Throwback Thursday: Batman: Assault on Arkham

On August 14, 2021August 14, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday2 Comments

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 20

Director: Jay Oliva and Ethan Spaulding

Writer: Heath Corson

Producer: James Tucker

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I go back and check out one of the more intriguing DC animated movies, with Batman: Assault on Arkham.

As I mentioned in a recent Top Ten Tuesday, I have been in a DC mood ever since I saw The Suicide Squad on the weekend, which was easily the best film focusing on the titular Suicide Squad. While people only familiar with the live-action films might think that this is a low bar, those who know about the awesome catalogue of DC Comics animated films will know that there are several awesome and outstanding films that perfectly capture the feel and tone of the supervillain team and are pretty fun to watch. Therefore, this week I will look at one of these great animated films, with Batman: Assault on Arkham.

Assault on Arkham is an amazing and fantastic film that came out in 2014 and is set in the same universe as the Arkham video game franchise (set between Arkham Origins and Arkham Asylum). Directed by Jay Oliva and Ethan Spaulding, written by Heath Corson and produced by James Tucker, this was a memorable and fun DC Universe Animated Original Movie, which contains some of the best comic book based animated films out there. Despite the name, Assault on Arkham is really a Suicide Squad movie, with Batman strongly featured but acting more as a side character. This was an excellent and impressive film, which makes use of a darker tone and more adult animation to create a fitting Suicide Squad experience. Heck, this was a much better Suicide Squad movie than the 2016 live-action film as it embraced the team’s darker side and their propensity for violence, while also featuring an impressive and clever story.

Two years before the Joker took over Arkham Asylum, the Clown Prince of Crime terrorises Gotham City, this time by threatening it with a dirty bomb. With the Joker locked up in Arkham Asylum and refusing to talk, Batman stalks the streets of Gotham, searching for those who helped him. His mission leads him to save the Riddler from a black-ops team of soldiers, sent by shadowy government agent Amanda Waller. With Riddler now locked up in Arkham Asylum, Waller assembles the one force capable of breaching Arkham’s walls to find him and the information she desires, Task Force X.

Task Force X, also known as the Suicide Squad, is made up of some of the most deadly and skilled villains in the world, each of whom have been forcibly drafted onto the team and offered reduced sentences if they complete their mission. Recruiting a team made up of Floyd Lawton (Deadshot), Harleen Quinzel (Harley Quinn), George Harkness (Captain Boomerang), Eric Needham (Black Spider), Nanaue (King Shark) and Louise Lincoln (Killer Frost), Waller sends them into Arkham with bombs implanted in their necks.

Forced to work together despite their innate distrust and dislike of each other, the Suicide Squad arrive in Gotham and make their plans to infiltrate the asylum. However, it doesn’t take long for petty rivalries, massive manipulations, and dangerous outside influences to put all their schemes in disarray. Working their way through the most dangerous place on the planet, the Squad soon learns a deadly secret that will change everything and set them on a bold new path. But with Batman wise to their presence, can the Squad achieve their goals and make their escape, or will they find themselves locked up in Arkham instead. Worse, someone far more dangerous is stalking the halls of the asylum, someone with an insane sense of humour and a desire to claim back what is his. The Joker is loose, and he wants to play!

This is an awesome film that really does the chaotic and dangerous Suicide Squad justice. Featuring an excellent story and serving as a clever adaption of the Suicide Squad comics and other pieces of media, this is an extremely fun movie. Throw in an exceptional voice cast, some great interpretations of iconic characters, and some powerful animated sequences, and you have a great and impressive movie that I have long been a fan of.

