Dark Blade by Steve Feasey

Dark Blade Cover

Publisher: Bloomsbury (Trade Paperback – 11 July 2019)

Series: Whispers of the Gods – Book 1

Length: 352 pages

My Rating: 4 out of 5 stars

For those readers looking for a cool new young adult fantasy series to check out, look no further than Dark Blade, the first book in Steve Feasey’s Whispers of the Gods series.

The gods have abandoned the land, monsters are starting to return, war is afoot and in the darkness of the Void, an ancient evil begins to stir, eager to return to the mortal world.

Into all this, a young boy, Lann, is born. Left as a foundling and with no knowledge of his past, Lann lives a normal life as a farmer’s son until destiny suddenly finds him on the eve of his 14th birthday. Barely surviving an attack from a vicious monster, Lann is left blinded and is taken in by Fleya, a powerful witch with knowledge of his past. While Lann learns to cope with his blindness, dangerous events are unfolding in the land.

In Stromgard, a young and bitter member of the royal family, Kelewulf, has utilised dangerous magic to bind a powerful lich to his body. Together, the young sorcerer and his new undead shadow plan to open a gateway to the void and release a powerful dark god imprisoned there. After murdering the king and framing his son for his death, Kelewulf begins to implement his evil plans unopposed, while the king’s young daughter, Astrid, is forced to take the throne in an attempt to save her brother’s life,

The only hope for the world may be Lann, who awakens one night to find one of the ancient gods in his room. In exchange for the return of his sight, all Lann has to do is take up the Dreadblade, a powerful and ancient blade with a dark history. As the Dreadblade’s wielder, Lann becomes a deadly warrior compelled to hunt down the monsters that roam the land. However, the Dreadblade is a sentient item with its own destructive objectives. Can Lann learn to wield the sword before it is too late, or will an ancient evil once again be let loose?

This is a fantastic new book from established young adult author Steve Feasey. Feasey has been writing for around 10 years, creating two intriguing young adult series. These include the Changeling series, which follows the adventures of a young teen werewolf, and the Mutant City books, which focus on a group of super-powered mutants in a dystopian future. His latest book, Dark Blade, is the first novel in his Whispers of the Gods series, which focuses on a new young protagonist in an original fantasy world.

This was a really fun and enjoyable young adult fantasy book that does a wonderful job setting up a new series with some real potential. Feasey has come up with some really interesting ideas for his fantasy world, populating a Norse-inspired landscape with deadly creatures, fading gods, powerful magic and intense adventures. This book is incredibly fast paced, jumping from intriguing scene to intriguing scene exceedingly fast while maintaining the overall integrity of the story. The story goes in some interesting directions, and Feasey does a good job introducing several enjoyable major characters, including a ruthless villain and a great female protagonist in Astrid. On top of that, there are some amazing action sequences, especially surrounding the main character as he and his magic sword face off against a variety of monsters.

While the overall story is filled with some interesting twists and some creative story developments, the Dark Blade does utilise a number of classical or general adventure tropes. The story of a young orphaned hero who discovers that he has a secret destiny and is gifted a weapon of immense powers (SPOILERS: which used to belong to his father) and who finds a wise mentor to guide him in the first book are all pretty familiar story ideas. However, Feasey uses them to great effect and they help enhance his overall story and help make his book feel more like a young adult version of an old school epic fantasy. The author also makes some amazing changes to the classic storylines, such as granting the sword a malevolent and dominating sentience that attempts to manipulate the protagonist into destroying evil, no matter the cost. Lann’s struggles to control to the sword and stop its attempts to influence him make for some intriguing scenes, and I loved one sequence that sees the Dreadblade go to some extreme lengths to achieve its goals.

Dark Blade is a really fun read that is mostly aimed towards a younger audience. Containing a number of intense battle sequences and scenes of magical devastation, this novel is probably best suited to younger teen or pre-teen readers, who will love the fun adventure contained within this book. This first entry in the Whispers of the Gods series would actually serve as an excellent introduction to the fantasy genre for young readers, who will really enjoy the great combination of action, clever story and interesting fantasy elements.

Overall, this is a compelling and exciting novel that does a wonderful job setting up an intriguing series. Dark Blade has a number of great elements, including an enjoyable, fast-paced story and some inventive modernisation of classic fantasy features, all of which make for a cool read that younger readers in particular will find enjoyable. The Whispers of the Gods series is off to a fine start, and I look forward to seeing how Feasey expands his story in the future.

God of Broken Things by Cameron Johnston

god of broken things cover

Publisher: Angry Robot (Paperback – 11 June 2019)

Series: Age of Tyranny – Book 2

Length: 312 pages

My Rating: 4.75 out of 5 stars

Those readers looking for the next entertaining grimdark fantasy adventure to sink their teeth into need look no further than God of Broken Things, the electrifying second book in Cameron Johnston’s Age of Tyranny.

It has only been a few short months since the devastating attack by the Skallgrim raiders on the city of Setharis, which severely weakened the city. Despite repulsing the Skallgrim and their monstrous hordes, Setharis is still in incredible danger. The Skallgrim forces are massing to launch another attack on Setharis, and the Skallgrim’s masters, the parasitic alien lifeforms known as the Scarrabus, are determined to enslave the entire city to their will. Setharis’s salvation once again rests in the hands of its most hated son, Edrin Walker.

Edrin is powerful magus whose rare abilities allow him to crack open and control the minds of all those around him. His breed of magus, known as tyrants, are feared throughout the world due to their propensity to lose control and use their magic to rule whole civilisations. Despite his role in saving the city from the Skallgrim, Edrin is still distrusted by both the common people and his fellow magus of the Arcanum. However, his skills may be the only thing that can win the war against the Skallgrim and the Scarrabus.

A massive force of Skallgrim are advancing over the mountain passes of the Clanholds, hoping to launch a fresh assault on Setharis. Against his will, Edrin is forced to lead a small army to reinforce the tribes of the Clanholds against the Skallgrim army. Accompanied by a small personal bodyguard of killers and thieves, Edrin leads his forces into the mountains, where far more dangerous things than the Skallgrim and their monsters lurk. Spirits, demons, gods and his own deadly past all lie in wait for Edrin, whose powers have been altered following his battle with a treacherous god. Can Edrin and his forces hold back the Skallgrim, or will he succumb to one of the many horrors in the mountains? And what happens when the tyrant comes out to play?

Johnston is a talented author whose debut novel, The Traitor God, really impressed me last year thanks to its awesome story and enjoyable main character. As a result, I was extremely keen to get a copy of the sequel, God of Broken Things, this year and was very happy when I received it a few weeks ago. God of Broken Things turned out to be a fantastic follow-up to the first book and I had an incredible time reading it. Not only does Johnston present another wildly entertaining story for the reader to enjoy, but he also does a fantastic job of expanding his dark fantasy world and exploring the complex mind of his main character.

