Tag: Long Running Series

Lies Sleeping by Ben Aaronovitch

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Murder Mystery8 Comments

Lies Sleeping Cover.jpg

Publishers: Gollancz and Orion Audio (Audiobook format – 15 November 2018)

Series: Rivers of London – Book 7

Length: 10 hours 25 minutes

My Rating: 5 out of 5 stars

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Prepare to dive headfirst into one of the best urban fantasy series in the world today, with the seventh book in Ben Aaronovitch’s Rivers of London series, Lies Sleeping.

London is a magical place, especially for Peter Grant, Detective Constable and apprentice wizard.  Peter is a member of an elite unit of the London Metropolitan Police, known as the Folly, which is tasked with investigating magical crimes and protecting the city from all sorts of magical threats.  The person at the top of the Folly’s most wanted list is Martin Chorley, also known as the Faceless Man, a magical criminal mastermind who is determined to do whatever it takes to gain power.  However, despite the Met and the Folly’s considerable resources, Chorley is always able to stay one step ahead of those chasing him.

During a routine attempt to subtly panic several of Chorley’s known associates, a magical creature attacks a potential witness.  Peter’s investigation soon reveals that the witness had ordered the forging of a large and mysterious bell, which Chorley is desperate to get his hands on.  As Peter and his team dig deeper in the bell’s construction, they quickly begin to realise that Chorley is the final stages of his master plan, a plan tied deeply into the heart of London’s dark and bloody history, and one which could cause untold disaster for the entire city.

As the clock ticks down, Peter needs to work out the connection between London’s past and the mysterious magical events occurring all over the city.  Can Peter and his team once again save the day, or will their adversary finally obtain the power he has always desired?  Moreover, what will Peter do when he comes face to face with the woman who betrayed him to Chorley, his old partner in the Met, Lesley May?

Ben Aaronovitch is a highly regarded author with an interesting writing history to his name.  His writing career began back in the late 1980s and early 1990s, when he wrote a couple of Doctor Who television serials, including the highly regarded serial Remembrance of the Daleks, as well as three entries in the Virgin New Adventures series of Doctor Who books.  The Virgin New Adventure series chronicled the adventures of the Doctor after the television show’s hiatus in 1989.  Aaronovitch’s three entries in this book series sound incredibly interesting, although they were considered to be somewhat controversial at the time due to their more adult content.  Aaronovitch did not get around to writing his fantasy work until 2011, when he wrote the urban fantasy Rivers of London.  This was the first book in the author’s Rivers of London series of books (alternatively known as the Peter Grant series or the PC Grant series), for which the author is best known for.  The Rivers of London series is very highly regarded, and Aaronovitch has worked hard to expand on the story and universe of this series, writing a number of novellas, short stories and graphic novels on top of the series’ main seven books.

Before Lies Sleeping, I had never got around to reading any of Aaronovitch’s books, despite hearing good things about his main series.  As a result, I was very happy that I finally managed to check out the series earlier this year.  I did receive a trade paperback edition from Hachette Australia, but in the end, I chose to listen to the audiobook version of this book, narrated by Kobna Holdbrook-Smith.  I have to say that I was extremely impressed with this brilliant book and found that I really enjoyed the excellent and captivating story.  Lies Sleeping easily gets a full five-star rating from me, and I fully intend to go back and check out the other books in this series.  This book is an excellent blend of the fantasy and crime fiction genres, both of which come together perfectly to create an extremely compelling and complex read.

Lies Sleeping will prove to be extremely appealing to huge range of people; not only pre-existing fans of the series but also those readers who have not read any of the Rivers of London books before.  As a first-time Aaronovitch reader, I found that it was incredibly easy to step in and enjoy this series, as the author did a fantastic job making Lies Sleeping accessible to everyone.  While Aaronovitch has created a huge amount of lore around his series, including in his novellas and comics, the reader does not need to have any knowledge of these or the previous six books in the series to fully understand the entirety of Lies Sleeping’s story.  However, those readers who do have experience with this series will love how the story continues to development, as well as the massive and surprising twists that occur throughout the book.

At the core of this book lies a series of intriguing mysteries that take place throughout London.  In order to achieve his villainous goals, the antagonist has embarked on a series of seemingly random and chaotic crimes and ventures, all of which apparently form part of his master plan.  These various mysteries or criminal events were really interesting, and I liked trying to work out how they would all come together.  I particularly liked how various parts of these mysteries were deeply tied into the history of London, and the protagonist needed to gain a historical understanding of some of various myths and legends surrounding London.  Watching the protagonist attempt to unwind the complex plan of the book’s villains was extremely compelling, and I had a great time trying to work out what was happening myself.  One or two threads of these mysteries did go unsolved in this book, and I will be curious to see if they are picked up in any of the future entries in this franchise.

Aaronovitch is clearly a very creative writer, as he utilises a huge range of different and fairly unique fantasy elements throughout this book.  While there are a large number of wizards, spells and elvish beings throughout the book, the main focus is on the titular rivers of the series.  The more common magical beings encountered in this series are the personifications of the various rivers and waterways (current and historical) that flow through and around London.  These beings are similar to gods, although the term genius loci may be more appropriate, and have a huge range of powers.  These are a really intriguing addition to the book, and it was interesting to see the protagonist attempt to deal and interact with the various river characters, including his girlfriend, Beverly Brooke (yes, the main character of this series is dating a river).  There is also a huge range of other genius loci, or similar beings, that are featured within the story, including the mysterious and insane Mr Punch.  The magic that the human characters utilise is complex and slightly less ostentatious than some classic pieces of fantasy, but when the master wizards get to work it can be quite impressive.

One of the things I liked best about this book is how the author could create a realistic British police narrative and ensure magic became part of the procedure.  The Folly may be a special branch of the Metropolitan Police, but it is still part of the police force, and as such the characters are forced to follow standard procedure when investigating magical crimes.  Having these elite magical characters fill out paperwork and other various elements of day-to-day police life was deeply amusing.  I did like seeing how regular law enforcement tactics, anti-crime strategies and police combat techniques could be utilised against magical opponents.  The overall fantasy elements of this book are really enjoyable, but I really liked to see them be blended with a classic British police story.

Aaronovitch has done a fantastic job creating a huge and intriguing group of characters for this series.  The protagonist of Lies Sleeping and the Rivers of London series is Peter Grant, police officer and official wizard’s apprentice.  Peter is the sort of protagonist I really enjoy (sarcastic, funny and determined) so I quite enjoyed having him narrate the story, making a number of great jokes throughout.  The other police characters make up a great supporting and diverse cast, with a range of different abilities and characteristics.  I especially liked the classy and wise Detective Chief Inspector Thomas Nightingale, the last officially sanctioned English wizard and Peter’s mentor.  He is an extremely charming and old-fashioned character who has a huge amount of magical power at his fingertips and who can be quite intimidating if he puts his mind to it.  I also quite enjoyed the other magical characters that appeared throughout the book, as Aaronovitch has created a bevy of river gods and associated genius loci characters.  I liked how many of these ancient characters portrayed modern characteristics and ways of speaking, even when talking in a historical context.  Long-time readers of the series will also enjoy the further exploration of several recurring characters, including finally revealing the backstory of the mysterious Mr Punch.

While the protagonists and supporting cast are great characters, I really liked the antagonists in this story.  The main villain of the story is Martin Chorley, also known as the Faceless Man.  He is an excellent antagonist who is built up as a master planner, master magician and crazy villain before you even see him in the book.  His master plan was fairly complex, and the character’s overall arc in this book featured some massive twists that I did not see coming.  Lesley May is another really complex character who is a great addition to the series.  Her relationship with Peter is one of the best parts of the book, as even after her betrayals earlier in the series, he is still trying to save her from herself.  The way this works out in the end is quite dramatic, and it will be interesting to see where it goes from there.

While a large part of this book is set out more as a slow and steady police procedural, there are some fantastic action sequences within Lies Sleeping.  These come about when the protagonist attempts to stop the plans of the Faceless Man, and all manner of chaos erupts.  Nothing highlights this better than an extended action sequence which involves Peter chasing after a van on a bicycle, throwing fireballs, while all manner of debris is magically flung at him and several pursuing police vehicles.  The magical duels between some of the participants, mainly Nightingale and Martin Chorley, can be particularly impressive, but I personally liked how many of the confrontations devolved into fist fights as both sides attempt to distract the other and disrupt their castings.  Plus, where else are you likely to see British police with truncheons attempt to fight evil wizards?  These amazing action sequences really added to the story, and it was great to see all this magic in action, rather than being theorised the entire time.

While I would have already been tempted to give Lies Sleeping a five-star review, the thing that definitely clinches it for me is the amazing audiobook adaption of the novel, narrated by actor Kobna Holdbrook-Smith.  At nearly 10 hours and 30 minutes, this is a moderately easy audiobook to get through, and I had an absolute blast listening to it.  Holdbrook-Smith has an amazing voice and his work narrating this audiobook was just incredible.  His voice for protagonist and story narrator Peter perfectly encapsulated the character and got the full force of his witty and enjoyable personality across to the reader.  I really liked all the voices that Holdbrook-Smith created for the various characters featured throughout Lies Sleeping, especially for some of the magical creatures, who had an air of ancient wisdom in their voices.  However, without a doubt my favourite voice was the one for Nightingale.  The voice chosen for Nightingale is full of all sorts of old British class, and I thought it fit the character perfectly and was one of my favourite parts of this whole audiobook.  Aside from the outstanding voice work, I also quite liked the jazzy music that was played at the start of each chapter.  It gave the book a real noir private investigator feel, and I like how it added to the tone of the book as a whole.  The audiobook version of this book also helped me understand the story a bit better as an outsider to the series, and that, combined with Holdbrook-Smith’s brilliant voice work, makes me completely happy to recommend the audiobook format of Lies Sleeping.

Aaronovitch once again delivers a spectacular read that expertly combines amazing fantasy and crime fiction elements into one widely outstanding narrative.  There are so many excellent elements to this book, and I had absolutely loved my first foray into the Rivers of London series.  I strongly recommend listening to the Lies Sleeping audiobook, narrated by the very talented Kobna Holdbrook-Smith, but those readers who prefer to read their books will also find much to enjoy about this fantastic book.  This is one of the best urban fantasy books I have ever had the pleasure of reading.  I fully intend to go back and check out all the preceding books in this series, and I can’t wait to see where the series goes next.  Five stars all the way.

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Mission Critical by Mark Greaney

On By The Unseen LibraryIn Thriller31 Comments

Mission Critical Cover

Publisher: Sphere (Trade Paperback Edition – 26 February 2019)

Series: Gray Man – Book 8

Length: 513 pages

My Rating: 4 out of 5 stars

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Bestselling author Mark Greaney returns with another entertaining and fast-paced instalment in his enjoyable Gray Man spy thriller series.

Court Gentry used to be a ruthless covert assassin known as the Gray Man, a highly skilled killer considered a legend in the clandestine circles.  However, times change, and Gentry now finds gainful employment as a CIA hitter, one of three elite agents that make up the Agency’s super-secret Poison Apple program.  Going under a new codename, Violator, Gentry is redirected aboard a CIA flight in Europe.  Tensions rise when the plane’s other passengers, a team of heavily armed agents, attempt to remove Gentry from the flight in order to protect their prize, a hooded man who may have knowledge that could identify a mole within the CIA.

