Tag: Great Characters

Warhammer 40,000: Da Big Dakka by Mike Brooks

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer16 Comments

Da Big Dakka Cover

Publisher: Black Library (Audiobook – 24 February 2024)

Series: Warhammer 40,000: Ufthak Blackhawk – Book Two

Length: 9 hours and 25 minutes

My Rating: 4.75 out of 5 stars

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I have been really punching out the Warhammer reviews this week, and the final one I want to bring up is the exceedingly fun novel Da Big Dakka by Mike Brooks.

Mike Brooks is an outstanding author, who has been killing it with his amazing novels in the Warhammer 40,000 universe with elaborate tales featuring some unique figures.  I really enjoyed his dark novel, Huron Blackheart: Master of the Maelstrom, and The Lion: Son of the Forest was one of my favourite books and audiobooks of 2023.  However, out of all of Brooks’s books, the most entertaining, exciting and outright funny are his novels that focus on the ork faction.  Orks are always a fantastic group in Warhammer fiction, but Brooks has some amazing insights into these rowdy creatures.  His previous ork novels, Brutal Kunnin and Warboss, have both been awesome, but I honestly think his latest book, Da Big Dakka, is his best yet.

Ufthak Blackhawk, big boss of Da Tekwaaagh! is in trouble.  Sent far away into the stars by his Warboss, Da Meklord, to find loot and a good scrap, Ufthak has found barely anything to steal or fight, and now Da Meklord wants his tribute.  Determined to find one big score, Ufthak is awarded a unique opportunity when his new grot servant reveals the webway, mysterious ancient portals which can lead to all sorts of unusual places.  However, he has no way of entering the webway, that is until someone opens it for him.

Dhaemira Thraex is a powerful and ambitious drukhari archon, who seeks to empower her cabal and become leader of her section of the dark city of Commorragh.  To that end, Dhaemira brings Ufthak and his horde into Commorragh, hoping to use the threat they present to unite her rivals behind her.  Confident of a swift victory against the unorganised orks, it quickly becomes apparent that Dhaemira has underestimated the danger she has unleashed.

After years of fighting and getting stronger, Ufthak is no longer the simple ork he once was.  Instead, he is now a monstrous foe who excels at killing, and who has a plan to get everything he wants.  But can even the new and improved Ufthak stand against the worst that the twisted and malevolent drukhari have to throw at him, especially when treachery sprouts within his own ranks in the most unlikely of places?

Mike Brooks presents one of his funniest and most exciting novels yet as Da Big Dakka hits all the right notes for me.  Utterly hilarious, loaded with over-the-top characters, and featuring two extremely awesome factions from the Warhammer 40,000 universe, Da Big Dakka had me hooked from the moment I started listening to it and refused to let go until the very last laugh.

Da Big Dakka had a great story behind it, and I liked how Brooks set it up as a direct sequel to Brutal Kunnin (which I read recently in preparation for the release of this book), while also featuring elements from Warboss.  Da Big Dakka is more of a dark comedy than a serious Warhammer 40,000 novel, which is to be expected when you have a book focused on the orks.  The premise behind Da Big Dakka is simple: the orks under the command of the evolving Ufthak Blackhawk have found themselves inside the drukhari city of Commorragh and must pit their savage battle skills and crude intellect against the subtle tactics of their drukhari hosts.

The drukhari, whose scenes are primarily told from the perspective of Dhaemira Thraex, initially see the orks as a minor threat, and they are more concerned with their intrigues to take them seriously.  However, underestimating the orks never works out for anyone, and soon Ufthak has launched a series of insane and unpredictable counterattacks that force the drukhari to work together.  As this happens, Ufthak finds himself being secretly undermined by one of his grots, Snaggi Littletoof (who previously appeared in Warboss), who his determined to lead a grot uprising and finds himself in all manner of trouble as a result.  All three of these storylines come together in a big way towards the end of the book, as all the schemes, outrageous plans and badly organised rebellions, are decided in one big brawl.  The final results of Da Big Dakka are pretty damn awesome, as there are some deliciously ironic comeuppances, interesting character development, and entertaining hints about what Brooks plans to do in the future.

While there are notable similarities between Da Big Dakka and the previous novel, Brutal Kunnin, as the book follows a similar thread of orks rampaging across a new world facing off against arrogant enemies, it’s hard not to fall in love with this book.  You can clearly see that Brooks has evolved his style since Brutal Kunnin, and this sequel was a much stronger novel.  A lot of this was down to the inclusion of one of the best characters from Warboss, who added in an extra comedic angle to the plot that vibed wonderfully with the other storylines.  Brooks also amped up the petty political intrigue and plotting with the non-ork parts of the book, with the drukhari serving as an excellent antithesis to the orks.  There was also a great deal more character development when it came to the protagonist, which helped to strengthen a lot of the plot.  This split between these three main point of view characters was pretty damn perfect, and their alternating views of events helped to produce a very strong story.

In addition, there was excellent added complexity to Da Big Dakka’s humour, which I had a brilliant time with.  While most of the comedy is based around the over-the-top antics of the orks, there is also some darker, more subtle comedic elements spread throughout the plot which plays off the other jokes extremely well.  A lot of this based around ironic events, in-universe jokes, and hilarious betrayals, which really added up as the book progressed.  I found myself laughing out loud multiple times while listening to Da Big Dakka, and this was one of the funnier books of 2024.  Throw in a ton of over-the-top fight scenes, most of which serves to enhance the already epic story, and you have an outstanding and captivating book with pure fun at its heart.

One of the things that I always enjoy about Warhammer 40,000 fiction is the shear range of different stories and styles that can be told.  Da Big Dakka for example is a much more light-hearted book that focuses on two alien races that don’t always get a lot of focus in the extended fiction.  As such, this book has a great deal of appeal for those unfamiliar with Warhammer, as Brooks is required to dive into these factions without weighing the reader down with too much heavy plot.  New readers can easily enjoy this book without any real pre-knowledge or conceptions about the Warhammer 40,000 universe and still have an outstanding time with the unique story and characters.  It can also be readily enjoyed by those who haven’t read the preceding two novels, Brutal Kunnin and Warboss, as Brooks makes the story very accessible.  Naturally, established fans and those who have read Brooks’ prior novels will get a lot more out of Da Big Dakka, mainly because there is some interesting progression of character arcs, and because Brooks provides outstanding look at the orks and the drukhari.

As with his previous two novels, I was deeply impressed with how Brooks portrayed the orks in Da Big Dakka.  The orks are always a very entertaining bunch, and their hooligan-esque actions, desire to fight, and unique outlook on life makes for some fun reading.  Pretty much every book that features an ork character is bound to be more on the comedic side, and Brooks delivers this in spades, loading up the story with a ton of funny observations, in-jokes and outrageous behaviours that proved to be exceedingly entertaining.  Brooks really amps up the unpredictable nature of the orks in Da Big Dakka, and there was a good recurring theme about being underestimated.  While Brooks went a little light on describing ork technology and the different clans, mainly because he’s covered that before, there was an interesting look at ork psychology and biology which showcased why they fight and how it benefits them.  The author also featured a great look at the ork sub-race known as the grots, who have an expanded role in this book.  Smaller, weaker and extremely bullied members of the ork race, the grots serve as a snivelling slave caste, and offer some fun comedic relief.  A good part of the plot revolves around the grots and their cowardly nature, and it was really entertaining to see Brooks’s take on their mindset and place in ork society, especially when one of their number tries something different.  Honestly every scene featuring a major ork character was entertaining or interesting in some way or another, and I really love how well Brooks portrays this awesome faction.

While Da Big Dakka is mostly dedicated to the orks, Brooks also spends a ton of time focusing on one of the more intriguing factions in the canon, the drukhari.  Previously known as the dark eldar, the drukhari are one of the more underutilised groups in Warhammer 40,000 fiction, and it was great to see them here.  Essentially evil space elves, the drukhari live in an extra-dimensional city and require the pain of others to survive (think the Cenobites from Hellraiser).  As Da Big Dakka is primarily set in a section of their city and features a drukhari as a main character, Brooks showcases a lot of the drukhari lore in this book, which was really cool.  This book features an in-depth look at the drukhari, with their unique units, weaponry and vehicles strongly featured.  However, Brooks goes even deeper than that, focusing on the politics of the drukhari characters, the various alliances that bind them, and entire basis of their existence.  I loved the fascinating examination of why they require pain to survive, as well as their thoughts on mortality, and this became a key part of the book’s plot.  You get a real clash of styles between the two factions, and the orks are constantly frustrated by the hit-and-run tactics of the drukhari (or the spikiez, as the orks know them).  I also loved how cool the city of Commorragh proved as a background to the plot, and Brooks features several unique drukhari structures and locations that made for some great battlefields.  The entire final sequence takes place in one of their arenas, and it was very fun to see the protagonist face off against some of the drukhari captives.  I honestly really loved that Brooks featured the drukhari here, and I hope we see more Warhammer authors use them in the future as they are so underutilised.

I also must highlight the excellent character work featured within Da Big Dakka, as Brooks featured some amazing figures whose unique insights added so much to the impact of this book.  The primary character is the ork big boss, Ufthak Blackhawk, who previously served as the protagonist of Brutal Kunnin.  Since we last saw him, Ufthak has literally grown into his role as a boss, as his victories have transformed Ufthak into a massive monster.  This physical growth has also resulted in him becoming smarter, and a lot of his storyline revolves around him utilising this new intellect for the first time.  It also makes him more ambitious and insightful, and it was fascinating to see him interact with the other characters in the book, especially the main drukhari figure.  Indeed, the one scene where they have a frank conversation was probably one of my favourites in the entire book, with Ufthak proving to be her intellectual match.  Despite this newfound and somewhat unwanted ability to think, Ufthak is still an ork at heart and he acts accordingly, with lots of destruction and carnage coming from him alone.  Ufthak is also a major source of comedy as his cynical, hilarious, and often surprisingly accurate insights into the drukhari, his fellow orks, and the other races of the galaxy, are so funny.  It will be interesting to see what adventures Brooks has planned for Ufthak in the future, as he is clearly positioning him to be a major recurring figure in his books.

Aside from Ufthak, the other two major characters of the book are the drukhari archon, Dhaemira Thraex and the grot Snaggi Littletoof, both of whom add some great alternate elements to the story.  Dhaemira is a ruthless drukhari strategist, who revels in schemes, plots and ambitious powerplays.  The person ultimately responsible for much of the carnage in Da Big Dakka, Dhaemira proves to be a fantastic figure to follow, especially as the reader gets most of their view of the drukhari from her.  Dhaemira proves to be an excellent alternative protagonist to Ufthak, mainly because the two are so different, and it was fascinating to see their clash of styles and personality, even though they have more common ground then you would expect.  I really loved Dhaemira’s narrative, which goes in some interesting directions, including an unlikely romance, and it really played off the ork perspective chapters so well.

The final key ingredient to this mix was Snaggi Littletoof, the self-proclaimed Grotboss and prophet of Gork and Mork.  Snaggi, who previously appeared in Warboss, is determined to lead a grot rebellion to overthrow the orks and place him in charge.  Unfortunately, Snaggi is held back due to the stupidity of his minions, as well as his own inaccurate sense of self-importance.  His entire storyline of attempted rebellion was a welcome addition to the plot as it served an interesting middle ground between Ufthak’s direct actions and Dhaemira’s more subtle plots.  It also added some excellent additional humour, as Snaggi’s various schemes to take over the ork band, go in some interesting directions that often balance unlikely success with massive failure.  This fantastic combination of characters was so much fun, and I really loved how well Brooks introduced them and balanced them out throughout Da Big Dakka.

I checked out this Warhammer novel in its audiobook format, which is the best way to enjoy the over-the-top action and big personalities of this franchise.  Da Big Dakka is a great example of this, and I love how all the amazing scenes and fun fights really come to life when they are read out to you.  In Da Big Dakka’s case, a lot of this is due to narrator Harry Myers, who is quickly becoming one of my favourite Warhammer audiobook voice actors.  Not only has he really impressed me in Brooks’s previous ork audiobook, Warboss, but Myers was also brilliant narrating two of my all-time favourite Warhammer 40,000 novels, Day of Ascension by Adrian Tchaikovsky and The Wraithbone Phoenix by Alec Worley.  Myers has such an amazing and booming voice and a great British accent that really fits the hooligan-aesthetics of the orks.  He effectively works through a series of voices in Da Big Dakka, that includes the commanding voice of main character Ufthak Blackhawk, and the high-pitched whiny voices of the various grots.  While his voice wasn’t always the most effective for conveying the subtle mannerisms of the ethereal drukhari, Myer still did an excellent job portraying them throughout this book, and I loved how efficiently and entertainingly he moved the plot along.  I honestly don’t think I would have had as much fun with Da Big Dakka without Myers’s narration, and with a run time just short of nine and a half hours, this is a very easy audiobook to get through and enjoy.

Mike Brooks continues to impress me with his outstanding and epic contributions to the Warhammer 40,000 franchise, especially as he so clearly grows as an author with each book he writes.  His latest novel, Da Big Dakka, is a captivating and deeply hilarious piece of Warhammer fiction that tells an awesome story, while also expertly using the franchise’s most unique factions.  Wildly entertaining, incredibly funny, and subtly clever, Da Big Dakka was particularly fun to read and comes highly recommended.  I cannot wait to see what wonderous piece of Warhammer fiction Mike Brooks will write next, as I know I am going to love it.

