted to humans from mosquitoes. Not only does Cook take the time to highlight just how deadly and disruptive eastern equine encephalitis is, but he also explains early on in the novel that diseases like encephalitis are likely to be much more common in the future due to climate change and increased mosquito migration patterns. This focus on medical issues, especially surrounding eastern equine encephalitis, proves to be pretty scary, and I know that I am going to be a little more wary of any mosquitoes I see in the future.

While you would think that the part of the book looking at deadly diseases and crazy new infections would be the scariest part of this novel, it is Cook’s examination of the American healthcare system that is the most horrifying. Throughout the course of Viral, the protagonist experiences firsthand how ruinous it can be to fall sick, when he is hit with a massively inflated bill after rushing his wife to the hospital. The situation only degrades even further when his new health insurance company continues to reject his claims and the company controlling the hospital immediately starts a lawsuit to get their money back. This takes the protagonist and the reader on a deep and intense dive into the current realities of the American healthcare system, including hospitals, medical billing, private health companies and health insurance agencies, and how they combine to cause major problems for sick people and their families. There is a focus on how most hospitals are run for profit these days, artificially inflating their bills to get the most money. At the same time, there is an examination of how insurance companies are offering bogus coverage, with multiple hidden clauses that make it possible for them to reject claims for the most ridiculous of reasons. This examination of the healthcare system soon becomes the major focus of Viral’s plot, as the problems associated with it soon prove to be more lethal than the eastern equine encephalitis. Cook is very critical of how the healthcare system is being allowed to operate in America, and it was fascinating and disturbing to see his impressions of it, especially in the aftermath of COVID-19. This proved to be a very intriguing and powerful inclusion to this novel, and readers are guaranteed to come out of it with a pressing need to review their insurance policies to make sure the same thing won’t happen to them.

Overall, Viral by Robin Cook proved to be an excellent and memorable medical thriller with a lot of fantastic features to it. I deeply appreciated the way in which Cook takes the time to focus on contemporary issues, including his look at viral diseases and current issues with the American healthcare system. While I did have some issues with Cook’s writing style, Viral ended up being a really intriguing and realistic novel that will leave most readers with an intense sense of unease. A very eye-opening book that has made me very curious about some of Cook’s other medical thrillers.

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Turn a Blind Eye by Jeffrey Archer

On April 26, 2021August 13, 2022 By The Unseen LibraryIn Historical Fiction, Murder Mystery2 Comments

Turn a Blind Eye Cover

Publisher: Macmillan (Hardcover – 30 March 2021)

Series: William Warwick – Book Three

Length: 330 pages

My Rating: 4.25 out of 5

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One of the world’s bestselling authors, Jeffery Archer, returns with the third exciting and enjoyable entry in his clever William Warwick series, Turn a Blind Eye.

London, 1987. After successfully organising a high-profile raid of a notorious drug factory, William Warwick has been promoted to Detective Inspector. However, with his promotion comes a very different assignment: exposing corruption at the heart of London’s Metropolitan Police Force. Along with his team of detectives and officers, William begins to investigate an old friend of his from the police academy, Jerry Summers, whose affluent, high-flying lifestyle seems impossible to achieve on a police income. Utilising several undercover operatives, William attempts to find out the truth behind Summers’s activities.

However, the investigation into Summers’s corruption is only one of William’s concerns, as the trial for drug baron Ahmed Rashidi, whose factory William’s team brought down, begins. Rashidi’s conviction seems certain, especially with the formidable legal team of William’s father and sister arguing the prosecution’s case. But Rashidi has hired the services of the slippery and corrupt lawyer, Booth Watson QC, whose contacts and ability to bend the rule of law puts the police’s case in serious jeopardy. At the same time, William’s arch-nemesis, the criminal genius Miles Faulkner, has escaped from jail and is hiding out in Europe, plotting the next stage of his life of crime. However, Miles’s sudden death proves to be a boon for his ex-wife, Christina, who uses her windfall to apparently reform and renew her friendship with William’s wife.

As William’s focus is torn between all these different cases, disaster strikes when a young female undercover officer under his command falls for Summers. As William and his team attempt to discover just how compromised their investigation is, the young Detective Inspector finds himself under attack from all sides as enemies, both old and new, attempt to bring him down. Can William continue his crusade to bring justice to London’s streets, or will he face the horrible realisation that more of his fellow officers are willing to turn a blind eye than he first suspected?

