The Defector by Chris Hadfield

On November 30, 2023 By The Unseen LibraryIn Historical Fiction, Thriller3 Comments

The Defector Cover

Publisher: Quercus (Trade Paperback – 10 October 2023)

Series: The Apollo Murders – Book Two

Length: 369 pages

My Rating: 4.5 out of 5 stars

Former astronaut turned thriller author Chris Hadfield returns with his second excellent novel, the intriguing and clever historical read, The Defector.

Back in 2021, I was lucky enough to receive a copy of superstar astronaut Chris Hadfield’s cool and much-hyped debut novel, The Apollo Murders. Set during the Cold War, The Apollo Murders depicted an alternate history adventure where a fictional Apollo flight mission to the moon suffered all manner of calamity, including murder, treachery, and unexpected Russian hitchhikers. Thanks to Hadfield’s knowledge of history and spaceflight, this turned out to be quite the gripping read, and The Apollo Murders ended up being one of my top debuts for 2021. As such, I have been eager to see how Hadfield planned to follow up his first book, and I was quite excited when I saw that his second novel was a sequel to The Apollo Murders. This book, The Defector, was an excellent and compelling thriller which I had a brilliant time getting through.

Israel, 1973. On the eve of the Yom Kippur War, a Soviet test pilot makes the bold decision to fake a crash in his state-of-the-art MiG fighter and secretly land in Israel. Claiming that he wants to defect to the United States, the pilot, known by his codename, Grief, and his plane are traded to the Americans, who desperately want to know the secrets of the MiG and how it achieves such impressive altitude.

Having witnessed Grief’s defection while on holiday in Israel, NASA flight controller and former Navy test pilot Kaz Zemeckis is quickly drafted in to take carriage of the captured MiG and to work with Grief to fully understand the plane’s limitations and capabilities. Their unlikely partnership eventually takes them to the most secure and secret location in the United States, Area 51, where Grief looks set to provide all the information the Americans have ever wanted about the MiG. However, not everything is as it seems, and it soon becomes apparent that Grief has his own reasons for wanting to defect to the United States. Can Kaz get to truth before it is too late, or has he let a wolf right into the heart of America’s most secret air base?

This ended up being an excellent and exciting novel from Hadfield that successfully follows up his original debut and provides a cool and intense new story that proves very hard to put down. Hadfield tells a pretty tight and compelling story in The Defector that starts strong with the mysterious Grief defecting right in the middle of the Yom Kippur War. This initial excitement morphs into an intense and gripping game of cat and mouse, as Kaz attempts to utilised Grief’s knowledge and keep his defection secret from the Soviets, while the Russian pilot works to initiate his own plans.

This continues for much of the book, and I thought this ended up being a much more focused and well-structured thriller narrative than we previously saw from Hadfield in The Apollo Murders. The focus on espionage and military secrets was a great centre for the plot, and Hadfield did a good job on also utilising some intriguing characters, especially Kaz and the mysterious Grief. The inclusion of a couple of fictional supporting characters from The Apollo Murders, namely a cosmonaut and a major Soviet antagonist, was also quite interesting, although as they were mainly there to set up a future entry in the series it did disrupt the narrative flow a little. Everything leads up to the big conclusion, which Hadfield set up nicely throughout the course of the story. While I do think that Hadfield might have considered utilising a twist to change the antagonist around, it was still really fun to see the full plan unfold, as well as the real reasons behind the defection. Watching the manipulation and the resulting violence unfold was very impressive, and it led to a satisfying, if slightly predictable, final showdown with the protagonist that ended everything on a high note.

I really enjoyed how well The Defector came together, especially as Hadfield reused all his best writing elements from The Apollo Murders, while also strongly utilising his own personal experiences and knowledge as a test pilot. The constant switching between perspective characters, as well as several interludes and flashback sequences, helped to produce a complex, multilayered storyline, and I liked seeing the various players in the plot attempt to work out what everyone else is doing. It also allowed Hadfield to hide some good hints about the antagonist’s true motivations and feelings, which came out perfectly at the end of the book. There was also some great character growth around the protagonist Kaz, especially as Hadfield successfully built on his personality and relationships from the first book, and it is clear that the author has some future adventures planned for him.