Allowed to remain on the plane, Gentry finds himself thrust into the middle of a firefight when the plane lands in England.  A team of mercenaries ambush the plane, overcoming the CIA and MI6 agents waiting to meet the flight and taking the kidnapped man for themselves.  Gentry gives chase to the surviving mercenaries to regain the kidnapped man and soon finds himself investigating the case by himself.

As Gentry attempts to uncover what is going on in England, one of Poison Apple’s other operatives, the former Russian agent Zoya Zakharova, finds herself under attack in her CIA safe house.  With Zoya going off the radar, Gentry’s handlers are convinced that a mole within the CIA is tipping of a dangerous opponent.  Gentry and his team are soon the only agents who can stop a devastating attack that could bring the West to its knees.

Mark Greaney is a highly regarded spy thriller writer who has some substantial works to his name.  He was Tom Clancy’s co-author for legendary espionage author’s final three books, Locked On, Threat Vector and Command Authority.  Following Clancy’s death in 2013, Greaney continued to write an additional four novels in Clancy’s Jack Ryan Universe.  Aside from the books he wrote with Clancy, Greaney has his own series, the bestselling Gray Man series, which started in 2009 with the author’s debut book, The Gray Man.  Mission Critical is the eighth book in the Gray Man series.

This was an incredibly thrilling story which contains hell of a lot of action and espionage.  I really liked the sound of Mission Critical’s plot synopsis and was glad that I picked up a copy of this book, as the action and intrigue did not stop the entire time.  At over 500 pages long, I was worried that this might drag in some places, but I found myself fairly absorbed by the awesome plot and sufficiently pumped up by the huge number of firefights, close combat sequences and high-speed chases.

I loved the spy thriller storyline that was a prominent part of Mission Critical.  Greaney weaves together a number of plotlines to create a fantastic overall spy thriller narrative.  Because Mission Critical is told from a number of perspectives, including those of the protagonists and antagonists, the reader gets a great idea of all the action, spycraft and dirty tricks that both sides employ to complete their respective missions.  Greaney obviously has a large amount of knowledge about the espionage world, and I loved all his depictions about the inner workings of spy agencies, rogue operatives and the various tricks and techniques that agents employ.  I also liked Greaney’s depiction of the inner politics of the CIA and how that might impact on missions and the distribution of resources, as well as a look at the CIA’s relationship with other countries’ intelligence agencies.

I really liked some of the characters featured within this book.  The protagonist, Court Gentry (and I have to point out how much I love that name), is a solid and dependable badass agent to anchor this series.  He’s your typical thriller protagonist, with some badass skills and a reputation to match.  I loved his anti-authoritarian vibe, and I also quite enjoyed how he actually got his ass handed to him multiple times throughout the book, rather than being unbeatable in every encounter.  I was also impressed that Greaney kept showing him being slowed down by his injuries, rather than having him at 100% for every encounter like some other authors do.  Zoya is also a good protagonist for this story; let’s face it, a sexy Russian agent never goes amiss in a spy thriller.  The author dives into this character’s background quite a bit in Mission Critical, and her connections to the plot and the antagonists were explored in an intriguing manner.  The third Poison Apple operative, Zack Hightower, aka Romantic, was used a little less than his comrades, but he was a fun addition to the team, adding some humour to the story, especially when it came to his codename, as well as some complex history and camaraderie with Gentry.  The Poison Apple program handler, Suzanne Brewer, also adds some great things to the story.  A career-orientated CIA administrator, she has to try and play straight-woman to the three anti-authority, disrespectful operatives that are under her command.  The fact that she does not want to be working with these people and is at times actively sabotaging them to try and get a different posting adds some really intriguing elements to the story, and I liked watching her work against her agents for her own selfish ends.

Mission Critical is the eighth book in Greaney’s Gray Man series.  While this latest entry does feature a number of characters from the previous books in the series, readers are not required to have read any of the previous books to enjoy this story.  I felt that Greaney did an excellent job of explaining any elements from the previous entries in the series that become relevant throughout Mission Critical.  Fans of the Gray Man series will probably really enjoy the deeper examination of Zoya’s history and backstory, as well as her inclusion in the other Poison Apple agent’s operations.

Overall, Mission Critical was a deeply entertaining espionage novel that is bound to keep readers absorbed with its excellent action and thriller elements.  It is easily enjoyable for both existing fans of the franchise and new readers alike.  I had a lot of fun reading this book and I powered through all 500+ pages in fairly short order.  I am planning to keep an eye out for Greaney’s next book, Red Metal, a really cool-sounding war thriller that is coming out in July this year.

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The Blood of Rome by Simon Scarrow

On By The Unseen LibraryIn Historical Fiction26 Comments

the blood of rome cover

Publisher: Headline

Publication Date – 13 November 2018

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One of the best and most prolific writers of Roman historical fiction, Simon Scarrow, returns with another outstanding adventure of his two Roman protagonists, Cato and Marco.

In AD 55, Nero has recently ascended to the throne, and the Roman Empire prepares itself for war with its great rival, the Parthian Empire, which sits to the east of Rome’s territories.  This recent conflict is centred on the neutral border kingdom of Armenia, which sits between the two great empires.  Years earlier, the brash Iberian prince Rhadamistus conquered Armenia and declared himself king, ruling as a terrible tyrant.  In response, a recent Parthian backed invasion routed Rhadamistus from Armenia and placed a Parthian prince on the throne.  Unwilling to let this strategic territory fall into Parthian hands, Rome sends its greatest general, Corbulo, to the east to reclaim Armenia for Rhadamistus and meet any subsequent hostilities from the Parthians.

The recently promoted Tribune Cato and his long-time companion, Centurion Marco, desperate to escape the deadly politics of Rome, lead the escort for General Corbulo.  When an early opportunity to take Armenia with minimal interference from the Parthians presents itself, the only forces that Corbulo can rely on are Cato and Marco’s elite cohort of Praetorian Guards.  Placed in command of an advance force, Cato must lead a mixed column of Romans and King Rhadamistus’s troops through unknown and hostile terrain towards Armenia’s capital.  Forced to balance his orders against the desires of the unstable Rhadamistus, Cato struggles to maintain the strength of himself and his men.  With traitors and enemies all around them, can Cato and Marco succeed, or will they find themselves killed in a strange land?

Scarrow is one of the leading authors of the historical fiction genre, whose work over the last 18 years is comparable to such established authors of the genre as Bernard Cornwell, Ben Kane or Conn Iggulden.  The Eagles of the Empire series, which started in 2000 with Scarrow’s debut, Under the Eagle, is the author’s most distinctive work, and features some superb description of Roman military action.  In addition to his main series, Scarrow has also written several other great pieces of historical fiction.  He co-wrote the Roman Arena and Invader novella series with T. J. Andrews, which are set in the same universe as the Eagles of the Empire series.  He also wrote the epic Wellington and Napoleon Quartet, also known as the Revolution Quartet, which provided an impressive examination of the opposing lives of Napoleon Bonaparte and the Duke of Wellington.  In addition to his series work, Scarrow has also written two standalone novels, The Sword and the Scimitar, which covers the siege of Malta, and Hearts of Stone, a dramatic novel set in Greece during World War II.  All of Scarrow’s novels are amazing pieces of historical fiction, and are really worth checking out if you are a fan of the genre.

The Blood of Rome is the 17th book in The Eagles of the Empire series, and follows the two protagonists’ return to Rome’s Eastern provinces for the first time since the eighth book in the series, Centurion.  I have always been a massive fan of this series and consider it to be one of the best pieces of Roman military fiction series on the market today.  After reading all of the previous books in The Eagles of the Empire series, I was particularly keen to get a copy of The Blood of Rome and eager to see where the protagonist’s latest adventure would take them.  After powering through it in a day, the result was pretty much what I expected: I loved Scarrow’s latest literary offering.  This latest book contains another fantastic historical fiction story, as the protagonists embark on an exciting campaign into an interesting new historical setting and it was great to see how the characters continue to evolve and progress in their lives.

Scarrow’s The Eagles of the Empire series has always boasted some incredible depictions of ancient Roman military combat, with most books containing several battles of varying size used to highlight the strengths and weaknesses of the Roman tactics and techniques.  This is continued in the Blood of Rome, with several battles featured throughout the book.  While most of these battles are small and quick skirmishes that differ from the traditional Roman battle sequences, the Roman soldier’s tactics and training and the effectiveness of their equipment are on full display, creating some amazing scenes.  In addition to the classic Roman legionnaires, which make up the bulk of Cato and Marco’s forces, Scarrow also focuses on the more unusual forces that the Roman’s used in combat, in the form of a cohort of auxiliary slingers, as well as a detachment of Roman siege equipment.  Both of these distinctive units get a good showing throughout the book, and both are fascinating to see in action.  The author also contains an interesting portrayal of Roman soldiers fighting side-by-side with allied troops, and it is intriguing to see the issues and advantages involved with such allies.  Overall, The Blood of Rome is another excellent example of Scarrow’s skill at portraying Roman military action sequences, and is one of the best parts of this book.

This book is also set in an extremely fascinating historical period and focuses on the rivalry between Rome and Parthia.  The continuous conflict between Rome and Parthia has always been a great literary background for many pieces of Roman historical fiction, and Scarrow has already examined it in some of his earlier books.  The conflict within The Blood of Rome continues to explore this legendary rivalry, and is an opening book in what appears to be a sequence of novels that will focus on an expanded war between the two rival nations.  This first book in this sequence looks at a rather minor opening conflict, played out as a proxy war within Armenia, but it contains a great examination of the politics at the time and the differences in battle style and tactics of the two nation’s militaries.  I really enjoyed the examination of the role of border kingdoms and provinces, such as Armenia, stuck in the middle of these two proud and ambitious empires.  The main story of The Blood of Rome, the invasion of Armenia and Rhadamistus’s attempts to claim the throne, are real pieces of history, and it was really interesting to see them utilised in this story.  All of the historical background for this book is incredibly fascinating and I had a great time reading about an amazing period of history.

The character of Rhadamistus was another intriguing addition to the book that added a whole new element to story.  Rhadamistus is a well-known historical tyrant and brutal man of ambition, and Scarrow did a good job showcasing the character’s casual cruelty and arrogance.  He was a pretty despicable character as a result, and watching the protagonists attempt to placate and counter his more ruthless actions added some dramatic twists to the story.  Scarrow examines certain parts of Rhadamistus’s life, and it was very fascinating to see his eventual fate and the role his reign as king had on the rival empires of Rome and Parthia.

I really liked Scarrow’s depiction of one of his main characters, Cato, throughout this novel.  Cato has never had an easy life, having been forced into the army at an early age, but the events of the last few books have been particularly hard on him.  As a result, certain incidents within The Blood of Rome finally push him over the edge, and it was a refreshing change of pace to see one of these usually indomitable characters show some real vulnerability.  This was a very realistic inclusion, and I thought it added some much-needed character growth to Cato.  It also served an essential story element, as his condition resulted in Cato being open to Rhadamistus’s manipulation.  This was a great part of The Blood of Rome that represents some intriguing adaptation within this long-running series.

Simon Scarrow once again produces an epic piece of historical fiction as he continues his outstanding The Eagles of the Empire series.  His long-running protagonists, Cato and Marco, are once again thrust into a fantastic historical military fiction adventure, and there are a ton of great elements for the readers to enjoy.  Another amazing outing from Scarrow, this is a highly recommended read for all fans of the historical fiction genre, as the author continues to produce some of the best Roman military fiction in the business.

