Star Wars: The High Republic: The Rising Storm by Cavan Scott

Star Wars - The Rising Storm Cover

Publisher: Penguin Random House Audio (Audiobook – 6 July 2021)

Series: Star Wars – The High Republic

Length: 15 hours and 32 minutes

My Rating: 4.75 out of 5 stars

Prepare to dive back down into one of the most unique parts of the current Star Wars canon, as bestselling author Cavan Scott presents the next exciting adventure in The High Republic era, The Rising Storm.

The High Republic is a massive collaborative multimedia Star Wars project that started earlier this year and which represents a new area of focus for the Star Wars franchise.  Set in the Golden Age of the Republic, hundreds of years before the events of the Skywalker Saga, The High Republic currently contains several amazing pieces of tie-in fiction, with unique tales making up an overarching storyline.  I have so far read two entries in this series, the introductory novel Light of the Jedi by Charles Soule and the great young adult book Into the Dark by Claudia Gray.  The next major entry in this series is the fantastic and exciting The Rising Storm by Cavan Scott, which continues several storylines from Light of the Jedi.  Scott, who previously wrote the fantastic Dooku: Jedi Lost audio drama, has come up with a fascinating and compelling novel that I really enjoyed.

Two hundred years before the events of The Phantom Menace, the Republic was at its zenith, with the Jedi leading the expansion outwards to the Outer Rim.  However, following the Great Hyperspace Disaster, the Republic’s safety and security looks uncertain.  Even after the creation of Starlight Beacon, the Outer Rim is still a dangerous place, especially with the machinations of the notorious pirate group, the Nihil, as well as the spreading attacks from the plant monsters known as Drengir.

Determined to show that the Republic and the principles that govern it are still strong, Chancellor Lina Soh has organised the Republic Fair on the planet of Valo.  The fair will bring together cultural displays, new technology, Jedi artifacts and other wonders of the galaxy in a massive celebration to demonstrate the possibilities that an expanding Republic will have on the entire galaxy.  Attended by high-ranking Republic dignitaries, visiting diplomats, celebrities, leading scientists and prominent Jedi, all eyes in the galaxy will be on the fair and its participants.  However, some of these watching eyes have far more hostile intent and are determined to see the Republic Fair fail at all costs.

The most dangerous of these is Marchion Ro, the mysterious and unpredictable Eye of the Nihil.  Under his leadership, the Nihil have achieved much infamy and caused inordinate destruction throughout the Outer Rim, and Ro is determined to keep the Republic and the hated Jedi out of his territory.  As the fair begins, Ro orders a devastating attack that will shake the very galaxy to its core.  As Jedi such as Stellan Gios, Bell Zettifar and Elzar Mann attempt to hold back to the tide of evil descending on Valo, they are about to discover that there is something far more dangerous afoot in the galaxy.  Marchion Ro has uncovered an ancient evil and the entire galaxy, and every Jedi in it, is about to fear his wrath.

Now this was an awesome book, and one that is really starting to make me fall in love with The High Republic.  Scott has produced an intense and powerful story that continues to develop some of the best The High Republic characters, while also advancing some great storylines established in the previous novels and comics.  I had a wonderful time getting through this book, and this may be one of my favourite The High Republic novels so far.

This book has an awesome and captivating narrative to it.  Set about a year after the events of the first High Republic novel, The Rising Storm quickly introduces several intriguing storylines that each follow a different key character.  This includes a great storyline surrounding Elzar Mann as he attempts to decipher a warning given to him by the Force, as well as the tale of the conflicted and distracted Jedi apprentice Bell Zettifar.  There is also great storyline that follows a new character, mercenary Force user Ty Yorrick, as she takes on a new contract, and several storylines that follow key characters in the Nihil.  All these initially separated storylines are quite fun and do a good job setting up the various main characters, as well as establishing the current relevant events occurring in the galaxy.  While these individual storylines are quite fun and feature a mixture of intriguing characters, they swiftly come together into one combined narrative, when all the participants arrive at Valo for the Republic Fair.  Based on the book’s synopsis and the initial planning by the Nihil, you know that the fair is going to be attacked in some way, and Scott makes sure to ramp up anticipation for the upcoming carnage, showing multiple scenes that could lead into it.  However, even after all that, I was still not quite prepared for how amazing the main part of the novel turned out to be.

The eventual raid on the fair ended up lasting for quite a substantial part of the novel, as a coordinated attack separates the key characters.  With communications down and chaos reigning all around them, the protagonists are on their own, with each of their separate storylines focusing on their own encounters with the Nihil.  The entire raid is utter bedlam and proves to be a hotbed of action, intense moments, and dangerous character development.  I was honestly surprised at how dark parts of this book got, and readers are guaranteed a thrilling experience as there are several outstanding and intense action sequences.  Each of the main characters is effectively highlighted during this period, and readers will quickly become engrossed in their storylines and their attempts to navigate the dangers they encountered.  The entire raid sequence comes to an end with a decent part of the novel still left, which I initially thought was a bit of a mistake, as Scott could have ended the novel perfectly in the attack’s aftermath.  Instead, he constructed an incredible final sequence that really tied the entire narrative together, resulting in a memorable conclusion that sets up the next wave of novels perfectly.  While I did feel the story could have used a little bit of trimming, this was an overall excellent narrative, which I think was stronger than the preceding Light of the Jedi, mainly because it did not require the universe setup that Soule was required to chuck in.

While I deeply enjoyed The Rising Storm’s addictive story, this novel is a bit of a niche read and is mostly going to appeal to established fans of the franchise.  The Star Wars extended universe is an interesting and enjoyable place to explore, but it can be easy to get a little lost while checking out these books.  This is especially true with the new High Republic range, which takes the reader to a fictional period that has not been introduced to a wider universe either in a film or television series.  Due to its position as a second wave High Republic novel, you really need to check out some of the earlier works in the series before you try this one out, especially Light of the Jedi, which sets up most of the storylines and characters featured in this novel.  It is also important to add that this novel ties into several of the other High Republic comics and novels.  Events from these books and comics are referenced throughout The Rising Storm as Scott’s key characters interact with the protagonists of these other works, such as the junior novel, Race to Crashpoint Tower.  Knowledge of some of these contemporaneous pieces of fiction is not 100 per cent necessary, although several plot points and references become a lot clearance once you recognise the connection.  While Scott did do his best to make story accessible to new readers, I think that most High Republic newcomers would be better served reading Light of the Jedi first, which will make it so much easier to enjoy this awesome novel.

One of the more difficult things about reading a High Republic novel is the lack of any recognisable characters from the Star Wars films or television shows, as the only character from them alive at this point is Yoda (who keeps disappearing).  However, I found myself getting really invested in the complex and intriguing characters featured in The Rising Storm, as Scott makes use of both original characters and characters introduced in previous pieces of High Republic fiction.  This novel focuses on a huge selection of supporting characters, each of whom have their own adventures and stories.  One of my favourites was damaged Jedi Elzar Mann.  Mann is a troubled being who spends most of this novel haunted by both a dark vision from the Force and his unrequited and forbidden love to his friend and fellow Jedi Avar Kriss.  Because of this, Mann spends most of the novel walking the very edge of the Jedi code, breaking nearly every rule he can, including that major one about not falling in love or having a physical relationship with someone.  This sets him on a knife’s edge, and when the Nihil come, he is pushed dangerously close to the Dark Side (which mirrors Anakin’s fall in several ways) with some spectacular results.  This portrayal of Mann is one of the most compelling and exciting in the entire novel, and I appreciated the inclusion of a rogue Jedi.  Another complex Jedi character that I enjoyed was apprentice Bell Zettifar, who was a major point-of-view character in Light of the Jedi.  Bell is still reeling from the events of the first book where his master was apparently killed by the Nihil.  Because of this and other traumatic events, Bell spends much of the novel doubting the Force and his place in it.  I found myself really drawn to this character, and I appreciated the tough journey he was going on.  Unfortunately, it looks like Bell is going to go into some very dark places in the future, which should make for some excellent and moving storylines.