However, the real strength of The Defector lies in Hadfield’s encyclopaedic knowledge of military airplanes, Cold War espionage history and spaceflight, which was masterfully inserted into the plot. Much of the plot revolves around the desire for both sides of the Cold War to get a better understanding of their opponent’s aircraft capability, and Hadfield expertly examines the history and mechanics around this. The discussions about aircraft, fighter capabilities and more, are all quite fascinating, and Hadfield does a wonderful job of exploring them in a highly detailed way that readers unfamiliar with aircraft can easily understand. His experience also allows for some highly realistic and intense aerial combat sequences, and I really enjoyed the elaborate scenes that resulted, especially the cool conclusion. This grasp of aircraft, the history surrounding their development, and the espionage involved, are well worked into the plot of The Defector, and I loved how much it increased the authenticity of the book, making it so much better.

Overall, The Defector was an outstanding second novel from Hadfield that I had a wonderful time reading. Containing a clever and well-paced spy thriller narrative loaded with intriguing details about aircraft and the cold war, The Defector had me hooked from its first awesome scene, and I managed to power through this book in no time at all. Compelling and action packed, The Defector was an outstanding follow-up to The Apollo Murders and I cannot wait to see what Hadfield writes next.

The Defector Cover 2

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Throwback Thursday – The Death of Superman

On August 27, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Extended Universe, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday. Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time. Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another. There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies. However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience. As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War. Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good. His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor. However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work. As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean. When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous. Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis. With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings. Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance. Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match. Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there. However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was. This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart. Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives. This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time. Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history. He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever. The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender. After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films. This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film. I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League. All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town. The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways. While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman. This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her. This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more. However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in. As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis. The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight. Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it. You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons. However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday. This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too. The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike. Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”. The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock. Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling. This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it. This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character. This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched. The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film. However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film. The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances. The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday. The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way. The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them. However, it is the giant fight with Superman which is the true highlight of The Death of Superman. This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants. Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight. There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out. I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences. The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music. This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene. There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above. This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters. This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries. Up until this point, I felt that Superman was a bit underutilised. Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse. However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona. You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you. His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy. His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent. I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human. I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes. Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane. Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her. This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about. I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film. I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her. The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up. The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark. The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing. This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson. Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans. However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind. The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy. He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes. I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge. I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat. I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films. I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday. Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction. Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights. I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense. This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film. Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles. Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman. The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson. Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both. I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments. I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters. Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film. Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford. His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero. It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him. I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching. I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans. Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions. Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle. I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film. A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

The Bone Maker by Sarah Beth Durst

On May 4, 2021May 10, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books6 Comments

Publisher: HarperAudio (Audiobook – 9 March 2021)

Series: Standalone

Length: 16 hours and 35 minutes

My Rating: 5 out of 5 stars

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One of the leading voices in fantasy fiction, the impressive Sarah Beth Durst, returns with another epic standalone fantasy read, The Bone Maker.

Sarah Beth Durst is an amazingly talented author who has been dominating the fantasy market for the last several years. Initially debuting with several fun young adult and middle grade novels, such as the 2009 release Ice, Durst made the jump to adult novels in 2014 with The Lost, before writing her bestselling Queens of Renthia fantasy series. I only recently started reading Durst’s work when I checked out her 2020 novel, Race the Sands. Race the Sands was a gripping standalone fantasy read that featured a thrilling tale of adventure and redemption set around monster racing in a desert kingdom. I absolutely loved Race the Sands, and it ended up being one of my top books and audiobooks of last year, and Durst was easily one of the best new-to-me authors I checked out in 2020. As a result, I have been really keen to see what Durst would write next, and I was excited when I heard about her new book, The Bone Maker. The Bone Maker was one of my most anticipated novels of 2021, and I ended up having a wonderful time reading it.

25 years ago, the nation of Vos was threatened by a terrible foe, the rogue bone maker Eklor, whose nightmarish creations of animal bone and mechanical components sought to overwhelm everything. In the end, Vos was saved by five heroes who led an army to Eklor’s door to destroy him. However, their victory came at a steep cost, as one of the heroes died a tragic death, and only four walked away from Eklor’s tower.

