Warhammer 40,000: Cain’s Last Stand by Sandy Mitchell

On June 10, 2024 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Cain's Last Stand Cover

Publisher: Black Library (Audiobook – 1 January 2008)

Series: Ciaphas Cain – Book Six

Length: 10 hours and 30 minutes

My Rating: 4.75 out of 5 stars

Amazon

I’ve been on a real roll with the amazing Ciaphas Cain series by Sandy Mitchell (a pseudonym of Alex Stewart) lately, which is easily one of the funniest Warhammer 40,000 series out there. Amazing books like For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory and Duty Calls have all proved to be highly entertaining, and I like the author’s take on a less heroic figure in the martyr-filled grimdark Warhammer 40,000 universe. As such, when in need of a particularly fun read, I made the very easy choice to power through another entry in this classic series last week with the sixth book, Cain’s Last Stand. This was an unsurprisingly awesome book, and I loved the intriguing story that emerged.

Commissar Ciaphas Cain, legendary hero of the Imperium and self-professed fraudulent coward, has done the near impossible and survived decades of brutal service in the Imperial Guard. Now effectively retired from active duty, Cain has returned to the planet of Perlia, which he helped save from an ork invasion early in his career, and now spends his time teaching Commissar cadets at the planet’s Schola Progenium. However, the battle is never truly over for Cain, and soon dark forces begin to descend once again.

Half a galaxy away, Abaddon the Despoiler has launched his 13^th Black Crusade, determined to invade the Imperium of Man. While most of the fighting occurs around the fortress world of Cadia, a splinter fleet has broken off and is heading deep into the Imperium, defeating several forces sent to stop it. When it becomes apparent that this fleet is heading directly for Perlia, Cain is once again forced into action, especially as he knows exactly what they are coming for.

An ancient alien device of devastating power lies hidden on Perlia, one capable of reshaping reality itself, and Cain is one of the few people who knows it’s there. With no means of escape available and the fate of the galaxy in the balance, Cain is forced to lead the defence of Perlia against the oncoming Chaos tide. With only a ramshackle army of local soldiers, militia and students from the Schola under his command, the defence of the planet looks grim, especially when faced with a charismatic Chaos lord and his fanatically loyal soldiers. Worse, a far greater evil has its eyes on Perlia, one that Cain fears above all else. Can the legendary hero of the Imperium pull out one last impossible victory before he rides off into the sunset, or has Cain finally met his match at the site of his greatest triumph?

Mitchell continues to bring joy to the dark Warhammer 40,000 universe with this epic sixth entry, which I had so much fun with. Cain’s Last Stand was an excellent read, and I loved the cool and elaborate story that emerged.

I think Cain’s Last Stand might be one of my favourite stories that Mitchell has so far used for the Ciaphas Cain series, especially because it differs from the standard narrative patterns of the series, while also cleverly tying together some intriguing ongoing storylines. Set further into the future than any of the previous books, you get to see a nearly retired Cain in action, as the series finally ties itself into the events of the 13^th Black Crusade (the original version of it, not the darker recent retcon). I liked how Mitchell takes the reader back to the setting of the fourth book, Death or Glory, and the initial scenes of Cain as a reluctant but capable teacher, were very fun. The switch from Tyranids to Chaos as the main threat is handled extremely well, and I liked the continued niggle that even worse enemies are lurking around. The subsequent reveal that the reason behind the invasion is due to the ancient artefact first hinted at in Death or Glory and then expanded on in Duty Calls was great, and Mitchell does an excellent job of tying the various ongoing storylines together.

The second half of Cain’s Last Stand proves to be a very fun planetary invasion arc, especially as Cain works to rally an unusual array of defenders, including untrained militia, under strength garrison forces, and his own students. The forces of Chaos prove to be excellent foes for this story, and I liked the much more insidious nature of the threat that emerged, especially as there was a slow build to the reveal. After plenty of action, clever ploys, some touching tragedy, and so much misdirection from the protagonist, the story eventually heads to the inevitable last stand, which cleverly mirrors a similar event from Death or Glory. Mitchell does a great job of building up anticipation for this event, and it doesn’t disappoint as there are some excellent action sequences and fun revelations that occurred. I particularly enjoyed the big bluff that leads to the death of a certain enemy, especially as it was a classic Cain antic. The final reveal about the actual big bad of the story was well handled, and it leaves this storyline open for the future, which I am very excited for. An overall excellent addition to the series that builds on the prior novels while offering existing fans something new to enjoy.

Mitchell continues to utilise the fantastic writing style that has made the other Ciaphas Cain books so much fun, and I love how it cleverly enhances the narrative of Cain’s Last Stand. As always, the cool journal format, equipped with entertaining footnotes and in-universe texts from Inquisitor Amberley Vail, ensures that you get a frank and cynical look at events in the Warhammer 40,000 universe, and I love the inherent humour that results. The various action scenes are exciting and fast-paced, and the constant commentary of complaints and annoyance that emerges from the protagonist are very entertaining. This action and compelling humour are well offset by some of the darker elements of the plot, including some genuinely tragic moments, and you get thrown around the emotional ringer as a result. This mixture of elements helped to create a much more impactful and complex read, and I appreciated some occasional seriousness to go with the impressive humour.

As with most books in the Ciaphas Cain series, Cain’s Last Stand can be read as a standalone read, especially as the author does a good job of rehashing relevant events from the prior novels. However, for the full experience, especially when it comes to some fascinating storylines, reading the last two books would be good, and I really enjoyed how the author kept bringing the story back to these prior adventures. While there was once again some repetition between books as Mitchell reutilises his favourite lines, I felt that the more original story and important connections to previous books ensured that Cain’s Last Stand stood out and got away from some of these minor issues. An excellently written book that will appeal to both new readers and established fans of the series.

As always, I must give a callout to the outstanding characters featured in Cain’s Last Stand. This of course includes Commissar Ciaphas Cain, the main protagonist and narrator, whose harrowing adventures we continue to follow. I’ve talked a lot about the exciting dichotomy of Cain throughout my previous reviews, especially as he can be considered both a hero and a coward, and I loved seeing that occur again in Cain’s Last Stand. Cain continues to be both a self-serving cad and a peerless commander, and it always fun to see himself plot to survive while discounting his own accomplishments. His adventures in this book are particularly fun, and the inclusion of the protagonist as a teacher trying to get his methodology of command to Commissar cadets was a great choice from Mitchell and plays nicely on some of his offhand comments in previous books. This, as well as the return to a planet important to his mythos, ensures that Cain has a lot to think about in Cain’s Last Stand, and I really enjoyed the way his past adventures keep coming back to haunt him. This was a powerful adventure for Cain, and I always enjoy seeing the protagonist debate his own legacy whilst doing his trademark daring deeds.

The supporting cast for Cain’s Last Stand was also very good, and it provided an interesting mixed of established characters, returning figures, and raft of great new comrades. This includes Inquisitor Amberley Vail, whose role as the overarching narrator of the book, as well as the person behind the footnotes, ensures that her fun influence is felt the entire way through. Cain’s faithful bagman, Jurgen, was also a welcome inclusion, and his loyal service and fun interactions with Cain were as great as always. Jurgen once again showed why he is the true MVP of the Ciaphas Cain series, and you have to love the entertaining contrast between his Baldrick-esque appearance and his impressive abilities. Other great characters include a favourite character from Death or Glory, an interesting array of fellow teachers from Cain’s Schola Progenium, and other unique comrades for the protagonist. I particularly enjoyed the class of Commissar cadets who are being instructed by Cain, and it was fun to see the range of different personalities they had. Throw in a smarmy Chaos warlord whose charisma and influence outweighed his abilities and stature, and you had a great cast for Cain’s Last Stand, and I had a lot of fun seeing Cain interact with them.

