Tribe by Jeremy Robinson

Tribe Cover 2

Publisher: Breakneck Media (Audiobook – 26 November 2019)

Series: Standalone/Infinite Timeline

Length: 10 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Gods, mortals and everything in between will clash in Tribe, the intriguing fantasy thriller from the always entertaining Jeremy Robinson.

Last year I decided to take a chance and check out an author whose work I was unfamiliar with, and boy did that work out for me.  Jeremy Robinson had a very impressive and extensive list of awesome books to his name, most of which straddled the border between thrillers and other genres like fantasy, science fiction and horror.  The first book of his I checked out was The Dark, which followed a very likeable protagonist who gets caught up in a terrifying and horrific invasion of his neighbourhood by a horde of demons.  The Dark was an outstanding read, and I really got drawn into its awesome story, intense pacing and fun characters.  After giving The Dark a full five-star rating, I had to make sure to grab the other 2021 release from Robinson, Mind Bullet, especially as it was in the same loosely connected series.  Mind Bullet was a fantastic and highly entertaining read that followed a psychic hitman being hunted by a series of unusual but deadly assassins.  Mind Bullet was another five-star read in my book, and I had such a great time reading it.  Indeed, I loved both The Dark and Mind Bullet so much that I included them both of my top books and audiobooks lists of 2021.

Naturally, this has made me quite eager to read some more of Robinson’s work, and while I had to miss one of his 2022 releases The Order (I need to read some of the lead-up books beforehand), I did recently decide to go back and try one of his older novels, the 2019 release, Tribe, from the same storyline as The Dark and Mind Bullet.  Not only does this allow me to better follow one of Robinson’s upcoming books in the Infinite series but it had a very fun-sounding story that I really wanted to check out.  It turns out Tribe was just as fun as I hoped it would be, and I had a wonderful time getting through it.

Sarah, a 20-year-old college dropout working at a donut shop in Boston, has long struggled with the bad turns her life has taken.  Constantly plagued by bad luck and misfortune, Sarah has no one in her life she can count on, until she runs into homeless teen street punk Henry.  Henry, a kid who literally knows no fear, has randomly blown into her life and the two find themselves with a strange attachment to each other that they can’t explain.  However, life is about to get much more complicated for both when they run into each other at the local bank.

Arriving at the same time, the two manage to work together to foil a robbery that seems focused on targeting a mysterious and wealthy woman named Helen.  Taking Sarah and Henry under her wing, Helen attempts to take them to her apartment, but before they can make it they find themselves under attack by members of an ancient cult who are determined to cause as much chaos and destruction as they can.

Separated from the incredibly capable and violent Helen, Sarah and Henry find themselves alone on the streets of Boston, pursued by the cult.  Forced to keep moving and face off against a stream of determined and dangerous foes, Sarah and Henry begin to realise that there is something special about them that allows them to fight back, and which is making them stronger.  However, if they want to survive, they will need to discover the truth about who they are and what dark legacy their blood contains.  But with a dangerous figure hunting them, can Sarah and Henry live out the day, or will they become links in a master plan spanning millennia?

Tribe was an extremely entertaining and action-packed novel from Robinson, who utilises his usual fun and thrilling style to create an excellent read.  Featuring a captivating and electrifying narrative based around a couple of interesting and damaged figures, Tribe was a truly unique and captivating read that I had a fantastic time with.

Robinson crafted together a very interesting and highly exciting narrative for Tribe, which is essentially a non-stop action adventure from the very first scene.  After a quick but memorable introduction to, Sarah and Henry, the story dives right into the action, when the protagonists chance upon a violent bank hold-up.  Thanks to the impulsive Henry, the two are forced to intervene, assisting the mysterious Helen, making them heroes.  While you would imagine that would allow them to have some quiet time, Robinson puts them into the next action set piece within a few pages, as they are forced to flee an army of angry and over-the-top cultists who are hunting them.  This results in a series of impressively violent and extremely compelling fight sequences and chase scenes, as the protagonists try to survive while their lives are changing in ways that they don’t fully understand.  These initial sequences fill up the first half of the novel well, and you quickly become pretty damn invested in the narrative, especially once Robinson finally reveals the reasons behind everything and how everyone connects into the wider plot.  This first half also does a great job setting up the novel’s style, and you soon get quite used to the fantastic combination of action, character development and slick humour as the outrageous characters experience an array of over-the-top situations.

There are some rather interesting dives into Greek mythology in the second half of Tribe, which alters the course of the story and impacts everything the protagonists thought they knew about the world and themselves.  After a couple of attempted separations, the characters find themselves in some pretty dark situations as they finally face off against the big bad of the story, who ended up being an extremely sinister baddie.  The action comes thick and fast in this second half of the book, as the protagonists keep going up against a series of unique and memorable foes.  These scenes really make you appreciate Robinson’s ability to write brilliant, fast-paced action sequences, and the fantastic detail and intriguing depictions of deadly fights are so much fun to see.  I also enjoyed the strong Greek mythological motifs and elements that are slipped into this half of the book.  I think that they melded with the thriller style of the plot extremely well, and a lot of the story felt like a cool fantasy/superhero combination.  Along with some powerful reveals, major trauma, and subsequent character evolution, the protagonists become ready for the final confrontation that lays everything on the line.  The entire narrative flowed into this intense and high-stakes conclusion extremely well, and readers are in for a fun and captivating time as the protagonists go all out.  I really liked how everything turned out, and while this wasn’t my favourite of Robinson’s narratives, it was pretty damn addictive and readers will come away extremely satisfied.

I had a lot of fun with Tribe, and I am very glad that I checked it out, especially with how it plays into Robinson’s wider universe.  As I mentioned above, Tribe is part of a loosely connected series of cool books that are part of the Infinite Timeline.  While most of them are standalone reads, the further you get into the series, the more the storylines start to blend a little more, and this will all lead to several massive crossover novels, such as one being released later this year.  This is one of the main reasons why I wanted to read Tribe, as the main characters from it have appeared in the two other Robinson books I have read and will also be part of the upcoming 2022 release, Khaos.  However, readers don’t need to do any pre-reading for Tribe to enjoy it; thanks to its relatively early position in the Infinite Timeline, it doesn’t noticeably feature characters or story elements from the other novels.  As such, it is a very accessible read, and anyone who likes a fun action story can have a great time reading it.  Still, those people who are interested in Robinson’s larger series will do well to read Tribe soon, especially as it sounds like the plot of Khaos is going to come back to key details from Tribe in a big way.

I also deeply appreciated how Robinson made use of some excellent and fun central characters, Sarah and Henry, two seemingly unconnected people.  The story is set up to continuously rotate between their perspectives, which really enhances the overall quality of the narrative, especially when you get two separate views of the same events, or the characters are dealing with separate outrageous events at the same time.  The author does a great job of building up both characters throughout the novel as they start to discover their destiny and their various shared connections.  A lot of the revelations around them result in some interesting abilities and moments for the characters and watching them react to it in very different ways was very entertaining.  They also go through a lot of trauma throughout the book, and again both of them deal with it differently, which I felt was an intriguing and realistic inclusion.  Both characters are quite interesting in their own way, and they serve to balance each other out in the narrative, with Sarah acting as the moral and sensible one (at least until she unleashes the inner beast), and Henry being the wildcard.  Henry is definitely the life and soul of the much of the book.  Due to a brain condition, he lacks any sense of fear whatsoever and has no filter when it comes to doing stupid stuff.  I have mixed feelings about this; while many of these random outbursts and actions are a lot of fun, they do start to get a little repetitive and annoying after a while.  I also felt that it ensured Henry started to overshadow Sarah in parts of the book.  Still, these were some great central protagonists you quickly get attached to, and with the fantastic supporting figures, you have a lot of fun characters in this book that really enhance the narrative.

One of the most appealing things about Robinson’s books is that they all make for an amazing audiobook.  Tribe was another excellent example of this, especially as listening to the story really allows you to get to grips with the incredible and powerful action sequences.  With a run time of just over 10 and a half hours, this is a relatively quick audiobook to get through, and it is very hard not to get attached to it, especially when it features brilliant narrator R. C. Bray.  Bray is a very skilled audiobook narrator who, in addition to providing his voice to most of Robinson’s books, has also narrated several other great books and series, such as Michael Mammay’s Planetside series (Planetside, Spaceside and Colonyside), all of which were excellent audiobooks.  Bray has an exceptional voice that works really well to tell high-stakes and powerful action orientated novels while also bringing a range of interesting characters to life.  He did another outstanding job in Tribe, and all the high-octane action fights are told perfectly, with Bray really highlighting the brutal fights with his telling.  He also provides powerful and insightful voices to all the characters, with all their quirks and interesting features perfectly brought to life as a result.  As such, I had a brilliant time listening to Tribe on audiobook and felt that Bray’s excellent narration really added to my overall enjoyment of this novel.  As such, I would very much recommend the audiobook version to anyone interested in trying out Tribe, as it was a lot of fun to listen to.

Overall, Tribe was a pretty fantastic and extremely entertaining book from Jeremy Robinson.  Loaded with all the intense action, clever references to Greek mythology and intriguing characters you need for an incredible narrative, Tribe was such an epic read and it comes very highly recommended, especially as an audiobook.  I had an outstanding time, with Tribe and it will be interesting to see how these characters, as well as the protagonists of The Dark and Mind Bullet, will feature in the upcoming Khaos.

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Star Wars: The High Republic: Midnight Horizon by Daniel José Older

Star Wars - Midnight Horizon Cover

Publisher: Disney Lucasfilm Press (Audiobook – 1 February 2022)

Series: Star Wars – The High Republic

Length: 10 hours and 5 minutes

My Rating: 4.75 out of 5 stars

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The first phase of The High Republic Star Wars novels continues to come to an intriguing end with the phase’s third young adult entry, Midnight Horizon, a deeply exciting and fun novel from the talented Daniel José Older.

Since the start of 2021, fans of Star Wars fiction have been granted a unique treat in the form of The High Republic books, a Star Wars sub-series set hundreds of years before the events of the films.  Set at the height of the Republic, the High Republic era is loaded with dangers for the Jedi, particularly that of the Nihil, dangerous raiders who seek to raid, pillage, and destabilise order, while their mysterious leader attempts a far more ambitious plan: the destruction of the Jedi.  Broken down into three phases, the first phase was pretty epic and set up the entire High Republic premise extremely well.  This phase has featured a great collection, including the three main adult novels, Light of the Jedi, The Rising Storm, The Fallen Star; some intriguing young adult books; the audio drama Tempest Runner; two awesome comic book series; as well as some other media releases.  However, this first phase has come to an end, and I just managed to finish off one of the novels that served as its conclusion with Midnight Horizon.

Midnight Horizon is the third young adult fiction novel set within the first High Republic phase, and it is probably the best.  This book was written by Daniel José Older, who has authored several great Star Wars novels over his career, including Last Shot, which was one of the books that started my recent obsession with Star Wars extended fiction, and who has been one of the key contributors to The High RepublicMidnight Horizon is set around the same time as the last adult book of the phase, The Fallen Star, and continues storylines from some of the previous books, including the other two young adult books Into the Dark and Out of the Shadows, as well as the Star Wars Adventures comic series and the junior novel Race to Crashpoint Tower.

Following the devastating Nihil attack on the Republic Fair, the Nihil raiders are finally on the run from the Jedi of Starlight Beacon.  However, not everything is as it seems, and several mysterious events and attacks are beginning to occur around the galaxy.  One of the more alarming rumours of Nihil activity has been sent from the planet of Corellia, home of the galaxy’s premier shipyards, where a now missing diplomatic bodyguard was attacked by mysterious killers wearing Nihil garb.

Determined to ensure that the chaos of the Nihil does not spread to the core planets of the Republic, the Jedi dispatch the small team of Jedi Masters Cohmac Vitus and Kantam Sy, as well as Padawans Reath Silas and Ram Jomaram, to investigate.  All four Jedi have substantial experience dealing with the Nihil, but each of them is going through their own personal internal battles as they struggle to deal with recent losses.  Nevertheless, the Jedi embark upon their investigation into Corellia and soon find unusual help from young security specialist Crash, the employer and friend of the missing bodyguard.

While Cohmac and Kantam attempt to investigate through official channels, Reath and Ram work with the chaotic Crash and her unusual security specialists to infiltrate Corellia’s high society.  Crash believes that one of her elite clients has knowledge about the Nihil infiltrators and embarks on an ambitious plan to draw them out, setting up Jedi associate Zeen as a famous singer.  However, nobody is prepared for the Nihil’s plans, both on Corellia and at Starlight Beacon, and chaos is about to be unleashed upon the Jedi and all of Corellia.  Can the Jedi stand against their foe when all hope seems lost, or will the Nihil continue to sweep across the entire galaxy?

Midnight Horizon was an exceptional entry in the High Republic series, and I was particularly impressed with the cool and epic story it contained.  Older came up with a brilliant and powerful narrative that combines a fast-paced story with great characters and some interesting High Republic developments.

This entry in the High Republic range had a very distinctive and compelling young adult story that sees all manner of chaos and action befall its protagonists.  Older wrote a very fast-paced, character driven narrative that takes the reader to the world of Corellia.  Drawing in an interesting team of entertaining and chaotic protagonists, all of whom are going through some major issues, Older sets them on a path to a major confrontation, while all of them try to come to terms with their roiling emotions.  The author sets most of the story up extremely well at the start of the book, and the reader soon gets quickly invested in seeing the Jedi investigate the Nihil on Corellia.  The story goes in some very interesting directions as everyone tries to identify the Nihil plot, with the best ones following the two Jedi Padawans as they team up with young bodyguard Crash.  Crash has some elaborate and over-the-top plans that she drags them into, including tricking a rare species eating diva named Crufeela, and this proves to be a lot of fun, while also setting up the final act of the story.  At the same time, Older also throws in some intriguing flashbacks to one of the character’s pasts, as well as showing a few scenes outside of Corellia, all of which adds some greater context to the story as well as adding to the amazing emotional depth of the novel.

