Usagi Yojimbo: Volume 35: Homecoming by Stan Sakai

Usagi Yojimbo - Homecoming

Publisher: IDW Publishing (Paperback – 13 April 2021)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Volume 35

Length: 192 pages

My Rating: 5 out of 5 stars

It is that time of the year again when I absolutely gush about the latest volume of the epic and outstanding Usagi Yojimbo comic series by the infinity talented Stan Sakai.  This time I look at the 35th volume in this incredible long-running series, Homecoming, which presents the reader with a rich and emotional tale of regret and loyalty as Usagi returns home.

Anyone who has spent any amount of time reading my blog will already know of my deep love for the amazing Usagi Yojimbo series.  Following the adventures of the rabbit ronin Miyamoto Usagi, this series is set in an alternate version of Feudal Japan populated by anthropomorphic animals, and features incredible stories about samurais and honour.  Homecoming, which contains issues #8-14 of the IDW run on the Usagi Yojimbo series, is the second volume printed completely in colour, and features the work of colourist Tom Luth in addition to Sakai’s writing and drawing.  This latest volume follows on shortly after the events of previous volume, Bunraku and Other Stories, and continues three intense and powerful unique stories.

The first story in this volume is the two-issue entry TatamiTatami sees Usagi return to the lands of his former master, the late Lord Mifune, now ruled over by nefarious series villain, Lord Hikiji.  Journeying through a now hostile countryside, Usagi finds himself following an armed procession who are transporting high-quality tatami mats to the castle of one of Lord Hikiji’s rivals.  Usagi finds the caravan under attack by the Neko Ninja, who are determined to destroy the tatami.  When Usagi’s long-time ally and former Neko Ninja head, Chizu, appears, it soon becomes apparent that Hikiji has dispatched the ninja to destroy the tatami in order to damage his rival’s reputation.  Determined to defy Hikiji, Usagi and Chizu travel with the caravan to help guard the tatami from attack.  However, Chizu soon comes into conflict with her rival, Kagemaru, as they fight for leadership of their clan.  Can Usagi and Chizu disrupt the plans of Hikiji and Kagemaru, or will the dark lord continue to reign supreme?

Anyone who thinks it impossible to write a compelling story with death, politics and ninja around tatami mats has clearly never had the joy of reading one of Sakai’s stories before.  Throughout the Usagi Yojimbo series, Sakai has written some thrilling and intense stories around unique elements of Japanese culture, including seaweed farming, pottery making, sake brewing, and giant kite making, just to name a few.  This latest example, Tatami, is no exception to this, as Sakai crafts together a fascinating story that not only highlights the importance and prestige of tatami mats but which also perfectly ties into the wider Usagi Yojimbo universe.  Tatami starts strong, with a fantastic and exquisitely drawn sequence that shows the crafting process behind the tatami, from harvesting the reeds, to the lengthy weaving process.  The story then introduces Usagi to the narrative, also providing some key background for the main storyline in the Homecoming volume.  The action swiftly follows with the tatami caravan under attack from cunning ninja, and Usagi is convinced to help guard the tatami with the help of Chizu.  This all leads up to an epic night fight as Usagi and his allies face off against a horde of ninja.  This fight scene is particularly well drawn and features some great examples of sword play, a beautiful scene of fire and intensity as Usagi appears to stand alone in front of a swarm of ninja, and several massive explosions as the ninjas detonate black powder bombs.  This all leads up to a rather poignant finale, as Usagi suffers from a rare and moving defeat and people he respects are called upon to sacrifice everything for their samurai sense of honour.

In addition to the main story surrounding the tatami, there is also a rather interesting side-plot surrounding Chizu and her battle with Kagemaru for control of the Neko Ninja.  This has been a long-running conflict going back all the way to 11th volume, Seasons, and it was great to see some more progress on it, especially as it ties Tatami into some of the wider Usagi Yojimbo storylines.  This subplot proves to be pretty damn cool, as Chizu works to manipulate Kagemaru and her former followers, using the catspaw of Usagi and the other tatami guards.  This ends up in a fun ninja duel, as Chizu faces off against Kagemaru and another ninja, Kimi, above the plain where Usagi is fighting.  This is a fast-paced and deadly fight which makes use of several different ninja tricks and weapons, and which proves to be an exciting and cool addition to the plot.  There are a couple of intriguing, if slightly predictable, developments within this narrative, although it does hint that we are getting closer to a conclusion of this long-running Neko Ninja plot line.