At the heart of this great movie is a very compelling and exciting narrative that takes its various characters on a wild and dangerous ride to hell in back. Assault on Arkham starts off with an excellent scene, which sees Riddler being attacked by Waller’s goons, only to be rescued by Batman in an intense and brutal fight sequence. This then leads into an entertaining introductory sequence for the various members of the squad, with a fun reel of shots with no dialogue showing each member of the Squad showing off some of their skills before getting captured by various law enforcement groups. These dark and sometimes gruesome introductory scenes really set the tone for the entire movie, while also providing great summaries of each of the main characters. What follows is a fun and captivating character-driven tale as the members of the Squad arrive in Gotham and make their play to break into Arkham. There are some fantastic clashes of personality and deep personal moments in this early part of the film, as the team initially comes together, despite their crazy differences. This leads to an intriguing central part of the film, where the characters begin their assault on the asylum, performing a reverse prison break. After some great scenes, the team are at large in the asylum, which leads to even more chaos, destruction, and big fight moments. All of this leads to an explosive and dangerous final act, as the characters need to escape while being pursued by Batman and the Joker. Caught between these extremely dangerous forces, the fractured Squad attempts to escape, facing some major defining obstacles which really bring the entire film together. I loved the fantastic and darker story that this film featured, and the writing team did an excellent job combining brutality, humour, character development and pure craziness into one enthralling tale. There are so many fun and thrilling moments to this outstanding film, and viewers will found themselves really getting drawn into the cool story.

The animation in Assault on Arkham is very impressive, and the creative team behind it did a great job bringing the various characters to life and placing them in some outstanding action sequences. The movement and action in this film is pretty damn seamless, and you are in for some very fast-paced scenes that look pretty superb, especially as they feature a great mixture of lighting and multiple unique characters. Highlights include the opening shadowy encounter between Batman and the special forces soldiers, the massive fight between Batman and the entire Suicide Squad, and the final two confrontations that occur after a big helicopter crash. I loved the cool character designs of the various characters, especially as they mix some new looks with classic drawings. I also felt that the creative team combined this cool animation with the excellent musical score well, and the various tunes really helped to set the scene. There is something very dark, bloody, and adult about the designs in the film, and the end result is definitely not a kid’s cartoon.

Part of the design that I really enjoyed was the way in which the creative team attempted to emulate the style from the fantastic Batman: Arkham video games. This film serves as a canon entry between Arkham Origins and Arkham Asylum, and the team did a great job capturing the cool style and themes that the games are famous for. This is particularly seen in the various scenes featuring Batman, the playable character of the games, and you get to see him whip out the various gadgets and viewscreens that appeared in the games. I particularly enjoyed the opening scene where Batman takes out a squad of soldiers in much the same way that a player would in the games, from the flips to the use of a batline. There are also several references to the games throughout the film, from a character trying to hide in a vent, to the layout of Arkham Asylum, where you spend significant time in the first film. Despite all these references, this film can easily be enjoyed by comic fans who have not played the video games. Assault on Arkham is very much framed as a standalone film, and no matter your familiarity with Batman or the Arkham games, you will have a fun time watching this movie.

As I have mentioned above, this awesome film contained a really impressive and memorable take on the Suicide Squad, producing a truly great movie. Part of this is the choice of team, as it features a compelling blend of characters that are inspired by the team first introduced in the New 52 range. Anchored by team leader Deadshot and wildcard Harley Quinn, it also features long-time Suicide Squad member Captain Boomerang, as well as a fantastic combination of Black Spider, King Shark and Killer Frost. While the team structure is similar to the team in the first live-action film, Assault on Arkham actually predates this film by a couple of years, and also utilises them a lot better, really showing off some more complex aspects of their personality, mainly thanks to the excellent voice cast. This animated film also takes itself a lot less seriously than the first live-action film did, and is less afraid to show blood, sex and death. While some of this is a tad over the top (some of the female characters are way too sexualised), I really wish that the subsequent live-action film had taken some cues from how successful this animated feature was, as that would have resulted in a much better experience.