This was another fantastic novel from Jeffrey Archer, who has done an amazing job continuing the exciting and compelling adventures of William Warwick. Archer is an intriguing figure who has written a number of amazing crime and historical fiction novels over the last few years, such as his iconic Clifton Chronicles. I have been rather enjoying several of Archer’s recent novels, including the very clever Sliding Doors-esque novel, Heads You Win. His latest series, the William Warwick books, follow the adventures of the titular protagonist, who was first introduced as a fictional detective created by one of the characters in the Clifton Chronicles. The first two novels in this clever crime series, Nothing Ventured and Hidden and Plain Sight, were both awesome reads, and I was quite excited when I received Turn a Blind Eye a few weeks ago. Turn a Blind Eye ended up being quite an impressive read, and I really enjoyed the compelling and fast-paced story.

Archer has come up with a great story for his latest novel which not only continues some of the amazing storylines from the previous novel but which sets the protagonist up against several new challenges and antagonists. Archer blends a lot of great elements into Turn a Blind Eye from across the genres. The most prominent of these is a compelling crime fiction storyline which sees the protagonist go up against several different villains, including corrupt police, art thieves and drug lords, and there are some impressive investigative angles and fun scenes featuring clever police work and investigations. In addition, the author works in some clever legal thriller elements as the story features several courtroom sequences. These court scenes are some of the best parts of the entire novel, especially as Archer loads them up with fun legal shenanigans as the antagonist lawyer employs some really evil tricks. The author also makes great use of the 1980s setting as a backdrop to the main story, and I loved the exploration of this cool period during this fun historical novel. The entire novel chugs along at a rapid pace, and readers will have a very hard time putting this book down, especially as it features some dramatic twists, clever undercover scenes and very entertaining moments. Readers of the previous two William Warwick novels will appreciate the fantastic ways in which Archer continues the established storylines set up in the first novels, although the author does ensure that this third book is easily accessible to new readers. I really enjoyed the fun and intriguing places where Archer took his latest novel and I cannot wait to see how he will continue his compelling story in the future William Warwick entries.

I really enjoyed the great range of characters that Archer fits into this novel, most of whom are recurring characters from the previous two entries in the series. Archer features a rather large cast of excellent characters throughout Turn a Blind Eye, resulting in a mass of different character perspectives that makes for a compelling and vibrant blend of storylines and character arcs. At the top of this list is William Warwick, who serves as the central figure for most of the book’s plot. William is an exceedingly straight arrow, intently concerned with doing the right thing and bringing the villains to justice. William has another interesting adventure in Turn a Blind Eye, where he is forced to investigate police corruption and finds himself in some strange new circumstances. I really enjoy the linear storyline that Archer has set up for Warwick, especially as it appears that he will be investigating a whole new crime each novel, and he serves as a particularly good centre to this entire series.

In addition to the main protagonist, Turn a Blind Eye also features several other amazing characters who have some compelling arcs in this latest book. As always, I have to start with series antagonist Miles Faulkner, the highly intelligent criminal mastermind and art fanatic with whom William has found himself in an intense feud. Faulkner ended the last book on a high note after engaging in a bold prison escape, and this novel starts off with him fleeing to Europe before circumstances seem to take him right off the board. This results in an interesting development for the character, although readers of the previous novels will not be surprised by the clever way in which that particular arc unfolds throughout the novel. I also deeply enjoyed the character of Booth Watson QC, the go-to lawyer for the antagonists of this series. Watson is a dastardly and conniving figure in this series, and readers will love all the sneaky and entertaining ways he finds to bend the laws and manipulate the legal system. I particularly liked the way in which he serves as a counterpoint to William’s father, Sir Julian, the highly regarded and undeniably honourable legal prosecutor, and the two have an outstanding repartee with each other during the court sequences. The other character who has a really good storyline is police officer Nicky Bailey. Bailey, who is assigned undercover to watch the primary suspect of the corruption storyline, ends up falling in love with her target, resulting in the investigation becoming compromised. Archer writes an impressive and dramatic arc around this character, and I was particularly moved by its intense conclusion. All of these characters ended up adding a lot to Turn a Blind Eye’s story and I look forward to seeing some of them reappear in the next William Warwick novel.

Turn a Blind Eye was another awesome novel from Jeffrey Archer which proved to be a rather good and entertaining read. I loved the way in which Archer has continued his fantastic William Warwick series, and the author has loaded this book with some clever and enjoyable sequences and characters. A fun and intriguing novel that readers will power through in no time, Turn a Blind Eye is really worth checking out and comes highly recommended.

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Quick Review – City of Vengeance by D. V. Bishop

On April 20, 2021August 13, 2022 By The Unseen LibraryIn Historical Fiction, LGBT+, Murder Mystery, Quick Review3 Comments

City of Vengeance Cover

Publisher: Macmillan (Trade Paperback – 9 February 2021)

Series: Cesare Aldo – Book One

Length: 402 pages

My Rating: 4.5 out of 5 stars

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From impressive debuting author D. V. Bishop comes a powerful and exciting historical murder mystery set in the heart of 16^th century Florence with the amazing City of Vengeance.