I really liked where Johnston took the story in this book. While The Traitor God’s story of a hunt for answers in the dark fantasy city was cool, I really liked seeing the main character go to war in God of Broken Things. The whole storyline of Edrin leading an army up into the Clanholds, a dangerous mountainous environment filled with all manner of horrors and dangers was really cool, especially as he kept encountering worse situations and more terrifying opponents. This resulted in some epic moments and massive battles, and Johnston also took the opportunity to explore the history of several of the different races mentioned within the first books, including the Scarrabus, the Ogarim and some more mystical creatures like spirts and demons. This expansion of the Age of Tyranny universe was quite intriguing, and I wonder if there will be more exploration of the world and the various mentioned multiverses in future books. I also liked the deeper look that the author took into his protagonist’s past, showing some of the activities that occurred during the years he was exiled from Setharis. I loved the various twists and epic moments that Johnston sprinkled throughout the book’s plot, and there was never a dull moment in the entire story. I especially enjoyed how the final battle in God of Broken Things ended, especially as the author included a clever red herring in the book’s formatting to throw the reader off. Overall, this was an incredible story, and Johnston did an amazing job trapping me within this entertaining narrative.

One of the best parts of this book was the author’s continued focus on the protagonist, Edrin Walker, who serves as the book’s narrator and point-of-view character. Edrin was already a fairly complex character in The Traitor God, where he was portrayed as a powerful exiled magus hated, distrusted and ostracised by everyone due to the specific nature of his magical gift. Because of the way he is treated he acts hostile and uncaring to the world, while still participating in the odd act of heroism and compassion. This is continued in the second book, where Edrin continues to battle with his natural instincts and irritation while trying to do the right thing, especially for the few people who actually like or respect him. I really liked the way that the author continued to show Edrin exploring his moral side in this book as, against his better judgement, he actually attempts to help people and keep Setharis safe. The various sacrifices that he subsequently makes for the greater good are very much against the grain of his original character, and it is interesting to see this side of Edrin grow.

Due to the way he is treated, Edrin is an incredibly jaded character, and the author utilises this in a number of clever ways. Not only does this ensure that Edrin is the most likeable character in the book, mostly because he stands in sharp contrast to all the other magus characters, who are elitist snobs, but it also makes him a really entertaining narrator. The character’s sarcastic and mocking manner permeates the entire way he tells the story, resulting in some great reactions and a very amusing overall story.

Edrin continues to get into all sorts of entertaining misadventures in God of Broken Things, and it is hard not to love the unorthodox way he deals with things. Not only does he lead a bodyguard of deranged killers into battle but he rarely ever takes things seriously, no matter who he is dealing with. I love the disrespect and mockery that the character shows when encountering anyone in authority, be it friend or foe, magus or human, god or monster, and I laughed out loud at the way he got his revenge on one of Setharis’s gods in this book. It was also great to see the character apply his particular brand of bastardry to the battlefield, coming up with all manner of unconventional traps and attacks for the forces that are up against him. I particularly loved the cool way he took down the main antagonist of this book, and it really reflected both his cunning and his growth as a character.

The main character’s mind-bending magic continues to be a really cool part of this series, especially as his abilities become even more powerful in God of Broken Things. Johnston’s portrayals of the way that Edrin’s powers to break into and manipulate the minds of all those around him is done extremely well and it results in a number of epic scenes. I never realised how many creative ways someone could magically manipulate a person’s mind until seeing some of the scenes in this book, as Johnston comes up with some very inventive ways to utilises his protagonist’s magic. I especially loved seeing Edrin using these powers in the middle of the battle, as there are some awesome ways he disadvantages his enemies and helps his allies. However, the author also explores the consequences of the tyrant powers, as Edrin continuously runs the risk of taking things too far and grossly abusing his powers. Several examinations of the character’s guilt over some of the mental actions he commits become a compelling part of the story, and the character’s mental magic is a great part of the book.

Those readers who are looking for an explosive amount of fantasy action are in for a real treat with this book. Johnston makes sure to include a ton of battles and fight sequences in God of Broken Things, as the ragtag defenders of the Clanholds face off against a massive horde of Skallgrim, Scarrabus, demons and monsters. All of these fight scenes are incredibly brutal as Johnston depicts some amazing battles throughout this book. Most of these scenes are enhanced through the use of magic, and the sheer destructive power of the various characters’ magical abilities is pretty impressive. The various demons and monsters the protagonist finds himself up against in this book are pretty gruesome and offer up some pretty great battle scenes as a result. Overall, the action in God of Broken Things is quite superb, and fans of bloody fantasy fights will not be disappointed.

Cameron Johnston’s second outing, God of Broken Things, is an amazing piece of grimdark fantasy fiction that proved to be just as much fun as his debut novel, The Traitor God. I had an incredible time reading God of Broken Things as the excellent combination of story, magical action and character work kept me trapped until the very last page. Readers are guaranteed to love this outstanding dark fantasy read, and I strongly recommend this book to anyone looking for a fun and powerful adventure. The ending of the book makes it a little unclear if Johnston will continue the Age of Tyranny series, but I will be keeping a close eye out for any future books from this rising star in the grimdark fantasy genre.

Lies Sleeping by Ben Aaronovitch

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Publishers: Gollancz and Orion Audio (Audiobook format – 15 November 2018)

Series: Rivers of London – Book 7

Length: 10 hours 25 minutes

My Rating: 5 out of 5 stars

Prepare to dive headfirst into one of the best urban fantasy series in the world today, with the seventh book in Ben Aaronovitch’s Rivers of London series, Lies Sleeping.

London is a magical place, especially for Peter Grant, Detective Constable and apprentice wizard.  Peter is a member of an elite unit of the London Metropolitan Police, known as the Folly, which is tasked with investigating magical crimes and protecting the city from all sorts of magical threats.  The person at the top of the Folly’s most wanted list is Martin Chorley, also known as the Faceless Man, a magical criminal mastermind who is determined to do whatever it takes to gain power.  However, despite the Met and the Folly’s considerable resources, Chorley is always able to stay one step ahead of those chasing him.

During a routine attempt to subtly panic several of Chorley’s known associates, a magical creature attacks a potential witness.  Peter’s investigation soon reveals that the witness had ordered the forging of a large and mysterious bell, which Chorley is desperate to get his hands on.  As Peter and his team dig deeper in the bell’s construction, they quickly begin to realise that Chorley is the final stages of his master plan, a plan tied deeply into the heart of London’s dark and bloody history, and one which could cause untold disaster for the entire city.