I once again had an outstanding time with the audiobook format of this book, and frankly there is no better way to enjoy a Ciaphas Cain novel. Thanks to the epic and well-cast multiple narrators, readers get an amazing experience when they listen to Cain’s Last Stand, especially as it helps to really capture the crazy nature of the plot. The main narrators are Stephen Perring and Penelope Rawlins, who voice Cain’s perspective and Inquisitor Vail’s notes respectfully. Perring once again does an incredible job voicing the main cast of the story, especially Cain and Jurgen, while Rawlins has a lot of fun including her character’s informative, if often sarcastic, comments throughout the plot. These two main narrators complement each other extremely well, and I always have an awesome time listening to them. The audiobook also features the talents of additional narrators Richard Reed, John Banks and Phillipe Bosher, each of whom voice fun in-universe texts and pieces of propaganda to liven up the main plot and provide some amusing context for the main story. I have so much love for how these narrators bring the story together and this proved to be another impressive audiobook to listen to, especially as its great style really fit the fantastic story Mitchell came up with. With a run time of 10 hours and 30 minutes, this is a very easy audiobook to get through quickly, and I managed to finish it off in no time at all.

Cain’s Last Stand was another amazing entry in the Ciaphas Cain series by Sandy Mitchell, and I have so much love for this entertaining and fun Warhammer 40,000 series. This sixth book was a particularly impressive entry in the series, and I loved the complex story that emerged, especially as it brings together several previous adventures from Mitchell’s outstanding protagonist. A clever, exciting and overall funny book that I could not get enough of, Cain’s Last Stand comes highly recommended and I look forward to continuing this series in the future.

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Warhammer 40,000: Duty Calls by Sandy Mitchell

On June 5, 2024 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer6 Comments

Duty Calls Cover

Publisher: Black Library (Audiobook – 22 May 2007)

Series: Ciaphas Cain – Book Five

Length: 9 hours and 37 minutes

My Rating: 4.5 out of 5 stars

Amazon

One of the most entertaining authors of Warhammer fiction, Sandy Mitchell, continues to shine with the fifth book in his excellent Ciaphas Cain series, Duty Calls.

I doubt anyone is too surprised to hear that I broke a recent lull of reading by resuming the Ciaphas Cain series. The Ciaphas Cain books, written by Sandy Mitchell (the alternate penname of author Alex Stewart), are an outstanding series that aims to bring a little humour to the crazy and dark battles of the gothic Warhammer 40,000 universe. I have deeply enjoyed the first four books in this series, For the Emperor, Caves of Ice, The Traitor’s Hand and Death or Glory, and this honestly is one of the very best Warhammer 40,000 series out there.

Commissar Ciaphas Cain, hero of the Imperium and self-confessed self-serving coward, continues his exciting and deadly adventures when a new dark threat rises to destroy humanity. After his last harrowing adventure with the Valhallan 597^th, Cain is keen for a less deadly experience, and his new deployment to help crack down on civil unrest on the planet of Periremunda seems to be the ticket. However, nothing is ever simple when Cain is involved.

Upon arriving on Periremunda, Cain quickly finds his life in danger as a series of assassination attempts are made against him. Realising that his assailants are genestealers, the deadly scouts of the Tyranid swarm, Cain begins to understand the true danger Periremunda is in, as the genstealers herald the approach a Hive Fleet. But unstoppable hordes of alien creatures are the least of Cain’s worries as he is reunited with his old flame, Inquisitor Amberley Vail.

Ostensibly on Periremunda to help the Imperial Guard stave off the Tyranid invasion, it soon becomes apparent that Vail is there for a darker reason. Something incredibly important has been hidden on the planet that has the potential to change the entire Imperium. Forced to assist Vail, Cain and his trusty aide, Jurgen, find themselves thrust into the deadly intricacies of a battle between hidden underground factions. But with hungry Tyranids all around, deadly assassins gunning for Cain and a mysterious Chaos cult causing mischief, can Cain survive his deadliest encounter yet?

Duty Calls was an awesome addition to the Ciaphas Cain series that builds on several of the prior adventures, while also testing the protagonist in some fun new ways. I loved the interesting story contained with Duty Calls, and this was one of Mitchell’s stronger additions to the series.

This fifth Ciaphas Cain novel had a great story behind it, although I am sure that prior readers will be familiar with the overall thrust of the narrative, with the seemingly cowardly Cain arriving on a new planet to face one threat, only to discover a much more dangerous enemy hiding beneath the surface that he is forced to reluctantly face and defeat, once again accidentally proving that he is a hero. While Mitchell does try to break this story premise up throughout the series, this is a recurring story format, which can get a little too repetitive. However, I think that Duty Calls stands on its own feet and Mitchell does a good job distinguishing it from the previous entries in the series. The initial hidden threat of genestealers transforms into a massive Tyranid invasion, and it proved intriguing to see the protagonist face off against the ravening alien forces. Tyranids are easily one of the best antagonists in the entire Warhammer 40,000 canon, and while they lose a little of their fighting ability in the face of Cain’s plot armour, they proved to be a great threat in Duty Calls.

While Mitchell could have probably left Duty Calls as simply a military novel, the inclusion of major recurring character Inquisitor Amberley Vail ensures that Cain is thrust into a much more subtle form of danger alongside the Tyranid invasion. Caught between warring factions of the Inquisition and Adeptus Mechanicus, Cain is used as a pawn in the resulting shadow war, and there are some great scenes as Cain dodges assassination attempts, hidden Chaos cults, and other unseen dangers, all while trying to work out what the elaborate conspiracy is. Novels that focus on the plots and conspiracies of Inquisitors are always very cool in the Warhammer 40,000 universe (see my reviews for Xenos, Malleus and Hereticus by Dan Abnett), and Mitchell fits Cain into this intrigue laden story arc extremely well. It helped that there was some excellent set-up for this in the previous novel, and it was good to get a continuation here. The resulting combination of storylines comes together really well, and Duty Calls has a really impressive and addictive narrative that will appeal to all fans of Warhammer 40,000 fiction.

As with the previous Ciaphas Cain novels, Mitchell does a great job of balancing the various elements of Duty Calls perfectly. While primarily a military focused science fiction read, Duty Calls also has some great elements of intrigue and espionage, which ensures extra levels of excitement and danger. However, I feel that the best part of Duty Calls is the inherent humour that Mitchell produces, which is a real rarity in Warhammer fiction. Most of this is due to the hilarious and cynical narration of the main character, who pulls no punches when it comes to describing how ridiculous events are and the fact that he’s caught in the middle of them. Extra humour is also built in due to the contained chronicle format that Mitchell has set the series out in, with the protagonist’s journal entries enhanced by extra documentation, descriptions, references and notes from Cain’s associate, Inquisitor Vail. Vail’s sarcastic take on Cain’s description of events throughout these extra notes is a lot of fun, and the additional in-universe texts and broadcasts seek to showcase just how ridiculous humanity and the Imperium has gotten in the war-torn future, with over-the-top bits of propaganda and biased historical documents. All this adds to quite a funny book, and this built-in comedy pairs remarkably well with the more serious parts of Duty Call’s narrative to create a truly addictive and fun read.

