Stormblood by Jeremy Szal

Stormblood Cover

Publisher: Gollancz (Trade Paperback – 4 June 2020)

Series: The Common – Book One

Length: 538 pages

My Rating: 4.5 out of 5 stars

In the mood for an epic and elaborate science fiction debut?  Then you will definitely want to check out Stormblood by Australian author Jeremey Szal, a compelling and ingenious novel that was a heck of a lot of fun to read.

In humanity’s far future, our species has just emerged from a brutal and destructive civil war between the seemingly benevolent Harmony and the ruthless Harvester empire.  Harmony were able to win the war by creating the Reapers, elite soldiers who were injected with stormtech, the DNA of an extinct alien race, which permanently altered their bodies, making them stronger, faster and more effective soldiers.  However, stormtech also had terrible side effects, making the host become addicted to their own adrenaline, which impacted on their minds and dramatically increased their natural aggression.

When the war ends, millions of Reapers are left shells of their former selves, having to deal with the terrible addictive impact of the alien DNA in their system, while stormtech became widely traded as an illicit drug across the galaxy.  Amongst these former soldiers is Vakov Fukasawa, a member of an elite Reaper fireteam, who has managed to overcome his addiction to stormtech and now makes a living taking on dangerous odd jobs on Compass, a mega-city built into a massive asteroid.  Vakov has grown vastly disillusioned with Harmony and their methods, but when he is approached by their agents to assist with an investigation, he is once again compelled into their service.

Somebody is killing his fellow former Reapers by poisoning the stormtech being passed around the city.  In order to save the comrades he fought beside, Vakov agrees to help with the investigation, especially when it is revealed that Harmony’s only lead is Vakov’s estranged brother.  However, the more Vakov investigates, the more people keep trying to kill him, and he soon finds himself caught in a vast conspiracy that threatens Compass and the entirety of Harmony.  Can Vakov put a stop to this horrifying plot, or will untold death and destruction rain down on him and everything he fought for?

Stormblood is an intriguing and impressive new science fiction novel that takes the reader on an action-packed thrill ride.  This is the debut novel from Australian author Jeremy Szal, which also serves as the first book in his The Common series of books.  I have been looking forward to this science fiction release for a while as I thought it sounded like a rather interesting novel, and I was really glad when I received a copy.  I ended up having a fantastic time reading this amazing and clever novel, and it is one of the best debut books I have so far read this year.

At the centre of this novel lies a captivating and exciting narrative that follows the adventures of the book’s primary protagonist, Vakov Fukasawa, as he tries to uncover who is trying to kill all his fellow former soldiers.  This results in a fast-paced military thriller storyline filled with all manner of action and adventure as Vakov jumps from one lead to the next in order to get to the bottom of the plot he is investigating.  This story goes in some dramatic directions, and I had fun unravelling the complex conspiracy storyline that emerged.  The combat comes very hot and heavy throughout the entirety of the story, with some unique science fiction elements added in to really make them pop.  Readers should also be prepared for some rather dark sequences, such as a rather claustrophobic torture scene.  Szal also spends a lot of time building up and exploring his protagonist, Vakov, showing him to be a complex character who is haunted by his past and strongly concerned for the people he is close to.  Several chapters within this book are dedicated to showing the events that formed him, including his traumatic childhood and his military service.  There is also a compelling focus on the strained relationship between Vakov and his brother, which becomes a major part of the plot as the two eventually face off as adversaries in some fantastic dramatic scenes.  I became really engrossed with this elaborate storyline and I ended up reading the entire book rather quickly, despite its somewhat substantial length.  An overall outstanding story, I cannot wait to see what happens in the next books in the series, but I have a feeling I am really going to enjoy them.

One of the key highlights of Stormblood is the outstanding new science fiction universe that Szal has come up with as a setting for the story.  Szal clearly has considerable imagination, as he produces a vast and exhilarating science fiction location populated with a multitude of different people and alien races.  The majority of the story is set within the gigantic space city of Compass, an amazing expanse of different places, climates and structures, all laid out in vertical levels.  This was a really cool place to explore, and this is clearly the tip of the iceberg as Szal hints at a number of other intriguing locations and planets throughout the book, and I can easily see future entries in the series expanding out to a bunch of other locations.  I was also extremely impressed with all the different technology, biological enhancements, spaceships, and alien races that appeared throughout the novel.  There are a number of new and fantastic science fiction ideas here, and I really enjoyed the way that Szal worked all of these technologies and aliens into the book’s plot, especially as most of them provide some amazing enhancements to the story.  A number of the book’s intense sequences really stand out due to the technology that the author comes up with, such as weird weapons, advanced combat suits, all manner of enhanced opponents, and a particularly freaky security room that is keyed to a person’s biology (you do not want to know what happens when the owner dies).  All these proved to be a lot of fun, and Szal has an awesome and imaginative vision of the future.

Out of all the cool science fiction elements in this book, I really have to highlight stormtech, the alien DNA that is injected into humans to give them enhanced abilities.  Stormtech is a key part of Stormblood as a plot device and because of the impacts that it has on the book’s point-of-view character.  Quite a lot of the story is dedicated to examining the transformative qualities of stormtech and the effects that it has had on former Reapers like Vakov.  In particular, the alien DNA has left him addicted to his own adrenaline, and it is constantly driving him to perform risky or aggressive acts so that he can get the accompanying adrenaline high.  This proved to be a fascinating part of Stormblood’s story, as the author spends a lot of time examining how stormtech impacts his protagonist’s mind and his constant struggle to control it.  Several of the flashback scenes are particularly well utilised here, as they show Vakov and his fireteam’s initial experiences with stormtech during the war and the terrible effects it had on them the more action they saw.  The version of Vakov who was introduced at the start of the main story is one who has managed to gain command over his addiction, although he is constantly struggling to maintain that control, especially as the events of plot compel him into more and more dangerous situations and new experiences with experimental stormtech, resulting in some dramatic consequences.  This was an extremely captivating aspect of the Stormblood’s narrative, and Szal does an outstanding job examining the impacts of addiction on the protagonist and then using it to add additional compelling layers to his main character.

Stormblood is an excellent and exciting science fiction novel from talented new Australian author Jeremy Szal.  Szal’s creativity and ability to tell a complex and thrilling story really shines through in his debut book, and I had an outstanding time enjoying this epic read.  I fully intend to grab the second book in this series when it comes out and I have a feeling that Szal is going to have a major impact on the science fiction genre in the next few years.

Lionheart by Ben Kane

Lionheart Cover

Publisher: Orion (Trade Paperback – 14 May 2020)

Series: Lionheart – Book One

Length: 381 pages

My Rating: 4.5 out of 5 stars

Honour, glory, loyalty and war! Bestselling historical fiction author Ben Kane takes the reader on a medieval adventure alongside a young King Richard the Lionheart, with his latest epic novel, Lionheart.

I have been on a real roll with some great historical fiction novels in the last couple of weeks, having absolutely loved The Grove of the Caesars by Lindsey Davis and The Viennese Girl by Jenny Lecoat, so when I got a copy of Lionheart by Ben Kane I jumped at the chance to read it. Ben Kane is one of the top historical fiction authors at the moment, having produced a number of fantastic books set in ancient Rome, including The Forgotten Legion trilogy, the Hannibal series and the Eagles of Rome series. I have read several of Kane’s previous novels, and I have always found them to be exciting and compelling books with loads of historical detail. This latest release, Lionheart, is Kane’s first novel that does not involve Rome in any way whatsoever, and it acts as the start of a brand new series that will follow the life of one of England’s most iconic kings.

England, 1179. Henry II rules a vast empire, made up of England, Wales, Ireland, Normandy, Brittany and Aquitaine, controlling all with an iron fist, with his only blind spot being his four rebellious sons. Ferdia is minor Irish nobleman, taken as a hostage by the English to ensure his rebellious family’s cooperation and loyalty. Given the name Rufus by his captors, he spends years languishing in an English castle, before a chance encounter with Henry’s second oldest son, Richard, will change everything.

Managing to save Richard’s life, Rufus is taken in as his squire. Drawn to the prince’s natural charisma, bravery and dedication to his men, Rufus gladly swears his loyalty to Richard, and boldly follows him to war as he attempts to subdue the rebellious lords of Aquitaine. The battles and sieges that follow will make Richard’s reputation as a warrior and leader, and Rufus is able to prove his worth beside him, despite the actions of his bitter rival Robert FitzAldelm.

However, while Richard seeks honour and glory in Aquitaine, his ambitious brothers grow jealous of his success and begin to plot against him. Lending their support to the rebels, their actions lead to a crisis that could split the kingdom in two and deliver it to the King of France. As Richard finds himself surrounded by traitors and plotters, he makes his own bid for the throne. It is time for the Lionheart to rise?

Lionheart turned out to be an amazing and exhilarating book that combines intriguing moments from history with a compelling and action-packed tale of honour, loyalty and desire for power. Kane crafts together an impressive and exciting narrative that follows the early life of King Richard the Lionheart as he fights in some of his earliest battles and deals with the various members of his family. The story is primarily told from the point of view of the fictional character Rufus, as he follows Richard through his various adventures. Not only does this allow the reader to see some of the key events of Richard’s life, but it also provides an intriguing central narrative around Rufus, as he attempts to find his place in the world after being taken from his family, while also battling his ruthless opponent, Robert FitzAldelm, another fictional character, who serves as a wonderful foil to the protagonist. Lionheart’s story contained an excellent blend of action, intrigue, compelling historical elements and fantastic interactions between the various characters, which makes it extremely easy to get lost in this book.

The absolute highlight of this novel has to be the enjoyable historical backdrop of Richard’s life that the entire story is set to. Lionheart takes place between 1179 and 1189, which is a really intriguing period of history. The book does not examine Richard and his brothers’ joint rebellion against their father (although it is mentioned several times), but it does focus on the turbulent familiar battles between Richard and his family. During this period, Richard had to put down an extended rebellion in Aquitaine, fighting first against the plots of his brothers and later against the whims of his reluctant father as he attempts to win the throne. Kane does an outstanding job exploring all these chaotic historical events in great detail, and it was extremely fascinating to learn about all the battles and politics that occurred. It also ensures that the book’s plot, which was set all around these events, proved to be rather exciting, as the protagonist watches Richard weave through all the battles and political intrigue. I also have to say that I was impressed with the shear amount of historical detail that Kane installed into every aspect of the plot. Not only has the author made use of a vast cast of historical figures throughout the story (helpfully recorded in a character list at the front of the book), but every line of this book is filled with details about period culture, dress, day-to-day life, battle and the life of a squire and knight. Kane has clearly done an incredible amount of research for this book, and I really loved the authenticity that this added to the story, making for a story that is both captivating and enlightening, just like all great historical fiction novels should be.