Everything comes together brilliantly in the final third of Midnight Horizon, where the Nihil plot on Corellia is revealed, simultaneously occurring at the revelation of the fall of Starlight Beacon (which you knew was coming).  I must admit that until this final third, I kind of found Midnight Horizon to be a bit by the numbers, although undeniably fun, but the way everything came about near the end was pretty awesome, as the characters are thrust into an all-out war.  There are multiple pitched battles, tragic deaths and surprise reveals occurring during this part of the book, and you are constantly hit with big moment after big moment as it continues.  I honestly couldn’t stop at this point in the book, as I desperately wanted to see what happened next, and I was sure that I was seconds away from bursting into either tears or cheers.  My determination to continue really paid off, as Older saved the best revelation for right near the end as there is a really big moment that changes everything and is sure to get every Star Wars fan deeply excited.  Older leaves everything on an exciting and powerful note, and readers will come away feeling deeply moved.  It will definitely keep them highly interested in The High Republic as a whole.

The author really worked to give Midnight Horizon an extremely fast pace, and it is near impossible not to swiftly power through this book as it blurs around you.  Shown from the perspective of all the key protagonists, you get a great sense of all the impressive events occurring throughout the book, while also getting some powerful and intense examinations into their respective heads.  Older presents the reader with an excellent blend of universe building, character work, humour and action throughout Midnight Horizon, and there is a little something for everyone here, guaranteeing that it keeps your constant interest and attention.  I do think that the story as a whole could have benefited from greater development of the book’s villains.  They honestly came a bit out of nowhere towards the end and you really didn’t get an appreciation of who they were (some of it is explored in some of Older’s other works).  I really wish that Older would have shown a few more scenes from the villain’s point of view, highlighting the establishment of their plans a little better, and I felt that really would have increased the impact of the book, but I still had a lot of fun with it.

Midnight Horizon also proved to be a pretty good young adult novel, especially as it shows multiple compelling and well-written teenage characters in dangerous situations, and I loved the powerful exploration of their unique issues, especially the constant uncertainty and doubt about what they are doing.  There are also some major LGBT+ elements scattered throughout this novel, which I thought were done really well, as you get a range of different relationships, orientations, sexualities and fluid genders throughout the book, and I loved seeing this sort of inclusivity in Star Wars.  I also liked the easier flow that Older featured in the novel, which I felt was associated with the younger characters, and it worked quite well to quickly and efficiently tell this book’s fantastic narrative.  While this is a young adult book, there are some great darker themes that all readers will appreciate, and I loved how it developed into a brutal and powerful war at the end.

Midnight Horizon proved to be an interesting entry in the wider High Republic series, as it served as one of the last books in the first phase.  Since it is set alongside The Fallen Star, the readers get a whole other side of this key tragedy in Midnight Horizon, as the established characters all witness the fall of Starlight Beacon and the corresponding changes to the galaxy.  At the same time, it does some interesting exploring of the key planet of Corellia during this period, gives some hints about some events that will appear in the upcoming second High Republic phase, while also setting up some other key moments for the future.  However, the most significant thing that Midnight Horizon does for the High Republic is continue and conclude multiple key storylines and character plot lines that were started in other bits of work, such as the other High Republic young adult books.  It also provides an intriguing sequel to Older’s junior fiction novel, Race to Crashpoint Tower, and actually serves as the conclusion to The High Republic Adventures comic series, also written by Older.  The High Republic Adventures was one of the major comic lines for this phase of the sub-series, and fans of it really need to check this book out as it details the fates of several of its main characters.  I had a great time seeing how some of these storylines continue in Midnight Horizon, and Older did a great job of bringing everything together in this novel, while also making it quite accessible to newer readers who haven’t had a chance to read the comics.  That being said, good knowledge of the preceding High Republic works is probably a good thing to have for this novel, although Older does make sure to give as much background as possible as he goes.

As I have mentioned a few times throughout this review, Midnight Horizon was highly character focused, as the author brings in an interesting collection of main characters to base the story around.  All the major point-of-view characters have been featured in previous pieces of High Republic fiction before (mostly in Older’s work), and the author ensures that they all get detailed and compelling storylines in this novel that not only revisit their complex appearances in previous books, but also brings all their storylines to an intriguing close for this phase.  Older also spend a substantial time diving into the minds of these protagonists, which added some impressive emotional depth to the book, as all the characters experience deep traumas or regrets, especially after fighting the Nihil for so long.  This resulted in quite a moving read, and while I do think that Older might have used a few too-many supporting characters, this ended up being an exceptional character focused novel, and I really appreciated the clever way the author explored his protagonists and showed the events of this book through their eyes.

The best two characters in this book are the two Jedi Padawans, Reath Silas and Ram Jomaram, who serves as Midnight Horizon’s heart and soul.  I was particularly keen to see Reath Silas again, as he has been the constant protagonist of the High Republic young adult books and is a pretty major figure as a result.  Older is the third Star Wars author who has featured Reath as one of their main characters, and I do like how consistent the various authors have been while showcasing his growth and emotional damage.  Reath is going through quite a lot in Midnight Horizon, as he continues to try and balance his duty as a Jedi with the mass trauma he has experience in the last two books, his conflicted emotions, penchant for personal connections, and general uncertainty about what he is doing.  Despite this, he proves to be a steadfast and dependable character, and it is hard not to grow attached to his continued story, especially as he has developed so much from the first book from scholarly shut-in to badass warrior.  Reath’s narrative comes full circle in Midnight Horizon, and fans of this character will really appreciate how Older features him in this book.

I also had a lot of fun with Ram Jomaram, who was such a joy to follow.  Ram is an eccentric and unusual Padawan who first appeared in the concurrently released The Rising Storm and Race to Crashpoint Tower.  A mechanical genius with poor social skills and who is always accompanied by a group of Bonbraks (tiny sentient creatures), Ram brings most of the fun to the book with his antics and complete lack of situational awareness.  While I initially didn’t like Jam (mainly because I found out he was the Jedi who first came up with calling cool things “Wizard”), he really grows on you quickly with is exceedingly perky personality.  It was so much fun to see him in action throughout the book, and he gets into some unusual situations as a result.  Despite mostly being a friendly and cheerful figure, Ram is also going through some major emotions in Midnight Horizon, as he witnessed his home planet get ravaged by the Nihil in The Rising Storm, and he is now very uncertain about the emotions he feels while getting into battle.  This sees Ram form a great friendship with Reath throughout the book, and the two play off each other extremely well, bringing not only some fun humour but an interesting mentor-mentee connection.  Ram ends up showing everyone just how much of a badass he is towards the end of the book, and I honestly had an amazing time getting to know this character.

There is also an interesting focus on the two Jedi Masters, Cohmac Vitus and Kantam Sy.  Both go through some interesting and major moments in Midnight Horizon, and you really get some powerful insights from both.  Cohmac’s story is an intense and intriguing examination of trauma as you see this Master continue to struggle with his history and inability to process emotion.  These issues have been building within Cohmac since his introduction in Into the Dark, and it was fascinating to see them continue to impact him here, especially once he discovers what happened at Starlight Beacon to one of his closest friends.  Kantam Sy is a nonbinary character who has been primarily featured in The High Republic Adventures comic.  You get a much more in-depth look at Kantam in this book, especially as Older spends time developing several flashbacks around him that examine his complex past as one of Yoda’s students.  Kantam’s team-up with Cohmac proves to be an intriguing part of the book’s plot, and it was compelling to see the more balanced Kantam witness Cohmac’s building anger and frustration.

The final two major characters are Zeen and Crash, both of whom have some interesting storylines in this book.  Zeen, a Force-sensitive teen who assists the Jedi, is one of the main characters from The High Republic Adventures comic, and many of her storylines are finished off here a little abruptly although in some interesting ways.  Most of her storyline is focused around her growing romantic relationship with Padawan Lula Talisola, who she has been close with during the series, and the resultant internal conflict as she tries to decide whether to act on it.  There are also some more damaging emotional moments for Zeen as she comes to terms with the actions of her old friend Kamerat and the tragedy of Starlight Beacon.  The other character is Alys Ongwa, better known as Crash, a diplomatic protection officer who specialises in protecting Corellia’s fractious and deadly political elite.  Crash is an interesting character who was first introduced in a one-shot comic written by Older, Crash and the Crew Do What They Do, and it was interesting to see her brought back here.  A skilled bodyguard and leader, Crash is an intense and highly motivated figure who enacts multiple crazy schemes to get what she wants, while also trying to be a good friend and boss.  Crash hits some major crossroads in Midnight Horizon, especially when she is forced to balance her oath as a bodyguard against justice for her friend and the safety of her city, and she is constantly forced to keep her own intense emotions in check.  I found Crash to be one of the most entertaining and enjoyable figures in Midnight Horizon and watching her and her chaotic crew of bodyguards in action is a lot of fun, especially when she plays of all the other protagonists really well, bringing out the recklessness in all of them.  However, Crash is also quite emotionally vulnerable, and it was nice to see her try to become a better friend while also working on her romantic attachments to a beautiful alien singer and lifelong friend.  I had a wonderful time with all these major characters in Midnight Horizon, and Older did a remarkable job highlighting them and ensuring the reader was aware of their many issues.

As with most Star Wars novels I read, I chose to grab a copy of Midnight Horizon’s audiobook format, which was the usual exceptional experience.  Featuring a short run time of just over 10 hours, Midnight Horizon is a quick and fun audiobook to get through, and I loved the various ways this format enhanced the fantastic story.  As usual, Midnight Horizon features all the amazing Star Wars sound effects for lightsabers, blasters and ships, which are used to punctuate the story elements being described and perfectly bring listeners into the moment.  It also made good use of some of the classic Star Wars music, which, even though it was used a little more sparingly in Midnight Horizon, deeply added to the atmosphere of the book and perfectly enhanced the emotional impact of several key scenes.

While the sound effects and music where as cool as always, the thing that really impressed me about the Midnight Horizon audiobook was the great choice of narrator in Todd Haberkorn.  I didn’t realise that Haberkorn was going to narrate this book until I started listening to it, and I was pretty blown away the second I realised that I got to listen to an audiobook read by Natsu himself.  I am a massive fan of Haberkorn’s work as the English voice actor for dubs of awesome anime like Fairy Tail and Full Metal Alchemist Brotherhood, so it was really cool to have him narrate this audiobook.  Not only that, but Haberkorn did an outstanding job bringing the various characters to life in Midnight Horizon and moving the story along at a blistering and fantastic pace.  Haberkorn’s voice perfectly fit the frenetic energy of this story, and I loved the distinctive and very fitting voices he gifted to the novel’s eccentric characters.  He also had a lot of fun voicing some of the unique alien creatures featured in the book, such as the Bonbraks, and he got to do a particularly good Yoda voice as well.  I had an absolute blast listening to Haberkorn narrate this awesome audiobook, and when combined with the great music and impressive sound effects, this was an exceptional way to listen to Midnight Horizon.  I would highly recommend this format as a result, and it probably added a few points to my overall rating because of how impressive it was.

Overall, Midnight Horizon was an excellent High Republic young adult novel that was a real treat to read.  Daniel José Older came up with an outstanding and fun story that was both exciting and powerful as he dives into his various fantastic and damaged protagonists.  Loaded with some awesome moments and epic developments, this was a great addition to the Star Wars canon, and I loved every second I spent listening to it.

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Throwback Thursday: Warhammer: Vampireslayer by William King

Vampireslayer Cover 2

Publisher: Black Library (Audiobook – August 2021)

Series: Gotrek and Felix – Book Six

Length: 11 hours and 13 minutes

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday I continue my recent obsession with Warhammer Fantasy fiction by checking out another entry in the iconic Gotrek and Felix series by William King, Vampireslayer.

I have been on a real roll with looking at the cool fiction associated with the now defunct Warhammer Fantasy tabletop game over the last few weeks, including the fantastic novels Runefang and Van Horstman.  However, few Warhammer Fantasy books have grabbed my attention or interest more than the Gotrek and Felix series, which serves as one of the central pillars of Warhammer fiction.  The Gotrek and Felix books, which were originally written by William King, follow the titular characters, dwarf slayer Gotrek Gurnisson and his sworn human companion Felix Jaeger, as they journey around the Warhammer Fantasy realm, finding monsters to fight and kill, all in the hope of finding a worthy death for Gotrek.  This is an awesome and unbelievably exciting fantasy series that take the reader to some of the darkest parts of the Warhammer Fantasy world and sees them face off against all manner of crazy foes.

I have had an absolute blast getting through the Gotrek and Felix books over the last year, as there have been some cracking reads in there.  The previous books, Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer and Beastslayer, have all had their own unique charm, and all of them have been well written and compelling reads.  Vampireslayer is the sixth book in the series, and as the name suggests, it pits Gotrek, Felix and their allies against one of the most dangerous creatures in the Warhammer canon, an ancient and deadly vampire count.

Following their victory at the siege of Praag, Gotrek, Felix and their surviving allies, have finally been able to relax after a never-ending series of battles. However, the ever-restless Gotrek is still determined to find a worthy death to fulfil his suicidal oath, and Felix knows it is only a matter of time before they journey out to face the rising hordes of Chaos that are building around the realms of man.  But before Gotrek and Felix can head out, a new evil rears its head; one that is far more cunning and ancient than anything they have faced before.

After accepting a job from a wealthy Praag nobleman, Gotrek and Felix find themselves investigating a mysterious man who is attempting to steal one of their client’s treasured artifacts.  But the closer they look, the more apparent it becomes that their target is no ordinary man, but a powerful ancient vampire named Adolophus Krieger, who has been stalking the streets of Praag, feasting on the innocent.  Determined to slay this beast, Gotrek and Felix’s confrontation goes poorly, when the vampire outsmarts them, steals the artifact and takes their companion, Ulrika Magdova, hostage.

Determined to save Ulrika and get their revenge on their foe, Gotrek and Felix, as well as their allies, Snorri Nosebiter, Max Schreiber and Ulrika’s father, Ivan Straghov, pursue the vampire lord.  To kill Krieger, they will have to travel to one of the most dangerous places in the Old World, the haunted lands of Sylvania.  Controlled by the Vampire Counts for generations, Sylvania is a wicked place where the dead never rest, and dark creatures lurk around every corner.  Worse, their foe is powered by an ancient artefact forged by Nagash and has designs on becoming the supreme vampire ruler, leading them in a new war against the living.  With the odds stacked against them, Gotrek, Felix and their companions must dig deep if they are to kill Krieger, rescue Ulrika and save the world.  But after spending time trapped with the vampire, can Ulrika truly be saved?