Synopsis:

Florence. Winter, 1536. A prominent Jewish moneylender is murdered in his home, a death with wide implications in a city powered by immense wealth.

Cesare Aldo, a former soldier and now an officer of the Renaissance city’s most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany – or suffer the consequences.

During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de’ Medici. If the Duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin. Can Aldo stop the conspiracy before anyone else dies, or will his own secrets destroy him first?

City of Vengeance is an awesome and powerful historical murder mystery that I have been looking forward to for a while. New author Bishop has come up with an excellent story that expertly combines great characters, intense historical detail, and a clever murder mystery into an awesome and exciting tale. I had an outstanding time getting through this amazing book, and this might be one of the better debuts of 2021 that I have so far read.

Bishop has produced an extraordinary narrative for his debut book which I deeply enjoyed and found myself quickly engrossed in. This book contains an excellent mystery which is actually a clever adaptation of a real-life historical murder and conspiracy in renaissance Florence which the protagonist, Cesare Aldo, finds himself investigating and attempting to stop after several other related crimes are discovered. Bishop builds a fantastic and intense story around this investigation as the protagonist goes up against several powerful foes and is forced into deadly situations as his opponents attempt to stop him. There is also a great secondary storyline about a separate murder which is being investigated by both Aldo and his associates at Florence’s criminal court. While this other murder is not directly connected to the main murder and conspiracy, they do highlight some of the personal issues surrounding the protagonist and provide some intriguing opportunities for a dastardly secondary antagonist. I loved the author’s great use of multiple perspectives throughout this narrative, and he really comes up with some intense, action-packed moments as Aldo is forced to fight for his life. This story ended up having some amazing twists to it, especially if you are unfamiliar with the events of 16^th century Florence, and the reader is constantly left on their toes as they witness all the crazy events unfold. I particularly loved the final sequence in the book, mainly because it was an extremely cathartic moment for both the protagonist and the reader, and it served as the perfect end to this dark and captivating tale. This was an overall incredible narrative, and I am really glad I got to check it out.

Easily one of the best highlights of this fantastic book was the impressive and realistic setting of renaissance Florence that Bishop brought into being. The author has clearly done their research when it comes to this iconic Italian city as the reader is shown a detailed and complex view of the city throughout the book. The various characters explore different parts of this historical location, and you get a real sense of the scale and culture of this city. I really appreciated the way in which Bishop attempts to highlight interesting parts of day-to-day life in Florence during this period, and I also deeply enjoyed the examination of the city’s justice system, leadership, and political placement in the rest of Italy. The author also utilises a range of different Italian terms and words into the text in a bid to increase the narrative’s authenticity. I really liked this clever use of language throughout the book, especially as it enhanced the storytelling without disrupting the flow of the narrative. Several major figures in Florence’s history also make an appearance, and I was deeply impressed by the way in which Bishop portrays them, as well as the infamous historical events that they are connected to. I thought that the author did a great job cleverly tying these real-life figures into the exciting plot of City of Vengeance, and it was cool to see their unique tales unfold. All this really helps to elevate City of Vengeance as a historical fiction novel and this was a captivating and clever dive back into 16^th century Florence.

I also quite enjoyed the characters featured in this great novel. On top of the historical figures who are seamlessly fitted into the narrative, Bishop has also come up with a collection of fantastic fictional characters who the main story revolves around. While I enjoyed all these characters, I must highlight two in particular: the main protagonist Cesare Aldo and secondary antagonist Cerchi. Aldo is an excellent hero for this book thanks to his dedication to justice, his maverick personality, his quickness with a blade and his investigative prowess, all of which help him attempt to solve the difficult crime before him. Aldo gets into some very rough scrapes in this book, and it was a lot of fun to see him get through them and survive. The risks are especially high since the detective also has to hide his sexuality in order to survive. This was a fantastic character element for Bishop to include and it certainly amped up the difficulties for the protagonist, especially when he is forced to contend with people like Cerchi. Cerchi is a fellow investigator in Florence’s criminal court, and in many ways he is the direct opposite of Aldo, in that he is a snivelling, corrupt and selfish individual who cares more about lining his own pocket than justice. Cerchi spends most of the book attempting to undermine Aldo while also blackmailing prominent homosexuals in the city for large amounts of money. This leads to even greater conflict with Aldo, especially as Cerchi suspects Aldo’s secret, and this adds a whole new level of drama and suspense to the narrative. I really liked the inclusion of Cerchi in the story as he was a particularly despicable and unlikeable character who the reader quickly grows to hate and beg for his downfall. Both characters have some great storylines throughout this book, and I particularly enjoyed the way in which their combined arc ends.

