Usagi Yojimbo: Volume 37: Crossroads by Stan Sakai

On December 4, 2022December 31, 2023 By The Unseen LibraryIn Comics/Manga, Five-Star Books7 Comments

Publisher: IDW (Paperback – 15 November 2022)

Series: Usagi Yojimbo – Volume 37

Length: 137 pages

My Rating: 5 out of 5 stars

The always impressive Stan Sakai presents another outstanding volume in his epic Usagi Yojimbo comic series with the fantastic and fun 37^th volume, Crossroads.

I think we can all agree that 2022 has been a rather mixed year; while the world of books has been fruitful as ever, the world at large does seem to be getting crazier and crazier. However, one thing that is guaranteed to make me happy is the fact that, for the first time since 2003, this year has seen the release of not one but two volumes of the exceptional Usagi Yojimbo comic. Fans of this blog will know that I love, love, love the Usagi Yojimbo series, and it is easily one of my very favourite comic book series. Written and drawn by the exceedingly talented Stan Sakai, the Usagi Yojimbo series is set in an alternate version of feudal Japan inhabited by anthropomorphic animals. The series primarily follows the character of Miyamoto Usagi, a rabbit ronin who travels the land facing all manner of evil, including criminals, monsters, ninja and rival samurai.

Thanks to the compelling narratives, complex characters, and exceptional artwork, the Usagi Yojimbo series has always really appealed to me, and I have always tried to grab the new volume as soon as it is released. The 36^th volume, Tengu War! came out in March, and it was pretty damn epic. Usually, I would have to wait an entire year to get my next Usagi Yojimbo fix, but Sakai appears to be on a roll, as he released the 37^th volume, Crossroads, earlier this month. Needless to say, I was extremely excited about this, and Crossroads was one of my most anticipated reads for the second half of 2022. I was very happy when I received my copy of Crossroads, and I ended up reading it literally as soon as I got my hands on it. I of course loved every second of it, and it proved to be another captivating read that really drew me in with its brilliant artwork and cool stories.

Crossroads is the 37^th volume of the Usagi Yojimbo series and the fourth volume that has been released in colour by IDW (other volumes in colour include Bunraku and Other Stories and Homecoming). Containing issues #22-26 of the IDW run on Usagi Yojimbo, this comic was once again completely written and drawn by Sakai, with Hi-Fi Design doing the colouring. This latest volume only contains two stories over five issues, but Sakai loads up some fantastic narratives and character work into this instalment.

The first story in this volume is a lengthy entry titled Ransom, which runs for a full three issues. Following on closely after the last story in Tengu War!, Yukichi, Ransom sees Usagi travelling the roads of Japan with his newly discovered cousin Yukichi, a gifted samurai who is a little naïve of the way of the world. However, Yukichi is about to get a crash course in the shadier side of life when, upon arriving a new town, the pair of samurai run into the chaotic thief Kitsune and her apprentice Kiyoko. Up to her usual tricks, Kitsune has stolen a valuable ledger from the local crime boss that she is planning to ransom back to him. However, the crime boss’ men soon catch up with them, and when Kiyoko is captured, Usagi, Yukichi and Kitsune must launch a desperate rescue before it is too late.

This is a fantastic and fun starting comic for this volume, and it is one that has a lot of excellent great parts to it. While the story will be familiar, mainly due to Sakai reusing elements of previous Kitsune stories, such as Kitsune trying to sell a stolen document back to a criminal (as in The Return of Kitsune, in Volume 7: Gen’s Story), this still proved to be a relatively fresh narrative, due to some new characters involved and the eventual story progression. The story moves at an intense and captivating pace, with the protagonists forced into several complex and extended fight sequences throughout the course of the comic. At the same time, they face other concerns, as a certain Snitch gets involved to undermine their plans, while a rival samurai starts to rediscover his honour. Sakai’s depictions of these fights are pretty awesome, and the multiple pages of animalistic samurai battling it out are cool as always, especially in colour. At the same time, there is a good covering of humour to this story, which makes it very light-hearted, even with the kidnapping and threat for life. I had a fantastic time getting through this amazing story, and it was another classic Usagi Yojimbo romp featuring the always fun Kitsune.