Easily the best part of this film is the amazing characters and sensational voice cast, which really help to make it stand out. While it does feature a lot of Batman and Joker, the main characters of this film are the Suicide Squad. The most prominent is team leader an assassin extraordinaire, Deadshot. Voiced by the talented Neal McDonough, a man who has voiced quite a few villains in his day, this version of Deadshot is near perfect, and contains a lot of elements from the comics that the live-action version was lacking. While the overriding love for his daughter is still there, this version of Deadshot is a lot colder and a lot quicker on the trigger, happily massacring everyone who gets in his way. McDonough really captures the character’s menace, killer instinct, and determination, and this Deadshot serves as the tough and often exasperated leader of the Squad. I loved that they captured Deadshot’s crazier side (he has a massive death wish in the comics), especially as this leads to one of the best scenes in the entire film: “Mate, you just out-crazied the Joker”. It was also cool that Deadshot had one of the most satisfying character arcs in the entire film, ending Assault on Arkham on a very entertaining and memorable note, that showed that the character was a man of his word: “Bang!”

This film also features an amazing version of iconic character Harley Quinn. Before Margot Robbie and Kaley Cuoco put their spins on the character, veteran voice actor Hynden Walch provided her impressive voice to Harley, resulting in a fantastic and crazed female-lead. Walch, who is probably best known for voicing Starfire in Teen Titans or Princess Bubblegum in Adventure Time, does an excellent job going a little darker with this character, producing some excellent scenes of madness and humour as Harley manages to annoy the other characters while cracking up the audience. I loved the introduction that this character had, biting off an ear in a halfway house with Looney Tunes music playing (it’s weird, but it works). Harley proves to be quite conflicted in this film as she finds herself stuck between her abusive ex, the Joker, and her new love interest, Deadshot (all I am going to say about the later relationship is “Yahtzee!”). While this starts off with a very concerted attempt to kill the Joker, Harley is eventually drawn back to him, which is kind of heartbreaking. There is some of the typical abusive relationship stuff that comes out with Harley, as she blames everyone but Joker for her problems. This was a great portrayal of this fantastic and complex character, and I was very happy that Walch came back to portray Harley in other films such as Justice League Dark: Apokolips War.

Other great members of the Squad include Captain Boomerang, voiced by Greg Ellis. Boomerang acts as the Squad’s comic relief, and I liked the uncaring and selfish attitude that is such a feature of the character in the original Suicide Squad comics. Ellis really brings out the character’s smarmy and arrogant side, and I loved the amusing rivalry he formed with Deadshot, which results in a brilliant game of darts. This movie also features the outstanding Gincarlo Esposito in the role of Black Spider, a murderous vigilante who is less than pleased at being lumped in with a group of supervillains. Esposito brings some real gravitas to the character, and he proves to be a skilled and fun member of the team, and his inclusion results in a pretty major fake-out. The hilarious John DiMaggio does a great King Shark in this film, and I loved the somewhat more human design of the monster and his funny dim-witted mentality. Despite being a source of some humour, King Shark is a brutal killer, which is very much shown in his introduction where he emerges from a bathtub full of blood. Finally, the brilliant Jennifer Hale portrays a fantastic Killer Frost (not surprising, considering she’s voiced the character in nearly every film or animated television appearance). This version of Frost is pretty cold-blooded and proves to be a murderous addition to the team. I liked the fun friendship that she forms with King Shark, and they prove to be a great duo.

While the Suicide Squad takes most of the film’s focus, Batman is featured pretty extensively in this film, which is really cool. I personally was overjoyed that they got the iconic voice of Kevin Conroy for the character, and this amazing actor reprises his role from the various animated series and the Arkham games. Batman is mostly on the outside of the story for the first half of the film, only becoming involved when the Squad enters the asylum, but once he gets involved, the results are pretty damn awesome. This version of the character perfectly highlights the various aspects of Batman, as he kicks ass, intimates everyone he meets, outsmarts his foes, and utilises his amazing detective skills to make some big assumptions. Featuring Batman as a side-character in his own film was an interesting choice, but it is one that really works, and it was great to see him attempt to work out the various ploys of the Squad, Waller, and the Joker. Conroy’s voice work is of course, perfect, which isn’t surprisingly considering all the times he’s portrayed the character. Another excellent inclusion of the legendary hero.