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Warhammer 40,000: Dead Men Walking by Steve Lyons

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer8 Comments

Dead Men Walking Cover

Publisher: Black Library (Audiobook – 30 November 2010)

Series: Warhammer 40,000

Length: 10 hours and 42 minutes

Rating: 4.75 out of 5 stars

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Two relentless foes face off in the intense Warhammer 40,000 novel, Dead Men Walking by Steve Lyons.

Dead Men Walking was an epic novel released back in 2010, that featured a brutal and compelling story I really fell in love with.  This novel follows the trend of books that highlight the adventures of specific regiments or units of Imperial Guard, such as Catachan Devil by Justin Woolley, Kasrkin by Edoardo Albert, Steel Tread by Andy Clark, and the Gaunt’s Ghosts books by Dan Abnett, which has been very fun.  Dead Men Walking was the author’s first look at the legendary Death Korps of Krieg, one of the most distinctive and dark regiments of Imperial Guard soldiers, who he covered again back in 2022 with Krieg.  This new novel sets the Death Korps onto a whole new battlefield with deadly results.

Hieronymous Theta is a small and relatively young world in the Imperium of Man.  Populated by nearly nine billion people, it is slowly becoming an important industrial hub, as its cities and massive spires build up.  But as the inhabitants of the capital, Hieronymous City, expand their mining operations deeper they encounter something unexpected and terrifying, the Necrons.  Unfeeling and inhuman ancient xenos encased in living metal, the Necrons are an unrelenting force determined to exterminate the human pests they find inhabiting their world by any means necessary.

As the citizens of Hieronymous City begin to panic, unable to stand against the encroaching Necrons and their deadly technology, their apparent salvation lands on the planet in the most unlikely of forms, the Death Korps of Krieg.  One of the most feared and mysterious regiments of the Astra Millitarum, the Death Korps of Krieg come from a world destroyed by civil war which seeks to redeem itself by producing soldiers solely dedicated to the Emperor and his victory.

As the Death Korps land on Hieronymous, they take the war to the Necrons and begin a determined siege to retake Hieronymous City from the outside.  But as the Krieg regiments push forward, the people of the planet soon begin to realise that the Death Korps might not be the salvation they hoped for.  The soldiers of Krieg’s only goal is to defeat the Emperor’s foes, and they are willing to sacrifice anything to achieve victory, including the citizens of Hieronymous.  With battle joined, the fate of Hieronymous hangs in the balance.  But does anyone truly win when two implacable and unrelenting armies go to war?

This was an extremely interesting, intense and dark novel from Steve Lyons, who follows up his previous Krieg novel in a big way with this outstanding read.  Featuring a moving, action-packed and highly cynical story, Dead Men Walking was probably one of the better Warhammer 40,000 books from last year, and I had an exceptional time getting through it.

I really liked the fantastic story that Lyons came up with for Dead Men Walking, especially as it successfully showcased both opposing armies, the Death Korps and the Necrons, without actually featuring any perspective characters from either side.  Instead, the focus is reserved for the other humans caught in the middle of the conflict, including the Imperial Commissar attached to the Death Korps, the governor of the planet, and several citizens who find themselves caught in the crossfire of the war and are forced to adapt to survive.  I love how Lyons set the early narrative out, with the perspective characters slowly becoming aware of the dangers beneath them.  The slow build introduction of the Necrons, a force the humans don’t know but the reader is very aware of, was handled perfectly, and there is a lot of great anticipation that pays of well when they finally attack.  The scenes of carnage and utter terror that emerge for the characters stuck in the city really hit home with their realism and intensity.  Indeed, there is a bit of a horror vibe to the story at this point, and Hieronymous City turns into an excellent wasteland setting for the characters to subsequently attempt to navigate.

Once the city is in ruins, the book turns towards the landing Death Korps, who begin prosecuting a deadly war against the Necrons.  This moves the story into a fascinating new zone, as you get some fantastic battles while also witnessing several characters soon caught up in the city as everything changes around them.  I loved the various unique, personal stories that emerged, and the focus on characters watching both the Krieg and Necron forces battle it out proves very powerful.  As the story continues, each of the main characters suffer in various ways, especially as they begin to realise that the unrelenting, victory-focused Krieg are just as dangerous as the Necrons, and there are some deeply powerful moments as they lose their humanity in the carnage of war.  All of these mostly independent character narratives go in some dark directions, especially as the background war gets even darker, and not everyone survives the various conflicts to come.  These storylines either end or coalesce together as the book comes to a head, and you really appreciate the impressive narrative that Lyons weaves together.  I loved how grim and cynical the story got at the end, and Lyons provides a particularly memorable conclusion that really highlights just how unfair the Warhammer 40,000 universe can be.

Lyons really came up with a brilliant story for Dead Men Walking, as he balanced the need to highlight two interesting Warhammer 40,000 factions, while also telling his own unique narrative.  Telling the story of the Krieg and Necrons from the perspective of the third-party characters caught in the middle of their war was such as clever move, especially as it provided some fascinating contrast between the two factions.  The author provided such a dark vibe for Dead Men Walking, and the terrified civilians, the crumbling city and the relentless troops waging war without a care for those around them were all handled brilliantly.  I think the narrative split between the various characters caught up in the fray was done well, and you get to see all sides of the conflict, and the darkest actions of both opposing foes.  I also loved how well Lyons showcased the main city setting throughout the book, as the collapse of the once proud city mirrors the loss of humanity for the various protagonists.  Dead Men Walking can easily be read as a standalone novel, and new readers can just fall into its dark and unique story.  Indeed, this might be a pretty good entry point, as the views of the confused and horrified civilians provide some good opening observations about two key factions.  Naturally, established fans of the franchise will get a lot more out of Dead Men Walking, especially as Lyons really showcases both iconic groups in some fantastic ways.

I absolutely loved the portrayal of the Krieg soldiers in Dead Men Walking, and they really are some of the most entertaining figures in the Warhammer 40,000 canon.  Unlike his other novel, Krieg, where Lyons spent a great deal of time focusing on the origins of the Krieg soldiers with flashback sequences, Dead Men Walking showcases them purely through the eyes of other human inhabitants of the Warhammer 40,000 universe.  To the common soldier or citizen of the Imperium of Man, the Death Korp are unnaturally dedicated, unwavering and heartless, focussing on the battle to the exclusion of all others.  Thanks to their harsh training, indoctrination, and history, they have a very black-and-white view of the universe and will stop at nothing to win, even if that means sacrificing their comrades or allies for a strategy.  Lyons really highlights their near-inhuman mentalities throughout the course of Dead Men Walking, and thanks to the perspectives of the non-Krieg soldiers, you see them in a much more sinister light.  There is something very concerning about the simple mathematic they put behind their strategies, and I loved how well Lyons captured how similar they are to the Necrons.  Thanks in great deal to the actions of the Krieg soldiers, this ended up being a particularly bleak book, which really hammered home how there are no good guys in this universe.

In addition to the Krieg soldiers, Dead Men Walking also featured the Necrons as the antagonists, who served as worthy opponents to the Krieg.  As with the Krieg soldiers, you don’t get a Necron perspective in Dead Men Walking, which honestly enhanced the unique story Lyons was going for.  Unlike books like other more recent Necron focussed novels like Ruin, Reign or The Infinite and the Divine, you only see these characters through the eyes of normal humans, who have no idea who or what they are.  This makes for some particularly terrifying scenes as the humans encounter overwhelming attacks from unkillable metal monsters, and Lyons really captures how the unknown is just as bad as the devastation around them.  Even when the Krieg soldiers arrive, there is very little knowledge about the Necrons, due to the secrecy of their origins, and the only intelligence about them comes from rumours of prior encounters (which includes a cheeky reference to the Ciaphas Cain novel, Caves of Ice).  I really appreciated this shrouded look at the Necrons, and it proved to be interesting to see the how a normal person would view them.

I really liked the characters in Dead Men Walking, especially as Lyons focuses the story on several normal humans who suddenly get thrust into hell and find everything they thought they knew completely upturned.  Much of this upheaval is due to the interactions with the Krieg soldiers, whose unreasonable actions cause even the most stoic soldier or commander to falter in different ways.  Watching each of these characters slowly change for the worse makes for some gripping reading, and you end up feeling great sympathy for all the point of view characters.

These great characters include Gunthar Soreson, a mine supervisor who loses everything in a single night and tries to find redemption as a soldier fighting for the Krieg.  It was absolutely fascinating to see Gunthar, who starts the book as a relatively normal and nice character, slowly lose his humanity in a similar manner to the Krieg soldiers, and his story hits particularly hard at times.  I also must highlight the character of Commissar Costellin, one of the commissars attached to the Krieg regiments, and one of the few non-Krieg soldiers featured in the book.  Commissars are fantastic figures in the Warhammer 40,000 canon, mainly because they serve as implacable disciplinarians charged with maintaining order and morale through lethal means and ensuring that the soldiers due their duty.  However, due to the unnatural discipline of the Death Korp soldiers, Costellin finds himself acting more in the role of a liaison between the Krieg and the citizens of Hieronymous.  Lyons writes some intriguing storylines around Costellin, and it was fascinating to see a commissar character who fears the resolve of his own troops, as the Death Korp leaders go too far even for him.  Finally, I really enjoyed the inclusion of the governor of Hieronymous, Hanrik, who finds both his planet under attack and his authority taken away from him when the Death Korp takes over.  I felt the storyline around Hanrik was very clever, and you had to feel for him at times, especially when he finds his loyalties tested.  All these character arcs and more are really well written and hit hard emotionally, especially with their resulting dark ends.

It should come as no surprise whatsoever that I grabbed Dead Men Walking on audiobook, as frankly no other format does Warhammer 40,000 fiction justice.  The resulting audiobook was extremely awesome, as the intensity, action, and darker elements of Dead Men Walking’s story came through in this format.  Coming in with a run time just short of 11 hours, Dead Men Walking was an easy Warhammer 40,000 audiobook to power through quickly, especially once you get stuck into its awesome narrative.  It helped that they brought back talented narrator Timothy Watson for this audiobook adaptation.  Watson, who did a great job narrating Krieg and The Lion: Son of the Forest, was in rare form again in Dead Men Walking, especially as he has the perfect voice for this darker and exciting story.  His voice work really captures the chaos and desperation of the story, and I loved the unique tones he comes up with for the various characters.  The featured Krieg soldiers all have the typical German-esque accent, which matches the regiment’s World War I aesthetic, and I liked how Watson worked to enhance these figures relentless and unwavering nature through his voice work.  The other characters of the plot, who are allowed to have emotions, are also portrayed extremely well, and Watson provides them with excellent and fitting voices that captures their feelings on the situation, especially as their encounters with both the Krieg and the Necron, wear them down.  This audiobook version of Dead Men Walking was so damn good, and it is easily the best way to enjoy this epic novel.

Steve Lyons continues to showcase why the Death Korp of Krieg are some of the most memorable figures in the Warhammer 40,000 canon with the brilliant and dark read Dead Men Walking.  Presenting a grim scenario of war and sacrifice that only gets worse when the ‘good guys’ arrive, Dead Men Walking was a particularly harrowing piece of Warhammer fiction, that I still cannot stop thinking about.  Clever, intense and a little traumatising, Dead Men Walking comes highly recommended, and I cannot wait to see what great tale Lyons comes up with next.

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Warhammer: The Old World: Lords of the Lance by Graham McNeill

On By The Unseen LibraryIn Audiobook, Extended Universe, Fantasy, Tie-in Novel, Warhammer2 Comments

Lords of the Lance Cover

Publisher: Black Library (Audiobook – 20 January 2024)

Series: The Old World – Book One

Length: 12 hours and 5 minutes

My Rating: 4.5 out of 5 stars

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One of Warhammer’s very best authors brings fans back to the Old World in the gripping and action-packed fantasy adventure, Lords of the Lance by Graham McNeill.

As a long-time Warhammer fan, I love many of the different areas of the Warhammer fandom, including the grim dark science fiction Warhammer 40,000 universe.  However, my heart will always belong to Warhammer Fantasy, mainly because it was the game I played as a kid and where I first learned to love the franchise.  I deeply enjoyed all the fiction associated with the overarching fantasy setting, especially those set in the Old World, the main continent where most of the battles and wars took place.  Series like the Gotrek and Felix books (Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer, Beastslayer, Vampireslayer and Giantslayer), as well as standalone books including Grudge Bearer, Van Horstmann, Runefang and Broken Honour, have all proven to be pretty damn awesome, and this is probably one of my absolute favourite fantasy settings.

Unfortunately, Games Worshop ceased the Warhammer Fantasy game several years ago, by having the in-game big bad win the final war against the forces of good and literally blow up the entirety of the setting.  This explosive conclusion ended all the ongoing novels, comics and characters from this universe, and Games Workshop subsequently ignored Warhammer Fantasy, prioritising Warhammer 40,000 and Age of Sigmar models and fiction.  However, Games Workshop are returning to their original fantasy world with The Old World.  Set hundreds of years before the end of the Warhammer Fantasy world, The Old World brings back the classic armies, figures, and history of this realm, while also introducing a whole new range of models.  As part of that, they are once again setting fiction in their fantasy realm and the first book back is Lords of the Lance by acclaimed Warhammer author Graham McNeill, who has really impressed me in the past with books like Storm of Iron.