As the clock ticks down, Peter needs to work out the connection between London’s past and the mysterious magical events occurring all over the city.  Can Peter and his team once again save the day, or will their adversary finally obtain the power he has always desired?  Moreover, what will Peter do when he comes face to face with the woman who betrayed him to Chorley, his old partner in the Met, Lesley May?

Ben Aaronovitch is a highly regarded author with an interesting writing history to his name.  His writing career began back in the late 1980s and early 1990s, when he wrote a couple of Doctor Who television serials, including the highly regarded serial Remembrance of the Daleks, as well as three entries in the Virgin New Adventures series of Doctor Who books.  The Virgin New Adventure series chronicled the adventures of the Doctor after the television show’s hiatus in 1989.  Aaronovitch’s three entries in this book series sound incredibly interesting, although they were considered to be somewhat controversial at the time due to their more adult content.  Aaronovitch did not get around to writing his fantasy work until 2011, when he wrote the urban fantasy Rivers of London.  This was the first book in the author’s Rivers of London series of books (alternatively known as the Peter Grant series or the PC Grant series), for which the author is best known for.  The Rivers of London series is very highly regarded, and Aaronovitch has worked hard to expand on the story and universe of this series, writing a number of novellas, short stories and graphic novels on top of the series’ main seven books.

Before Lies Sleeping, I had never got around to reading any of Aaronovitch’s books, despite hearing good things about his main series.  As a result, I was very happy that I finally managed to check out the series earlier this year.  I did receive a trade paperback edition from Hachette Australia, but in the end, I chose to listen to the audiobook version of this book, narrated by Kobna Holdbrook-Smith.  I have to say that I was extremely impressed with this brilliant book and found that I really enjoyed the excellent and captivating story.  Lies Sleeping easily gets a full five-star rating from me, and I fully intend to go back and check out the other books in this series.  This book is an excellent blend of the fantasy and crime fiction genres, both of which come together perfectly to create an extremely compelling and complex read.

Lies Sleeping will prove to be extremely appealing to huge range of people; not only pre-existing fans of the series but also those readers who have not read any of the Rivers of London books before.  As a first-time Aaronovitch reader, I found that it was incredibly easy to step in and enjoy this series, as the author did a fantastic job making Lies Sleeping accessible to everyone.  While Aaronovitch has created a huge amount of lore around his series, including in his novellas and comics, the reader does not need to have any knowledge of these or the previous six books in the series to fully understand the entirety of Lies Sleeping’s story.  However, those readers who do have experience with this series will love how the story continues to development, as well as the massive and surprising twists that occur throughout the book.

At the core of this book lies a series of intriguing mysteries that take place throughout London.  In order to achieve his villainous goals, the antagonist has embarked on a series of seemingly random and chaotic crimes and ventures, all of which apparently form part of his master plan.  These various mysteries or criminal events were really interesting, and I liked trying to work out how they would all come together.  I particularly liked how various parts of these mysteries were deeply tied into the history of London, and the protagonist needed to gain a historical understanding of some of various myths and legends surrounding London.  Watching the protagonist attempt to unwind the complex plan of the book’s villains was extremely compelling, and I had a great time trying to work out what was happening myself.  One or two threads of these mysteries did go unsolved in this book, and I will be curious to see if they are picked up in any of the future entries in this franchise.

Aaronovitch is clearly a very creative writer, as he utilises a huge range of different and fairly unique fantasy elements throughout this book.  While there are a large number of wizards, spells and elvish beings throughout the book, the main focus is on the titular rivers of the series.  The more common magical beings encountered in this series are the personifications of the various rivers and waterways (current and historical) that flow through and around London.  These beings are similar to gods, although the term genius loci may be more appropriate, and have a huge range of powers.  These are a really intriguing addition to the book, and it was interesting to see the protagonist attempt to deal and interact with the various river characters, including his girlfriend, Beverly Brooke (yes, the main character of this series is dating a river).  There is also a huge range of other genius loci, or similar beings, that are featured within the story, including the mysterious and insane Mr Punch.  The magic that the human characters utilise is complex and slightly less ostentatious than some classic pieces of fantasy, but when the master wizards get to work it can be quite impressive.

One of the things I liked best about this book is how the author could create a realistic British police narrative and ensure magic became part of the procedure.  The Folly may be a special branch of the Metropolitan Police, but it is still part of the police force, and as such the characters are forced to follow standard procedure when investigating magical crimes.  Having these elite magical characters fill out paperwork and other various elements of day-to-day police life was deeply amusing.  I did like seeing how regular law enforcement tactics, anti-crime strategies and police combat techniques could be utilised against magical opponents.  The overall fantasy elements of this book are really enjoyable, but I really liked to see them be blended with a classic British police story.

Aaronovitch has done a fantastic job creating a huge and intriguing group of characters for this series.  The protagonist of Lies Sleeping and the Rivers of London series is Peter Grant, police officer and official wizard’s apprentice.  Peter is the sort of protagonist I really enjoy (sarcastic, funny and determined) so I quite enjoyed having him narrate the story, making a number of great jokes throughout.  The other police characters make up a great supporting and diverse cast, with a range of different abilities and characteristics.  I especially liked the classy and wise Detective Chief Inspector Thomas Nightingale, the last officially sanctioned English wizard and Peter’s mentor.  He is an extremely charming and old-fashioned character who has a huge amount of magical power at his fingertips and who can be quite intimidating if he puts his mind to it.  I also quite enjoyed the other magical characters that appeared throughout the book, as Aaronovitch has created a bevy of river gods and associated genius loci characters.  I liked how many of these ancient characters portrayed modern characteristics and ways of speaking, even when talking in a historical context.  Long-time readers of the series will also enjoy the further exploration of several recurring characters, including finally revealing the backstory of the mysterious Mr Punch.

While the protagonists and supporting cast are great characters, I really liked the antagonists in this story.  The main villain of the story is Martin Chorley, also known as the Faceless Man.  He is an excellent antagonist who is built up as a master planner, master magician and crazy villain before you even see him in the book.  His master plan was fairly complex, and the character’s overall arc in this book featured some massive twists that I did not see coming.  Lesley May is another really complex character who is a great addition to the series.  Her relationship with Peter is one of the best parts of the book, as even after her betrayals earlier in the series, he is still trying to save her from herself.  The way this works out in the end is quite dramatic, and it will be interesting to see where it goes from there.