Aside from Mann and Bell, another great character I liked was Stellan Gios, a Jedi recently elevated to the Jedi Council.  Stellan, who had a minor role in previous pieces of High Republic fiction gets a lot more focus in this novel and proves to be a fantastic point of view character.  He is another complex figure, especially as he also has doubts and regrets, despite his position as a Council member.  I saw Stellan as the Obi-Wan Kenobi of the High Republic (partially because of the voice used by the audiobook narrator) and I liked his mostly calm demeanour, unrelenting friendship with the wilder Elzar Mann and the way he acts as straight man to several unusual Jedi characters.  Stellan goes through a lot in The Rising Storm, and it was fantastic to see him continuously overcoming adversity as he becomes more use to his place on the Council.  I also deeply enjoyed the character of Ty Yorrick, who was probably the best original character in this novel.  Ty is a former Jedi apprentice turned rogue mercenary who uses her Force abilities and spiked purple lightsaber to hunt monsters.  Despite her aversion for getting mixed up with the Jedi, Ty finds herself at the Republic Fair and must contend with both Jedi and Nihil.  While Ty was not the most developed character in this novel, I really liked her unique style and the fantastic mentor-student bond she eventually forms with Elzar Mann.  She has a lot of potential as a character, and I can see her becoming a major figure in the High Republic novels.

Some of the final characters I need to mention include Rhil Dairo, a spunky reporter who finds herself in the middle of all the key events of the book, recording with her cam droid.  Rhil is a fantastic and fun reporter character, much in the vein of Lois Lane, who can kick ass and get the scoop at the same time.  I also loved the scenes that featured Orbalin, a Jedi archivist and history buff.  Despite his more academic inclinations, Orbalin is quite a fun character who proves to be a real badass, especially as he manages to hold off several Nihil characters, including the lethal Lourna Dee, while giving a history lesson.  Finally, it was also great to see more of Wookie Jedi Burryaga, the cuddliest and nicest Jedi of all time, who everyone loves and who the reader feels inordinately protective of.  All these protagonists and more add so much to The Rising Storm’s narrative, and it was absolutely great to see all of their storylines unfold.

I am also deeply enjoying the villains of The High Republic, the Nihil.  The Nihil are a collection of murderous and self-centred pirates, who use their unique technology and tactics to bedevil the Republic and the Jedi.  With their own unique look and style, which is a mixture of spacefaring Vikings and Mad Max villains, the Nihil are a pretty fun group of characters to follow.  After a very strong introduction in Light of the Jedi, they have another amazing showing in The Rising Storm, achieving some major acts of destruction.  Thanks to their weird weapons, violent attitude and being constantly high on a cocktail of drugs and stimulants, the Nihil prove to be pretty dangerous opponents, even to the Jedi.  This makes for some very unique fight sequences, and it was fascinating to see the Jedi overwhelmed by these criminals.  At the same time, there is also an intriguing focus on the leadership of the Nihil, as the top commanders, the Tempest Runners, fight for dominance against each other and Marchion Ro.  Ro is proving to be a particularly intense and fascinating villain and Scott really builds on the character in this novel, showing more of his flaws, his motivations and his abilities to deceive and destroy.  There are several amazing storylines following Ro throughout this novel, including one where he obtains a mysterious evil item from the past.  The eventual partial reveal of this plot device results in The Rising Storm’s memorable conclusion and the High Republic creative team clearly has some fantastic plans for Ro in the future and they are turning him into one of the more complex and dastardly villains in the entire Star Wars canon.

As is becoming my recurring habit, I ended up listening to an audiobook version of this Star Wars novel.  This of course was a wonderful experience, as the team behind these books ensured that this latest Star Wars audiobook was the usual audio treat that I have come to love.  Featuring a decent run time of just over 15 and a half hours, The Rising Storm audiobook was an exceptional listen that I managed to power through in just over a week and which proved to be an exceptional way to enjoy this Star Wars adventure.  The entire narrative of The Rising Storm is enhanced and supported by a range of awesome and iconic Star Wars sound effects and music, which are intended to draw the listener into the story.  Both the sound effects and music are used to incredible effect throughout, and I think that they both added so much to my overall enjoyment of The Rising Storm.  The sound effects do a remarkable job presenting the ambient noise of every single scene, with crowd noises, the hum of a lightsaber, the engine noises of a ship or the sounds of blaster fire, constantly played in the background.  I was particularly impressed by the chaotic sound effects used during the Nihil attack on the fair, as you are treated to background noises of terror and destruction for several hours, which helps to highlight just how devastating the entire affair is.  In addition, the always impressive John Williams musical score is so much fun to hear, and it was put to particular good use in several significant scenes to enhance dramatic impacts.  I was extremely moved when I heard some of this music, as it either pumped me up during key action scenes (Duel of the Fates always gets me hyped), or to be deeply saddened when the more tragic musical cords struck up.

In addition to the exceptional use of sound effects and music, I also was deeply impressed with the incredible voice work featured in this audiobook.  Leading Star Wars narrator Marc Thompson once again lends his voice to this audiobook, continuing the work that he did in the Light of the Jedi.  Thompson has previously narrated some of my favourite Star Wars audiobooks, including Thrawn, Chaos Rising, Greater Good, Scoundrels, Dark Disciple, and the Doctor Aphra audio drama.  I also really enjoyed the awesome work he did in The Rising Storm, as Thompson not only revises the many voices that he introduced in Light of the Jedi but also adds in several new ones for the new characters.  I felt that various voices that Thompson did fit each of the characters extremely well, and he was able to perfectly personify their personality and written nature using a variety of fun accents.  I also found that Thompson was able to highlight the various emotions that the characters were feeling, giving the listeners a great sense of what they were feeling through his tone.  It was also cool to hear the combination of sound effect and Thompson’s voice when it comes to several alien characters featured within the audiobook, especially those whose voices were altered by technology.  All this outstanding voice work, combined with the awesome sound effects and music, helps to turn The Rising Storm into an absolutely incredible and addictive audiobook, and this is easily the best way to enjoy this fantastic Star Wars book.

The High Republic continues to expand as the amazing Cavan Scott adds his own unique spin on events with the exciting and memorable Star Wars: The Rising Storm.  This latest addition in the intriguing High Republic range does a fantastic job introducing the next stage of this unique Star Wars time period, complete with a devastating event, some major changes and some outstanding new characters.  I had an incredible time reading this great novel, and The Rising Storm is a must read for all fans of the Star Wars franchise, especially in its audiobook format.  If you have not gotten into the High Republic yet, you are missing out, and I cannot wait to see what happens next.  I will also have to make sure to grab a copy of Cavan Scott’s next Star Wars audio drama, Tempest Runner, a High Republic entry which is set for release in a couple of months and which will tell the tale of one of the more intriguing Nihil characters, Lourna Dee.

Star Wars - The Rising Storm Cover 2

Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

Star Wars (2020) - Volume 1 Cover

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Star Wars (2020) #1 Cover

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics.  While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back.  These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures.  All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back.  In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back.  While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi.  This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers.  This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

Star Wars (2020) #2 Cover

Following the battle of Hoth, the Rebel Alliance is in disarray.  With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places.  The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost.  However, finding a Rebel cell under attack prompts them into action.  Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary.  At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him.  Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock.  Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

Star Wars (2020) #2 Cover2

As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey.  As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places.  All their journeys lead the back to the scene of one of the worst moments of their past, Bespin.  But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures.  Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back.  Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

Star Wars (2020) #3 Cover

For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed.  The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back.  The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe.  The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace.  This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties.  The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason.  There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there.  All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber.  There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize.  All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path.  You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section.  All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi.  Epic Star Wars storytelling at its best!

