The Boys from Biloxi by John Grisham

On November 21, 2022 By The Unseen LibraryIn Historical Fiction, Thriller6 Comments

The Boys from Biloxi Cover

Publisher: Hodder & Stoughton (Trade Paperback – 18 October 2022)

Series: Standalone

Length: 454 pages

My Rating: 4.5 out of 5 stars

Legendary crime fiction author John Grisham returns with another impressive read, this time combining a complex, multi-generation character narrative with some excellent legal thriller elements to create the amazing novel, The Boys from Biloxi.

As I have mentioned a few times on this blog, last year I finally got the chance to read something from renowned author John Grisham. The author of multiple iconic legal thrillers, Grisham was a major author whose work I had only consumed by way of film adaptations. Luckily, I was able to fix that by checking out his 2021 release, The Judge’s List, which followed a complex investigation into a dangerous serial killer who was also a successful judge. I had an outstanding time reading The Judge’s List, and it made me determined to check out some more of Grisham’s books, especially his new releases. This included the fantastic short-story collection he released earlier this year, Sparring Partners, and his latest book, The Boys from Biloxi. The Boys from Biloxi is an intriguing standalone novel that proved to be quite excellent, and I am very glad I got my hands on it.

In the heartlands of Mississippi, the city of Biloxi is notorious for its vice, lawlessness and general lack of morals. A successful fishing and tourism spot on the coast, over time Biloxi became known as a place where all manner of gambling, drinking, drugs, girls and every other vice could be found. However, the battle for the soul of Biloxi is about to begin as two families go to war.

Jesse Rudy and Lance Malco are both second-generation Americans. The sons of hardworking immigrants, Jesse and Lance grew up on the streets of Biloxi, learning the value of the American way and hoping to make something for themselves by choosing very different paths in life. While Jesse chose to become a lawyer, working himself tirelessly to get his degree, Lance used his father’s money to invest in the seedy clubs of Biloxi. Both are happy in their respective lives, but, despite the close friendship of their sons, Keith Rudy and Hugh Malco, the two families are about to go to war.

After years of watching the corruption of Biloxi reach new heights, Jesse Rudy embarks on a mission to clean up the coast and works to become the city’s district attorney. His first target is Lance Malco, whose has become Biloxi’s biggest crime lord, controlling multiple illegal night clubs and bringing a brutal gang war to the city. As the two men go head to head, their sons soon follow in their footsteps, with Keith going to school to become a crusading lawyer, while Hugh becomes a thug for his father. Before long it becomes clear that only one family can remain in Biloxi, and the loser will not survive their defeat.

Grisham continues to showcase why he is so highly regarded with another awesome and captivating read in The Boys from Biloxi. Making great use of historical Biloxi, this fascinating crime fiction novel told a wonderful tale of crime and legal shenanigans that turned two families against each other over the course of decades.

I got pretty hooked on this novel right away, especially as Grisham started everything off by painting a cool picture of Biloxi, which promised to be quite a unique setting. The author swiftly compounded my interest by quickly and effectively introducing the reader to the Rudy and Malco families and showcasing their history. The early chapters of the book seek to build up the four main characters of the story, Jesse Rudy and Lance Malco, and their sons, Keith and Hugh. Grisham paints a multi-generational tale around them, simultaneously diving into how each character grew into their destined roles, as well as the friendship that Keith and Hugh had as children. These key characters are built up extremely quickly at the start of the novel, and before long you are really invested in their narratives, especially as there are some interesting contrasts between the adults, with Lance becoming a vicious criminal, while Jesse works hard to find his calling as a lawyer.