King once again shows why his Gotrek and Felix books were the defining Warhammer Fantasy series with this epic and fast-paced read.  Vampireslayer is easily one of the stronger entries in the series and takes its distinctive protagonists on an intense and captivating adventure that I deeply enjoyed.

Vampireslayer had an amazing fantasy narrative, and I think this was one of King’s more impressive and enjoyable stories.  Taking off right after Beastslayer, the initial story sees Gotrek, Felix and their allies still at the city of Praag, planning out their next adventures.  They quickly find themselves dragged into another adventure when a distant relative of Ulrika reaches out to them for help with a mysterious threat.  This initial part of the book was rather interesting, and not only does it have some great follow-ups from the previous entry in the series but it also sets up the narrative and the current characters really well.  There is a fantastic cat-and-mouse game going on in the early stages of the novel, as the protagonists attempt to discern the new evil they are going up against, while their vampiric assailant, Adolophus Krieger, puts his plans into motion.  Following the first encounter between the heroes and the vampire, which is set up and executed to drive up anticipation for later interactions, Krieger escapes and the protagonists are forced into a deadly chase across the world.

The rest of the novel is primarily set in the dread realm of Sylvania, and sees the protagonists chase after the vampire and his kidnapped victim.  This second part of the book is filled with some fun and exciting classic horror elements as the protagonists go up against a variety of foes from the vampire count’s army.  There is a lot of great action, fantastic chases, and some substantial character development occurring during this part of the novel, as the author brings together many of the threads from earlier in Vampireslayer, while also introducing some intriguing new supporting characters.  King makes particularly good use of multiple character perspectives throughout this part of the book, and I loved seeing the conflicted thoughts of the main protagonists (minus Gotrek as usual), as well as the many plots of the villain and his new minion.  This all leads up to the big confrontation between the protagonists and their foe at the legendary Drakenhof Castle, as the heroes face off against an army of the undead and the vampire himself.  The action flows thick and fast here, and King pulls no punches, showing the brutal and dark nature of the Warhammer Fantasy universe.  I did think that the final confrontation was a bit rushed, with the anticipated battle against Krieger lasting only a short while, but it was pretty fun to see.  There are a couple of good tragic moments in this conclusion, as well as some interesting developments for some long-running supporting characters, and King brings everything to a good close as a result.

I think that one of the things that made this story particularly enjoyable was that it was a lot more focused than some of the other books in the series.  This was mainly because it was the first book since Skavenslayer not to feature a sub-story that focused on recurring villain, Grey Seer Thanquol.  While Thanquol’s perspective was good for Skavenslayer, its use in the following novels, while usually very fun and entertaining, seemed a bit unnecessary and often affected the pacing or stole the impact away from the book’s actually antagonists.  This became more and more apparent in Dragonslayer and Beastslayer, especially when Thanquol’s actions rarely had any impact on the main plot.  As such, not having a Thanquol focused side story in Vampireslayer was a bit of a blessing, and it really increased the impact of the remaining storylines.  It also ensured that the parts of the book told from Krieger’s perspective really pop, as he was the only villain you could focus on.  I had a brilliant time with this impressive story and it ended up being an excellent adventure to follow.

Vampireslayer proved to be a pretty awesome entry to the wider Warhammer Fantasy universe, and I loved the cool details and references that King added in.  Like most of the books in the Gotrek and Felix saga, Vampireslayer can be read as a standalone novel (probably more so than the last three books in the series), and very little pre-knowledge about the Warhammer Fantasy or the previous books in the series is required to enjoy this excellent book.  King does a great job of once again introducing the key elements, recurring characters, and wider evils of this universe, ensuring that new readers get the information they need without making it too repetitive or boring for established fans.

One of the things that makes Vampireslayer standout a little more from some of the recent entries in the series is the move away from Chaos focused opponents and instead brings in a new faction from the universe in the form of a vampire and his undead hordes.  This is a fantastic change of pace, and I rather enjoyed seeing one of the more compelling factions from the game, even though I have bad memories of facing my brother’s Vampire Counts army.  King does a brilliant job diving into the lore and history of vampires and the general undead in the Warhammer universe, and the protagonists get a good crash course on them, which new readers will deeply appreciate.  I loved seeing a vampire antagonist in this novel, especially as it is one of the classic Vampire Counts types (a Von Carstein vampire).  This vampire has a lot of the classic European elements associated with Dracula, and it was fun to see the protagonist deal with this sort of creature, especially as Krieger takes the time to taunt them in a way they’ve never dealt with before.  King also adds in several of cool units from the Vampire Counts book, and it was pretty fun to see them in action in some brilliant fight scenes.  I also deeply enjoyed the dark setting of Sylvania, where much of the story takes place.  Sylvania, a Warhammer realm based deeply on Transylvania and ruled over by vampires, has always captured my imagination and it was fun to see it used in Vampireslayer.  You really get the sense of fear and despair surrounding the countryside, and all the locals, many of whom are just a step away from becoming some form of creature, are a depressing and scared group.  Watching the characters attempt to traverse this land was really entertaining, and I think all these awesome Warhammer Fantasy elements helped to make this great story even more impressive.

I also found some of the character work in Vampireslayer to be pretty intriguing, as King examines several great characters in this book.  The central two characters are naturally Gotrex and Felix, although not a great deal of character development went towards them in this book.  Gotrex is his usual gruff, murderous and unreadable self, who is essentially shown as an unkillable beast at this point, and you really don’t get much more from him, especially as Gotrex’s perspective is deliberately not shown.  Felix also doesn’t get much growth in this book, although he does serve as a primary narrator, recording and observing the events of the book.  Despite this lack of growth, Felix is a great everyman character to follow and it is really entertaining to see his quite reasonable reaction to facing off against the evils that gravitate towards Gotrek.

A large amount of focus went to the supporting characters of Max Schreiber and Ulrika Magdova, who have been major parts of the series since Daemonslayer.  The attention on both has been growing substantially through the last couple of books, especially in Beastslayer, and they had a massive presence in Vampireslayer.  Max, the team’s wizard, is pushed to the brink in this book after investigating a dangerous magical artefact and having his companion Ulrika kidnapped.  Max, who has always had a crush on Ulrika (it was pretty creepy at first, but better now), becomes obsessed with saving her before its too late, and this drives him to some extremes in this book.  Ulrika, on the other hand, must survive the evil attentions of the book’s villain, especially once the vampire takes an unhealthy obsession with her.  I must admit that I have always found Ulrika to be a fairly annoying character (which isn’t great when she’s usually the only female figure in the books), however, this was one of her best appearances as she goes through a physical, mental and magical wringer.  Her attempts to resist the vampire are extremely powerful and her eventual fall to darkness is one of the more compelling and best written parts of the book.  This was an excellent outing for both these supporting characters, and it actually serves as a wonderful final hurrah, as I know they don’t appear in many books in the future.

The final character from Vampireslayer that I need to talk about is the book’s primary antagonist, the titular vampire Adolophus Krieger.  Krieger, a centuries-old creature with connections to Vlad von Carstein, serves as a brilliant villain for this adventure novel, especially as King takes a substantial amount of time to dive into his history, personality and motivations.  Rebelling against his sire and attempting to become the next vampiric master of the Old World, Krieger is shown as a complex and intense being with some major issues.  Not only does he have to temper his intense ambition, but he also finds himself mentally deteriorating towards savagery and must constantly fight for control as his afterlife’s goals comes to fruition.  King does a great job capturing this compelling figure throughout the book, and I particularly enjoyed his introductory chapters where his temper and inability to suffer fools is shown with gruesome results.  Krieger has a brilliant presence throughout the novel, and he was a great villain opposite Gotrek and Felix with his gentlemanly airs (he has a great comeback to a line from Snorri Nosebiter).  I deeply enjoyed all the outstanding characters in Vampireslayer, and King did some superb work with them throughout this novel.

After reading paperback versions of Dragonslayer and Beastslayer, I’ve finally gotten back onto the Gotrek and Felix audiobooks with Vampireslayer, which was a lot of fun to listen to.  The audiobook format did an amazing job of capturing the dark tone and fast-paced action of this intense novel, and I felt that listening to Vampireslayer on audiobook really helped me appreciate a lot of the book’s more interesting details.  With a runtime of just over 11 hours, this is an easy audiobook to power through, and I personally managed to get through it in a few days.  This great audiobook was further enhanced by the excellent narration of Jonathan Keeble, who has narrated most of the other Gotrek and Felix audiobooks.  Keeble has an amazing voice for this sort of novel, and I loved the fantastic way he was able to move the story along at a brilliant pace while also enhancing the book’s horror and action elements.  I particularly loved the range of excellent voices he attributes to the various characters, many of which are carried over from his previous audiobook experiences.  All the characters get some distinctive and very fitting tones here, which I think worked extremely well.  Examples of some of the best voices include Felix, whose calm voice of reason, serves as the narrator’s base tone for most of the story; Gotrek, who is given a gruff and menacing voice that contains all the character’s barely restrained anger and regret; and even the new vampire character, Adolophus Krieger, who is gifted a French/European accent to match the classic vampire vibe that goes with the Vampire Counts characters in Warhammer, and the character’s likely origins as a Bretonnian Knight.  This expert voice work was extremely good and I had a brilliant time listening to this version of Vampireslayer.  As such, this format comes highly recommended and it is usually one of the best ways to enjoy a cool Warhammer novel.

Vampireslayer was another epic entry in the fantastic and ultra-fun Gotrek and Felix series by William King.  Bringing in a great new opponent who pushes the protagonists to new lows, this was an excellent adventure novel that shows some of the best parts of the Warhammer Fantasy world.  With a captivating and fast-paced narrative, this was one of the better entries in the series and I had an outstanding time getting through Vampireslayer.  An awesome read for all Warhammer and general fantasy fans, especially on audiobook.  I love this series so much!

Vampireslayer Cover

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The Lawless Land by Boyd and Beth Morrison

The Lawless Land Cover

Publisher: Head of Zeus (Trade Paperback – 31 May 2022)

Series: Standalone/Book One

Length: 474 pages

My Rating: 5 out of 5 stars

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Get ready for one of the most thrilling historical adventures of 2022 with the wildly entertaining and deeply captivating medieval fiction novel, The Lawless Land, by the outstanding team of Boyd and Beth Morrison.

Despite my recent focus on other genres, historical fiction in all its forms remains one of my favourite book categories to check out, especially with awesome new novels coming out all the time.  One of the best examples of this is The Lawless Land, which I was lucky enough to receive a copy of a little while ago.  The Lawless Land was a fascinating read that takes some great protagonists on a bold adventure through medieval Europe.  This book was written by Boyd and Beth Morrison, a brother and sister team who have deeply impressed me.  This was a rather interesting combination of writers, as Boyd Morrison is an acclaimed thriller and historical fiction author, and Beth Morrison is the Senior Curator of Manuscripts at the J. Paul Getty Museum and has a PHD in history.  These overachieving siblings really cooked up something special here with their first book, and I loved the outstanding story it contained.

In 1351, Europe is in utter chaos as the Hundred Years’ War rages in France and the Pestilence ravages the countryside, depopulating towns and devastating cities.  These are dark days indeed, and only the desperate and the foolish can be found traversing the roads.  Unfortunately, this includes skilled knight Gerard Fox, whose lands and titles have been taken from him as punishment for a crime against the church, and who is now forced to wander the world by himself, desperate to reclaim his family’s honour.

Journeying towards the castle of Lord Tonbridge, the one man who may be able to prove his innocence, Gerard witnesses a band of armed men waylaying a noblewoman.  Impulsively jumping into action, Gerard saves the women, slaughtering her attackers and forever changing his life.  The young woman, Lady Isabel, is Lord Tonbridge’s betrothed, who has fled from her future husband, taking with her a sacred relic she is sworn to protect.  Forced to abandon his own quest, Gerard agrees to escort Isabel to safety, however, he is unaware of the chaos that is about to be unleashed upon him.

Tonbridge had promised Isabel’s relic to an ambitious Cardinal in Paris, one who is determined to rise to the station of Pope.  Desperate to reclaim the relic and use it to cement his position, the Cardinal and his pawn, Tonbridge, unleash their substantial forces to hunt down Gerard and Isabel.  Fleeing their pursuers, Gerard and Isabel traverse the breadth of England and France to find safe harbour for the relic.  Forced to contend with dangerous foes around every corner, Gerard, Isabel, and their faithful companions will face the worse that medieval Europe has to offer and more.  But worse lies in wait for Gerard, as he bears a dark connection with his pursuers that will ensure they will never stop hunting him.

Wow, now this was a really cool historical fiction novel.  The exceptional writing team behind The Lawless Land have produced an outstanding novel that is extremely exciting, action-packed, and character driven, while also being heavy on the historical detail and accuracy.  This results in an exceptional and epic historical thriller read that I had an absolute blast getting through and which gets a well-deserved five-star rating from me.

The Lawless Land was such a cool read, and I quickly fell in love with its brilliant and exceptional story.  Essentially an adventure thriller set in medieval times, the authors start The Lawless Land off very quickly, showing the protagonist in battle as he saves the damsel in distress, only to end up in even more trouble.  Effectively introducing the key characters early on, you get a real sense of the novels impressive style right at the start, especially with its gritty feel and intense action sequences.  The story soon evolves into a high stakes chase across Europe, as Gerard, Isabel and their companions try to outrace and outwit their opponents to save Isabel’s relic and get revenge for Gerard.  The authors make excellent use of multiple character perspectives here to showcase the chase from both sides, and you get a good look at the various schemes and ploys of the antagonists, as well as the full depths of their villainy.  These amazing and action-packed scenes are expertly interspersed with some flashback chapters that examine the full history and tragedy of the protagonists, especially Gerard, and work to fully establish the enmity between him and the antagonists.  This entire first half of the book is very well written, and the authors’ excellent style will appeal to wide range of readers, not just historical fiction fans, as anyone who enjoys a great adventure or gripping thriller read, can get really engrossed in this excellent story.