I felt that Duty Calls was a strong entry in the Ciaphas Cain series, especially as it builds nicely off the events of the preceding novel, Death or Glory. Due to the series looking at different time periods of Cain’s career, Duty Calls is set between the second and third books, although it makes a lot of references to the first novel, and the events of Death or Glory, which took place many years before. While the jumps around the timeline are a little confusing, Mitchell makes it work, and I liked seeing the return of several recurring characters, as well as a continuation of some mysterious storylines from the previous book. Despite these connections, Duty Calls also works quite well as a standalone novel, and new readers can jump into the series here without too many issues. Indeed, Duty Calls is a good introduction to both the Tyranids and the Warhammer 40,000 universe, and the Ciaphas Cain books are very much engineered for new Warhammer fans. I will say that after reading several Ciaphas Cain books in a row, Mitchell’s proclivity for repeating elements from his other novels is a bit more obvious, and you do get a little weary of hearing the same phrases, descriptions and character depictions again and again. Still, Mitchell ensures that Duty Calls is a particularly entertaining read, so its easy to really get stuck into it, and I deeply enjoyed seeing this unique series continue.

As always, I must mention the great characters featured within Duty Calls. The most prominent of these is series protagonist Ciaphas Cain, who might be one of the more complex and debated figures in the Warhammer 40,000 canon. Shown by his own admission to be a coward and a false hero, Cain spends most of the book trying to come up with ways to avoid combat and surviving the inevitable battles that his reputation and own bad luck force him to participate in. His memoirs are filled with cynical allusions to the methods he utilises to survive, and you can see that Mitchell is trying to emulate classic characters like Flashman or Blackadder. However, despite the character’s constant assurances that he is no hero, you see time and time again that there is far more to Cain, as he routinely defeats the enemy, often thanks to his own caution, survival instincts and ability to inspire his fellow troops. I love how you are constantly rooting for Cain, despite his attempts to weasel out of trouble, and his self-deprecation about his actions really makes you feel for him, especially as its apparent that he is just one filled with self-doubt after not being an over-the-top martyr like the other heroes in the Warhammer 40,000 universe. At the same time, Cain also provides a lot of the book’s humour, as you are bombarded with his fun comments and cynical attitude about everyone he encounters. As such, I really appreciate Cain as a central character in this series, and it is always so much fun to follow him throughout his adventures.

Aside from Cain, there is an interesting array of characters featured in Duty Calls who I had a lot of fun with. Many of them are recurring from the previous novels, and it was good to see various familiar faces again. This includes Cain’s faithful aide, Jurgen, who Mitchell portrays in a manner like Baldrick from Blackadder, due to his apparent gormless attitude and poor personal hygiene. However, in many ways Jurgen is just as much a hero as Cain, often being the one to save the day with his skills and big gun, and he forms a great team with Cain, especially as his Commissar is usually the one drawing the enemy’s attention from his aide’s attacks. I also really enjoyed seeing the return of Inquisitor Amberley Vail, both as a character in Cain’s adventures and the person publishing his memoirs. Vail proves to be the perfect foil to Cain for many reasons, and I like how she’s the only person who can effectively manipulate Cain and doesn’t fall for his lies and schemes. Vail constantly calls out Cain, both in person and through the footnotes she amends to his chronicles, and I love how she has his number, while also clearly caring for Cain as a partner. Duty Calls really shows just how dangerous Vail can be though, especially as she gets into the fight and makes some tough decisions. Other interesting characters include several familiar soldiers from the Valhallan 597^th, the outrageous members of Vail’s inquisitorial retinue, and a several intriguing antagonists who prove to be great and over-the-top opponents to the sensible Cain. All these characters added a lot to the impact of the book, and I cannot wait to see how they fit into Cain’s adventures again in the future.

Readers who have seen my previous Ciaphas Cain reviews know that the only way I am going to enjoy this series is through its audiobook format. All Warhammer novels make awesome audiobooks, but the Ciaphas Cain audiobooks are something particularly special thanks to the use of multiple narrators. Duty Calls features six separate narrators who add a great deal to the production thanks to their fantastic voices and entertaining takes on the characters and universe. Most of this narration is done by the superbly talented Stephen Perring, who lends his voice to all the chapters told from Cain’s perspective. As such, he covers most of the first-person action and adventures of the main character, and his take on the complex Cain and his colleagues is exceptional. The way he captures the various aspects of Cain’s character through his voice work is impressive, and you really get a sense of the multiple layers surrounding his motivations. Perring also does a really good job of capturing the other intriguing characters Cain interacts with, including his aid Jurgen, and the eclectic members of the Inquisition that crosses his path.

After Perring, the most prominent narrator is Penelope Rawlins, who provides narrations for the various inclusions written by Inquisitor Vail. As such, Rawlin’s voice is constantly interjected into the audiobook at various points as she reads out the footnotes, context pages, and personal remarks from Vail, as she attempts to make Cain’s story more readable. Rawlins has really perfected her Vail voice over the course of the series, and it is always great to have the playful, informative, and often gently exasperated tones of a chronicling Inquisitor come through the plot. There is also some good contrast between Perring and Rawlins, especially as both voice the character of Vail throughout Duty Calls, and they serve as a winning main team.

The other four narrators, Emma Gregory, Richard Reed, Tara Rawson and Andrew James Spooner are also very fun, even if they are used a little sparingly. These four narrators’ voice extracts from various in-universe texts, chronicles and new casts that Inquisitor Vail has added to Cain’s manuscripts to give them more context. These talented narrators go all out in voicing these intriguing and often over-the-top inclusions, and I love the humorous spin their excellent narration adds to them as a result. Gregory is particularly noteworthy, especially as she once again voices the ridiculously patriotic memoirs of an officer fighting alongside Cain, but all these extra narrators do such a great job. This excellent and entertaining combination of voice actors and audiobook narrators turns Duty Calls into a real treat to listen to, and I honestly cannot recommend this format enough to anyone interested in checking out the Ciaphas Cain series.

I continue to fall further in love with the Ciaphas Cain series as Sandy Mitchell produces another amazing and fun story in Duty Calls. Loaded with action, humour, and a particularly complex protagonist, Duty Calls had everything I’ve come to expect from the Ciaphas Cain series, and I deeply enjoyed how Mitchell continues to showcase the Warhammer 40,000 universe in his own distinctive way. I can think of no better way to highlight just how much of a great time I had with Duty Calls than to reveal that I automatically started listening to the sequel Cain’s Last Stand, the moment I finished it. Highly recommended to all Warhammer fans and new readers wanting some fun science fiction adventures.

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Throwback Thursday – For the Emperor by Sandy Mitchell

On February 10, 2023 By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer16 Comments

Warhammer 40,000 - For the Emperor Cover

Publisher: Black Library (Audiobook – 23 December 2003)

Series: Ciaphas Cain – Book One

Length: 8 hours and 57 minutes

My Rating: 4.75

Amazon

I’ve already put up one Throwback Thursday post today, for the cool Warhammer 40,000 novel, Kingsblade by Andy Clark, but the fun doesn’t end there as I am also going back to 2003 and reviewing the hilarious and deviously clever novel, For the Emperor by Sandy Mitchell, which is easily one of the funniest Warhammer books I have ever read.

Anyone who has paid the slightest bit of attention to my recent review habits would probably have noticed that I am quickly and doggedly powering through a ton of the top books in the Warhammer 40,000 range of fiction. Not only did I recently finish off the epic Eisenhorn trilogy by Dan Abnett (featuring Xenos, Malleus and Hereticus), but I have also checked out several cool standalone novels, including Grim Repast by Marc Collins, Deus Encarmine by James Swallow and Sepulturum by Nick Kyme. All these books are exceedingly impressive examples of Warhammer 40,000 fiction that featured their own unique elements, such as galaxy spanning conspiracies, intense horror elements, or a futurist homage to classic, gritty cop stories. However, the one thing that they all tended to lack was a substantial and notable sense of comedy. That is where my next entry comes in as I have finally had a chance to explore the first book in the iconic Ciaphas Cain series by Sandy Mitchell (a pseudonym for author Alex Stewart), For the Emperor, which had me laughing like crazy.