The real highlight of the Chizu subplot, and indeed the entire story, is the outstanding epilogue where Kagemaru meets with Lord Hikiji’s main advisor, the giant serpent Lord Hebi.  While Kagemaru is initially expecting praise for his actions, it becomes apparent that Hebi and Hikiji are displeased that Chizu continues to disrupt their plans when Kagemaru is offered unique sake, brewed using poisonous serpents.  There is an incredible amount of menace in this entire sequence, especially once Hebi pours out the dead serpent from the sake, and then proceeds to eat in front of Kagemaru (nothing is more intimidating that some light cannibalism).  Hebi’s simple warning: “Do not ever fail us, Kagemaru,” is an amazing way to end this scene, and the mighty ninja leader is left absolutely shaken as he leaves Hebi’s presence.  This epilogue was perfectly written and drawn, and it proves to be an outstanding way to end this story arc, while also hinting that the Chizu-Kagemaru rivalry is about to heat up.  I absolutely loved this great first story, and Tatami proves to be an exceptional start to the entire volume.

The next story in this volume is the moving and intriguing Mon, which also follows Usagi’s travels through the land of his former lord, Mifune.  However, Usagi soon encounters much fear and resentment from the people he encounters, many of whom try to avoid his attention.  He soon discovers that they are shunning him because he still wears the mon (crest) of his former lord on his clothes, reminding people of the costly war that Mifune fought and lost against Lord Hikiji.  The tense situation gets even worse for Usagi when several Hikiji soldiers notice him and attempt to take their anger and resentment out on him, which does not go well for them.  Further, when a desperate innkeeper and former Mifune soldier works out who Usagi truly was, various ambitious Hikiji soldiers gather to claim the substantial bounty of Usagi’s head.

This was another fantastic entry, and one that proves to be rather touching and dramatic.  Sakai does a wonderful job setting up the main story around the Mifune mon and why it is currently feared and hated throughout his former lands.  The impeccably loyal Usagi is forced to deal with unexpected hatred and concern from those he encounters, which once again makes him think about the past with great regret and concern, especially as he continues to battle with his own conflicted loyalties about whether he should continue to serve a dead master.  There are several fantastic references to Usagi’s role in the war’s final battle, as shown in Volume 2: Samurai, and it was interesting that there is still fallout after all these years.  It was also great to learn more about mons and the importance that they can have to the people wearing them.  This is explored to a degree within the story itself, but Sakai also includes a detailed author note at the end of Mon which describes the history behind mons in general and their current role in Japanese society, while also discussing Usagi and the Sakai family mons.  I particularly liked the story surrounding the innkeeper, who, after years of desperation, finally loses his loyalty to the Mifune cause by informing on Usagi.  The final encounter between Usagi, the Hikiji troops and the bartender is also amazingly drawn, and the dramatic cliffhanger helps turn this into a pretty impressive story.

The final story in Homecoming is the powerful tale, The Return, which finds Usagi in the one place he has been trying to avoid the most, his old home village.  After the conclusion of Mon, Usagi washes up in his village and soon finds himself in the care of the love of his life, Mariko, and her husband, Kenichi.  As the usual feelings of regret, anger and resentment quickly grow between the childhood friends once more, Usagi finds himself forced into a far more serious conflict.  A cadre of former Mifune samurai have arrived in town and captured all the villagers.  Led by the fanatical Kato, these samurai seek vengeance for their lord and plan to destroy Hikiji’s influence and power by attacking an emissary of the Shogun as he travels through the village.  Torn between loyalty to his dead lord and the survival of his village, Usagi must work with Kenichi if there is any chance to save the people they love most in the world.