This perfectly sets up the second half of this epic novel, which sees the character involved in all manner of carnage and battle as they attempt to win.  I honestly powered through the last 250 pages or so in a day; I was having that much fun reading it.  This second part has everything, including jousting tournaments, prison breaks, desperate chases, elaborate skirmishes, political intrigue, skullduggery and more action than you can shake a stick at.  There is even a full-on judicial duel (think The Last Duel), which was one of the most impressive and gritty fights in the entire book.  There are some intriguing twists, clever reveals, major tragedies, and some outstanding action throughout this entire second half, and it was so much fun to see it all unfold.  I really must highlight the impressive action of The Lawless Land, as all the fights felt particularly realist and very epic, and you can honestly feel every powerful swing and strike of steel on steel.  The authors bring all the established story elements of The Lawless Land together extremely well in the end, and readers will come away satisfied, especially with the fun conclusion and the great ending for the characters.  While this is ostensibly a standalone read, and the authors do wrap up everything really well, there is potential for a sequel at the end, and I for one would not be opposed to seeing more from these characters in the future.

One of the most compelling parts of The Lawless Land was the brilliant dive into the history of medieval Europe.  The writing team clearly did their research when it came to this novel, which is hardly surprising considering the scholarly expertise of one of its authors.  As such, this novel is loaded with impressive and captivating historical detail which isn’t overshadowed by some of the more over-the-top action.  You get a great sense of the how bleak and brutal the continent was at this point in history, with some chilling depictions of plague and pestilence, as well as some intriguing looks at The Hundred Years’ War, including a full flashback chapter to the Battle of Crécy.  The authors spend time exploring a ton of fascinating stuff from this period, including knightly conduct, the power and influence of the church, day to day life for people in cities and the countryside, and so much more.  I particularly loved the scenes set around a tournament in France, where the protagonist engages in a series of jousts.  The sheer amount of detail and realism around these scenes are so very cool, and you can really picture how everything would have looked and felt.  There is also a great examination of medieval manuscripts (again, because of one of the author’s academic focuses), which become a key part of The Lawless Land’s plot, and it was really interesting to examine the significance and process behind them.  All this impressive work around the setting and other historical elements of The Lawless Land really enhanced the overall quality of the book, and I loved how seamlessly it was worked into the epic narrative.

I also must highlight the fantastic characters featured within The Lawless Land, which includes an awesome balance of likeable protagonist and maniacal villains who hunt them.  The story is perfectly split between the two groups, and you get some fun and intense competing views of events throughout the story as a result.  The protagonists are headlined by the awesome character of Gerard Fox, a wandering knight, banished from his family’s lands by the church following a confrontation with one of the antagonists years ago.  Dragged into this conspiracy by accident, Gerard becomes Isabel’s companion and protector, and tries to escort the relic to safety.  A man of action and honour, Gerard is haunted by his past and his many failures, which include watching his brother die in battle, and being tricked into losing everything.  He is also obsessed with discovering the true fate of his mother, and her mysterious disappearance and certain revelations draw him into this conspiracy even further.  A lot of the novel revolves around Gerard’s past, and it was fascinating to see him come to terms with it and try to balance this current quest with his own desires.  Gerard ends up being a pretty awesome protagonist to follow, especially with his martial prowess, unique weaponry, penchant for mischief and trickery (like a certain French fox), and his unbending desire to do the right thing.

Gerard is accompanied by some interesting companions, and the most prominent of these is Lady Isabel.  A noblewoman who was forced into marriage, Isabel seeks to protect her family’s most sacred relic from her betrothed and goes to great length to escape him.  Although she is initially seen as a bit of a damsel in distress, you soon begin to realise that there is a lot more to Isabel than what first appears, as she is an incredibly capable woman with some keen insights and strategies that prove invaluable to her companions.  The authors work some excellent storylines around Isabel in this novel, and you really come to appreciate and enjoy her pluck, courage and intelligence.  There is also a very clever twist about this character revealed in the second half of the book, which was set up extremely well by the authors, including in some flashbacks that both hint at and hide the truth from the reader.  I also should mention the fun supporting characters of Henri and Youssef, two friendly rogues who have substantial history and friendship with Gerard.  Henri and Youssef are excellent additions to the protagonists, and their fun personalities balance well with Gerard and Isabel’s to create a very likeable group of heroes that you become quite attached to, even if that leads to eventual heartbreak for the reader.

I also need to talk about The Lawless Land’s outstanding trio of villains who dog the protagonists’ steps throughout the entire narrative.  This includes the evil Lord Tonbridge, Isabel’s betrothed who she runs away from.  While Tonbridge is mainly hunting them for Isabel’s relic, it also becomes clear that Tonbridge is even more obsessed with righting the perceived slight to his honour and is eager for vengeance.  However, Tonbridge is also partially subservient to villainous French cardinal Molyneux, who has promised him power and a kingship if he succeeds.  Molyneux is particularly despicable, as an ambitious and immoral member of the church who is attempting to become Pope.  Using his influence and the protection of the church for his advantage, Molyneux gains large amount of money and land through unscrupulous means and has some dark history with Gerard’s family, which deeply impacts both his and Gerald’s motivations to confound each other.  The final villain is Molyneux’s vassal and bastard son Basquin, who serves as the protagonist’s main pursuer.  A skilled swordsman and tactician, Basquin is a worthy, if not superior, foe to Gerard, whom he bears a powerful grudge against.  There is some fascinating history behind Basquin that became quite an awesome part of the plot, and it was great to see the intense and captivating confrontations between the two.  The authors take Basquin in some intriguing directions in this book, especially when his own desires clash with that of his abusive father, forcing him to go rogue and enact his own ambitious plan.  All these villains were extremely well written, and it proved highly entertaining to see them go up against Gerard, Isabel and the rest throughout The Lawless Land.  I had such a great time with the characters in this book, and their intense relationships, rivalries and schemes added so much to the power of the novel.

Overall, The Lawless Land was an exceptional and impressive historical fiction read from the great new team of Boyd and Beth Morrison.  These two talented writers came up with something very special with The Lawless Land, and I loved the outstanding and highly addictive narrative contained in this book.  Featuring a ton of epic action, some amazing characters, and some superb historical detail, The Lawless Land was an incredible read that comes very highly recommended by me.

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The Crimson Thread by Kate Forsyth

The Crimson Thread Cover

Publisher: Vintage Books Australia (Trade Paperback – 5 July 2022)

Series: Standalone

Length: 360 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s premier authors presents another compelling and powerful historical drama with The Crimson Thread by Kate Forsyth.

Kate Forsyth is a very talented Australian author whose work I have long been a fan of.  While Forsyth is best known these days for her intense historical dramas, I personally am a big fan of her The Witches of Eileanan series, which I read when I was younger.  The Witches of Eileanan books, which were Forsyth’s debut series, follows a group of powerful magical users in a troubled fantasy realm filled with dragons, mages and monsters, as they attempt to overthrow a dark anti-magic tyrant and save the world from multiple impending threats.  Filled with great characters, impressive magic, a complex setting and some brilliant and occasionally dark storylines, this was a particularly awesome and epic series, and it was among the earliest fantasy books that I ever checked out.  I deeply enjoyed The Witches of Eileanan books and the sequel Rhiannon’s Ride series, and I have been meaning to reread them all for a while.  In the meantime, I decided it would be good to check out one of her more recent works with The Crimson Thread.  This intriguing and captivating historical drama is a lot more consistent with Forsyth’s current writing focus and I was very interested in seeing something from this genre.

By May 1941, the Nazis have conquered Greece and the island of Crete lies before them as the next land to control.  As the island prepares for invasion, young Cretan woman, Alenka, attempts to find some semblance of normality amongst the chaos, but chance meetings with two Australian soldiers stationed on the island will change her life forever.  When the Germans finally invade Crete in a massive and long-running battle, Alenka finds herself stuck in the middle of the fighting and eventually chooses to hide the Australians when the Germans win.

These two soldiers are Jack and Teddy.  Lifelong best friends, the rambunctious Teddy and the shy, scholarly Jack, joined the army together to see the world, only to get caught up in the chaos of the war.  Separated during the retreat to Crete, Jack and Teddy manage to reunite on the island, with both falling for the alluring Alenka upon meeting her.  When the Germans invade and they are trapped behind enemy lines with no hope of escape, both go to ground, seeking out help from Alenka and her allies in Crete’s resistance movement.

As the Germans tighten their hold on the island, Alenka, Jack and Teddy find themselves in constant danger as they attempt to find some way for the Australians to escape.  However, their attempts to evade the Nazis are not their only trouble, as Jack and Teddy’s once close friendship starts to deteriorate through jealously and anger.  Worse, Alenka’s brother, Axel, is a dangerous Nazi collaborator, whose long simmering anger and resentment threatens everything Alenka holds dear.  As Axel searches for a way to destroy his sister and her friends, all will be forced to make some hard choices, both on the battlefield and in love.

This was a deeply moving and highly detailed historical drama from Forsyth that I had a wonderful time reading.  Balancing a captivating historical tale of invasion in a unique World War II setting with a powerful tale of romance, broken friendships and family betrayals, The Crimson Thread is an outstanding novel which really highlights Forsyth’s impressive skill as an author.

The Crimson Thread has an excellent and fast-paced narrative that quickly drags readers in with the wartime action and keeps them there with the subsequent drama and tragedy.  Told from various intriguing perspectives, The Crimson Thread does a great job of quickly introducing you to the key characters and settings before bringing the terror in the form of a sudden and devastating Nazi invasion.  What follows is captivating tale of survival, endurance and resistance, as the three central protagonists attempt to evade and outwit the occupiers while also dealing with their own simmering feelings of love, betrayal and jealousy.  Forsyth weaves together some hauntingly tense and moving scenes throughout this narrative, as you see the characters thrust into all manner of dangerous and tragic circumstances amid the horrors of war.  The entire narrative has an excellent blend of action, high-stakes espionage and deep personal drama that I found myself really drawn to, all of which fits together perfectly with the distinctive setting and period.  The entire narrative takes place over the course of several years, and I deeply appreciate the long-term storylines that Forsyth utilised as you got to see the various characters grow and change throughout the war, often for the worst.  I loved the focus on camaraderie, identity and historical pride that was worked into the story, and all the unique plot points come full circle by the end.  Forsyth ends the entire excellent story of survival and war on a tragic, but hopeful note, and while you may end up with some conflicting feelings about the fates of some of the focal characters, readers are going to come away from The Crimson Thread both moved and satisfied with the story conclusion.

One of the things that I have always appreciated about books set during World War II are the sheer number of unique stories that can be written, as there were so many different battlefields, conflicts and personal dramas that resulted from them.  While I am fairly knowledgeable about history and World War II, I honestly knew very little about the occupation of Crete during the war, nor did I realise that Australian and New Zealand soldiers were stationed there when the Germans invaded.  As such I was pretty in the dark when it came to the historical context of the novel, but Forsyth was well on hand here and spent substantial time exploring the entire Nazi conquest and occupation of Crete during the war.  Everything is covered here, including the initial 11-day battle to take control of the island, the subsequent disorganised evacuation of Allied forces, the harsh occupation of the Cretans, which included several massacres, the resistance movements, and everything else that occurred from first day to the end of the war.  I was particularly intrigued by the role that Australian troops played during this conflict, and Forsyth made sure to really highlight why they were there and the various hurdles they faced during this war, including being trapped behind enemy lines with few options to escape.  All of this is worked into the story in a clever and impressive way, and the various characters find themselves involved in many of the key events, either as witnesses or participants.  You really find yourself getting drawn into the midst of these compelling historical events, and I personally found it incredibly fascinating to see them, especially as Forsyth did some substantial research for this book.

I also really appreciated Forsyth’s dive into the culture, history and iconic landscape of the main setting of Crete.  Most of this book takes place on this beautiful island, and I felt that Forsyth really captured the heart and soul of Crete and its people throughout the story.  There are some compelling dives into the identity and culture of the Cretan people, including the importance of their dress, their customs, their speech, and their defiant nature.  Due to most of this explanation being done to show the undercover Australian citizens how to blend, it proves to be very informative, and readers without much pre-knowledge of Crete come away with a lot of detail and appreciation for its people.  There are also some fun dives into the history of the island, particularly its ancient association with legend of the Minotaur and palace of Knossos.  Due to my background in archaeology, I found this to be extremely interesting, especially as there are also some compelling depictions and discussions about the famous excavations that took place on Crete during this period.  Throw in some breathtaking and highly detailed descriptions of the various environments and settlements on Crete, including its treacherous and massive mountains, which serve as a great setting for some particularly intense scenes, and you get an outstanding appreciation for this island.  All of this is utilised in The Crimson Thread’s story really well, as the characters, like the reader, really get to know the island and how it impacts many of their decisions and actions.

Forsyth also came up with some excellent and distinctive characters for The Crimson Thread, and their unique and emotionally rich storylines are a powerful part of this great book’s story.  This includes Alenka, who finds herself caught between her culture, her troubled family past, and her attraction to the two Australian soldiers she grows close to.  Despite primarily being shown as a strong and clever woman, Alenka goes through some real tragedies and trauma in this book that slowly wear away at her psyche.  I found it fascinating to see her growth throughout the book, as well as her attempts to overcome the various obstacles and indignities that come her way.  Alenka was really well counterbalanced by her brother, Axel, a dark and dangerous youth who serves as the book’s central antagonist.  Initially shown as a youth who grows into a dangerous teenager throughout the narrative, Axel is a complex figure.  A half-Cretan boy who is the result of an extramarital affair with a German archaeologist, Axel has borne the shame of his heritage for most of his life and endured the ridicule and disdain of everyone on the island.  Focusing on his German heritage, Axel becomes obsessed with Hitler and the Nazis and quickly grows to be a valuable collaborator for the occupiers, helping them root out the resistance and hidden Allied soldiers.  While he is an extremely repulsive and evil figure, you fully understand while he idolises the Nazis and tries to join them because of how well Forsyth explored Axel’s motivations and past.  Forsyth writes a very dark storyline around Axel, and it was fascinating to see him corrupted by both his own unfair past and the invading Nazis.