In the millennia when the forces of humanity fought to maintain the Imperium of Man, many heroes have risen from amongst the ranks of the Imperial Guard, gloriously leading mankind’s armies against the traitors, the heretics and the xenos. Of these, few are spoken of with as much reverence and respect as the famed Commissar Ciaphas Cain, a living legend of duty, honour and courage. Known throughout the Imperium for his daring exploits that have seen him survive the harshest of battlefields and continually lead his forces to victory, Commissar Cain is considered by many to be one of the greatest heroes of the age.

However, everything everyone knows about Cain is a lie. In reality, he is a conniving coward who only seeks to avoid the horrors of the battlefield by any means necessary, in order to survive and make it to retirement. Blessed with remarkable survival instincts, Cain has managed to stay alive against impossible odds many times, which has led many to believe he is a true hero capable of anything. However, Cain’s ill-earned fame and reputation is a double-edged sword, as he is constantly chosen to journey to the worst battlefields in the Imperium, where his bad luck ensures he is in the thick of the fighting.

His latest mission sees him assigned to a newly formed Imperial Guard regiment suffering from horrific infighting and a lack of discipline. Determined to install unity and respect amongst his new regiment, primarily so they don’t shoot him in the back, Cain is confident that he has found a relatively safe assignment. However, his bad luck once again sees him in the thick of it, as his regiment is transferred to the backwater planet Gravalax, where a delicate situation is unfolding. The inhabitants of Gravalax are attempting to defect to the alien Tau, who come with a message of peace and the Greater Good. Not wishing to face the Tau and their superior technology, Cain works hard to avoid an upcoming war and ensure diplomacy will prevail.

However, after the Tau ambassador is assassinated and tensions are enflamed across the planet, Cain begins to suspect that there is more in play than he previously expected. A shadowy conspiracy is hoping to start a war between the Tau and Imperium on Gravalax, and Cain is right in the middle of their plot. To survive and avoid yet another war, Cain needs to work with a beautiful inquisitor to find out who is behind the attempted carnage before it is too late. But his investigation reveals a far more dangerous enemy than expected, one that is determined to destroy all before it, starting with the terrified Cain.

Wow, oh wow, now that was a pretty damn fun book. I had heard many times before how awesome and entertaining the Ciaphas Cain books were, and For the Emperor really did not disappoint. Featuring a compelling story loaded with clever, dark humour, For the Emperor is a very easy book to fall in love with, and I ended up coming away really impressed with Sandy Mitchell’s amazing writing and comedic ability.

For the Emperor’s narrative itself is pretty interesting as it follows Cain through one of his most notable adventures. Told in a chronicle perspective from Cain’s own memoirs (which may or may not be the most reliable source of information), you get to see the true Commissar Cain as he finds himself thrust into another adventure. After a quick and very intriguing introduction, with notes from Cain’s associate, Inquisitor Amberly Vail, the story initially details Cain’s attempt to unify and control the Valhallan 296^th-301^st composite Imperial Guard regiment (eventually the Valhallan 597^th). These initial chapters showcase many aspects of the compelling protagonist, his deep cunning and determination to avoid damage, while also taking the time to introduce several of the major supporting characters. The story changes after a few chapters as Cain and his new regiment arrive on Gravalax, where Cain must contend with the Tau, who are influencing parts of the local population. Unlike most Warhammer 40,000 novels, the story doesn’t revolve around a war between the Imperial Guard and the Tau; indeed the focus on the plot is avoiding the conflict as two rival races attempt to find a diplomatic solution. Unfortunately, some hidden force is attempting to start a war between the Tau and the humans, and Cain soon finds himself trying to maintain the peace, primarily for his own benefit. After several intriguing and entertaining side missions, the plot eventually sees Cain and the new Inquisitor Vail lead a small, expendable force into the lair of their true enemy. While I won’t go into detail about who they face, it results in a series of gruesome and deadly battles, where Cain’s survival skills are really put to the test. Mitchell features a ton of action, intrigue, and odd-couple team-ups for this final major sequence, and you are really drawn into the intense storytelling, with even Cain’s sense of humour failing to cut through the brutal nature of the conflict. Everything ends on a compelling, if slightly dark note, and you come away from the story pretty damn satisfied and ready for another intriguing adventure from this hilarious protagonist.

I really liked the fun way Mitchell wrote For the Emperor, as everything is set out to enhance the inherent comedy of the book. While there is a ton of impressive action, adventure and intrigue, at their core all the Ciaphas Cain books are very light-hearted and add a more humorous spin to the grim Warhammer universe. Indeed, I was getting some major Blackadder vibes from For the Emperor, as much of the plot sees the supposedly noble protagonist attempting to weasel his way out of actually getting into a fight. Pretty much every interaction or thought in this book had me chuckling in some way, and I appreciated some of the clever jokes or references that Mitchell scattered throughout. I also deeply enjoyed the cool chronicle format of the story, as Cain’s antics are made even funnier when you see it from his eyes. At the same time, Mitchell includes a ton of extra notes and excerpts from other in-universe texts that not only provide intriguing context, but also add to the humour, especially as the intentionally over-the-top opinions and bad writing highlights just how crazy other members of the Warhammer 40,000 universe are. There are also a series of notes, footnotes and quotes from supporting character Inquisitor Vail sprinkled throughout the plot to provide some additional insights, often in a humorous way. I always deeply enjoy the use of a good footnote in fiction, especially due to my love of Terry Pratchett’s novels, and I felt that Mitchell utilised them perfectly throughout For the Emperor. Not only do they provide additional information, but Vail’s footnotes often directly contradict Cain’s opinions and descriptions of events, and ensure a much more complex and complete overall story.

While the focus is often on the humour, Mitchell also does write a pretty compelling military thriller as the main story, which ties well into the wider Warhammer universe. The focus on the intense conspiracy and the outbreaks of rebellion and war fit into the more humorous feel of the book extremely well, and you get quite an impressive story as a result. There are also some rather dark moments scattered throughout the novel as well, and they provide a rather interesting contrast to the more comedic elements. Having the character deal with some heavy moments, like being forced to kill an innocent man, provides some great balance to the story, and despite the lighter tone, you are always reminded just how grim the overlying universe truly is.

I deeply enjoyed Mitchell’s unique take on the Warhammer universe that was featured in For the Emperor, especially thanks to who is telling the story. Most of the Warhammer 40,000 books you experience either follow a bold warrior or a common soldier, many of whom see the universe through lens of duty or ignorance. However, the Ciaphas Cain books provide a much more down-to-earth view as the cynical Cain sees events as they truly are and he knows deep down just how deadly the universe and his own comrades are. I really liked this alternate view of the franchise from a protagonist and it, and the inherent humour of the story, help to make this book really stand out from some other novels. At the same time, Mitchell adds in some compelling and fascinating insights to the Tau, and other factions to the story, which really help to expand out the universe and ensure that there is plenty there for all Warhammer readers. The examination of a more diplomatic route from the usually xenophobic Imperium of Man was also pretty damn fascinating, and it really helps to showcase how pragmatic some of Mitchell’s characters are. This lighter tone, as well as the fun references to some other classic Warhammer 40,000 novels, ensures that all fans of the franchise are going to have an amazing time with this book, and I personally found it to be a welcome change of pace between a few heavier Warhammer novels I have recently read. For the Emperor would also serve as a pretty good entry point into the Warhammer 40,000 universe, especially as you get a good idea of how crazy everything is, while also getting to have a laugh at it. As such, this is an extremely good Warhammer novel, and I now fully understand why the Ciaphas Cain books are so beloved by the fandom.

I can’t mention For the Emperor without discussing the awesome and extremely entertaining collection of characters that Mitchell successfully introduces here. For the Emperor features a substantial and compelling cast, each of whom brings something special to the story and helps to either enhance the humour or the more serious aspects of the book in their own special way.