The Return is an exceptional and moving story which serves as the centrepiece and main entry of the Homecoming volume.  There is a lot going on in this final story, and Sakai manages to craft together an outstanding narrative that continues the dramatic and touching arc surrounding the failed love between Usagi and Mariko and the multiple complications accompanying it, and which also places Usagi and everyone he loves in great danger.  The Return continues immediately after the events of Mon, and Usagi is quickly engulfed in both the drama surrounding Mariko and Kenichi and the overall danger of the former Mifune samurai.  This soon results in a conflicted Usagi forced to bluff his way through the encounter in order to try and save his village from the samurai’s deadly revenge plot.  Working together with Mariko and Kenichi, Usagi’s plan eventually results in a bloody, extended battle against the invading samurai.  This proves to be a pretty epic and intense narrative, and Sakai really amped up the action and the stakes of the entire story by setting Usagi up against some of his former comrades.  There are so many great elements to this story, although you have to love the extended battle sequence at the end, especially once recurring characters Katsuichi and Jotaro make their appearance.  The final parts of this entire story are pretty touching, as the various characters say their goodbyes, and Sakai leaves this entire volume on an intriguing note, as for the first time it hints at another fencing master Usagi trained after, and which makes me eager for the next volume in this series.

The most intriguing elements of the entire story are the complex antagonists that are former comrades of Usagi who are willing to commit atrocities in the name of their dead lord.  For years, the former followers of the late Lord Mifune are seen in a bit of a tragic light, with most of them, especially Usagi, portrayed as extremely honourable men, much in the vein of their deceased lord.  As a result, it is extremely jarring to see former Mifune samurai engage in such vile actions, especially as they justify as part of their oaths to their lord: “A samurai cannot live under the same sky as the killer of his lord!”  There are some clear 47 Ronin inspirations here, with former samurai gathering after many years to achieve a final vengeance, even if this story is a little darker than the classic Japanese tale.  There are also some deep and compelling discussions about honour and loyalty throughout The Return, especially as Usagi is forced to balance his loyalty to his late lord against his own personal honour, feelings about his childhood village, and his own memories about Lord Mifune’s character.  The inevitable confrontation between Usagi and his former comrades is pretty harsh, and it was interesting to see a fight between two different groups of Mifune supporters who believe that their way is the right way.  I felt that the use of colour was particularly effective in The Return, as it made the final battle sequence really pop.  It was also very memorable to see Usagi face off against samurai dressed in the same Mifune clothes and colours that Usagi has worn in every comic.  Seeing a group of similarly coloured and clothed characters facing off against Usagi makes for a very different battle sequence, and it was really interesting to see.

Easily the thing I was most looking forward to in this volume was the emotional fireworks that would occur when Usagi eventually returned to his home village.  This has previously happened in two separate occasions, in Volume 1: The Ronin and Volume 6: Circles, both of which proved to be utterly heartbreaking.  Much of this revolves around the complicated love triangle between Usagi, who is still deeply in love with Mariko, who is married to his old rival, Kenichi.  While Mariko still has great feelings for Usagi, she is bound to Kenichi by her honour, and will not leave them, especially as it will shatter her whole family.  At the same time, Kenichi, who has always resented Usagi for his talent and luck, knows that Usagi and Mariko have feelings for each other, which breaks his heart, as he has also always loved Mariko.  All this is further complicated by the fact that Mariko and Kenichi’s son, Jotaro, is really Usagi’s child, who Kenichi willingly raised as his own son.  This has resulted in much conflict and despair amongst the three in the past, and it honestly does not take long for the anger and resentment to build up once more in The Return, especially as Kenichi is angry that Usagi encouraged Jotaro to seek out his old fencing master rather than go to the school Kenichi learned from.  While there are several great sequences where Usagi and Mariko once again display their unspoken love, much of the focus of The Return revolves around the intense rivalry between Usagi and Kenichi.  The story starts with their usual resentment and anger towards each other, but the two eventually start to work on their differences, especially as they prepare to save their villages.  There are several fun flashbacks to some of their adventures as children, which showed their early rivalries, as well as the two of them achieving great things together.  This comes to the fore as the story progresses, and the two are once again able to set aside their differences for the greater good.  This was an amazing thing to see, especially as they have been mostly antagonistic to each other throughout the entire series, and I liked how Sakai worked to resolve their conflict.  There were also several touching scenes between Jotaro and both of his fathers, which really represented one of the most important things the two former rivals have in common, and I loved that Sakai included Jotaro in this story.