The other two main characters are the Australian soldier protagonists, Jack and Teddy.  Despite being old friends, these two are very much the opposite of the other, with Teddy being a wild, confident and arrogant figure, while Jack is a kind and shy man with a stutter.  While you wouldn’t think that they would be friends, Forsyth does a good job establishing their bond, and you fully understand why they are close to each other.  Both characters are interesting in their own right, and I appreciated how Forsyth highlighted their differences and showed how their relationship eventually broke down over their mutual attraction to Alenka.  Teddy’s slow crawl from causal larrikin to arrogant jerk is subtle, but well formed, and the author shows some compelling, but damning, change in views in his mind throughout The Crimson Thread.  Jack, on the other hand, grows from unconfident scholar to strong-willed fighter, all thanks to his love of Alenka.  I loved how Forsyth showed all his artistic skills and passions, such as poetry, as a strength, and it was pretty fun to see him succeed in the specialised spy school both characters end up in.  This poetry actually had an interesting role in the wider book, and you can see a great example of it at the start of different chapters.  Forsyth really excelled at creating some amazing and captivating character arcs throughout The Crimson Thread, and I had an outstanding time getting close to these figures and experiencing their triumphs and dark pains.

Overall, The Crimson Thread was a wonderful and deeply moving read that ended up being one of the better historical dramas I have read this year.  Kate Forsyth continues to shine as an extremely talented Australian author, and I had fun exploring a book from her current genre of choice.  Featuring some damaged characters, a powerful story and some exquisite dives into Crete and its wartime history, The Crimson Thread is a captivating and clever novel that I had an outstanding time reading.

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The Accomplice by Steve Cavanagh

The Accomplice Cover

Publisher: Orion (Trade Paperback – 26 July 2022)

Series: Eddie Flynn – Book Seven

Length: 323 pages

My Rating: 4.75 out of 5 stars

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The murder trial of the year is in session as brilliant legal thriller author Steve Cavanagh returns with his latest Eddie Flynn novel, The Accomplice.

Last year I had the great pleasure of reading a very fun and compelling thriller novel with The Devil’s Advocate, which was the sixth book in the Eddie Flynn series by talented author Steve Cavanagh.  I had heard of Cavanagh before last year, and indeed I already had a couple of his other books currently sitting on my to-read shelf, but this was the first real chance I had to read one of his novels.  I ended up being really impressed with The Devil’s Advocate, which pitted the series’ conman turned lawyer protagonist against a murderous southern prosecutor in a story that was wildly entertaining, extremely clever, and highly addictive.  As such, I have been rather eager to see what Cavanagh would write next, and his next book, The Accomplice, had been high on my upcoming books list for a while.  Well, I just received an advance copy of The Accomplice a couple of days ago and I immediately picked it up and started reading because it had such an awesome story idea behind it.

Carrie Miller is the most hated woman in America!  A seemingly normal and unassuming housewife, the world was shocked to discover that Carrie’s husband, Daniel Miller, was the notorious and brutal serial killer known as the Sandman.  After terrorising New York for months and killing 14 people, the Sandman suddenly vanished just as the police arrived to arrest him.  While the Sandman may have been gone, Carrie was still there, and everyone, including the police, FBI, media, and the entirety of America, believes that she knew about her husband’s crimes and helped to cover them up.

As the start of her trial begins, a desperate Carrie turns to the one defence attorney that could save her, former conman and legal genius Eddie Flynn.  Convinced of her innocence and determined to help, Flynn reluctantly takes on her case.  However, this will be the most difficult case of his life, as he must convince a jaded jury and the rest of the world that Carrie had no knowledge of her husband’s crimes and took no part in the murders.  But with Carrie already convicted by the media, and no evidence or witnesses that can back up her story, Eddie will have a real fight on his hands.

As Eddie prepares for the case, a dangerous new problem enters the picture.  After a lengthy absence, the Sandman has returned to New York, and he’s determined to save his wife from a life sentence.  Even with the police, FBI and rogue serial killer specialist Gabriel Lake on his tail, the Sandman begins a new reign of terror, targeting the prosecution’s witnesses and members of the FBI.  With the stakes higher than ever, can Eddie prove Carrie’s innocence before the killer strikes again or will he and everyone he cares about face the wrath of the Sandman?

Cavanagh hits it out of the park again, providing readers with a brilliant and intense thriller that is dark and fun at the same time.  Combining fantastic legal elements with a gripping psychological narrative about a dangerous killer, The Accomplice was another impressive read from Cavanagh that was well worth the wait.

This seventh Eddie Flynn novel has a really awesome and intense story to it that takes the reader on an impressive ride that is near impossible to stop.  Starting off with a great introduction to the case, the story quickly loops in Eddie Flynn and his team, while also bringing back the great villain in the Sandman.  Following some subsequent exposition and background to the case, Eddie gets into planning the defence, only to have a substantial shock hit him as the Sandman strikes in several different directions.  As the various characters attempt to deal with the issues surrounding the Sandman’s new attacks, Eddie is forced to defend his client in impossible circumstances as the trial starts.

Thanks to his great use of multiple character perspectives, which follows everyone including Eddie, his team, and even the Sandman himself, you get a great view of the events occurring throughout the book.  The middle of this impressive novel is filled with some excellent sequences depicting the killers’ current brutal actions, the desperate search for him that envelopes several main characters, and Flynn’s always impressive legal scenes.  I loved the awesome changes in tone and focus that occurred between these various chapters, and there is an intriguing and powerful contrast between the intensive cat-and-mouse games surrounding the killer and the more legal focused scenes.  All the perspectives come together in a big way towards the end of the book, and The Accomplice has a fantastic and wildly entertaining finale.  There are some pretty cool twists loaded up here and Cavanagh does a great job setting them up throughout the narrative.  I was kind of able to predict how one of the main ones would turn out, but I was pleasantly surprised by the other, and looking back it was cleverly set up and then hidden by the other secrets.  The author ends The Accomplice on a great note, and readers will come away wildly entertained and very impressed with how everything was so neatly wrapped up.

Cavanagh was in the zone when he was writing The Accomplice, and I deeply enjoyed how the entire story came together.  Like most of Cavanagh’s novels, the pacing in The Accomplice was spot on and the reader is never really given a chance to relax or put the novel down, which ensures that they try really hard to get through everything in one go (it worked on me).  There was an excellent blend of styles throughout The Accomplice, and Cavanagh once again did a great job of combining the darker subject matter of a disturbed killer, with the lighter scenes that focused on Eddie Flynn’s outrageous behaviour.  The scenes focused on the Sandman were particularly dark and gripping, especially as you get to see directly into his diseased mind, and the use of them throughout the novel really helped to amp up the drama and threat, while also moving the narrative along in some impressive directions.  Likewise, you get some intriguing and powerful character driven scenes from some of the other major characters, such as Flynn’s investigator Bloch and newcomer Gabriel Lake, as they get obsessed with finding the Sandman and bringing him to justice.

However, my personal favourite scenes in the book are those that deal more with the legal thriller aspects of the book.  I am always a sucker for a good legal battle in fiction, and Cavanagh, a man who knows a thing or two about the law, does a brilliant job of showcasing trials, legal prep work, and the formation of a defence case throughout his novels.  The court sequences scattered throughout the novel are very well written, and it was fascinating to see the author’s take on certain prosecution and defence strategies (some of the names for the strategies were quite amusing) as the protagonists do their darndest to blow a hole in the seemingly airtight case against their client.  I really loved how Cavanagh once again let Eddie go wild during the court case, and he uses all his knowledge and flair for the dramatic to manipulate the court in some inventive and often hilarious ways.  Most of Eddie’s appearances in the court are wildly entertaining, and his over-the-top shenanigans so much fun to behold, especially when he takes down every smug opponent and obstacle in a big way.  The author has a lot of fun setting up some of these events throughout the book, and it is really entertaining to see the protagonists coming up with their eccentric plans, as the hints about what they are going to do are left purposely vague to capture the reader’s attention.  I have so much love for Cavanagh’s ability to bring some wacky ideas into the court setting, and I can’t wait to see what convoluted and hilarious strategies the protagonist employs in any future books.

On top of the great story and distinctive sequences, Cavanagh also excels at character creation and development, which adds an extra impressive layer to the narrative.  The Accomplice features an interesting complement of characters, from the established cast of the previous books to some exceptional new figures whom the current case revolves around.  Naturally, most of the focus falls on the protagonist of Eddie Flynn, who is once again brought into an impossible case.  Flynn has another strong turn in The Accomplice and gets up to all his old tricks to win.  This results in quite a few entertaining and hilarious moments, and most of the book’s strong humour is because of Flynn’s more outrageous behaviours.  However, parts of this case do really get to Flynn and show that deep down he’s a good and flawed figure who lets his work dig into him.  Watching certain stresses and griefs take their hold on him really adds to the drama and intensity of the book, and I really appreciated how Cavanagh portrayed him throughout this latest novel.

On top of Eddie, the author brings back the central legal team, who are very strongly featured throughout this seventh book.  This includes Eddie’s mentor and advisor, Harry Ford, who continues to be a solid and calming presence for much of the book.  Harry serves as an excellent foil to the more outgoing Flynn, and they work well together as a team, especially during some scenes that see Harry have a bigger impact on the story than usual.  The other two key members of the staff are the firm’s other associate, young lawyer Kate Brooks and investigator Blotch, who are well utilised throughout The Accomplice.  Both bring something very different to the story, whether it be Kate’s relative innocence and determination to help wronged women, such as their client in this book, or Blotch’s investigative knowhow, capacity for violence, and general determination.  Both prove a good match for Flynn throughout this book, and I really liked the major impacts they have on the story, as it resulted in a much more varied and fun narrative.  There is also a great look at their strong friendship, which has lasted since childhood, and it was fun to see more examples of Blotch’s overprotective nature, especially when it comes to a thieving neighbour.

Finally, there are also some excellent new characters utilised in The Accomplice, who each bring something very different to the table.  Due to their stronger involvement with this particular case, be it suspect, perpetrator or hunter, Cavanagh does spend a bit more time introducing and developing these new characters than the existing cast, and you end up getting to know them extremely well.  This includes Flynn’s new client, Carrie Miller, the wife of the infamous Sandman, who finds herself under attack from pretty much the entire country in this book.  Carrie cuts a fascinating figure as a result, and while you are constantly wondering just how innocent she is, you get to see her at her most vulnerable as everyone she knows has turned against her.  I particularly enjoyed some of her insights (her choice of favourite film is excellent), and the journal entries that the author scatters throughout the novel really enhances her tale and gives greater context to her present actions.

In addition, Cavanagh also introduces the character of Gabriel Lake, a former FBI agent turned private investigator who specialises in catching serial killers.  A brilliant man with interesting ideas about the way to hunt killers which goes against the established theories of the FBI, Lake is an integral part of the plot, as he helps Flynn with his case in the hope of catching the Sandman.  However, there is also a deep well of anger within Lake, due to both his past and his personal connection to the Sandman case, and this becomes a major problem for the protagonists as the book goes on.  You never quite know what Lake’s motivations or intentions are, and he ends up adding an entire extra layer of complexity to an already twisty plot.

The final character I need to mention is the killer known as the Sandman.  While I won’t go into too much detail here about them to preserve some plot details, they serve as a sinister and threatening figure throughout the story, and their presence really impacts the events of the narrative.  Cavanagh goes out of his way to make the Sandman appear as deadly and deranged as possible, and it was fascinating to get a glimpse into his mind, especially as he truly believes that the Sandman is his true persona.  Watching him work his deadly skills in several disconcerting point of view chapters really adds to the intensity of the narrative, and he ended up being a particularly impressive literary villain.  I really had a great time with all these amazing and complex characters, be they old and new, and Cavanagh has once again really showcased his excellent skill when it comes to writing damaged people.

Unsurprisingly, I had a wonderful time with The Accomplice and Steve Cavanagh continues to impress me as one of the more entertaining thriller authors out there today.  This latest Eddie Flynn novel has all the series trademark flair as Cavanagh presents the reader with another unique and captivating case.  I loved how The Accomplice featured a great combination of a dark killer, hilarious legal scenes, a twisty thriller plot, and some well-established characters, which result in an incredible and addictive narrative.  A deeply enjoyable read, I really must go back and check out some of the earlier Eddie Flynn novels when I get a chance.  Highly recommended!

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Wake by Shelley Burr

Wake Cover

Publisher: Hachette Australia (Trade Paperback – 27 April 2022)

Series: Standalone

Length: 360 pages

My Rating: 4.5 out of 5 stars

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2022 is proving to be quite the year for Australian crime debuts, with several compelling and thrilling read already out.  However, one of the more impressive recent debuts is probably the amazing release by new Canberran author Shelley Burr, Wake, a gripping and powerful crime thriller that takes the reader on a wild and emotionally charged ride.

Nannine is a small rural town in the harsh heart of New South Wales, punished by drought and slowly declining as the local agriculture industry starts to deteriorate.  However, Nannine will always have one harrowing claim to fame: the unsolved disappearance of Evelyn McCreery.  In 1999, young Evelyn disappeared from her rural house in the dead of night, right from the bedroom that she shared with her twin sister, Mina.

Now, 19 years after Evelyn’s disappearance, Mina lives a reclusive life on the destocked family farm, desperately seeking some shreds of normality.  However, the shadow of the unsolved case and the subsequent massive media storm that bombarded her family still haunts her, especially as many question whether she had a role in the tragic events, while others constantly attempt to claim the massive reward the family posted.  However, despite the time and her attempts to not get involved in the craziness again, Mina finds old wounds reopened when Lane Holland arrives in town.

Lane is a private investigator and failed Federal Police cadet who has made a living out of cracking cold cases involving missing girls.  Interested in claiming the substantial reward, Lane begins his own in-depth investigation of Evelyn’s disappearance, and his determination and insights soon grab Mina’s attention and she finds herself drawn close to Lane.  However, Lane has his own personal reasons for solving the case, and his dark ghosts could end up dragging Mina down with him.

This was an excellent and captivating debut novel from Shelley Burr, which is already gaining some major recognition, including some major Australian awards.  While I knew I was likely to enjoy this amazing novel, I ended powering through Wake in a day as I got really hooked on its compelling and intense outback story.