Star Wars (2020) #3 Cover2

There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within.  I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin.  This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise.  Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber.  This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip.  It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in.  The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber.  Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series.  It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive.  Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors.  I also noticed a lot of mentions about the High Republic in this volume.  I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi.  It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story.  All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise.  While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

Star Wars (2020) #4 Cover

I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume.  In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs.  However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor.  The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series.  Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels.  There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance.  However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader.  Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap.  When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him.  The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”.  This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass.  This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume.  Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back.  The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

Star Wars (2020) #4 Cover2

One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker.  Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader.  Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends.  To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him.  This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset.  There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force.  After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father.  This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire.  Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him.  It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi.  It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

Star Wars (2020) #5 Cover

In addition to Luke, a lot of the story focuses on Leia.  Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds.  While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss.  As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends.  Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process.  While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite.  It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her.  I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin.  Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han.  As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard.  Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location.  Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels.  This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there.  It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element.  While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi.  Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters.  He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics.  I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

Star Wars (2020) #5 Cover2

Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history.  Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume.  Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend.  R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again.  There is also an interesting focus on a couple of new or lesser-known characters.  For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron.  The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance.  Zahra is tactical genius who I understand is going to have a major role in some upcoming comics.  This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star.  Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic.  The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes.  While all the art in this comic is great, there are a few things that really stood out to me, such as character design.  The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display.  It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability.  There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life.  A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet.  The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place.  This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it.  I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back.  These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path.  Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists.  I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Star Wars (2020) #6 Cover

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible!  Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read.  I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story.  This is one of my favourite Star Wars comics and it gets a full five-star rating from me.  I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

Throwback Thursday – Star Wars: Maul: Lockdown by Joe Schreiber

Star Wars - Maul - Lockdown Cover

Publisher: Random House Audio (Audiobook – 28 January 2014)

Series: Star Wars

Length: 12 hours and 20 minutes

My Rating: 4.5 out of 5 stars

This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. 

2021 has so far been a fantastic year for Star Wars novels with excellent releases such as the two Star Wars: The High Republic novels, Light of the Jedi and Into the Dark, and the final entry in the Alphabet Squadron trilogy, Victory’s Price.  I have been really enjoying these new Star Wars novels but I recently got a hankering for something a little different and decided to go back and check out some of the older Star Wars tie-in novels.  While there were several intriguing options (I was strongly eyeing off A New Dawn by John Jackson Miller, Darth Plagueis by James Luceno and Razor’s Edge by Martha Wells), I eventually settled for the one of the last entries in the Star Wars: Legends range of books, Maul: Lockdown by Joe Schreiber, an intensely exciting and dark novel with an amazing story to it.

Welcome to the space station Cog Hive Seven, the most dangerous prison in the entire galaxy.  Here inmates are forced to fight to the death in matches broadcast to millions of gamblers across the Republic determined to make a profit off the blood of the galaxy’s worst killers and criminals.  No one escapes from Cog Hive Seven, and every one of its deadly and evil inhabitants know that they will eventually die there.  However, not even these deranged inmates are prepared for the new evil that has been thrown into their midst, the lethal dark-side assassin, Darth Maul.  

Sent by Darth Sidious to contact a secretive weapons merchant, Iram Radique, Maul has disguised himself as a notorious mercenary and killer.  Determined to complete the mission his master has given him, Maul begins to upend the prison to find the elusive Radique, quickly establishing himself as a destructive force of chaos.  However, his notoriety also sees him forced into progressively more dangerous matches against some of the deadliest creatures in the galaxy. 

Bereft of his lightsaber, forbidden from using the force and with bombs injected into both his hearts, Maul must rely on his brutal combat abilities and own inner strength to succeed.  But the closer he gets to finding Radique, the more he realises that not everything is as it seems aboard Cog Hive Seven and that his target will do everything is his power to avoid meeting with Maul.  Worse, dangerous factions have taken notice of the prison and its deranged warden and soon Maul must contend with a death cult, the followers of Jabba the Hutt and a horrifying monster living within the walls of the prison.  Can even Darth Maul overcome the odds in front of him, or will the creatures of Cog Hive Seven swallow him whole?

I think readers of this blog will not be too surprised to hear that the moment I found out that there was a book that followed Darth Maul participating in death matches aboard a space prison, I knew I would have to read it, and boy am I glad I did.  Maul: Lockdown is an impressive and fantastic novel that I found to be instantly captivating and which I powered through in a short amount of time.  Author Joe Schreiber, whose previous novel, Death Troopers, featured an outstanding story about key Star Wars characters encountering a zombie horde (it is as awesome as it sounds) came up with a pretty epic narrative for this Star Wars novel, and I really enjoyed this cool, Darth Maul-centric book.

I have to say that I was really surprised about how complex and impressive Maul: Lockdown’s narrative turned out to be.  Based on the plot description, I would have expected a simple, action-orientated story, but instead Schreiber crafted together a dark and powerful Star Wars tale with some compelling mystery elements.  This book reads a lot like a prison thriller, with Maul thrust into the middle of a dangerous jail which he must navigate to find his target.  While there is a natural focus on the fights between Maul and the other dangerous inmates, which results in some exceptional action sequences, the author also works in some great mystery and crime fiction elements that combine perfectly with the Star Wars backdrop.  The author utilises a bunch of multiple perspectives to show the chaotic nature of the prison, and there are several great storylines based around supporting characters which twist their way around Maul’s central story of surviving and attempting to find the secretive arms dealer. 

As the story progresses, more and more dangerous elements and antagonists are thrown into the narrative, including monsters, deranged cultists and even Jabba the Hutt, intensifying the obstacles facing Maul and raising the thrilling stakes of the narrative.  I really enjoyed the main storyline of the hunt for Radique, and there were plenty of false leads and twists around who he was and where he was hiding.  I did think the eventual reveal of the character (spoiler ahead!!!) was a tad weak, mainly as it ended up being a character we hadn’t seen before (spoiler end), but it was still an interesting and exciting centre to the narrative.  Schreiber also weaves some excellent horror elements into the story, especially surrounding one unique creature in the prison.  The author makes this creature particularly horrifying to behold, both because of its appearance and its unsettling abilities, and there are some real terrifying sequences surrounding it.  All these great elements come together perfectly into one fantastic and captivating tale that proves to be extremely addictive and very clever.

This is an exciting Star Wars novel that fans of the franchise are really going to enjoy.  Maul: Lockdown was one of the later entries in the previous Star Wars extended universe which is now known as the Star Wars: Legends range.  Despite no longer being considered canon, the Star Wars: Legends books still have some great stories, such as the impressive heist novel Scoundrels, and this was a pretty cool entry.  Set a year before The Phantom Menace, this book is loaded with a ton of references to other pieces of Star Wars media, including several previous Star Wars: Legends novels and comics, Schreiber’s previous book Death Troopers (featuring a clever cameo), and even an old Star Wars video game, Bounty Hunter.  There are lots of interesting pieces of Star Wars lore in here, and the author features a couple of major figures from the prequel films, as well as a few obscure characters from some of the older Star Wars novels, including a corrupted Padawan of Count Dooku I had not heard of before (she is not in the new canon).  I really enjoyed the author’s inclusion of a battle of intrigue between Darth Sidious and his master Darth Plagueis, and the story in Maul: Lockdown has some great connections to certain events in the Darth Plagueis novel.  While Schreiber has included a lot of high-level lore, I felt that this was quite an accessible Star Wars novel and anyone who saw Darth Maul emerge in The Phantom Menace will definitely enjoy this darker and captivating piece of Star Wars fiction.