There were some amazing moments in The Return, and I was deeply impressed with the incredible story that Sakai used as the centrepiece of this volume.  I really liked how Sakai successfully blended together so much action and intrigue with a powerful character-driven narrative, and I loved the cool examinations of honour and loyalty as a formerly bitter rivalry started to come to an end.  This final entry really delivered on all the potential of Homecoming and Sakai has done an exceptional job here crafting this story together.  I also really appreciated the way in which the other stories within Homecoming served as prequels to The Return, with key plot elements introduced in the earlier entries in the volume.  This was some extremely clever storytelling, and it really helps Homecoming to stand out as an exceptional and fantastic volume in this epic series.

As usual, the art of this Usagi Yojimbo comic was absolutely exquisite, and Sakai has worked his typical visual magic, creating several striking and powerful sequences throughout the entire volume.  In addition to some of the impressive action sequences and scenes I have mentioned above, Sakai produces some outstanding shots of the iconic Japanese landscape, with some incredible drawings of forests, mountains, towns and plains.  Each of these is pretty breathtaking, especially now that they are in colour, as the recently introduced colour work of Tom Luth really adds some new depth to the already awesome drawings.  I absolutely love the way in which Sakai matches his simple yet beautiful drawings with the complex storylines contained within Homecoming, and readers are in for a fantastic visual treat when they check this volume out.

Even after 35 outstanding volumes of the Usagi Yojimbo series, the amazing Stan Sakai continues to show why he is one of the best comic creators in the business with the incredible Homecoming.  Featuring several touching and powerful stories, which are backed up with some exceptional character work and stunning artwork, Homecoming is another superb collection of Usagi Yojimbo tales.  Fans of this long-running series are going to have an absolute blast reading this latest volume and it is very much worth checking out.

Throwback Thursday: Usagi Yojimbo: Volume 11: Seasons by Stan Sakai

Usagi Yojimbo Seasons

Publisher: Dark Horse Books (Paperback – 1999)

Series: Usagi Yojimbo – Book 11

Length: 198 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

It has been a while since I have done a Usagi Yojimbo Throwback Thursday, but after doing a Waiting on Wednesday for the next upcoming volume in this epic series, Homecoming, I was in a Usagi mood and decided to write something extra.  As a result, I check out the 11th Usagi Yojimbo volume by the legendary Stan Sakai, Seasons.

Seasons is a fantastic and spectacular entry in the series that presents the reader with a series of great Usagi Yojimbo adventures that follow the rabbit ronin Miyamoto Usagi as he traverses his version of feudal Japan during the various seasons of the year.  This is a key entry in the series as it sets up a number of storylines for the next several volumes while also introducing some great new characters.  Needless to say, I had an incredible time reading this volume of the series and I have a lot of love for a number of the stories contained within it.  Seasons contains issues #7-12 of the Dark Horse Comics run on the Usagi Yojimbo series, as well as stories taken from the Usagi Yojimbo Colour Special.  This results in 11 separate stories throughout the volume, made up of single-issue entries and a couple of shorter tales, all of which contain an impressive and deeply enjoyable story with beautiful artwork.

USagi #7

The first story featured within Seasons is The Withered Field, an epic story of samurai honour and the warrior’s way.  In this story, Usagi is visiting a famed fencing school with the hope of challenging some of its instructors to test his skill.  However, before he can issue his challenge, all of the school’s instructors are beaten by another ronin, Nakamura Koji, a skilled swordsman who demands a fight with the school’s master.  As he waits for his challenge, Usagi befriends him and discovers that he was once a famed sword master himself, who began the warrior’s pilgrimage after suffering a humiliating defeat at the hands of a mysterious and unconventional swordsman.  Now determined to find this swordsman and rechallenge him, Nakamura Koji shows great interest in Usagi, especially when they must content with treachery from the fencing school.