In the years that followed, the leader of the heroes, Kreya, has lived a life of exile, determined to resurrect her husband, Jentt, who died to stop the evil assailing their realm. Using Eklor’s notes, Kreya has succeeded in cracking the spells needed to complete the resurrection, but bringing the dead back to life has a heavy cost. Not only does Kreya lose a day of her life for every day that Jentt lives, but Kreya also requires human bones to complete the spell,. The bones of the dead are ritualistically burnt throughout Vos specifically to prevent bone workers using them for dark magic, so Kreya is forced to look elsewhere for her materials. In her desperation, she decides to return to the one place she swore never to go back to: the plains outside Eklor’s tower, where the bones of those fought against Eklor’s monsters still lie.

Making the arduous and forbidden journey to Eklor’s tower, Kreya makes a terrifying discovery that threatens everything she fought for all those years ago. With the dangers of the past threatening to overwhelm her, Kreya has no choice but to reunite her comrades 25 years after their famous victory. But will these damaged heroes be enough to face the evil threatening to overwhelm them, or will an evil long thought destroyed arise again to finish off what it started?

Wow, Durst definitely does not disappoint as she has created another impressive and powerful fantasy novel. I had an absolute blast reading this fantastic new book and I managed to finish it off relatively quickly, especially once I got wrapped up in the outstanding story, clever setting and the lives of her amazing protagonists. I really enjoyed this awesome standalone fantasy read and I have to give The Bone Maker a full five-star rating.

For her latest amazing fantasy novel, Durst has come up with a very complex and powerful story that dives deep into the hearts of her fantastic characters while also taking them on an epic journey of redemption. I have to admit when I read some of the early descriptions of The Bone Maker I assumed it was going to be the central protagonist, Kreya, going up against her old companions as they tried to stop her from resurrecting her husband. Instead, Durst works in a very different narrative that sees Kreya encounter the enemy from her past, which forces her to bring her friends back together herself. Durst sets up this narrative really well, and the reader gets a sense of the tragedy of Kreya and the lengths she is planning to go to reunite with Jentt. You also get a fantastic idea of the trauma from the protagonist’s past battles with Eklor and how this has shaped their lives. There are some great moments in the opening half of this book, including several amazing and magically charged action sequences as the protagonists go up against a range of different foes, as well as some intense drama as the five are gradually reunited and come to terms with their past failures. I loved how the narrative gradually morphed into a bit of a political thriller in the second half of the book as the protagonist encounters an old foe in a different setting. The flow from the various sections of the story works extremely well, and Durst weaves together a really comprehensive and powerful standalone story. I liked the excellent blend of action, fantasy elements and intense emotion exploration, which helped to produce a very comprehensive narrative, and The Bone Maker turns into quite an epic and exceptional read.

Easily the highlights of this book are the complex and damaged central characters that the story follows. The five main characters are heroes who previously saved Vos from a great evil, and I loved this exploration of renowned fantasy heroes years after they saved the world, the usual climax of a story. The central character of the story is Kreya, the group’s leader, who disappeared after ensuring their previous victory, mourning her dead husband. Kreya performs multiple attempts at resurrection at the cost of her own life, and I really appreciated the author’s interpretation of this character’s grief leading her to risk it all. Kreya has a rough and powerful journey throughout this book as she comes back to lead her team and is forced to deal with the expectations of all those around her. Despite the immense amount of guilt, grief and regret that Kreya experiences throughout this story, Kreya proves to be a talented leader, directing them through several unique fights, and is the only person that can hold this ragged group of characters together. The counterpoint to Kreya’s toughness and leadership is her deceased husband, Jentt, who, after his resurrection, proves to be the heart and light of the group. Despite his more buoyant personality, Jentt has to deal with the consequences of his resurrection, especially when he finds out the cost of his continued life, and this leads him to several harrowing mental places.

The next member of the heroes of Vos is the bone wizard Zera, who specialises in creating the best magical talismans in the world. Zera is the only member of the group who cashed in on her fame after their victory and has grown rich off her skills and reputation. Zera is a fantastically sarcastic and entertaining addition to the cast, as she revels in her wealth and privilege, while also providing some of the best lines in the entire novel. Despite a sense of intense betrayal at Kreya’s abandoning of her all those years ago, Zera agrees to help her with her mission, but finds herself constantly conflicted by her feelings of resentment, her own well-hidden damage, and her changed vision of what Kreya’s relationship with her was. As a result, she has quite a journey throughout The Bone Maker and I loved her inclusion in this novel.