One of the most intriguing things about this novel is the way in which the author attempts to dive into the mindset of fan-favourite character Darth Maul.  Ever since he whipped out his dual-bladed lightsaber in The Phantom Menace, Maul has been a much beloved figure in the Star Wars franchise, but you do not often get to see much of his inner thoughts.  While I would probably be happy reading a simple hack-and-slash adventure featuring Maul, I really appreciated the way in which Schreiber takes the time to examine Maul’s inner psyche, and you get an intriguing glimpse into his thoughts about his mission, his purpose in life and his loyalty to his master.  I found it quite fascinating to see the way in which Schreiber portrays Maul’s complex feelings about Sidious, as he is both simultaneous absolutely loyal to him while also being deeply suspicious about his intentions.  Maul spends most of the book believing that everything he is experiencing is a test or deception levelled at him by his Master and he also hints at his suspicions that he will eventually be betrayed.  While this examination of Maul’s more complex thoughts and feelings is quite interesting, it is also perfectly counterbalanced by a huge number of scenes that examine just how much of a badass Maul is.  Schreiber has loaded this book up with awesome and brutal fight sequences pitting Maul up against a range of deadly opponents, which are made even more awesome by the fact that Maul is unable to use either his lightsaber or force abilities.  Instead, Maul shows off his impressive unarmed fighting skills and his natural cunning, as he overwhelms his opponents in some brutal and clever ways.  The author also fits in some compelling hints and depictions of Maul’s training and early life, which I found to be very interesting, particularly as some of these events slightly differ from the current canon.  All of this makes for an exceptionally cool Darth Maul novel, and I loved seeing this great character in all his deadly glory.

I ended up checking out Maul: Lockdown on audiobook, which is easily the best way to enjoy a Star Wars book.  The Maul: Lockdown audiobook has a reasonable run time of 12 hours and 20 minutes, which dedicated listeners can get through in a couple of sittings.  I absolutely powered through this audiobook myself, especially once I got caught up in the cool story, and I had a great time experiencing all the features of this format.  Like most Star Wars audiobooks, Maul: Lockdown makes excellent use of the iconic sound effects and musical scores from the Star Wars films and television series to enhance its story.  The sound effects are particularly impactful in Maul: Lockdown, and I liked the way they made the many fight sequences pop with the sounds of violence and weapons blasting.  They also made one horrifying creature even more terrible to listen to thanks to the slithering and sucking sounds that played when it appeared.  This audiobook also made great use of John Williams’ amazing scores.  I always love hearing the inspirational and moving Star Wars music during these audiobooks, and while it was more restrained in this audiobook than some others I have enjoyed, it still helped to make several emotional or exciting scenes just a little more epic.

In addition to the cool sound effects and awesome music, Maul: Lockdown’s audiobook also made great use of exceptional narrator Jonathan Davies.  Davies is a veteran narrator who has lent his voice to several Star Wars novels in the past, such as Doctor Aphra, Dooku: Jedi Lost, Master and Apprentice and Lords of the Sith.  He does a fantastic job bringing the various characters in Maul: Lockdown to life, and I really enjoyed the unique tones that each character received.  I really liked the voices that he used for established Star Wars characters, which were close, if not spot on, to how they appeared in the films or television series.  This includes the menacing tones he came up with for Maul, which contained all the character’s barely supressed anger and hatred, and he did a rather good Darth Sidious which was reminiscent of Tim Curry’s take on him in The Clone Wars animated series.  Davis also did a perfect Jabba the Hutt (not exactly sure that is a compliment, but please take it as such), and I loved hearing him do Jabba’s iconic laugh.  Overall, his narration was pretty damn awesome and, when combined with the fantastic sound effects and great musical inclusions, helped to really enhance Maul: Lockdown’s narrative and continued the trend of outstanding Star Wars audiobooks.

Star Wars: Maul: Lockdown by Joe Schreiber is an outstanding and awesome novel that sees one of the best characters in the Star Wars canon fighting for his life in a dangerous setting.  Featuring a powerful and addictive narrative, loaded with intrigue, betrayal, and a whole lot of violence, this is a rich, clever, and dark Star Wars novel that comes highly recommended.  I had an incredible time reading this cool and captivating book and I really need to check out some of the other amazing sounding novels in the Star Wars: Legends range.

Star Wars: The High Republic: Light of the Jedi by Charles Soule

Star Wars - Light of the Jedi Cover

Publisher: Random House Audio (Audiobook – 5 January 2021)

Series: Star Wars – The High Republic

Length: 13 hours and 35 minutes

My Rating: 4.5 out 5 stars

Boldly venture into a bright new era of the Star Wars universe as acclaimed science fiction author Charles Soule introduces the first entry in the High Republic multimedia publishing project, Light of the Jedi.

We are all the Republic!

Two hundred years before the events of The Phantom Menace and the Skywalker Saga, the Republic was at its absolute height in influence, technology and culture, in a period of time known as the High Republic.  With the glorious Jedi Order leading the charge, nothing seems capable of slowing down the inevitable expansion of the Republic, especially with the creation of the Starlight Beacon, a vast space station designed to bring Republic influence to the darkest corners of the Outer Rim.

However, all it takes is one event to threaten everything.  In the depths of hyperspace, tragedy strikes when the transport ship Legacy Run, taking settlers to the Outer Rim, encounters something while travelling at light speed and is torn apart.  Shortly after, in the agricultural system of Hetzal, chunks of the ship emerge from hyperspace at incredible speeds and begin to rain down across the systems, planets and moons in an extinction-level event.  Disaster is only partially averted by the arrival of the Jedi, who work tirelessly and valiantly in an effort to save as many lives as possible.

As more pieces of debris begin to strike other systems within the Republic and the Chancellor initiates a hyperspace blockade, the Jedi are tasked with determining the origin of the crashed ship before more tragedies can occur.  As the Jedi, led by Master Avar Kriss, begin to investigate, they quickly determine that a mysterious new party has taken a twisted interest in the disaster, the Nihil.   The Nihil are a group of ruthless and chaotic raiders with dark secrets and a sinister origin, who appear out of nowhere and take what they want.  Armed with unique technology and abilities, the Nihil are about to engage in a deadly campaign against the Republic and the Jedi which the galaxy may never recover from.

I think it is fair to say that the High Republic is off to a smashing start with this exciting and captivating novel.  The High Republic is an intriguing new publishing campaign that aims to present a bold new era of Star Wars tie-in fiction.  Set around 200 years before the events of the earliest Star Wars film, the High Republic will consist of a series of connected novels, including adult, young adult and young reader books, as well as several comics, manga and audiobooks, all set in the same period of Star Wars history, with a whole new range of different characters and storylines.  The High Republic project has been in the works for some time, with several of the best Star Wars tie-in fiction authors banding together to come up with the overarching story and universe.  These various storylines are likely going to lead into some form of movie of television series in the future, especially after the success of shows like The Mandalorian, representing a whole new creative frontier for these amazing authors.

The subject of this review is Light of the Jedi, the first book in the High Republic range, which introduces readers to this fascinating time period in the Star Wars universe.  This essential introductory novel was written by the extremely talented Charles Soule, who is one of the main creative voices of this project.  Soule is a fantastic author who, in addition to writing several cool science fiction novels, is probably best known for his work in the comic book world, having authored a number of major series, such as Thunderbolts vol. 2, She-Hulk vol. 3, Death of Wolverine, and Daredevil vol. 5, just to name a few.  I personally know Soule best from his various Star Wars comics, including the very cool Poe Dameron series, The Rise of Kylo Ren miniseries and his current run on the main Star Wars series (I really need to review the first volume of that).  My favourite of Soule’s Star Wars comics is the exceptional Darth Vader: Dark Lord of the Sith series, which followed Darth Vader in the immediate aftermath of his turn to the dark side.  This was a deeply impressive series (check out my reviews for Volume 2: Legacy’s End and Volume 3: The Burning Seas, the latter of which was one of my favourite releases of 2018), with some captivating and clever storylines, and it easily one of my favourite Star Wars comics of all time.  As a result, I have been eagerly awaiting this impressive author’s first Star Wars novel, and Light of the Jedi did not disappoint as Soule created a fantastic and epic tale that I really enjoyed.