The Withered Field is an outstanding story that serves as a compelling and powerful start to this volume.  I really enjoyed the amazing narrative that examined honour and martial prowess, with Usagi encountering a famed warrior who is even better than he is.  This great story does an excellent job of introducing the character of Nakamura Koji, who becomes a major figure in some of the future volumes in this series and who has an interesting connection to Usagi and his past.  The entire storyline around the two ronin facing off against the fencing school is extremely cool and action packed, and it appears to take a lot of influence from the second entry in the iconic 1950s Samurai film trilogy (which follows the adventures of Miyamoto Musashi, the historical samurai who serves as an inspiration for Usagi), Duel of Ichijoji Temple, with the students attempting to stop the wandering ronin from defeating their master.  There are amazing action sequences throughout this story, with Usagi and Nakamura Koji engaging in several awesome duels.  I particularly loved the opening sequence where Koji goes through the pre-fight forms before facing off in his sparring match against a fencing school instructor.  The eventual reveal that the samurai who defeated Koji when he was younger was Usagi’s mentor, Katsuichi, comes as little surprise, but it sets up an amazing story later in the series which makes this great story a must read for fans of Usagi Yojimbo.

Seasons’ second story is the thrilling but haunting A Promise in the Snow, which sees Usagi travelling through a snowy mountain pass during the height of winter.  As he trudges along, he comes across bandits attacking an innocent merchant and his servants.  Intervening, Usagi is able to slay all the bandits, but not before they severely wound the merchant.  Usagi finds the merchant’s young daughter and promises to save her father, carrying him back to his village.  However, the mountain passes are treacherous, and Usagi must contend with harsh weather, a pack of hungry wild tokage lizards and a dangerous avalanche.  But no matter what the mountain throws at him, nothing will prepare Usagi for the great shock awaiting him at the end of his journey. 

Usagi #8

This is a great entry in this volume that features a desperate struggle for survival in a dangerous location.  Sakai came up with an epic story for A Promise in the Snow, and I really love seeing Usagi power through great trials and tribulations to keep his promise to a young girl.  There are some beautifully drawn scenes throughout this story, and Sakai does a fantastic job bringing the snowy landscape to life in all its wondrous, deadly glory.  I also loved the way in which Sakai’s drawings highlighted Usagi’s struggles to get through the tough terrain; you can see him get more and more weary with each obstacle he encounters.  This story has a fantastic ending that is reminiscent of a lot of classic ghost tales, and looking back you see that Sakai set this twist up brilliantly, with tons of little clues.  Overall, this was an exceptional story which is a true highlight of this volume.

Next up with have the action-packed, intriguing story, The Conspiracy of Eight.  In this entry, Usagi is visiting the temple of his friend, priest Sanshobo, when an injured samurai wearing the crest of the notorious Lord Hikiji arrives at the gate.  The samurai bears a dangerous letter that names eight conspirators who are plotting against the Shogun.  As Usagi and Sanshobo debate what to do with the information, a large force of ronin arrives at the temple, determined to claim the injured samurai and kill all witnesses. 

This is another fantastic entry in Seasons that once again sees Usagi drawn into a major conspiracy impacting the realm.  There are a lot of cool elements to this story, such as Usagi and Sanshobo being forced to mount a defence of the temple from a dangerous siege.  This is a great, fast-paced story, and I really liked the unique battle scenes, especially the monks with staffs facing off against sword-wielding bandits.  Many of the plot elements contained within this tale come into play in several later Usagi Yojimbo stories, including one featured later in this volume, and I think Sakai did an exceptional job introducing them in The Conspiracy of Eight.  I also liked seeing the return of Sanshobo, the wise and noble priest and former samurai general.  Sanshobo serves as a good foil to Usagi’s more impulsive nature, cautioning him about acting in the affairs of great lords and counselling him that his proposed actions could lead to the death of many people.  While mainly a figure of wisdom, Sanshobo also serves as a great leader, utilising his experiences as a general to defend his temple and keep his monks alive.  The Conspiracy of Eight ends up being a very solid and enjoyable entry in this volume and I very much enjoyed seeing Sakai solidify a great new side character.

Usagi #9

Right after The Conspiracy of Eight comes another intriguing story that is primarily set within Sanshobo’s temple, Snakes and Blossoms.  In this entry, Usagi tells two short tales to Sanshobo: one that describes a crazy misadventure he had, and another that describes some important lessons from his past.  This two shorter tales work as sub-stories to Snakes and Blossoms and ensures that it is a distinctive entry in Seasons.  The first of the shorter tales is titled Hebi, which is set shortly after the events of the final story in Volume 7: Gen’s Story and sees Usagi and Gen once again lost following one of Gen’s shortcuts.  As the two ronin wander the unused paths, Gen saves Usagi from a wild snake that attempts to kill him.  However, Gen’s heroic actions has unexpected consequences when the two travellers are confronted by a mysterious nun at an abandoned temple later that night.  This was a rather cool horror story that exemplifies the sort of weird situations that Usagi can find himself in.  I loved the way in which Sakai plays Usagi and Gen off each other, and there are some very humorous interactions between this oddball pairing.  There is also some really insane artwork in this short story, and I loved the fantastic and scary sight of a giant snake emerging from its disguise to try and kill the protagonists. 