The most important of these characters is of course Commissar Ciaphas Cain, through whose memoirs we see most of the plot unfold. A legendary hero of the Imperium, Cain is one of the more unique figures in Warhammer 40,000 fiction, mainly because he doesn’t deserve his inflated reputation. While he acts the great hero and everyone is in awe of his reputation, in reality he is a craven figure who is actively trying to avoid the universe’s various wars and stay alive. Thanks to his narration throughout the book, you see him constantly manipulating the situation to his advantage. Literally every single action he takes is done to benefit him and him alone, with an appropriate explanation or excuse to keep people from getting suspicious. Even his more heroic actions in the book (stopping a riot, defending the Tau ambassadors, visiting the enemy stronghold) are only done because they serve him in some way or when he can’t get out of doing it without dying or losing his ill-gained fame. I absolutely loved this unique character feature, as not only is it hilarious to see how he manages to weasel out or manipulate situations but it ensures that he is the complete opposite of the usual gruff and ultra-serious Commissar characters that are such a big part of franchise (Gaunt and Yarrick, for example).

While it would be easy to dislike such a selfish character, you really grow to enjoy Cain and his hilarious and cynical viewpoint of the universe, which is the source of much of the book’s comedy. It also helps that nearly every one of his actions backfires on him in some way, as his attempts to stay out of the fighting usually see him put into an even worse situation. His intriguing narration through his journals (which have been seized and classified for political reasons), adds to the comedic and emotional impact of the story, especially as you get to see him weigh his actions with the benefit of hindsight (although he is usually unrepentant). Of course, Cain is also the textbook definition of an unreliable narrator, and you have to wonder at the truth of his words sometimes. I did like how Mitchell tried to show that despite his desire to avoid combat, Cain is actually a pretty capable warrior and commander, and that he wouldn’t be as effective a leader if he weren’t trying to keep up his lies. There are also some flashes of humanity and deeper emotions scattered throughout the book, and you can see that there is a good person in there somewhere, even if it is buried far beneath his instincts for self-preservation. Honestly, Cain might be my most favourite Warhammer character since Kal Jerico, and I had such a fun time seeing his antics in For the Emperor.

Aside from Cain, I really need to highlight Inquisitor Amberly Vail, who finds herself investigating the same conspiracy Cain gets wrapped up in. Vail is a very fun character in this book as she not only presents the fictional version of For the Emperor to the reader, but she has a big role in the actual plot. Vail serves as Cain’s love interest, but she also is the only person in the book who sees right through Cain and knows what he truly is. Watching her manipulate the seasoned conman is quite cathartic, and the two make an effective and interesting team throughout the book. However, I felt that Vail’s best contribution to the novel comes in the form of her notes and footnotes throughout the account, especially as they constantly call out Cain for his actions and keep his narration mostly honest by filling in some crucial gaps. It as also very fun to see the various different versions of Vail that appear throughout the book, as you see both how she presents herself to the reader, and the slightly altered version of her that Cain sees. This really makes her stand out as a central character in this series and her funny notes and corrections deeply enhanced the already entertaining plot.

Another major character I need to mention is Cain’s aide-de-camp, Jurgen, the Baldrick to Cain’s Blackadder. A stooped, smelly and scruffy being, Mitchell has made Jurgen as Baldrick-like as possible (including a scene in which he comes up with a cunning plan), and I loved every damn second of it. Firmly believing that Cain truly is the hero he claims to be, Jurgen faithfully serves Cain, and it is a lot of fun to see the two play off each other, especially as Jurgen is honestly the most honest and likeable character in the entire book. The rest of the cast, which include schemers, professional soldiers, and various Tau, also have their moments, and I really liked how they were portrayed in the book. However, they all share one particularly defining feature: they all believe Cain is a hero and are led around by his manipulations. Watching these generally smart people fall for Cain’s lies is a great part of the book’s plot, and I had so much fun seeing them act the fool in this one specific way. Overall, though, For the Emperor has some outstanding characters to it, and it will be fun to see how they are utilised in the other Ciaphas Cain books.

Like most Warhammer novels I have the pleasure of enjoying, I chose to listen to For the Emperor’s audiobook format, which I maintain is one of the best ways to enjoy Warhammer 40,000 fiction. All the best narrative and stylistic elements of For the Emperor comes through at an even higher quality when you listen to them, and you really find yourself getting drawn into the complex story while also laughing at the fun characters. I felt that the production value behind For the Emperor was particularly impressive, as the audiobook features three separate narrators in experienced voice actors Stephen Perring, Penelope Rawlins and Emma Gregory. Perring, who I enjoyed last year in the audiobook for Engines of Empire by R. S. Ford, serves as the primary narrator for most of the book as he voices all the characters and action in the chapters of For the Emperor told from Cain’s perspective. Perring is an extremely awesome narrator and the range of epic voices he creates for the main cast are very impressive and really capture their personalities and unique physical characteristics. I loved the cynical, tired and falsely noble voice that Perring utilises for the main character of Cain, and you have to mention the slimy and fun voicework for the character of Jurgen as it makes him sound even more like Baldrick. Perring also narrates a couple of the in-text extracts (those written by a male author), and he ensures that they sound even more pompous and filled with misinformation, than you would get from a simple reading.

While Perring is the main narrator, the other two featured actors have amazing performances in For the Emperor’s audiobook which really add to the overall production. Penelope Rawlins voices the character of Inquisitor Vail during the parts of the novel she writes, mainly her notes on the events going on and the various footnotes featured throughout the plot. Rawlins’s take on Vail is slightly different to that of Perring, and you get a stronger sense of her intelligence and power through Rawlins voice, which I felt helps to emphasise that Cain’s perspective might not be the most reliable. The change in narrator also ensures that the various notes from Vail really pop out in comparison to the main story so you always know when Vail is speaking to correct Cain’s memory of events. The way that the footnotes are read out exactly where they fall in the text also works extremely well, and it ensures that Cain’s misinformation never gets a chance to sit properly. The final voice actor, Emma Gregory, also provides a few interesting sections to the audiobook, particularly as she narrates one of the recurring in-universe texts that is quoted, written by an older version of one of the supporting characters (Guardswoman Sulla, who gets promoted to a general in the future). Gregory captures the pride and arrogance of Sulla, as well as her devotion to Cain, perfectly, and I felt that this additional performance was a great part of the production. All this incredible voice work, as well as the amazing story that it brings to life, ensures that For the Emperor’s audiobook is particularly awesome and really worth listening to. With a runtime of just under 9 hours, this is a really easy audiobook to get through, and I powered through it in only a couple of days, mainly because of how much fun I was having, and I cannot recommend this format enough.

Look, I think it is clear to see that I loved For the Emperor and had a fantastic time reading this awesome book. Sandy Mitchell did something pretty special with this first entry in the epic Ciaphas Cain series, and I am now a massive fan of this series and the titular character. Loaded with so much clever humour, fantastic Warhammer elements, and a strong and surprisingly intense narrative, For the Emperor is pretty much perfect, and there is so much for people to enjoy. As a result, this book is particularly highly recommended, and I fully intend to get more Ciaphas Cain fun and manipulations in the future.

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State of Fear by Tim Ayliffe

On July 31, 2021April 10, 2023 By The Unseen LibraryIn Australian, Thriller15 Comments

State of Fear Cover

Publisher: Simon & Schuster Australia (Trade Paperback – 22 July 2019)

Series: John Bailey – Book Two

Length: 390 pages

My Rating: 4.5 out of 5 stars

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One of the fastest-rising Australian thriller writers, Tim Ayliffe, follows up his impressive debut with an excellent second entry in his John Bailey series, State of Fear.