While most of the cast of Assault on Arkham are villains, the one that sticks out the most is the master of anarchy, the Joker. Voiced by Troy Baker, who reprises his role from Arkham Origins, Joker really stands out as a character, which honestly isn’t that surprising. Joker escapes his cell and starts causing chaos all over the asylum, coming into conflict with both the Squad and Batman. This version of the Joker is the usual awesome mix of scary insanity and corny humour, and the character has several hilarious scenes throughout the film, including one of the best lines: “Denzel, what have they done to you?” I also enjoyed the new rivalry he forms with Deadshot, as he shows some uncharacteristic jealousy over the fact that Harley has moved on. This leads to a brutal brawl in the film’s conclusion, which is a major highlight. Baker, who would go on to voice the Joker in several other animated features, does a pretty good job in Assault on Arkham, and does well at replicating Mark Hamill’s take on the character. This results in an excellent villain, and I loved seeing the insane Arkham version of the character once more.

The final character I really want to highlight controls Task Force X, Amanda “the Wall” Waller. Voiced by the incredible CCH Pounder, the definitive voice actor for the character (she is so good in Justice League Unlimited), this manipulative bureaucrat is in many ways the true villain of Assault on Arkham, turning everyone against each other to get what she wants. She has an excellent introduction, where she manages to outsmart the Riddler, while also giving a fantastic line about riddles: “I have Google, like the rest of the world!” From there, she proves to be a consistent badass, dragging the ruthless killers together into her Suicide Squad, bending them to her will, and then unleashing them upon the world. Despite her plans not going as well as she hoped, Waller still manages to have a great run in Assault on Arkham, and Pounder really dives into the character’s manipulative nature and inner anger: “No one screws the Wall!” She also has a pretty badass stare-down with Batman, actually managing to win their confrontation. This character has a pretty amazing final moment in the film, especially as it wraps up her entire arc with Deadshot in one fantastic word. Overall, Pounder rounds out the awesome central voice cast perfectly, and it was an absolute treat to see their performance come together.

Batman: Assault on Arkham is a fantastic and memorable animated film that is so much fun to watch. Serving as the definitive and best film about the Suicide Squad for years, Assault on Arkham makes full use of its intense and exciting story, its brilliant design and exceptional cast and characters. I deeply enjoy this amazing film and I have watched it multiple times ever since it was released. A highly recommended watch, especially if, like me, you loved the latest Suicide Squad movie and want some more crazy, villain-led chaos and destruction.

Throwback Thursday: Patient Zero by Jonathan Maberry

On December 6, 2018March 5, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Science Fiction, Thriller, Throwback Thursday42 Comments

Publishers: St. Martin’s Griffin

Blackstone Audiobooks

Publication Date – 3 March 2009

Amazon Book Depository

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

A couple of weeks ago I listened to and reviewed the latest book in Jonathan Maberry’s Joe Ledger series, Deep Silence, and found myself hooked on the insane, mad science based thriller adventure. After enjoying Deep Silence and giving it a five-star review, I started checking out some of the previous books in the Joe Ledger series that I had not had a chance to read before, and found myself enjoying the plot concepts of the other books in the series. The moment I finished listening to Deep Silence, I immediately jumped back to the first book in the series, Patient Zero, to review as part of my Throwback Thursday series.

When Baltimore detective Joe Ledger is assigned to a joint terrorism taskforce, he thinks it is an opportunity to fight back against the people responsible for 9/11. What he was not expecting was to have a crazed man try to bite him on his first raid with the taskforce after discovering a warehouse filled with terrorists. His elation about a job well done is destroyed when he encounters one of the terrorists again later that week. There is just one problem: Ledger knows that he killed him during the first raid. Someone has created a terrifying bio-weapon that can turn ordinary people into zombies, and worse, they have supplied this virus to a destructive terrorist organisation that plans to release it within the United States.