My Rating:

Four and a half stars

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Tombland by C. J. Sansom

On By The Unseen LibraryIn Five-Star Books, Historical Fiction, Murder Mystery5 Comments

Tombland Cover

Publisher: Mantle

Publication Date – 18 October 2018

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One of the best historical fiction authors in the world today creates another exceptional piece of literature with Tombland, the epic historical crime fictional book set during the fictionally unexplored events of Kett’s Rebellion.

It is the summer of 1549, and King Henry VIII has been dead for two years.  The young Edward VI is on the throne, while his uncle, Edward Seymour, the Duke of Somerset, rules the country as Lord Protector.  However, the country is slowly descending into chaos as a long, unsuccessful war with Scotland, religious conflict, poverty and the corrupt actions of the rich landowners are raising discontent among England’s peasant population.

In the midst of this, Matthew Shardlake is working as a lawyer for the King’s sister, the young Lady Elizabeth.  When a distant relative of Lady Elizabeth’s mother, Anne Boleyn, is found murdered near Norwich and her husband, John Boleyn, is accused of the crime, the case could have political implications for Elizabeth.  Matthew is sent to organise a legal defence of John and to investigate whether or not he committed the crime.  Travelling with his assistant Nicholas, Matthew travels to Norwich and begins to examine the details of the case.  Meeting up with their old friend Jack Barak, the three friends are convinced of John’s innocence, but malevolent forces intervene to disrupt their defence.  As several deaths occur around Norwich, Matthew’s investigation is disrupted by events outside of his control.

A well-organised peasant rebellion erupts around the city, throwing everything into chaos.  Led by the charismatic Robert Kett, the rebels march on Norwich and set up a large camp outside the city, filled with thousands of disenfranchised peasants.  Captured by the rebels, Matthew and his companions find themselves in the midst of a dangerous and divisive situation.  Nicholas’s established views about the superiority of gentlemen sees him imprisoned, while Barak finds much in common with the peasants and their cause.  Matthew is forced to make a decision about where his loyalties lie, as Kett wishes him to assist in organising trials for the landowners they have captured.  As the rebellion drags on, Matthew finds evidence about the Boleyn murder case in the camp.  Following these leads, Matthew soon uncovers a terrible conspiracy that will not only endanger John Boleyn and his lawyers but could affect the fates of every peasant in Kett’s Rebellion.

C. J. Sansom is one of historical fiction’s most highly regarded authors, having written a series of amazing novels in the genre. His most significant body of work is the Matthew Shardlake series, which follows the titular lawyer as he finds himself forced to solve a series of elaborate mysteries during the Tudor period. All the books in this series are extremely impressive, as they all feature clever mysteries and an excellent use of the book’s historical setting.  In addition to this series, he has also written a standalone historical thriller, Winter in Madrid, as well as an alternate history novel, Dominion.  Tombland is the seventh book in the Matthew Shardlake series and Sansom’s first book since 2014, but considering the sheer amount of detail and the length of the text, this is hardly surprising.

Tombland is another epic novel from Sansom and one that I really enjoyed reading and ranked as one of my top 10 reads for 2018.  This book contains an outstanding combination of an intense and complex murder mystery and some amazing historical settings and storylines.  All of these elements are extremely amazing by themselves, but together they create one of the best reads of the year.  While I really loved this book, potential readers really need to set aside a lot of time to get through Tombland.  It has over 800 pages of story, with an additional 50 plus pages of the author’s historical notes and discussions about what events he included.  In addition, each page has such a rich amount of detail and plot that I found myself getting through this book at a lot slower pace than I usually would.  While it does take a while to get through Tombland, I personally believe it is well worth the effort, as the incredible story within had me hooked from the very first page.

This book has an intricate and powerful investigation angle, as Matthew and his associates attempt to solve a terrible murder that they believe their client has been wrongfully accused of.  The mystery part of this book is very well done and features an elaborate and intriguing solution that is slowly revealed throughout the course of the book.  Sansom introduces a significant number of potential suspects, all of whom have substantial motives to kill the victim, designed to throw the reader off the scent of the real solution.  I liked how the case continued to expand out as the book went on, as the protagonists not only attempt to solve the original murder but must also investigate several murders committed to cover up the initial acts, as well as several attempts to eliminate John Boleyn.  There are several major and surprising twists throughout the investigation, as a number of small clues and characters that at first appear minor turn out to have major implications for the overarching mystery.  The solutions to the mysteries at the end of the book reveal a dark and powerful motive that has severe consequences for several of the characters involved.  Overall, Tombland contained an outstanding central mystery, which is guaranteed to keep the reader deeply curious and engaged with this fantastic text.

One of the most interesting features of Tombland is the fact that Sansom has set it during Kett’s Rebellion of 1549.  This is a somewhat obscure piece of history that many readers might not be familiar with, but it is an incredibly fascinating event of English history.  Sansom does a masterful job of portraying the entirety of the rebellion throughout the novel and use it as a fantastic secondary storyline as the protagonists witness the beginning and end of the mystery.

Sansom does an outstanding job covering the events of this rebellion, including the events that led up it and caused the peasants to rise up against the rich landowners.  As a result, he expertly examines all the events and conditions that were making the peasants and poor of Norwich, and the rest of England, discontented with the way the country was being run.  In order to do this, a number of relevant elements are effortlessly inserted into the story and become key parts of the plot.  These elements include discussions about the poorly run war in Scotland contributing to armed deserters on the rebels’ side, talks about the political structure of the country and thoughts about the religious disagreements and schisms that were rife in the country during that period.  One of the most fascinating and significant elements that apparently led to the rebellion was the rich landowners’ focus on sheep farming and the creation of large sheep enclosures rather than the growth of traditional crops.  Before reading Tombland I would never have thought that sheep farming would have the potential to be a cause of rebellion; however, Sansom is able to explain in some significant detail how sheep farming and enclosures were negatively impacting many poorer individuals in England, and how it became a key part of Kett’s Rebellion.

In addition to covering the causes of the rebellion, Sansom’s narrative grows to cover the entire length of this intriguing event.  All sorts of elements of it are explored, and readers get an excellent idea of how the peasants were organised, what their motivations were, what sort of actions they were undertaking, how the government reacted to it and what the overall attitude of the participants was.  This was all boundlessly fascinating, and as the reader gets deeper and deeper into the book it becomes harder to put the book down as they become extremely curious about what the overall fate of this group of people was, especially after the reader gets an idea of how big the rebellion was and what sort of victories they were able to obtain.  The final results of this rebellion and the long-term impacts it had on the country are really interesting to hear about, and I had an amazing time seeing all the significant events that occurred during this underexamined historical rebellion.

As always, I was immensely impressed with the sheer amount of research that Sansom did and the historical detail that resulted from it.  Tombland includes over 50 pages of the author’s notes about the event and the conclusions he drew from his extensive research.  While these 50 pages are extremely interesting to read, the revelations about how many of the events the protagonist witnesses actually occurred were astounding, and it sounds like Sansom was able to recreate nearly every significant event of Kett’s Rebellion throughout the course of Tombland, with some necessary dramatic flourishes to create the overall story.  It was amazing how many of these events actually occurred, and how many of the secondary characters were actually real-life people who had significant impacts on the outcome of the rebellion.  Readers will also be amazed by the historical details that Sansom has included on every page of this book and will have a hard time forgetting the events of 1549 and Kett’s Rebellion.

There are several other elements I enjoyed in this book, including the seamless ways that the investigative storyline combines with the historical background of Kett’s Rebellion.  So many characters that are potential witnesses or suspects in the murders that the protagonists are investigating become key figures in the historical events that occurred around Norwich.  Suspects and witnesses are also found in the rebel camp, and I liked how the key to crime and the downfall of the rebels were both in the same place.  I also enjoyed the examination of 16th century English legal procedures and the depictions of murder trials, and found the scenes featuring them very fascinating.  The book’s focus on the divide between the rich and the poor is also a great addition to the story and gets a significant look in throughout the entire book, and it is a discussion that is still relevant to this day.

C. J. Sansom once again hits his literary ball out of the park with Tombland, another five-star historical mystery that has the perfect combination of compelling mystery and intriguing historical elements. With an incredibly addictive overall narrative and a focus on a fascinating historical event that is rarely used in other pieces of historical fiction. One of my favourite reads of 2018, I highly recommend this book, especially for people who love a great mystery.

My Rating:

Five Stars

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Young Justice – Book Three by Peter David and Todd Nauck

On By The Unseen LibraryIn Comics/Manga, Extended Universe, Superhero, Young Adult1 Comment

Young Justice 3.jpg

Publisher: DC Comics

Publication Date – 4 December 2018

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Before the third season of the Young Justice television show debuts after its long hiatus, go back to the comic book series that inspired it all, with the third volume of DC Comics’ reprint of the 1990s Young Justice comic book series, which includes the full collection of the Sins of Youth crossover event from 2000.

Young Justice is an interesting comic series.  Most people would probably be familiar with the 2010 television series of the same name.  The original comic book series started in the 1990s and was created in a unique period of DC Comics.  Many of the traditional sidekicks had grown up in recent years and taken on different identities to distinguish themselves from their mentors.  For example, the first Robin, Dick Grayson, had has own identity as Nightwing; the original Kid Flash, Wally West, had succeeded his mentor as the Flash; the original Wonder Girl, Donna Troy, had become Troia; while the original Speedy and Aqualad had taken on the identities of Arsenal and Tempest respectfully.  In order to fill the void, DC Comics creators in the 1990s created several new young sidekicks for their key heroes.  At the same time, with most of the former sidekicks in their early 20s, DC needed a new group of young heroes to appeal to their younger readers.  With the former sidekicks already formed up as the Titans, these younger heroes were placed into their own team, Young Justice.

Starting in 1998, this series ran alongside DC’s Titans series before both were cancelled in 2003 following the Graduation Day crossover event.  Young Justice was a successful way to launch several of its featured character outside their mentors’ orbit, much like the original Teen Titans series did for the first round of sidekicks, and many of its key characters are still used in DC Comics to this day.  Despite this, the series is probably best known for having the same name of one DC’s most popular animated shows, the Young Justice television show.  The show, which started in 2010, features a team based more on the Teen Titans comics rather than the Young Justice comics, with only one member of the original comic run of Young Justice, Superboy, appearing in the first season, although other members of the team did appear in the second season.  It did, however, make use of a number of storylines and villains from the original series, many of which were adapted into first-rate episodes.  The show received high ratings, but was cancelled after only two seasons.  However, continued petitioning from its dedicated fanbase has seen a revival of the show, with a third season airing in January 2019.  A new comic book reboot of the Young Justice comic series is also planned for 2019 and will see several of the original characters reunite for the first time in years.  Starting in 2017, DC started reprinting the original Young Justice comic run into a new set of collected editions, and this review is focused on the third volume of this reprinting.

Before this new reprinting of the original series I had not had much of a chance to read Young Justice, but it has always been high on my list of must-read comics.  This is mainly because I am such a big fan of Geoff John’s 2003 run on Teen Titans, which followed several characters from Young Justice after their team was disbanded.  This run on Teen Titans has to be one of my all-time favourite series and I was always very curious to see what happened to the characters during their Young Justice years.  So I was very happy when DC decided to reprint this original run and I have been having fun seeing these younger versions of some of my favourite characters before they got more mature and serious after the events of Graduation Day.

They are the next generation of superheroes, but being the second round of sidekicks to the leading members of the Justice League is tough, and sometimes having your own group of friends is what you need.  So Young Justice was formed: part superhero team, part friendship group.  Originally made up Robin (Tim Drake), Superboy (Kon-El/Conner Kent), Impulse (Bart Allen) and Wonder Girl (Cassandra Sandsmark), the team was later joined by new heroes Arrowette and Secret, while also being monitored by veteran hero Red Tornado.