After all this substantial but necessary character and setting development, Grisham starts diving into the meat of the story, the conflict between the two families, and the wider fate of Biloxi, all of which is shown from the perspective of an intriguing range of characters. This starts when Jesse Rudy decides to run for district attorney, promising to clean up Biloxi and shut down the illegal clubs owned by Lance Malco, leading to a protracted battle over many years. The two sides engage in all manner of endeavours, including political runs, criminal investigations, turf wars and more, all while the younger characters grow up and start getting interested in their respective father’s worlds. There are some great scenes spread out through this elaborate narrative, including several entertaining trials, where the lawyer characters battle it out in the courtroom. Grisham clearly has some fun with these courtroom scenes, not only because the legal thriller elements are his bread and butter, but because it gives him the opportunity to come up with some ridiculous and fun legal manoeuvres that the characters utilise to win their cases.

The battle between the two families soon becomes the primary focus of the book, eclipsing some of the other storylines and character arcs going on simultaneously. There are some key and memorable scenes chucked into the centre of the book that really change the nature of the story, and it helps to focus the plot onto the younger generation of the respective families as Keith and Hugh continue their father’s war. The pace really picks up in the second half, and Grisham does an amazing job of bringing all the various plot points together, with some key moments cleverly set up much earlier in the book. Everything wraps up extremely well towards the end, and the characters all end up in some interesting and emotionally heavy positions. While the conclusion is mostly satisfying, Grisham does end everything on a rather sorrowful note that will stick in the reader’s mind. An overall exceptional read, and you will find it extremely hard not to get swept into this powerful and captivating narrative.

One of the things that I felt really enhanced this already cool story was the great setting of Biloxi, Mississippi. Now, I must admit that I thought Biloxi was a fictional city while I was reading this book (I had honestly never heard of it before), especially as Grisham really built it as the vice capital of the south. However, I was pleasantly surprised to find that it was real, and I was really impressed with the way that Grisham utilised it as a background setting in this book. Grisham spends a substantial amount of time exploring and examining Biloxi throughout the book, and the early chapters of The Boys from Biloxi, contain a very in-depth and fascinating look at Biloxi’s history, culture, and the people who lived there. While the characters of this story are fictional, some of the key plot events are real, and I loved how Grisham was able to work historical events, such as hurricanes, the influence of the Dixie Mafia, and Biloxi’s changing society into his compelling narrative. The author really shows all sides of Biloxi throughout this book, including its position as a hub for immigration early in the 20^th century, its role during World War II, as well as how it became known for its clubs, casinos, and other areas of vice throughout its history. Due to how the story is structured, Grisham spends quite a lot of time examining various parts of Biloxi’s culture and position in Mississippi, and you really get to understand its heart and soul, even with some of the over-the-top story elements. I also appreciated seeing the characters interacting with the city throughout the lengthy course of the book’s plot, and it was great to see some of the characters grow from children to adults, all while living in Biloxi. This was an amazing setting for this very clever book, and I really appreciated the outstanding story that Grisham was able to wrap around Biloxi. I will certainly not be forgetting that Biloxi is a real city for a very long time, and it sounds like a very interesting place to visit.

Finally, I must highlight the many great characters featured throughout The Boys from Biloxi. Grisham writes a compelling cast for this impressive story, and I enjoyed getting to know the various fictional inhabitants of Biloxi, especially as the author decided to make most of them very big personalities. Most of the focus is on the key members of the Rudy and Malco families, particularly the family patriarchs and their eldest sons, around whom this war is fought. As such, Grisham spends quite a lot of time building these four characters up and showing the key events that turned them into the men who would fight over the soul of Biloxi. These characters proved to be very compelling to follow, and Grisham writes a compelling and heartfelt tale around them, filled with love, regrets and the powerful influences that change people. I did feel that, at times, Grisham did make the four main characters a little too perfect, as all of them tend to succeed and excel at everything they put their mind to, and frankly it did get a little tiring to see them be the very best at every sport, job and academic pursuit they tried out. However, you do really get close to these characters, especially once their war gets even more personal and dangerous. Throw in a massive group of distinctive and memorable supporting characters, most of whom have personalities and personas to match the outrageous city of Biloxi, and The Boys from Biloxi has an excellent cast who help to enhance this very entertaining read in so many fun ways.