Although this story shares similar plot beats with earlier entries, I do think that this one stands apart thanks to Sakai’s excellent character work. I loved his continued focus on the new character of Yukichi, who has been quite an interesting inclusion to the Usagi Yojimbo series. Shown as a bit naïve in the ways of the world having spent his entire life inside the rigid confines of a sword school, Yukichi is generally unprepared for the rough life on the road that his cousin has chosen. As such, watching him interact with the wily and sneaky Kitsune was rather fun, as it put me in mind of Usagi’s initial interactions with the thieving fox, especially as Kitsune and Kiyoko immediately rob him in a very fun scene. While he does mature a little throughout Ransom, including his constant checking of his purse every time Kitsune touches him, he still has a lot to learn, and I feel that is going to be a recurring theme of the next few stories. I also quite enjoyed seeing how Usagi interacted with his new companion in this story, and there is a certain protectiveness that was quite touching, and it was great to see Usagi in the mentor role again. I think that Sakai did a great job with how he featured Yukichi in this story, and I look forward to seeing him interact with some of Usagi’s other outrageous friends in future books.

Aside from Usagi and Yukichi, this was also quite a fun story for established characters Kitsune and Kiyoko, who are once again at their thieving ways. This fantastic master-and-apprentice thief team is always very entertaining, especially with how they play off the more serious Usagi, and their enjoyable banter with the other characters is always great to see. This was a very interesting story for both these characters, especially as it continued to showcase the growth of Kiyoko into a master thief, as she is successfully able to change the situation to her own advantage multiple times. It was also very moving to see how much Kitsune cares for Kiyoko, as she was willing to risk giving up her career to save her (a promise she later recants, but only once Kiyoko is safe). These two were very humorous, and they always end up being the life of any story they are featured in. Throw in the curious new character Aoki, the only honourable samurai working for Ransom’s crime lord antagonist, and this excellent story featured an outstanding cast, who really added to the power and impact of this story. I had a wonderful time reading Ransom, and it ended up being a strong start to this latest volume

The second story in this volume is the two-issue entry, Crossroads, which the volume is named after. The Crossroads story sees Usagi and Yukichi once again on the road. Deciding to take an impromptu shortcut, their road sees them discover the recent massacre of a group of pilgrims. Determining that the murderers were a group of unsavoury ronin that Usagi and Yukichi passed earlier, the two samurai head back, determined to catch the killers before they strike again. Their pursuit becomes complicated when, upon reaching a fork in the road, they are unable to determine which way the culprits travelled. Splitting up, Usagi and Yukichi take a separate path to find the killers, hoping that they will be able to regroup before engaging their foes in battle. However, while one samurai finds the killers, the other finds something even more dangerous, the dark and soulless Blade of the Gods, Jei.

Whew, now this was an exceptional Usagi Yojimbo entry, and it is easily my favourite of two stories contained in the Crossroads volume. Sakai tells an intense and captivating tale in this story that really drew me in right away, especially as it starts with a classic Usagi Yojimbo move of the characters choosing a less travelled path only to wind up in trouble. The initial set up works very well, and the sudden change from light-hearted talk to serious action once the first bodies are found is pretty striking. The subsequent chase for the killers has some powerful tension to it, especially once the two protagonists are forced the split up. And that is when the story gets extremely good, as while Usagi finds the culprits and engages them in a brutal fight, Yukichi finds something far more dangerous in Jei and his young ward Keiko.