The other short story contained within Snakes and Blossoms is the cute tale, The Courage of the PlumThe Courage of the Plum takes place during Usagi’s childhood when he is training with his master, Katsuichi.  As the two walk through the snow, Katsuichi attempts to teach his student the various hidden aspects of nature around them, including the trees, each of which can represent human virtues.  The young Usagi is particularly intrigued by Katsuichi’s description of the humble plum tree as brave, and Katsuichi schools Usagi on how this smaller tree can be braver than the mightiest of oaks.  I always enjoy the depictions of Usagi’s unorthodox training under Katsuichi, as the student and teacher have a very amusing dynamic, and The Courage of the Plum turned out to be a delightful shorter entry with some intriguing philosophical discussion and some lovely drawings of the winter landscape.  Overall, Hebi and The Courage of Plum make for a fantastic combination of tales and I quite enjoyed seeing these two unique, short stories come together.

Up next in Seasons is an amazing shorter entry, Return to Adachi Plain, which sees Usagi journey back to the site of his greatest defeat, Adachi Plain, the battlefield where his lord Mifune (named after actor Toshiro Mifune, who starred in multiple classic samurai films that Sakai references in his works, including as Miyamoto Musashi in the Samurai trilogy), was killed in front of him.  Flashing back to tragic events that started his wandering lifestyle, Usagi remembers the battle in greater detail and the reader sees not only the role he played in saving the head of his lord from mutilation but also the first time he came directly in conflict with the villainous Lord Hikiji. 

Usagi #10

Return to Adachi Plain is a fantastic entry in this series as it is essentially one big war sequence, showing Usagi amid a violent battle from his past.  This story expands on the war sequence that was shown in Volume 2: Samurai, and it was really cool to see more of this battle, especially the combat scene between Usagi and Hikiji, which serves as the origin for Usagi’s distinctive forehead scar.  A fantastic shorter story that provides greater depth to Usagi’s role in this major defeat, this battle sequence was later reused in colour in Volume 34: Bunraku and Other Stories, and the events disclosed within is likely to come up in the upcoming Volume 35: Homecoming.

The next story in this volume is a relatively short entry called The CrossingThe Crossing is set aboard a small passenger ship where a group of rowdy peasants sing and dance to a fun folk song on deck.  However, during the climax of the performance, one of the peasants accidently bumps into an arrogant samurai who takes offence and moves to kill the transgressor, until a fellow passenger intervenes.  Unfortunately for everyone involved, the Good Samaritan isn’t Usagi; instead it is the demon spearman Jei. 

This is a captivating darker story that once again highlights just how dangerous and deranged Jei, one of the best antagonists in the entire Usagi Yojimbo series, is.  Sakai has written an extremely clever tale here that does a wonderful job showcasing Jei’s compelling nature as both a defender of the innocent and a raging psychopath who views nearly everyone as evil in form or another.  It’s fantastic watching the expressions on the peasants’ faces turn from relief to absolute terror as they slowly realise just how crazy Jei is, and you have to love that entertaining ending with the unsuspecting dock worker.  The Crossing serves as an excellent follow-up to several other shorter Jei stories that appeared in recent volumes, including The Nature of the Viper (which appeared in Volume 9: Daisho) and Black Soul (which appeared in Volume 10: The Brink of Life and Death), and this ends up being an impressive and compelling filler story in this volume.

Usagi #11

The shorter entries keep on coming! The Patience of the Spider introduces a new compelling character, General Ikeda.  Ikeda is a famed warrior and general who led a revolt against the Geishu Clan years ago (when the clan was ruled by the father of Usagi’s friend Lord Noriyuki).  When his revolt fails and his army is vanquished, Ikeda and two of his retainers flee to an abandoned farm and determine that their next course of action is to hide and wait.  Using a patient web-building spider as inspiration, Ikeda and his comrades show fortitude and restraint by disguising themselves as peasants and farming the land as they wait for the opportune moment.  However, as the years pass and Ikeda gains a family and faces the many harsh trials and dangers that await a peasant farmer, he begins to see the world differently, until the once notorious general is a completely new person, one with very different desires and dreams.