Tim Ayliffe is a talented author who debuted in 2018 with The Greater Good, the first John Bailey book. This novel explored political corruption and international interference in Australia and made excellent use of the author’s experiences as a journalist. I really enjoyed this first book and was rather interested when I received the second novel from Ayliffe, State of Fear, in 2019. Unfortunately, I did not get a chance to read State of Fear when it first came out, and it has been in my to-read pile for a while, until I received a copy of the third John Bailey novel, The Enemy Within, a few weeks ago. I rather liked the sound of the third book’s plot, and I really wanted to read and review it. However, before checking out The Enemy Within I thought it would make more sense to read State of Fear first, and boy am I glad that I did.

Throughout his long career as a journalist and war correspondent, John Bailey has faced many dangers and been in several terrible situations. However, his worst encounter was with the notorious terrorist mastermind, Mustafa al-Baghdadi, who kidnapped Bailey while he was reporting on the invasion in Afghanistan and relentlessly tortured him mentally and psychically. Following his release from the terrorist group and a retirement from working in active war zones, Bailey thought that his days of dealing with terrorists was over, but he was wrong.

Speaking at a conference on Islamic terrorism in London, Bailey is horrified when a radicalised terrorist murders a woman in front of the convention centre. Rattled, Bailey returns home to Sydney, only to find his troubles have followed him there. The son of his former driver in Bagdad has gone missing, and Bailey has been implored to help. Investigating, Bailey finds that the son has been in contact with some dangerous men with connections to Islamic terrorist cells. Worse, it appears that they are planning to launch a massive attack in Sydney.

Desperate to save his friend’s son from making a terrible mistake, Bailey attempts to make sense of the terrible events unfolding in Sydney. However, the deeper he goes, the clearer it becomes that Mustafa al-Baghdadi is back, and he is targeting Bailey personally. As Bailey and everyone he loves comes under attack, Bailey is forced to turn to his old friend, CIA agent Ronnie Johnson, to find Mustafa and take him down. But will they be able to stop Mustafa before it is too late, or will the world’s most dangerous terrorist destroy everything that Bailey holds dear?

State of Fear was an excellent and powerful novel that takes its great protagonist on a rough and dangerous journey through hell and back. Ayliffe has definitely grown as an author since his first novel, and this second book is a compelling and intense novel with a well-crafted narrative. Starting off with an intense beginning, the protagonist is swiftly shoved into his latest harrowing adventure, as the terrorist he thought he escaped violently bursts back into his life. This is a very captivating novel, and despite its longer length I found myself powering through it in a very short amount of time. The protagonist goes through a real wringer as he is forced to visit the ghosts of his past while trying to stop his foe’s latest plot. Featuring a sprawling and deadly investigation through the suburbs of Sydney, the story eventually journeys back to London, where the protagonist and his friends engage in a deadly and dramatic fight to stop a deadly attack. There is so much going on in this story, and the reader will experience outstanding action, powerful drama, and some major tragedy, especially in the novel’s dramatic conclusion. This is a fantastic book which stands on its own and can easily be read by people unfamiliar with the other John Bailey novels. I had an exceptional time reading State of Fear and it is really worth checking out.

Ayliffe works a lot of fun elements into this novel that make it quite a unique read. Perhaps one of the most prominent of these is his experience and knowledge as a journalist which helps to produce a very Australian centric view of the events that are being depicted. For example, Ayliffe includes a very detailed and compelling look at radical Islamic terrorism and how it is occurring both in Australia and in the wider world, particularly England. Using several real-life Australian cases as basis, Ayliffe manages to expose and explore the heart of the issue, and he paints a fair and captivating picture of how individuals are lured into radical Islam as well as the consequences of their actions. There are some very intriguing and powerful discussions included within this novel, especially around how the Islamic and migrant community in Australia feels isolated and prejudiced against, and I really appreciated the compelling inclusion in the novel.

Other intriguing elements contained within State of Fear include Ayliffe’s experiences with modern media and how journalist stories are produced and distributed. There are some fascinating and fun journalistic scenes contained within this novel, and you have to assume that the protagonist’s extremely negative views about the swing to online social media based journalism has to reflect some of the author’s personal feelings. Another great feature of this novel was the way in which Ayliffe once again used his novel to highlight the city of Sydney. While a good portion of this novel is set in London (which Ayliffe also does a great job portraying), the scenes set within Sydney are a particular highlight. The author really dives into showcasing this city, with the protagonist visiting several real-life suburbs and locations throughout the course of the book, distributing local knowledge as he goes. As a result, this book is filled with some fun references that locals and Sydneysiders will really appreciate, and I enjoyed how Ayliffe spent the time to write a love letter to his city.

In addition to a fantastic story and excellent setting, Ayliffe also ensures that State of Fear is loaded with some complex and memorable characters. The most prominent of these is series main protagonist and primary point of view character John Bailey. Bailey is an outstanding veteran reporting character, and Ayliffe portrays him as a broken older news hound who is trying to balance his addictive career with holding onto his family. This protagonist is the very definition of a damaged character, as he has experienced great trauma, both psychical and emotional, over the years thanks to his work as a war correspondent. Despite this trauma, Bailey has experienced some major growth since the first book in the series, mainly thanks to the actions of major people in his life, and he is now a much more functional human being, allowing the reader to really connect with his struggles and damage. Unfortunately, the events of this novel really hit him hard, as he experiences fresh pain while also revisiting his traumatic past through a series of dark flashbacks. Despite this, Bailey keeps moving forward trying to solve the case, and it was great to see his determination and resolve, even under the worse of circumstances. The ending of the novel is pretty bad for Bailey, and he goes through some tragic moments that will no doubt rock him for the rest of the series. All of this makes for an incredible central protagonist, and readers will fall in love with this damaged and compelling character.

Aside from Bailey, State of Fear also contains several great supporting characters, most of whom are holdovers from The Greater Good, and who find themselves in all sorts of trouble in this book. The most prominent of these is Bailey’s romantic partner, Detective Chief Inspector Sharon Dexter, who serves as a secondary point-of-view protagonist for parts of the book. Dexter is a tough, no-nonsense cop whose past with Bailey led to a romantic relationship in the first book. Despite having a very complex and unusual relationship with Bailey, Dexter proves to be an excellent supporting character, acting as the sensible and official support to Bailey who tries to keep him out of trouble. While she has a bit of a cold exterior, especially when Bailey stuffs up or lies to her, Dexter is another character the reader can easily get attached to, and her involvement in the story is quite essentially the overall powerful narrative.

I also quite liked the inclusion of Bailey’s editor, Gerald Summers, another aging newsman who serves as Bailey’s emotional rock and best friend and who has an amazing run in this book. Gerald is an outstanding and loveable character, which of course means he is going to suffer a little bit, so prepare yourself for that. You also have to like Ronnie Johnson, the maverick CIA agent who spends most of his time living on Bailey’s couch, but who proves to be an effective and very dangerous operative when he needs to. Ronnie has been a favourite character of mine ever since the first book (I mean, he kills an Australian Prime Minister Harold Holt style), and he does some cool things in this second novel. Finally, I felt that Mustafa al-Baghdadi was a pretty good overarching antagonist for State of Fear. Ayliffe did a good job portraying a manipulative religious zealot with grand plans for vengeance and the advancement of his cause. Despite being hidden for most of the book, this character contains a great deal of menace, and I really enjoyed the sinister flashback sequences that featured him and Bailey. I did think that some of his reasons for vengeance on Bailey were a bit weak (I mean, he had to know that the first thing Bailey was going to do when freed was to share what he knew with the Americans), but he was an overall great villain with major impacts on the narrative. Each of these characters were well written and established, and I felt that their combined narratives really improved this fantastic novel.