John Grisham presents another exceptional and highly entertaining crime fiction read with the brilliant new book, The Boys from Biloxi. One-part historical fiction read, one-part character-driven tale, and one-part legal crime thriller, The Boys from Biloxi was an amazing read that follows a feud between two families that lasted generations. Deeply compelling and filled with some exciting and fun scenes, The Boys from Biloxi is a highly recommended novel that I had a wonderful time reading.

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Throwback Thursday: Usagi Yojimbo: Volume 5: Lone Goat and Kid by Stan Sakai

On April 10, 2020April 11, 2023 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday6 Comments

Publisher: Fantagraphics Books (Paperback – January 1992)

Series: Usagi Yojimbo – Book Five

Length: 142 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this latest Throwback Thursday I once again check out another early volume of the excellent Usagi Yojimbo series, which I have been reviewing over the last couple of weeks. For this review, I am looking at the fifth volume, Lone Goat and Kid. Lone Goat and Kid was first released in 1992 by Fantagraphics Books and contains issues #19-24 of the Usagi Yojimbo series.

This fifth volume of Usagi Yojimbo once again sees series protagonist, the rabbit ronin Miyamoto Usagi, traverse a feudal Japanese landscape populated solely with anthropomorphised animals. This volume follows on right after the chaotic events of the fourth volume, The Dragon Bellow Conspiracy, and contains five new stories across six issues. This is an interesting entry in the series, particularly as it is the first volume to barely feature any of the previously introduced recurring characters aside from Usagi (a huge departure from the last volume, which contained a number of recurring characters coming together and teaming up). Instead, Sakai takes the time to introduce a bunch of new characters and scenarios across the volume’s five separate stories. Unsurprisingly, I really liked this fifth volume of Usagi Yojimbo, especially as Sakai manages come up with some fantastic and exceedingly enjoyable tales.

The first story featured within this volume is titled Frost & Fire, and it is a tragic story with undertones of forbidden love and class struggle. In this story, Usagi is hired by the cold and proper widow of a samurai to travel to the place of her husband’s death and retrieve his swords. Upon arriving at the small village where the samurai died, Usagi discovers that the swords are in the possession of the dead man’s lover, a poor peasant girl, who wishes to keep them as a remembrance of the man she loved. Unwilling to take the swords by force, Usagi leaves, but the peasant girl’s greedy brother has other plans for the swords.

This was a rather heartfelt first story for the volume, and it contains some great underlying elements to it. Much of the story revolves around a forbidden romance between a samurai and a peasant girl who wanted to be together but were unable to due to class differences. This was a rather intriguing central element for this story, and you can’t help but feel for the poor peasant girl, especially after meeting the samurai’s harsh and honourable widow in the opening pages. There is also examination of the evils of greed and avarice, as several of the side characters attempt to deceive and murder in order to get a quick payday. Luckily, their greed proves to be their undoing, as karma quickly strikes throughout the course of the story. There are some great scenes in this story, including one sequence where Usagi stares down the peasant girl when she refuses to give up the swords, “You know I can just take them from you”, before ultimately backing down and refusing to force her to give them up. I also liked a scene later in the book where the brother’s greed proves to be his undoing, as not only does Usagi appear behind him at one point like a vengeful spirit, but he is then ironically attacked by his “friends”, who are jealous of the wealth he achieved because of his bad actions, and whose mindset mirrors that of the brother. All of this makes for a great first entry for this volume, and I really enjoyed the amazing and captivating story that Sakai came up with.