At the heart of this great novel is an exciting and compelling narrative that takes the reader on a wild adventure into the depths of Star Wars space and beyond.  Soule presents a brilliant multifaceted tale in Light of the Jedi, told from the perspective of a huge number of different characters, each of whom add some fantastic perspectives to the wider narrative.  This novel has an amazing start, with the first third of Light of the Jedi showing the cataclysmic event that rocks the galaxy and the subsequent attempts to avert it in great detail.  This entire first part of the book is pretty fantastic, filled with destruction, heroics and amazing character introductions, all of which is overlayed to a countdown clock that hints at a bigger and more destructive event to come.  I really enjoyed this fast-paced and intense start to the book, especially as Soule adds in some fantastically written action-packed scenes, loaded with some dramatic and tragic moments, setting up the novel’s subsequent story perfectly.  The rest of the book splits into several separate but related storylines that show the aftermath of the opening chaos, introduces and highlights the overall antagonists of the book, and expands on the introduced characters.  All of the storylines featured in this part of the book are extremely interesting and compelling, presenting several unique adventures with some excellent twists, while also examining cool aspects of the Star Wars universe.  The huge range of storylines and character arcs complement each other really well, producing a balanced and captivating tale that comes together extremely well in the end.  All of this leads up to an epic conclusion that not only serves as a great ending to the various storylines featured in Light of the Jedi but which also sets up some intriguing storylines for the future High Republic novels.

Perhaps the most interesting part of this book is the huge extensions that Soule, and the associated High Republic creative brain trust, made to the Star Wars universe.  The High Republic period, as portrayed in this novel, is a gleaming beacon of civilisation and democracy, where unity and positivity run rampant, especially with their near-religious catchphrase of “We are all the Republic”.  Light of the Jedi serves as the perfect introduction to this period, and Soule does an amazing job exploring all the key aspects of it, including the technology, the set-up, the significant figures and the major differences between this period and future eras of the Republic that readers are more familiar with.  I liked the overall setting of this version of the Star Wars universe, especially as it has a very distinctive frontier feel to it, with people moving out from the settled core of the Republic and encountering some of the hidden and malicious dangers in the less settled regions.  There is also something shiny and exquisite about a lot of inclusions in this book, and I particularly liked all the depictions of the spaceships and technology featured.  This historical Republic is definitely at a high-point of culture and technology, and as such this book is loaded with a ton of elegant and beautiful battleships, which sound so much more impressive than rougher technology featured even in the prequel films.

I also appreciated the way in which the author portrays people having a general sense of naivety throughout the Republic, as they all believe that everything is peaceful and nice.  This will no doubt change in future entries in the series, and it will be interesting to see if this peaceful version of the Republic starts to go downhill a bit as a result of the events featured within this series.  For me though, one of the highlights of Light of the Jedi had to be the titular Jedi.  The Jedi featured in the High Republic series are at the height of their power and majesty, and they prove to be a very impressive bunch in their white and gold robes.  There is a really fascinating collection of unique Jedi throughout the novel, and it looks like Soule attempted to feature Jedi of nearly every Star Wars species he could think of.  The thing that really stood out to me were all the cool Jedi powers that they had, as the Jedi characters in this novel were doing a ton of amazing force techniques that none of the characters featured in the films seemed possible of doing.  All of this was really cool to see, and I think that Soule and Light of the Jedi did an amazing job of introducing this impressive setting.

Another very intriguing inclusion is the Nihil.  The Nihil, who are set to be the main antagonists of the entire High Republic range, are a group of ultra-violent raiders who live by a simple code of taking what they want, when they want, and are massively opposed the ideas of law and order imposed by the Republic and the Jedi.  Soule does an amazing job introducing these antagonists in Light of the Jedi, with their first scene showing them coming out of nowhere and brutally pillaging a fleet of ships.  There was something particularly savage and intense with this first sequence, and I was getting serious Mad Max or Firefly Reaver vibes in the way that they attacked, using harpoons and vicious boarding tactics.  The author continues to expand on these antagonists throughout the course of the book, and the reader is given a solid idea of their structure, tactics, history and general mindset, as a number of chapters are told from their perspective.  The Nihil have some very interesting and unique characteristics to them, and there is a certain Viking theme to them, especially with their storm motif.  I loved the portrayal of them throughout the book, and this group of mask-wearing, savage aliens really left an impression on me, especially with their gas-based weapons, under-handed battle tactics (there is one particularly awesome sequence around that) and unique hyperspace technology.  I was slightly worried that the Nihil were going to simply be portrayed as a group of common raiders throughout the course of this series, and it appeared at times within Light of the Jedi that this is what was going to happen.  However, this was a bit of clever misdirection from Soule, who produced a very compelling and well-written story arc around these antagonists that really sets them up as a major deadly force in the Star Wars universe.  A lot of this menace is due to the many cool hints and reveals about the Nihil’s hidden secrets throughout the course of the story, especially surrounding Nihil’s mysterious leader, the Eye, and I look forward to unravelling them in future entries in this series.

Soule introduces a large range of compelling characters in Light of the Jedi, including a range of intriguing new Jedi.  Due to the author going for a mass perspective story, this novel really does not have a main character; instead Soule splits the tale across many characters, each of whom have their own unique storylines and arcs.  I have to admit that before reading this novel I was slightly concerned that the High Republic series would have a bit of a hard time gaining traction with characters, as the only figure from the films to actually be alive at this point is Yoda (and apparently Yarael Poof, who I mostly recognise from a fun Robot Chicken sketch).  However, I quite enjoyed a lot of the characters featured within this book and I appreciated the way that Soule was able to build them up into compelling and unique individuals within the series of shorter story arcs that they had.

Some of the key characters include Jedi Master Avar Kriss and Jedi Knight Elzar Mann (the two humans on the cover), powerful Jedi with unique abilities who are being set up as two of the main characters of the entire franchise.  Kriss and Mann, who are lifelong friends, form an intriguing team, especially with their underlying romantic tensions that they cannot act on (Soule makes a fun joke about Jedi and their lightsabers earlier in the novel that works perfectly there).  Another fantastic pair are Twi’lek Jedi Loden Greatstorm (awesome name) and his Padawan, Bell Zettifar, a more action orientated pairing who get into some scrapes throughout the novel.  Loden and Bell have an excellent arc throughout the novel and I enjoyed their great master-and-apprentice relationship, which mainly consists of Loden throwing Bell off high locations for training purposes.  Both characters, especially Loden, end the novel in an interesting position, and it will be very cool to see how these two characters develop and change in future entries in the series.  Other highlights for me include the Trandoshan Jedi Sskeer, mainly because of his cool look and species, and the Wookiee Padawan Burryaga Agaburry, who the reader swiftly warms up to, even if he doesn’t say anything comprehensible throughout the book.

In addition to the Jedi mentioned above, I really have to highlight some of the chaotic and intense Nihil characters, who make for some great antagonists.  The main one of these is the mysterious Marchion Ro, a leader and mystic of the Nihil with a hidden past and a sinister agenda who is being set up as the major villain of this franchise.  Ro, is a unique new antagonist, with hints of other Star Wars villains in his inspiration (particularly Kylo Ren), who has a fun arc within Light of the Jedi, completely changing and manipulating his followers for his own betterment.  I also quite liked the Tempest Runner Kassav Milliko, the drugged up, vicious and opportunistic Nihil warlord who clashes with Ro throughout the book and who serves as a major catalyst for story advancement throughout the book.  All of these characters and more prove to be quite compelling to follow, and I look forward to seeing what happens to them in future entries in this overarching publishing project.

Like I do for many Star Wars novels, I ended up grabbing Light of the Jedi in its audiobook format.  This proved to be a fantastic decision on my behalf, as the Light of the Jedi audiobook is really awesome, featuring the usual outstanding blend of great narration, epic music and clever sound effects to create an intense and enjoyable listening experience.  It had a reasonable runtime of 13 hours and 35 minutes, which listeners should be able to get through rather quickly; I personally was able to power through it rather quickly once I really got into the fantastic story.  The audiobook’s creative team did an exceptional job enhancing the story with the iconic Star Wars sound effects, and I loved the amazing ambiance that every single scene had, whether it was the sounds of destruction that occurred during a fight scene, or the simple sounds of people whispering that gave realistic life to group scenes.  The Star Wars music was also on point again, and I cannot emphasise how much emotion and excitement the awesome musical scores added to each scene in the novel.  For example, they expertly utilised John Williams’ tune of Anakin’s Betrayal during one particularly sudden and tragic scene, giving it an added layer of depth and despair that really struck me.  Many other different and iconic Star Wars musical scores were featured at various points throughout the novel, and I quite enjoyed the inclusion of several numbers that were a little less familiar to me, and which gave this audiobook a more unique flair.  Listeners will also really appreciate the cool heavy metal music that ran in the background of some of the Nihil scenes.  Identified as “wreck punk” by some of the characters (apparently created by instruments made from the metal of wrecked star ships), this heavy metal music adds an additional Mad Max edge to the Nihil in battle, and I loved how the audiobook’s creators went the extra mile to make these villains even more edgy.