I deeply enjoyed Wake’s awesome story, especially as Burr makes sure that it contains all the necessary elements to grab your attention.  This novel starts in the modern day, 19 years after the disappearance that rocked Nannine, and sees newcomer Lane Holland arrive to attempt to solve the case.  The introduction of this sleuth character helps to jumpstart the narrative, especially as his new investigation allows the reader to find out all the relevant details about the old case, while also revealing the lasting issues it had on the various protagonists, including the long-running infamy of being involved with such a major case.  Most of the first half of the book revolves around Lane trying to find his feet in the investigation and get close to Mina, while also finding himself involved in a separate case involving another missing girl.  At the same time you get to know Mina from her perspective, and find out just how messed up she is because of the disappearance and media scrutiny.  All the key characters, major story elements, hints and settings are perfectly set up in the first half of Wake, and the captivating mystery and damaged characters really drag you in and ensure that you become deeply invested in seeing how the case unfolds.

After some big reveals about halfway through the novel, the story intensifies even further, especially once you fully understand Lane’s drive and get to know the characters even better.  There are some compelling twists and turns in this second half of the book, with multiple theories and red herrings to cleverly distract the reader, while major personal moments hit all the key characters.  This all perfectly sets up the big finale, as all the plot points, tragic backstories and hidden hints come together extremely well for the major reveal.  I really liked how Wake’s story concluded, and I think both the solution to the mysteries and the resolution of all the character arcs was pretty ingenious, especially with how well it tied together the various character’s secrets, histories and regrets.  Overall, the reader will come away very satisfied with how everything is tied up, and this ended up being a very impressive and compelling narrative that was well-paced and loaded with some great surprises, major moments, and a very intriguing central mystery.

There were many cool elements to Wake that I deeply enjoyed and which I felt helped to enhance the mystery-laden story.  I liked the rural setting of Nannine, a fictional town that captures the heart of feel of many rural Australian communities, especially those that are suffering from many issues such as drought and the slow decline of the agricultural economy.  This decaying agricultural town serves as the perfect backdrop to this amazing story, and you really get to see how the small-town vibes and attitudes affect the investigation of the case.  I also appreciated the fantastic dive into the over-the-top press coverage that surrounds famous crime cases.  The disappearance attracted a massive media focus, and Burr spends a lot of time exploring how it initially covered the case, how it morphed over the years, and the lasting impact that growing up as a media sensation had on both Mina and the other supporting characters from Nannine.  I particularly enjoyed the examination of how the case became a favourite of true-crime fanatics, which is primarily shown through a series of posts on the murder forum that appears in front of multiple chapters.  These posts highlight the attitudes, theories, mindsets and more of the true-crime internet community and serves as an intriguing weather vane for the wider Australian community.  I loved these posts, not only because they were entertaining and realistic but because it proved to be a great way to provide the reader with some interesting context while also having some impacts on the main story.  Throw in the great way that Burr utilised several flashback sequences, some hidden clues in character names, some clever insights into missing person cases, and other outstanding elements, and you have a really impressive book that will easily keep your attention.

I also need to highlight Wake’s awesome damaged characters that the plot focuses on.  Burr has come up with some sensational and powerful story arcs for these great characters, and their various histories, connections and life events add some excellent emotional heft to the story that I really enjoyed.  This includes Mina McCreery, who serves as a major point-of-view character for most of the plot.  Mina is the twin of the disappeared Evelyn, and has spent the last 19 years living in her disappeared sister’s shadow.  Not only did she have to deal with the emotional backlash of her sister being either killed or abducted but she also had to experience the intense media scrutiny and other issues associated with the major case, especially as her mother ended up becoming a media sensation to keep the focus on Evelyn’s case.  Due to this, the strained relationship she had with her sorrowful mother, and certain suspicions from some that she had something to do with her sister’s disappearance, Mina now lives a solitary life, avoiding most people and not having many friends.  This makes her rather standoffish, angry and a little paranoid (for good reason) for most of the novel, and she has a hard time connecting to anyone, especially Lane.  The events of this book really shock her in some major ways, as the years of repressed trauma and emotional uncertainty come to the surface again, especially once secrets and long-hidden truths come to the surface.  I felt that the author did an amazing job highlighting all the major issues contained within Mina’s psyche, and the subsequent emotional moments were a fantastic and powerful part of the book.

Aside from Mina, the other major character in Wake that I need to discuss is private investigator Lane Holland, who arrives in Nannine to investigate the case.  Burr created something really impressive in Lane, a former police cadet turned private investigator, as he ends up having one of the more intense and memorable character arcs in the entire novel.  Initially seen as an unwelcome outsider by most of the other characters, apparently interested in only the reward money, Lane is able to prove himself to Mina and other characters and manages to gain their trust.  However, everything you think you know about Lane is blown out the water when you find out his surprising connection to the case, as well as his motivations for investigating it.  Burr sets up the connections extremely well in the early parts of the novel, putting in several clever hints and suggestions, while also doling out useful flashbacks to Lane’s past that explain everything.  These revelations, as well as some insights into Lane’s personal history and motivations, help to both intensifies the story, while also dragging you closer to Lane as a character, hoping that he will succeed for everyone’s goods.  Burr takes Lane’s character arc into some very dark, by captivating, directions, and his entire story comes together in a brilliant and powerful way, especially with some major decisions made towards the end of the book.  These two excellent, intense, and very damaged central characters, really acted as the heart-and-soul of Wake, and I was really drawn into the outstanding narrative Burr wove around them.

With her excellent debut novel, Wake, Shelley Burr has successfully entered the world of Australian crime fiction in a big way.  Featuring a captivating and distinctively dark murder mystery narrative that sees damaged characters bring a notorious cold case into the light, Wake was a gripping and deeply thrilling read that I had a fantastic time reading.  A moving and enthralling novel, Wake was an exceptional Australian crime debut and I am extremely excited to read more stories from Burr in the future.

Wake Cover 2

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Blood Sugar by Sascha Rothchild

Blood Sugar Cover

Publisher: Trapeze (Trade Paperback – 26 April 2022)

Series: Standalone

Length: 328 pages

My Rating: 4.75 out of 5 stars

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Outstanding screenwriter Sascha Rothchild presents her debut novel with the utterly addictive Blood Sugar, an awesome and clever thriller with a sweet twist.

Ruby Simon has been a killer since she was five years old.  On a sunny day, young Ruby took an opportunity to rid herself and her sister of the school bully by helping him drown at the local Miami beach.  After managing to get away with her crime, Ruby expected to feel guilty for the life she took, but instead all she felt was relief that the boy would never hurt her sister again.  This action led to Ruby having a realisation that sometimes killing a terrible person is not necessarily a bad thing.

Twenty-five years later, Ruby appears to have it all.  A successful and driven psychologist in Miami, Ruby has killed several times over the intervening years and has never felt guilt for her actions.  However, everything she has built is about to come crumbling down when she finds herself in an interrogation room under suspicion of murder.  In front of her lie four photographs of people who she once knew and who are all now dead.

As the interrogation continues, Ruby soon discovers a significant problem: of the four victims she is accused of murdering, she has only killed three of them, and it is the death she is not responsible for that the police are most determined to bring her down for.  Can Ruby prove she is innocent of this one murder?  And even if she can, does she even deserve to be set free?

This was an impressive and compelling debut from Sascha Rothchild that I was really quite happy to get a copy of.  Not only did it have an awesome-sounding plot but I was also very intrigued by the author, as Rothchild already had some major writing creds after her work on several television shows, including GLOW, which I was a big fan of.  I ended up really loving Blood Sugar and I swiftly got drawn into its witty, humorous and powerful story set around an unlikely and extremely likeable murderer.

Blood Sugar has a distinctive and fun narrative that really grabs your attention from the beginning, starting as it does with child-on-child murder.  Told exclusively from the perspective of central character Ruby Simon, the book is an impressive, deep and occasionally humorous character study of a very unique fictional killer.  The initial narrative is split between events in the character’s present, where she is being interrogated by the police, and an extended look back at her past, as you see all the major events in her life.  These flashback sequences take up the majority of the first two thirds of the book, and they present some powerful and intriguing examinations of the protagonist and all the moments that led to her present.  In particular, they look at her key relationships, her schooling, the events that made her into the successful person she is today, as well as the moments where she decided to take a life.  These two separate narrative threads play off each other extremely well, with the character history providing some intriguing context to the character’s background and mindset, while the present-day interrogation does a good job at hinting at events that are still to be revealed in the flashbacks.  Rothchild’s excellent writing style and ability to forge interesting and compelling characters are on full display during this part of the novel, and she is effortlessly able to construct a powerful and natural life story around the very relatable protagonist, with her occasional murders cleverly worked in.  The blend of character history and justified killings really works well to keep your attention, while also making you really start to care about the protagonist and her future.  Both separate linear threads bind together perfectly as the novel progresses and leads the reader towards Blood Sugar’s awesome third and final act.

The final third of Blood Sugar takes on a completely new format as the first-person examination of the protagonist’s past is wrapped up and the book turns into an intense legal thriller.  This fantastic and powerful change of pace is quite jarring and sees the protagonist encounter all manner of personal setbacks and attacks as the police close in on her.  Thanks to all the awesome work that the author did in the first part of the novel, the reader is now incredibly invested in Ruby’s life story, and you feel incredibly sympathetic for her.  As such, it hurts a little to see her so terribly attacked, even though many of the things that they are accusing her of are true and a key part of her life.  This final part of the novel is incredibly intense, and Rothchild brings out all manner of intriguing twists and turns to shake the reader, especially as you still a little uncertain about who is responsible for one of the key events.  The author comes up with an intriguing and entertaining conclusion for the novel that really makes one of the supporting characters shine.  I really liked how everything wrapped up here, and it really did the rest of the book justice.  An overall impressive and highly addictive narrative that I powered through in very short order.

I deeply enjoyed some of the unique elements that Rothchild sprinkled throughout her novel.  While there is a natural focus on the morality of murder and the mindset of her protagonist, the author also takes the time to examine other interesting elements in her own entertaining way.  Many of these elements revolve around relationships, with the protagonist finding herself connected to multiple interesting people in a variety of complex ways, from a very close platonic friendship that experiences major highs and severe lows, to a loving relationship that tries to overcome mistrust and traumatic pasts.  The author also presents one of the most honest and powerful examinations of the relationships people have with their pets, as the protagonist becomes extremely close with several animals that she adopts.  While one of these ends quite tragically (I was legitimately heartbroken when this happened), it transitions into a very moving and accurate examination of the strong grief that people often feel for their pets, and it is one that every animal lover will understand and appreciate.  The various relationships featured in Blood Sugar form a key part of the story, and it was fascinating to see them unfold around the protagonist, especially as they brought out some unique family dynamics, and I really appreciated the clever ways that the author worked them into the wider plot.

There is also an outstanding look at the media circus that surrounds big crimes, especially once the protagonist finds their previous crimes under investigation.  Watching Ruby’s entire carefully constructed life come unravelled in the public eye is one of the more intense parts of Blood Sugar, and Rothchild pulls no punches when it comes to the savagery of the media and the isolation that accused people find themselves in.  I also appreciated the intense dive into the world of the personal psychology, as the protagonist uses her training to explore her mind as well as issues surrounding several of her clients.  This was a very intriguing part of the book’s plot, and I liked how Rothchild praised therapy, showing that it can be very beneficial to people, even trained psychologists and serial killers.  However, the most impressive story element that Rothchild worked into the novel was the in-depth examination of diabetes and the impacts it can have.  Due to a key plot point, quite a lot of the book revolves around a character’s diabetes, with their low blood sugar (yep, that is what the book is named after), become a major factor in the case against Ruby.  Rothchild has clearly done her research when it comes to the intricacies of diabetes, and I really appreciated how she was able to imagine a potential murder based around this disease.  All these distinctive elements and more are expertly utilised in the wider plot and become a key part of the protagonist’s unique and complex life.

Finally, I really must touch on Blood Sugar’s awesome protagonist of Ruby Simon, who stands out as one of the most original and surprisingly likeable literary characters of 2022.  Ruby is a very distinctive figure; she first killed at a very young age and has gone on to murder again several times through her life.  Even though she feels no guilt for these killings, Ruby is not portrayed as a psychopath or a serial killer; she is simply someone able to justify the actions she took in a very logical way.  Due to the way that the novel is set out, you see most of Ruby’s life through her eyes and you swiftly come to appreciate her point of view, especially as she appears as a mostly normal person who finds herself in some unique situations.  Each of her killings is laid out to the reader in a very logical and natural way, and you honestly have a hard time understanding and even supporting her reasons or justifications for the killings.  Due to this, as well as the extremely relatable way that Rothchild portrays her, you become strongly connected to the character, and you quickly start rooting for her to avoid being capture or prosecuted for her crimes.  I honestly cannot remember becoming as attached to a killer character as did with Ruby in Blood Sugar, and Rothchild really went out of her way to ensure that you liked her protagonist.  An excellent and memorable bit of character work.

Overall, Blood Sugar was one of the more unique and entertaining releases of 2022 so far, and I was really impressed with Sascha Rothchild’s first novel.  Featuring an extremely clever, hilarious, thrilling and addictive story, Blood Sugar was a very fun novel to dive into, especially once you become attached to the amazing main character.  Powerful, intense and very distinctive, Blood Sugar is easily one of the best debut novels of 2022 and it comes very highly recommended by the Unseen Library.

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The Hunger of the Gods by John Gwynne

The Hunger of the Gods Cover

Publisher: Orbit (Audiobook – 14 April 2022)

Series: The Bloodsworn Saga – Book Two

Length: 22 hours and 57 minutes

My Rating: 5 out of 5 stars

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Extremely talented dark fantasy John Gwynne returns with one of my most anticipated fantasy novels of 2022, The Hunger of the Gods, the epic second entry in The Bloodsworn Saga.

Last year, the fantasy world was aflame with discussion about a certain novel from acclaimed author John Gwynne, best known for his The Faithful and the Fallen series and its sequel Of Blood and Bone trilogy.  While I wasn’t initially intending to check this book out, the sheer amount of positive feedback and reviews convinced me that I was clearly missing out, so I grabbed a copy and ended up being deeply impressed by the elaborate fantasy saga it contained.  That novel was The Shadow of the Gods, a Norse inspired dark fantasy tale that saw three intriguing protagonists explore a deadly new fantasy world wrecked by the last battle of the dead gods, and filled with monsters, warbands and powered humans tainted by the divine ancestors.  I had an exceptional time with this great book, which really met all my expectations and ended up being one of my favourite books and audiobooks of 2021 (it also topped my favourite new-to-me authors list and best covers of 2021 list, it was just that damn awesome).  I deeply enjoyed the fantastic and elaborate tale this novel contained, and I could not wait to see how it would be continued.  As such, when I received a copy of the sequel, The Hunger of the Gods, which featured another awesome fantasy cover and plot synopsis, I immediately started reading it and was once again thrust into world of gods and heroes.