In the end I really enjoyed this exceptional first novel from D. V. Bishop which was a lot of fun to read. Thanks to its awesome blend of history, mystery and clever characters, City of Vengeance has an exciting and captivating narrative that proved extremely hard to put down. I was deeply impressed with the way that the author utilised his knowledge of 16^th century Florence to create a powerful and compelling tale of murder and conspiracy, and readers are in for a real treat with this fantastic debut. I look forward to seeing what Bishop comes up with next and I particularly hope that he revisits Cesare Aldo and Florence in his future novels.

Ink by Jonathan Maberry

On December 15, 2020March 5, 2023 By The Unseen LibraryIn Audiobook, Horror, LGBT+, Thriller15 Comments

Ink Cover

Publisher: Macmillan Audio (Audiobook – 17 November 2020)

Series: Standalone/Pine Deep series

Length: 15 hours and 9 minutes

My Rating: 4.75 out of 5 stars

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Prepare to journey back to the weirdly dangerous town of Pine Deep as one of my favourite authors, Jonathan Maberry, presents his latest novel, Ink, an intriguing and clever horror thriller that dives down into the world of memories and tattoos.

Pine Deep, Pennsylvania is a town long-steeped in blood and death. After barely surviving the terrible events of 15 years ago, now known by the locals as The Trouble, the town has slowly recovered, with fresh businesses and people bringing in new life. However, no one is ever truly safe in Pine Deep, especially with a malicious predator haunting the streets, one with very particular appetites.

Monk Addison is man who has experienced many weird and horrifying things in his life, but what he is about to encounter in Pine Deep will shake him to his core. A bounty hunter who has sought redemption in life by covering his body with tattoos depicting the faces of murder victims, Monk has recently moved to Pine Deep to be closer to his friend and tattoo-artist Patty Cakes, but what he arrives he finds Patty in a state of shock. An important tattoo on Patty’s hand has started to disappear, and as it fades, so do the memories associated with it until Patty can no longer remember anything about, not even the precious person who inspired it.

As Monk desperately tries to understand what is happening to his friend, a pattern begins to emerge. Several people within Pine Deep are experiencing losses of traumatic or significant memories, and in every case tattoos related to these events have also disappeared. Worse, in some cases new tattoos are appearing on people, forcing them to do terrible deeds. Working with Pine Deep’s chief of police, Malcolm Crow, and his adopted son, Mike Sweeney, Monk, Patty and other impacted residents of Pine Deep attempt to discover who or what is behind these stolen memories. But can they find who is responsible before their memories fade, or will this predator continue to feast on the very thing that makes them human? The Lord of the Flies is hungry, and his reign of terror has only just begun!

Over the last couple of years, I have become a major fan of Jonathan Maberry’s writings, and I only just recently finished reading all 10 Joe Ledger novels, as well as the first Rogue Team International book, Rage, so I was very excited to get my next fix of Maberry excitement with Ink. Ink was one of my most anticipated novels for the second half of 2020, and it really did not disappoint in any way, as Maberry has produced an intense and captivating horror novel that proved to be both extremely exciting and deeply terrifying.

Ink is an outstanding and impressive book that contains one heck of a story that sees several remarkable characters attempt to deal with a weird and powerfully scary supernatural threat that is attempting to destroy what is most precious to them. Maberry has crafted together a fantastic narrative for this book that is equal parts clever, compelling and scary, and which dives down deep into the psyche of several complex individuals. The author utilises his trademark style to produce a wide-ranging, multi-character story that shows the full impact of the antagonist’s dark machinations, and the slow hunt of the protagonists to comprehend what is happening to them, and their subsequent attempts to combat the threat. While I did think that the story was a little slow at the start, once it gets going the reader has a hard time putting it down, as they become obsessed with seeing the full extent of the horror, as well as becoming connected to the characters featured within. While Ink contains a lot less action than a typical Maberry novel, this is an extremely exciting and fast-paced read, with the thrilling game of cat and mouse between the villain and his victims proving to be quite intense. Readers should be warned that this is an extremely adult read, containing some fairly graphic sequences of violence, torture, mental manipulation and sexual content, which may not be for everyone. Overall though, this is an exceptional read, and I really loved getting to the end of this enthralling and excellent narrative.