In addition to the excellent musical inclusions and awesome sound effects, the Light of the Jedi audiobook also featured the superb vocal talents of veteran narrator Marc Thompson.  Thompson, who I recently mentioned in my review of Thrawn Ascendancy: Chaos Rising, did another fantastic job with Light of the Jedi, telling the story at a swift and enjoyable pace, while also giving voice to all the fun characters featured within the story.  Each of the characters gets their own unique voice, ensuring the reader can identify who is speaking at all times.  I felt that these voices fit each character perfectly, and Thompson has fun giving some of these character distinctive accents.  Thompson is also able to convey an amazing amount of emotion with his tone, adding fear, suspense and anguish into both his main narration speech, as well as the voices of the various characters.  This great outpouring of emotion in his dramatic voice helps to enhance several scenes, drawing listeners in with its realism and intensity.  I should note that listening to the audiobook did give me a clue at a fun little twist that Soule added to the story, as you can identify who a hidden speaker is at one point via his voice, something someone reading a physical copy of the book would not get.  This did not ruin the book for me in any way shape or form; indeed I kind of liked having this hint and it added a little more intrigue to the overall story.  Overall, this was some exceptional voice work from Thompson, which makes this audiobook an outstanding way to check out Light of the Jedi.

Star Wars: Light of the Jedi by Charles Soule is a fantastic and exciting new novel that serves as an intriguing and powerful introduction into the new High Republic range of novels and comics.  Featuring an epic and action-packed narrative, some awesome new characters, and an impressive amount of universe-building, this is an incredible book that was really fun to read.  Thanks to the introductory nature of the story, it is very accessible to fans with various levels of franchise knowledge, and may even prove to be a good entry point into the wonderful world of Star Wars novels.  I am a little uncertain at this point how this new Star Wars franchise is going to proceed in the future and how some of the storylines will continue, but I am really looking forward to finding out.  The future of Star Wars tie-in fiction leading into the High Republic looks bright, especially if we get more outstanding novels like Light of the Jedi, and this should be an interesting new chapter in Star Wars history.

Star Wars: Darth Vader: Volume One: Dark Heart of the Sith

Darth Vader - Dark Heart of the Sith

Publisher: Marvel Comics (Paperback – 24 November 2020)

Series: Darth Vader (2020) – Volume One

Writer: Greg Pak

Artist: Raffaele Ienco

Colour Artist: Neeraj Menon

Letterer: VC’s Joe Caramagna

Length: 136 pages

My Rating: 5 out of 5 stars

One of the first entries in a new set of Star Wars comics is here and it is pretty damn awesome, as Greg Pak, Raffaele Ienco and Neeraj Menon present the first volume of the 2020 Darth Vader series, Dark Heart of the Sith.

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Dark Heart of the Sith contains issues #1-5 of the Darth Vader (2020) comic book series which takes place right after The Empire Strikes Back.  The Darth Vader (2020) series is part of a new range of Star Wars comics which include the Star Wars (2020), Doctor Aphra (2020) and Bounty Hunters series, all of which are set in the year between the events of The Empire Strikes Back and Return of the Jedi.  These comics follow on from earlier series which were set between the events of A New Hope and The Empire Strikes Back.  This latest round of comics attempts to provide details about what occurred between the events of the second and third films, as well as create some new and exciting adventures.  All of the comics in this range sound fantastic, and I have been eagerly anticipating all of them, especially Darth Vader (2020) due to all the potential for action and drama that it has.

To tell this unique tale, Marvel have utilised the fantastic team of author Greg Pak, artist Raffaele Ienco and colour artist Neeraj Menon.  Greg Pak is a film director and author who has written several amazing comics in his career, with a particular focus on the Hulk and Hercules series for Marvel.  I am somewhat familiar with Pak’s work, enjoying his current run of Firefly comics for Boom!.  I am a little less familiar with Ienco and Menon (although Menon did work as a colourist on the Target Vader limited series), but both are experienced artists who have worked on some intriguing-sounding projects in the past.  This is an intriguing team, and they came together to produce an excellent and powerful Darth Vader story.

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During the climatic events of The Empire Strikes Back, Darth Vader revealed that he was Anakin Skywalker to his son, Luke, and offered him a chance to rule the galaxy by his side.  However, Luke refused to join him out of fear and disgust, choosing instead to plunge to an unknown fate beneath Cloud City.  Now, rejected and betrayed, Vader finds himself full of rage and determined to seek revenge on anyone who kept his son from him and made him weak.

Tracing Luke’s life before the Rebellion, Vader attempts to find anyone he can take his frustrations out on.  But with everyone in Luke’s past dead and beyond his wrath, Vader decides to investigate what happened to his wife, Padmé Amidala, after their final confrontation on Mustafar.  Investigating a listening device left in Padmé’s apartments on Coruscant, Vader travels to a hidden Rebel base where he makes the startling discovery of a woman with a shocking resemblance to an older Padmé.

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Despite the initial shock, Vader is soon able to determine that this is not his dead wife returned from the grave but the Queen’s Shadow, Sabé.  Sabé was once Padmé’s most loyal friend, handmaiden, bodyguard and double, and her death has haunted Sabé for years.  Determined to use Sabé to find the answers he is looking for; Vader decides to work with the former handmaiden to find out the truth of Padmé’s last moments.  The information that they need apparently resides on Naboo, and Vader is forced to relive the ghosts of his past life as Anakin Skywalker to find the truth.  However, more treachery awaits Vader on Naboo as a secret organisation waits to kill him.  The Handmaidens of Amidala know who truly killed their mistress, and they are finally ready to take their revenge.

What is it about Darth Vader that makes it impossible for someone to create a bad comic about him?  I mean, seriously, all the previous Darth Vader comics in the current canon have been absolute masterpieces, from the epic 2015 Darth Vader series (check out my reviews for Volume One: Vader, Volume Two: Shadows and Secrets and the crossover comic Vader Down), the impressive prequel series Darth Vader: Dark Lord of the Sith (check out my reviews for Volume Two: Legacy’s End and Volume Three: The Burning Seas), the first volume of the 2015 Star Wars series, Skywalker Strikes, or the fun limited series, Dark Visions.  Each of these comics has been impressive in its own way, and in each of them Darth Vader shines as the ultimate badass.  This first volume of the new Darth Vader series is no exception as it follows Vader through a harrowing journey of discovery that takes him back into his tumultuous past and explores the consequences of his actions at the formation of the Empire.

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Dark Heart of the Sith contains an epic and emotional narrative which follows one of fiction’s greatest villains after he encounters one of the biggest setbacks in his life.  Set mere moments after Vader’s final appearance in The Empire Strikes Back, the Dark Lord of the Sith embarks on a deeply personal mission that is half rampage and half voyage of discovery.  After some initial setbacks, Vader eventually finds Sabé, the Queen’s double, whose appearance in the final panel of Issue #1 was a major selling point for the series.  Sabé’s introduction to the plot leads Vader to revisit some of the most important locations from his life as Anakin Skywalker, before an inevitable run-in with Padmé’s former followers, who hold Vader responsible for her death and the death of Anakin Skywalker.  This entire arc is extremely well written, and I absolutely loved the ambitious and clever story that Pak came up with.  The author does an awesome job of combining an exciting narrative made up of several epic and impressive moments and with a deep dive into Vader’s mind, and this results in a captivating and powerful read that serves as a particularly distinctive chapter in the history of Darth Vader.  I really enjoyed where Pak took Dark Heart of the Sith’s amazing story, and while certain elements lose their impact in the internet age of freely available spoilers, there are some big and impressive moments in here that all Star Wars fans need to see.