While a large part of this book is set out more as a slow and steady police procedural, there are some fantastic action sequences within Lies Sleeping.  These come about when the protagonist attempts to stop the plans of the Faceless Man, and all manner of chaos erupts.  Nothing highlights this better than an extended action sequence which involves Peter chasing after a van on a bicycle, throwing fireballs, while all manner of debris is magically flung at him and several pursuing police vehicles.  The magical duels between some of the participants, mainly Nightingale and Martin Chorley, can be particularly impressive, but I personally liked how many of the confrontations devolved into fist fights as both sides attempt to distract the other and disrupt their castings.  Plus, where else are you likely to see British police with truncheons attempt to fight evil wizards?  These amazing action sequences really added to the story, and it was great to see all this magic in action, rather than being theorised the entire time.

While I would have already been tempted to give Lies Sleeping a five-star review, the thing that definitely clinches it for me is the amazing audiobook adaption of the novel, narrated by actor Kobna Holdbrook-Smith.  At nearly 10 hours and 30 minutes, this is a moderately easy audiobook to get through, and I had an absolute blast listening to it.  Holdbrook-Smith has an amazing voice and his work narrating this audiobook was just incredible.  His voice for protagonist and story narrator Peter perfectly encapsulated the character and got the full force of his witty and enjoyable personality across to the reader.  I really liked all the voices that Holdbrook-Smith created for the various characters featured throughout Lies Sleeping, especially for some of the magical creatures, who had an air of ancient wisdom in their voices.  However, without a doubt my favourite voice was the one for Nightingale.  The voice chosen for Nightingale is full of all sorts of old British class, and I thought it fit the character perfectly and was one of my favourite parts of this whole audiobook.  Aside from the outstanding voice work, I also quite liked the jazzy music that was played at the start of each chapter.  It gave the book a real noir private investigator feel, and I like how it added to the tone of the book as a whole.  The audiobook version of this book also helped me understand the story a bit better as an outsider to the series, and that, combined with Holdbrook-Smith’s brilliant voice work, makes me completely happy to recommend the audiobook format of Lies Sleeping.

Aaronovitch once again delivers a spectacular read that expertly combines amazing fantasy and crime fiction elements into one widely outstanding narrative.  There are so many excellent elements to this book, and I had absolutely loved my first foray into the Rivers of London series.  I strongly recommend listening to the Lies Sleeping audiobook, narrated by the very talented Kobna Holdbrook-Smith, but those readers who prefer to read their books will also find much to enjoy about this fantastic book.  This is one of the best urban fantasy books I have ever had the pleasure of reading.  I fully intend to go back and check out all the preceding books in this series, and I can’t wait to see where the series goes next.  Five stars all the way.

The Raven Tower by Ann Leckie

The Raven Tower Cover

Publishers: Orbit and Hachette Audio (Audiobook Format – 26 February 2019)

Series: Standalone/Book 1

Length: 12 hours and 1 Minute

My Rating: 4.25 out of 5 Stars

The bestselling author of the Imperial Radch series, Ann Leckie, presents her first foray into fantasy fiction with The Raven Tower, an intriguing fantasy read that I have been looking forward to for a while, and which attempts something new and different in its presentation.

The Raven Tower is set in a world filled with gods whose power and abilities can be gifted to humans in exchange for worship and offerings.  For centuries, a powerful god known as the Raven has ruled over the rich kingdom of Iraden, offering protection and prosperity from atop a tower in the city of Vastai.  The human ruler of all of Iraden is known as the Raven’s Lease and has been chosen by the Raven to bear his power and enact the god’s will.  However, this power comes at a price, as each Lease must sacrifice himself to the Raven in order to keep the god strong and Iraden safe.

When Eolo and his lord, Mawat, heir to the Raven’s Lease, return to Vastai, they find the city in chaos.  Mawat’s father, the former Lease, went missing just before he was required to pay the Raven’s price.  In his place, Mawat’s uncle, Hibal, has taken the throne and has been named the new Raven’s Lease.  Determined to find out what happened to the former Lease and reclaim the throne for his master, Eolo attempts to uncover the many secrets of Vastai.  But as Eolo investigates he discovers that something ancient and mysterious is concealed within the Raven’s Tower: a secret from Iraden’s past that the Raven has kept hidden for centuries.  It is clear there will be a reckoning, but is Eolo ready to pay the price?

To be honest, I found that The Raven Tower was a very challenging book to critically examine and assign an overall rating for.  Before I had even started reading it, I saw that a number of other reviewers had noted that had great difficulty with this book, mainly due to the author’s unique way of narrating the story.  As a result, I chose to listen to the audiobook version of The Raven Tower, narrated by Adjoa Andoh, in the hopes that this would make it easier for me to follow along.  The audiobook version of the book is around 12 hours long, and I managed to get through it in around a week.  While I did also experience some issues with the way the book was set out, I actually began to appreciate this unique format the more that I stuck with the story, and this turned out to be a really enjoyable piece of fantasy fiction.

For this book, Leckie chose to utilise a noticeably different second person limited narration format to tell her story.  The story is told by a god known as the Strength and Patience of the Hill, who not only tells the main story in Vastai, specifically focusing on the character Eolo, but who also describes all the events of its own life that led up to this period of time.  This god has a very unique way of speaking that impacts how the Vastai story is told.  In particular, the god constantly describes what Eolo is doing, but, at the same time, it has no idea of what is going on inside Eolo’s head.  As a result, it makes very generic statements and guesses about Eolo’s memories, state of mind or thought process.  Take for example the following line, said as Eolo explores the docks near the tower: “I don’t think you grew up near the sea, and so you likely knew very little about boats or tides.”  Having this being make guesses about the protagonist’s thoughts or feelings is a little unusual, and I was very confused about why the author had written her book this way, and for a large portion of the book I really thought that it would have made more sense to have a more traditional narrator system.  However, as I read deeper into the story, it became a whole lot clearer why Leckie had set her story out in this way, and I was able to really appreciate it use.

As the book progresses, the two halves of the story start to come together.  Taken separately, both parts of the story are fairly interesting.  The storyline focusing on Eolo and the mystery surrounding the Raven’s Lease is fairly intriguing mystery filled with politics, murder, mystery and the fate of an entire nation.  The second storyline, which looks at the backstory of the Strength and Patience of the Hill, helps build up Leckie’s new world while also explaining much about the book’s primary fantasy element, the gods, as well as the Raven’s rise to power.  While both these storylines are quite fascinating in their own right, when they start coming together in the later part of the book, it creates a much more complete and intense story.  The author’s use of the Strength and Patience of the Hill as the book’s primary narrator becomes a lot clearer, and I actually really liked how this unconventional narration was utilised.  I also really enjoyed the fantastic twists that occurred at the end of the book, and the author’s excellent lead-up to these events was really quite clever and subtle.  Overall, this turned into quite an amazing story, and I was very glad that I stuck with it and got all the way through.