Even centuries before the final war with the forces of Chaos, the Old World is still a dangerous place, where monsters, dark creatures and the forces of Chaos seek to destroy everything.  There are many dangerous places throughout the Old World, but few are more sinister than the Land of the Dead, an abandoned wasteland where the ancient and powerful nation of Khemri once stood.  Haunted by the evil actions of the dread necromancer Nagash, the former realm of Khemri is now ruled by the unliving Tomb Kings.  In this realm of sand, skeletons and death, only the greatest of warriors can hope to enter and survive, especially if they are on a noble quest.

Baron Lothar Aquilena is a great knight who has carved out territory in the lawless realm of the Border Princes.  However, despite his prowess, skilled warriors, and clever advisers, he is powerless when his son goes missing in the Land of the Dead, taken captive by the risen Amaranthine Queen, who seeks revenge against those who previously defeated her.  Desperate, Baron Lothar has no choice but to call in a debt of honour owed to him by his Bretonnian cousin, Duke Carrad of Quenelles, years after they suffered a falling out.  Despite the enmity between them, Duke Carrad leads his knights to Lothar’s realm, determined to repay the debt owed.

United in their mission, despite a mostly unwelcome reception by Baron Lothar, the knights of Bretonnia and the men of the Border Princes begin their quest to the Lands of the Dead.  However, crossing the deserts of Khemri is no easy task, and the loosely combined force soon experience the treacherous sand, blazing heat, unnatural creatures, and the forces of the dead.  Despite these obstacles, the host approach the giant tombs of Khemri, ready to save the Baron’s son.  However, nothing is as it seems, and soon the assembled knights and their retainers encounter a deadly enemy that none of them are prepared for.

Graham McNeill made me fall in love with the Old World once again as he provides a powerful and intense character-driven adventure across an iconic setting.  Lords of the Lance was a pretty damn awesome novel and I had such an epic time getting through it.

Due to this book being the first entry in The Old World canon, McNeill had a lot of pressure on his plate as he had to simultaneously bring back an established setting, tie-it into a recent model release, while also telling a powerful story that stood on its own.  I think that he succeeded on all fronts as Lords of the Lance proved to be quite an addictive read that contained some amazing features of the setting while also dragging the reader in with his elaborate storytelling.

The narrative of Lords of the Lance had a very classic fantasy quest feel to it, which honestly was a joy to see, and which fit this setting extremely well.  Starting off with an effective introduction, the story quickly proceeds with the two antagonistic lords leading their combined force towards the desert.  The narrative is effectively told from a few compelling and complex point-of-view characters, with several additional supporting characters standing in the wings.  The first half of the book is all about introducing and building up the protagonists, and there was a little less action than I was expecting, with McNeill content to firmly establish his story.  I think this build-up was very necessary as it ensured the second half was particularly epic, and there was still some good battles and compelling developments scattered throughout to keep readers interested.  This initial foray across the desert didn’t last as long as I thought it would, and McNeill brings the adventurers to their goal very quickly.  This allows him to enact an intriguing twist, which while telegraphed, was written brilliantly and changed the entire tone of the book.

This results in a frenetic, powerful, and impressive second half that sees the protagonists forced to abandon their quest and flee for their lives.  Constantly pursued, the knights and their retainers quickly traverse several of the most dangerous locations in the Old World while facing all manner of grave threats.  There are some brilliant and powerful scenes featured here as McNeill hits the protagonists hard, including with one particularly heartbreaking equine sacrifice.  I also loved the extended mini-siege sequence, as the Bretonnians face off against an awesome new foe in some of the best action scenes in the book.  McNeill also really enhances several character arcs during this half and the resulting development and emotional revelations empower the overall story, especially as the reader has become quite attached to the protagonists at this point.  Everything leads up to the final confrontation as the battered protagonists finally face their foes in one final charge.  The intensity and emotional power that leads up to this big confrontation cannot be understated, and I found myself very invested in seeing how everything came together.  The author keeps you on the edge of your feet right until the end and I really enjoyed how everything came together, although I was expecting some more tragedy.  Still, I came away from Lords of the Lance very satisfied, and McNeill leaves the story open for a sequel, while also providing one last tie to the latest release of models.

I liked how McNeill styled his narrative in Lords of the Lance, as you can tell he was trying to give it a more classic fantasy feel.  There is a lot of bold stating of titles, repetition of points, and depictions of knights, honour and magic, which gave the book an elaborate tone that I rather enjoyed, especially as it really fits the Arthurian-inspired Bretonnian faction who were the main focus of the story.  The resulting story is rich in both character work, action sequences, and intriguing Warhammer inclusions, with McNeill hitting an excellent balance of the features that had me quite hooked.  I really need to highlight some of the amazing action sequences, especially as McNeill provides such a fantastic variety of fight scenes to get the blood pumping.  The various knightly charges are a true highlight, and you can feel the thunder of the horse and power of the rushing knights, especially as McNeill endeavours to capture all the powerful details about them.  Other intense scenes also do an amazing job of enflaming the imagination, and I really loved how intricate and desperate some of the battles turned out to be.  I also really need to highlight the outstanding locations that much of this story was set in, especially as McNeill goes out of his way to make them come alive.  The deserts of Khemri are particularly vivid, and their use as a lethal and wearying backdrop is great, turning it into another foe the protagonists need to overcome.  The Marshes of Madness were also very awesome, offering another dangerous trudging location and I loved the alternate threats that they posed.  McNeill did such a great job of bringing this story together, and this great blend of story elements helped to produce an exquisite read.

I personally loved the intriguing version of the Bretonnians and the Tomb Kings that were featured within Lords of the Lance.  McNeill expertly captured the intensity, desire for honour, and compelling nature of the Bretonnian characters, as well as their prowess in combat (the scenes where they charge as cavalry are really well done).  The Tomb Kings are also shown to be an excellent antagonistic force, and while you don’t see anything from their perspective, the relentless pursuit they give and the anger contained within them is palpable at times.  A couple of other factions are also featured to a degree, mostly as additional threats for the Bretonnian characters, and I really enjoyed how well McNeill used some of them, especially during one horror-filled siege.  However, I understand that some readers had some issues with how McNeill portrayed these factions, mainly revolving around lore inconsistencies, which has led to a bit of review bombing.  While I’m no lore expert, I honestly barely noticed anything too problematic myself.  From what I could see, the most common complaints about the Bretonnian seem to be around the inclusion of female knights (gasp, oh my stars, clutch my pearls!), and one knight using a bow (seems like a pretty sensible weapon for someone riding a pegasus to me).  I will admit that some elements about the Tomb Kings, from their slightly more antagonist portrayal (they are usually a lot more neutral/good orientated), and the fact they raised some knights from the dead, was a little off lore, but I think that was mostly McNeill trying to make them even more threatening.  Honestly, most readers won’t even notice or care about these issues, and I personally didn’t let it get in my way of enjoying a great story.

For me, one of the best things about Lords of the Lance were the powerful, complex and memorable band of characters that the story was set around.  McNeill did an amazing job coming up with a cast of new and fantastic protagonists, each of whom had their own unique journey and background, which effortlessly flowed into the book’s main narrative.  You really become attached to many of these characters as Lords of the Lance progresses, and I loved how character-driven this book turned out to be.

One of the main characters of the book is Corentin Varo, equerry to Duke Carrard and known as The Knight of Quills due to his use as a clerk rather than a warrior.  Determined to prove himself, and to get over a tragic romance, Varo eagerly embarks on this quest, but chafes as his lord holds him back.  Varo proves to be an intriguing and compelling main protagonist, especially as you get invested in his tale of attempted heroism and valour.  McNeill does a good slow-burn story around Varo, as he slowly proves to others and himself that he is a worthy knight and leader, and he proves to be a good calm, central figure for most of the plot.  There are also some intriguing, if obvious, hints about his personal history, that while interesting, doesn’t have a major payoff in this book but could get explored in the future.  Varo is well matched by Karolina Lothar, who serves as the female lead of Lords of the Lance.  The daughter of Baron Lothar and a skilled knight, Karolina serves as the voice of reason for her father’s host and tries to bridge the gap between the two forces.  She forms a friendship with Varo as the book progresses and the two become a pretty impressive team.  I liked how naturally McNeill included Karolina as a strong female character and he paints an interesting picture of her family concerns, her grief as the book continues, and her martial prowess.  These two form a great centre for much of the plot and I liked the chemistry that grew between them, especially after their rough journey encourages them to let go of the past and look to the future.

Aside from Varo and Karolina, several other characters really stood out to me in Lords of the Lance, and I really enjoyed they fantastic storylines.  The most prominent of these is probably Sigurd of Yvaire, the deaf son of a nobleman who was left unknighted due to his affliction and who accompanies the Bretonnians on their quest leading the peasant host.  Sigurd ends up being the heart and soul of the book, and you get invested in his story as he finds both romance and self-worth on his journey.  I also had a lot of love for Bastien, the young and brash Knight Errant.  Bastien starts the book as an annoying cad who antagonises the other characters like Varo.  However, as the book continues, you eventually see that much of his brashness is an illusion, and he is a surprisingly thoughtful figure.  It is a testament to how good a writer McNeill is that you end up caring for Bastien after his annoying start.  Thanks to certain moments of bravery, and some notable setbacks, you really see just how noble Bastien is, and he ended up being one of my favourite characters.  Finally, I must highlight Sir Leodegar of the Golden Hart, a legendary Grail Knight who accompanies the army for duty, destiny, and to protect the Handmaidens of the Lady.  The epitome of the Bretonnian knightly code, Sir Leodegar is an imposing, memorable and incredibly noble figure who serves as a mentor to Varo, stealing every scene he’s in.  I loved how well McNeill captured the supernatural nature of the Grail Knights, and the depiction of this ethereal figure is quite fascinating, especially as the author also looks at the dark side of their duty.  These characters, and more, really enhanced Lords of the Lance’s great narrative, and I love the unique storylines that McNeill wove around them.

My love for Warhammer audiobooks is well known, so naturally I listened to Lords of the Lance.  Coming in at just over 12 hours, this is a decently long Warhammer audiobook that I was able to power through in short order.  I felt that the audiobook format did an outstanding job bringing this elaborate and intense story to life, and you really get a sense of the intense action, powerful characters, and the amazing scenery when you have it read out to you.  I particularly enjoyed the narration by Peter Kenny, who has a well-established pedigree when it comes to narrating fantasy audiobooks.  Kenny utilises a series of great voices that perfectly fit many of the characters featured within Lords of the Lance.  All the main cast come across extremely well here, and I loved the determination you get through some of the main characters like Karolina and Varo, the brashness of Bastien, and other intriguing figures.  I personally also thought he did a good job accurately voicing the deaf character, Sigurd, although I understand if some people found that a little controversial.  Still, this was an outstanding way to enjoy this remarkable book and I would strongly recommend the audiobook version to anyone interested in checking out Lords of the Lance, although it no longer seems to be available in this format.

Graham McNeill continues to show why he is one of the best authors of Warhammer fiction as he takes readers back to the Old World in Lords of the Lance.  Featuring a complex story, powerful characters, and a ton of adventure, Lords of the Lance was extremely fun to read, and I loved seeing a story set back in the iconic setting.  This book is best enjoyed by established fans of the franchise, especially those who remember the Warhammer Fantasy days, although new readers will have a great time here as McNeill provides an intense and fun standalone read.  Highly recommended, I hope we get more Old World books soon.

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War Cry by Ian Ross

On By The Unseen LibraryIn Historical Fiction8 Comments

War Cry Cover

Publisher: Hodder & Stoughton (Trade Paperback – 25 January 2024)

Series: de Norton trilogy – Book Two

Length: 387 pages

My Rating: 4.75 out of 5 stars

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Ready to dive into an intense and fantastic historical adventure, then look no further than the epic new novel from Ian Ross, War Cry.

Last year I had the very great pleasure of reading the epic novel, Battle Song.  Written by author Ian Ross, who had made a name for himself with his Roman historical fiction, Battle Song was an outstanding and compelling novel that really blew me away.  Set during Simon de Montfort’s rebellion against the English crown, Battle Song followed a rogue knight and his squire, as they attempt to find the best side to fight on.  I had an outstanding time with Battle Song, especially as Ross combined a unique story with intriguing historical background and some great characters.  Battle Song ended up being one of my favourite books of 2023, and I had such a great time getting through it.  As such, I have been eager to see how Ross was going to follow Battle Song up and I recently got my hands on the sequel War Cry.  One of my most anticipated reads for 2024, War Cry proved to be an outstanding book that I quickly powered through.

England, 1265.  Following his decisive victory at the Battle of Lewes, the English lord Simon de Montford is now the de-facto ruler of England.  Holding the king and the crown prince prisoner, de Montford has ambitious plans to increase the power of the nobles while he champions the rights of the common people.  However, de Montford’s control is not absolute, with several powerful lords still loyal to the royal family and desperately seeking to restore their rule.  Worse, many of de Montford’s allies in the initial rebellion have grown wary of his power and ambitions.