Now, fans of Usagi Yojimbo will know that Jei is probably the best villain in this entire series, and he has been a wonderful nemesis for Usagi since first appearing in the third volume, The Wanderer’s Road. A dark and mysterious spear-wielding killer with a unique look and way of speaking, for much of the series Jei has been a constant mystery, with readers unsure if he is an actual demon, a dark warrior of the gods, or just a deluded killer. While some of that mystery has been revealed, Jei still cuts a fantastically dark figure in Crossroads, especially as it has been several years since his last major appearance, and there was absolutely no warning that he was going to appear in this story until his latest victim was discovered. His inclusion in this story was just perfect, as you can only watch in horror as the completely unprepared Yukichi runs into Jei and ends up having a lengthy, philosophical conversation with them. While Yukichi can tell that something is off, he has no idea how much danger he is in, and you spend the entire time worrying that Jei is just about to strike. Their dark conversation is a real highlight of this entire volume, as not only and you are totally on edge the entire time, but it is quite compelling to see these two very different characters interact.

The use of this amazing sinister force proved to be a very excellent inclusion from Sakai, and Jei adds so damn much to any story he is involved in. The rest of the story unfolds in an amazing way, especially as Usagi and Yukichi’s eventual battle with the true antagonists of the story is the best drawn fight in the entire volume. The teamwork and care shown between the two protagonists is extremely moving, and it was great to see them work together while exhausted to take down a well-written and dangerous group of criminals. Sakai ends this entire masterful story perfectly, as not only does Jei get another fantastic appearance, doing his trademark laugh, but you also have Yukichi recount his encounter to a horrified Usagi. Watching the dawning realisation of who Yukichi is talking about appear on Usagi’s face is breathtaking, especially as you can imagine all the dark terror in his heart that his most dangerous opponent is still alive and stalking his loved ones. That final scene with Usagi naming the dark spearman to an oblivious Yukichi is so damn impressive, and if nothing else, it will ensure that you definitely come back for the next volume, as you will want to see the follow-up to that revelation. This ended up being such a strong and captivating entry in this volume, and I am so glad that Sakai chose to bring back his very best villain.

As with all of Stan Sakai’s comics, I was once again deeply impressed with the cool artwork contained within Crossroads. The art in these comics is just absolutely gorgeous and it always works to support the amazing narratives, bringing the fantastic actions of the characters to life in stunning detail. Not only does he do a wonderful job showcasing the various animal characters throughout the comics, but the various action sequences are so much fun to see, especially as Sakai always manages to capture the movement of the characters, allowing the reader to see how the sword fights would pan out. However, it’s not just the characters and the action that are great about the artwork; there is also the elaborate backgrounds and surrounding settings that bring all the scenes together. Nearly every panel has some degree of the unique Japanese setting in it, whether it’s the historical towns filled with people wearing period-appropriate clothing, the beautiful forests and mountains of Japan, or even a busy highway filled with people going about their business. All this artistic detail brings the reader into the story, and you can really envision this version of Japan filled with these unique characters. I am also still really loving seeing all the art in colour, which is a relatively new feature of these comics. While I will always have a soft spot for the monochrome style of the original Usagi Yojimbo comics, the extra colour in the IDW volumes gives these new comics a little more impact, and I enjoy the clearer pictures being produced. I particularly liked how the colour made Jei look even more sinister in his scenes, and the artwork around this creepy and malevolent character was extremely cool in Crossroads, and I love how much it enhanced his menace. Sakai continues to produce some epic artwork in this comic, and I loved every single panel in this latest Usagi Yojimbo volume.

Stan Sakai does it again as his latest volume of the exceptional Usagi Yojimbo series was another instant classic that proved to be an amazing read. Featuring two great stories, loaded with excellent characters, impressive action, cool artwork and even a few surprises, Crossroads was just epic and I had a fun time getting through it. This was another easy five-star rating from me, and I am still so ecstatic that I got two volumes in 2022. Even better, I won’t have much longer to wait for my next Usagi Yojimbo fix, as Sakai has another volume, The Green Dragon, coming out in February.

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Usagi Yojimbo, Vol 32: Mysteries by Stan Sakai

On July 31, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books10 Comments

Publisher: Dark Horse Books

Publication Date – 10 July 2018

Amazon Book Depository

After a year I have finally gotten the new volume of Usagi Yojimbo, one of my favourite long-running comic series. Now I and other fans of the long-eared samurai can finally enjoy another set of exhilarating adventures in Stan Sakai’s version of feudal Japan.