State of Fear by Tim Ayliffe was an outstanding and captivating read that presents a powerful and moving adventure of journalist John Bailey. Containing an intense narrative about terrorism, some unique elements and amazing characters, State of Fear is an excellent read which swiftly grabs the reader’s attention and refuses to let them go. I had an incredible time reading this novel and I am still kicking myself for taking so long to check it out. I have already read the third entry in the John Bailey series, The Enemy Within, and I am hoping to get a review out for it soon.

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Devolution by Max Brooks

On July 1, 2020August 16, 2023 By The Unseen LibraryIn Horror21 Comments

Devolution Cover

Publisher: Del Rey (Trade Paperback – 16 June 2020)

Series: Standalone

Length: 286 pages

My Rating: 4.5 out of 5 stars

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Get ready for a deeply addictive and exceedingly clever new horror novel based around a classic American legend from highly acclaimed author Max Brooks, Devolution.

Welcome to Greenloop, a sustainable, high-tech town built in the wilds of America. Greenloop is home to a small community of artists and intellectuals, and seems like an ideal place for newcomers Kate Holland and her husband Dan. However, their dreams of a fresh start are shattered when the nearby Mount Rainier erupts, isolating the town from the rest of America and stranding its residents in the middle of woods.

While Greenloop appears to have avoided much of the damage and confusion that the eruption inflected on the rest of America, the inhabitants of the community need to find a way to adapt and survive without any food and resources as winter approaches. However, even as they come together and begin to formulate a plan to endure the harsh conditions, something else comes to Greenloop that is primal and destructive and determined to survive.

Based upon the vivid and detailed journals of Kate Holland that were recovered from the bloody wreckage of Greenloop, this book examines a terrible tale of bloodshed, death and destruction, as ancient creatures of stories and folklore invade. Are the tales contained within these journals real? Find out what happens when the legend of Bigfoot comes to life and once again unleashes its fury on humanity.

Wow, now that was a heck of a lot of fun. Devolution is a captivating and impressive new novel from Max Brooks, who is best known for his iconic zombie novel, World War Z. The moment that I heard Brooks was creating a new horror novel that was focused on Sasquatches, I knew that it was a book that I needed to get myself a copy of, and boy am I glad that I did. Devolution, which was also released as Devolution: A Firsthand Account of the Rainier Sasquatch Massacre, is an impressive and unique release which uses Brooks’s trademark writing style to craft together a captivating and powerful tale of survival and humanity while facing impossible odds. I absolutely absorbed this impressive read, which felt especially relevant for 2020.

In order to tell this distinctive story, Brooks once again utilises the epistolary style that served him so well in World War Z. As a result, Devolution is told using a variety of different sources combined together to make it feel like a history of an alternate version of America where a major volcano erupts impacting the entire country. This non-fiction novel (which I believe is written by that universe’s version of Max Brooks), combines the recovered journal of the novel’s protagonist, Kate Holland, with a number of interviews, historical articles, scientific discussion and background information on some of the inhabitants of Greenloop to create a full account of the events that occurred in the town.

I am a big fan of epistolary novels, although it is often a difficult writing style to utilise successfully. Luckily, Brooks is easily one of the more accomplished users of this writing style, and he was able to craft together an epic and clever horror story in this novel. Devolution contains a well-thought-out and masterfully presented tale that quickly grabs the reader’s attention and does not let go. Brooks does a fantastic job of setting the scene, introducing the characters and then presenting the adversity that they all face. The antagonistic monsters get a good amount of build-up, with signs of their presence providing tension before they make their grand and terrifying appearance. What follows is an exciting and compelling, if somewhat short, third as the protagonists attempt to react to their new reality and effectively fight back. The epistolary elements worked extremely well throughout the book, and I quite enjoyed having all the extra information and backstory they provided as you were going through the main narrative, especially as it attempted to analyse and explain the events that the protagonist was recording. I did think that the story concluded a little too early, and perhaps the book could have benefited from another 50-100 pages at this point (geez, I’m only asking him to increase the length of his book by around a third, I’m not being unreasonable or anything!!). Devolution’s conclusion is rather interesting as well, and I liked some of the resultant uncertainty that surrounds the entire narrative. Overall, this proved to be an intense and exciting story, and I had an absolute blast reading it.

Now let’s talk monsters. Devolution’s most defining feature is its amazing choice of monstrous antagonist in the form of the Sasquatches. As I mentioned above, the moment that I found out that Brooks was going to set a story around a Bigfoot attack in modern America, I knew that I was going to love it. Sasquatches are such an iconic part of American folklore, and all the mystery and obsession that surrounds them serves as a great basis for a horror novel. Brooks really dives into the Bigfoot lore throughout the book, exploring where the legends come from, how they have affected American culture, and the science behind the Sasquatch’s potential existence, all of which is presented to the reader alongside the protagonist’s account of their attack in Greenloop. I thought that the author did an amazing job examining and utilising the Sasquatches in this book, and he paints them as an ancient predator of humankind who, after avoiding us for millennia, are forced by circumstances to devolve and hunt us again. I liked how the author portrayed how similar they are to humans, including their intelligence and group dynamics, especially as these traits are the main reason that they are such an effective and haunting threat. All of this makes for a distinctive and compelling monster for this horror tale, especially as they prove to be a very dangerous and destructive force, and the author’s decision to utilise Sasquatches in this book ended up being a really clever choice.

Another great feature of this book is the characters who inhabit Greenloop and who end up encountering the Sasquatches. Since Greenloop is an experimental, planned, sustainable eco-community, it has naturally drawn a group of intellectual elites and artists to live there. This makes for a diverse bunch of opinionated and arrogant jerks, most of whom are reluctant to go against the group. They of course prove to be extremely unprepared for the events of the book, whether it is the volcano erupting or the attack from the Sasquatches, and they end up making a lot of selfish and stupid mistakes. The only exception to this was Mostar, a blunt older lady with a mysterious past, who has a good read on every other character and is the only one who is prepared for the hardships. She was easily my favourite character, and she had a rather compelling storyline, while also proving to be a major inspiration for the protagonist to step up. The rest of the characters are less appealing, especially at the beginning of the book, and I was kind of rooting for the Sasquatches for a good part of the novel. However, most of them (the ones who survive) do grow on you as the book progresses, and there are some interesting character developments. I also personally liked the way that that these ultra-modern characters, became a little more savage as the book progressed, reverting to more archaic technology and utilising more aggressive tactics, showing that the title, Devolution, can have multiple implications.

One of the more surprising things that I liked about this book was the way in which it resonated with me during the age of coronavirus. One of the major plot points of this book was the fact that the inhabitants of Greenloop find themselves cut off from the outside world due to a volcano. This naturally proved to be a major disruption for their normal lives and they soon find themselves without any new supplies or the ability to communicate with the outside world. Because of this, the characters, particularly the protagonist and her husband, need to adapt to this new situation, and a quite a bit of the story shows how they attempted to survive these unprecedented circumstances. There are some really relatable moments throughout this part of the book, with the protagonists cataloguing food, bemoaning their lack of certain materials, having discussions about where they could get more essentials, as well as examinations of the role of community and the impact of socialisation. Later, when the Sasquatches arrive, you have several scenes where the protagonists hide in their homes and attempt to feel secure within, as they worry about the previously unknown threat that lurks outside. There were also some rather interesting description of the United States government being completely unprepared for the disaster, which in this book is the volcano erupting, and completely blowing their response, the parables of which with the real world are very evident. Naturally, a lot of this felt familiar to me at this point in time, and this aspect of the book proved to be a noticeably compelling addition to the story, especially as it was likely written pre-coronavirus and represents some astute predictions from Brooks.