Another great aspect of the story is the way that Kane also spent time exploring the life of William Marshal. Marshal, a real-life historical figure of some significance, serves as the book’s secondary point-of-view character, and a number of chapters are told from his perspective (in the third person, rather than the first-person perspective used for all of Rufus’s chapters). This proves to be a clever move on Kane’s part for a number of reasons; primarily because William Marshal is such an absolutely fascinating person. Marshal was a successful and well-known knight, famous for his loyalty, honour and martial prowess, and he was widely considered the pinnacle of knightly virtue in Europe at the time. Kane spends a lot of time exploring the character of Marshal and portrays him in a more ruthless and opportunistic light, which worked rather well for this realistic and compelling story. Marshal is also an incredible useful point-of-view character, as for the entirety of this book he was either in the service of one of Richard’s brothers or his father the king. This provided the reader with a viewpoint into the camp of Richard’s political opponents, which added to the tension of the story, as the reader became privy to information that the protagonists did not know. In addition, it also allowed for an intriguing contrast between Richard and the other members of his family, as Marshal considered the deficits of his lords against those of Richard, who he held a great respect for. Marshal also finds his loyalty tested several times, as his master’s plots threaten to weaken the kingdom, and he must decide whether it is more dishonourable to disobey his liege or to allow them to act unopposed in their own worst interests. I am extremely glad that Kane decided to use Marshal as a secondary protagonist, and I look forward to seeing more of him in the future books.

I also have to mention all the awesome action sequences that Kane fits in throughout Lionheart. Due to the historical circumstances in which this book is set, there are a large number of battles, fights and sieges, which our protagonist often finds himself in the middle of. I really enjoyed seeing all the cool fight sequences that occurred throughout the plot and Kane has a real flair for historical action scenes, bringing them to live in exciting detail. Definitely a great book for those lovers of medieval battles and fights, this book is guaranteed to slake anyone’s desire for action and adventure.

Lionheart is an excellent new novel from Ben Kane, who thrives in a non-Roman history setting by bring together an impressive story about a young Richard the Lionheart. I had an amazing time reading this book, and I loved the exciting narrative and the fascinating historical elements. Lionheart serves as an awesome first book in a new series from Kane, and the second novel, tentatively titled Lionheart: Crusade, should prove to be a brilliant read for next year. Until then, Lionheart comes highly recommended, and is really worth checking out.

The Grove of the Caesars by Lindsey Davis

9781529374278

Publisher: Hodder & Stoughton (Trade Paperback – 2 April 2020)

Series: Flavia Albia – Book Eight

Length: 399 pages

My Rating: 5 out of 5 stars

Get ready for an outstanding historical murder mystery as one of my favourite authors, Lindsey Davis, returns with another book in her amazing Flavia Albia series, The Grove of the Caesars.

“Don’t go to the Grove.”

Rome, 89 AD. Flavia Albia, professional informer and all-around busy body, is still adjusting to domestic life with her new husband. When he is called away for a family emergency, Flavia takes up the reins of his construction business and begins to supervise several of their projects, especially a demolition and construction job within the sprawling gardens outside the city that Caesar long ago gifted to the people of Rome.

Ignoring the subtle warnings of those men familiar with the gardens to stay away from them and their accompanying sacred grove, Flavia visits the worksite, where she finds a series of mysterious scrolls buried in a cave. Why has someone buried a mass of scrolls from obscure Greek philosophers, and what dark secrets do the scrolls hold? Before Flavia can investigate any further, a woman is brutally murdered at a party held at the grove, and two of Flavia’s slaves go missing.

It turns out that there is a killer lurking in the sacred grove; one who targets women and who has successfully avoided detection for years. With the local vigiles failing to properly investigate the crime, Flavia decides to take on the case. However, can Flavia catch a murderer clever enough to escape justice for two decades, especially once the Emperor’s sinister secret agent Karus takes over the investigation? Forced to work with Karus once again, can Flavia find justice for all the murdered women, or will she end up as the next victim of one of Rome’s most dangerous killers?

The Grove of the Caesars is a deeply compelling and highly entertaining novel that once again follows the clever and likeable protagonist, Flavia Albia, as she investigates a gruesome murder in the heart of ancient Rome. This is the eighth book in the excellent Flavia Albia series, which acts as a sequel to the 20-book long Marcus Didius Falco series of historical murder mystery novels. I have been a major fan of the Flavia Albia books for years, having read and reviewed all the previous novels in the series as soon as they came out (make sure to check out my reviews for the previous three books, The Third Nero, Pandora’s Boy and A Capitol Death). All of Davis’s previous novels have been extremely enjoyable, and I have been looking forward to reading The Grove of the Caesars for some time now, and once again Davis did not disappoint. The Grove of the Caesars is another outstanding read that successfully combines together a great murder mystery storyline with a detailed historical setting and engaging central protagonist to produce a captivating narrative that I ended up reading in very short order.

At the centre of this amazing novel is a captivating and dark mystery storyline that sets the protagonist against a cunning and vicious serial killer. The Grove of the Caesars actually has two mysteries contained within it, one involving buried scrolls that the protagonist finds hidden within a cave, and the more pressing case of the murderer within the gardens. Flavia ends up working on both cases simultaneously, and the two mysteries wrap together quite well to produce a great storyline, especially when also combined with some of the other plot elements that Davis throws into it. Both of these mysteries are really clever, and the author makes sure to fill the book with all manner of alternative suspects, intriguing swerves and false leads to keep the reader guessing right up to the end. There were a number of fantastic elements to these mysteries, from the impressive way that they were investigated to the stunning developments and the great conclusions both of them had, including some surprising revelations that came out at the end of the case of the buried scrolls. Davis once again makes sure to portray the investigation in a very modern manner, so that this case felt more like a contemporary mystery novel at times, which I thought worked really well with her enjoyable protagonist and which fit in with the very modern way that the author portrays her historical setting. I was a bit surprised about how dark this book got at times, as Davis, usually has a bit of a lighter tone with her writing, even though they follow murder mysteries. However, the central case of the serial killings was pretty gruesome at times as the antagonist, who displayed a number of characteristics associated with more modern serial killers, did some rather horrible things to his various victims. While it did give this book a bit of a stronger tone at times, I felt that having such an evil antagonist really helped to drag me into the story, as I looked forward to seeing him get caught, and this was overall a really excellent mystery storyline.

Another key aspect of the story is the detailed and compelling historical setting of ancient Rome. Historical Rome always has such potential as a setting, and Davis always does a fantastic job of bringing the city to life in all its chaotic glory, while also making all the inhabitants seem a lot more modern in their actions and attitudes. The Grove of the Caesars was no different, and I really enjoyed seeing the fun way that Davis melds her captivating mystery with this cool setting to create a great story. However, Davis also makes sure to set this story apart by her exploration of one of ancient Rome’s most fascinating features, Caesar’s gardens. The gardens are a sprawling set of sacred groves, forested areas, winding paths, statues and other intriguing features that were originally commissioned for Caesar himself and then gifted to the city after his death. Davis does an amazing job exploring this historically impressive garden, including its location, features and history, and I had a fantastic time learning more about it. It also serves as a really distinctive and compelling setting for The Grove of the Caesars’s story, and I enjoyed seeing the protagonist explore it trying to find hints and clues to the various crimes. I also enjoyed the more sinister air Davis gave the gardens once the reader knows that there is a killer stalking them, especially at night, and which helps to add a bit of tension to the story in the scenes where the protagonists is walking in the gardens alone.

One of the best parts of this book has to be the fun central protagonist, Flavia Albia, who is one of my favourite main characters in fiction at the moment. Flavia serves as The Grove of the Caesars’s sole narrator and point-of-view character, and it is through her eyes that we see most of the story unfold. For the most part, Flavia is a very confident and collected individual with bundles of sass and sarcasm and an unbelievable amount of life experience and cynicism after years spent working as an informant and investigator in Rome. It is thanks to this entertaining world view that most of the book’s humour is derived, as Flavia is full of all manner of funny comments and amusing observations about the world around her. This provides a much lighter tone for most of the novel, as Flavia can be rather sarcastic and witty, even during the darkest of moments. However, in The Grove of the Caesars she does get rather angry in places, especially after witnessing so much violence against women and other helpless characters, and her rage towards the book’s primary antagonist is quite palpable at times, making for some rather dramatic scenes. I also enjoyed the way that Davis works in a large amount of the protagonist’s home and family life into the story, and it is always entertaining to see Flavia interact with her outrageous and eccentric extended family, who offer help and hindrances to her life and investigations in equal measures. I also liked how the author has continued the storyline that sees Flavia and her husband take in and adopt a variety of interesting stray characters they encounter in their cases and add them to their growing household. It was rather fun to see characters who were first introduced in prior books make an impact on this novel’s mystery, and it makes for a fun continuity. I look forward to seeing more of Flavia Albia in the future, and I cannot wait to see what crazy adventures she gets up to next time.

I also have to highlight the wildly entertaining big story moment that occurred about two-thirds of the way into the book. In her last few books, Davis has taken to include a major sequence that features Flavia finding herself in the midst of an over-the-top situation. This includes the very funny sequence in Pandora’s Boy which saw an all-out brawl between a huge group of mixed participants in a collapsing temple, or the rather outlandish chase sequence that occurred in The Third Nero, that featured legionnaires, heavy Persian cavalry, chariots and an elephant in the heart of Rome. In The Grove of the Caesars, Davis makes sure to include another of these outrageous moments, this time featuring a desperate boat chase taking place in the middle of a park, thanks to a disused maritime gladiatorial arena. This chase sequence is filled with all manner of mishap and chaotic moment, as Flavia and several other key characters take to several dilapidated boats to try and resolve the situation, which has a rather extreme ending. Needless to say, this was my favourite part of the entire book, and I found myself laughing several times as events unfolded.

Lindsey Davis has once again shown why she is one of the best authors of historical murder mysteries, as The Grove of the Caesars is a wildly entertaining and addictive read. Davis has pulled together and exceptional story, filled with two compelling mysteries, great characters and an intriguing and distinctive historical setting. I had an amazing time reading this book, and it gets a full five-star review from me. I am eagerly awaiting Davis’s next novel (apparently titled A Comedy of Terrors), and I cannot wait to get my next Flavia Albia fix, this time next year. In the meantime, make sure to check out The Grove of the Caesars if you are in the mood for an exciting and clever read.