Usagi Yojimbo is a great series that has been running since 1987, three years after the character was originally created. In a world inhabited by anthropomorphic animals, the series is set in the early Edo period of Japanese history, during the time of the Shogun and the wandering samurai. The series was originally supposed to feature human characters and a protagonist based on the famous historical samurai Miyamoto Musashi. However, the series was changed to feature animals after the artist drew an early version of the hero with rabbit ears and created the series’ titular yojimbo, Miyamoto Usagi.

The Usagi Yojimbo series follows the adventures of Miyamoto Usagi through feudal Japan. After the death of his lord, Usagi has become a ronin, a masterless samurai, and has spent the last few years wandering the country seeking employment as a yojimbo, a bodyguard. Throughout his travels, Usagi finds all sorts of danger and adventures, and is often drawn into a range of conflicts throughout the troubled landscape, facing threats both natural and supernatural in origin.

With 32 collected editions over 30 years, as well as the two additional graphic novels and the spin-off series, Space Usagi, Usagi Yojimbo has developed a dedicated fanbase. Those who have not read this series may be familiar with it due to its frequent crossovers with the Teenage Mutant Ninja Turtles. Characters from both franchises have crossed over into each other’s respective comic book series several times. In addition, Usagi has appeared in all three Teenage Mutant Ninja Turtles television shows, often with some side characters. One of my first exposures to the characters of Usagi Yojimbo was during The Big Brawl arch of the 2003 Teenage Mutant Ninja Turtles series, and I’ve been a fan of the character ever since.

Stan Sakai’s series is a hybrid of western graphic novels and Japanese manga. The style and format of the comics come across as more of a classic western style, but the story content and the series’ art is heavily influenced by Japanese culture and history. Every issue is filled with incredible depictions of Japanese customs, history, folklore and mythology, and includes realistic and historically accurate illustrations of feudal Japanese weapons, clothes and buildings. In addition, the dialogue includes a number of Japanese words which are translated in text, and the characters are all named using traditional Japanese naming conventions, with the family name presented before the given name.

Mysteries is the 32nd collected edition of this series, and contains issues #159-#165 of the Usagi Yojimbo series. These issues see Usagi reunited with his friend Inspector Ishida as they investigate a series of mysteries in Ishida’s jurisdiction. There are four main stories, including The Hatamoto’s Daughter, Death by Fugu, the two-part series The Body in the Library and the three-part series Mouse Trap. Mysteries also contains two of the shorter Chibi Usagi stories that Sakai writes with his wife, Julie, which feature cute versions the franchise’s characters.

Readers of the latest volume of Usagi Yojimbo are in for another visual treat as Sakai continues to highlight the delicate beauty of the Japanese landscape and fantastic architecture of its towns with his spectacular artwork. Each of the portrayals of the anthropomorphic characters in their period accurate clothing is amazing, and the reader will be astounded by the author’s desire to make his comic as aesthetically realistic as possible. However, the real visual highlights of this comic are the action sequences that see the protagonists engage in a series of elaborate sword fights against a variety of opponents. The artistic styling of these sword fights is both exciting and intricate, which allows the reader to imagine how these battles would occur in real life. Mysteries contains some great examples of this series’ fantastic art form, and the reader will love the creativity that inhabits every panel of this book.

While most Usagi Yojimbo stories are standalone episodes, the separate stories featured within Mysteries share several connections with each other. All of them are set within the same town and feature the character of Inspector Ishida. In addition, several of the cases are connected by a shadowy crime boss, although the full nature of this connection isn’t fully known until the final story in the volume.