The next story is a rather unique entry called A Kite Story, which I have a particular love for. A Kite Story is actually broken up into four distinctive parts, each of which focuses on a different character participating in a famous kite festival. The first part, called The Kite Maker’s Story, follows a kite maker, Tatsusaburo, in the lead up to the festival. This part of the story contains no dialogue, but instead features a first-person narration from Tatsusaburo that overlays the drawings. This narration explains how he gathers the resources for his kites and the various processes he goes through to craft them together. It particularly focuses on the work he puts into creating an odako, a giant kite that he and a team of handlers hope to fly. The story then jumps to its second distinctive part, called The Gambler’s Tale, which follows the crook Hatsu and his gang of itinerant gamblers as they work the crowds gathering for the kite festival. This part starts off with some first-person narration from Hatsu and explores how he and his gang set up a rigged game of dice. This part ends its narration on the second page, when Usagi arrives on the scene and it becomes purely dialogue driven after that. Usagi, upon noticing the game, gets involved and is able to prove the gamblers are cheating (thanks to some fancy sword work), which sees not only the crooked gamblers run out of town but also those gamblers who were running fair games, and who are none too pleased with how they have been treated. This then moves to the third part of the story, called The Ronin’s Tale, which is nearly entirely dialogue driven, with only a small bit of narration at the front. Usagi deals with some of the players from the first two parts of the book, as he is unfairly blamed by the cheating gamblers in The Gambler’s Tale as the source of all the trouble to the honest gamblers. This sees Usagi have to make a rather quick and unconventional exit from the festival, which quickly breaks down into chaos. The story then concludes with a quick two-page final part, called The Kite Maker’s Tale II, which follows Tatsusaburo again and serves as an epilogue to the whole story.

I really liked A Kite Story, as Sakai did a really good job blending together a couple of distinctive narratives into one fantastic story. I particularly enjoyed the fascinating first part of this story and I always love it when Sakai uses his stories to explore certain unique Japanese cultural elements and industries. For this one, the author presents the reader with an amazing examination of the traditional kite-making process, and I loved seeing the process explained by the titular kite maker. This part of the story blends in surprisingly well with the other sections of A Kite Story, and I was impressed with how Sakai was able to turn these seeming separate and disparate tales into a complete narrative that is both entertaining and informative. Sakai also produces some amazing artwork in this story, from the giant kite to the visually impressive and detailed crowd scenes, and this is easily one of the more innovative stories that Sakai has come up with.

The third story is the action-packed spectacular, Blood Wings, which Sakai tells over two issues. Late one night, Usagi is wandering along the road when he comes upon a dying peasant. The peasant’s last words are a mysterious warning about whatever killed him, “wings of blood”. Travelling to a nearby village, he finds a settlement living in terror, completely cut off from the outside world. They are being kept prisoner by a new and dangerous group of ninja, the Komori Ninja Clan, killer flying bats. The Komori Ninja were accidently discovered by the villagers as they prepared to ambush a shipment from a nearby goldmine and the ninja are now keeping them prisoner while they execute their attack. Knowing that the ninja will not leave the villagers alive as witnesses after the heist, Usagi attempts to break out and warn the goldmine, and when that fails, he leads the villagers in a spirited defence of their home.

Blood Wings was a fantastic and exciting story that serves as an excellent set piece for the middle of this volume. This third story is an impressive read that not only introduces a notable new group of antagonists, but it also contains some rather good action sequences. The Komori Ninja prove to be a great group of villains, and I really liked the character design that Sakai came up for them, as they fly around with sword blades attached to their wings, cutting through anyone and anything they encounter. The highlight of this story has to be the thrilling action sequences between Usagi and this new foe, who are able to outmatch the protagonist with their unique combat style. This all culminates in an extended battle sequence which sees a swordless Usagi defending the village with a force of farmers. This is probably the fastest-paced story in the volume, and Sakai comes up with an awesome narrative for it. This is also the entry in this volume that is most tied into the overarching Usagi Yojimbo world, as the Komori Ninja are revealed to be working for Lord Hikiji and are seeking to replace the Neko Ninja. This story also contains my favourite joke in the whole volume, as only Saki would have a guard yell out, “Holy flying furball! It’s Bats, man!” as the Komori Ninja descend.