To Kill a Man by Sam Bourne

To Kill a Man Cover

Publisher: Quercus (Trade Paperback – 19 March 2020)

Series: Maggie Costello – Book Five

Length: 438 pages

My Rating: 4.5 out of 5

Acclaimed thriller writer Sam Bourne delivers another captivating and intriguing novel about the dark side of American politics in his latest clever and exhilarating release, To Kill a Man.

In Washington DC, a woman is brutally assaulted in her own home by a masked intruder. Defending herself, she manages to kill her assailant, leaving him dead on the floor. While it seems to be a simple case of self-defence, the victim is no ordinary woman; instead, she is Natasha Winthrop, a high-flying lawyer whose highly publicised work during a House intelligence committee has many people wanting her to run for President of the United States.

As the events of this case are torn apart by the media, politicians and the general public, certain inconsistencies in Winthrop’s story emerge, and the police start to investigate the possibility that Winthrop knew her attacker and that she arranged the entire situation. With a hostile press and her potential political opponents swarming all around her, Winthrop calls in Maggie Costello, Washington’s top political troubleshooter for help.

Maggie eagerly takes on the case and quickly finds herself helping a woman at the centre of one of America’s most controversial and divisive news stories. While the country divides over whether Winthrop is innocent or guilty, and several violent retaliatory attacks against sexual offenders occur around the globe, Maggie is determined to find something that will prove her client’s innocence and allow her to keep her political future intact. However, the further Maggie digs, the more inconsistencies and surprises she uncovers. Who is Natasha Winthrop really, and what connections did she have to the man who attacked her? As the political sharks circle and the deadline for Winthrop’s announcement as a potential candidate gets closer, Maggie attempts to uncover the truth before it is too late. But what will Maggie do when the entire shocking truth comes to the surface?

To Kill a Man is an impressive and captivating political thriller from Sam Bourne, the nom de plume of British journalist Jonathan Saul Freedman, who started writing thrillers back in 2006 with his debut novel, The Righteous Men. He has since gone on to write eight additional thrillers, five of which, including To Kill a Man, have featured Maggie Costello as their protagonist. I have been meaning to read some of Bourne’s novels for a couple of years now, ever since I saw the awesome-sounding synopsis for his 2018 release, To Kill the President. While I did not get a chance to read that book back then, I have been keeping an eye on Bourne’s recent releases, and when I received a copy of To Kill a Man I quickly jumped at the chance to read it. What I found was a cool and intriguing novel with a compelling and complex plot that I had an outstanding time reading.

Bourne has come up with a rather intriguing story for To Kill a Man that sends the reader through a twisted political thriller filled with all manner of surprises and revelations that totally keeps them guessing. I honestly had a hard time putting this book down as I quickly became engrossed in this fantastic story, and every new reveal kept me more and more hooked right up until the very end, where there was one final revelation that will keep a reader thinking and eager to check out the next Bourne book. The entire story is rather clever, and I really liked how Bourne showed the plot from a variety of different perspectives around the world, from Maggie Costello and Natasha Winthrop, to the media, the police, Winthrop’s political opponents and their team, as well as several other people who are affected by the events of the narrative. This use of multiple point-of-view characters, even if they have only short appearances, makes for a more complete story, and I quite liked seeing how fictional members of the public perceived the events going on. While connected to the events of the previous Maggie Costello books, To Kill a Man is essentially a standalone novel, and no prior knowledge of any of Bourne’s other novels are required to enjoy this thrilling plot. I really enjoyed where Bourne took this great story, and this turned into a rather captivating thriller.

One part of the book that I particularly liked was the author’s exploration of America’s current political system, and how some of the events of this novel’s plot would play out in a modern effort to become president. As the main plot of To Kill a Man progresses, there are several scenes that feature both Maggie Costello and members of the election team of Winthrop’s main potential rival discussing the various pros and cons of someone in her position running and attempting to game plan how to defeat her if she did run. This was a rather intriguing aspect of the book, and Bourne really did not pull any punches when it comes to his portrayal of just how weird and depressing modern-day politics in America really is. The various political discussions show a real lack of decency and ethics around modern politicians, and there were multiple mentions of how a certain recent election changed all the rules of politics, making everything so much dirtier. The various news stories that followed such an event also had a rather depressing reality to them, especially as the various biases of certain networks and correspondents were made plain, and do not get me started on the various Twitter discussions that were also occurring. All of this works itself into the main story rather well, and some of the revelations that Maggie was able to uncover have some very real and significant real-world counterparts, some of which have not been solved as well in the real world as they were in this somewhat exaggerated thriller. I think all these political inclusions were a terrific part of the book and they really helped to enhance the potential reality of the story and make the story feel a bit more relatable to anyone who follows modern American politics.

To Kill a Man also featured an interesting and topical discussion about the scourge of sexual assaults and harassment that are occurring throughout the world. The main plot of this book follows in the aftermath of a sexual assault against a woman in which the victim fought back and killed her attacker. This results in a huge number of discussions from the characters featured in the novel, as they all try to work out the ethics of her actions in defending herself, and the perceptions of these actions from a variety of people makes for an intriguing aspect of the book, and feeds in well to the political aspects of the story. This also leads to some deep and powerful discussions about sexual assault in America (and the world), the impact that it has on people and the mostly muted response from the public and authorities. This sentiment is enforced by several scenes that show snapshots of women being assaulted and sexually harassed across the world that run throughout the course of the book. While the inclusion of these scenes does appear a little random at times, it ties in well with the main story and the overarching conspiracy that is being explored in the central part of the book. Bourne makes sure to show off the full and terrible effect of these actions, and many of these may prove to be a little distressing to some readers, although I appreciate that he was attempting to get across just how damaging such experiences can be for the victims. I also liked his subsequent inclusion of members of the extreme male right wing who were being used as weapons against some of the female characters in the book, which made for an interesting if exasperating (as in: why do people like this exist in the real world) addition to the story. This discussion about sexual crimes in the world today proved to be a rather powerful and visible part of the book’s plot that I felt worked well within the context of the thriller storyline.

To Kill a Man is an excellent new thriller from Sam Bourne, who produces a clever and layered narrative that really hooks the reader with its compelling twists, intriguing political elements and Bourne’s in-your-face examination of sexual crimes and how they are perceived in a modern society. To Kill a Man comes highly recommended, and I look forward to reading more of Bourne’s fantastic thrillers in the future.

One Minute Out by Mark Greaney

One Minute Out Cover

Publisher: Sphere/Audible Audio (Audiobook – 18 February 2020)

Series: Gray Man – Book Nine

Length: 16 hours

My Rating: 4.5 out of 5 stars

Bestselling thriller author Mark Greaney returns with another fast-paced and incredibly exciting novel that this time explores the dark and shocking world of human trafficking, with One Minute Out, the ninth book in his impressive Gray Man series.

Greaney is a talented thriller author who has written a number of fantastic books since his 2009 debut, including his Gray Man series and seven books in the iconic Jack Ryan series, three of which he cowrote with the legendary Tom Clancy. I started getting into Greaney’s work last year, when I grabbed a copy of his 2019 release, Mission Critical, due to its fun-sounding plot, and I ended up really liking it. Due to how much I enjoyed Mission Critical, I also decided to check out his other release for 2019, Red Metal, which he cowrote with Lt. Col. Hunter Ripley Rawlings IV. This proved to be a very smart decision as Red Metal was an incredible read that was one of my top books (and audiobooks) of the year. As a result, I was rather keen to check out the next release from Greaney when it came out, and I have been looking forward to this book for some time.

Court Gentry is the Gray Man, a rogue CIA operative turned legendary assassin with a conscience, who is known and feared across the globe for his ability to overcome the odds and kill the most well-protected target. While still secretly working for the CIA as part of an off-the-books operation, Gentry still occasionally engages in freelance assassin work, only accepting contracts on some of the world’s most evil and corrupt individuals. His latest job takes him to a remote property in Croatia, where he is hired to kill a former Serbian general and notorious war criminal who has escaped justice for years. While Gentry is able to eliminate his target, he makes a shocking discovery in the building’s cellar: a dark room full of kidnapped women.

Gentry has inadvertently stumbled upon a human trafficking ring that transports kidnapped or coerced women across the world into a life of sexual slavery and untold horrors. Despite his best attempts to rescue the women, Gentry is forced to leave them behind, due to the fear that the women have of their captors. Haunted by what he has seen and the realisation that his actions may have led to terrible repercussions for the captives he encountered, Gentry makes it his objective to relocate and free the women, no matter the cost, while also causing as much pain to the people responsible.

However, this is no ordinary mission for Gentry. The human trafficking ring he is tracking, known as the Consortium, is made up of many different criminal organisations across the world which are highly invested in keeping the operation intact. Forced to work outside his usual intelligence networks, and with no CIA backup on the horizon, Gentry teams up with rookie EUROPOL analyst Talyssa Corbu, who has a personal stake in bringing the Consortium down. Together Gentry and Corbu are able to trace the human trafficking pipeline across Eastern Europe to Italy and America. However, the Consortium is far larger than Gentry and Corbu realised, with an elite and deadly fighting force at their back. Can Gentry once again overcome the odds to bring down his opponent, or will the Consortium and their influential allies be his undoing?

Now this was an impressive and fantastic thriller novel from Greaney, who did an outstanding job with this dark and captivating read. One Minute Out is a substantial and clever book that pits the author’s capable protagonist against a host of the most despicable villains in the world today, human traffickers. Like the rest of the books in this series, One Minute Out can be enjoyed as a standalone novel, and no prior knowledge of the other Gray Man books is required to enjoy this latest entry in the series. While this book is very grim and uncomfortable at times due to its darker subject matter, this proved to be a compelling and enjoyable thriller, which is probably my favourite Gray Man novel so far.

This is a really well-written thriller novel, and Greaney came up with some amazing scenes and sequences throughout the course of this book. One Minute Out is told from a variety of different perspectives, including the protagonist, Court Gentry, several supporting characters and a number of antagonists. This helps produce a large-scale and comprehensive read that dives into several new characters while simultaneously showing off the scale of the opponents that Gentry is going up against. While a large part of the book is told from the third person, Greaney utilises a first-person perspective for the scenes that Gentry is narrating. Not only does this help Gentry’s chapters really stand out but it allows the reader to get some fantastic insights into the mind of the complex protagonists, and why he is so determined to engage in an apparent fool’s errand and help out a bunch of people he has never even met before. I have to say that I was really impressed with the multitude of amazing action sequences that filled this book, as Greaney has his protagonist engage in a number of thrilling, high-octane scenes, which I had a blast reading. While I really enjoyed all the various shootouts, infiltrations of secure targets, examples of tradecraft throughout various European cities and explosive car chases, a couple of scenes really stood out to me. These highlights included a particularly well-written sequence set underwater, as Gentry attempts to escape from several boatloads of killers with only a damaged set of scuba equipment, and a massive assault of a heavily fortified and well-guarded complex out in the dessert, with only a few seasoned ex-soldiers and an insane relic of a helicopter pilot backing him up. All of this helped make for an excellent read, and I really enjoyed where Greaney took the story at times.