Recent events have rocked the group and exposed them to negative attention.  The team have continuously been drawn into destructive fights and been forced to partially destroy Mount Rushmore, and Arrowette has been forced to retire after nearly killing a suspect.  At the same time, a new superhero team, Old Justice, made up of the aging sidekicks of the Golden Age of heroism, have been calling out the actions of their younger counterparts.  Railroaded by the press, politicians and even their mentors in the Justice League, the situation keeps going from bad to worse for the young heroes when they lose their base to an attack from a new superpowered group, the Point Men.

Attempting to regain public opinion, Young Justice and a supporting group of heroes attempt to hold a rally in support of young heroes, but a villainous presence wants to stop the young heroes from developing to their full potential.  A mysterious organisation, Agenda, headed by Lex Luthor’s ex-wife Contessa Erica Alexandra Del Portenza, wants to discredit all superheroes and believes that Young Justice is their weakest link.  Agenda uses the magical agent, Klarion the Witch-Boy, to cause havoc at the event, and Klarion’s magic leads to some accidental side effects.

The members of Young Justice have all been aged into adults, while their contemporaries, the members of the Justice League of America and the Justice Society of America, have all been turned into children or teenagers.  Worse, these de-aged heroes now have the emotional maturity of their age, while the members of Young Justice have the patience and wisdom of their mentors.  Forced to switch roles with the world’s greatest heroes, the members of Young Justice must find a way to not only stop the sinister machinations of Agenda but also find a way to reverse the effects of the spell.  Can Young Justice grow up to be the heroes they were always meant to be, or is the future of the DC universe a whole lot darker than anticipated?

This third volume of the reprint is another fantastic collection of a great original storyline.  I have been really enjoying this reprinting of Young Justice, and it was great to see this full collection of one of their most iconic storylines in full.  Not only does this new volume contain issues #18-19 of the original series but it also contains a huge number of tie-in storylines that feature most of the other heroes of that period of the DC universe, following their adventures as they have been de-aged or aged up.  As a result, this volume contains input from a gigantic range of DC creative talent, as the writers and artists of these other connected series do a one-shot version of the series they were working on at the time.

There is quite a lot going on in this volume and it definitely takes a while to get through.  There are a also a lot of technical and obscure comic book characters and teams that become the focus of the various stories within Young Justice Volume 3, so it might become a bit confusing for some people.  The volume is broken up by a couple of Young Justice storylines that introduce and finalise the story, while also providing the explanation for how this event unfolds and the villains responsible for it.  Once this is established, the volume goes into a series of different short stories that focus not only on the members of Young Justice but on some of the other superheros that have been caught up in the events of this crossover.  Each of these storylines show how the various heroes deal with being de-aged or turned into adults, and then follows up with an adventure, often with that particular team or hero working to find a solution to the curse afflicting them.  The four best storylines deal with the aged-up sidekick members of Young Justice (Robin, Wonder Girl, Superboy and Impulse) as they are forced to team up with teenage versions of their mentors.  There are some good jokes in this as the characters reverse roles and the younger heroes are forced to act as the mature anchors for their biggest heroes in the DC Universe.  These jokes range from Bruce Wayne being forced to pretend to be a moody Robin while his sidekick takes on the role of Batman for the first time, to Wonder Girl being forced to reign in a destructive Wonder Woman while making several snide comments about the practicality of her uniform, to a very young Flash attempting to hit on his fully grown wife.  There are also some quite heartfelt moments as the mentors are finally placed in their misunderstood sidekicks’ shoes and find a way to emphasise with them in a way they haven’t managed before.

In addition to these stories around the Young Justice sidekicks and their well-established mentors, there are a number of other interesting stories splashed through this volume.  I particularly enjoyed the short one that featured a teenage Aquaman teaming up with an adult Lagoon Boy to stop a crisis under the water.  This one is not only fun, as the teenage Aquaman is a bit of a bold ladies man, but it also shows how he was a hero even as a teenager, as he sacrifices a potential solution to his problem to restore a devastated city.  There is also a story that focuses on the Titans, which brings its founding members back to their Teen Titans days, with a storyline that reminds the readers of their classic adventures.  I was less of a fan of the storyline that focused completely on a teenage version of the Justice League, and I really disliked the storyline that contained an all-child version of the Justice Society going on an adventure.  Overall though, this huge collection of stories comes together in a fun and cohesive narrative that not only presents a massive, whole DC Universe event, but one that focuses on the core team at the heart of the adventure.

A major feature of this volume is the examination of the negative perceptions that older people have for the world’s youth.  Even 20 years later this is still incredibly relevant, as most older people these days are quite dismissive of today’s youth culture (those darn millennials).  Young Justice goes out of its way to show a group of teenagers who try to do the right thing but are constantly dismissed by adults as nuisances who do not try to see their side of the story.  After being hounded for a good part of this and the previous volume, Wonder Girl gives an impassioned speech to the media that gets the worlds attention, divides some of the older heroes and rallies several other prominent young heroes to their cause.  The creative team follows this up by putting its young heroes in the position of responsibility and showing that they can act in a mature and responsible way when given the chance, while their established mentors act irresponsibly when turned back into teenagers.  All of this is a great examination of how young people are perceived by their elders and how they can surprise you when given a chance.  This is still a great storyline to enjoy to this day and one that will resonate with the modern youth culture.

While I have been having quite a lot of fun with this re-print run of Young Justice, it may prove a little harder to get into for people who are not as familiar with some of the other 1990s DC Comics storylines which were happening at the time.  That being said, it is a series well worth getting into, especially for fans of any of the Teen Titan runs that followed the cancellation of Young Justice, as many of the members of these teams were originally featured in this series.  Fans of the Young Justice television show will probably also get a lot out of this series, as several of the show’s best storylines and villains originated in this original comic series.  Overall, Young Justice is a fantastic series that will appeal to both younger readers and well-established comic book fans.  This third volume features a full and fantastic collection of one of this series’ most iconic story events, which provides an intriguing examination of youth culture perception and a great examination of the additional hazards of being a young hero.  Extremely entertaining and a lot of fun to read, I am really glad that DC decided to do this re-print of Young Justice.

My Rating:

Four and a half stars

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Dark Sacred Night by Michael Connelly

On By The Unseen LibraryIn Audiobook, Murder Mystery, Thriller30 Comments

Dark Sacred Night.jpg

Publishers: Orion

                       Hachette Audio

Publication Date – 30 October 2018

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Legendary crime author Michael Connelly returns for another clever and technically detailed crime thriller that teams up his iconic and most utilised protagonist, Harry Bosch, with his recently created female protagonist, Renée Ballard.

In the chaotic world of the LAPD, Renée Ballard is an outsider who has found herself permanently on the graveyard shift of the Hollywood beat.  Returning to the near-abandoned station after a callout, Ballard is surprised to find a stranger rifling through her unit’s filing cabinets.  The intruder is maverick retired detective Harry Bosch, formally of the LAPD, now currently working as a contractor for the San Fernando police.

Bosch is working a cold case for personal reasons.  The victim, a 15-year-old runaway, Daisy Clayton, was brutally murdered several years before and Bosch has gotten close to the girl’s devastated mother.  Initially kicking him out the station, Ballard’s subsequent investigation of Bosch’s actions reveals the full details of the case to her and she finds herself drawn to Bosch’s hunt for justice.  As the two outsider detectives join forces in order to solve the case, they are once again thrust into the grimy underworld of Hollywood.  But as they attempt to find justice, a cornered killer, departmental politics and the dangerous suspects of the two detectives other investigations may cause the case to come crashing down around them.

Michael Connelly is a prolific and award-winning crime novelist who has been writing since 1992.  During that period he has written over 30 books, all of which are set in the same shared universe.  Connelly’s debut book, The Black Echo, introduced his most iconic character, Harry Bosch, who has been the protagonist of 21 of Connelly’s books, as well as being a supporting character in several other books.  Due to the author’s focus on this character, Connelly’s extended crime universe is often referred to as the Harry Bosch universe.  Connelly has also written a number of other thrillers in this universe, featuring several other protagonists, such as lawyer Mickey Haller, reporter Jack McEvoy and investigator Terry McCaleb.  Many of the characters introduced in previous books often have small roles in later books, while Bosch has had interactions with most of Connelly’s other protagonists.  The second protagonist in Dark Scared Night, Renée Ballard, is a more recent creation who was introduced in the 2017 novel The Late Show, and this is her first interaction with Bosch in Connelly’s wider universe.

Outside of the literary world, Connelly’s works have been adapted to film and screen.  His Harry Bosch novels have been adapted into the current Bosch television series, which will air its fifth season in 2019.  Two of his books have also been adapted into movies.  His novel, Blood Work was adapted into film in 2002 with Clint Eastwood, while his first legal novel, The Lincoln Lawyer was adapted into film in 2011 with Matthew McConaughey.

Dark Sacred Night is an excellent piece of crime fiction that presents the reader with a series of interesting investigations, told from the perspectives of two fantastic police protagonists.  I listened to this book in its audiobook format, which is jointly narrated by Christine Lakin and Titus Welliver, and runs for 10 hours and 39 minutes.  Dark Sacred Night primarily focuses on the investigation into a cold case of a young runaway girl who was brutally killed nine years previously.  This central case is massively intriguing and takes the reader deep into the sordid and disturbing criminal nightlife of Hollywood.  The main case is a gritty and unique investigation as the protagonists are forced to rely on different methods than they would usually utilise to solve the case.  Rather than having any recent evidence, the detectives are forced to rely on old interviews and pieces of police intelligence to identify any potential suspects or witnesses.  This is an intriguing way to investigate an old crime, and I really enjoyed the way they were forced to utilise this less substantial evidence to find their killer.  This method results in the protagonists identifying and investigating several distinctive suspects, and the reader is presented with a series of false leads and suggested possibilities.  I was able to identify who the killer was quite early in the book, but I still had a lot of fun following the investigation to its conclusion.

I really enjoyed the way that Connelly seeded a large number of smaller cases throughout the novel for the protagonists to solve, as well as a number of examples of police work in action.  There is an interesting split here as Ballard, the full-time detective, is given a series of more official and everyday crimes to solve, such as a suspicious death, a missing persons, a theft, trespassing and a kidnapping that she investigates to various degrees throughout the book.  Bosch, on the other hand, only has one case, an old, unsolved gang execution that he is pursuing in San Fernando and which is the focus for a good portion of his chapters.  The inclusion of these smaller cases is a clever move from Connelly as it breaks up the story from a pure focus on the main case and presents a wider viewpoint of crime and policing in the book’s setting.  It also allows the author to showcase his protagonists’ divergent investigative skills and presents the readers with an additional number of compelling mysteries and adventures that they can sink their teeth into.  Some of these additional cases tie into the main mystery in some surprising ways and clues or suspects may be revealed through this.

All of these mysteries do an amazing job showing of the author’s obvious knowledge of police procedures and law enforcement techniques.  Connelly, a former crime reporter for the Los Angeles Times, has an amazing grasp of the minutiae of police work and he expertly inserts these details into his story.  As a result his police characters mostly investigate crimes, examine evidence and file the paperwork in a way that feel extremely realistic and which adds a huge amount to the books authenticity.  Connelly’s police characters even feel like real cops, as the way that they act or think feels like real life police would act.  All of this combines with the amazing mysteries to create a first-rate piece of crime fiction.