The dread dragon god, Lik-Rifa the soul-stealer, has been released from her ancient tomb and now all of Vigrid lies in peril.  Determined to unleash a new era of blood, death and conquest upon the lands, Lik-Rifa immediately begins to gather around her horde of Tainted warriors, including her own descendants, the dragon-born, terrible monsters and a cult of followers, all slaved to her will.  Hope looks bleak, especially as the warring human kingdoms remain unaware that Lik-Rifa is free and about to unleash fresh horrors upon them.

Amongst this chaos, the deadly Orka continues her hunt for her stolen son, taken by Lik-Rifa’s followers.  Now revealed as the legendary and infamous warrior, the Skullsplitter, Orka will not rest until she has her son and her vengeance, no matter the obstacles.  While Orka continues her quest, her former warband of secretly Tainted warriors, the Bloodsworn, head south, determined to rescue one of their members, while their newest initiate, Varg, continues his attempts to find vengeance for his sister.  Meanwhile, Elvar is forced to fulfil the blood oath she took to rescue another child from the dragonborn, and needs to convince her now leaderless warband, the Battle-Grim, to follow her.

As these brave warriors each take their own steps to destiny, they will all face dangerous challenges and horrendous odds.  Orka will need to come to grips with the wolf lying deep in her heart as she attempts the impossible: defying a god.  Varg and the Bloodsworn will travel to a distant land to achieve their goals, only to meet tragedy and loss.  Elvar finally attempts to claim the responsibility of leadership that she has always desired.  However, despite all their bravery and skill in arms, none of these heroes are going to be capable of fighting Lik-Rifa directly.  Instead, Elvar and her company will attempt a desperate plan, using forbidden magic to bring a dead god to life and bind it to their will.

Wow oh wow, what an incredible and awesome read.  Gwynne continues to showcase why he is one of the best current authors of fantasy fiction with The Hunger of the Gods, which perfectly continues the impressive Bloodsworn Saga in a big way.  Featuring tons of bloody action, impressive new fantasy elements, complex characters, and a powerful and elaborate narrative that is the very definition of epic, The Hunger of the Gods was another five-star read from Gwynne that is easily one of the better books I have read so far this year.

The Hunger of the Gods has an outstanding and impressive story that instantly grabs the reader’s attention and ensures that they are unable to put the book down until the very last page.  This sequel kicks off right after the epic conclusion of The Shadow of the Gods and quickly follows up on all the big revelations and events that occurred there, especially the release of the giant dragon god, Lik-Rifa, who serves as a suitably sinister and epic main antagonist for the series.  Just like the first book, The Hunger of the Gods’ narrative is told from a series of split storylines, each one focused on a specific point-of-view character.  All three character-specific storylines from The Shadow of the Gods are continued here, following Orka, Varg and Elva.  These existing storylines go in some exciting and interesting directions in The Hunger of the Gods, and I loved how the author expanded on the character’s growth and individual journeys from the first novel, while also keeping some of the existing dynamics and elements.  Gwynne also adds in two new point-of-view characters, as antagonists Gudvarr and Biorr, who were good secondary characters from The Shadow of the Gods, get their own intriguing storylines here.  These new character arcs are impressively entertaining, providing great alternate perspectives to deepen the story, while also working into the existing storylines extremely well.  All five storylines go in some great directions throughout the course of the novel, and there are some absolutely brilliant moments, twists and revelations that occur throughout, especially as many of these storylines started to come together more.  I had an excellent time seeing where everything went, and Gwynne really did a great job taking all these character stories in some appropriate directions.  Every single storyline end on an amazing note and the conclusions are guaranteed to drag readers back for the third Bloodsworn novel.

This second book in The Bloodsworn Saga is written pretty damn perfectly as Gwynne continues his magic to produce an addictive and distinctive read.  The Hunger of the Gods retains the excellent tone introduced in the first novel, ensuring that everything comes across as a Norse adventure story set within a unique, dark fantasy realm.  Everything about this book is handled extremely well, from the exceptional pacing, which ensures that you fly through this massive novel, to the intense and brutal action that is installed in every section of the book, guaranteeing that readers get that much needed adrenalin rush.  Gwynne utilises an interesting writing style here that really emphasises repetition and unique dialogue to help to make the story feel more and more like an epic Norse saga.  Just like the preceding novel in The Bloodsworn Saga, I think that The Hunger of the Gods had just the right blend of action, humour, character growth, world building and darker elements to create an excellent and enticing read.  I also have to say that I was quite impressed with how Gwynne was able to avoid middle book syndrome here, as in many ways The Hunger of the Gods was even better than The Shadow of the Gods.  While the story does slow down in places to help build up certain settings or plot elements, there is always something interesting or compelling going on, and I can honestly say that I was not bored at any point in the book.  You could almost read The Hunger of the Gods by itself with no knowledge of the preceding book and still have a brilliant time with it, especially with the detailed synopsis of the prior novel at the start.

The best thing about how this story is written is the exceptional use of multiple character perspectives.  The story perfectly flits between the five separate characters arcs throughout the novel, with a different character being focused on with each new chapter.  Thanks to the inclusions of two new characters, readers of this sequel get to enjoy a much deeper story here, especially as the new characters are associated with some of the series’ antagonists, providing some fantastic new elements.  I think the additional characters worked really well, as while the existing three protagonists are great, their storylines needed to be spaced out more in this sequel.  All five separate character storylines play off each other perfectly as the novel continues, telling an immense narrative that, while connected, still contains a fair bit of individuality as you follow their specific adventure.

I liked finally being able to see some interactions between the various protagonists and I loved seeing these outstanding and well-written characters finally come together in some intense scenes, allowing the reader to see these distinctive characters viewed through the eyes of the other protagonists.  The author had a great sense of which perspectives needed to featured at certain times, and there were some amazing contrasts as certain exciting storylines were played off each other, especially when you were able to see two sides to certain major battles or events.  In addition, this is one of those rare multi-narrative fantasy novels where it is near impossible to choose a favourite storyline or character to follow.  Each of the five storylines offers the reader something different, from a bloody revenge story, to an intriguing look at the book’s main antagonists, and all of them work extremely well in the context of the wider story.  I will say that Orka’s brilliant quest for her son has some amazing action scenes and powerful character moments, while the camaraderie and excellent larger-scale battles of Varg’s storyline ensured that I was excited to hear from this character.  In addition, Gudvarr provides some great political intrigue from the perspective of a true weasel, which was so very fun to watch.  However, I honestly had a great time with every single character, and there was not a moment that their individual stories did not enhance the overall quality of The Hunger of the Gods.

I really must highlight the incredible dark fantasy setting of The Bloodsworn Saga that is expertly used again in The Hunger of the Gods after Gwynne took the time to set it up in the first novel.  The harsh land of Vigrid, with its warring Jarls, terrifying monsters, long-dead gods, glory-seeking warbands and the feared and exploited Tainted, works so well as a background to this epic story and it really helps to expand the bloody adventures featured within.  I loved how Gwynne uses classic Norse elements like shield walls, longboats, weaponry and mindsets, and I still really love seeing this in a fantasy context, especially when combined or used against the monsters and Tainted characters.  This is further enhanced with the continued use of Norse inspired terms and dialogue throughout the novel, and it helps to give this entire series such a distinctive feel (although I kind of wish that he would stop trying to continually make “thought cage” an alternative to a person’s skull).  While the author spends a bit of time continuing these elements from the first book, The Shadow of the Gods also features some brilliant world building as Gwynne provides intriguing enhancements to the existing gods, land and people, which were already extremely intriguing.  There are also some examinations of the neighbouring nation of Iskidan, which was mentioned a few times in the first book.  Iskidan, which has elements of historical China, the Middle East and the Byzantine Empire in its construction, serves as an intriguing counterpoint to Vigrid, and it was fascinating to learn more about it.  I also loved a couple of cool, if freaky new monsters, that were featured in this book, although the flesh burrowing insect monster and the nightmare inducing tongue eaters, are a bit on the gruesome side (readers who don’t like body modifying monsters are warned to stay away).  All these awesome elements are fitted in the book perfectly, and I loved this continued dive into the dark and gruesome world Gwynne has lovingly created.

While the awesome narrative, clever storytelling and dark fantasy setting are amazing parts of the book, I would be extremely remiss if I didn’t highlight the incredible character work that Gwynne did within The Hunger of the Gods.  Just like the first book in The Bloodsworn Saga, The Hunger of the Gods features an impressive and captivating cast of characters, each of whom are expertly featured and who add some fantastic elements to the overall story.  This is particularly true for the wonderful and memorable characters from whose perspective this epic tale unfolds.  Gwynne did an incredible job introducing these excellent characters in the first book, and it was great to see two previous supporting characters promoted up to the central cast.  All five main characters are exceptional and their unique personalities and goals ensure that every chapter is different from the last which helps to produce an awesome and expansive read.

The first of these characters is Orka, an incredibly dangerous warrior who is hunting for her lost son and vengeance for her murdered husband.  Orka is a brilliant and complex figure who is easily one of the most exciting and enjoyable characters in the entire series.  Due to her single-minded determination and bloodlust, pretty much all Orka’s chapters read like a bloody revenge trip that is essentially a dark fantasy version of Taken.  Gwynne continues this excellent trend with Orka in this second novel and it was great to see this implacable warrior travel across this land, killing everyone who gets in her way as she takes big risks.  However, Gwynne adds in some extra elements to Orka’s tale in The Hunger of the Gods, especially following the revelations made at the end of The Shadow of the Gods that Orka is both Tainted and the former leader of the Bloodsworn, the legendary killer known as the Skullsplitter.  Orka actually comes across as a lot more bestial in this second book, especially after the big massacre she created at the end of The Shadow of the Gods that unleashed her inner monster.  As such, there are more scenes of Orka trying to contain her rage and anger, and there were some fantastic and clever portrayals of her inner beast throughout the book.  We also see some of Orka’s guilt and regret as the novel explores how she left the Bloodsworn and the relationships she sacrificed for the sake of her unborn son.  I also quite enjoyed seeing her as a reluctant leader in this novel as she finds herself in charge of a small team of warriors and monsters.  This enhances her sense of guilt and remembrances of her previous time with the Bloodsworn, and it adds some fun drama and even a mentoring arc as continues her work with her young student, Lif.  Orka’s storyline goes in some great directions throughout The Hunger of the Gods, and you will be enthralled with her tale right up until the last line of this book.

I also had a lot of fun with Varg in this book.  Varg, or as his warband knows him, Varg No-Sense, was probably my favourite character in The Shadow of the Gods and he continues to be an excellent part of this sequel.  While he doesn’t develop as much as some of the other characters in The Hunger of the Gods, Varg still remains an enjoyable figure.  Most of the appeal revolves around his friendship and growing sense of acceptance with his fellow Bloodsworn, and I liked seeing him continue to develop as a warrior and a free person, especially as starts to create some meaningful relationships.  Like Orka, a lot of Varg’s personal storyline deals with his desire for vengeance, as well as his issues controlling his Tainted rage, and I liked seeing how this complemented and contrasted with Orka’s experiences.  This is particularly noticeable when it comes to how he deals with loss, something he is not good at, especially when some good friends fall throughout the story.  As a result, there are some great moments for Varg in this novel, and his chapters are filled with some of the funniest supporting characters and best battle sequences.  I did find it interesting that Varg didn’t have the biggest impact on the overall storyline in this novel, even during his own chapters, but Gwynne is clearly planning some big things for him in the future, which I am really looking forward to.

Elvar, also has a great storyline in The Hunger of the Gods, and I honestly think that out of all the characters, she has the most development in this book.  Due to where her story from The Shadow of the Gods ended up (dragon gods rising and all), I was extremely excited to see more from Elvar in this novel, and it really did not disappoint as she immediately gets into action, resurrecting gods and bending them to her will.  Quite a lot of major plot elements occur through Elvar’s eyes, and she proves to be an excellent focus for all these key storylines.  I liked how Elvar grew up quite a lot in this sequel, especially after the traumatic betrayals of the previous book, and she ends up with a very different mindset throughout this sequel, especially when it comes to leadership and her need for fame.  Watching her grow and take control of the Battle-Grim is a compelling part of this novel, and it was awesome to see her come to terms with her new responsibilities.  It was also great to see how a lot of Elvar’s story comes full circle in this novel, especially when it comes to her personal history and family, and her final chapters in this novel are some of the best in the book.  I am once again extremely keen to see how Elvar’s story continues in the rest of the series, and Gwynne has left her in an incredible spot for the future.

Like I mentioned above, I was really impressed with Gwynne’s decision to start utilising two additional point-of-view characters in The Hunger of the Gods, and it really helped to turn this sequel into a much more detailed and compelling read.  Part of the reason this works so well is that these two additional characters are both complex and excellent characters, and their chapters act as a great continuation of some of the minor storylines from the first book.  The first of these characters is Biorr, former member of the Battle-Grim who was revealed to be a spy planted by Lik-Rifa’s followers and who ended up betraying and killing the Battle-Grim’s leader.  While it would be easy to hate Biorr for his actions, he becomes quite a sympathetic character.  Not only does he spend most of the book feeling intense guilt for his actions, but he also paints a pretty grim picture of his previous life as a slave, showcasing the hardships he and his fellow Tainted have suffered.  As such, you can understand many of his reasons for why he is helping Lik-Rifa, especially as she is promising a new world order for people like him.  Despite this he is still quite conflicted, and he acts as a more moderate antagonist.  This changes towards the end of the book, especially after he meets a certain divine being, and he starts to become a bit colder and more determined to support Lik-Rifa.  Despite being one of the least action-packed storylines in the novel, Biorr’s chapters were an excellent and entertaining part of the novel.  I particularly enjoyed the intriguing alternate views they gave of the main group of antagonists, making them seem more reasonable and complex, and the inclusion of Biorr greatly enhanced the entire narrative for the best.