As the political climate of England once again changes, the recently knighted Adam de Norton finds himself reclaiming his ancestral lands.  Finally having everything he always longed for, Adam looks to settle down and enjoy the prosperous future set out before him.  But the dual loyalties of England weigh heavily around him, and soon rumours of a new rebellion emerge, dragging Adam back to war.

Returning to the service of de Montford, Adam seeks to prove his worth in battle.  However, despite owing everything to de Montford, Adam begins to wonder if he should truly be fighting this war.  As the war progresses, Adam finds himself pushed to the limit and his loyalties tested, especially when he finds himself on the opposite side of his former mentor and master, Robert de Dunstanville.  Can Adam survive the brutal civil war unfolding around him, or has he chosen the wrong side of the conflict?

This was an awesome book from Ian Ross, who provided an outstanding follow up to his previous epic read.  War Cry had an amazing and powerful story behind it, which honestly had me hooked the entire way through.  I had such a great time with this book, and I ended up powering through it in only a short couple of days.

War Cry featured a powerful, brutal, addictive narrative that expertly ties together a personal story, while also diving into a particularly unique and fascinating period of English history.  This story is told exclusively from the perspective of returning protagonist Adam de Norton, who, after his adventures in the first book, has become a knight with his family estates returned to him.  The initial scenes of War Cry follow Adam as he attempts to restore his lands, while also facing conflict from several intriguing new enemies.  However, he is also soon forced to navigate the new political situation of England.  Despite his desire to stay out of the war, Adam is compelled by honour to return to the side of Simon de Norton as his rivals rise in rebellion against him.

This leads to an intriguing narrative that follows the subsequent campaigns that occurred in the period after de Norton’s rise to power.  Adam finds himself caught up in several key conflicts and events, including the escape of a certain hostage, a quick siege, and a collection of deadly battles across the breadth of the country.  At the same time, Adam is also caught up in several personal dramas, as he tries to reconcile his loyalties to de Norton, his friendship with Robert de Dunstanville, and his forbidden romance with Joane.  Ross did a great job of blending the historical and the personal together, and you get a great simultaneous look at the protagonist’s struggles, while also seeing the events of the war progress around him.  Thanks to the historical record, events get grimmer and grimmer for the protagonist as War Cry continues and you get really invested in seeing how everything unfolds, especially if you aren’t familiar with this particular English civil war.  Everything leads up to another climatic battle, where Adam and many of the supporting characters of the book meet their fates, one way or another.  The book ends on a pretty unique and dark note, and you will come away shocked at the cliffhanger, while also longing for more.

I really enjoyed how War Cry came together, as this epic piece of historical fiction was designed to hit hard and keep you on your toes.  I particularly loved some of the book’s unique historical elements, as Ross continued to explore the Simon de Norton rebellion against the English crown, which was such a major highpoint of Battle Song.  This unique civil war was a brilliant backdrop for the series, and Ross meticulously covers all the key events that followed de Norton’s victory at the Battle of Lewes here in War Cry.  You really get invested in this historical element of the book, especially as Ross expertly showcases some of the deadliest battles and places his protagonist right in the middle of them.  All these fight scenes are extremely well written, and Ross excels at highlighting the chaotic feel of battle, as Adam constantly finds himself amid a brutal melee of battle, especially during the final fight, and one particularly intense sequence on a bridge.  However, War Cry is much more than a rendition of a compelling historical war, it is also a deeply personal tale of love, loyalty, honour, and friendship, as the protagonist attempts to come to terms with his complex life and relationships while caught up in the battles.  As such, there is a little something for everybody in War Cry, and most fans of historical fiction will absolutely love this book.  War Cry was also a very worth sequel to Battle Song, and I cannot emphasise just how well Ross built on his original narrative and provided a gripping continuation in this sequel.

As with Battle Song, War Cry features a compelling combination of characters, including a mixture of fiction and real historical figures caught up in the war.  Ross did a great job of blending the two groups together, and I loved the range of unique knights and lords that emerged and the compelling interactions that followed.  There is a real focus on twisted loyalties and uncertain honour as many of the characters change alliances throughout the book, desperate to be on the winning side.  I did think that Ross might have at times included too many supporting characters, especially when it came to the various knights and lords, as you sometimes get worn down with a flurry of knightly names and titles that proves hard to remember.  However, this is generally a minor issue, especially when most of the character focus is reserved for recurring protagonists from the first book.

I really enjoyed seeing more of protagonist Adam de Norton, who is such a compelling centre for much of the plot.  After witnessing his exploits as a squire in the first book, it was great to finally see Adam as a knight in War Cry, even though that causes him more trouble than he hoped for.  Constantly dragged through battle after battle thanks to his still somewhat naïve sense of duty, Adam finds his loyalties fraying at times as he tries to stay true to who he is.  This proves hard as he is once again going up against the more self-centred views of his mentor, while also harbouring a forbidden love that he knows he cannot act on.  Several other characters also shine throughout War Cry, although my favourite is probably Robert de Dunstanville, Adam’s former mentor and friend.  While we get less of Robert in War Cry than I expected, he still proves to be a fascinating figure, serving as Adam’s dark conscience and trying to get him to do the smart thing rather than the right thing.  The two come to blows at several points throughout War Cry, and it was fascinating to see how their relationship has changed now that Adam has become his own man.  Robert also has some of the more fascinating character arcs.  After finally getting he wanted, he is still unhappy, and his attempts to reverse that cause only heartache for him.  I really enjoyed seeing these characters and more develop even further in War Cry, and there are some surprising fates for several of them that I honestly did not see coming.  It will be interesting to see what happens to the remaining protagonists in the future, and I really hope we get a third book soon as I am very invested in their stories.

Overall, War Cry by Ian Ross was an outstanding piece of historical fiction that I cannot recommend enough.  Expertly continuing Ross’s outstanding 2023 novel, Battle Song, War Cry thrusts the reader into the bloody centre of a fascinating English historical war, while also focusing on some complex and likeable characters.  Loaded with battle, intrigue and relatable protagonists, War Cry proved to be highly addictive, and I had an incredible time getting through it.

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Skin Game by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday8 Comments

Skin Game Cover

Publisher: Penguin Audio (Audiobook – 27 May 2014)

Series: Dresden Files – Book 15

Length: 15 hours and 49 minutes

My Rating: 5 out of 5 stars

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I was once again in the mood for a guaranteed hit, so I looked no further than Jim Butcher’s exceptional Dresden Files series, with the 15th book Skin Game.

As readers of this blog will know, for the last couple of years I have been having a wonderful time getting through Jim Butcher’s iconic Dresden Files series.  One of the most well-known and impressive urban fantasy series, the Dresden Files follow the titular wizard, Harry Dresden, as he investigates magical crimes and protects Chicago from supernatural threats.  This series is so damn cool, and I have loved the unique combination of mystery, great characters, and intensive world building as Butcher pulls together a brilliant, modern fantasy universe.  I honestly have loved every single book in the Dresden Files series, although I feel that the last few additions I have read, including Changes, Ghost Story and Cold Days are Butcher at his finest, especially as he really built in some elaborate and original stories.  As such, I had no reservations about checking out the 15th book in the series, Skin Game, especially as it had a pretty damn awesome plot behind it.

Harry Dresden, Chicago’s sole practicing wizard and the new anointed Winter Knight, is in trouble.  Trapped on his island in the middle of Lake Michigan with a magical parasite in his head, Dresden has only days left to live.  Salvation soon appears when his boss, Queen Mab, arrives on the island, offering to save him.  However, nothing from Mab is ever free, and the conditions for her help might prove even more lethal.

To pay off an old debt, Mab has loaned out Dresden to one of his most hated and dangerous foes, the fallen angel Nicodemus Archleone.  To further his dark goals, Nicodemus is planning to break into the personal vault of the Greek god Hades to loot several valuable artefacts.  However, Nicodemus can’t do it alone and he hires a group of rogues, thieves and specialists, as well as Dresden, to pull off the job.  If they succeed, they will all come away insanely rich, but if they fail, their souls be trapped forever in the underworld.

As the job proceeds, it quickly becomes apparent that Nicodemus has no intention of letting any of his heist crew live, especially Dresden and his allies.  To survive, Dresden needs to work out how to both counter the many obstacles between them and the treasure they seek, while also finding a way to stop Nicodemus without breaking the agreements that bind the two together.  Can Dresden outsmart one of the most treacherous and deceptive beings in all creation while keeping everyone alive?  Let the games begin!

Wow, what an awesome book.  I am constantly impressed with how Butcher continues to produce outstanding and epic reads throughout this series, and nearly every Dresden Files book is better than the last.  Skin Game was a pretty great example of this, as Butcher produces one of his most entertaining stories yet with so many twists, betrayals and fantastic revelations.

I cannot emphasise enough just how cool the plot of Skin Game is, especially as Butcher comes up with a particularly clever and exciting heist storyline that the narrative is centred around.  After effectively following through from the events of the prior novel, the reader is soon thrust into the new scenario, which sees Dresden forced to work for his old enemy Nicodemus.  This leads to a classic heist scenario, with Dresden meeting Nicodemus’s unique crew, gathering up new members, and pulling together the resources need to break into the vault, even if the target is a much more supernatural than usual.  Butcher also adds in the fantastic dynamic between Dresden and Nicodemus as they plot against each other.  Both knows that the other is planning to betray them at some point, however they are forced to play by the rules in public to preserve the magical bargain between Nicodemus and Mab.  This leads to a great series of betrayals, manipulations and confrontations, as Dresden walks a thin line while trying to stop Nicodemus.  At the same time, several great recurring characters are brought back, which results in some powerful and personal character-driven storylines that I really got invested in.

There are so many great story elements ongoing through the bulk of Skin Game’s narrative, that by the time you get to the main event, the heist, you are extremely hooked.  The heist in question is everything you would hope it to be, as Dresden and his erstwhile crew of rogues, engage in some daring exploits to achieve their goals.  They are some brilliant set pieces, intriguing revelations, and several brutal twists, including one heartbreaking moment surrounding the main antagonist.  Everything leads up to the inevitable betrayal which sees Dresden and Nicodemus finally face off after dancing around each other all book.  I loved some of the scenes that followed, especially as there is a particularly great twist shown through a well-placed flashback that changes your entire perspective of the earlier story.  A subsequent sequence also presents some of the most emotionally charged moments of Skin Game, especially when it comes to one of my favourite supporting characters.  Everything gets wrapped up nicely by the end, and I loved some of the final revelations in the book, especially when you finally understand who was running the true game and why.

Butcher applies his usual excellent writing skills to Skin Game, and I love how effectively he tells this latest powerful and entertaining story; since it is once again told solely from the perspective of the protagonist, you are treated to Dresden’s typically amusing take on the events occurring around him.  This proves to be quite funny at times, although Butcher adds in a good level of drama and highly personal character development which I think balances out the book and ensures Skin Game can hit you at multiple emotional levels.  I love how Butcher experimented a bit with elements of Skin Game’s writing, especially with how he worked in some very clever, and well planned out twists and revelations, which I felt was one of the strongest points of the novel.  Butcher also really amps up the unique action, intrigue and adventure of the story, and I was constantly engrossed with how the story was going.  The depictions of the underworld and its defences were very striking, and I loved some of the unique scenarios Dresden found himself in.   This entire story come across extremely well with the writing, and I enjoyed every second I spent listening to it.

One of the things I have enjoyed getting through the Dresden Files series is how accessible Butcher makes each novel, as any entry in the series can be read somewhat independently from the others.  However, the deeper you get into the Dresden Files, the more the new book references elements from previous novels, while also building on existing storylines and character arcs.  Skin Game is a great example of this, as new readers can come in and have a wonderful time reading it, especially as Butcher does a good job explaining all the key plot points new readers might be unfamiliar with.  However, established fans of the series will get a lot more out of this book, as Butcher continues or concludes several amazing storylines here.  In particular, there are a lot of references to the last two books that featured Nicodemus as an antagonist, Death Masks and Small Favour, as Dresden continues his deadly fight against his old foe, while remembering all the previous battles that have occurred.  Several great character arcs also come full circle in Skin Game, which proves to be quite moving, especially to those readers who have laboured through the rest of the series and are already quite attached to the main cast.  As such, I probably would recommend reading the rest of the series before trying out Skin Game, mainly because you are in for a much more impactful time if you do so.  However, for those who want a fun and moving fantasy heist novel, you can easily dive into Skin Game and have an outstanding time witnessing all the betrayal, lies and deceit.

As always, one of the best elements of this Dresden Files novel was the exceptional character work.  Butcher always excels at creating complex and powerful character arcs that showcase the many different layers of each excellent protagonist and villain, and Skin Game is no exception.  Indeed, Skin Game was one of the best character-focused books Butcher has released, as it features an interesting cast and some deep and intense character arcs that showcase just how much many of the protagonists have changed.