One of the main things that I enjoyed about The Raven Tower was the interesting fantasy elements that Leckie utilised throughout her story, mostly shown in the form of the gods that inhabit this world.  The gods in this book are quite an interesting creation from Leckie, who has come up with a number of rules surrounding them, all of which is explored by the narrator.  In this world, the gods have a finite amount of power, which they gain from worship and which they lose by altering the world, either for their own benefit or in order to answer prayers.  The gods’ power is tied to their speech; anything they say as a fact, their power will act to make it so.  For example, if they say that an object will turn, then their powers will act to make it turn.  However, if the action they want to accomplish takes more power than they have access to, then they will die or become extremely weak.  As a result, the gods are forced to speak extremely carefully, lest they inadvertently make a command that will take way too much energy.  The gods, therefore, try to avoid absolutes in their conversations and have to use words such as “I think” or “I heard” to get around this.  Leckie consequently has to have her narrator, the Strength and Patience of the Hill, utilise this language throughout the entire book, as to the god addresses the main character Eolo (even if Eolo does not hear them).  That is why there are so many unusual language choices throughout the book, such as the recurring “Here is a story that I have heard”.  While these language choices did throw me at first, once I understood why it was happening, I got used it and I thought it was extremely creative and commendable that the author stuck with this throughout the entire story.

In addition to this use of language, Leckie spends considerable time exploring the limitations and abilities of the gods throughout her book.  Leckie uses all sorts of different narrative devices to showcase this, from the Strength and Patience of the Hill’s personal memories and experiments, conversations they have with other gods, as well as telling stories about other gods and how they utilise their powers (there is one particularly amusing story about a god-powered spear I liked).  It is clear that the author put a lot of thought into her universe’s gods and the abilities that they have, and the exploration of these ideas were some of my favourite parts of the book.  I was also extremely impressed with how Leckie was able to utilise these fantasy ideas so effectively in her story, and I liked the bearing that they had on both the plot and the way the book was written.

Another interesting aspect of The Raven Tower is the characters that the author has used within the story.  The main protagonist is Eolo, whose attempts to get to the bottom of the mysterious events in Vastai are a large focus in the book.  Eolo is a pretty boss protagonist, able to disguise his intelligence and cunning behind an ignorant peasant facade, while quickly unravelling what has occurred in the city and then playing the politics to get the best result for her master.  Eolo is actually a transgender character, and I was really impressed with how well-written this part of the character’s identity was, and with how it was explored within the book.  In addition to Eolo, there are also several other intriguing characters used throughout the book.  Once you get the hang of its speech pattern, the Strength and Patience of the Hill is a pretty good narrator, and I found the god’s backstory and way of seeing the world to be incredibly intriguing.  I quite liked the character of Tikaz, who serves as one of the main female characters in the book, as well as Eolo’s potential love interest.  Tikaz is fleshed out incredibly well, and I loved the various interactions that she has with Eolo.  The book’s main villain, Hibal, is suitably evil and conniving, and he even has a pair of creepy twins serving as his henchmen.

I need to point out the fantastic job Leckie did coming up with one of the main characters in the book, Mawat.  Mawat is the heir to the Raven’s Lease, who finds his position usurped by his uncle.  However, rather than write him as a noble character we are supposed to feel sympathy for, Mawat immediately has a temper tantrum and spends the rest of the book acting as an unreasonable child, completely ignoring Eolo’s advice and even attacking his loyal servant whenever he hears something he does not like.  While a large amount of this is necessary for the story, I liked the reversal of the noble disenfranchised heir trope that is often utilised in fantasy, and instead we are left with a more complex character.

I quite liked the audiobook format of The Raven Tower and found it to be a really great way to enjoy this book.  I definitely think it helped me follow the plot and navigate the different narrative devices of this book, and I absorbed more information about Leckie’s fantasy elements.  I quite enjoyed Adjoa Andoh’s narration throughout the book and thought their voice was perfect for the mysterious and wise Strength and Patience of the Hill, who narrated most of the text.  I especially liked how Andoh was able convey the Strength and Patience of the Hill’s anger at certain key points of the book and to make the god’s voice quite menacing.  Apart from the Strength and Patience of the Hill, the other character voices throughout The Raven Tower were fairly distinctive and matched the personalities of the characters quite well.  I was especially fond of the fitting accents she assigned to some of the human characters, such as Tikaz or the god known as the Myriad.  Overall, I would strongly recommend that readers check out the audiobook format of The Raven Tower, as it may prove to be an easier way to enjoy this intricate story.

As I mentioned above, I had a hard time giving this book an overall rating.  When I first started reading it and I encountered the strange narration style for the first section of the book, I thought I might have to give it a low score.  However, once I started to get more into the story and the lore behind the gods of this world was explained in some detail, I ended up changing my score to something closer to 4 out of 5 stars.  This reflected my appreciation of Leckie’s inventiveness, but also had a few demerits due to the slow start and issues I had getting into the story.  However, I ended up changing this to a 4.25 out of 5 stars in the end, once I appreciated how the two separate storylines came together and that superb ending.  As a result, I would highly recommend The Raven Tower to fantasy readers, and I encourage people to see past the issues at the start of the book.  Leckie is an outstanding author, and her first foray into fantasy featured some unique elements that turned The Raven Tower into one of the most distinctive and clever reads of 2019.  The Raven Tower works incredibly well as a stand-alone book, but if the author decides to return to this world in the future I would be extremely curious to see where she takes the story next.

Master of Sorrows by Justin Call

Master of Sorrows Cover

Publisher: Gollancz (Trade Paperback format – 21 February 2019)

Series: The Silent Gods – Book 1

Length: 576 pages

My Rating: 4.5 out of 5 stars

I have been looking forward to reading and reviewing Master of Sorrows for a while now.  I previously mentioned this book in one of my Waiting on Wednesday articles, which got a fair amount of attention, which I took as a sign of some interest from the general fantasy fandom.  The intriguing-sounding plot also made me extremely eager to check this book out, so I was very happy when I received a copy of it from Hachette Australia.  In the end I found Master of Sorrows to be a terrific piece of fantasy fiction and an outstanding debut from first-time author Justin Call.

The world of Luquatra has known much chaos and turmoil throughout its long history as three elder gods and their followers have battled for supremacy.  But now with the dark god Keos banished from the land, the greatest concern for many is the presence of magic.  The ancient and hidden Academy of Chaenbalu has long been a bastion against all things magic and will go to extreme lengths to achieve its primary objective of finding and containing the vast number of magical artefacts scattered throughout Luquatra.  No artefact, no matter its strength or intended purpose, can be allowed to remain outside the control of the Academy, as even those artefacts created for good can be used for great evil.