The Patience of the Spider is an outstanding example of how Sakai can quickly build up an intriguing and powerful character and ensure that the reader is utterly transfixed by their tale.  While this entry is relatively short, it is very impactful and may be one of the best stories in Seasons.  The tale of General Ikeda, as he faces the many different hardships of peasant life, including drought, bandits, floods and great personal loss, while also experiencing great joy and community, is extremely well written.  It proves to be extremely captivating to see this resolute man slowly change his nature as life overcomes him.  This also proves to be an excellent introduction to the character of Ikeda, who will go on to have a substantial role in the two big Grasscutter storylines, and his amazing character arc has an exceptional start here.  A very impressive and powerful tale, The Patience of the Spider is an amazing character-driven narrative from Sakai that is an absolute treat to read.

The next story featured in Seasons is the curious tale, The Lord of the Owls, which sees Usagi encounter a strange fellow traveller.  As Usagi stops at an inn, he witnesses a group of ruffians follow after a mysterious hooded samurai walking the road with the intention of robbing him.  Following them, Usagi witnesses the figure quickly kill the bandits after first startling him with his hypnotic and powerful gaze.  This man is eventually introduced as Oyama Tadanori, the mysterious Lord of the Owls, who reputedly can see the future and who claims that his destiny is intertwined with Usagi. 

Usagi #12

This was an interesting story that presents the reader with a lot of curious and unanswered questions.  While the main story is rather good, especially when it comes to the fate of the greedy bandits, the reader is left extremely mystified by the Lord of the Owls and his powers of prediction.  This entry opens up a rather fascinating storyline that is still not complete; despite an appearance in a later comic, Usagi is still waiting to uncover more about this figure and their combined destiny.  While I am hopeful that this story will pay off somewhere down the line, but in the meantime this particular entry has some great action sequences, a fun new character and some stunning landscape shots, which makes it really worth checking out. 

Up next with have a clever story, The First Tenet, which deals with the machination and inside politics of the Neko Ninja clan.  In this entry, Kagemaru, the second in command of the Neko Ninja, makes a move to betray his commander, Chizu, by reporting some of her recent personal missions to Lord Hebi, Lord Hikiji’s chief advisor.  Hebi, who is enraged by the news that Chizu is moving the Neko Ninja against the interests of Lord Hikiji, considers supporting Kagemura but is reluctant, especially as “deceit is the first tenet of the ninja”.  However, Kagemaru has subtle ways of getting what he wants, and soon Hebi finds himself in a dangerous situation that will change the future of the Neko Ninja forever. 

The First Tenet is a great story that masterfully shows of the duplicitous internal politics of the Neko Ninja and the supporters of Lord Hikiji.  The storyline started here will eventually have some interesting implications for major side character Chizu, and Sakai does a fantastic job setting it up.  I loved all the plotting and subterfuge that appears in this story, and it proves to be a fun and clever read.  I also love the massive battle scene that occurs in the middle of the tale, and it was particularly cool to see Lord Hebi, a massive snake, finally get into a fight.  Hebi is a terrifying figure to behold in combat, and it is worth reading this story just to see that.  An excellent and exciting addition to Seasons, I really enjoyed The First Tenet, especially as it leads to a lot of outstanding ninja storylines down the road.

Usagi Colour Special - Green Persimmon

Seasons’ penultimate story is The Obakeneko of the Geishu Clan, a chilling supernatural tale that sees Usagi and his companions face off against a malignant spirit.  As Usagi draws closer to the lands of his friends in the Geishu Clan, he stops outside a ruined mansion where he suddenly recalls the last time he was there.  Flashing back to shortly after the events of Volume 4: The Dragon Bellow Conspiracy, Usagi, Gen and Tomoe are travelling back to Geishu lands and attempt to seek shelter at a beautiful mansion.  The mansion belongs to the Lady Takagi, a mysterious woman who provides them with rooms and food and seems quite happy for the company.  However, as the night continues, Tomoe grows suspicious with their host and attempts to investigate, eventually revealing that Lady Takagi is a demon who is determined to kill and eat her guests. 