One of the most compelling things about this novel is the way that Greaney has anchored his excellent thriller story around a sinister real-life trade that is currently plaguing the world, human trafficking for sexual slavery. As terrible as it is to consider in this modern day and age, human slavery is still a thing, and for many it is a profitable and stable business. Throughout the course of the novel Greaney shines a light on this foul trade, as his protagonist encounters this evil in Europe and deals with a number of characters affected by it. As the book progresses, the reader gains a huge amount of knowledge about this malevolent criminal industry from a bunch of different perspectives. As a result, there is a quite a lot of information about how trafficking rings operate, including the way that the girls are taken, manipulated and broken, as well as the ways that they are transported and sold across the world. Greaney does an outstanding job diving into this subject, presenting the reader with a grim and uncompromising view of all the horrors associated with this trade, and ensuring that no one is left uncertain about how evil the individuals behind it are. I really appreciate the way that Greaney featured it in this book, although those people who are uncomfortable with sexual violence will probably have a hard time reading this book.

I felt that the dark subject of human trafficking served as a rather intriguing plot point for this novel, and it definitely worked well with the spy thriller genre of the series. The main benefit is that it presents the reader with a truly despicable and completely unlikeable group of antagonists for Gentry to go up against. Thanks to the author’s use of multiple viewpoints, you get to see inside the heads of several of the Consortium’s leaders, and you swiftly learn that they are an extremely vile and irredeemable bunch of characters who the reader instantly roots against. I liked the way in which the story followed Gentry progressively working his way up the trafficking ladder, from the low-level way station that he accidently discovered, through the corrupt police in several Eastern European towns, to the organisation’s middle management, their larger auctions, right up the bases of the Consortium’s leader in America. This results in a variety of different opponents and obstacles that he must overcome, ranging from low level street thugs to elite South African mercenaries trained in similar methods as Gentry. I really enjoyed seeing Gentry use his espionage tradecraft to tear through the less competent criminal elements at the lower end of the group, before going up against the better trained, elite enforcers of the organisation. Thanks to the author’s depictions of them, it was quite fun to see the upper leadership of the Consortium slowly get more and more scared and desperate after each of Gentry’s operations against them, and their eventual fates turned out to be extremely satisfying.

I also quite liked the way that for the majority of the book Gentry is working outside of the system, without his usual CIA backup or resources. This forces him to engage in a less sophisticated battle against his opponents, relying more on his skills than having any backup or intelligence, which I thought made for a much more credible narrative with higher stakes. Thanks to author’s use of the first-person perspective for Gentry’s character, you get a much more in-depth explanation for his tactics and methods, which I enjoyed and found to be rather fascinating. I also enjoyed the author’s inclusion of several female side-characters, who Gentry works with to bring down the Consortium. The main one of these is Talyssa Corbu, who utilises her financial expertise to help move the plot along and point Gentry to his next target. While Corbu is a bit of a pain at the start of the book, due to her incompetence, she grew on me over time, especially as she became more determined and capable, especially when more of her backstory was revealed. I was also quite impressed with the depictions of several female characters who were taken prisoners by the traffickers, and who eventually helped Gentry take them down. Having the women work to free themselves was a nice touch by Greaney, and I particularly loved one scene where several of the women defied typical convention and helped save Gentry, with realistic explanations for how they obtained their relevant skills (thank goodness for equal opportunity Eastern European military training). All of this led to an extremely exciting and highly compelling story, and I really enjoyed the full extent of One Minute Out’s story.

I ended up listening to the audiobook format of One Minute Out, which was narrated by Jay Snyder, who has narrated several of Greaney’s books in the past. The One Minute Out audiobook ran for around 16 hours, and I was able to clear through it in a few days. I found the audiobook format to be an excellent way to enjoy the novel, and I strongly felt that listening to this book helped me connect a lot more with the story and characters. Snyder did an amazing job narrating this book, and I was especially impressed with the way that he brought all of One Minute Out’s characters to life. Not only did Snyder provide an excellent and fitting voice for Gentry, but he also produced some great voices for the other characters in the book, coming up with a range of realistic accents to show off the diversity of the cast. This turned out to be a fantastic and entertaining way to enjoy One Minute Out and I think that I will be checking out more of Greaney’s books this way in the future.

One Minute Out by Mark Greaney is an outstanding and exceptional new thriller which takes the reader on a dark and action-packed adventure around the world. This proved to be a deeply exciting and truly compelling entry from Greaney, who once again shows why he is one of the top thriller authors in the world today. This was an impressive new entry in the fantastic Gray Man series, and I cannot wait to see where Greaney takes this epic series in the future.

The Holdout by Graham Moore

The Holdout Cover

Publisher: Orion/Penguin Random House Audio (Audiobook – 18 February 2020)

Series: Standalone

Length: 10 hours and 15 minutes

My Rating: 5 out of 5 stars

From acclaimed author Graham Moore comes an amazing new thriller story that is one part legal drama, one part murder mystery and 100 per cent awesome: The Holdout.

The Holdout is an outstanding standalone book that I have been looking forward to for a little while now. I really enjoyed the sound of the premise when I first heard about it, so I was really glad when I received a copy of this book. Moore is probably best known as a Hollywood screenwriter, having written the screenplay for The Imitation Game, which won him an Academy Award for Best Adapted Screenplay. However, Moore is also a novelist, having previously written two books, The Sherlockian and The Last Days of Night, the latter of which I read and enjoyed back in 2016. The Holdout is Moore’s first foray into contemporary fiction, and he has produced quite a fantastic read.

It was the trial of the century. Jessica Silver, the 15-year-old heiress to a vast fortune, vanishes and the prime suspect is her African American teacher, Bobby Nock, with whom she was having an inappropriate relationship. With substantial evidence against him, a verdict of guilty for Jessica’s murder seemed assured, until one juror voted not guilty. This one holdout, Maya Seale, refused to alter her verdict and was eventually able to convince the other jurors to change their votes. Their resulting decision would shock the country and change the juror’s lives forever.

Now, 10 years later, Maya is a successful defence attorney who has tried her hardest to move on from the infamous trial that ruined her life, until Rick Leonard, her fellow former juror and secret lover during the trial, tracks her down. Rick has spent the last 10 years obsessing with case, believing that they let a guilty man go free. Now, to mark the 10th anniversary of the trial, a true-crime show wants to interview each of the jurors in the hotel they were sequestered at during the trial. At the end of the interview, they will be presented with new evidence that Rick has uncovered which he believes definitively proves Bobby Nock’s guilt. While initially reluctant to go, Maya ends up making an appearance, only to find Rick dead in her hotel room.

Now the prime suspect in Rick’s death, Maya is forced to relive the infamy that has dogged her for years. Determined to prove her innocence, Maya begins interviewing the only potential witnesses to the crime, the former members of the jury who were gathered at the hotel. However, her investigation reveals that Rick has been digging up dirt on each of the former jurors, and several of them may have had a motive to kill him. As she digs deep, Maya begins to believe that the solution to this current murder lies in the trial that brought them together. Did they let a guilty man go free all those years ago, and is that decision coming back to haunt them with lethal consequences?

Wow, just wow, this was a pretty incredible thriller novel. Moore has pulled together quite a compelling and complex read which presents the reader with a fantastic and intricate story that combines an excellent legal thriller with a captivating murder mystery to create a first-rate read.

The Holdout’s story is told in alternating chapters, with half of the chapters set back during the original trial in 2009, and the rest of the book is set 10 years later in the present day. The 2019 chapters are told exclusively from the point of view of Maya as she attempts to uncover who killed Rick Leonard, while each of the chapters set in the past are told from the perspective of a different juror as they observe the events surrounding the trial. This is a really clever storytelling technique as it presents the reader with two connected but distinct storylines. The storyline set during the original trial is a legal drama-thriller in the vein of 12 Angry Men or Runaway Jury, and it shows various points of the Bobby Knock murder trial and the jury deliberations that followed. Through the author’s use of multiple perspectives, the reader is able to see how the various members of the jury came to their ultimate verdict, what factors influenced their decisions and what they thought about the various people involved in the case and their fellow jurors. The storyline set in the present day, on the other hand, reads more like a murder mystery, and it deals with the protagonist’s hunt to find Rick’s killer in order to prove her innocence. Both of these separate storylines work extremely well together, especially as the Maya storyline explores the impacts of the events that occurred during the older timeline. I also think that Moore did an excellent job jumping between the various time periods and character perspectives, and this clever storytelling style helped to create a compelling read with a fun flow to it.

At the centre of this novel lies two fantastic and complex mystery storylines set around 10 years apart. The first one of these revolves around what happened to Jessica Silver in 2009, while the other involves the murder of Rick Leonard in 2019. Both of these separate cases are really intriguing, and they present the reader with some clever twists, compelling potential theories, alternative suspects and conflicting evidence, so much so that the eventual solutions to these mysteries are actually quite surprising. While both of these two mysteries work really well by themselves, the real beauty is in the way that they combine together throughout the book. The solution to the Rick Leonard murder is strongly rooted to the original 2009 trial with the jury, while the eventual revelation about Jessica Silver doesn’t come out until the events of the 2019 murder are concluded. I really enjoyed seeing both of these mysteries come together, and it was cool to see the motives for one case be revealed in a prior timeline, while the protagonist investigated in the present.

I also had a great appreciation for the legal aspects of The Holdout, as the author dives deep in the United States court system and shows off what happens during a murder trial. There are some tricky legal scenes throughout this book, and one of the major appeals of the 2009 storylines is seeing the entirety of the murder trial unfold. Moore also does a great job exploring how the jury system works and how jurors deliberate and decide upon a person’s innocence and guilt. There are some intriguing examinations of the jury system throughout the book, and it was interesting to see what information they are given and how a jury could come up with one verdict when the rest of the country has already decided. The use of multiple perspectives works well during the 2009 part of the book, and I quite enjoyed seeing how the disparate jurors had different opinions about the information presented to them. The 2019 storyline also contains some intriguing legal scenes which are shown from the perspective of Maya as a successful defence attorney. As a result, these scenes contain fascinating information about legal strategy and defence plans, and it was a little scary to consider innocent people being advised that their best legal strategy for a crime they didn’t commit was to claim self-defence. The Holdout also tried to show the chaos that surrounds a high profile court case, including examining the crazy media coverage, the impact of public perception, and the fact that people involved are often more concerned with making money or advancing their careers rather than finding out who actually committed the crime. All of this is extremely fascinating, and I enjoyed seeing Moore’s take on the current legal system, especially as he comes across as somewhat critical of it at times.