In order to fulfil this sacred work, the Academy trains all the children of Chaenbula in the arts of combat and magical detection.  Only the best students will become Avatars, warrior thieves capable of infiltrating any location and making away with the hidden artefacts.  Most importantly, an Avatar is trained to resist the lure of magic and the corruption of Keos.

Annev de Breth has always dreamed of becoming an Avatar and is determined to pass the Academy’s tests.  However, Annev is different from every other student at the Academy; trained by the town’s mysterious priest, Annev has an affinity for magic and hides a secret disfigurement that would see him immediately put to death.  Caught between the warring ideologies of the man who raised him and the head of the Academy, Annev needs to decide what kind of man he wants to be while navigating the complex politics of Chaenbalu.  But ancient powers are rising from the past, and it soon becomes apparent that Annev might not be the hero of this story; instead, he may be the man destined to unleash Keos once more upon Luquatra.

As I mentioned above, Master of Sorrows is author Justin Call’s debut novel.  It is also the first book in his The Silent Gods series, which is going to be made up of four books.  Call has already announced that each of the three upcoming books will be released in late February of each year for the next three years, with this series set to wrap up in February 2022.  This first book is an ambitious introduction to series that does a fantastic job of setting up the main story, as well as introducing the reader to an intriguing new fantasy universe.

I really enjoyed the story contained within Master of Sorrows, as it is well paced out and contains some fantastic moments.  The first part of the book features Annev attempting to pass the Academy’s tests in order to become an Avatar.  I love a good magical school storyline, and this one is pretty fantastic, featuring some unique, complex and entertaining testing sequences, as well as an introduction to the complex and restrictive life within the Academy.  The rest of the book is extremely exciting and eventful as the protagonist learns more about the threats and complex world outside of Chaenbalu, and even embarks on a dangerous mission where he encounters a series of mysterious threats.  This all leads up to the book’s spectacular conclusion, which not only sets the scene for all manner of adventures in the future but also results in some interesting character development while also setting up several dangerous new antagonists with personal grudges against the main character.

One of my favourite things about the plot is the general intrigue and hypocrisy surrounding the Academy of Chaenbalu.  The Academy is framed as some ultimate bastion of good in the world, opposing the evils of magic and Keos.  However, as the book progresses, the reader, through the protagonist’s eyes, begins to see that everything about the Academy is more complex and morally ambiguous than it first appears, resulting in a number of powerful story developments.  For example, in this universe, any disfigurement or disability is viewed as a mark of the dark god Keos’s favour, and people who bear them, especially those born with some sort of disfigurement, are shunned or killed.  These rules are especially enforced within the Academy, and Annev is forced to hide his disability to stay alive.  Watching a basically good character be vilified for something outside of his control makes the reader lose trust in most of the characters associated with the Academy.  It is also very thrilling to see the lengths the protagonist will go to in order to hide his disfigurement and try to live a normal life within Chaenbalu, knowing that his secret could be discovered at any turn.  The reader is also left questioning the Academy’s many archaic rules, as these rules and blind obedience are particularly frustrating to the protagonist, who chafes at the restrictions and is constantly questioning everything.  There are also a huge number of different plots and schemes occurring within the Academy, with many of the characters having secret allegiances and plans, many of which come to the surface by the end of the book.  All of these elements are fantastic, and they really add a keen edge of intrigue and thoughtfulness to an already captivating story.

Within Master of Sorrows, Call introduces his readers to a deep and enjoyable new fantasy universe that serves as an excellent basis for his story.  While the author does make an effort to set up a much larger world, the vast majority of the story is set in and around the village of Chaenbalu, which houses the Academy.  As I have mentioned before, I loved the Academy as a setting, but some of the other locations are also intriguing, such as the massive magical forest that surrounds the town.  I really loved the overall setting of the gods and magic within this world, especially when it comes to people’s perceptions about them, as they have some fantastic impacts on the story.  Call spends a bit of time expanding on the mythology of this world’s main gods, telling their stories and explaining the impacts that they had on the world.  These are quite interesting, especially as the stories they tell reveal that the conflicts of the gods were just as complex as the issues occurring within the Academy.  The author has also come up with some fun and dangerous new fantasy creatures, mostly as servants of the god Keos.  These creatures have some great scenes, especially towards the end of the book, and I look forward to seeing more of them and this intriguing new world throughout the rest of The Silent Gods series.

I really need to the hype up some of the incredible action sequences featured within Master of Sorrows.  Call has created several exceptional extended action scenes within this book, including two intricate tests within the Academy, where the students must overcome not only each other but also the various obstacles set up against them.  These testing scenes are extremely elaborate and feature some interesting rules and opposition.  I loved reading these scenes, and it was great watching the protagonist try to complete them his way.  In addition to these testing scenes, there is also a great magic based combat sequence featured later in the book, where the protagonist and his companions must overcome all manner of magical traps and attacks in order to complete their objective.  This scene is massive in terms of destruction and brutality featured and was an excellent addition to the book.  As a result, readers who love a good amount of thrilling action in their fantasy stories should definitely check this book out as Call demonstrates a real skill for creating unique and captivating fantasy action sequences.

Master of Sorrows is an amazing debut from new author Justin Call, who has done a wonderful job setting up a fresh and intriguing new fantasy series.  This first book in the planned The Silent Gods series has some awesome and memorable plot points and features a thrilling and captivating action-packed adventure.  Call has certainly set himself up as a fantasy author to watch, and I am extremely eager to see where this story goes next.  I cannot wait to check out the second book in The Silent Gods series.

The Gutter Prayer by Gareth Hanrahan

The Gutter Prayer Cover.jpg

Publisher: Orbit (Paperback Edition – 17 January 2019)

Series: Black Iron Legacy (Book 1)

Length: 512 pages

My Rating: 4.5 out of 5 stars

 

From debuting author Gareth Hanrahan comes the grimdark fantasy book that everyone has been talking about, The Gutter Prayer.  This debut novel has been getting some serious hype from a lot of fantasy reviewers, so I was very happy when I got my copy earlier in the week, as it will give me a chance to check it out for myself.

For thousands of years, the large, sprawling city of Guerdon has survived against all manner of attacks and calamity.  In recent years, the city’s alchemical industry has taken off, producing powerful weapons and twisted creations to sell to Guerdon’s warring neighbours, involved in the destructive Godswar.  But with the rival nation’s eyes on Guerdon, refugees flooding into the city and the city’s various factions fighting for power, the potential for chaos is great.