As the full extent of the horror being unleashed against them is revealed, Ledger finds himself recruited into a newly created covert organisation that was set up to handle extraordinary threats such as this. Known as the Department of Military Sciences (DMS), this organisation wields the latest technology and the country’s brightest scientists under the command of the mysterious Mr Church. As a member of the DMS, Ledger leads an elite team of combat specialists in the field in an attempt to contain any attempts to unleash the virus on the population and to destroy those who have already been infected. As Ledger’s investigation progresses, he uncovers an elaborate conspiracy that will have devastating impacts for all of humanity. But with the fate of the world in the balance, it soon becomes clear that there is a traitor within the DMS who has no qualms about unleashing a zombie apocalypse.

I have to admit that after absolutely loving Deep Silence, I had very high expectations when I started reading Patient Zero. Luckily I was not disappointed and found that Patient Zero had a fantastic action based storyline that makes good use of its mad science elements to create an intense and very enjoyable novel that sets up all the elements for this future series. I also chose to check out the first book in this series in its audiobook format, which, at just under 15 hours, is a great way to enjoy this high-octane story.

Hands down, the best thing about this novel has to be the zombies and the way that Maberry has created a compelling and intricate thriller story around this classic horror story concept. The thriller aspect of this is really clever. Rather than being the central antagonists themselves, the zombies are a tool being utilised in a wide-reaching conspiracy that the protagonists have to unravel in order to figure out the origins and endgames of the book’s true antagonists. These thriller elements are quite detailed, and Maberry utilises a number of chapters told from the antagonists’ point of view to add some depth to the conspiracy and showcase the extent of their plot, as well the problems these groups have. The protagonists also have to deal with potential traitors in their ranks, advanced science that they do not understand and a surprisingly organised, devious and well-equipped terrorist organisation. All of this is an extremely captivating thriller storyline, and I love how Maberry has managed to utilise the book’s zombie element to help flesh this out.

Maberry has also created a unique and intriguing zombie origin for this book that is based on potential real-life science. The zombies in this book are the result of a disease rather than a supernatural calamity. They have been created by some advanced science and extreme mutations of existing diseases and viruses, such as prion diseases. As a result, Maberry and his characters spend a lot of time examining the potential science behind this zombie virus, which pulls the reader in as they consider how close something this crazy could be to a reality. I was really struck by the way that Maberry tried to show the horror that these creatures would inflict on the people who encounter them, and the sheer terror that they inflect on normal humans. The point-of-view protagonists spend significant time explaining how terrifying and emotionally damaging it is to have to encounter and fight these infected people, as well as how guilty they feel about having to kill them. There are quite a few parts of the book where the characters discuss how damaging these events are to them, and it really adds some emotional gravitas to this story. Maberry is a prominent author of zombie fiction, so it is no surprise that he is able to create quite a number of awesome and terrifying scenes featuring the zombies as they attack and kill all around them. There are also some interesting zombie deviations that appear and offer some unique elements to the story. Overall this is an incredible and memorable addition to this story and one that will really appeal to fans of zombies and the horror genre.

Action is a major part of the Joe Ledger series, as the protagonist leads an elite special forces unit against all these elite scientific threats. As a result, there are a huge number of action sequences throughout this novel and the reader is constantly left with a racing pulse. There are so many great fast-paced elements throughout Patient Zero for action junkies to enjoy. Maberry is always great at describing special forces tactics in his stories, and I enjoyed seeing them used against the unique threats in this book. There are a number of excellent firefights throughout the story, and the author has a great mind to examining the psychology of a gun battle. Maberry’s love of martial arts and close-combat fighting once again shines through in Patient Zero, as his protagonist is an expert fighter who has innumerable hand-to-hand fights with a number of different opponents. While the above actions scenes are all extremely awesome, the best scenes have to revolve around the desperate fight between these elite soldiers and the horde of zombies that they encounter. These scenes are really fantastic and watching the special forces characters fight tooth and nail against a horde of zombies becomes a captivating and powerful part of this book. There are quite a few crazy action scenes throughout Patient Zero for the reader to look out for and which are defiantly a highlight of the book. I personally found that listening to these scenes in the audiobook format really brought me into the centre of the action, and it was an excellent way to enjoy this element.