While Ink is ostensibly a standalone novel, in many ways it is a sequel to Maberry’s debut series, the Pine Deep trilogy, while also being set in the same universe as several of his other books, namely the Joe Ledger novels. The entirety of Ink is set in the town of Pine Deep, which was the titular setting of the original trilogy. As a result, several characters from these books appear throughout the course of the novel and there are a lot of mentions of the events of the Pine Deep trilogy, some of which play into the plot. While you potentially could get a little more out of Ink by reading the Pine Deep novels first, I would say that you really do not need any prior knowledge of these books to enjoy Maberry’s latest novel. Like always, Maberry’s writing is very inclusive, providing the reader with relevant information about the events that occurred in these previous novels. As a result, the reader gets a decent summary of what occurred in the Pine Deep trilogy and how it relates to Ink. This allows readers unfamiliar with the Pine Deep books to enjoy Ink without any issues, and this might even be a good Maberry starter novel for anyone who has been interested in reading some of his books. On the other hand, those fans of Maberry who are familiar with this prior trilogy will no doubt really enjoy the return to this iconic setting and will have an amazing time seeing what has happened in the 15 years following the end of Bad Moon Rising (the third and final book in the Pine Deep trilogy). The summaries of the Pine Deep novels contained within Ink are rather easy to get through and Maberry works them into the story extremely well, so those people familiar with these prior works should be able to read them without getting bored of a forced recap, and this is book that any horror or thriller fan can easily enjoy.

At the heart of Ink are the excellent main point-of-view characters that Maberry utilises to tell his complex tale. There are several major characters featured throughout the book, including several original characters created specifically for Ink. The most notable of these is Monk Addison, the relentless and scary former soldier who is desperately seeking redemption after a long and bloody life. Monk turned out to be an amazing central character for this book and I loved the way that Maberry slowly revealed his past in order to show just how special he his. Monk goes through a fair bit of development in this novel, and I found myself getting quite attached to him as the story progressed. In addition to Monk, Ink also has a particular focus on Patty Cakes, Monk’s tattoo artist friend whose memories are impacted by the book’s antagonist. Patty is a deeply tragic and magical character who has gone through a lot in her life and who now finds herself being attacked in a much more personal and devastating way. Seeing Patty being overwhelmed by the loss of her memories is really disturbing and heartbreaking and you cannot help but feel her loss deep in your soul, which is a testament to Maberry’s excellent writing. Patty is another character who you grow to care for as the story unfolds and the constant danger she is put into, both mentally and physically, keeps the reader on edge. The other two original major characters I need to highlight are Dianna and Gayle. Dianna is a medium who also has her memories stolen by Ink’s antagonist, while Gayle is someone who builds a connection to Dianna, who is then impacted by Gayle’s lost memories in a different way. I liked the way that Dianna and Gayle were worked into the story, and they helped to provide a new angle to the narrative. Watching them team up with Patty added some enjoyable female empowerment elements to the novel, and there is a touching LGBT romance between Dianne and Gayle that I thought Maberry handled well, even if it was a tad explicit.

In addition to these new characters, Maberry also makes use of the protagonists from the Pine Deep novels who return as major characters in Ink. This includes major characters Malcolm Crow, Mike Sweeney, Val Guthrie and Jonatha Corbiel (now Jonatha Newton). While Val and Jonatha have mostly smaller roles in this book, Malcolm and Mike are major point-of-view characters, performing their own investigation of the latest batch of weird events occurring around Pine Deep. Both proved to be exceptional additions to the cast, as not only are they complex characters (especially after the events of the Pine Deep trilogy), but they also add some distinctive viewpoints into the investigate parts of the book. Maberry does a fantastic job introducing these characters to new readers, while those who have read the Pine Deep books will deeply appreciate seeing what has happened to them since the events of this initial trilogy. While I am sure that many of Maberry’s readers would have hoped for happy lives for Malcolm, Mike and Val after all they have been through, all three characters have experienced additional difficulties and tragedies in the last 15 years. These additional life events, as well as their traumas from the Pine Deep books, are expertly incorporated into their characterisation for Ink, and it proved deeply compelling to see their arcs unfold. I personally enjoyed seeing the new protagonists’ reactions when encountering Malcolm and Mike, and there are a lot of depictions about realising how dark, dangerous and damaged both of them are. Some of these new characters are also in for a hair-raising surprise when it comes to Mike, and it was interesting to see how that certain aspect of Mike’s character has evolved since his last book. All of the characters featured in Ink were deeply compelling, and I felt that Maberry did an exceptional job featuring them throughout this novel.

If there is one thing that Maberry is particularly good at it, it is creating iconic and despicable antagonists for his novels. Ink is no exception to this, as Maberry has once again produced a dark and sinister figure in Owen Minor, the self-proclaimed Lord of the Flies. Owen is an inherently creepy and deeply disturbing individual who has gained the ability to steal people’s tattoos and the associated memories with them, as well as several other abilities. Thanks to a series of intriguing interludes, Maberry dives into the history of Owen, showing his origins as a character, what his motivations are and how he realised what his powers were. This examination of Owen’s psyche and history is both fascinating and unsettling and getting this deeper look into the character’s soul makes the reader dislike him even more, especially as you begin to realise just how twisted he truly is. The author also includes a number of chapters from the point of view of several different side characters who have been infected by Owen in some way or another. These scenes not only help to explore the true extent of his abilities but they also show the lengths he is willing to go to get his favourite meal. The way in which he attacks his victims and then revels in their mental agony ensures that the reader builds a deep hatred for him and you really cannot wait to see him get some form of comeuppance. All in all, this was another great antagonist from Maberry, and I look forward to seeing what sort of maniac creature he comes up with next time.