Naturally, most of the focus of Skin Game revolves around protagonist and point-of-view character, Harry Dresden.  The wizard defender of Chicago, Dresden has gone through a hell of a lot in the last few books, which starts to catch up to him in Skin Game.  While he is still his usual flippant and disrespectful self, you can really see the cracks forming in Dresden’s psyche, especially as he balances the many responsibilities and traumas afflicting him.  Not only is his personality being altered by his decision to become the Winter Knight, but he is dealing with so much guilt for some of his recent actions.  This has made Dresden start to doubt himself, and he has trouble at times seeing whether he is still the same good guy he was at the start of the series, especially when some of his friends start to lose faith in him.  However, thanks to the help of those closest to him, Dresden regains a bit of himself as Skin Game continues, although the dark battles along the way once again take their toll on him.  Butcher works in some extremely powerful and emotional scenes around Dresden in Skin Game, especially as he finally gets closure with some other characters, including his daughter (the scene where they finally talk nearly had me in tears).  While Butcher really did amp up the heavy emotion around Dresden here, you still get a healthy dose of the protagonist’s distinctive with and humour, especially when it comes to the outrageous events, he finds himself in.  The unique situation where Dresden is forced to work with one his enemies prove a rich ground for the protagonist’s humour to come out.  It also allowed the reader to see how much smarter and more mature Dresden has become after fighting against all comers for over a decade.  I really loved how Dresden was able to anticipate many of the coming betrayals and pull together a particularly effective counter that shook up everything.  Butcher does such a great job writing Dresden, and it has been extremely fun to see this character once again grow.

Aside from Dresden, Skin Game featured an excellent collection of recurring characters from the previous books, each of whom had their own unique and powerful character arc that Butcher expertly continued with.  This includes Karrin Murphy, the former cop, who Dresden recruits as his muscle for the job.  Murphy is always one of the best characters in a Dresden Files novel, and Skin Game was a great example of this, as she once again serves as Dresden’s unwavering backup and conscience.  Skin Game proves to be a major novel for Murphy, especially as they finally resolved the romantic tension between Dresden and Murphy that had been building since the first book, Storm Front.  I really appreciate how well Butcher kept up the will-they/won’t-they atmosphere of these two characters for so long, and it was great to finally get some closure on that, even if I know I’m going to get my heart broken in Battle Ground.  Skin Game also saw the return of one of Butcher’s best characters, Michael Carpenter, the former Knight of the Cross who has been out of action for several books.  Michael gets back into the fray for this novel, and it was so good to finally see him return to his old ways.  The ultimate good-guy character, Michael is always a reassuring presence in any Dresden Files novel, and the interactions he has with Dresden are some of the most moving in the entire book, especially as he provides Dresden insights and emotional support like no one else can.

While I love Murphy and Michael, probably my favourite supporting character in the book is Waldo Butters.  The nerdy and kind medical examiner has been getting a real glow-up as the series continues, and you finally see how serious he has become by the events of Skin Game, especially after having to hold down the fort during Dresden’s enforced absence.  The events of the last few years have really changed Butters, and some of the interactions he has with Dresden are surprisingly intense, especially as Butters no longer trusts the main character.  Butcher had a lot of fun turning Butters into a magical superhero in Skin Game, and I loved some of the unique magical inventions that Butters uses to face off against forces way outside his weight class.  There is also the major turning point for Butters at the end of the book, where he shows just how noble he truly is, and the universe rewards him in a big way.  In many ways, Butter is the true MVP of Skin Game, and his future storyline looks very bright, especially as Butcher could easily do a whole spinoff series focused solely on him.

Of course, no Dresden Files book would be complete without a great villain, and Skin Game has one of the very best with the return of Nicodemus.  A fallen angel possessing an ancient, evil human, Nicodemus is a particularly suave and dapper figure, who always makes a huge impact when he appears.  Nicodemus falls into the role of heist leader extremely well, and I loved the fun dynamic that emerges between him and Dresden, especially as they both hate each other and known that betrayal is imminent on both fronts.  Some of the confrontations he has with the protagonists are pretty brutal, and you get to see just how dangerous he can be as a villain.  While Nicodemus is mostly his usual calm self for most of the book, certain big events push him over the edge, especially as he makes some big sacrifices.  It was both satisfying and a little heartbreaking to see him so damaged as a result, especially when the truth about the events are fully revealed.  I cannot wait to see Nicodemus return in some future books, especially as he is going to be even more dangerous and desperate.  Throw in a truly entertaining and dangerous group of fellow heisters, old enemies, Dresden’s loveable dog, Mouse, and a fantastic Greek god who proves surprisingly similar to the protagonist, and you have an incredible group of characters who help turn Skin Game into something truly special.

Unsurprisingly, I chose to listen to Skin Game on audiobook, which is frankly the best way to enjoy a Dresden Files book.  Coming in with a runtime of just under 16 hours, Skin Game was a decently long audiobook, although I was able to power through it very quickly, especially after getting caught up in Butcher’s impressive story.  As always, the audiobook format really enhances Skin Game’s presentation, and the novel’s humour, intense action and great characters really come through when read out.  Most of this is due to one of my favourite narrators, actor James Marsters, who has lent his voice to all the books in the series.  Marsters is so damn entertaining as a narrator, and I love how well he inhabits the various characters featured in the book, especially the protagonist.  Each character is given a very fitting voice, whether it be the dapper voice of Nicodemus, the calm tones of Michael Carpenter, or the hilariously British voice of Binder (which always reminds me of Spike).  Not only are these voices entertaining, but Marsters does such a good job of conveying emotion and feeling through his characters, including through the protagonist’s deep narration.  This was such a great way to enjoy Skin Game, and I cannot recommend the audiobook format of this book enough.

Overall, Skin Game proved to be an exceptional and highly addictive addition to Jim Butcher’s always impressive Dresden Files series.  Loaded with an outstanding heist story, amazing characters, and tons of sacrifice and betrayal, Skin Game was a particularly strong Dresden Files book and one I cannot recommend enough.  An incredible read that gets a very easy five-star rating from me.

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Three-Inch Teeth by C. J. Box

On By The Unseen LibraryIn Thriller6 Comments

Three-Inch Teeth Cover

Publisher: Head of Zeus (ebook – 27 February 2024)

Series: Joe Pickett – Book 24

Length: 378 pages

My Rating 4.5 out of 5 stars

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In the mood for a fantastic and over-the-top thriller that makes great use of an American wilderness setting? Then look no further than the latest awesome novel from bestselling author C. J. Box, Three-Inch Teeth.

Ever since I started getting more involved with the crime fiction genre, I have been slowly working my way through some well-established mystery and thriller authors who I was previously unfamiliar with.  As such, I just had the pleasure of reading my first book from veteran thriller author C. J. Box, Three-Inch Teeth, which I was lucky enough to receive an early copy of.  Box is an outstanding author who has been writing for over 20 years.  While he has written several stand-alone novels, as well as his Cody Hoyt/Cassie Dewell series, Box is best known for his Joe Pickett books.  Following a game warden in the mountains of Wyoming who gets involved with various murders and other criminal activities, the Joe Pickett books are an amazing series, and I wish I had gotten into them sooner.  Starting with Box’s debut novel, Open Season, back in 2001, this series has featured some interesting stories behind it, which I might have to come back and read at some point.  The latest book, Three-Inch Teeth, is the 24th novel in the series, and it presents the reader with a unique and captivating story about nature, revenge and tragedy.

As a new hunting season begins in the wilderness of Wyoming, game warden Joe Pickett prepares for a busy period of monitoring the excited hunters coming into his domain.  However, he is unprepared for the savagery set to befall those closest to him as he encounters two very different killers.  The first is a wild animal, a massive rogue grizzly bear that goes on a rampage, killing several people, including the prospective fiancé of Joe’s daughter.  Desperate to stop the bear before it kills again, Joe and a team of expert hunters engage in an exhaustive hunt for it, which leaves Joe unprepared for a danger from his past to re-emerge.

Former champion rodeo star Dallas Cates has been released from prison.  Filled with anger over everything he lost, including his land, his family and his stardom, Cates plots his revenge against the people he blames for ruining his life, including Joe, Joe’s best friend Nate Romanowski, the local judge, prosecutor and more.  Spotting the chaos being caused by the enraged grizzly, Cates seeks a way to unleash similar attacks on those targets he wants dead.

Teaming up with a mechanical genius and another ghost from Joe’s past, Cates begins his deadly revenge plot, and soon all of Wyoming is in turmoil at the sudden upsurge in bear attacks.  With the incidents hitting closer and closer to home, Joe works to find the apparent rogue bear before its too late.  But is he ready to face Cates and his cohorts, or will his enemies finally get the best of him?  Whatever the case, tragedy and death await all those who enter the bear-infested wilderness.

This was an extremely fun and exciting read from Box, who pulls together an epic and memorable novel.  Three-Inch Teeth has a brilliant and addictive story behind it, and you will swiftly get drawn into this over-the-top book.  It’s an amazing read that I really could not put down.

I loved the epic story in Three-Inch Teeth, as Box comes up with an electrifying, intense and over-the-top thriller narrative that you can really sink your teeth into (pun intended).  Starting off with the first brutal bear attack, Box does a great job setting the scene for the reader as the protagonist, Joe Pickett finds himself leading the hunt for the culprit.  This proves to be a brilliant start to the book, and it serves as a good introduction/reintroduction to the protagonist, the setting, and the general vibe of the series.  While this is interesting, Box amps the plot up even further when he brings in main antagonist Dallas Cates, who has previously appeared in other Joe Pickett books.  Cates had a great balance of anger, patience and intelligence in him as a villain, as he seeks revenge against those that wronged him.  Teaming up with an interesting crew of accomplices, including another recurring Joe Pickett villain, Cates comes up with an igneous idea that allows him to capitalise on the bear attacks and kill those who wronged him without arising suspicion.

While I won’t go into too much detail about how Cates and his cohorts kill their targets, I will say it was extremely entertaining and very over-the-top, which I deeply enjoyed.  The resulting murder spree creates an intense plot as Joe tries to work out why a bear is killing several people close to him, and what the strange attacks could mean.  Box keeps the plot moving along at a quick pace once the killings begin, and I really enjoyed the switches in focus amongst the various characters.  The one exception to this is probably the storyline which focused on Pickett’s daughter, Sheridan, which honestly felt a little disconnected, and its payoff didn’t really add a whole lot to the overall plot (the falconry was cool though).  Still, I had a lot of fun with the story, and you really get drawn in to the book, especially once the protagonist gets closer to the truth.  The final leg of Three-Inch Teeth had me hooked the entire way through, as the antagonists gear up for their final confrontation with Joe and his friends and family.  The big finale is just as intense and deadly as you would expect, and long-term readers of this book will be shocked at some of the events that occur.  I loved how Box ended everything on a dark note, especially regarding a key side character, and there are some interesting hints about the future of the series.  I honestly had such a great time with this amazing story, and while it does get a bit outrageous at times, that is part of its rugged and exciting charm.

I really enjoyed how Box showcased his over-the-top story in Three-Inch Teeth, especially as it provided me with all the action, carnage and revenge that I was hoping for.  Featuring a very fast pace designed to lure you in, Three-Inch Teeth honestly never slowed down from the first brutal bear attack, and the author ensured that the excitement levels stayed extremely high.  I liked how Box set his story out in a typical thriller fashion of showcasing multiple character perspectives, which I think helped to showcase the story even better.  The constant shift between the scheming antagonists and the mystified, but increasingly suspicious, protagonists really enlivened the plot, and it was great to see both sides of the crazy scenario that emerged.  I personally also appreciated how accessible Box made Three-Inch Teeth to new readers.  I must admit that I was initially a little worried about coming into the Joe Pickett series at book 24, however, my fears quickly left me once I got stuck into the story.  While the plot of Three-Inch Teeth does rely heavily on elements from the previous novels, especially when it comes to the returning antagonists, you really don’t need any prior knowledge to get stuck into the story.  Box does a great job of recapping the key events of the previous novel as the book continues, and you quickly understand the grudge that the antagonists bear.  While long-term readers will probably get a lot more out of Three-Inch Teeth, especially when it comes to some of the character development, surprise deaths and continuation of existing storylines, any thriller fan can easily start the series here and have a wonderful time with this book.

One of the things that really stood out to me about Three-Inch Teeth was the outstanding background setting that much of the story is based in.  Box really works to feature his beloved Wyoming wilderness in his novel, and I loved the great depictions of the beautiful landscape, isolated towns and interesting locals.  This mountain area makes a great background for a lot of the book, including in some tense hunting scenes, and you can see that Box has a great appreciation for the location and the creatures within it.  As such, quite a lot of attention is paid to some of the local animals in these mountains, with the grizzly bear getting quite a look at in Three-Inch Teeth.  Due to the bear’s importance to the plot, Box goes out of his way to explore the habits, behaviour and biology of the grizzly throughout the plot, which adds a fascinating edge to the book, and understanding how a bear acts ended up being a key plot point.

In addition, Box also tries to capture the personality and feel of the inhabitants of Wyoming, especially those living in the mountain communities, and this is where Three-Inch Teeth might become a little less appealing to some readers.  While the protagonist and his family generally try to stay away from politics, pretty much everyone they meet is very right-wing in their political ideology, and they generally all have something to say about it one way or another.  Having never had the pleasure of visiting Wyoming, I can’t really comment on the accuracy of this, but the huge number of conservative locals does come across as a little strong.  While I am sure this was done for realism, it does get a little much as the book continues, especially when politics is worked into all manner of unrelated conversations.  While it didn’t dramatically ruin my reading experience of Three-Inch Teeth, I could see it alienating some readers who are looking for a little escapism from the current political climate, and it might prove to be rather tiring for those readers interested in chain-reading this series.  Still, this is a minor complaint and I think most people can just have fun with Three-Inch Teeth’s over-the-top action.