In the middle of all this, three mismatched young thieves – stranger to the city, Cari; the Stone Man, Spar; and Rat the ghoul – find their lives changed forever.  Hired by the leader of the city’s criminal element, these three thieves attempt to break into an important civic building, only to be nearly killed by a massive explosion and framed for the crime.  Pursued by the Alchemist Guild’s murderous enforcers, the Tallowmen, and the relentless thief-taker, Jere, the three friends attempt to escape their pursuers, but find themselves entangled in a terrible plot to bring destruction to the city.

Ancient creatures are rising from the city’s bloody past, and the city’s old gods are prepared to rise once again.  As Cari, Spar and Rat uncover the full extent of these gods’ power, they must contend with others who seek to use the chaos for their own ends.  With everything on the line, can the three friends find a way to stop the events unfolding, or will their failure result in the destruction of everything they hold dear?

This is Hanrahan’s first fictional book, although the author has written a number of gaming manuals and fantasy guides over the years.  However, with the evident popularity of The Gutter Prayer among the fantasy community, it seems extremely likely that this will not be Hanrahan’s only book.  Indeed, the author already has plans for a sequel, and The Gutter Prayer will form part of this planned Black Iron Legacy series.

I thought that The Gutter Prayer was an ambitious and intriguing new entry to the fantasy genre, and it is definitely worthy of the hype around it.  Hanrahan presents a wide-ranging and dark story of magic, religion and betrayal, and he sets it within an imaginative new fantasy landscape with a ton of unique fantasy elements and creatures.  The story is then based around several great characters, each of whom has their own compelling arc within the narrative.  The result is an excellent and memorable novel that showcases Hanrahan’s creativity and serves as an amazing introduction into a bold new fantasy universe.

This book contained a fantastic and intense story which focused on a variety of different characters and follows their attempts to investigate and forestall the strange events occurring around them.  I really enjoyed this story, although I had a little bit of a hard time getting into it at the start of the book due to mass of story and fantasy elements I was bombarded with.  However, I am extremely glad that I powered past this first part of the book because once I was able to place all the story elements together I appreciated the book’s wild and intricate plot.  One of the main things that I really loved about this book was the inclusion of a significant number of different characters and factions, each with their own motivations and hidden secrets.  As a result, you have no idea who is going to do what next and who is going to betray the protagonists to serve their own needs, creating an unpredictable story.  The narrative is also extremely dark, and readers should be prepared for characters dying or being altered in some way or another.  This is some fantastic storytelling from Hanrahan, and an overall clever narrative.

One of the most talked-about elements of this book is the author’s use of a huge range of unique fantasy elements.  Hanrahan has come up with and expertly utilised a ton of creative, inventive and at times just plain creepy new fantasy elements.  The best example of this has to be the Tallowmen, humans that have been turned into living candles, often as punishment for crimes.  These creatures are strong, lethal and fast, serving as the guards and law enforcers of the Alchemist Guild.  Their terrifying appearance, distinctive abilities and the glow of their candle flames as they hunt down the protagonists are extremely memorable.  Another terrifying inclusion is the Ravellers, servants of the city’s ancient gods who have the ability to unravel people out of existence and take on their appearance.  There are also the ghouls and Stone Men.  Stone Men are humans infected with a disease that slowly turns them into stone, although their condition can be held back by an alchemical compound.  The depictions of their condition are pretty horrific, and there is the interesting double-edged sword of the disease: they become stronger the more their condition progresses, but they also become less able to live normal lives.  The ghouls, humanoid creatures who feast of the dead flesh of humans, are an element that most fantasy fans will be familiar with, but Hanrahan has made some clever alterations to these creatures by expanding on their life cycle and making them a key part of the city’s history.  Another awesome creation is the Crawling Ones, a sentient hive of worms who take a human shape and are powerful magic users.

In addition to the above unique fantasy creatures, The Gutter Prayer also introduces the author’s great new twist on fantasy gods.  The world of the Dark Iron Legacy is filled with a vast pantheon of powerful gods, which forms a critical part of this universe.  Many of the deities outside of the city are engaged in a massive conflict known as the Godswar, where these gods and their followers are involved in battles against each other for supremacy.  While we get a brief look at this in The Gutter Prayer, most of the focus of this book is on the gods of Guerdon.  While a few other religions are mentioned within the city, the main two pantheons are the Kept Gods and the Black Iron Gods.  Both of these different gods are extremely intriguing, and I particularly loved the concept of the Kept Gods, who are chained and whose intake of prayer is controlled by their church to limit their power and control their actions.  The Black Iron Gods are a darker and more ancient pantheon with a great history, a horde of sinister followers and a captivating physical presence.  I also liked this universe’s concept of saints, those humans gifted power by their connection to the gods.  There are a couple of saints featured throughout the book who form an integral part of the plot, powering through the story with a range of different powers and abilities.  Quite frankly, all of these unique fantasy elements are deeply intriguing, and Hanrahan uses all of them perfectly to enhance his outstanding story.  I do hope that the Godswar will be explored in future books, as that sounded like a really fun concept that I would be deeply interested in.

Guerdon is a decent grimdark fantasy city, and it serves as the primary setting for most of the city.  The city’s range of interesting and unique residence allows for a fascinating overall story and makes this a fantastic setting.  I really like how the city is home to a range of competing factions, such as the Alchemists, the Church, the criminal organisation known as the Brotherhood, politicians and the city’s non-human races, each of whom have different plans for the future of the city.  This is a pretty typical dark, crime-ridden fantasy city, but it works really well as a setting for this story.  The author’s deep exploration of the history of his fantasy city served as a useful plot point, and I love how the city’s past came back to haunt it in a number of ways.

I have to say that I was really impressed with Hanrahan’s character work within this book.  The author introduces a number of amazing characters, most of whom get deep and satisfying story arcs.  The main three characters are particularly great.  I really liked Spar, who is not only the son of one of the city’s most famous criminals, but who is also a Stone Man.  It is through this character’s eyes that we get the best view of the living hell of life as a Stone Man, as Spar is forced to deal with all the unpleasant side effects that his condition brings.  At the same time he must deal with his family legacy as he fights to achieve his father’s dream of a more noble Brotherhood while forced to work for its current corrupt leader.  Rat the ghoul is another interesting character.  As a ghoul, he is generally supposed to live under the city, but he likes living above the streets with his friends.  Rat is constantly conflicted between loyalty to his friends and to his race’s ancient promises, as well as dislike for the traditional ghoul lifestyle.  Finally, there is the mysterious young thief, Cari, who holds a dark secret in her past.  Cari is a rebellious young female protagonist who is developing strange new powers.  The exploration of her past and her abilities is a key part of the book and a good basis for a large portion of this plot.  I liked the way that these three characters cared for each other and how their stories remain interconnected even as they have their own unique adventures within the story.