Dark Sacred Night is the first time that Connelly’s main protagonist, Bosch, engages with the author’s newest protagonist, Ballard.  There are some interesting similarities between the two characters, which makes for a great story.  Both detectives have a similar maverick style when it comes to investigating crimes, and both have been screwed over by LAPD politics and had their careers impacted as a result.  As a result, both characters are dogged in their pursuit of criminals, especially those guilty of sex crimes, and both are willing to bend the rules to get their suspects.  However, the main difference between them is how far they will go to get justice.  While Ballard is happy to bend rules, she doesn’t go too far over the line or deliberately hurt or damage her suspects.  Bosch on the other hand has a much more flexible idea of where the line is and engages in some questionable behaviour that could be seeing as going too far. The two characters work well together during this book, and I hope that Connelly continues to use his latest protagonist in the future, especially as there are some interesting stories available when it comes to her complex police past.

The audiobook version of Long Dark Night is a great way to enjoy this crime novel and I found that I quickly powered through the book with this format.  The audiobook format utilises two separate narrators to describe the adventure contained within, broken up by whichever protagonist is narrating that chapter.  For example, Christine Lakin narrates the chapters told from Ballard’s point of view, while Titus Welliver narrates Bosch’s chapters.  Both of these narrators have great voices for their central characters, and both of them fit in perfectly in this gritty crime drama.  Lakin captures Ballard’s character perfectly, and you get a real sense of the no-nonsense and wary personality that is Ballard every time you hear Lakin’s voice.  Welliver’s voice, on the other hand, is deep and gruff and really fits Bosch’s old school and veteran personality.  Overall there is some fantastic voice work in the audiobook format of Dark Sacred Night, and I found that listening to this mystery really drew me into the middle of this investigation and helped me remember certain details and clues.

This latest book from veteran crime author Michael Connelly is a fantastic mystery thriller that draws the reader in with two outstanding protagonists and a series of captivating mysteries.  Dark Sacred Night is written in a way that is very easy to get into and the reader can enjoy the full mystery without any details of the previous books in Connelly’s shared universe.  As a result, despite it being such a late book in this long-running series, Dark Sacred Night is also the perfect place to start your investigation into the crime sensation that is Michael Connelly.  First rate crime fiction at it’s very best, this is an outstanding release from Connelly that is guaranteed to draw the reader into the dark and intriguing world of mysteries.

My Rating:

Four and a half stars

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War of the Wolf by Bernard Cornwell

On By The Unseen LibraryIn Five-Star Books, Historical Fiction5 Comments

War of the Wolf Cover.jpg

Publisher: Harper Collins

Publication Date – 24 September 2018

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Uhtred of Bebbanburg returns in another rich historical adventure set in the heart of post-Roman Britain in this incredible and first-rate story from historical fiction legend Bernard Cornwell.

In the early 10th century, after many years of trials and tribulations, Uhtred has at last achieved his lifelong goal of reclaiming his ancestral fortress of Bebbanburg.  Finally able to claim his independence from Wessex and the Saxon Christians who have always treated him with scorn and hostility for his pagan beliefs, Uhtred seeks to move away from the politics, battles and backstabbing that has been his life for so long.  However, his new peaceful life is about to be interrupted by the interventions of enemies new and old.

In the outside world, King Edward of Wessex has made his move on the kingdom of Mercia, and has finally achieved his father’s dream of uniting the Christian kingdoms of Britain into one nation.  The only remaining country outside of his control is the Kingdom of Northumbria, ruled by Uhtred’s son in law, Sigtryggr.  These events have led to dangerous changes and new alliances for the remaining factions living outside of Edward’s control.

When a mysterious priest sends Uhtred on a mission to save Edward’s maligned firstborn son and Uhtred’s former ward, Æthelstan, from a Mercian siege, he finds himself outmanoeuvred by a new army of Danes who have come to claim Northumbria for themselves.  Faced with great loss, Uhtred finds himself in a brutal fight against an opponent who seems to have mystical powers at his command.  At the same time, the politics of the Wessex court threaten to start a war on another front, as the various contenders for the fading Edward’s throne seek to gain position, and many of the potential heirs want Uhtred dead.  With enemies all around and not enough men at his back, the odds look grim for Uhtred.  But, despite years of brutal battles and the ravages of age, Uhtred is still the most feared warrior in all of Britain, and he’s about to show everyone why he is always a force to be reckoned with.

War of the Wolf is the 11th book in The Last Kingdom series of historical fiction books from Bernard Cornwell.  To my mind, Bernard Cornwell has to be considered one of the greatest authors of historical fiction in the world today, both in the quantity of books he has written and the quality of their content.  Cornwell has been writing since 1981 and has produced more than 55 novels in his career, the vast majority of which are either set in England or focus on English characters out in the world.  The sheer scope of Cornwell’s work is incredible, as he has covered vast tracts of world history, including several more obscure eras not regularly covered by other historical fiction authors.  He is possibly best known for his long-running Richard Sharpe series, which followed the adventures of a British soldier and commander during and around the time of the Napoleonic Wars.  The Richard Sharpe series featured 24 books and was adapted into the British television series, Sharpe, featuring Sean Bean as the titular character.  Other series that Cornwell has published include the American Civil War series The Starbuck Chronicles, the Arthurian legends series The Warlord Chronicles and the Grail Quest novels, which are set during the early years of the Hundred Years’ War.  Cornwell has also produced a number of standalone novels, including several sailing based modern thrillers and a number of intriguing individual historical novels.  These standalone novels cover a huge range of different topics, from the prehistoric English story in Stonehenge, to the war novel Azincourt, the excellent examination of one of the more interesting battles of the American Revolutionary War in The Fort and the thriller set among Shakespeare’s theatre company in Fools and Mortals, which I have previously reviewed here.

The Last Kingdom series, alternatively known as the Saxon Stories, the Saxon Tales, the Warrior Chronicles or the Saxon Chronicles, started in 2004 and is Cornwell’s second–longest-running series, with 11 books currently written, and more set for the future.  The Last Kingdom series is the second of Cornwell’s series to be adapted for television, with a third season of The Last Kingdom television just starting yesterday.  I have always been a massive fan of this series, especially as one of the books in the series, Sword Song, was one of the first pieces of historical fiction I ever read and which helped get me into the genre.  This is a fantastic series, as each of the books contains an electrifying adventure set during a period of history often overlooked or underutilised by other historical fiction authors.  I have routinely reviewed several books in this series over the years, many of which will appear in future additions of my Throwback Thursday series of reviews.

War of the Wolf is another incredible outing from Cornwell that once again focuses on the life of his grizzled and battle-tested protagonist, Uhtred of Bebbanburg.  Uhtred is a superb series protagonist who has witnessed the changing political and religious landscape of this period of post-Roman Britain.  Originally a Christian Saxon, he is captured by pagan Danes as a child after the death of his father and the theft of his Uhtred’s ancestral fortress of Bebbanburg (modern day Bamburgh Castle in Northeast England) by his uncle.  Raised by the Danes, Uhtred gains an appreciation for their culture and even starts practicing their religion.  Uhtred is eventually forced into the service of the last remaining Christian kingdom of Wessex and its pious King Alfred (Alfred the Great).  Even with several falling outs between the two, Uhtred serves Alfred and his family for many years as his most ferocious warrior and war leader, participating in several of the defining battles of the era.  Throughout the series, Uhtred is constantly torn between the Christian Saxons and the invading pagan Danes.  Despite being born as a Christian in a formerly Christian kingdom, Uhtred finds more in common with the Danes after being raised by one of their noble families and taking on their religion.  While he’d rather fight alongside the Danes, circumstances force Uhtred to swear oaths of loyalty to various Saxon kings, especially Alfred, despite the hatred and disdain they show towards him for retaining his pagan faith.  These dual loyalties are a key part of the character, and often result in much internal and external conflict for Uhtred and form the basis of a number of excellent storylines.  Cornwell uses the character of Uhtred extremely well to highlight the differences between the Danes and the Saxons, as well as the importance of religion to these warring groups, especially when it comes to the somewhat insidious spread of Christianity to the Danes.

These storylines continue in War of the Wolf, as one of Uhtred’s oaths sends him into battle once again.  This sets up the main story of the new book perfectly, as Uhtred is forced to deal with the politics and betrayals of the Saxons, while also fighting against a dangerous pagan opponent.  I liked how Cornwell has continued to focus on Uhtred’s ties to the warring factions of Britain, and his attempts to reconcile his loyalties with his sense of honour and right and wrong.  I also really enjoyed the way that Cornwell has aged up his protagonists throughout the series.  Many authors will try to fit a number of adventures in to a short period of time in order to keep their protagonists in the same age range.  Cornwell, who has based many of the key occurrences of his books on real-life historical events, has instead chosen to age up his protagonist as he outlives several historical figures.  As a result, in War of the Wolf, Uhtred is no longer the young warrior he was at the start of the series, but is now an old sword in his 60s.  This is an intriguing narrative element from Cornwell, who has been slowly building up to this over the last few books in the series.  Not only has Cornwell been slowly ageing him but he’s been making him a more canny and crafty individual, able to rely on his brains and experiences more than his sword arm, although he still finds himself in the middle of every battle.  In the latest book, this leads Uhtred to think more about the future of the people he cares about than his own future, as he realises he is getting closer to death.  This is another fantastic outing featuring one of Cornwell’s best protagonists, and I am excited to see that he has left the series open for several additional stories in the future.

One of the more interesting parts of The Last Kingdom series is Cornwell’s outstanding research and his focus on historical details and events that are often not part of the public consciousness.  I can think of no better way to highlight this then to mention that while I was doing a post-Roman Britain archaeology course at university, my lecturer actually included several books from The Last Kingdom series on his suggested reading list among the usual textbooks and scholarly articles.  The previous books have all featured major battles or political events that helped decide the future of England, and his fictional point-of-view character often finds himself discussing the events with significant historical figures.  Smaller details, such as the traditional names and spellings of historical people and places, give all of these books an incredibly authentic feel and really make the reader think they are back in this time period.  As a result, these books are extremely intriguing for those fans of history and I cannot speak highly enough of the level of historical detail or insight Cornwell shows in his work.  Cornwell continues his trend of interesting historical features in War of the Wolf, as he examines several key events during this period.  This includes the annexation of the Kingdom of Mercia by King Edward of Wessex following the death of his sister Æthelflæd, the Queen of Mercia, and the subsequent rebellion by the Mercians.  There is also focus on the submission of King Sigtryggr of Northumbria to King Edward, and focuses on the events that led up to it.  Uhtred also finds himself embroiled in the politics around who would rule Sussex following the future death of Edward.  All of this is incredibly fascinating and form an amazing background for the rest of the book’s story.

Intense action sequences have always been a major part of this series, with the large-scale fight scenes between the various warring factions battling around the British countryside.  Cornwell does an excellent job replicating the battle tactics and techniques of the Saxons and the Danes, especially the standard technique of the shield wall, where the two opposing sides line up their shields and advance at each other.  The battles are always incredibly detailed and pull no punches when it comes to the gruesome realities of war and combat.  War of the Wolf in particular has quite a few great battle sequences, including one extended siege sequence towards the end of the book at an old Roman fort.  I also loved the inclusion of the úlfhéðnar, the fabled wolf berserkers, who become a major part of the story, as Uhtred and his soldiers must find a way to overcome these dangerous opponents.  It was quite interesting to see how these sorts of legendary historical fighters would actually fare in battle, and the author presents both the advantages and disadvantages of using them.  Special mention should also be given to the dual between the two opposing ‘sorcerers’ during the climactic battle that was extremely entertaining and one of the more amusing parts of the entire book.