This was a very fast-paced and exciting tale that provides an awesome horror edge to the stories contained with Seasons.  I love it when Sakai features iconic Japanese supernatural monsters in his tale as they always prove to be outstanding and fearsome opponents for the protagonists.  The monster featured within The Obakeneko of the Geishu Clan is no exception, and I loved the freaky tale based around her and the desperate fight for survival that Usagi and his friends are forced to undertake.  While Sakai mostly focuses on the horror aspects of this story, I liked how he included a few humorous moments, such as including a great reference to Sakai’s prior comic, Groo the Wanderer: “did I err?”, as well as the funny concluding moment that sees Usagi fleeing in terror from a couple of woodcutters.  This was a really fantastic supernatural tale and it is always cool to see Sakai’s amazing depictions of these inventive Japanese monsters.

The final story in this excellent volume is the intense and action-packed Green Persimmon.  In this story Usagi, who is on his way to the Geishu lands, comes across a dying Geishu retainer who entrusts Usagi with delivering a mysterious package to his lord.  Opening the package reveals a simple and seemingly unremarkable ceramic green persimmon.  However, moments after receiving the persimmon, Usagi is attacked by a band of armed samurai who are desperate to reclaim it at all costs.  Managing to defeat his attackers, Usagi continues along the rough and windy coast road to the Geishu lands, but he encounters even more men determined to reclaim the persimmon and is soon forced to fight for his life as his attackers employ ruthless means to kill him.

Usagi-Yojimbo-Book-11-Seasons-Print-

Green Persimmon is an awesome and fantastic story that I deeply enjoyed, and which holds a great deal of significance for me.  This was actually the first Usagi Yojimbo story that I ever read, as a colour version of this story appeared in a magazine aimed at younger teens down here in Australia when I was a lot younger.  This story really stuck with me over the years due to the exciting story and cool action sequences, and it was one of the main reasons (along with Usagi’s appearances in the Teenage Mutant Ninja Turtles cartoons) that I decided to check out the Usagi Yojimbo comics in later life.  Needless to say, I am still very impressed with Green Persimmon years later; it is an enjoyable and memorable story to end this 11th volume.  I love the fluid combat sequences in this issue, including Usagi throwing the persimmon into the air and killing all his opponents before deftly catching it, and there are also some great banter scenes between Usagi and his attackers.  I also enjoyed the epic scene where Usagi finds himself trapped within a field of flame thanks to a flurry of fire arrows around him.  Not only is it cool that Usagi successfully survives by utilising the lessons of the legend of Prince Yamato Takeru and the Grass-Cutting Sword (the full events of which are drawn by Sakai in the next volume), but when he emerges from the ground covered in soot and dirt, he looks particularly demonic and enraged as he faces his opponents, making for an epic and amazing scene.  All of this is set to a fantastically drawn background of the rugged coastal landscape, which proves to be a fantastic setting for the various combat scenes.  If I had to offer any criticism about this story, it would be that the conclusion and reveal of the purpose of the ceramic persimmon did not really go anywhere and there were no mentions of this victory over series antagonist, Lord Hikiji, ever again.  However, I still really love this entry as Green Persimmon has so many cool and impressive elements to it and it is a great end note for this volume.

Seasons is another fantastic and incredible comic by Stan Sakai that sees Usagi engage in some captivating and intriguing adventures.  Featuring a cool mixture of different Usagi Yojimbo tales, Seasons is an amazing entry in the series.  I absolutely love a lot of the stories contained within this volume, which are once again anchored by outstanding character and breathtaking artwork.  This volume gets a full five-star rating from me and comes highly recommended.  On a side note, I am very glad that I decided to do another Usagi Yojimbo comic in a Throwback Thursday article as I have a lot of fun reviewing them.  I might have to skip ahead a volume for my next Throwback Thursday, as I cannot find my copy of Volume 12, Grasscutter.  However, I will either find it or get a new copy soon, as Grasscutter is too major a storyline to miss.  I hope you enjoy the review and make sure to check out some of the other reviews I have done of this epic and amazing series.