Waiting on Wednesday – Usagi Yojimbo: Volume 35: Homecoming by Stan Sakai

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday I take a look at one of my most anticipated reads for the first half of 2021, the next volume of Stan Sakai’s epic Usagi Yojimbo comic series, Homecoming.

Usagi Yojimbo - Homecoming

I have made it no secret that I am a huge fan of Stan Sakai’s long-running and exceptional Usagi Yojimbo series, and it easily one of my favourite comic book series of all time.  The Usagi Yojimbo comics are set in an alternate version of feudal Japan and follow the protagonist, rabbit samurai Miyamoto Usagi, as he adventures through a land populated by anthropomorphic animals.  This outstanding series has been going since the 1980s, and I have had an amazing time reading and rereading this cool comic over the years due to the excellent combination of compelling stories, complex characters and breathtaking artwork.  In recent years I have reviewed some of the latest volumes when they are released (including Volume 32: Mysteries, Volume 33: The Hidden and Volume 34: Bunraku and Other Stories), and I have also gone back and started reviewing the earlier entries in the series, which has proved to be a lot of fun.  My only regret about being a Usagi Yojimbo fan is that only one volume of the comic is released each year, and once I get a copy, I have to wait an entire year for the next volume.

Luckily for me, my wait is nearly over as the next volume of this series, Homecoming, is currently set for release on 27 April 2021.  Homecoming will be the 35th volume of the Usagi Yojimbo series and will contain issues #8-14 of the current run of the series, which is published by IDW.  This means that the upcoming volume will be printed in colour, which is a relatively new feature that was started in the last volume, and which adds some fantastic visual detail to the story.  In this latest upcoming volume, it looks like Usagi will journey to some of the most important locations from his past and find himself once again involved in the nefarious plots of one of his most dangerous enemies.

Synopsis:

Volume Two of the new series sees Usagi return to his home province to pay his respects, but ghosts from his past have other plans.

In “Tatami,” Usagi returns to his home province only to find intrigue and betrayal! An important tea ceremony is about to take place, but what sinister plan does Lord Hikiji have for it and how are the Neko ninja clan involved?

Then, in “Mon,” long ago, Lord Hikiji defeated Usagi’s Lord Mifune to take control of the Northern Province. Usagi, now traveling through his old territories, still wears the mon (a family crest) of his former lord. But, there are those who still remember the Great Wars with bitterness and threaten to kill any samurai loyal to Mifune. What happens when they come across Usagi?

In “The Return,” Usagi is on a pilgrimage to his late lord’s gravesite, however, wearing the Mifune clan crest in Lord Hikiji’s territory has made him an enemy. Traveling through this dangerous land he has made his way to the one place he had been avoiding–the village in which he grew up. Bittersweet memories awaken with his long-time love, until the village becomes embroiled in a plot to assassinate an emissary of the shogun.

Ooh, now this sounds like it is going to be a rather cool collection of connected stories, and I have a very strong feeling that I am really going to enjoy them.  People familiar with the comic will know that the Lord Hikiji mentioned above is the major overarching antagonist of Usagi Yojimbo; he not only killed both Usagi’s father and his lord in the past but has also been plotting against the Shogun and several of Usagi’s friends in the current plot line.  Hikiji’s schemes have taken a bit of a back seat in recent years, with Usagi dealing with other antagonists and dangers, although he was so well built up in the earlier entries of this series that he is always a lurking shadow in the Usagi Yojimbo universe.  As a result, I am rather intrigued to see an entire volume that is going to be dedicated to Usagi facing off against Hikiji’s minions again, especially as they are going to tie directly into the wars that made Usagi a masterless, wandering samurai.

All three of the stories mentioned in the synopsis sound really cool and I look forward to seeing how each of them turns out.  The first story, Tatami, will apparently revolve around a tea ceremony, with Hikiji and the Neko Ninja operating some elaborate scheme around it.  Sakai has presented some truly masterful depictions of the traditional tea ceremony before, and I imagine that you will see some cool artwork in this upcoming volume, which will no doubt really pop with the added colour.  It will be really interesting to see how this entire story turns out, and no doubt it will serve as the basis for the rest of the narratives contained within Homecoming.

The next story in this volume, Mon, also sounds extremely compelling, and I think it is going to be a fantastic addition to HomecomingMon will apparently see Usagi return to the battlefields of his youth, where he will encounter those who hold a grudge against Usagi’s deceased lord and his now masterless retainers, and who will have issue with Usagi wearing the crest of his lord (the three dots shaped in a triangle that have been part of Usagi’s clothes for essentially his entire run).  There are so many potentially awesome ways that this story can go, and I look forward to seeing how the wars affected other characters aside from Usagi and how running into other veterans or victims will impact him.  In particular, I look forward to seeing Usagi’s role in the battle of Adachi Plain (as shown in Volume 2: Samurai, Volume 11: Seasons and in Volume 34: Bunraku and Other Stories), once again come to the fore of the story, and no doubt Usagi will have some issues with some of the survivors of these wars.  This entire scenario has a lot of potential to be awesome, and I cannot wait to see how Sakai revisits this integral part of Usagi’s backstory.

The final story mentioned in the synopsis is The Return (which incidentally is the name of a historical fiction book I am reading at the moment), which sees Usagi journey back to his childhood village, where yet another plot awaits.  Out of all the stories that have been mentioned for this volume, I think that The Return is the one that has the most potential for dramatic and emotionally rich moments, as Usagi has so much history waiting for him back at his village.  You have to assume that Usagi will once again encounter Mariko, the love of his life who he can never be with, and Kenichi, his old childhood rival who ended up marrying Mariko.  There is also a chance that he will once again come across Jotaro, his secret son with Mariko, who has previously travelled with Usagi as his pupil.  The two previous stories which saw Usagi return home (as seen in Volume 1: The Ronin and Volume 6: Circles) were loaded with some incredible and heartbreaking character moments, and I imagine a lot of these issues will once again rise to the surface in this latest story.  Throw in an assassination plot and you have the basis for a truly outstanding Usagi Yojimbo story which I cannot wait to read.

I think it is pretty clear after seeing me go on about this upcoming volume that I am really going to enjoy Usagi Yojimbo: Homecoming.  All of the featured stories mentioned in the synopsis sound pretty damn epic, and I love the fact that Sakai is going to dive into some pretty heavy storylines that could have some significant impact on the overall series.  Based on how much I have loved every single other Usagi Yojimbo comic I have ever read, I know well in advance that Homecoming is probably going to get a five-star review from me and it will no doubt be one of the best things I read in 2021.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.