I loved the range of eccentric and compelling characters featured throughout Three-Inch Teeth, and I deeply appreciated how each of them was rather easy to follow as Box expertly reintroduces each of them.  The protagonists, particularly Joe Pickett and Nate Romanowski, are very sympathetic figures, and Box ensures you quickly get across their relevant character aspects and enjoy watching them try to solve the unique crime coming their way.  However, I felt that the antagonists carried the day in Three-Inch Teeth.  Box features several great villains in this novel, including two recurring antagonists from the prior Joe Pickett books, and it was a lot of fun seeing them attempt their outrageous revenge mission.  The author does a good job of diving back into the two main antagonists’ backstory, especially as its pretty vital to the plot, and you quickly understand their obsession with revenge and the deadly relationships they have with the protagonists.  These exceptional antagonists were so much fun, and I love the future storylines that Box sets up through one of them, that hints of even more carnage to come.  Each of these great characters added so much to the plot, and I am excited to see what happens to them in the future.

C. J. Box easily wooed me with this wonderful and impressively exciting addition to this long-running series. Three-Inch Teeth was a great introduction to the Joe Pickett books, and I loved the thrilling story that he came up with. A very fun and intense read, I will probably dive back into this series in the future, especially if Box comes up with another captivating and awesome plot like Three-Inch Teeth had.

Three-Inch Teeth Cover 2

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Saevus Corax Captures the Castle by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books7 Comments

Saevus Corax Captures the Castle Cover

Publisher: Orbit (Trade Paperback – 21 November 2023)

Series: Corax – Book Two

Length: 321 pages

My Rating: 5 out of 5 stars

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One of the funniest fantasy authors in the game presents a fantastic second entry in his closely released Corax trilogy with the hilarious and brutally brilliant Saevus Corax Captures the Castle.

In 2023, fantasy author K. J. Parker (a pseudonym of author Tom Holt), had an incredible blast of creativity as he managed to release an entire trilogy within the space of a month with the outstanding Corax series.  Set to follow an infamous battlefield salvager, the titular Saevus Corax, as he finds himself getting dragged into all manner of unusual scenarios, this series sounded so damn fun.  I was particularly intrigued, especially as these books were set in the same universe as his epic The Siege series, which featured Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), How to Rule an Empire and Get Away with It (one of my favourite books of 2020) and A Practical Guide to Conquering the World (one of my favourite books of 2022).

While I managed to get all three of Parker’s Corax books last year, I only had the chance to read the first novel, Saevus Corax Deals with the Dead before 2023 ended.  This first entry in the trilogy was pretty damn incredible, and I loved the wonderful and highly entertaining story it contained, especially as it was masterfully layered with Parker’s trademark humour.  Saevus Corax Deals with the Dead got an easy five-star rating from me, and it ended up being one of my favourite books of 2023.  As such, I really want to get through the other two Corax books as soon as possible so I quickly powered through the second one, Saevus Corax Captures the Castle, last weekend.  Saeuvs Corax Captures the Castle was another outstanding read that I had such I wonderful time with.

Several years after his last outrageous adventure when he was crowned a king against his will, Saevus Corax is back to what he knows best, battlefield salvage.  While it is not the most glamorous work, it provides a living for his large crew of outcasts and rogues, as they tour their world’s many scattered battlefields, rescuing and repurposing everything they can recover from the dead.  However, a nemesis with a personal grudge will send Corax on a dangerous path he might have no escape from.

When several of his men are kidnapped, Corax’s only apparent chance to save them is to capture a delipidated castle in the middle of nowhere.  Utilising his unconventional tactics and knowledge of warfare, Corax begins his impromptu siege, only to discover that his old flame, the beautiful con artist Stauracia, is in charge of the castle’s defence, and she has no intention of losing to Corax again.

But why is Corax’s new unwelcomed employer so determined to capture the castle, and what are they hoping to achieve by using Corax’s motley crew?  The truth has the potential to plunge the whole world into war if Corax can’t keep it under wraps.  However, Corax soon finds himself distracted by revelations from his past, as he finds hope being dangled before his eyes.  Can Corax survive this latest misadventure and the dastardly rivals it brings, or has he finally met his match?

The second Corax book proved to be just as funny, addictive, and inventive as the first awesome entry, and I had such an outstanding time with Saevus Corax Captures the Castle.  Placing his wonderfully witty and world-weary protagonist on the course for more unusual conflict, Saevus Corax Captures the Castle had me fully hooked from the very first word and I just had to give it another full five-star rating.

Parker came up with a pretty clever and memorable narrative for Saevus Corax Capture the Castle, which proved to be a lot of fun to read.  Starting with another entertaining look at one of the group’s salvage jobs, the book soon places Corax’s entire group in a bad situation when members of the salvage band are kidnapped, and the only way to get them back is by capturing a castle.  So begins a battle of wits as Corax pits his innate knowledge of war and human nature against the manipulation of his old foe Stauracia, as they both try and work out why they have been charged with looking after an isolated castle.  This impromptu siege between two groups of people who do not actually want to be there proves to be quite entertaining, and it serves as a fun focus for the first half of the book.  This first half also features several flashbacks into Corax’s past, especially the events that have occurred since Saevus Corax Deals with the Dead, which provides some interesting motivations and looks at the connections between Corax and the book’s main antagonist.

Thanks to some deeply personal manipulations, there is an interesting and dramatic plot change in the second half of Saevus Corax Captures the Castle, as Corax finds himself motivated to journey alone to a forbidden nation.  This change from a siege to an independent journey actually works really well in the context of the story, and it builds on a lot of cleverly hidden elements and clues from the earlier plot.  You are really on the edge of your seat during this second part of the book, especially as Corax is in the direst of scenarios, and I loved seeing him use his understanding of people to get out of trouble.  The ending of this misguided quest proves to be very clever and a little heartbreaking, as Corax finds what he is looking for, but it’s not what he wants.  It does allow him a few bits of knowledge that let him destroy his opponents back home and get the payday, although nothing is every that simple for Corax.  I liked the intriguing tone that Parker left this second book on, especially as like the first book, the protagonist soon realises that he’s happiest when back doing what he does best.

Saevus Corax Captures the Castle features the exact same writing style as the first book in the series, which you tend to notice when you read these books in quick succession.  I personally liked this continuation of style, especially as it is what made me a fan of Parker in the first place, and it results in quite an entertaining story.  Told in a chronicle format from the perspective of main character Saevus Corax, the book is his account of events, filled with his commentary, observations and memories, to tell an intriguing tale.  Corax proves to be a very fun narrator, and his ultra-cynical take on the world has an entertaining influence on the story which is hard not to enjoy.  The resulting mixture of betrayals, manipulations and unconventional warfare really comes together into quite a comprehensive and fun story thanks to this great narration, and I was chuckling the entire way through.

The series continues to utilise the unique world that Parker came up with for both the Corax books and The Siege novels, and the fun references to some of the prior events are quite amusing.  As I mentioned in my review for Saevus Corax Deals with the Dead, this series is in some ways more of an alternate history novel rather than a fantasy book, as it does not feature any magic or unnatural elements.  Instead, we get a world of war, politics, and domineering nations, which acts as a satirical mirror of our own history.  I would still prefer some form of map up front to keep track of where the characters are going and where some of the nations being discussed are in relation to each other, but you can get by without one.  While there are a few mentions of the previous novel in the series, Saevus Corax Captures the Castle is for the most part a standalone novel, and anyone interested in a particularly fun tale can dive in here no problem.  However, I would personally suggest going from the start of the trilogy, if for no other reason than some of the jokes in this sequel are a little funnier after Saevus Corax Deals with the Dead, and you get the full understanding of the unique relationship between Corax and Stauracia.  It also solves one of the main mysteries from the first book, and it would not surprise me if a couple of story elements from this novel are featured in the third and final novel in the series.

As you would expect from a first-person perspective novel like this, most of the focus is on the titular Saevus Corax, whose unique adventures we are following.  Corax is a very typical Parker protagonist, in that he is an intelligent and cynical being who would rather live a simple life doing what he does best, but instead finds himself thrust into complex and dangerous events.  This proves to be a fun character dynamic, and I loved seeing the often-exasperated Corax forced to deal with people trying to outsmart and manipulate him while he is just trying to do the right thing.  Luckily his strong ability to understand how people think and then use that to outplay them often keeps him out of trouble, and it is quite entertaining to see him casually stop a clever enemy plan, just because they are doing exactly what he would.  His distrustful, intense, and often very honest outlook on life really impacts how the reader sees the world he lives in, and you really grow to appreciate his take on events, especially as he knows everyone is out to get him.  However, readers do get to see another side of Corax in this second book, especially as you get to see how his one previous attempt at romance worked out, and the impacts its tragic ending has on him cause him to act out in some big ways.  As such, this is a very intriguing book for this great character, and I had a wonderful time seeing him develop even further.

Aside from Corax, the cast of Saevus Corax Captures the Castle is pretty fun, as Parker comes up with an interesting group of self-centred, occasionally loyal, but mostly treacherous figures to partner up with our favourite rogue.  The most prominent of these is Stauracia, who was both a secondary antagonist of the first novel and the protagonist’s love interest.  Stauracia is a con-artist who has run afoul of Corax and his group before, and who finds herself forced to work both with and against them in this novel.  Smart, manipulative, and utterly lovely, Stauracia is the perfect foil for the more subdued Corax, and they have some amazing chemistry in this book.  I loved the unique relationship that bloomed between them that is often driven more by dislike or mistrust than anything else, but both of them come away a bit better from knowing the other.  Other major characters include the group of unlikely companions that make up Corax’s battlefield scavengers.  Their constant bickering makes for a fun background to many scenes, and I like how they are usually annoyed with Corax’s antics, although they keep following because no-one else could do the job better.  Throw in a great villain, whose prior connections to Corax result in some brutal plots against him, and the cast of Saevus Corax Capture the Castle are extremely entertaining, and I loved seeing the unique narrative that formed around them.

Overall, Saevus Corax Captures the Castle was a highly fun and utterly amazing novel from K. J. Parker that I cannot recommend enough.  Featuring all the humour, entertaining cynicism and clever characters that made the first Corax book so incredible, Saevus Corax Captures the Castle serves as an outstanding sequel that continues the series in an awesome way.  An outstanding and epic read, this was such a great book and I cannot wait to read the final Corax novel as soon as I can.

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Quick Review – Never a Hero by Vanessa Len

On By The Unseen LibraryIn Australian, Fantasy, Quick Review, Young Adult4 Comments

Never A Hero Cover

Publisher: Allen & Unwin (Trade Paperback – 29 August 2023)

Series: Only a Monster – Book Two

Length: 475 pages

My Rating: 4.75 out of 5 stars

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New Australian fantasy author Vanessa Len follows up her outstanding debut with her second book, Never a Hero.

Back in 2022 I was lucky enough to receive a copy of Vanessa Len’s awesome debut novel, the young adult fantasy Only a Monster.  This amazing and clever read saw a young woman find out that she was a monster, part of a community of people who can travel through time by absorbing the life force of ordinary humans.  When her crush is revealed to be a deadly monster hunter determined to destroy her and everyone she loves, she is forced to flee through time to try and save her family.  I loved the unique concept that Len came up with in her debut, and the resulting story was powerful, compelling, and very moving, especially as the author finished it off with a major twist and some heartbreaking decisions.  Only a Monster proved to be so damn good, and it ended up being one of my favourite debuts and Australian novels of 2022.  As such, I was quite excited when I saw that Len had a sequel to Only a Monster coming out last year, and I really enjoyed the unique way that she chose to continue her brilliant narrative.

Plot Synopsis:

This sequel to the contemporary fantasy Only a Monster will take Joan deeper into the monster world, where treacherous secrets and even more danger await.

Despite all of the odds, Joan achieved the impossible. She reset the timeline, saved her family – and destroyed the hero, Nick.

But her success has come at a terrible cost.

She alone remembers what happened. Now, Aaron, her hard-won friend – and maybe more – is an enemy, trying to kill her. And Nick, the boy she loved, is a stranger who doesn’t even know her name. Only Joan remembers that there is a ruthless and dangerous enemy still out there.

When a deadly attack forces Joan back into the monster world as a fugitive, she finds herself on the run with Nick – as Aaron closes in.

As the danger rises – and Nick gets perilously closer to discovering the truth of what Joan did to him – Joan discovers a secret of her own. One that threatens everyone she loves.

Torn between love and family and monstrous choices, Joan must find a way to re-gather her old allies to face down the deadliest of enemies, and to save the timeline itself.

Vanessa Len’s stunning Only a Monster trilogy continues with this second instalment, a thrilling journey where a secret past threatens to unravel everyone’s future.

Len comes up with quite an outstanding story for Never a Hero that hits the ground running fast and never lets up with the feels, action and deadly reveals.  The story starts with Joan living in a slightly different world thanks to her manipulations of the timestream, where her former love interest, Nick, has no memory of who she is or that he used to be a monster hunter.  However, an attack by the agents of the Monster Court forces her to once again jump back into that world to try and unravel a deadly conspiracy hinted at in the first novel.  However, this time she is the expert, dragging along the very human Nick, who quickly learns about the monster world as Joan desperately tries to keep him from remembering his deleted past as a monster hunter.  At the same time, her former ally from the first book, Aaron Oliver, has no idea who she is and is instead leading the hunt for her.