As you may be able to guess from the title of the volume, all of the main stories featured within Mysteries feature a murder and the following investigation by Inspector Ishida and Usagi. Inspector Ishida is a high-ranking member of the Shogun’s police and is renowned throughout Japan as one of country’s most effective detectives. Usagi has teamed up with him before in a number of adventures, including a great story, Murder at the Inn, back in Volume 29, which featured Usagi, Ishida, and Usagi’s frequent companion Gen investigating murders in a locked-down inn. There are some great stories in the Mysteries volume, especially as Sakai has crafted together some intriguing mysteries in such short entries. Several of the big mysteries and crime stories are connected into an elaborate overarching narrative that examines the criminal underworld of feudal Japan. Two of the stories feature some really complex murder mysteries that flit back and forth between a number of suspects and contain motives that are very unique. The final entry, Mousetrap, is the longest story in the volume and features an excellent tale about a thief getting caught in a middle of a fight to control the area’s organised crime and the sinister figure that has been manipulating the events of the previous stories.

Sakai ensures that his examination of feudal Japanese society carries through to each of these stories and their investigative arcs, affecting the characters’ investigations. For example, only members of a lower caste are allowed to touch the murder victims’ dead bodies, which hinders the protagonists from properly examining the bodies to work out the cause of death. There is also a fantastic investigation of the role of the inspectors in feudal Japan and how they bear the authority of the Shogun. It also allows Ishida to show off his fighting skills with the jitte, one of my favourite Japanese weapons.

In addition to the returning Inspector Ishida, this volume of Usagi Yojimbo sees the return of several characters from previous stories. Our favourite thieving duo of Kitsune and Kiyoko make a return in the middle story, The Body in the Library. The fox thief Kitsune was first introduced in 1992 and has become one the series’ main recurring characters, adding significant amusement to the stories she appears in through her schemes, humour and continued casual theft of the other characters’ valuables. Her young companion, Kiyoko, was introduced in a later story and serves as her apprentice in the life of crime while taking up many of her mentor’s bad habits. Their inclusion in this story adds significant comic relief to an otherwise dark story of murder, and it is always fun to see what this mischievous duo are up to. The mysterious masked thief Nezumi returns for a second adventure and is a major player in the book’s longest story, Mouse Trap. Nezumi was introduced in the Volume 20 story After the Rat, and acts as a public Robin Hood character in Inspector Ishida’s town. He is used to great effect in this new story, being framed for murder in a way reminiscent of his first appearance in the series. Sakai continues to taunt his audience with the mystery of Nezumi’s identity and motives, and it is great to see this interesting and formidable character interact with Usagi for the first time, especially with their differing definitions of honour. Readers should also keep an eye out for a certain recurring snitch who has played a similar role in a number of prior Usagi stories, despite the main characters failing to remember how treacherous he is.

One of the best parts of the Usagi Yojimbo series is the incorporation of intriguing and unique parts of Japanese culture into amazing action based comic issues. Throughout the series, the author has utilised a number of great Japanese cultural elements in various stories, including giant kites, giant drums, pottery, swordsmithing, tea ceremonies, seaweed farming, games of chance and a huge number of mythological creatures and legends. These stories often contain descriptions and informative depictions of the cultural activities in question, and the author works them into a fun adventure or creative mystery. Mysteries contains two of these stories. The main one, Death by Fugu, focuses on the preparation of fugu, the meat of the poisonous pufferfish. This story contains an excellent description of what fugu is and the preparation required to eat it. Death by Fugu is a powerful and tragic tale that prominently uses the art of fugu in its mystery, and definitely one of this volume’s standout stories. The other entry, The Body in the Library, takes a brief look at the examination and trade of western medicines in Japan. While this is not examined in as much detail, it is a fascinating to see what impact western medicines could have in feudal Japan and to see it used as a motive for a series of murders.

Once again Stan Sakai has produced a powerful and fantastic new volume of his iconic Usagi Yojimbo series. Fans of this series can look forward to seeing Sakai’s iconic art style and detailed cultural insights that are a love letter to Japan and its fascinating history and society. Mysteries contains a range of outstanding new stories, and readers will enjoy unwrapping their mysteries with Usagi and the fan favourite Inspector Ishida. I wish I didn’t have to wait a whole year for the next volume of this amazing series.