Cornwell has once again delivered a five-star classic piece of historical fiction with the latest book in his bestselling The Last Kingdom series.  Filled with fantastic action, amazing historical context and focusing on a well-established and amazingly fleshed and complex protagonist, War of the Wolf is an incredible read that comes highly recommended.  Even after 11 books, this is still one of my favourite series and I’m very excited to get the next edition.

My Rating:

Five Stars

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Deep Silence by Jonathan Maberry

On By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Science Fiction, Thriller33 Comments

Deep Silence Cover.png

Publishers: St. Martins Griffin

                        Macmillan Audio

Publication Date – 30 October 2018

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From horror legend Jonathan Maberry comes the 10th book in his weird-science based horror, thriller, science fiction Joe Ledger series, which takes the reader on a wild joyride through a world gone mad in this five-star adventure.

I have to admit that Maberry is not an author that I have had much experience with before.  The only work of his I have previously read was a fun short story that was featured in a volume of zombie short stories he jointly edited with George A. Romero in 2017 that I previously reviewed here.  However, I am extremely happy that I decided to check out this latest book as it exposed me to this incredible series, which I enjoyed immensely.  I can think of no greater praise for this novel then to say that upon finishing it, I immediately dropped everything and started reading the first book in the series, Patient Zero, which I will be reviewing in the next few weeks as part of my Throwback Thursday series.

I chose to listen to Deep Silence on audiobook rather than read a physical copy.  The audiobook format of this book is just under 16½ hours long and is narrated by Ray Porter, who has worked on several other books in the series.

In this latest book, a Russian splinter group have developed a powerful weapon with pieces of alien crystal seeded throughout the planet.  This new weapon can cause devastating earthquakes on a level never before seen and has the potential to destroy the entirety of the United States.  The weapon also has a chilling side effect: it causes people around the epicentre of the quake to engage in violent acts of madness, from suicide to ferocious attacks on others.  The first attack targets Washington, with mass violence erupting around the Capitol building.

America’s only hope may be the top-secret rapid response organisation, the Department of Military Sciences (DMS).  For years, the DMS has been the only line of defence against the insane science America’s enemies are utilising and developing in this new age of wonders.  From deadly diseases, ancient forbidden technologies, extreme acts of genetic manipulation, the latest forms of cyber and electronic attack, and even weaponised zombies, the DMS, led in the field by Captain Joe Ledger, has managed to stop all these threats and more.  Utilising the latest military and espionage equipment and the best and brightest soldiers and scientists America has to offer, the DMS operates just outside the government and can go further than any other agency can.

However, while the DMS attempts to combat this latest threat, they find themselves hindered by a megalomaniac President whose stupidity and paranoia make him more afraid of the DMS than the group unleashing earthquakes across his country.  As Joe and his team attempt to hunt down the origins of this attack they must contend not only with a dangerous Russian force but also with agents of their own Government and devices that can drive even the most dedicated DMS agent insane.  But as the Russians attempt to force the eruption of the Yellowstone caldera, the greatest threat may come from the creatures the technology was stolen from.

Deep Silence is the 10th book in Maberry’s Joe Ledger series, which started in 2009 with Patient Zero.  Maberry has been writing since 2006, with his debut book Ghost Road Blues forming the first book in the Pine Deep Trilogy.  Since then, Maberry has written a huge number of books, most of which have a horror theme or focus.  Apart from his Joe Ledger series, Maberry is probably best known for his Rot & Ruin series, a young adult zombie apocalypse series.  Aside from his fictional novels, Maberry has also written several comics for Marvel as well of a number of non-fiction books, which tend to focus on Maberry’s passions for martial arts and the supernatural.

Deep Silence is an exceptional book that combines together a number of genres, including science fiction, thriller, horror, military fiction and spy thrillers into one very captivating narrative.  The end result is a non-stop thrill ride that perfectly utilises the series’s bizarre nature and advanced science to create a devastating threat and a larger-than-life protagonist to face it.  There are so many amazing elements to this book, from its continuation of an enjoyable series, to the very weird elements that come into play, to the excellent writing style and enjoyable characters.  Once I started reading this book I just could not stop, and it is easily one of my favourite books of this year.

From what I understand, the Joe Ledger series started off mostly focusing on the mad sciences that humans are able to create and use against each other.  However, in recent books, the series has taken on a more Lovecraftian vibe, with unknown aliens, space demons and incredibly insane technology.  Deep Silence in particular seems to relate back to several of these previous alien technology based novels, as the devices, technology and motives that the book’s antagonists utilise are closely related to the adventures that occurred in previous books.  That being said, there is still the continuous use of more advanced human technologies utilised by many of the book’s characters, especially those working for the DMS.  All the crazy gadgets that they use are pretty impressive, but none (with one or two major exceptions) are outside the realm of possibility and reflect technologies that could potentially exist.  Indeed, in the introduction to Patient Zero, Maberry actually confirms that most of the technology he describes in his books is currently used or could soon be used by intelligence organisations around the world today.

One of the challenges of coming into a series late is the reader’s lack of knowledge about the universe’s background information, lore and the development of its main characters and the extent of their relationships.  Maberry does an incredible job bridging this gap throughout Deep Silence, providing the reader with descriptions of previous events, recaps of character descriptions and history and making use of a number of references to previous missions and adventures captured in the other books in the Joe Ledger series.  There are also a number of scenes that appeared to be callbacks to previous books, although the author was able to describe the pertinent details of these events.  As a result, I was never lost at any point and really appreciated the recaps and detailed descriptions the book’s various point-of-view characters provided throughout the novel.  It also made me very curious about some of the previous books in the franchise, and I am now very interested in checking out some of these insane and fun-sounding adventures.  As a result, Deep Silence is an excellent book if you want to get an idea of what the Joe Ledger series is all about.  At the same time, established fans of this long-running series will be interested to see the significant changes that occur to the book’s main characters, as well as the scenes detailing where the series will potentially be going in the future.

One of the things that I really enjoyed about Deep Silence was the way that Maberry presents the book’s narrative from multiple perspectives and across a range of different time periods.  Because of this, the reader is given a far wider view of the overall narrative.  Not only do they get to see the protagonists attempting to investigate and stop what is going on, but they get to see the antagonists coming up with their plans, discovering and researching their doomsday device over a period of years and then implementing their mission.  This also allows the reader to get a far deeper understanding of the antagonist’s objectives and mindscapes in committing these acts and what it costs them mentally and emotionally.  Nearly all the fun and eccentric characters working in the DMS get a few scenes told from their point of view.  This provides the reader with some high level, but easy to follow, scientific discussions, hacking sequences and the utilisation of incredibly exciting-sounding advanced espionage technology.  There is also a focus within Deep Silence of the politics around and behind the DMS, and how the organisation’s leader, the mysterious Mr Church (who is totally an alien, right?), deals with these situations.

While all of the other point-of-view characters are entertaining and it is intriguing to view their sides of the story, the best character has to be the series’s main protagonist, Joe Ledger.  Ledger is the extremely dangerous and slightly disturbed leader of the DMS field team, and has been at the forefront of all the adventures in this series.  It is interesting to note that Ledger is the only character in this book whose story is told from the first person perspective, which is fortunate because Ledger is one of the biggest smartasses in fiction, especially within the privacy of his head.  Nearly every single piece of the book told from Ledger’s point of view is filled with jokes, wisecracks, and exaggerated or sarcastic thoughts.  Ledger has some incredibly humorous observations about the world around him, especially the eccentric characters he encounters, and his thoughts are just as likely to be self-deprecating as they are to be insulting about the people he has to deal with.  He is also an eccentric being who does some incredibly funny things, from having fun with his opponents to humming the Mission Impossible theme as he breaks into a safe.  However, beneath this humorous exterior there is a deeply damaged character who is severely impacted by events that have occurred before and during this series.  Maberry spends significant time diving into this character’s history and psyche, which quickly gives the reader, even readers previously unfamiliar with the series, a good understanding of his life and the events that define him.  His deep and fractured mind becomes a key part of this story, especially when it encounters mind-altering alien crystal and events beyond the realm of human comprehension.  All of this helps create an amazing and incredibly relatable central character whom the reader becomes incredibly drawn to, and as a result, Ledger is one of the best things about this book.  Special mention should also be given to Ledger’s combat dog Ghost, who appears in nearly all the same scenes as Ledger and is just as much of an enjoyable character as his owner.

While the mad science elements and characters are great, Maberry has also ensured that this is the perfect book for those action junkies looking for fast-paced thrills.  Ledger is an absolute beast throughout this book and engages in a number of fantastic fights in a variety of different scenarios.  Maberry channels his love of martial arts through this character and includes a number of detailed and very quick fight scenes as Ledger dismantles his opponents with efficient skill.  The other characters are no slouches and there are number of great action sequences I enjoyed.  Two of my favourites have to be two separate and extended sequences which see Ledger and DMS’s Echo Team engage in massive fire fights with a range of opponents.  These scenes are absolutely incredible and make the reader feel like they are really in the middle of a gun battle.  The author takes pains to try and highlight how methodical and calm professional teams can be during battles while also highlighting the various strategies and combat advantages used.  The multiple perspectives come into play here perfectly, as the different members of Echo Team engage in various encounters around the main battle, really highlighting what an effective special ops team can accomplish in the field.  Maberry enhances the fun and the action to a crazy degree by also utilising the advanced technology available to the DMS agents.  This not only includes some insane and deadly weaponry, which is very cool in action, but also other pieces of advanced technology such as drones, body armour, goggles, and enhancements for Ghost that help turn the battles into massive and enjoyable set pieces.

Nothing, however, can top the sheer insanity that unfolds when the book’s antagonists unleash their super weapon against the world.  Maberry’s descriptive and skilled writing really brings these scenes to life.  The sheer devastation of the earthquakes that he describes is just incredible and very disturbing.  But nothing is more crazy or electrifying then the scenes where the people who are affected by the strange energy given off by the weapon go insane and start participating in a violent rampage against themselves or against each other.  Maberry pulls no punches here and all the violence is on full display, from terrible acts of violence against anyone around them to disturbing suicides or episodes of self-harm.  In many of these scenes the author attempts to get into the head of these characters and watch them slowly unfold from within.  This mostly prevalent with his protagonist, Joe Ledger, but other characters’ thoughts are shown.  Let’s just say you’ll never look at the Beatles song Revolution 9 the same again.  The biggest example of this insanity happens around the Capitol building in Washington DC, and quite frankly it reminded me of the church scene in Kingsman: The Secret Service, with the protagonists stuck in the middle of a crazy mob.

One of the more intriguing parts of Deep Silence is the side character of the President of the United States of America.  While this character is never explicitly named in the book, he is clearly supposed to be a Trump analogue.  The character is an easily manipulated, short-tempered, Twitter-obsessed moron who puts his own needs far above those of the country he is governing.  The resemblance to Trump is uncanny, and Maberry does an incredible job mirroring his arrogance and personality throughout the book.  While this character is a great addition by itself, Maberry spends a lot of time exploring how a character like this would deal with the advanced technology and extreme catastrophes that are a major part of this series.  The results are frustrating for the reader as they are forced to sit there and watch this character make all the wrong decisions and serve his own agenda or self-interest.  It was also very intriguing watching this President go up against the DMS as he routinely targets the department out of fear and ignorance.  The new political reality of Washington becomes a major factor throughout Deep Silence, and Maberry is understandably critical about how things are being run and the insanity currently gripping Washington.  It was very interesting to see Maberry incorporate the current unpredictable political reality of America into his new book, and readers will be very intrigued to see how this might impact the future of his long-running series.