One of the things I most enjoyed about this comic was the way that the creative team brought in elements from the Star Wars prequel films and inserted them into a story set right after The Empire Strikes BackDark Heart of the Sith takes the reader back to several key locations from the prequel films and reintroduces several minor characters who appeared in them, including Sabé, one of the pilots from The Phantom Menace and Captain Gregar Typho, Padmé’s security guard in Attack of the Clones and Revenge of the Sith.  This use of these elements from the prior movies works extremely well in the context of this comic’s story, as Vader is forced to revisit his past at a point when he is the most vulnerable in the present.  This makes Dark Heart of the Sith quite an interesting comic for Star Wars fans, who will greatly enjoy the inclusion of elements from two distinctive eras of the franchise.  I felt that Dark Heart of the Sith was a very accessible comic for readers with limited familiarity with Star Wars fiction, and readers only need to check out some of the films to get a good understanding of what is happening. 

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However, as an established fan of the franchise, I was quite overjoyed to see that this comic had an interesting connection to some interesting pieces of Star Wars extended fiction, namely two recent novels by E. K. Johnston, Star Wars: Queen’s Shadow and Star Wars: Queen’s Peril.  These two novels, which serve as sequel and prequel to The Phantom Menace respectively, are set around the lives of Padmé and her handmaidens and provide added details about how they came into her service and the loyalty that they felt to her.  The narrative contained within this comic serves as a sequel to an arc set up in Queen’s Shadow, where Sabé swears to find justice for the death of Padmé, with several of the unique characters who were either introduced or sufficiently fleshed out in these novels also appearing.  This results in several awesome scenes, including one particularly epic sequence in which Vader is confronted by Padmé’s surviving handmaidens, who engage in an all-out brawl against him.  I found all of this to be immensely cool, and I really enjoyed seeing some of the elements from these books concluded in this comic, especially as Dark Heart of the Sith serves as a definitive conclusion to these character arcs.

Unsurprisingly, the standout character of this comic is Darth Vader himself, who goes through a lot during Dark Heart of the Sith.  Pak really turns this first volume into a deep exploration of Vader’s complex psyche, and there is an interesting examination of how Vader is feeling in the immediate aftermath of Luke rejecting him.  Without his usual determination and dedication to the Dark Side, Vader is lost in this comic, acting out of impulse and searching for someone or something to take his rage out against.  The introduction of Sabé and the return to several key locations from his past only adds to his confusion and emotional instability, and it is blatantly obvious that this is not the same Vader we have come to fear and admire.  Instead, this Vader hesitates to do some of his usual acts of destruction.  Certain memories from his past suddenly spring to the forefront of his mind, turning him away from his desired actions, such as sparing Sabé after revisiting his memory of killing Padmé.  Vader is also continually thrown by the return of several figures from his past, each of whom had a connection to both Padmé and Anakin Skywalker, and it proved to be quite fascinating to see Vader interact with them differently, especially as none of them are aware that Vader is Anakin. 

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This comic also contains some key moments of history for Vader; not only does he finally visit Padmé’s tomb but he also admits to her murder, all of which have major emotional implications for him.  I quite enjoyed this dive into Vader’s psyche and I really appreciated the way that the creative team tried to show just how complex and conflicted the character can be.  Based on how Volume One ends, this is probably going to be a recurring theme of the Darth Vader (2020) series and it will be interesting to see the many different changes in the character’s psyche.  I should mention that even though this is a focus on Vader’s mind and his innumerable regrets, the creative team do go out of their way to show just how much of a badass he is and there are several impressive sequences where he doles out death and destruction on an epic level, including killing some of the biggest and most dangerous creatures on Naboo.  All of this results in a deeply impressive Darth Vader comic, and I love the creators’ take on this amazing villain.

Aside from Vader and the returning characters from the prequels, Dark Heart of the Sith also features a fun new posse for Vader in the form of three Death Troopers (the elite Stormtroopers introduced in Rogue One) and the forensics droid Zed Six Seven, who accompany Vader throughout this mission.  While the Death Troopers do have a key role in this comic as Vader’s bodyguards and backup, they are mostly just background characters, without any major defining characteristics or moments.  Zed Six Seven, on the other hand, does a lot of talking, commenting on every event and revelation that occurs within the course of the narrative.  This extra commentary is essential, as Zed Six Seven provides nearly all the necessary exposition within the narrative, as Vader has less dialogue than a typical comic protagonist.  Despite primarily being an exposition machine, Zed Six Seven does prove to be an entertaining character, and I quite enjoyed his reactions to certain revelations or the events, even if his inability to keep his robotic mouth shut does cost him in the end.  Overall, I really liked all the character inclusions and development featured within Dark Heart of the Sith, and it helped to make an epic and powerful story.

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I really must highlight the exceptional art featured within this volume as the two artists, Ienco and Menon, do an amazing job bringing this captivating narrative to life.  I absolutely loved all the art contained within this comic and I felt that each of the scenes was drawn very well, with the various featured characters representing their film counterparts in impressive detail.  I particularly enjoyed the excellent way that the artists recreated a ton of key events from the prequel movies and featured them throughout the comic.  The recreated shots from the films were done with a distinctive red filter and were utilised as Vader’s flashbacks to key events from his life.  These flashback scenes help to highlight just how muddled and conflicted Vader’s thoughts are, and they are utilised to great effect throughout this first volume, often shown side-to-side with current events for some amazing contrasts.  I felt that this excellent artwork really helped to enhance Pak’s clever story, especially as the artwork provides the reader with some fantastic visuals of Vader’s emotional range.  It is a real testament to their drawings that you constantly have an idea of how Vader is feeling even with the mask on, and a lot of this is down to the way that the artists portray his body language and reactions.  I also loved several sequences that recreate Luke’s fall to the bottom of Cloud City at the end of their duel in The Empire Strikes Back.  These sequences are featured multiple times throughout the comic, with Luke replaced with several other characters, including various iterations of Vader himself, reflecting just how fractured or lost Vader feels.  This comic is also filled with some action-packed and explosive moments that see Vader attempt to kill everyone and everything in his path.  These action sequences are an exciting treat at several key points throughout the narrative and it is always fun to see Vader kick ass and take names.  Highlights included several sequences where Vader faces off against the megafauna of Naboo, including one massive leviathan (whose introduction is one of my favourite panels in the entire comic).  There is also a particularly brutal fight sequence towards the end of the comic where Vader releases years of anger and frustration in one destructive flurry.  All this awesome art adds so much to the comic and I cannot compliment it enough.

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Dark Heart of the Sith, the first volume of the Darth Vader (2020) series, is an absolute triumph that may be one of the best pieces of Star Wars fiction this year.  Featuring an outstanding combination of exciting narrative, compelling character development and eye-popping artwork, Dark Heart of the Sith was an absolute treat to read from start to finish.  I loved the way in which the creative team dived into the mind of my favourite Star Wars character, and it proved to be a gripping and powerful read.  This was one of the best things I read all year and it gets an easy five-star rating from me.

Total Power by Kyle Mills (based on the series by Vince Flynn)

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Publisher: Simon & Schuster Audio (Audiobook – 15 September 2020)

Series: Mitch Rapp – Book 19

Length: 9 hours and 27 minutes

My Rating: 4.25 out of 5 stars

Acclaimed thriller writer Kyle Mills returns with his latest entry in the long-running Mitch Rapp series, Total Power, a haunting and compelling new book that portrays a devastating and country-altering attack on America.