As I mentioned above, Maberry returns to his iconic town of Pine Deep for this latest novel, with most of the story set within it. This proves to be a fascinating and dark location for this great book, and I think that Maberry had fun revisiting this haunted town. The author really loads a sense of menace and despair into nearly every scene set within the town, and this is enhanced by every character recognising just how weird and dangerous the place can be. There is a lot of history associated with Pine Deep, as during the original Pine Deep trilogy the town was nearly destroyed by dark forces, with the survivors deeply traumatised as a result. These events, now know by everyone as The Troubles, are a major part of the town’s identity, and Maberry does a great job teasing out what happened during The Troubles to new readers, with only hints and vague comments describing for the first part of the book. It proved to be quite fascinating to see how the town has recovered in the roughly 15 years since the events of the Pine Deep trilogy, and Maberry fans will have an amazing time seeing this continuation of the setting. I really enjoyed seeing the characters explore Pine Deep once again and I hope that Maberry has plans to revisit again in some of his future novels.

One of the more compelling elements of this book is the author’s examination of the importance of tattoos and the memories that people associate with them. I have to admit that I am not particularly into tattoos; while I can appreciate the cool art that other people get, it is really not something I would consider doing for myself. However, I deeply enjoyed the way in which Maberry explored the tattoo world in this novel, examining both tattoo artists and the people who desire the art on their body. In particular, he explores the way in which people get tattoos to mark special or significant occasions, or how tattoos can be used to memorialise tragedy or dark moments from someone’s life and the emotional and memory connections that result from the tattoos. This becomes quite a significant part of the novel, because the antagonist steals the tattoos to get to the memories associated with it. As a result, Maberry than examines the impact of losing such a memory and what it could potentially do it to a person. While some characters manage ok with losing these darker memories, a lot of them are deeply troubled by it, as going through these events and overcoming them, are key to their identity. Without these memories, and the tattoos that personify them on their body, these characters become despondent, and in many cases it becomes too much for them to bear. It helps to really emphasise just how evil and malignant the actions of the antagonist is, and I really appreciated the author’s dives into the human psyche and his compelling depiction of what happens when someone loses their memory and identity. The removal of certain memories from the various point-of-view characters also adds a new level of difficulty to the protagonist’s investigation, as they have to try and find a way to hunt down someone who they can’t remember. These inclusions really added a lot to the story, and readers may come away with a deeper understanding of how important tattoos can be to people.

As with all of Maberry’s novels that I have so far enjoyed, I really could not resist grabbing the audiobook version of Ink. The Ink audiobook has a run time of just over 15 hours, which is a typical length for one of Maberry’s novels, and I found it extremely easy to power through this book in less than a week. Part of this was because of the excellent narration of long-time Maberry narrator, Ray Porter, who once again lends his awesome vocal talent to this thrilling book. Porter is probably one of my favourite audiobook narrators at the moment, and I cannot imagine listening to one of Maberry’s novels without his amazing voices. Just like he does in the Joe Ledger novels, Porter really dives into the characters he is portraying, ensuring that the full range of their emotions become abundantly clear to anyone to who listening to the story. He is also does an amazing job enhancing the horror elements of this book with some of his creepier tones, and the listener can get chills at the horrible and slimy voices he uses for the antagonist or for some of the darker scenes in Ink. While it was a little disconcerting at time to hear some of the familiar voices from the Joe Ledger audiobooks in this new novel, Porter was once again fantastic narrating Ink, and I would strongly recommend this format as the ideal way to check this book out.

Jonathan Maberry once again shows why he is one of the preeminent authors of the weird thriller novel, with this outstanding horror book Ink. Ink is an extremely clever and thrilling horror book that grabs the reader’s attention from the beginning and refuses to let go. Thanks to the outstanding narrative, impressive characters and interesting themes, Ink proves to be a captivating and exciting read, especially when combined with the distinctive setting of Pine Deep from Maberry’s previous novels. As a result, Ink comes highly recommended, especially in its audiobook format, and this novel is worth checking out. I had an exceptional time reading this book and I cannot wait for Maberry’s next novel, Relentless, which comes out in several long months.

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The Evening and the Morning by Ken Follett

On November 21, 2020August 13, 2022 By The Unseen LibraryIn Five-Star Books, Historical Fiction10 Comments

Publisher: Macmillan (Hardcover – 15 September 2020)

Series: Kingsbridge – Book 0

Length: 819 pages

My Rating: 5 out of 5 stars

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Following three long years of waiting, one of the best authors of historical fiction in the world today (and one of my all-time favourite authors), Ken Follett, returns with another historical epic, The Evening and the Morning.