Moore has also filled this book with a number of complex and relatable characters in the form of the jurors, who you get to know throughout the course of both storylines. Thanks to the two separate timelines, you get to see how the events of the trial affected these people as each of them had their lives completely ruined thanks to one decision they made 10 years ago. Thanks to the use of multiple perspectives during the earlier timeline, you actually get to briefly see inside the mind of each of the jurors, and explore how events in their past lives, plus the stress of the trial helped influence their verdict. I also found it fascinating to see how the not-guilty verdict impacted on other characters associated with the trial, such as the family of Jessica Silver and the accused, Bobby Nock. This was especially true in the case of Bobby, who, despite being found innocent, was controversially prosecuted for another crime and was then subsequently hounded by the media for years, resulting in some compelling scenes around this character in the 2019 storyline. I also have to point out the underlying theme of obsession that the author expertly inserted into this story. Obsession with the trial affected several characters within the book, causing many of them to act in unpredictable ways to achieve their goals. This obsession came from a number of places, including from guilt, a sense of righteousness, a desire for revenge or to find justice, and it was quite compelling to see what this obsession drove some characters to do. One member of the jury in particular is driven to do some very dark things that were completely out of character to the person who was introduced in the earlier storyline, and this characters development was extremely fascinating to behold. Moore did an amazing job with these characters, and I really liked seeing how the events depicted in the book influenced and impacted them.

I ended up listening to the audiobook format of The Holdout, which was narrated by Abby Craden. The Holdout audiobook runs for just over 10 hours and I found myself flying through this novel, especially when I became obsessed with working out the overall solutions to this book. Craden is an excellent audiobook narrator, and I previously enjoyed her work on Recursion by Black Crouch last year. For The Holdout, Craden comes up with a number of distinctive voices for the various characters featured within the book. Each of these voices fit their respective characters extremely well, and I think that Craden did a good job portraying these character’s various ethnicities and genders. All of this really helped me to enjoy this incredible story, and this format comes highly recommended as a result.

The Holdout was an absolutely incredible read that does a fantastic job showcasing Graham Moore’s superb skill as a master storyteller. This amazing novel expertly combines together a compelling legal thriller with an addictive murder mystery in order to produce a first-rate story with some captivating twists and intriguing character developments. The Holdout gets a full five-star rating from me, and I am very excited to see what this remarkable author produces next.

The Warsaw Protocol by Steve Berry

The Warsaw Protocol Cover

Publisher: Hodder & Stoughton/Macmillan Audio (Audiobook – 25 February 2020)

Series: Cotton Malone – Book 15

Length: 11 hours and 48 minutes

My Rating: 4.5 out of 5 stars

In the mood for an exciting thriller that not only features an intense, high-stakes spy adventure but also an intriguing and detailed examination of a nation’s history and culture? Then you are going to love The Warsaw Protocol, the latest novel from bestselling thriller author Steve Berry and the 15th novel in his long-running Cotton Malone series.

Former United States Justice Department agent Cotton Malone is now retired and enjoying his life as a rare book dealer and occasionally supplementing his income with some freelance intelligence work. In Bruges to attend a book fair, his holiday takes an unexpected turn when he attempts to stop the theft of a rare religious artefact. His interference accidently places him in the centre of a new conspiracy threatening to engulf Poland, one with massive global ramifications.

A notorious information broker has obtained a series of documents that reveal troubling secrets about the President of Poland, Janusz Czajkowski, and his past during the communist occupation of his country. These secrets, if revealed, would ruin the political career of Czajkowski and are the ultimate form of blackmail. With a controversial proposal surrounding an advanced American missile defence system in Poland on the table, both the United States and Russia want these documents, as do several other interested nations. The documents will be auctioned off in a secret location, with the price of admission one of seven sacred Christian relics located around the world.

Recruited by his former boss, Stephanie Nelle, Cotton attempts to steal one of the remaining relics in order to enter the US into the auction. However, despite the best-laid plans of the new President of the United States, the auction turns into a disaster, with Russian duplicity, Polish intelligence agents and a rival information broker all coming into play. As Cotton attempt to recover the documents, he is faced with severe moral implications, should he really be party to an American plan to blackmail a foreign nation?

Berry is an outstanding thriller author who has been producing consistent and enjoyable work since his 2003 debut, The Amber Room. While he has produced several standalone novels, his main body of work is the Cotton Malone novels, which started in 2006 with The Templar Legacy. So far, I have only read the prior book in the Cotton Malone series, The Malta Exchange, which came out last year. I really enjoyed The Malta Exchange and became an instant fan of the way that Berry combined exciting thriller storylines with historical conspiracy theories and deep dives into the history and culture of various nations. I have been looking forward to The Warsaw Protocol for a while now, and I even featured it on my recent Most Anticipated Books for the First Half of 2020 list.

Like the rest of the books in the series, The Warsaw Protocol can easily be read as a standalone novel, with absolutely no knowledge of any of the prior books required to enjoy the fun and exciting story contained within. Long-term fans of the series will definitely enjoy this new entry, not only because of its great story but because some of the events depicted are likely to have major repercussions for future books in the series. Berry makes excellent use of multiple viewpoints to tell this story, with several major characters getting a number of chapters to themselves, which not only show their actions in the current day but also dive into their own personal history and the history of the people or places they are interacting with. This leads to a richer overall narrative, and I think it was the best way to tell this complex story. Overall, I am really glad that I decided to dive further into the Cotton Malone series, as I found The Warsaw Protocol to be another fantastic and captivating thriller with some first-rate depictions of the complex nation of Poland.

At the centre of this book lies an outstanding thriller which sees the agents of several different nations fighting over sensitive material that could change the balance of power in the world. Berry takes this thriller storyline in some fantastic directions, and I really enjoyed the fast-paced and exciting final result. I loved seeing the past coming back to haunt people, especially as this allowed the author to dive back into Poland’s history when it was part of the Soviet Union. The Warsaw Protocol contains several excellent action sequences, although the book has more of a focus on uncovering the past and solving historical clues. I felt that the author’s use of multiple viewpoints worked really well to increase story’s suspense and intrigue, especially as you get to see the various major players react and enact countermoves against each other. I was a tad surprised that the author did not really do much more with the holy relics the auction participants needed to collect, especially as I spent a good part of the book thinking they were going to lead to some other great Polish treasure. There were also some other McGuffins and secrets that were mentioned or discovered throughout the book that didn’t really go anywhere either, and I would have been interested to see what impact they would have had on the plot if the protagonist had known about them. Still, this was an incredibly captivating piece of thriller fiction, and thanks to the fast-paced and exciting story, I had a really hard time putting The Warsaw Protocol down.

One of the main things that draws me to the Cotton Malone series is the way that Berry makes sure to dive into the history and culture of the countries in which his books are set. I really loved the in-depth look at Malta in his previous book, and I have a great appreciation for all the intriguing details about Poland that he features in his latest novel. Make no mistake, while this book does mainly follow the story of an American intelligence agent, The Warsaw Protocol is first and foremost a novel about Poland, featuring examinations of the nations troubled history and its unique cultural mindset. I am a huge history buff, so I absolutely loved Berry’s examination of these elements of Polish history. His major focus was on Poland when it was controlled by the Soviets following World War II, although he also looks back at the medieval history of the country as well. I found this examination of the Communist occupation of Poland to be quite fascinating, although Berry makes sure to point out the terrible circumstances that the people found themselves in and the lasting impact Communist control has had on the nation. The author sets up the seeds of the book’s central thriller in the country’s Communist past, and the resultant bloom turned out to be an excellent story.

In addition to the country’s history, Berry also attempts to showcase the social and cultural identity of Poland, while examining how the country’s long history of dissention, political upheaval and oppression from other nations has helped to create a unique society of people with a distinctive social mindset and way of life. Berry obviously has a lot of love for the people of Poland, and his examination of their national personality is quite intriguing. It is also another element of this book that works well with the overarching thriller storyline, as several of the point-of-view characters are able to predict how the general population of Poland will react if the information up for auction is released, motivating several of the characters. All in all, this was an incredibly fascinating and compelling examination of one of Europe’s most distinctive and important countries, and I really liked how Berry was once again able to use these captivating elements to produce an excellent spy thriller.

Berry also spends a lot of time bringing several iconic Polish locations to life to serve as backdrops for his story. There are some absolutely fantastic locations featured within this novel, including a number of major cities, some important castles, significant religious sites and even a world-famous salt mine. Berry has apparently spent a lot of time faithfully replicating these sites within his book, with some minor exceptions for plot reasons. The author really paints a vibrant picture when he presents these locations to the reader, and many of them sound like incredible places to visit (I personally would love to see the aforementioned salt mine after reading this book, as it sounds pretty damn awesome). There is also a rather fun sequence at the start of the book set in the Belgium city of Bruges, which the author uses to full advantage, setting a great chase sequence in the city’s iconic canals. There are also descriptions of several real-life restaurants, cafes and other such locations throughout this book, and it is clear that the author has really done his homework. Indeed, the author has even included a substantial notes section at the back of the book discussing the accuracy of his portrayals of history and locations. All of these are amazing backdrops for this fast-paced thriller storyline, and I really enjoyed seeing some of the action taking place in this amazing historical and cultural locations. Those readers who have been to these locations in Poland are bound to get a kick out seeing them so lovingly portrayed in this book, and I think that Berry did a wonderful job of bringing these places to life.

One of Berry’s inclusions that I found particularly interesting was the character of the new US President, Warner Fox. Fox is a brash, undiplomatic and ill-informed former businessman who practices cronyism and is generally painted as being an incompetent and unworthy President by the book’s characters. This sort of US President is becoming more and more common in thriller novels these days for obvious reasons, and I always find it intriguing to see what perceived impacts authors believe such a person would have on the intelligence community. In The Warsaw Protocol, the President is portrayed in an antagonistic manner, as Cotton Malone greatly disagrees with him and his methods. The President and his advisors blunder through the entire book, failing to listen to the advice of seasoned intelligence operators and generally make the entire situation far worse, while the other world leaders easily run rings around them. This actually becomes a major issue for the protagonist, as not only does it make his mission more difficult, but this new President ends up shifting the entire landscape of the series. I thought that this was a really intriguing, if somewhat horrifying, addition to the novel, especially as it is a potentially accurate depiction of how the current administration would interfere with or attempt to control intelligence agencies, and I look forward to seeing how Berry expands on this point in future novels (especially after the next election).