America’s top spy and assassin Mitch Rapp is back in action, and this time he’s racing to keep America from falling into the Dark Ages.  After eliminating his nemesis, Sayid Halabi, the head of ISIS, Mitch and his team have been working to clean up the remnants of Halabi’s operation before they can reorganise for another attack.  When the CIA manages to locate ISIS’s top technology expert, Mitch leads a team to intercept him and makes a disturbing discovery: the expert was on the way to meet someone who claims that they can turn out all the lights in the United States.

A rogue genius has discovered a way completely incapacitate America’s power grid and is now seeking help to make his dark dream a reality.  An attack of this magnitude has the capacity to severely incapacitate the entire country, bringing about anarchy, destruction and an unimaginable loss of life.  Desperately trying to find out who is behind this attack before it is too late, Mitch can only watch helpless as the plan is implemented and the country he loves falls dark.

As panic and confusion reigns across the country and the whole world reels from the sudden shift in power, the government desperately attempts to get the electricity flowing again.  However, due to the sheer scope of the attack and the chaotic nature of America’s power grid, repairs could take months or even years.  The only way to avoid the complete destruction of the United States is for Mitch to find the person responsible for the attack and convince him to reveal how to undo the damage and reroute power to the country.  However, this will be a search unlike anything he has done before, as he is stuck in the middle of a failing nation with no communications, no internet, no gas and with every single system he knows failing around him.  Can Mitch get the power back before it is too late and America collapses completely, or have the terrorists Mitch has spent his whole career fighting finally won?

This was another fun and addictive thriller from Kyle Mills, who continues to keep the Mitch Rapp books going strong after the passing of the series’ original writer, Vince Flynn.  Total Power is the sixth Mitch Rapp novel written by Mills and the 19th overall novel in the series, and it features the latest adventure from the titular character and his associates.  I have been really enjoying the Mitch Rapp novels over the last couple of years and I have had an amazing time reading the last two entries in the series, Red War and Lethal Agent.  This latest Mitch Rapp novel is another exciting and compelling book which makes use of an excellent concept and once again sets the series’ extremely dangerous protagonist on a destructive warpath.

Total Power is an excellent modern thriller novel that presents the reader with another exciting and action-packed narrative as American agent Mitch Rapp engages in another desperate manhunt for a new dangerous madman targeting America.  This was a really fun and compelling narrative, set around the fantastic story concept of all the power going out in the United States.  Total Power was a very fast-paced book, and the reader gets an excitement overload as they watch the protagonists attempt to stop the disaster and the subsequent frantic efforts to get the power back on.  The author makes good use of multiple point-of-view characters to tell his story, with most of the novel told from the perspective of Mitch Rapp and the main antagonist.  These two characters allow for a very interesting opposing view of the events occurring throughout America, and it is also fun to see the various moves and countermoves the two made in a bid to outsmart the other.  Other point-of-view characters were used a little more sparingly and presented a larger picture of the events occurring around the main narrative.  These disparate perspectives come together extremely well and help to create an overall captivating novel with a really fun story attached.  Mills makes sure to include all the typical Mitch Rapp hyper violence (with a few gnarly torture scenes that some readers will find a bit uncomfortable) and commentary on American politicians and foreign policy, and readers are in for an entertaining over-the-top novel as a result.

When I first heard that this book was coming out, the thing that really drew me to it was the awesome-sounding plot concept of all the power going out in America, which I thought would be a really cool basis for a thriller story.  Mills delivered in spades, and I was really happy to find out just how amazing a story concept it really was.  The author spends a substantial amount of time exploring how such a catastrophic blackout event could occur in America.  It was deeply fascinating, if a little troubling, to learn more about America’s power grid, as well as how potentially easy it could be for something like this to occur.  Indeed, Mills makes a note at the start of the audiobook that he actually had to invent very little of this concept and that a lot of the novel is based off historical events and public reports (although he does alter or fictionalise some details and locations).  Mills also makes sure to explore just how severe and deadly a sustained, nationwide power outage could be.  Spoiler alert: it would apparently get pretty damn bad.  There are some riveting and disturbing depictions of America completely devoid of power, with all manner of lawlessness, looting, and anarchy as the country quickly falls apart and people have no ability to keep themselves alive.  Mills does not pull punches in these depictions and I personally found them to be realistic, especially after seeing what happened in America in 2020, and a little terrifying.  Naturally, this fictionally powerless America proves to be an amazing setting for this thriller novel, and it was fantastic to see Mitch Rapp and the other characters attempt to navigate around the broken country.  All the subsequent barriers and issues that pop up add a lot of tension and excitement to an already action-packed narrative, especially as it’s entirely possible that Mitch could be taken out by citizens of the country he has long tried to protect.  All of this is an outstanding story concept and I am extremely glad that Mills ended up using it in one of his novels even if it did leave me a little paranoid (here’s hoping that our power grid is a little more stable down here in Australia).

If I had to level any real criticisms towards Total Power, it would probably be around the characters.  While I did enjoy seeing the various characters attempt to navigate their way through this latest crisis and the wasteland of a United States without power, most of the characters were really over-the-top and a bit unrealistic.  For example, Mitch Rapp is his usual ultra-violent, sociopathic self, hardly ever hesitating to kill someone, even a bunch of American citizens who are in his way.  While he is a fun action star to follow after, it was hard to root for him when he is constantly being a cold-hearted murderer the entire time.  I also was not the biggest fan of the main antagonist, the genius who shuts down the power.  Mills portrays him as a supremely arrogant man, completely high on himself and obsessed with becoming a major historical figure like Caesar or Genghis Khan (you know, history’s greatest role models).  While I can appreciate Mills wanting to make him an unlikeable villain for the sake of the reader he might have gone a tad overboard with this as pretty much every sentence or thought that the antagonist makes is either something extremely egotistical about himself or insulting towards the people he is seeing, often with sexist or racist overtones.  That being said, it was extremely satisfying to see this villain’s plans going up in smoke around him as Mitch closes in on him, especially since you do want to kill him yourself after listening to him for a few hours.  I did like the fun side character, Jed Jones, a survivalist who gains celebrity status in the post-blackout America thanks to his informative radio shows.  Jed was a rather entertaining figure and I liked the idea of a backwater doomsday prepper becoming the most famous person in the country thanks to his knowhow.  The book ended up featuring an interesting array of side characters who added some interesting diversity to the cast and showed some of the different experiences facing the American people.  Indeed, one of the few things that they had in common were similar opinions about America’s politicians and political elite, in that all of them are pretty much all useless parasites, something that gets mentioned multiple times.  Overall, the characters for this novel weren’t too bad and while some of these characterisations are a little distracting it did not really disrupt my enjoyment of Total Power, and I had a fantastic time seeing how they dealt with the problems in this setting.

Rather than grab a physical copy of this latest Mitch Rapp novel, I ended up enjoying the audiobook version of Total Power.  The Total Power audiobook has a run time of around nine and a half hours and is narrated by veteran audiobook narrator George Guidall, who is one of the most prolific audiobook narrators in the world.  This proved to be a rather easy audiobook to get through and I was able to finish it off in a short period of time.  It was fun to listen to listen to Total Power’s story and I felt myself getting drawn into the narrative as a result.  I do have to admit that Guidall is really not one of my favourite vocal talents.  Do not get me wrong, Guidall does a great job with this book, especially as his deep voice has a lot of gravitas to it which works well with thriller novels.  However, Guidall does sound a bit tired at times (to be fair, he is in his 80s), and his range of voices is a tad limited.  Despite this I still really enjoyed the Total Power audiobook and it is definitely an excellent way to check out this latest Mitch Rapp novel.

Total Power by Kyle Mills is a great new entry in Vince Flynn’s Mitch Rapp series that I ended up really enjoying.  Featuring an excellent thriller story set around an impressive and compelling plot concept, Mills presents the reader with an exciting and bloody adventure across an America without any power.  Total Power proved to be quite an exciting and awesome read, and I am really glad that I listened to it.

Throwback Thursday: Star Wars: Vader Down

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Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

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Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

Star Wars: Dooku: Jedi Lost

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Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

Doctor Aphra Unspeakable Rebel Superweapon

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

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Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

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As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

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Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

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I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

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Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!