The resulting story proves to be quite exciting and intense, as the protagonists stay on the run, connecting with old allies and trying to discover why they are being chased and what deadly new plot has impacted their lives.  While there are some deliberate similarities with the first book, Never a Hero goes in some different directions, especially as Joan is aware of what it means to be a monster.  The book really goes in some interesting directions, and I loved how Len chose to wrap everything up.  The conclusion has so many heartbreaking revelations about the characters’ pasts, and the resulting secrets will shake readers to the core.  I love how well Len set up many of these reveals, and it was great to get a satisfying pay-off to some of the secrets and questions left unanswered in Only a Monster.  Never a Hero ends on a big and ground-shaking note, hinting at a big final novel that will push the characters to their limits.

Len did an outstanding job following up her amazing debut here in Never a Hero, and this was another intense and moving character-driven read that expertly built on the elaborate story of her first book.  This was a great piece of young adult fantasy fiction that will attract both a mature teenage audience as well as older fans of inventive fantasy fiction.  While written in the same style as Only a Monster, Never a Hero definitely has a different feel to it, mainly because Len is weaving in some complex and inventive additional time travel elements.  In particular, the protagonist is forced to manoeuvre through a different world brought on by the changes to timeline she made at the end of the last book.  There is a constant reintroduction of supporting characters, locations and events, often in a much different context as the protagonist tries to work out the consequences of her actions.  At the same time, the reader is also treated to some additional lore surrounding the various monster families and there is some substantial and imaginative world building as a result.  I love how effectively and effortlessly Len utilised these complex fantasy concepts throughout her second novel and it really enhances an already exciting and memorable story.  While Len does work to make Never a Hero more accessible to new readers, the focus on differing timelines and alternate characters does slightly restrict who is going to enjoy this book.  I personally would strongly recommend reading the first novel before diving into Never a Hero, and that is honestly the best way to enjoy this story.

One of the best aspects of Never a Hero was the amazing character work of Len, who did an amazing job bringing together several intense and compelling story arcs around her excellent protagonists.  The main three characters of the book, Joan, Nick and Aaron, each have impressive appearances and scenes in Never a Hero, and what was particularly great about them is that they were so different from their prior appearance in Only a Monster.  Thanks to the time manipulations, each of them experiences an interesting new narrative in this book, and Len works this into the overall narrative of the book extremely well.  Joan, the only one who effectively remembers the prior events, is burdened by all manner of guilt, not only because of her monster heritage but because she killed off a version of Nick in the previous novel.  This guilt and despair only grows as the novel continues, especially when she realises the true consequences of her actions.  At the same time, Joan is constantly trying to hide the evil of her species from Nick, while also trying to come to terms with the other dramatic changes and revelations in her life.

The other two major characters, Nick and Aaron, also have some amazing sequences in this book.  Nick, who spent the previous novel hunting Joan as a monster hunter, is reborn for this book as a normal teen with a happy home life.  However, he is soon forced back into the world of monsters when he and Joan are attacked, and it was fascinating to see him experience everything from the other side, especially as a single wrong move from the other characters could turn Nick back into a ruthless killer.  Len also dives into the complex past around Nick’s various incarnations, and I deeply appreciated the tragic story about how he became a killer.  Aaron, on the other hand, is a monster from a noble family who was a reluctant ally to Joan in the previous book, before something else formed between them.  However, in Never a Hero, Aaron remembers nothing about this adventure or Joan, and instead he finds himself hunting her.  This was an outstanding move from Len, as readers of the first book had grown to care for Aaron, so it was jarring to see him evil again in this sequel.  The author wove quite an interesting storyline around Aaron, especially when it came to his connection with Joan, and there were some amazing scenes where the protagonist tried to bring him back onside by using secrets she previously learned from him.  These three characters and their unique personal stories formed a powerful emotional heart to Never a Hero, especially when combined with the excellent supporting cast and a wonderfully wicked villain.

Never a Hero proved to be quite an impressive and outstanding follow-up to Vanessa Len’s epic debut.  This amazing young adult fantasy novel had me quite enthralled and I loved the clever and powerful ways Len continued her unique narrative.  Len is truly proving to be one of Australia’s best new fantasy authors and I cannot wait to see how she wraps this series up with her next amazing novel.

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Throwback Thursday – Cold Days by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday3 Comments

Cold Days Cover

Publisher: Penguin Audio (Audiobook – 27 November 2012)

Series: Dresden Files – Book 14

Length: 18 hours and 47 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday, I check out yet another exceptional entry in Jim Butcher’s outstanding Dresden Files urban fantasy series with Cold Days.

Readers of this blog will know that I have been having an incredible time getting through the epic Dresden Files series by Jim Butcher.  An iconic urban fantasy series, the Dresden Files follows maverick wizard Harry Dresden as he defends the city of Chicago from all manner of supernatural threats.  This series is so impressive, and I have been steadily making my way through out it since 2020.  My previous burst of reading saw me get through four of these amazing books in a row, including Small Favor, Turn Coat, Changes and Ghost Story, and while that momentarily sated my interest in this series, I am still very keen to continue, and I’m hoping to finish it off this year.  I’m already off to a good start as I just knocked off the 14th book in the series, Cold Days, which proved to be another gripping and clever read.

Despite his best efforts, professional wizard Harry Dresden is once again alive, and his troubles are only just beginning.  Forced into a Faustian deal to gain the power he needed to save his daughter, Dresden, now finds himself indebted to Mab, Queen of Air and Darkness and ruler of the Winter Court of the Faerie.  While he’d hoped his murder would get him out of this dark responsibility, Mab had other plans and now Dresden finds himself dragged back to life as the Winter Knight, Mab’s personal champion and hitman.

Determined not to fall under the alluring sway of his new position and power, Dresden finds himself once again thrust into the middle of a conflict outside of his abilities when Mab sets him on his first mission, killing her own immortal daughter.  Grappling with such an impossible task, Dresden returns to his beloved Chicago, only to find even more trouble awaiting him there.  Demonreach, the mystical island in the middle of Lake Michigan that Dresden bound himself to, is under magical siege, and it if falls, billions will die.

With only 24 hours to complete both his allotted assassination and save Demonreach, Dresden soon finds himself under attack from all manner of foes, including manipulative faeries, dangerous beings originating from outside of reality, and former friends with new agendas.  To survive, Dresden will need to reconnect with his old allies and work with them to prevent a dark cataclysm.  But faced with impossible choices and hidden enemies, Dresden soon finds himself unsure who to trust.  Worse, his new powers are working to change him into something primal and dark.  Can Harry defeat both his foes and his own inner darkness before it is too late?

I doubt anyone is going to be surprised to find out that I loved Cold Days.  Butcher did a wonderful job continuing his exceptional series, especially as he presents the reader with a complex and intriguing new adventure, loaded with mystery, sacrifice and surprises.  A gripping read from start to finish, Cold Days gets another easy five-star rating from me, and I had an amazing time getting through it.

At this point in the series, Butcher had been on a real roll, and the last two books, Changes and Ghost Story, had exceptional stories that dramatically shifted the status quo for the protagonist.  This trend continued in Cold Days as Butcher simultaneously reintroduced Dresden back to the world after his death, showed his first adventure as the Winter Knight, and provided some massive detail about the major antagonist that his been hinted about since the start of the series.  I honestly was hooked on Cold Days the second I started it, especially as it begins with a particularly entertaining training montage, before dumping the protagonist right into the midst of complex Winter Court politics.  From there, Dresden is given an impossible task, and his attempts to understand his new mission reveal additional obstacles, including the danger posed by Demonreach.  This swiftly morphs into a classic Dresden Files novel, with the protagonist attempting to solve several concurrent mysteries, while entertaining antagonists try to take him off the board.  A lot of the story involves the always fascinating and manipulative Faeries, and I liked how well Butcher expanded the lore surrounding them.  Naturally, this means that the protagonist must deal with politics, intrigue, and so many betrayals, as he finds himself in the middle of their deadly games.

Once Dresden fully understands the stakes of his new mission, he is forced to make some big decisions, especially as the true antagonists of this book are obscured and hidden.  Everything leads up to a massive and extended final confrontation, which was pretty damn awesome to see, especially as Dresden leads some interesting forces to war and finds himself going up against some big players.  There are some brilliant and well-setup twists at the end of Cold Days that really highlight just how manipulative a certain character is, as well as how good Butcher is at planning ahead with his writing, and the status-quo of the series changes once again.  This entire story was so damn entertaining, clever and moving, and I just flew through it.

As always, I love the excellent first-person style that Butcher utilises to tell his Dresden Files stories, and Cold Days came across in a fun and entertaining way.  Told exclusively from the perspective of protagonist Harry Dresden, you are given a front row seat to the chaotic events of the book as they occur, and I always love the fantastic blend of mystery, action, humour and character moments that result from this.  Cold Days was a particularly good example of this, and it featured an amazing pace, loaded with major set pieces and powerful interactions between the protagonist and other characters.  The action scenes were particularly fun, and I loved how well Butcher was able to enhance the battles with the continuously expanding lore surrounding his excellent series.  Everything about this book was a lot of fun, and this ended up being an impressive entry in the wilder Dresden Files series.

One of the things I particularly enjoyed about Cold Days was the intriguing and impressive ways that Butcher provides some massive expansions to his universe.  Cold Days features some major revelations which completely shift the entire perspective of the Dresden Files, especially as you get some reveals about who the true antagonists of previous books were.  The protagonist’s place in this universe is greatly enhanced, as not only does he get some major power boosts but the true responsibilities of certain posts he took on are revealed.  As such, the stakes of Cold Days and the future books in the series are now higher than ever, which I personally enjoyed.  These changes were an outstanding natural progression of story elements from the previous 13 novels, and it was great to get some payoffs to some of the clever hints Butcher has been lacing into the series since book one.  Because of this, I would strongly recommend that readers go back and read the series from the start rather than beginning with Cold Days, as you will get so much more out of it.  At the very least, I think you need to read the previous two novels, Changes and Ghost Story first, as some of the major story elements and character arcs from there are concluded or continued here.  However, if you decide to start reading the series here at Cold Days, you should still be able to follow along, especially as Butcher always ensures that key elements and characters are always succinctly and effectively reintroduced.

I must really highlight the excellent character work featured in Cold Days, as Butcher does an outstanding job featuring a huge cast of fascinating figures, each of whom plays an important role in the complex plot.  Naturally most of this focus revolves around the point of view protagonist, Harry Dresden, who has been going through a real emotional and personal roller coaster in the last few books.  Not only did he recently find out he had a daughter who was hidden from him, but he was forced to accept a deal with Mab to save her, which he then tried to get out of by dying.  Fully resurrected by the start of Cold Days, Dresden is forced to deal with the consequences of his choices.  It was interesting to see the usually moral and independent Dresden under the control of a historically malevolent figure like Mab, and his attempts to understand her motivations and his place in this new regime are a huge part of the plot.  At the same time, his new powers are slowly changing him, and he is constantly forced to fight back against various primal urges.  This results in some very interesting personal moments, especially as Dresden is finally properly reunited with his friends and family.  I loved how emotional and powerful parts of this book get, especially as Dresden comes to terms with some of the darker moments and thoughts that have plagued him over the last few adventures.  As such, this is an important entry in Dresden’s personal story, and I look forward to seeing what other develops occur in the future.  Of course, while this book does get emotional and moving at times, Dresden was still mostly the same funny and disrespectful figure he always was, and much of Cold Days’ humour was derived from him making fun of and picking fights with people way outside his weight class.  I have so much love for most of Dresden’s character traits, even when being turned slowly evil, and Cold Days is so much more entertaining with him as the narrator.

In addition to Dresden, Cold Days featured a great batch of returning figures, each of whose storylines are also expanded on once Dresden returns.  I loved some of the interactions that occurred in Cold Days, especially as we once again got to see the fun sibling relationship Dresden has with his brother, Thomas, and there was finally some movement on the long-simmering romance between Dresden and Karin Murphy.  It was great to also see more of recurring characters Butters, Bob the skull and Dresden’s dog, Mouse, who are all quite entertaining in their own way.  However, I think the most interesting character development occurred around Dresden’s apprentice, Molly Carpenter.  Like Dresden, Molly has gone through a ton of trauma in the last few books, and it was great to see her mostly on her feet in this novel.  Of course, as Butcher is a cruel author, we had to know it wouldn’t last, and some very significant changes occur to Molly in the big conclusion.  Butcher did a great job setting the scene for these changes, and it will be interesting to see how much her personality changes in the next few books.  I still don’t love the constant hints about a potential romance between Dresden and Molly that were featured here; if they ever get together in a future book, it will be gross.