While these three main characters serve as an extremely powerful narrative base for The Gutter Prayer, the author also focuses on a couple of additional point-of-view characters, including the veteran thief-taker, Jere; Cari’s cousin, Eladora; and the saint of the Kept Gods, Arla.  These characters do not get as large a focus as the book’s three main characters, but their parts of the book are quite significant.  Each of them also has a full character arc within the book, and they all develop or change in substantial ways.  Jere is a grizzled private investigator obsessed with taking down the Brotherhood, and his investigations for the first two-thirds of the book provide the reader with some vital plot detail.  I really liked the end to Jere’s character arc, which was both dark and satisfying.  Eladora is a sheltered scholar who gets a rather rude awakening about life throughout the course of this book.  Eladora is not my favourite character, but I did like her gradual transformation from damsel in distress to something more useful.  Finally, there is Arla, who would have to be my favourite side character.  Arla is a saint of the Kept Gods blessed with fiery powers as a result.  Arla is a badass and entertaining character who spends most of the book fighting her opponents with her fiery sword and generally not acting in a way most people would consider saint-like.  I especially love when she utilises her god-empowered voice to command people, as she is usually swearing while doing this.  This comes up in the text in all caps, and you have to imagine it sounds pretty impressive in this book’s audiobook format.  There were a number of other entertaining side or minor characters throughout the book that the author put to good use, and I will enjoy seeing what role they will play in any future books in the series.

Overall, I truly enjoyed The Gutter Prayer and was impressed by Hanrahan’s magnificent debut.  This was an excellent piece of grimdark fantasy which expertly combined some very inventive fantasy elements together with a fantastic story and some excellent characters.  With this first book Hanrahan has shown some incredible talent as a fantasy storyteller whose outstanding imagination is his biggest asset.  This is a highly recommended book which lives up to the substantial hype surrounding it.  I am already extremely keen for any additional books in the Black Iron Legacy, especially as the interview at the end of the book implies that Hanrahan has some brilliant ideas for the rest of the series.

Magefall by Stephen Aryan

Magefall Cover.jpg

Publisher: Orbit

Publication Date – 4 September 2018

 

In the aftermath of the devastating battlemage war, magic became mistrusted and feared by the common population of all the lands.  However, the mysterious Akosh managed to turn this mistrust into outright hatred, and her manipulations and minions led the populace to attack and destroy the Red Tower, the seat of all magical learning.  While the tower was destroyed, many of its students and teachers managed to escape and the outcast mages must now find a new path for their magic and abilities.

While the powerful and disturbed former instructor of the Red Tower, Garvey, leads several of his former students on a murderous rampage through the countryside, three other refugees from the Red Tower attempt to change the public perception of magic.  Wren and Danoph have started their own community of mages in the abandoned fringes of Shael, and attempt to protect the local villages from a murderous band of bandits.  At the same time, their friend Tianne returns home to Zecorria in order to take advantage of the regent’s amnesty for mages.  But as she begins to work in an official capacity for the regent, she is forced to become more involved in his despotic policies.

Elsewhere, Akosh continues to manipulate events across the lands, attempting to gain even more influence and control.  However, her actions have not gone unnoticed, and several individuals are rallying to counter her bid for power.  The new head of the Guardians, Tammy, moves to shatter Akosh’s influence in the country of Shael, but how far will she go to win this fight, and what will the consequences be?  Old friends Balfruss and Vargus attempt to counter both Garvey and Akosh, while Munroe, the most powerful mage in existence, embarks on deadly rampage to find Akosh and get her revenge.  But Akosh is far more powerful than anyone believes possible, and what will happen when a mage goes up against a god?

Magefall is an intriguing and enjoyable book from talented fantasy author Stephen Aryan and one that I had a lot of fun reading.  Magefall is the second book in Aryan’s Age of Dread trilogy, which followed on from his initial The Age of Darkness trilogy.  I have to admit that I have not had a chance to read any of Aryan’s previous books before, and as a result, I had a bit of a harder time getting into this story initially, due to the author’s assumption of his readers’ knowledge of the four previous books’ established plot and lore.  While I was eventually given a clearer picture of some of the previous events, the initial confusion and uncertainty when it came to certain plot points did slightly colour my assessment of this book.  As a result, I have knocked my rating down to four stars, rather than the four and a half stars I probably would have given to it if I were more familiar with the previous books in this universe.  That being said, Magefall is still an amazing piece of fantasy fiction that I really enjoyed, and I am intending to check out some of Aryan’s previous novels at a later date.

The book is made up of a series of semi-separated storylines that take place across various locations in Aryan’s fantasy landscape.  Each of the storylines is very exciting and incredibly captivating, resulting in some great moments of action and intrigue.  I rather enjoyed the story that focused on the former student Wren as she starts her own community of mages out in the wilderness, as it contained a great examination of a responsible group of mages who actually wanted to protect and help the people around them.  Their battles against a merciless group of bandits are particularly intriguing, especially as the bandits are actually able to cause the very powerful young mages significant issues and problems.  The various intrigue based storylines that highlighted the manipulative and wide-reaching schemes of the villainess Akosh are also done really well, and some of the best parts of the book showcase the various moves and countermoves as the protagonists seek to thwart Akosh and her goals.  There is not a single dull moment during this entire book as every single one of these fantastic stories come together in an amazing overall narrative.

One of the other things that I also really enjoyed about Aryan’s latest book is the devastating magical sequences that take place throughout the various storylines.  The magical characters engage in a number of high-octane battles in a variety of creative scenarios throughout the book.  Not only do these characters engage in battles with normal non-magical people but several mages fight each other in sequences that see buildings and scenery blown apart around them.  It is great to see the tactics of some of the non-magic characters, as well as the difference in power levels between the former students and the really powerful mages who previously taught them.  The highlight of the book has to be the fight between the uber-powerful mage Munroe and Akosh, as the two engage in an all-out power brawl.  This is magical action at its very best, and readers will have a terrific time enjoying all the carnage.

Magefall is an excellent piece of fantasy fiction from a rising star in the genre.  Making full use of his multiple-storyline format, Aryan has combined a series of enjoyable, fast-paced and electrifying adventures with some outstanding uses of magic.  While I would strongly advise reading some of the previous books in this universe before attempting to dive into Magefall, this is still a fun book to read and it serves as a mostly great introduction to this intriguing series.

My Rating:

Four stars