Follett is a highly acclaimed author who has written a number of impressive bestsellers over his 45+ year writing career. After starting off with thriller novels, Follett really hit his literary stride when he moved on to massive historical fiction novels. After experiencing great success with the iconic The Pillars of the Earth, he has gone on to produce several other epic books, including two sequels to The Pillars of the Earth and the outstanding The Century trilogy. I have been a major fan of Follett for years ever since I had the great pleasure of reading The Century trilogy. This was followed up with the second sequel to The Pillars of the Earth, A Column of Fire, which was easily one of my favourite books of 2017. Thanks to how overwhelmingly compelling each of these previous novels were, I have been eagerly waiting to read his latest novel, The Evening and the Morning, for a while now, and it has been one of my most anticipated novels for the second half of 2020.

The Evening and the Morning is a character driven historical fiction novel that is set near the end of the Dark Ages of England. The novel actually serves as a prequel to Follett’s bestselling The Pillars of the Earth and is part of Follett’s Kingsbridge series. The Kingsbridge novels are all set within the fictional town of Kingsbridge, which each novel exploring a different period of English history (for example The Pillars of the Earth is set between 1123 CE and 1174 CE, while its sequel, World Without End, starts in 1327 CE). This prequel is once again set in the same area, with the novel running between 997 CE and 1007 CE.

At the end of the 10^th century, England is far from settled and faces attack from external threats. One particularly vicious Viking raid causes untold damage at the town of Combe, near the city of Shiring, and sets off a chain of events that will change the area forever.

Following the raid, one of the survivors, a young boat builder named Edgar is forced to abandon his home and follow his family to the small hamlet of Dreng’s Ferry. Living amongst the unwelcoming locals and corrupt landlord, the brilliant Edgar chafes and tries to find a new way to provide for his family. At the same time, a Norman noblewoman, Ragna, falls in love with the ealdorman of Shiring and travels to England to marry him. However, she soon discovers herself engulfed in a brutal battle for power with her husband’s family, and any misstep could cost her everything. These characters are joined by Aldred, a young and ambitious monk who wishes to turn the abbey at Stirling into an academic hub. However, his strong sense of right and wrong gets him into trouble as he searches for justice in all the wrong places.

As all three of these characters try to survive the troubles of the location, they find themselves drawn into each other’s lives. Together they have the power to solve each of their problems and prosper together. However, each of them has run afoul of the area’s corrupt Bishop, who is determined to gain power and influence no matter the cost.

Unsurprisingly, I absolutely loved this new novel from Follett, who has once again composed an outstanding historical epic. The Evening and the Morning is another exceptional book that takes the reader on a powerful and captivating ride through an exciting period of English history with an addictive story told through the eyes of several great characters. I had an outstanding time reading this book, and despite its length (at 800+ pages, it is one of the longest novels I have ever read), I powered through this book in relatively short order as I found the compelling narrative that Follett produced to be deeply addictive and hard to put down. This was a fantastic read, and it gets a full five-star rating from me.

The Evening and the Morning contains an impressive and addictive character driven narrative that sees three distinctive protagonists attempt to change their destiny and the destiny of the people they love over a period of 10 years. Set during a turbulent period of England’s history, The Evening and the Morning follows these characters as they attempt to survive Vikings, hunger, bandits and the machinations of a dangerous bishop. The scope of this book’s story is truly epic as Follett ensures that his protagonists are forced to contend with all manner of challenges and tragedies, from political intrigue, direct attacks, imprisonment and so much more. The resulting story is deeply compelling, extremely intelligent and wildly entertaining, especially as Follett comes up with a ton of unique and intriguing scenarios for his characters to work around. I had an incredible time reading The Evening and the Morning’s story and it proved extremely hard to put down.

As I mentioned above, The Evening and the Morning is part of the Kingsbridge series and serves as a prequel to the first book in the series, The Pillars of the Earth. Despite this, I would say that readers really do not need to have any prior knowledge of the rest of the Kingsbridge books to enjoy The Evening and the Morning. This latest novel from Follett is extremely accessible, and as it is set more than 100 years before the events of The Pillars of the Earth, readers really should consider this a standalone novel that any historical fiction fan can easily enjoy (that is true for every entry in this series). That being said, long-term fans of Follett and the Kingsbridge series will no doubt really appreciate seeing this early version of this iconic fiction setting, especially as the author includes a number of clever connections to the future novels in the series. I particularly liked seeing how the titular Kingsbridge of the series was created, and you also get more of a look at how important the clergy were to the early inhabitants of the town, which is fascinating if you consider how the relationship between the church and the townspeople changes over the course of the series. As a result, I would say that The Evening and the Morning is a book that most readers will be able to enjoy, while also serving as an intriguing entry in the Kingsbridge series.