Aside from these familiar figures, Butcher also loads Cold Days up with nearly every Faerie character and figure he had, including several sinister new antagonists.  The Dresden Files books featuring the Faerie Courts and characters can often be quite entertaining and I think Butcher did a really good job of showcasing the intricate figures who make up these courts in Cold Days. Mab was a fantastic, dark and sinister figure for much of the book as Dresden’s new master, and I enjoyed how she cast a big shadow over much of the plot.  While mostly shown to be villainous, Butcher did attempt to humanise her in places, and it was great to finally get some more depth around her.  The rest of Faeries all had their own unique purpose in the story, and you are never quite certain whose side they are on, especially when more revelations come through as part of this book.  All the characters in Cold Days were very impressive and well-written, and I really appreciated how their complex character arcs helped to enhance an already powerful story.

As usual, I ended up enjoying Cold Days on audiobook, which is honestly just the best way to enjoy a Dresden Files novel.  Coming in with a run time of just under 19 hours, Cold Days was one of the longest Dresden Files audiobooks, but I still managed to power through it in one fantastic week.  Butcher’s outstanding storytelling is always deeply enhanced by this format, and you really get the full experience of the action, unique fantasy elements and cool characters through it.  Of course, the epic voice work from long-running narrator James Marsters is a huge factor in this.  Marsters always moves the story along perfectly, and it is hard not to get caught up in the plot when he dives into the cool features and narrative.  I still really love all the unique and enthusiastic voices he brings to the table, and all the characters, be they new or established, came across perfectly here.  I always deeply appreciate how well Marsters can dive into protagonist and point of view character Harry Dresden, and his narration once again pulled out all this character’s pain, inner turmoil, and relentless cheek.  Marsters also has a lot of fun with the various monsters, faeries and other ethereal figures featured throughout Cold Days, and he always ensures these mysterious creatures come across as something inhuman or terrifying.  This great voicework really turns the Cold Days audiobook into something deeply addictive and fun, and I really cannot recommend this format enough.

Look, there was no way I wasn’t going to enjoy Cold Days, as frankly the entirety of the Dresden Files series has been pretty damn impressive.  However, I felt that Jim Butcher did a really good job with this 14th book, as Cold Days features a compelling and emotionally charged narrative that expertly continues some of the most impressive storylines from the last few entries.  Loaded with action, compelling lore expansion, and Butcher’s distinctive humour, Cold Days was an exceptional book that I cannot recommend enough.  I love this series so much and I cannot wait to finish it off this year.

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Warhammer 40,000: Creed: Ashes of Cadia by Jude Reid

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer10 Comments

Creed - Ashes of Cadia Cover 2

Publisher: Black Library (Audiobook – 9 September 2023)

Series: Warhammer 40,000

Length: 14 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Exciting new Warhammer 40,000 author Jude Reid presents an action-packed and captivating novel that takes the reader to one of the most desolate places in the franchise’s universe, the ruins of Cadia, with the exciting novel Creed: Ashes of Cadia.

Last year proved to be an outstanding year for new authors producing their first Warhammer 40,000 novel, with several highly talented authors, such as Rob Young (Longshot) and Jonathan D. Beer (The King of the Spoil), producing amazing and intense reads in this fantastic universe.  One of the most interesting of these 2023 Warhammer 40,000 debuts was the impressive and captivating Creed: Ashes of Cadia by new author Jude Reid.  Reid’s first full novel after writing multiple Warhammer 40,000 short stories, Ashes of Cadia takes the reader on an epic journey with a new major protagonist.

Years after the fall of Cadia to the dread forces of Chaos, the Imperium of Man is still reeling from the carnage wrought in its aftermath which saw a massive warp rift cleave their besieged intergalactic realm in two.  Led by the returned Primarch Roboute Guilliman, humanity fights back as best it can in a great crusade, but its victories are never enough.  When word reaches Guilliman of a potential weapon on the most unlikely of locations, desperation requires him to investigate, and there is only one person he can call on for this dangerous mission.

After continually proving herself on the field of battle, Ursula Creed has succeeded her father, Ursarkar E. Creed, in becoming the new lord castellan of Cadia.  Leading the remaining Cadian forces in the Imperium, Ursula hopes to erase the stain of her legendary father’s great defeat, however, she can never seem to leave behind his complicated legacy.  When summoned by Guilliman for a secret mission, Creed is shocked to discover that she is being sent back to one place she never thought to return to, the shattered remains of Cadia.

Accompanied by a select team of Cadians with an unusual mixture of skills and experience, Ursula is sent to the surface to recover her father’s final battle plans and the secret weapons they supposedly lead to.  However, the surface of Cadia is a blasted wasteland, filled with foul energies and unnatural magic that causes even the dead to attack the invaders.  Left without support and hopelessly outnumbered, Ursula must lead her unprepared followers onwards in the hope of securing the prize.  But terrible evils lay claim to the remnants of Cadia, and Ursula will be forced to confront both the forces of Chaos and her own inescapable legacy as the daughter of Creed if she wants to survive.  Can Ursula succeed where her father failed and redeem Cadia, or is she already lost?

Reid had a very ambitious story idea for Ashes of Cadia, in that she needed to provide a human solider focused, character-driven adventure narrative that simultaneously examined the complex legacy of the Cadians in a new way, while also providing the reader with an intense and action-packed read.  Reid more than succeeded, as Ashes of Cadia takes the reader back to Cadia, one of the most significant landscapes in the Warhammer 40,000 universe and puts several intriguing and damaged protagonists through absolute hell.

Starting off a little slow to establish the main cast, remind people about the Cadian legacy, and set up the mission, Ashes of Cadia doesn’t really speed up until the protagonists land on shattered Cadia, and naturally all hell breaks loose.  The protagonists essentially find themselves thrust into a zombie apocalypse scenario, as a sorcerer attacks with a horde of living dead and decimates the protagonist’s team, leaving them trapped on the planet.  The disparate band of damaged and disillusioned survivors are forced to journey across the ravished planet to find either an escape or the rumoured secret weapon, encountering all manner of horrors, tragedy and continuous losses of supporting characters, all the while being hunted.  At the same time, the cast become more and more disheartened and internal conflicts seek to fracture them in a range of emotionally charged scenes.  This harsh adventure takes them to several key places on the ruins of the planet, as they get closer to their various personal goals.  There are some interesting false starts and twists, as well as some heartbreaking scenes, and you are constantly on edge, especially as a new danger of betrayal might emerge just around the corner.  I liked the reveal of Creed’s treasure in the novel, especially as it has some interesting potential consequences for the future of the Cadians, and the use of Creed’s daughter as a protagonist was a smart choice.  While I did see the big twist of the book regarding a certain traitor coming, it was still really well written, and I loved how Reid tried to misdirect with multiple bloody red herrings.  Everything leads up to a big, brutal, and over-the-top final confrontation, the sees the survivors redeemed in various ways, and it ended up being a fantastic and powerful piece of Warhammer 40,000 fiction.

Reid wrote a very intense and personal novel here with Ashes of Cadia, and I really enjoyed her captivating writing style.  Expertly splitting the focus of the book between several complex and unconventional soldiers with their own individual baggage, Ashes of Cadia becomes a much more emotionally charged novel than I was expecting, but the result was an impressive read, especially as you quickly get invested in the various character arcs.  However, Reid is no slouch when it comes to the action, as the many combat sequences are sharp and brutal, keeping you on your toes as any of your favourite figures can quickly fall.  While the pace of Ashes of Cadia does slow a bit at the beginning and in the middle, for the most part Reid keeps her novel moving along, and I had a hard time putting it down as a result.  I especially loved how well Reid portrayed the fallen planet of Cadia throughout this novel, especially as she really laid out the horrors and dangers associated with this planet.  Fans of Warhammer 40,000 fiction who know this planet well will be shocked by how disturbing and different it turns out, and I loved that we finally got an adventure in the ruins.  A brilliant and exceptionally written novel, you will have a lot of fun with this book.

As I have mentioned a few times in this review, Ashes of Cadia is a significant piece of Warhammer 40,000 fiction, mainly because it provides a continuation to a lot of the major story elements that have been a big part of the franchises fiction since the lore changes surrounding the fall of Cadia.  Quite a bit of in-universe time has taken place since that event, and most of the recently released Warhammer fiction focuses on how the loss of the planet effected the Imperium and the many Cadian soldiers fighting throughout it.  If followed through, the events of Ashes of Cadia are going to give these Cadian characters and stories new purpose, and I loved that we also have new Creed character to follow in Ursula.  Reid does an excellent job of building up to these reveals, and there was another interesting look at how traumatised and demoralised the Cadians are, which really fit into the plot of this book.  There are also a lot of references to other novels and events from the lore that fans of the franchise will appreciate, and I personally liked how it had some connections to another Warhammer 40,000 novel from last year, The Fall of Cadia by Robert Rath (one of my favourite books and audiobooks of 2023).  As such, Ashes of Cadia is probably best enjoyed by those established fans of the Warhammer 40,000 universe, especially those who have enjoyed the recent influx in Cadian fiction.  However, there is still a lot for newer readers to the franchise to enjoy, especially as Reid does a wonderful job of explaining the key lore elements that lead up to this story.  General fans of adventure, science fiction and even horror, can have a lot of fun with Ashes of Cadia, and this turned into quite an intense and bloody war narrative.

Easily the most distinctive part of Ashes of Cadia is the complex and damaged cast of characters that make up the main cast.  Reid produced some unique figures for this impressive narrative, and their individual stories, as well as the general despair of the Cadian trooper following the loss of their planet, proves to be a major driving point in the plot, and I really enjoyed seeing the various character arcs unfold.

Ashes of Cadia’s story had three primary point of characters, and Reid did a pretty good job of jumping the story around them, showcasing each of their unique and well-written storylines.  The most prominent of these is the titular Ursula creed, the current lord castellan of the lost planet of Cadia.  The daughter of the beloved Cadian leader who lost the planet before disappearing, Ursula has big boots to fill, especially as she is resentful for her father’s legacy and the fact she barely knew him.  The resulting insecurities, responsibilities and bitterness play a huge part in her character arc, and watching her walk in the steps of her father and attempt to become the leader he was proved to be a great part of the plot.

The next major character, Shael Laskari, adds a more general viewpoint to the story as a recently graduated cadet who is chosen to accompany Creed to the surface for propaganda reasons.  Inexperienced and fearful, Laskari is the everywoman of Ashes of Cadia, and it proved interesting to see her deal with the unknown horrors of the planet while also trying to find her courage in her squad.  Reid also does an exceptional job with the unique character of Mac Ossian.  A former medic and member of a Cadian regiment, Ossian was assigned to a penal legion after killing his former commander, and now finds himself back on Cadia as part an expendable distraction.  Managing to meet up with Creed’s unit, Ossian spends much of the book trying to prove his loyalty and worth, while also wondering if Creed and Cadia still deserves his surface.

These central characters are accompanied by several fantastic supporting cast members, several of which have their own exceptional character arcs.  I personally really enjoyed Colonel Hadrian Aurelius Van Haast, who serves as a guide with local knowledge of the area.  Van Haast is a stupendously arrogant figure, who you can’t help but dislike, and he added a fantastic dynamic to the cast.  However, this arrogance is a cover for a much darker secret, which Reid slowly and expertly reveals as the book continues.  I also must highlight Ossian’s fellow penal legionnaire Liga Yager, another prisoner who tries to survive after being dropped on Cadia to die.  Due to her much more cynical perception of Creed and the Cadians, as well as her compelling backstory, Yager goes on a very different path than Ossian, and proved to be a devil on his shoulder that speaks some much-needed truth.  Finally, I loved the villain of the story, the Death Guard sorcerer, Livor Opilionis, who is mostly called The Huntsman throughout the book.  The Huntsman is a gloriously sinister and dangerous foe, who relentlessly hunts them throughout the ruins of Cadia, heralded by his hunting horn and packs of plague zombies, and the confrontations the protagonists have with him always leads to carnage.  This outstanding cast of characters, and more, really turned Ashes of Cadia into an amazing novel, and I loved the brilliant character arcs that Reid developed around them.

As with most Warhammer 40,000 books I check out, I made sure to grab Ashes of Cadia on audiobook.  The Warhammer 40,000 audiobooks are always pretty damn awesome, and I love how much the action, horror and unique setting came through in this format.  Coming in with a decent runtime of just over 14 and a half hours, Ashes of Cadia was a very easy book to listen to, and I managed to knock it off quickly.  It helped that Ashes of Cadia was narrated by the superbly talented Colleen Prendergast, who is swiftly becoming the go-to narrator of Warhammer 40,000 audiobooks with female Cadian protagonists.  Prendergast has a great and intense voice for Warhammer 40,000 fiction, and I love how well she was able to move the plot along.  She also provides a series of great and fitting voices for the cast of this book, especially the female characters.  I loved how dignified and complex she made some of these characters, as well as how monstrous and threatening the main antagonist sounded in his terrifying scenes.  As such, Ashes of Cadia was an absolute joy to listen to and I would strongly recommend this audiobook version to anyone interested in this fantastic piece of Warhammer 40,000 fiction.

Creed: Ashes of Cadia was a fantastic, dark and captivating novel from Jude Reid, who produce an impressive debut with some intriguing potential for the wider Warhammer 40,000 universe.  Loaded with action, intrigue and several complex characters, Creed: Ashes of Cadia was an excellent read that cleverly ties into the history and existing lore of this complex and highly fun franchise.  Intense, moving, and oh so brutal, Ashes of Cadia comes highly recommended, especially for fans of Warhammer 40,000 fiction.

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