I listened to the audiobook version of Deep Silence, narrated by Ray Porter.  The audiobook version does go for over 16 hours, so it’s one of the longer ones I have listened to lately.  That being said, due to its exceptional content, I found myself making a variety of excuses just to keep listening to this audiobook, and got through it very quickly.  The audiobook is an incredible way to experience this book, and I would highly recommend it, mainly because of Ray Porter’s narration.  Porter absolutely nails all of the characters and provides a number of amazing voices to fully capture the diverse accents and attitudes of this eccentric group of characters.  I was particularly enthralled with the calm, cool voice he gifted to the DMS Director, Mr Church, which really reminded me of Tom Hanks’s voice.  Special mention should also be given to his narration of the President.  The narrator created a fantastic Trump-like voice that fully conveyed the character’s high opinion of himself, as well as his dismissive and arrogant nature.  I actually had a visceral reaction when I heard that voice the first time, it was that good.  Porter’s narration for Joe Ledger was also perfect, as he does an incredible job portraying Ledger’s high-energy musings and the full tone of his personality.  Porter’s voice peaks and rises to meet the full intent of any of Ledger’s sentences, and he is a master at conveying Ledger’s innate sarcasm.  At the same time, he is also able to make his voice more serious and subdued during the darker scenes in which Ledger is deep within his head or his memories.  This is sterling work from Porter, and one of the best audiobook narrations I have ever listened to.  As a result, I highly recommend that the audiobook version of Deep Silence as the best way to experience this novel.

Bestselling author Jonathan Maberry once again takes his audience on a captivating thrill ride in the Joe Ledger Series.  Deep Silence provides the reader with an extraordinary and very engrossing story that proves extremely hard to put down.  Equally enjoyable for established fans of this long-running series and new readers who have yet to experience Maberry’s work, readers can and will have an incredible amount of fun with this book.  Best enjoyed in audiobook format, Deep Silence is guaranteed to make you a dedicated fan of the author and easily gets a five-star rating from me.

My Rating:

Five Stars

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Timeless by R. A. Salvatore

On By The Unseen LibraryIn Fantasy21 Comments

Timeless Cover.jpg

Publisher: Harper Voyager

Publication Date – 4 September 2018

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From one of fantasy’s most legendary writers, R. A. Salvatore, comes another electrifying adventure of swords and steel, as Salvatore once again presents a thrilling tale of his iconic protagonist, the dark elf Drizzt Do’Urden.

Centuries ago, the city of Menzoberranzan gave birth to a drow whose talents with the blade were unsurpassed by any other practitioner.  This drow’s name was Zaknafein.  Desired by an ambitious noble house and its twisted Matron, Malice, Zaknafein would become a pawn in the battle of intrigue and positioning that have eternally plagued Menzoberranzan.  His only relief from his arduous life was his friendship with the young mercenary Jarlaxle.

Years later, a young Drizzt Do’Urden fled the city and the violent ways of his people.  However, his escape was only capable thanks to the twofold sacrifice of his father, Zaknafein, who not only allowed himself to be sacrificed to the dark goddess Lolth but also willed his resurrected body to its absolute destruction in order to stop its hunt for Drizzt in the catacombs of the Underdark.  Not only was Zaknafein his father; he was also the man responsible for Drizzt’s moral code and, most importantly, the man who taught Drizzt how to fight, turning him into the most skilled sword wielder in all of Faerun.

But now, after years of Drizzt’s adventures on the surface world, something truly amazing has happened: Zaknafein has been returned to life and has found his way to the surface world.  No-one is certain how he has been resurrected or why, but Zaknafein is determined to be reunited with his son, even if he has changed far more than he could ever imagine.

The world has also changed in the last few years.  The Sword Coast is undergoing a period of rare peace.  The dwarves, led by Drizzt’s friend King Bruenor Battlehammer, rule in Gauntlgrym, while the city of Luskan is secretly ruled by Jarlaxle and his mercenary band, Bregan D’aerthe.  With their territories connected by magical gates, Bruenor, Jarlaxle and the halfling community of Bleeding Vines have formed an alliance, ensuring the security of the realm.  However, the ambitious and greedy Lord Neverember, ruler of Neverwinter, is a constant thorn in their side as he plots to steal power from the lands around him.  While usually only a minor nuisance, Neverember has been making deals with a mysterious noble house of Waterdeep and a minor dwarven clan for vast sums of money.  As the allies investigate further, they uncover the start of a destructive demonic conspiracy that could destroy all they have built.  What foul plans are being hatched, and what will happen with Drizzt and Zaknafein find themselves in the middle of a demon stronghold?

R. A. Salvatore is one of the most experienced and enduring authors of fantasy fiction in the world today. Having written more than 60 fantasy books since his 1988 debut, Salvatore has created a number of worlds and characters across his career, from his 12 books in the Corona universe, which includes the 2018 release Child of a Mad God, to his Chronicles of Ynis Aielle trilogy, The Crimson Shadow series, The Cleric Quintet and The Spearwielder’s Tale trilogy. Salvatore is also somewhat infamously known for his foray into Star Wars fiction, with his 1999 release, Vector Prime, which saw the canonical death of Chewbacca in the original expanded universe, a decision that has since been retconned following the Disney acquisition of the franchise.  However, his most iconic and popular books would have to be his long-running series that follows the adventures of the dark elf Drizzt Do’Urden.

The character of Drizzt Do’Urden was first introduced in Salvatore’s debut novel, The Crystal Shard, which is also the first book in The Icewind Dale trilogy.  The Icewind Dale trilogy is set within the Forgotten Realms universe, a large-scale interconnected collection of fantasy books from a range of different authors, all set within the titular Forgotten Realms, a spinoff location of the Dungeons & Dragons roleplaying franchise.  The Icewind Dale trilogy featured a band of powerful characters including Drizzt, the dwarf chieftain Bruenor Battlehammer, the barbarian warrior Wulfgar, the halfling thief Regis and Bruenor’s adopted human daughter, Catti-brie.  While these characters all had their own adventures within this series, it was clear that Salvatore had intended to focus his series on Wulfgar and make him the main protagonist.

However, the character of Drizzt proved to be particularly popular with the fans.  A large amount of this may be a result of the characters anomalous nature, as not only is Drizzt a dark elf living above the surface, but he was one of the few good dark elves in fantasy fiction at that point in time.  The dark elves, also known as the drow, are a race of dark-skinned elves who live in the Underdark, the dark catacombs that lie under the continent of Faerun, in the world of Abeir-Toril.  In the Forgotten Realms universe, dark elves are generally an evil and self-serving race who consider themselves superior to the other races in the Forgotten Realms and often conduct destructive raids against the surface world.  As a result of this popularity, Salvatore chose to focus on Drizzt more and more as his series progressed.  This included establishing the character as one of the greatest practitioners of the sword in the Forgotten Realms, as well as introducing an equally matched adversary, Artemis Entreri.

This focus on Drizzt continued into Salvatore’s second Forgotten Realms series, The Dark Elf trilogy, which was a prequel series to The Icewind Dale trilogy.  The Dark Elf trilogy focused on the birth of Drizzt in the dark elf city of Menzoberranzan, a female-led society dedicated to the worship of the demonic spider god Lolth.  While this is where Drizzt was raised and first learnt how to wield his iconic dual blades, the character of Drizzt never fit in, except with his father Zaknafein, who tried to teach him that the dark elves, especially those dedicated to the worship of Lolth, were evil.  Drizzt would escape Menzoberranzan at the end of the first book in the trilogy, Homeland, and spend the next two books exploring the world outside the city, eventually coming to the surface and finding his home in the Icewind Dale.  Since then, Drizzt and his companions have undergone a number of adventures both above and below the surface of Faerun, with numerous changes impacting these protagonists.  Timeless is the 34th book to feature Drizzt or his companions, and is one of the few ongoing series still being produced in the Forgotten Realms universe.

Timeless is the first book in Salvatore’s new Noname trilogy, and while the series is invariably going to focus on Drizzt, this first book mostly takes a look at the returning Zaknafein.  As a result, the majority of the story is set in the current chronology of Salvatore’s universe and sees Zaknafein attempting to find his place in the new world he has returned to, while also exploring a new threat to the Companions of the Hall (Drizzt and his friends).  There is also a second timeline that is set many years before the events of Homeland and focuses on the early life of Zaknafein.  While both storylines are enjoyable, I found myself drawn more to the prequel storyline, which focused more on the elaborate and exciting intrigues of the drow and how Zaknafein and Jarlaxle became the drow we all came to know and love.  The contemporary storyline is mostly focused on the reuniting of Zaknafein and Drizzt after their many years apart, both in and out of text.  Their emotional reunion forms the heart of this storyline, while Zaknafein’s exploration of this new world he finds himself in is an intriguing part of the book.  A side effect of this is that some of the longstanding characters, such as Wulfgar and Bruenor, have a reduced role in the book.  While I hope they feature more later in this trilogy, I felt the story was able to survive without them.  This book also spends a lot of time setting up the storyline and threats that will form the focus of this new series.  To that end, Salvatore has done an incredible job, creating several intriguing storylines that readers will enjoy following in future books and presenting the protagonists with a number of potential threats for the series.  However, Salvatore has also ensured that the reader will be hit with some severe emotional gut-punches in this first instalment, ensuring that they are dragged into the next book in this trilogy.  I enjoyed going back and forth between these two separate storylines.  Each of these storylines complemented the other one perfectly and highlighted the character of Zaknafein in more detail.

While The Icewind Dale trilogy and the series that followed it are excellent pieces of fantasy fiction, my favourite Drizzt Do’Urden series has always been The Dark Elf trilogy, which I consider one of the best origin story arcs in all of fantasy fiction.  As a result, I was always going to enjoy any novel tied to this prequel trilogy.  Timeless contains a number of call-backs to this original trilogy and works to provide the reader with some interesting and unexplored backstory for the great character of Zaknafein, including how he became associated with the house of Do’Urden.  It also shows the formation of his distinctive character traits, such as his sense of mercy, his hatred of the female dark elves who enslaved him and his intense rebellion against the drow’s patron goddess, Lolth.  Some of the most emotional parts of this original trilogy revolved around Drizzt and Zaknafein as they attempted to escape from the harsh landscape of Menzoberranzan and Zaknafein’s eventual sacrifices to save his son from Lolth’s evil grasp.  Therefore it was amazing to see the two of them finally reunite after all these years in the most appropriate manner possible: a duel.  Watching Drizzt slowly realise that the person fighting against him is actually his long lost father is incredible and something that I really enjoyed.

It was also a lot of fun to see the earlier days of one of my favourite characters, Jarlaxle.  Jarlaxle is a flamboyant and deceptively cunning drow mercenary who is one of the most compelling characters in Salvatore’s books.  The character was first introduced in the second book of The Dark Elf trilogy, Exile, and quickly revealed himself to be a very memorable character.  Salvatore utilised him in a number of his follow-up series, and even gave him his own trilogy with Artemis Entreri.  I was therefore very happy to see him in both timelines of Timeless, as it provides the reader with some great entertainment as well as answering some interesting questions, like how he came up with his distinctive look.  His bromance with Zaknafein was another fun part of both storylines, and I liked seeing the previous connection these two great characters had with each other.  Overall, fans of Salvatore’s preceding books, especially The Dark Elf trilogy will love Timeless and become engrossed in seeing one of the most impactful characters in Drizzt’s life return after more than 20 years and 30 books.