The Evening and the Morning’s story follows three major point-of-view characters, Edgar, Ragna and Aldred, and shows the reader 10 key years of their lives. These three characters form the heart of this story, and it does not take long for you to get really drawn into their individual stories. Each of these characters has their own intriguing and emotionally charged story arcs, such as the creative Edgar’s attempts to rebuild his life in a hostile new village after experiencing a series of terrible losses, Ragna’s marriage and the subsequent battle to gain power and influence, and Aldred’s bid for justice and knowledge. I really enjoyed each of these character’s individual arcs, but their real strength lies in the way that their stories and lives tie into one and other. All three major characters becoming incredibly entwined as the book continues, as they form a strong friendship between themselves and attempt to help each other come the various struggles they encounter. These separate character storylines come together extremely well into one powerful and cohesive narrative which sees the reader become deeply engrossed in all their lives. You really grow to care for all three of these characters as the story progresses, becoming deeply invested in their wellbeing and happiness. While this is evidence of some outstanding writing on Follett’s behalf, it is a little unfortunate as a lot of bad things happen to each of these characters (especially Ragna), and it makes for some emotionally hard reading at times. There is also a rather intriguing love triangle between these three characters with some interesting LGTB+ elements attached, which adds an additional level of drama to the story. I ended up being quite satisfied with how these character arcs unfolded, and readers are going to have an incredible time seeing how they turn out.

In addition to the main three characters, there is also another major point-of-view character, Wynstan, the Bishop of Shiring. Wynstan is the book’s main antagonist, a cunning and ruthless manipulator who is desperate to gain power and influence at the expense of others. Wynstan is the half-brother of Ragna’s husband, who uses his familiar connections and his corrupted followers to control much of Shiring and the surrounding area. Follett has created an extremely despicable and aggravating villain with Wynstan, who comes into conflict with all three major protagonists, as each of them cross him in some way or another. Wynstan is an extremely vengeful and dangerous opponent, who manages to do some fairly evil deeds throughout the book, while avoiding too many repercussions. I found myself really growing to hate Wynstan and his followers as the book progressed, becoming fairly aggravated whenever he managed to weasel his way out of trouble. This emotional response to Wynstan is exactly what you want when you write an antagonistic character, and I think that he helped add a lot to the overall narrative.

Follett has also loaded up his story with a ton of side characters who the point-of-view characters interact with throughout their lives. There are quite a substantial number of side characters in this book, but thanks to Follett’s excellent writing the reader is able to keep track of each of them; at no point during this book did I become lost working out who someone was. Many of these supporting characters have their own minor story arcs throughout the book, and it is interesting to see how they evolve and change over the years. While quite a few of them are fairly despicable (indeed, at times it seems like the three main characters are the only decent or sensible people in the story), you do grow attached to them and become wrapped up in what happens to them. That being said, readers are advised not to get too attached to them, as they have a much higher mortality rate, although there are a few happy endings in there which are guaranteed to satisfy. Overall, Follett does an exceptional job with all the characters in this novel, and watching their lives unfold was a real emotional rollercoaster.

I also quite enjoyed the author’s fascinating depiction of England (with a bit of Normandy thrown in for good measure) during the late 10^th and early 11^th century. While the setting of this book, Shiring and its surrounding environs, are fictional, they come across as period-appropriate settlements and the reader gets a real sense of what life in the various villages and towns would have been like. Due to the broad scope of the story and what the characters witness, the reader gets a look at a huge range of different people who would have existed during this period, including the nobility, the various members of the clergy, the common people and even slaves. Follett does an amazing job of highlighting how these various characters would have lived, what their professions or stations were like and the problems they would have typically experienced. The author really replicates the hard nature of the times, allowing the reader a fascinating glimpse into the harsh and dangerous lives of our ancestors. Follett also works in some broader historical elements, such as the increased attacks from the Vikings and the political situation at the time. A lot of these historical inclusions, such as having King Ethelred the Unready appear as a minor character, proved to be really intriguing, and I loved how the author dived back into history to enhance his tale.

With The Evening and the Morning, Ken Follett has once again shown why he is one of the top historical fiction authors in the world today. This latest novel presents the reader with an exceptional and captivating tale of love, connection and triumph over adversity at the end of England’s dark ages. Serving as a prequel to Follett’s bestselling The Pillars of the Earth, The Evening and the Morning contains an amazing story that follows some driven and likeable protagonists during this dark period. The end result is an epic and incredibly addictive read that comes highly recommended and is easily one of the best books of 2020. There is a reason why Follett is one of my favourite authors of all time, and I cannot wait to see what elaborate novel he comes up with next time.

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