The other new point-of-view character is Gudvarr, the conceited lordling who hunted Orka in the last book and was a particularly annoying antagonist.  I must admit that I was initially surprised that out of all the great supporting characters, Gudvarr was the one who was upgraded to main cast.  However, it soon became apparent why he was used, as Gwynne had some real fun turning him into one of the entertainingly despicable characters in the entire novel.  Gudvarr is the absolute epitome of arrogance, petty cruelty and cowardice throughout this book, and it is near impossible to have any respect for him, as he lies, brownnoses and attempt anything to gain power and reputation, often with disastrous results.  Gwynne goes out of his way to make him seem as conceited and cowardly as possible throughout the novel, mainly through his inner monologue, where he constantly hides all his insults and most cowardly thoughts to avoid getting into trouble with actual warrior.  He is such a little arseling in this novel, and you can’t help but hate him, especially as he has the devil’s luck and frustratingly manages to wiggle out of every single disaster he finds himself in.  Despite this, or perhaps because of it, I grew to really enjoy Gudvarr’s chapters as everything he did was hilarious in a sneaky and spiteful way, and it is just so damn entertaining to see him get pushed around then overcome more powerful and confident characters.  The Gudvarr chapters also provide some fantastic insight into another group of antagonists, loaded with political intrigue and deceit from one of the main courts of Vigrid.  I had an absolute blast following Gudvarr throughout the novel, and the way that his storyline in this novel comes to an end is just so perfect and really showcases what an absolute cowardly snake he is.  I cannot wait to see him get his eventual just deserts (or maybe he’ll be the only survivor), and he ended up being on of my surprisingly favourites in The Hunger of the Gods.

Aside from these main five characters, The Hunger of the Gods is filled with a massive raft of supporting characters, with a distinctive cast associated with each of the point-of-view storylines.  Gwynne handles these supporting characters beautifully; despite the cast list going on for six pages, you get to know all of them and fully appreciate everything they bring to the story.  Most of these characters support their respective storylines incredibly well and many of the characters either stand on their own as distinctive figures or have some brilliant interactions with the main characters.  Many of my favourites were members of the Bloodsworn band, with the hilarious and witty Svik being the best example of this with his tall tales, love of cheese, and calming attitude towards Varg, while an additional storyline about his connection to Orka adding some intriguing depth to his character.  You really get to enjoy many of the key Bloodsworn members, although this does mean you become way too emotionally strained when they get hurt or killed.  I also really grew to enjoy returning character Lif in this book as he continues to grow as a warrior through Orka’s tutelage.  Watching him develop is a great part of the Orka chapters, and he proves to be an excellent foil to the brutal main character.  I loved the deeper look at many of the series’ main antagonists throughout The Hunger of Gods, especially with the two new character perspectives, and it was great to see a different side to their plans and motivations.  The multiple resurrected or freed god characters proved to be an excellent addition to this second novel, with the main characters brought into their renewed war one way or another.  These gods really changed the entire story, and it was fascinating to see their interactions with the main characters, as well impact they have on everyone’s psyches.  These great characters, and many more, all added a ton to the story, and I loved how their various arcs and storylines came together.  It will be fascinating to see if anybody else becomes a point-of-view protagonists in the future (my money is on Lif), and I can’t wait to see what happens to these brilliant characters in the future.

While I was lucky enough to receive a physical copy of The Hunger of the Gods, I ended up listening to the audiobook version of it instead, which was an extremely awesome experience.  With a runtime of just under 23 hours, this is a pretty lengthy audiobook (the 19th longest audiobook I’ve ever listened to) and requires a substantial investment of time.  However, this is more than worth it as hearing this epic tale read out to you is a brilliant experience.  Not only does it ensure that you become deeply trapped in the elaborate story and are able to absorb all the great detail, but it also fits with the book’s inherit theme of an oral saga.  One of the best features of this audiobook is impressive narrator Colin Mace, a man with a ton experience narrating elaborate fantasy and science fiction audiobooks (such as The Black Hawks by David Wragg).  Mace has a commanding and powerful voice that really fits the theme of this universe and perfectly conveys all the violence, grim settings and powerful elements of the dark fantasy world.  He does a particularly good job with the character voices as well, as every character has a distinctive tone that fits their personality and actions extremely well.  I loved some of the great voices that he comes up with, including deep-voiced warriors, snivelling cowards, strange creatures, ethereal gods and more, and it helped to turn The Hunger of the Gods audiobook into quite an experience.  As such, I would strongly recommend this audiobook format as the way to enjoy The Hunger of the Gods, and I fully intend to check out the rest of this series on audiobook when it comes out.

John Gwynne continues to dominate the fantasy genre with his incredible Bloodsworn Saga.  The amazing second entry, The Hunger of the Gods, is another exceptional read that takes you on a wild and deadly adventure through Gwynne’s impressively put together dark fantasy world.  Containing an epic and powerful story, chock full of action, Norse fantasy elements and impressive characters, The Hunger of the Gods was one of the best reads of 2022 so far and I had an outstanding time reading it.  In some ways The Hunger of the Gods ended up being a better novel than the first entry in the series and is an absolute must read for all fantasy fans.

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Death of the Black Widow by James Patterson & J. D. Barker

Death of the Black Widow Cover

Publisher: Century (Trade Paperback – 12 April 2022)

Series: Standalone

Length: 520 pages

My Rating: 5 out of 5 stars

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Prepare for one of the trippiest and darkest thrillers of 2022 with Death of the Black Widow, the latest brilliant standalone novel from the all-star team of James Patterson and J. D. Barker.

Few thriller writers out there at the moment are as well-known or prolific as superstar author James Patterson.  Patterson has been absolutely dominating the thriller and crime fiction genre for nearly 30 years and has an incredible catalogue of works to his name, including his best-selling Alex Cross books.  In recent years, Patterson has released a torrent of works, including some solo books and several novels done in collaboration with other talented writers and even a few celebrities.  I personally have loved several of his previous collaborated books, including Lost (co-written with James O. Born) and 2 Sisters Detective Agency (co-written with Candice Fox).  However, one of the more intriguing authors he has teamed up with is acclaimed thriller and horror author J. D. Barker.  Barker, whose work I previously enjoyed on Dracul (co-written with Dacre Stoker), has already produced two intriguing novels with Patterson, The Coast-to-Coast Murders and The Noise.  I have been keen to check out this awesome writing team for a while (The Noise is currently sitting on my shelf waiting for my attention), and when I received a copy of their latest book, Death of the Black Widow, I made sure to read it as soon as possible.

It is a typical night in Detroit until former police officer Walter O’Brien and his comrades call in a bomb threat on a busy night club and use concentrated sniper fire to keep its patrons trapped inside.  When the police arrive on scene, Walter surrenders to them and offers them a simple choice: allow them to kill a single woman hidden within the club, or watch as the entire building is destroyed.  But who is this mysterious woman and what has driven Walter and his friends to such extremes?

The origins of these desperate actions date back decades to when a young Walter O’Brien is called to a murder scene on his very first night for the Detroit PD.  What he uncovers is a terrible and bloody crime scene: a scared and surprisingly alluring young woman has apparently escaped from captivity and skillfully bludgeoned her ruthless captor to death with a lamp.  Attempting to take her to hospital, Walter is shocked when she escapes from his custody, leaving an impression on him that will last a lifetime.

Years later, as a new homicide detective, Walter has a chance encounter with someone he believes to be same women from that fateful night.  Still obsessed with his previous encounter, Walter attempts to track her down, only to find a disturbing pattern between this mysterious and woman and several disturbing and unexplainable murders he is investigating.  But when his case takes an even more unusual twist, Walter finds himself thrust into something far bigger than himself.  A secret government agency is attempting to find this mysterious woman, and soon they and Walter begin to uncover a disturbing trend of murders going back years.  As Walter begins to lose himself more and more to obsession, he becomes determined to be the one to stop any more killings.  But what is he willing to do to stop the deaths once and for all?

Wow, now that was a fun and intense book.  Patterson and Barker have produced something very special with Death of the Black Widow, which was an utterly insane and awesome read.  I was actually a little surprised with how much I enjoyed this clever book, and I think I have very little choice but to give it a full five-star rating.

Now, I must admit that when I started reading Death of the Black Widow, I honestly did not know too much about the book, apart from what was in the synopsis.  From that and the name, I assumed that this was going to be a psychological thriller or a spy thriller.  However, while Death of the Black Widow does have thriller and murder mystery elements to it, and indeed it appears to be a purely crime fiction novel for the first few chapters, it actually turned out to be something entirely more complex.  Within the first 100 pages or so, you begin to realise that the authors are subtly including elements from other genres, and Death of the Black Widow soon starts to take on a distinctive horror vibe, with some incredible brutal killings done under extremely unusual circumstances.  While I was surprised by this, I cannot say that I was disappointed.  Instead, I felt that it was a brilliant move from the authors and one that played particularly well to Barker’s strengths.  This new genre combines well with the books existing thriller/crime fiction framework to create an intense and exhilarating read that is extremely easy to get into and very, very hard to put down.  I personally found myself powering through the last 350+ pages in less than a day, especially once I begun to fully understand just how clever and weird things were about to get.

I was really impressed with how Death of the Black Widow unfolded as a story, especially as Patterson and Barker went out of their way to make this standalone read as enticing and epic as possible.  The book starts in the present day and shows the older protagonist and his compatriots entering the end game of their confrontation with a mysterious woman.  This serves as a great setup to the rest of the story, which jumps back multiple decades to 1986, when Walter and the mysterious woman, known here as Amy Archer, first meet, and the strange and deadly circumstances behind their encounter.  The story then jumps forward several years to 1992, where Walter is investigating several strange murders when he has a chance encounter with someone he believes is Amy.  This results in an intriguing series of chapters where Walter deals with both the investigation and his growing obsession with this girl, before everything blows up terribly and the mystery becomes more convoluted and unusual with each new revelation.  This pattern continues throughout the book, with the story jumping ahead years at a time to show the multiple encounters between Walter and his obsession.  Each time period reveals some intriguing new angles and elements, and you find out new revelations about the woman the protagonist is hunting, resulting in the full truth about her finally being revealed.  The novel also keeps slipping back to the siege occurring in the present, with some new characters trying to uncover what Walter and his team are up to as the protagonists provide them with hints about who they are and what they are after.

I deeply enjoyed that the authors chose to utilise a split timeline for Death of the Black Widow, especially as it works extremely well to tell this outstanding narrative.  The switch between time periods and chronological length of the story really enhances just how mysterious the events of the book are and the powerful, life-altering impact they have on the protagonist.  There are many clever elements to the switches between the periods, and I loved the subtle inclusions in the present timeline that hint at the events in the past that the protagonist was yet to experience, and the full impacts of them.  There are also some fun summaries loaded at the front of each change between the past and the present that represent the protagonist’s notes on the case.  Not only can these be useful to remind the reader where they are, but it helps to highlight just how massive the case gets, especially towards the end of the book, as well as tracking Walter’s growing obsession (especially the last one).  This entire story is loaded up with brilliant reveals and shocking twists, and I was honestly surprised and very thrilled in some of the excellent directions that the authors took the story.  You will honestly have a hard time putting this novel down once you get past the halfway point, especially once the 1992 storyline comes to its shocking end, and the intense revelations and horrific scenes of the next few time periods ensures you will become unerringly trapped as you attempt to find out more about the antagonist and their past.  This entire story of obsession, murder and mystery concludes perfectly in the present, with some truly big moments, as everything comes full circle and twists that have been hidden in plain sight since the start come into the light.  This was such a great story, and I frankly loved every single second I spent reading it.

I cannot finish talking about this book without mentioning the excellent characters it contained.  Death of the Black Widow features an intriguing and unique cast, each of whom brings something fun and compelling to the story.  The most prominent of these is Walter O’Brien, who serves as the central point-of-view character for most of the story.  Thanks to how the book progresses, you get to see the entirety of Walter’s life unfold, from his young days as a rookie cop, all the way up to his present, when an older, dying Walter attempts to bring his great obsession to an end by finally catching the woman who has haunted him for decades.  This ensures you get a brilliant look at this character and it proves absolutely fascinating to see the various stages of his life and the continued impacts of his interactions with the woman he knows as Amy Archer.  One of the best parts of this is that you get to see the growing obsession that Walter builds towards this woman, as meeting her proves to be a defining experience for him.  Despite the fact that his interaction with her are relatively short, each time he meets Amy she changes his life in a different way and he soon becomes quite obsessed with her.  This obsession continues to bloom, even after certain revelations about her and her actions become known, and he is forced to fight his own feelings and observations throughout the entire book, especially once it becomes clear that this obsession is mutual and that Amy is drawn to Walter as well in a twisted romance that is so damn dark.  Watching this usually confident and capable person being haunted by this obsession proves to be powerful and captivating centre to this story, and you really feel for this protagonist as he struggles.  Walter ends up serving a great role as the central protagonist of this story, and I found his entire character arc to be extremely well written and cleverly exposed.

On the other side of the coin is the mysterious woman who serves as the titular Black Widow of the story.  Known to Walter as Amy, this woman serves as a shadowy and enigmatic figure in the book, especially as you have no idea who she truly is for most of it.  To avoid spoilers, I will not go into too much detail about her here, but I will say she was an exquisite and amazing character, and the authors did a remarkable job bringing her to life and fitting her into this remarkable story.  She is easily one of the most distinctive and memorable literary villains I have read for a while, and if they ever make a movie of this book (which they really should), I think a great actor could turn her into something very special.  These two characters, as well as some other great supporting characters (the members of Walter’s team in the present day, as well as some distinctive cops from the past timelines for example), prove to be the beating heart of this incredible story, and it was absolutely fascinating to see how their intriguing lives worked in to the plot of this book.

No doubt it, I was really, really impressed with Death of the Black Widow, which ended up being one of the most exciting and compelling reads of 2022 so far.  The outstanding team of James Patterson and J. D. Barker were absolutely amazing here, producing a clever and intricate thriller, loaded with unique characters, a deep obsession laden storyline and some excellent horror elements.  This was easily one of the most unique and memorable novels I have read in a while, and I loved every single second I was going through it.  A highly recommended read that will appeal to anyone interested in a dark and deadly read, you will not be disappointed with Death of the Black Widow.

Death of the Black Widow Cover 2

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