As you would expect from a novel about Drizzt Do’Urden and Zaknafein, two of the most pumped-up sword users in all of fantasy fiction, there is an absolute ton of action and swordplay in this book.  Throughout the course of Timeless, the father and son duo engage in a number of exciting battles and extravagant duels as they face off against a variety of different foes in both of the book’s timelines.  There is so much going on in this book for readers to enjoy, from battles against demonic foes to Zaknafein and Jarlaxle taking on the most devious of drow opponents they can find in the prequel timeline.  The halfling Regis, who is generally one of the most entertaining characters in Salvatore’s books, also has an amazing sequence as he infiltrates a hidden vault, using a combination of alchemy, daring do and the well-honed thieves’ instincts and skills he has been displaying since The Crystal Shard.  Jarlaxle also steals any fight scene he is involved with, using his various magical devices and hidden weapons to cause all manner of chaos against his opponents, resulting in some of the most entertaining parts of the books.

However, easily the best action sequences have to be the duels between Drizzt and Zaknafein.  These two blade masters are generally regarded as the two best fighters in all of the Forgotten Realms and have not faced each other since the early 1990s.  As a result, Salvatore presents several highly detailed duels between the father and son.  These duels are written in incredible detail and Salvatore does a fantastic job highlighting the speed, intensity and skill that these two combatants have as they battle against each other in scenes which hark back to their original amazing duels in Homeland.  Ultimately, Salvatore is once again able to capture the magic that these two combatants had in their original appearances and their fights take on a completely new edge with the emotional intensity of these characters’ reunion.

Salvatore has once again provided his readers with an exhilarating adventure that pits the monsters and villains of the Forgotten Realms against your favourite fantasy heroes.  This is definitely a book that will have the most impact for existing fans of Salvatore’s Forgotten Realms novels, and as such I really enjoyed Timeless.  While newer readers may have a little trouble following the plot after 34 books worth of backstory (39 if you include The Cleric Quintet), Salvatore’s writing will ensure they get an electrifying adventure that will encourage them to look back at the original books in this series.  An outstanding fantasy adventure from one of the best writers in the business, this is fantastic read that is well worth checking out.

My Rating:

Four and a half stars

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Star Wars: Darth Vader: Dark Lord of the Sith, Volume 3 – The Burning Seas

On By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars20 Comments

Darth Vader - The Burning Seas Cover

Publisher: Marvel Comics

Writer: Charles Soule

Artists: Giuseppe Camuncoli

              Daniele Orlandini

              David Curiel

              Java Tartaglia

Publication Date – 11 September 2018

Amazon

I have previously reviewed the second volume of this series here:

Star Wars: Darth Vader: Dark Lord of the Sith, Volume 2 – Legacy’s End

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The creative team behind the amazing Darth Vader: Dark Lord of the Sith series return with their third volume, The Burning Seas, which continues to follow the early adventures of one of fiction’s greatest villains, Darth Vader.  This third volume contains issues #13-18 of what has to be one of my favourite current ongoing series.

This new volume is set one year after the formation of the Empire, and the Emperor is determined to show off the full military power he now commands.  To that end, he dispatches Vader to the aquatic planet of Mon Cala, which has been resisting attempts to be completely incorporated into the growing Empire, and whose King appears to be receiving advice from a Jedi.  However, this will not be Vader’s first journey to Mon Cala.  Years ago, during the Clone Wars, Anakin Skywalker and the Jedi saved the planet from a Separatist invasion and supported the young Mon Calamari king’s ascent to the throne.

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Leading a force of his Inquisitors to Mon Cala, Vader attempts to investigate the potential Jedi influencer, but the situation quickly devolves into all-out war.  With Governor Wilhuff Tarkin leading the Imperial invasion, Vader and his forces attempt to locate the Jedi behind the unfolding events.  How will Vader’s return impact the planet of Mon Cala, and what events will the mysterious Jedi’s actions have for the future of the galaxy?

In additional adventures, Governor Tarkin finds himself in the unenviable position of owing Darth Vader a favour.  Vader’s request is a hunt with a twist: the hunter will be Tarkin, while the hunted will be Vader himself.  Bored by a lack of challenges, Vader has tasked Tarkin to provide him with some worthy competition.  Will Tarkin earn Vader’s respect, or will he and his team of mercenaries be the next victims of Vader’s rage?  In addition, Vader has been tasked to investigate sabotage around the construction of the Death Star on Geonosis.  As Vader encounters the creators of the Death Star, Commander Krenik and Galen Erso, he uncovers not only the saboteurs but also the full potential of the Death Star and the impact it could have on Vader’s position.

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Darth Vader: Dark Lord of the Sith returns with another fantastic and captivating volume that not only furthers the adventures of Darth Vader but also ties the series into the wider Star Wars universe while fleshing out backstories and lore not explored in the movies.  In this volume alone several minor characters’ pasts are shown, the history between Vader and Tarkin is explored and there is a particular focus on the events leading up to the Rogue One movie.  Dedicated Star Wars fans will love that the main story of this volume is set on the planet of Mon Cala and introduces several key Mon Calamari characters.  The readers are gifted with new origin stories for Admiral Raddus, who leads the Rebel fleet in Rogue One, and a young Commander Ackbar, famous for the line ‘It’s a trap’, which highlight their early abilities and show why they were so determined to fight the Empire.  Fans of the Clone Wars television show also get an intriguing conclusion to the three-part Water War arc of the show’s fourth season.  During this television arc, Anakin Skywalker and his allies helped save the planet from an invasion and helped the young Mon Calamari King Lee-Char ascend to the throne.  Now, in a reversal of this arc, Vader returns as an invader and his main target is the Mon Calamari king he once protected with his life.  It is a compelling switch that creates some terrific drama and emotion during this comic book arc.  Surprisingly enough, there is also a focus on the Mon Calamari cruisers, the large imposing ships that become a fixture of Rebel Alliance and the subsequent Resistance.  Several of the plans underway involve the future of these ships, and the twisted priorities of a Jedi regarding them are quite chilling to behold.  In addition to the main story of this volume, one of the issues is heavily involved in the construction of the Death Star.  As a result, Vader interacts with several characters who feature in the Rogue One movie, and the creative team are able to suggest he had a lot more to do with the events of Rogue One than shown in the movie.  This issue also sees Vader return to Geonosis, the main setting for the latter half of the Attack of the Clones movie, and it is very cool to see him return to this important location in his previous life.

On top of the above insertions into the Star Wars universe, the creative team also spend a significant amount of time in this volume exploring the relationship between Darth Vader and Grand Moff Tarkin.  When both characters are introduced in A New Hope, Tarkin always appeared to be in command of Vader and appeared to be someone that Vader respected.  It was an unusual relationship, considering Vader’s personality and his role as the Emperor’s apprentice.  This volume creates a fascinating new narrative that shows when Tarkin was put in charge and why Vader allowed it to happen.  This is first shown during the main story of this volume, when Governor Tarkin, who is leading the invasion of Mon Cala, requests Vader’s assistance to end the war quickly.  Vader is shown in these issues to independent from Tarkin, who still shows the ability to get what he wants from Vader, even if it may cost him down the line.  The creative team spend a good amount of time during the four issues that focus on the invasion of Mon Cala highlighting Tarkin’s tactical ability and ruthlessness, reminding the reader what a great villain Tarkin is in his own right.

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The rivalry between Vader and Tarkin comes to a head in the sixth issue of this volume, when the two of them hunt each other on a wild planet.  This is one of my favourite stories in the whole Darth Vader: Dark Lord of the Sith series so far, as the two Imperial heavyweights go head to head in a true battle of the villains.  This issue does an amazing job of highlighting the attributes of both characters.  Tarkin’s cunning, intelligence and determination to win are in full display, while Vader is shown to be not only a destructive force but also a creative opponent who is able to surprise even Tarkin.  The conclusion of this story is very clever and helps define the relationship these two characters have in the movie.  The final issue of this volume finds Vader officially under Tarkin’s command, but shows that Vader is not as subservient as Tarkin would wish.  The main focus of their rivalry in this volume is the Death Star, especially as Tarkin is convinced that his creation will make Vader obsolete.  Soule laces some suggestions during this final issue that many readers will find extremely intriguing and puts a whole new light on Vader and Tarkin’s relationship, especially in the final exchange between the two, where Vader presents a prediction to Tarkin: ‘If you invest too much of yourself in this battle station – – it may end up your tomb.’  The exploration of the relationship between these two dynamic and iconic Star Wars villains is an exceptional part of this new addition to the fantastic series and a really cool feature for Star Wars fans.

For the first time in this series, the creative team tackle a large-scale Star Wars battle as the forces of the Empire attempt to invade or subdue the entire planet of Mon Cala.  The battle sequences that are produced are breathtaking in their scope and execution, as the reader is treated to land battles, space fights, orbital bombardments, battles above, below and on the planet’s ocean surface and even a weaponised tidal wave which sweeps away masses of Imperial forces.  The artwork of these battle scenes is really exceptional; especially the sequences set underwater, which offers an unique scenery backdrop not typically seen in other Star Wars comics.  The creative team do a fantastic job showcasing the massive military capacities of the Empire and the pure devastation their newly created military machine can do.  I also loved the clever and very entertaining way that the rogue Jedi Ferren Barr manages to use certain Imperial forces against Vader’s Inquisitors, in what has to be one of best examples of karma in the entire history of Star Wars.

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As they have in the previous volumes, the creative team behind the Darth Vader: Dark Lord of the Sith series go out of their way to showcase how much of a badass their titular character can be.  In addition to the issue in which he powers through all that Tarkin can throw at him, Vader spends the rest of this volume cutting through opponents like they are nothing, including hordes of Mon Calamari and Geonosians.  In addition to these fairly standard actions (standard, that is, for an all-powerful Sith Lord), Vader does some other extraordinary actions, whether it’s surviving explosive rock falls, attempting and nearly succeeding to push back a tidal wave, surviving at the bottom of the ocean and then subsequently taming and eventually killing a massive sea monster he encounters there using only the force, Vader appears like an absolute boss.  He also has a fun reaction when his Inquisitors abandon their mission and attempt to save him from the bottom of an ocean, instead of being grateful, he calls them fools and makes it very clear that ‘I never need…RESCUE’.  It is again captivating to watch how far Vader continues to move further and further away from the Jedi way, as even at the start of this series he had the potential to come back from the dark side.  However, his actions in this book, such as the utter destruction of something significant and good that he previously created, re-imagining his previous battle with Obi-Wan Kenobi with devastating new details, and his slaughter of a whole brood of Geonosians that he compares to animals just like he previously did with the Tusken Raiders in Attack of the Clones, once again show how far he has fallen.  I must also highlight the great artwork in this series when it comes to Vader.  Not only are his exploits shown in full and exquisite detail but the artwork presents him in such a sinister light in every single scene he is in.  This is another masterful portrayal of an exceptional fiction villain.

The third volume of the Darth Vader: Dark Lord of the Sith, The Burning Seas, is another outstanding addition to one of this year’s most consistent and entertaining comic book series.  This specific volume features massive and intense battles, an intense fight for supremacy between Vader and the ruthless Tarkin, and the continued outrageous and destructive adventures of one of the greatest villains of all time.  This entire run of Darth Vader: Dark Lord of the Sith is definitely worth getting into, and The Burning Seas is easily the best volume of this entire series so far.  A must read that comes highly recommended.

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My Rating:

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Amazon

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/