Overall, Devolution by Max Brooks turned out to be quite a fascinating and clever read, which makes full use of its distinctive monster element to craft a fantastic horror story. I was really impressed with the outstanding narrative, especially as Brooks once again enhanced his tale by turning Devolution into a compelling epistolary novel. This book comes highly recommend, and I cannot wait to see what epic craziness that Brooks comes up with next time.

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Star Wars: Dooku: Jedi Lost

On March 17, 2020August 9, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel21 Comments

Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

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Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

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Dracul by Dacre Stoker and J. D. Barker

On December 13, 2018August 23, 2022 By The Unseen LibraryIn Fantasy, Historical Fiction, Horror, Thriller4 Comments

Dracul Cover

Publisher: Bantam Press

Publication Date – 2 October 2018

Amazon Book Depository

You think you know the story of Dracula? Prepare to have your understanding of one of history’s greatest horror novels completely turned on its head as Bram Stoker’s great-grandnephew presents a captivating new story of horror based off Bram Stoker’s notes and his original version of the iconic book.

The year is 1868, and a young Bram Stoker has barricaded himself in the top room of an abandoned abbey. This room has crosses carved on every wall, mirrors hanging from every angle and garlic smeared around the door frame, while Bram himself is armed with roses, holy water and a rifle. Outside the room lurks an ancient evil, its greatest desire to enter the room and claim the man waiting within. As Bram waits for the sun to rise, he writes in his journal, desperate to describe the events that lead to this moment.

The tale he tells is an intriguing tale of horror and mystery set in the midst of 19^th century Ireland. Bram was born a sickly youth whose constant illness stopped him from leaving his bed for most of his early life. One of the few points of comfort in his life was his nanny, Ellen Crone, who nursed him through the worst of his maladies. Bram seemed destined for a short life, until one day a miracle occurs and Bram’s sickness is cured by the mysterious intervention of Nanny Crone. But as Bram and his sister Matilda investigate the suspicious behaviour and abilities of Nanny Crone, she disappears, leaving behind questions about who, or what, she really was.

Years later, it appears that Ellen Crone has returned, as strange and bloody events haunt the lives of Bram, Matilda and their older brother Thornley. As they investigate further they find that the mysterious Ellen Crone has not aged a day, is accompanied by those who died years earlier and has a strange hypnotic hold over Bram. But even as the siblings attempt to find answers, they soon realise a far more powerful and malevolent creature is hunting in Ireland, one who will forever change the life of the Stoker family.

This is one of the most intriguing books of 2018, as it is a reimagining of the origin of one of the world’s most iconic horror novels, Dracula, which was originally published in 1897 by author Bram Stoker. The authors of this new book are the team of established horror writer J. D. Barker, and Bram Stoker’s great-grandnephew Dacre Stoker. This is not the first Dracula book that Dacre Stoker has had his hand in, as he also wrote the 2009 book, Dracula the Un-dead with Ian Holt, which serves as the official sequel to the original Dracula.

Dracul is a clever and compelling read that takes a deeper look at the story behind the classic horror novel. The plot of this novel is apparently based upon Bram Stoker’s notes, journals and around 100 pages that were culled from the original draft of Dracula by his editors. As a result, the authors of Dracul strongly hint that Bram Stoker and his family actually encountered a vampire, and that his experiences led him to publish Dracula as a warning to people about the dangers that were hidden around them and the apparent weaknesses of these creatures. There is a great quote at the very start of this novel that the authors attribute to Bram Stoker and indicate was part of Dracula’s original preface: “I am quite convinced that there is no doubt whatever that the events here described really took place, however unbelievable and incomprehensible they might appear at first sight.”

This new novel by Stoker and Barker is an outstanding piece of fiction. Not only is it a powerful piece of horror fiction in its own right but it has a number of clever and intriguing connections to Dracula. The horror elements of this book are fantastic, and the authors do a great job of highlighting the dread that surrounds the protagonists as they investigate the horrors that surround them and their family. There are a number of great scenes throughout this book where the characters encounter supernatural elements that slowly seek to drive them mad with fear or horror, and the attacks come from a variety of sources. I have to mention the fact that the monster who inspires Dracula is particularly fearsome in Dracul and the authors really paint him as a powerful and soulless being far beyond the comprehension of the human protagonists. I really loved the overall story of Bram and the other Stokers as they find themselves bound to this adventure at an early age and slowly encounter all the horrors around them. There are some very clever turns throughout this book, and there are some surprising twists. This is a great chronicle of Bram’s life and the writers even try to answer some interesting unanswered questions, like why Bram Stoker left instructions to have his body immediately cremated upon his death, an unusual custom for the time.

I really loved the way that this story is told, especially as Stoker and Barker have set large portions of this story out in a similar manner to the original Dracula novel. Like Dracula, a large part of Dracul’s story is told in an epistolary format, featuring a series of diary entries from Bram and Thornley Stoker, as well as several letters from Matilda Stoker. This serves to provide the reader with a large amount of backstory to the Stoker lives and show how they initially met their first vampire and the crazy events that followed them uncovering her secret. This epistolary format is used for around the first two thirds of Dracul, and these journal entries are interlaced with short chapters set in the story’s present, with Bram stuck at the top of a tower and an evil force trying to get into him. These scenes are particularly awesome, as they show strange forces trying to get through the door in front of Bram, while the protagonists utilise a number of techniques to force it back. As the book continues, the reader is given a view into why Bram is up in the tower, what he is facing and the truth to everything that is happening to him, revealing a completely different story than you were expecting. All of this is a fantastic and unique way to tell this story, and I felt it added a lot to the book, especially as the lack of knowledge about what Bram was facing in the tower at the start of the book really increased the book’s early horror elements. These notes are also an item within the story, as the characters combine their journals together and the letters to Nanny Crone appear in a number of places that the protagonists are exploring. At one point, the characters even arrange some of the older journals together to form a more coherent story, indicating that these journals and letters formed the basis of Bram Stoker’s original novel, and play into the idea that the events of Dracul could have actually happened.

While this book is a fantastic horror novel in its own right, fans of Dracula will appreciate how this book calls back to the original novel in a number of captivating ways. For example, the major character of Nanny Crone has her backstory explored at one point and her real name is revealed to be Countess Dolingen of Gratz. Fans of Stoker’s work may recognise her as a vampiric character featured in Bram Stoker’s 1914 short story, Dracula’s Guest. While very little about this character was revealed in Dracula’s Guest, Stoker and Barker flesh her out in this book, creating a fascinating backstory for her and an interesting connection to Dracula, perhaps even explaining why she featured in Dracula’s Guest. There are a number of other interesting features of Dracul that call back to the original novel. For example, a large part of Dracul is set in Whitby, England, a major setting in Dracula. I also really enjoyed the inclusion of real life historical figure Ármin Vámbéry as a major character in this book. Vámbéry, a noted scholar and a close friend of Bram Stoker, is considered by some to be the inspiration for Professor Van Helsing in Dracula, and in Dracul he plays a similar role, understanding the threat that is before them and providing the Stokers with the tools to fight against the Vampires. I also really appreciated the vampiric lore that Stoker and Barker put into Dracul, as the vampire characters only have the vampiric traits found around the time that Dracula was published, and not the ideas that have been included in more recent versions of the vampire legend. As a result, Dracul comes across as an intricate and clever tribute to Dracula, which fans of the original novel will greatly appreciate.

Dacre Stoker and J. D. Barker have produced an incredibly exciting and deeply fascinating novel that breathes new life into the familiar story of Dracula. Setting the plot around the life of a pre-Dracula Bram Stoker and his family is an amazing idea that works incredibly well to create a dark and captivating horror story. One of the more unique books of 2018, Dracul is definitely worth checking out, especially if you have an appreciation for one of fiction’s greatest and most iconic monsters.