Just as I did with the previous book in the Cotton Malone series, I chose to listen to The Warsaw Protocol’s audiobook format. The Warsaw Protocol audiobook is narrated by Scott Brick and runs for just under 12 hours, allowing for a relatively quick read for a determined listener. I personally find that the audiobook is a great format to enjoy Berry’s books with, as listening to the story helped me appreciate his vivid descriptions and intriguing examinations of history a lot more. Brick is an excellent audiobook narrator who has narrated nearly all of the Cotton Malone books in the past and also provides his vocal talents to a number of other thriller novels, such as the recently released Into the Fire by Gregg Hurwitz. I find that Brick has a fantastic voice for thriller novels such as The Warsaw Protocol, and he is able to present the complex story in an enjoyable way, as well as provide some great Eastern European accents for some of the individuals featured in the novel. If I had to make a complaint, though, I did find it a little hard at times to distinguish between a couple of characters with similar voices, especially when they are having a conversation with each other. This was not a major issue; it just occasionally left me wondering for a couple of seconds who was talking, although it was usually made clear right after I had that thought. As a result, I would strongly recommend the audiobook format to anyone who is interested in checking this book out, and I personally loved listening to the story unfold.

Steve Berry has once again produced an incredible and deeply enjoyable thriller novel that utilises his trademark love for all things historical and cultural to create a fantastic read. The Warsaw Protocol does a wonderful job of combining an exciting story with an in-depth look at the vibrant, distinctive and at times chaotic nation of Poland, and I loved the final result. I cannot wait to see what amazing adventure Berry comes up with next time, and I fully intend to keep reading all the Cotton Malone books he brings out. This is a highly recommend thriller that I think a lot of people are going to enjoy.

A Little Hatred by Joe Abercrombie

A Little Hatred Cover

Publisher: Orion (Audiobook – 17 September 2019)

Series: Age of Madness Trilogy – Book One

Length: 20 hours and 20 minutes

My Rating: 5 out of 5 stars

One of the very best authors of dark fantasy fiction, Joe Abercrombie, returns to his epic First Law series with A Little Hatred, an outstanding and deeply entertaining read that serves as an excellent start to a whole new trilogy.

28 years after the failed Gurkish invasion of the Union and Jezal dan Luthar’s sudden rise to the throne, the world is much changed. Industry has come to the Union, with vast factories, production lines and businesses now defining the Union’s various cities at the expense of the nation’s farmers, labourers and working classes. In this time of change, a whole new generation is ready to make its mark in the world, but the rivalries, hatreds, manipulations and disappointments of those who have come before are hard things to overcome.

In the North, war once again rocks the lands, as the forces of Stour Nightfall invade the Dogman’s Protectorate, forcing the armies of Angland to come to their aid. Young lord Leo dan Brock is desperate to seek honour and glory on the battlefield; however, his forces are too small to defeat the vast Northern hordes. Requiring help from the Union, Leo is hopeful that a relief force led by Crown Prince Orso may help to turn the tide of battle, but the Crown Prince is a man known to constantly disappoint all who pin their hopes on him. However, the arrival of the mysterious Rikke, daughter of the Dogman, may provide him with a all the help he needs, especially with her ability to see through the Long Eye. Back in the Union, Savine dan Glokta, daughter of the feared Arch Lector Glokta, is making a name for herself as a ruthless businesswoman. Dominating the world of business and industry, Savine believes that she is untouchable, but dissent amongst the working classes are about to show her how wrong she is.

As both the North and the Union find themselves on the dawn of a whole new era, chaos will absorb all before it. While this new generation attempts to find their place, they soon begin to realise what the previous generation found out the hard way that they are not the ones in charge of their destiny, and there is nothing a little hatred cannot ruin.

Joe Abercrombie is a highly acclaimed author who has produced some truly amazing pieces of dark fantasy fiction over the years. While he has written other books, such as the Shattered Sea trilogy, he is probably best known for his First Law series. The First Law series is currently made up of seven books (including A Little Hatred), which detail bloodshed, politics and manipulation in a dark fantasy world. This series started with The First Law trilogy, which debuted in 2006 with The Blade Itself and ended in 2008 with Last Argument of Kings. The First Law trilogy followed the adventures of several complex and amazing characters as they fought to not only stop the Gurkish invasion of The Union but also the end a war in the North. Abercrombie would eventually follow this original trilogy with three standalone novels, which were set after the events of The First Law trilogy. These three books, 2009’s Best Served Cold, 2011’s The Heroes and 2012’s Red Country, each had various degrees of connection to the original trilogy, and in many cases showed what happened to some of the major characters from the first three books. These standalone novels were eventually collected together into the loose Great Leveller trilogy. I absolutely loved the original First Law trilogy, and it remains amongst one of my favourite fantasy series of all times. I do need to check out all of the Great Leveller books at some point, although I have no doubt the will all prove to be first-rate reads.

A Little Hatred is Abercrombie’s first entry in the First Law series since 2012, and it is set 28 years after the events of the original trilogy and 15 years after the events of Red Country. A Little Hatred is also the first book in a new connected trilogy that Abercrombie is producing, The Age of Madness trilogy, with the next two books in this trilogy to be released in September 2020 and September 2021. I have been looking forward to reading A Little Hatred for a while now, mainly because of how much I enjoyed the original The First Law trilogy, and I was very happy to not be disappointed with this new book. A Little Hatred was an incredible and captivating read which I powered through in short order. Not only does this book get a full five stars from me, but I even listed it as one of my favourite novels from 2019 when I was only about halfway through it.

For his latest book, Abercrombie utilises the same writing style that proved to be so successful in the previous First Law books. Readers are once again in for a dark, gruesome and very adult story that follows seven main point-of-view characters as they experience the events unfolding throughout the book. While each of the seven main characters has their own unique arcs, their various stories combine throughout the course of the novel to produce a deeply compelling overall narrative. I really like all the places the story went in this book, and it turned into an excellent blend of war, political intrigue, violent social revolution and intense interaction between a number of amazing characters. Abercrombie does not hold back any punches in this story, and there are a number of intense and excessively violent fight and torture scenes in this book, and there is plenty to keep action fans satisfied. At the same time, the author also installs a fun sense of humour throughout the book, which usually relates to the personalities of the various characters who are telling the story. All of this adds up to an absolutely amazing story and you are guaranteed to get quickly get drawn into A Little Hatred’s plot.

I thought that the author’s use of multiple character perspectives was an extremely effective storytelling method, especially as the seven point-of-view characters followed in this book often find themselves on different sides in the various featured conflicts. This allows the reader to see all the relevant angles to the political, social and military conflicts that are shown in the story, whilst also advancing the book’s various character arcs. These multiple character perspectives also allow the reader to see multiple viewpoints of the same events. This is especially effective during a couple of the larger battle sequences or during a particular duel scene, where you get to see the thoughts, fears and plans of the various participants and spectators, allowing for richer and more elaborate scenes. There are also a bunch of brief scenes which are told from the perspective of several minor characters, which are used, for example, to show off the extreme chaos surrounding the takeover of a city by members of the working class. I also really liked how Abercrombie used these different character viewpoints to imbue the story with some intriguing symmetry, such as by having two separate characters spending time with their respective parents back to back in order to show the differences and similarities in their relationships. All of this produces an excellent flow to the novel, which I really appreciated, and which helped with the overall enjoyment of the book.

A Little Hatred is an excellent continuation of the previous First Law books, and Abercrombie has come up with a bold new direction for the series. This latest novel is strongly connected to the events of the previous entries in this overarching series and continues a bunch of the storylines established in the prior books. It also continues the adventures of several characters who have previously appeared in the series, showing what has happened to them in the intervening years and how their legacy is being continued. Despite this strong connection to the previous six books in the First Law series, I would say that it is not a major necessity to have read any of the prior books, as the author does a great job of rehashing all the relevant major events while also successfully reintroducing some of the main characters, allowing new readers to enjoy this book. That being said, those readers who are familiar with some of the prior books, especially The First Law trilogy, are going to have a much better understanding of the events and characters that are featured within A Little Hatred, which may also result in a change in how readers view certain characters and events. For example, one of the main characters from the original trilogy makes several appearances throughout the book, interacting with some of the point-of-view characters. As these new characters have no prior experiences dealing with him, they believe he is a fairly harmless and friendly old man, which is how he is then presented to new readers. However, those readers who are familiar with him from the original trilogy know just how dangerous he can be, and his harmless routine actually becomes a little sinister. Readers with knowledge of the events of the original trilogy are also in for a lot more cringe throughout this book, as you know all the shocking details of a certain inappropriate relationship well before it is revealed to one of the characters later in the book.

I thought it was interesting that Abercrombie included such a significant time skip between this book and the original trilogy, but I think that it really paid off and created an excellent new setting. While the North and the conflicts that defined it remained very similar to what was featured in the previous books, the main setting of the Union proved to be very different. Since the last time you saw it, the Union has started to evolve from a more medieval society to an industrial society, with factories and production lines, which in many ways were very reminiscent of the Industrial Revolution in places like England. Of course, these changes result in different types of conflicts, as the lack of traditional jobs combined with the rich ruthlessly taking the agricultural industry away from the peasants results in an interesting bout of extreme class warfare, led by the organisation called the Breakers. These Breakers bear a lot of similarities to the organised instigator of real-life industrial revolts that occurred throughout historical Europe, and it was interesting to see Abercrombie’s take on them, especially as he included an anarchist sub-group, the Burners. I really liked this intriguing focus on class revolution, and it looks like this is going to be one of the major story threads of this new trilogy. I am very curious to see how it all unwinds, and I imagine there is more anarchy, chaos and bloody revolution on the horizon.