The other two major protagonists are the bone reader Marso and the warrior Stran, both of whom survived the battles with Eklor in very different ways. While Stran is reasonably mentally healthy, having chosen to live a simple life with his wife and children, Marso has been broken by both his powers and the events of the past. These two are a great contrast to one another, and both add some intriguing elements to the overall narrative. I quite enjoyed seeing Marso slowly rebuild his sanity throughout the book while also coming to terms with a magical power he no longer trusts. Stran’s apparent normality and stable family life is so amazingly different from the other characters in the book that it really stands out, and I liked seeing how each character was just a little bit different. Overall, all five of these awesome protagonist really help to make The Bone Maker a powerful and impressive read and I am extremely glad that Durst took the time to build each of these great characters up.

One of the things I really must discuss is the outstanding setting that Durst created for this great book, especially as the author did such an impressive job coming up with yet another unique world. The land of Vos is an amazing fantasy realm, loaded up with its own blend of troubles, culture and magic, which is living in the shadows of the tragic bone wars 25 years prior. Durst sets this new landscape up perfectly in the early stages of the novel, and the reader gets a great sense of the people and mentality of this realm, especially when it comes to the trademark bone magic. As the novel progresses, Durst visits several fantastic and compelling parts of this land. This includes the gigantic and wealthy capital city where many terrible events take place, the hilly landscape that makes up the majority of Vos, a mist-shrouded valley loaded up with a collection of dangerous, gigantic monsters, and the plains surrounding Eklor’s tower, where deadly secrets lurk. These landscapes are a lot of fun to explore, and Durst works them into her narrative perfectly. I really enjoyed all of the major locations that the protagonists visit, although my favourite has to be the valley of monsters, as some intense and action-packed sequences take place there.

In addition to the amazing setting, I also really appreciate the rich and distinctive bone magic that Durst came up with for The Bone Maker. This type of magic features three distinctive types of bone workers, including bone readers who can use animal bones to read the future, bone wizards who create powerful bone talismans, and bone makers who inscribe bones to animate a range of constructs. Each of these magical disciplines is explored in great detail by the author and are all strongly utilised in the plot. I loved seeing these magical elements at work throughout the action sequences in the book, and Durst uses them to great effect, with the characters gaining flight, stealth, strength and speed in every epic fight sequence. The various examples of bone making are also pretty cool, and you get some great magical constructs. I liked how there was a fun contrast between the protagonists’ cuter, yet still effective constructs, and the antagonists monstrous figures, and it makes for some great combat scenes, especially when the protagonist goes big towards the end of the book. All of these magical elements are really exceptional, and I think it is an absolute testament to Durst’s sheer imagination and creativity that she is so effectively able to come up with a brand new style of magic and a new magical realm for every single one of her standalone fantasy reads.

I ended up enjoying The Bone Maker in its audiobook format, which proved to be a fantastic way to experience Durst’s epic story. The Bone Maker audiobook has a decent run time of 16 hours and 35 minutes, which I ended up getting through rather quickly and is not too much of challenge for dedicated listeners to finish off. One of the best things about this great audiobook is the amazing narrator, Soneela Nankani. Nankani is a veteran audiobook narrator, but despite her prevalence as a narrator of fantasy fiction, I have not previously had the pleasure of experiencing Nankani’s vocal talents before, although she has worked on several other fantasy novels that I am keen to check out. Nankani was an outstanding narrator whose voice really enhanced this already amazing novel. Not only did Nankani provide a quick and exciting tone for the entire novel, moving the story along at a brisk and enjoyable pace that continuously kept the reader’s attention; she also provided several fantastic voices for the various protagonists. All the voices that she used were pretty impressive, and I felt that they fit the damaged and dark personalities of each of the main characters very well. As a result, I would strongly recommend the audiobook format to anyone interested in checking out The Bone Maker as it is an amazing way to check out this compelling novel.

The Bone Maker by Sarah Beth Durst is an exceptional and captivating standalone fantasy novel that I had an amazing time reading. Durst has produced an epic and elaborate tale of life, death and magic, which follows five damaged and broken heroes years after their supposed great victory. There are so many awesome elements to this fantastic book, and readers are going to fall in love with The Bone Maker’s addictive narrative, powerful characters and cool magical elements. While I did enjoy Durst’s previous novel, Race the Sands, a little more, this was still an outstanding read, which comes highly recommended.

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