The fourth story is an elaborate and compelling entry titled The Way of the Samurai. This story sees Usagi intervene when a gang of bandits (including a very cool-looking walrus samurai), attack a messenger, and is directed to seek out the magistrate of the local town. Arriving at the town, Usagi is amazed to discover that the magistrate is a famed former general Oyaneko, whose battles and tactics Usagi idolises. Staying in the general’s house for a night, he learns that Oyaneko was a loyal retainer to the land’s former lord but was cast aside when the lord’s brash young son came to power. Now regulated to the role as a simple administrator and slowly dying of a disease, Oyaneko is discontent with his life, and, after meeting an honourable and skilled Usagi, challenges him to a duel to the death, “The way of the Samurai is found in death”.

This fourth entry in the volume is a moving tale that the author uses to explore the complexity of the samurai code of duty, loyalty and service. I really liked the intricate story that Sakai weaved around the characters of Usagi and Oyaneko, and Oyaneko’s story is particularly tragic and fascinating. This entire story is set up really well, with Usagi encountering Oyankeo, the two gaining a mutual respect for the other, learning about Oyankeo’s past and motivations, before the emotionally charged duel at the end. Sakai did a fantastic job illustrating the stress and emotion surrounding this final duel with his epic drawings, and the end result was really touching. I think this is one of the best written stories in the entire volume, and it becomes quite an emotional ride for the reader in the end.

That leaves us with the fifth and final story in this volume, which shares the same name as the overall volume, Lone Goat and Kid. This story focuses on the characters of Yagi and Gorogoro, the titular Lone Goat and Kid. Years ago, Yagi served the same lord as Oyaneko. However, when their old lord died, Yagi was falsely accused of a crime by the new lord’s corrupt advisors and forced out of his service. Yagi and his son Gorogoro now work as Lone Goat and Kid, assassins for hire who many believe now travel the road to hell. The two assassins are also constantly targeted by their former lords’ samurai and bounty hunters sent after them by the corrupt advisors who framed them. As part of their latest attempt to kill Yagi and Gorogoro, these advisors use a proxy to hire the Lone Goat and Kid to assassinate Usagi, who they believe may be able to defeat the infamous assassin. When they meet, Yagi and Usagi engage in a brutal fight to the death, with the corrupt lord’s forces waiting to ambush the winner.

This was another awesome story filled with epic duels, a massive battle sequence, some superb artwork featuring Japan’s exquisite landscape, and a fun narrative packed full of deceit and conspiracy. The titular Lone Goat and Kid are a rather cool adaptation of the iconic Japanese fiction duo, Lone Wolf and Cub. Lone Wolf and Cub was a manga series back in the 1970s that followed a samurai assassin and his child as they travel feudal Japan searching for vengeance. This series has inspired several movies and a television show, and many different pieces of fiction have paid homage to them over the years, from The Mandalorian to Bob’s Burgers. Heck, Rick and Morty literally just did an anime homage to them last week on YouTube. Sakai’s versions of the characters are rather good, and they become fun recurring characters within the Usagi Yojimbo series. I loved how Sakai came up with some fantastic and unique character designs for the two assassins, turning them into goats rather than wolves (which was a nice touch, especially as the name “kid” has that fun double meaning), and providing them with a different backstory. However, there are some excellent similarities, such as the father’s skill with the blade, the desire to take down conspirators who wronged them and the baby carriage the son travels in, equipped with all manner of hidden weapons and blades. The character of Yagi, the Lone Goat, is particularly intense, and is almost demonic in his attitudes and persona, while still maintaining a samurai’s sense of honour. I was also really impressed with the battle sequences that featured in the last half of this story, and I liked how Sakai went from an elaborate one-on-one duel, to a mass fight against multiple opponents. All of this leads to another excellent story in this volume, which I really enjoyed reading.

This fifth volume of Usagi Yojimbo, Lone Goat and Kid, was another incredible and powerful addition to the series, and I think Stan Sakai did another amazing job with this volume. Featuring five fantastic stories that contained Sakai’s usual complex narratives, iconic artwork and compelling underlying themes, Lone Goat and Kid gets another five-star rating from me, and it is really worth checking out.

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