While the above elements are all pretty outstanding, the true highlight of the First Law books has always been the complex and damaged protagonists through whose eyes the story is told. Abercrombie has a real knack for creating compelling and memorable characters, which he once again showcases within this book. There are some really enjoyable and complex characters here, and I really liked their various interactions and character arcs. These new point-of-view characters include:

  • Crown Prince Orso – son of King Jezal and notorious wastrel who, despite his outward appearance as a lazy, useless and apathetic drunk, is actually a surprisingly capable and deeply caring individual, who hides his abilities and real feelings, especially as his attempts to be a good person usually have disappointing results.
  • Savine dan Glokta – daughter of Arch Lector Glokta, Savine has capitalised on her business sense and the fear of her father to become a successful investor. As a woman in a man’s world, she is forced to be utterly ruthless like her father, and Savine mostly comes across as heartless until a traumatic experience and revelations about her past almost break her.
  • Rikke – a Northern girl who is the daughter of the Dogman. Rikke is a powerful seer with the ability to see both into both the past and the future, although she has limited control of these powers. Rikke starts the book out as quite an innocent woman, until Stour Nightfall’s invasion hardens her and makes her keener for violence and revenge.
  • Leo dan Brock – a Union lord who is the son of two of the protagonists of The Heroes. Leo is a young man’s man, eager to prove himself in combat, whose abilities have made him a popular hero. However, his impatience and desire for glory ensure calamity on the battlefield, which guilts him to try and learn a new way of command. However, once he tastes glory again, he forgets all the lessons he has learned and the friends who got him there.
  • Vick dan Teufel – a Union Inquisitor serving under Arch Lector Glokta. Despite the fact that Glokta framed her father in the original trilogy and sent her and her entire family to a prison camp, Teufel appears loyal to him and the Union, as she likes being on the winning side. Despite her misgivings about the people she works with and her respect for some of the people she is investigating, she continues her missions and tries not to get close to anyone. Teufel is actually very similar to Glokta in personality, especially as she has the familiar storyline of being forced to investigate a conspiracy that no one wants solved.
  • Gunnar Broad – a former Union soldier who returned home after many years of fighting for his country to find that the local lord has stolen his farm. Attempting to find work in the cities, Broad becomes involved in the events of the Breaker’s revolution. Broad is a killer without peer whose temper, bloodlust and the emotional trauma of war drag him into great acts of violence, even when these actions backfire on him and his family.
  • Jonas Clover – a veteran Northern warrior who finds himself serving as an advisor to the young warlord Stour Nightfall. Clover is easily my favourite character in A Little Hatred, as his sense of humour, penchant for mockery and jaded personality really stand out amongst the more serious and blood thirsty characters he interacts with and he has some of the best lines in the whole book. Clover affects an air of laziness and cowardice and is constantly spouting wisdom and council to the younger warriors, who either don’t listen or openly mock him. Despite his apparently amiable nature, Clover is actually a vicious bastard when he needs to be, and he has a couple of memorable kills throughout the book.

In addition to the above seven new point-of-view characters, there is also a bevy of great side characters which really help move the story along. While I could go on about several of them, I might just stick to Isern-i-Phail and Stour Nightfall. Isern is another older Northern character who serves as Rikke’s mentor and protector. While Isern is generally a hard and practical character she is in many ways crafted in a similar vein to Jonas Clover, gently mocking the younger characters she interacts with and producing some of the most entertaining insults and comments throughout the book. Stour Nightfall, on the other hand, is one of the primary antagonists of the book. The cocky son of Black Calder and the grandson of Bethod, one of the major antagonists of the original trilogy, Stour has a real sense of entitlement and viciousness, brought on by his famous relatives and his skill with the blade. In many ways he is a mirror to Leo dan Brock, as both are determined to seek glory in combat, and both seek to emulate the Bloody Nine, Logen Ninefingers, despite their elder’s warnings about what kind of person their hero really was. While at times Stour was a bit two-dimensional as a character, he changes after a significant event at the end of the book, and his future in the series should prove to be very interesting.

Aside from this new group of protagonists, several of the major characters from the original trilogy make a return in this book, allowing readers to get an idea of what has happened to them since their last appearances. This includes returning former point-of-view characters Jezal dan Luthar, Sand dan Glokta (who might just be the best character Abercrombie ever came up with) and the Dogman, as well as several secondary characters. While all of these characters get a few lines and are presented as major figures in the current world order, most of the focus of A Little Hatred is given over to the newer protagonists, which I think fits in well with the book’s overall focus on change. It was great to see these characters again, and there were even some major developments surrounding one of them. It was also cool to see them interact with the younger generations, especially when they see these new characters making the same mistakes they did at their age. A Little Hatred also features the return of the First of the Magi, Bayaz, who is still pulling all the strings in the world. Despite his grandfatherly appearance, Bayaz is probably the main villain of this entire series, and you just know that he is behind all of the events occurring in this book. I look forward to seeing more of the excellent villain in the future, and I cannot wait to see how and why he is manipulating everyone this time.

Rather than read a physical copy of this book, I ended up listening to the audiobook version, which was narrated by Steven Pacey. The A Little Hatred audiobook runs for 20 hours and 20 minutes, making it a fairly substantial audiobook that would actually come in at number 19 on my longest audiobook list. The audiobook format is an excellent way to enjoy A Little Hatred, as you get a real sense of all the gore and violence as it is narrated to you, as well as a better vision of the impressive, changed world that served as the setting of this book. I was really glad that they continued to utilise Steven Pacey as narrator for this new book as Pacey has narrated all the previous First Law audiobooks. It was really good to once again hear the unique voices that Pacey assigned to the characters from the original trilogy, especially as, to me, they were the defining voices of these original characters. The voices that he came up with for the new characters in this book were also good, and I think that he got the character’s personalities down pretty effectively. As a result, I would strongly recommend the audiobook format of A Little Hatred to anyone interested in checking out this book, and I am planning to listen to the rest of The Age of Madness books.

A Little Hatred by Joe Abercrombie is an outstanding and impressive new addition to his brilliant First Law series. Abercrombie has once again produced a captivating, character-based tale of bloody war and politics, while also adding some intriguing new elements to it. This is an exceptional book, which I had an absolute blast listening to. The Age of Madness is off to an extremely strong start, and I cannot wait to see where Abercrombie takes this amazing series to next.

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The Last Smile in Sunder City by Luke Arnold

The Last Smile in Sunder City

Publisher: Orbit (Trade Paperback – 6 February 2020)

Series: Fletch Phillips Archives – Book One

Length: 318 pages

My Rating: 4.75 out of 5 stars

From debuting Australian author Luke Arnold comes The Last Smile in Sunder City, an absolutely superb piece of fantasy fiction that presents a unique and powerful story of loss, redemption and despair in fantastic new universe.

The Last Smile in Sunder City is the debut novel of Australian actor Luke Arnold. Arnold, who has appeared in a number of Australian television shows and movies, is probably best known internationally for playing Long John Silver in the pirate adventure series Black Sails. Arnold has now made the rather interesting career change to writing fantasy fiction with this first book, which is the start of a new series known as the Fetch Phillips Archives. I have actually been looking forward to The Last Smile in Sunder City for a little while now, as I liked the intriguing-sounding plot synopsis and I thought that this book had some real potential.

The continent of Archetellos has always had magic, with nearly every race or being having some access to the power that ran through the lands, extending their lives and giving them rare and amazing abilities. With these powers, the magical races ruled Archetellos, until the humans, the only race not gifted with magic, attempted to steal it for themselves. This resulted in the event known as the Coda, which saw all magic erased from the world. Overnight, the multitudes of beings who relied on magic for their very existence either died or were stricken down. The few survivors of these former magical races are now deformed, crippled and slowly dying in pain.

Fetch Phillips has been many things in his life (a guard, a peacekeeper, a soldier and a criminal) but now he is barely eking out a living as a man for hire in the former magical industrial hub known as Sunder City, which has been suffering ever since its magical fires went out. For a small fee Fetch will help you with whatever problem you have, although his sobriety will cost you extra. He only has only one condition: he won’t work for humans; his only clients are those former magical beings who need his help, because it’s Fetch’s fault that their magic is gone and never coming back.

Fetch’s latest case sees him hired by a school that specialises in teaching the children of former magical creatures. One of their professors, an ancient vampire who is slowly turning to dust, has gone missing, and the school is desperate to find him. Diving into the shady underbelly of the city, Fetch attempts to find some trace of the vampire or anyone who wanted to hurt him. But when one of the vampire’s students, a young siren, also disappears, Fetch needs to step up his game to find them. However, even without magic there are still monsters in Sunder City, and Fetch may not be able to survive his encounter with them.

This was a really impressive piece of fantasy fiction. With The Last Smile in Sunder City, Arnold has absolutely nailed his debut, presenting a clever and captivating fantasy mystery which makes full use of its inventive setting and excellent central protagonist to create an impressive and memorable book. This is a truly enjoyable story that contains a fascinating central mystery that blends extremely well with the book’s fantasy elements. I had a great time unravelling the full extent of this intriguing story, and Arnold takes the plot in some very interesting directions, producing some excellent twists and clever false leads. This is less of an action-based novel and more of an exploratory story which sets out the world and features a man of the city running through his contacts to investigate a curious disappearance. I think this worked out extremely well for this book, as it fitted into the book’s classic PI vibe while serving as a great introduction to the city which is no doubt going to be the main setting for any future books in this series. Arnold has also created a couple of fantastic subplots which not only help to explore the world but also help to expand on the compelling darker tone that has been injected into this book.

Without a doubt, the major highlight of this book is the deeply inventive and fascinating new world that Arnold has produced. When I first read The Last Smile in Sunder City’s plot synopsis about a world where magic no longer existed, I was intrigued and thought that it sounded like an interesting idea. However, I was not prepared for just how impressive and creative this turned out to be. In order to tell his story, the author first created a detailed fantasy world that was filled with a huge variety of classic magical creatures of all shapes and sizes, where magic was the ultimate power and in which humans, who have no access to magic, are second-class citizens. While this would have been an interesting place to set a fantasy mystery, the author immediately flips this setting on its head by showing how humans attempted to steal the magic from its source (via an animation intended for children that was cut across by the protagonist’s memories, which was a fantastic way to introduce this plot point), and how their intrusion resulted in the complete destruction of magic.

This of course leads to a very interesting world, as now all the creatures and beings who previously survived on magic have had their lives irreversibly altered. Arnold spends a good part of the book exploring the impact of this loss of magic, examining the impacts on the previously immortal elves who all suddenly died from old age, the werewolves and other shapeshifters who found themselves deformed and stuck at the halfway point between human and animal, the vampires who all lost their fangs and are slowly crumbling to dust, sirens whose human husbands all simultaneously left them, and so much more. There are also some cool examinations of the change in status quo, with humans now becoming the dominant species on the continent thanks to their superior numbers (humans were not affected by the Coda) and their ability to use technology as a substitute for the magic that used to run everything. Of course, humans being humans, there are a couple of examples of humanity taking revenge against the magical creatures that previously dominated the continent, which the author does a good job of working into the plot. All of this proves to be an extremely fascinating and enjoyable overarching backdrop to the story of The Last Smile in Sunder City, and I really have to congratulate Arnold on his amazing imagination. Every detail about this creative world was really cool, and I loved seeing how his vision of a fantasy realm bereft of magic come to life.

The main location of this book is the titular Sunder City. Sunder City is a former magical metropolis which has suffered in the post-Coda period. Once a place of marvels and magically-powered industry, the city is now a shell of its former self, with most magical beings now living in slums and struggling to get by without their abilities. There is a bit of a Depression-era vibe to Sunder City, especially as Arnold does an excellent job of imbuing much of the city with a sense of despair, resentment and hopelessness. This really turned out to be a fantastic city to serve as the book’s primary setting, and I really enjoyed the protagonist’s exploration of it as he attempts to find the missing people. There are some really intriguing elements to this city which are worked into the overarching mystery plot extremely well, such as a hostile police force, businesses catering to former magical creatures and gangs of humans trying to cause trouble. All of this is pretty amazing, and I look forward to seeing more adventures and mysteries take place in Sunder City, especially if the author spends time looking at new types of former magical creatures that weren’t featured in this first book.

In addition to the compelling story and outstanding settings, Arnolds rounds out this awesome book with an intriguing central protagonist, Fetch Phillips. Fetch, who also serves as the book’s narrator, is a drunk, depressed and broken man, who is essentially a classic noir PI in a fantasy world. While Fetch can at times be funny or entertaining, mostly due to his sarcastic and confrontational style, his defining characteristics are his overwhelming guilt and despair. This is due to the fact that he is largely responsible for the humans destroying magic, which resulted in so much death and suffering. The full story behind Fletch’s involvement in this atrocity is chronicled in the book through a series of flashbacks which show his origin, the friendships he formed and the events and emotions that led up to his darkest moment. Due to his role in the causing the Coda, and the fact that he betrayed the trust of several friends, Fletch is filled with all manner of self-loathing and must now deal with his complicated emotions towards other humans, who he detests, and the former magical creatures he is compelled to help, most of whom now hate him. Despite all this darkness, there is a little bit of light within Fletch as he struggles against his demons and his past to find redemption and live up to a promise he made. I thought that this portrayal of Fletch was a great part of the book, and I loved the complexity that Arnold has imparted on his protagonist. I also really enjoyed the way that the author showed off the character’s past, centring the flashbacks on the four tattoos he has on his arm, and exploring the meaning behind them. This mixture of the mystery in the present and the look at the events in the character’s past worked really well together, and they help show off an amazing central protagonist who is going to be a fantastic centrepiece for this series going forward.

The Last Smile in Sunder City by Luke Arnold is a superb and highly addictive fantasy mystery that presents the reader with a fantastic and thrilling story. While the book is mostly a clever and enjoyable mystery, its true strengths are the unique and captivating settings and the complicated, well-written protagonist, both of which help to transform this amazing novel into a first-rate read. Thanks to this excellent debut, Arnold has proven that he is a talent to be reckoned with in the fantasy genre, and I am looking forward to seeing what he produces next. The Last Smile in Sunder City comes highly recommended, and I think many people are going to enjoy this exciting new Australian author.

Just Watch Me by Jeff Lindsay

Just Watch Me Cover.jpg

Publisher: Orion (Trade Paperback – 10 December 2019)

Series: Riley Wolfe series – Book One

Length: 358 pages

My Rating: 4.5 out of 5 stars

From one of the world’s most popular thriller authors, Jeff Lindsay, comes Just Watch Me, an electrifying heist novel that pits an intriguing new protagonist against impossible odds.

Prepare to meet Riley Wolfe, the world’s greatest thief. Wolfe is a master of disguise, an expert con artist and a true devotee of the ridiculous heist. There is nothing he can’t steal, and he lives to target the super-rich with his capers in order to make them suffer. However, Wolfe is starting to get bored. His last few heists have gone off without a hitch and he is looking for a challenge. But his new target might be truly impossible to steal, even for him.

Wolfe has his eyes on some of the most impressive treasures in the world, the Crown Jewels of Iran, and in particular the Daryayeh-E-Noor, a gigantic pink diamond that is valued beyond compare. With the jewels finally out of Iran and in New York for a tour, Wolfe knows that this is the time to steal them. They have been placed within the most secure gallery in the country, which utilises impenetrable security systems, state-of-the-art alarms and a small army of former special forces soldiers acting as guards. In addition, a regiment of the lethal Iranian Revolutionary Guard are also standing watch, ready to kill anyone who gets too close. With these security measures in place, the jewels appear to be beyond the reach of any potential thieves, no matter how careful or elaborate their plan may be, and anyone who tries is going to end up dead. However, Wolfe is no ordinary thief, and he has come up with a cunning scheme that no one else would have ever thought of. If all his planning succeeds, he will have an opportunity to make off with the jewels. But with all manner of complications in front of him and a determined FBI agent hunting down his past, can even the great Riley Wolfe succeed, or will his most daring heist be his last?

When I first saw that Jeff Lindsay was doing a heist novel, I knew that I was going to have to grab a copy of it. Lindsay is a bestselling thriller author who debuted in 1994 with the novel Tropical Depression. Lindsay is of course best known for his Dexter series, which was adapted into a highly popular television series. While I have not had the pleasure of reading any of Lindsay’s work prior to this book, I did really enjoy the first few seasons of the Dexter television show, so I was really interested in seeing the author’s take on a heist novel. I am really glad that I checked Just Watch Me out as Lindsay has produced a deeply compelling and exceedingly fun novel that not only contains a really cool heist story, but which also features another complex protagonist for the reader to sink their teeth into.

First of all, let’s talk heists. For Just Watch Me, Lindsay came up with a very interesting heist scenario which sees one man try to break into a massively secure gallery guarded by some of the most sophisticated technology in the world, as well as some of the deadliest killers. The story follows Wolfe as he attempts to find some way into the building that everyone agrees in impenetrable, and while he initially encounters major setbacks, he eventually comes up with an audacious plan to get in. This plan is very bold and complicated, and involves a lot of manipulation, disguises, seduction, confidence work, forgeries, doublecrosses and even a couple of well-placed murders. All of this comes together into one fun and exciting conclusion which sees everyone understand the full extent of the plan. Lindsay paces out all the parts of the heist extremely well, and I really enjoyed how the entire thing unfolded, especially as it was a cool, roundabout way to attempt to steal something from a gallery. The heist proves to be an exceptional centre to the whole narrative, and I really enjoyed seeing how this part of the book progressed.

I also liked the way that Lindsay utilised multiple viewpoints to tell this story. While several chapters are told from the protagonist’s point of view using the first-person perspective, a large amount of the book is actually told from the perspective of the book’s side characters. These side characters include a range of different people, such as Wolfe’s allies, the people he is trying to manipulate, the FBI agent hunting him and even several bystanders who are caught up in the whole heist. All of these different viewpoints help to show off the various angles of the heist, which I felt helped enhance this part of the story. It was also really cool to see how normal people, including police officers, guards, gallery employees and some of his marks, perceive the various disguises he comes up with or the confidence tricks that he is pulling. I loved seeing this outside perspective of Wolfe’s criminal techniques, and it was a great way to portray a large amount of the heist.

While the heist is a really amazing part of this book, one of the most compelling parts of Just Watch Me is actually its protagonist, Riley Wolfe. Lindsay obviously has a lot of experience writing complex and intriguing protagonists for his thrillers, and he has done an amazing job creating another one here in Wolfe. Wolfe is a master thief whose defining characteristic is an overwhelming compulsion to steal from the mega-rich, especially those who obtained their wealth by screwing over the little people in the world. Wolfe is absolutely obsessed with his crusade against the rich due to his experiences as a child, and this obsession forces him to complete his heists no matter the cost. The author spends quite a bit of time exploring Wolfe’s hatred for the rich, and it is quite fascinating to see his internal thoughts on why he is stealing from them. The reader also gets to see some of the events from the character’s childhood which form the basis for this obsession. Ironically enough, the reason we get to learn so much about Wolfe’s childhood is because one of the book’s antagonists, FBI Special Agent Frank Delgado, becomes so obsessed with learning more about him that he briefly leaves the FBI in an attempt to hunt him down (obsession is a key element of several of the book’s main characters). Delgado spends several scenes scouring the country trying to find out Wolfe’s history, which is slowly revealed throughout the course of the book. I really enjoyed that Lindsay included this dive into the character’s past, and I felt that it really complemented the main heist storyline and helped to create a fantastic overall narrative, especially as this investigation into his history, represents the biggest risk to Wolfe’s freedom.

Now, as Wolfe steals from the richest of the rich, it might be easy to assume that he’s a good guy or an anti-hero you can cheer on, but that is really not true. Not only does this protagonist come across as an excessively arrogant person who is high on himself, but he also does a ton of stuff that is totally morally wrong. For example, throughout the course of the book, Wolfe commits several murders, frames people for crimes they did not commit and totally ruins a number of people’s lives. While some of these people probably deserve to suffer at the hands of Wolfe, a bunch really did nothing wrong; they were either born into money, in his way, or merely collateral damage. In one case, he even spends time thinking about how much he respects one of his victims right before he arranges for her to be arrested for art fraud. What’s even worse is that, in many cases, Wolfe doesn’t even realise that he’s done something wrong. While he knows that he maybe should not have committed some of the murders, he totally fails to think of the emotional consequences some of his cons or manipulations will have on the people he is playing. He is even called out about some of his actions towards the end of the book by his only friend; however, he completely fails to see her point of view. Instead he merely thinks that she is overreacting and goes right back to plotting to get into her pants. Stuff like this makes Wolfe a very hard protagonist to like, and even the knowledge that his actions and viewpoint are the result of a messed-up childhood doesn’t really help. It does result in a much more compelling story though, and it was refreshing to follow a morally ambiguous protagonist. I will be interested to see if Lindsay will examine the impacts Wolfe’s actions had on some of the supporting characters in a later book, and I personally would love to see a story where one of his incidental victims attempts to hunt him down to get revenge for their ruined lives.

I have to say that I was also really impressed with all the discussions of art, paintings and other valuables that the author was able to fit into the story. Lindsay obviously did a large amount of research into the subject (his acknowledgements mention an art professor he consulted) and it was interesting to read the various discussions about art and art forgery. I have to admit that I have no real knowledge of or appreciation for art (except comic book art), but I really enjoyed all the discussions about art style and technique that were peppered throughout the novel. Overall, this was a pretty intriguing inclusion in the book, and I found it to be quite fascinating at times.

In conclusion, Just Watch Me is an amazing fast-paced heist thriller that is really worth checking out. Lindsay has come up with not only an awesome scenario that features a fun heist at the centre but also another complex and morally corrupted protagonist whose inner demons and powerful obsessions we get to explore. I really enjoyed this excellent new book from Lindsay, and I am definitely planning to grab any future novels that come out in this series.