Patient Zero is an excellent introduction to the Joe Ledger series and contains a number of elements that will continue into the rest of the series. I came to this book having first read the 10th and latest book in the series, Deep Silence. As a result, I was really intrigued to see what characters were introduced in the first book and which ones do not appear in the final book of the series. There are some interesting differences between Patient Zero and Deep Silence that I found quite fascinating. For example, the opponents and technology in this first book are a lot more realistic, as Maberry has yet to start utilising the Lovecraft-inspired aliens which feature in some of the later Joe Ledger novels. The head of the DMS, the mysterious Mr Church, also comes across as a much colder character in this first book, as well as someone who is more comfortable with civilian deaths and sacrifice if it results in the survival of the rest of the world. That being said, there are some familiar elements. Ledger is still an incredibly sarcastic and funny protagonist, and the author tries to highlight a huge range of varied viewpoints to show the whole range of the plot the DMS is trying to unravel. Patient Zero serves as a great introduction to the DMS, and I really enjoyed seeing the early days of this organisation. I also love how everyone is quite confused about what this organisation is and the mystery around Mr Church, who appears to have an incredible amount of influence and power in Washington. For example, at one point he actually tells the president of the United States that he is wasting his time and hangs up on him in, an action an incredulous Ledger describes as “bitch-slapping the president”.

Patient Zero is an incredible first novel in Jonathan Maberry’s incredible Joe Ledger series and one that serves as a fantastic introduction for readers unfamiliar with this series. Featuring all sorts of mad science, impressive action sequences, a five-star thriller storyline and a ton of amazing zombies, this is an outstanding novel and one that proves very hard to put down. After loving this book, as well as the latest book in this series, Deep Silence, I am now fully determined to read the rest of the books in the Joe Ledger series. Fully expect to see a review for The Dragon Factory very soon; I have no doubt that I will really enjoy that book as well.

My Rating:

Amazon Book Depository

Deep Silence by Jonathan Maberry

On November 15, 2018March 5, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Science Fiction, Thriller33 Comments

Publishers: St. Martins Griffin

Macmillan Audio

Publication Date – 30 October 2018

Amazon Book Depository

From horror legend Jonathan Maberry comes the 10th book in his weird-science based horror, thriller, science fiction Joe Ledger series, which takes the reader on a wild joyride through a world gone mad in this five-star adventure.

I have to admit that Maberry is not an author that I have had much experience with before. The only work of his I have previously read was a fun short story that was featured in a volume of zombie short stories he jointly edited with George A. Romero in 2017 that I previously reviewed here. However, I am extremely happy that I decided to check out this latest book as it exposed me to this incredible series, which I enjoyed immensely. I can think of no greater praise for this novel then to say that upon finishing it, I immediately dropped everything and started reading the first book in the series, Patient Zero, which I will be reviewing in the next few weeks as part of my Throwback Thursday series.

I chose to listen to Deep Silence on audiobook rather than read a physical copy. The audiobook format of this book is just under 16½ hours long and is narrated by Ray Porter, who has worked on several other books in the series.

In this latest book, a Russian splinter group have developed a powerful weapon with pieces of alien crystal seeded throughout the planet. This new weapon can cause devastating earthquakes on a level never before seen and has the potential to destroy the entirety of the United States. The weapon also has a chilling side effect: it causes people around the epicentre of the quake to engage in violent acts of madness, from suicide to ferocious attacks on others. The first attack targets Washington, with mass violence erupting around the Capitol building.

America’s only hope may be the top-secret rapid response organisation, the Department of Military Sciences (DMS). For years, the DMS has been the only line of defence against the insane science America’s enemies are utilising and developing in this new age of wonders. From deadly diseases, ancient forbidden technologies, extreme acts of genetic manipulation, the latest forms of cyber and electronic attack, and even weaponised zombies, the DMS, led in the field by Captain Joe Ledger, has managed to stop all these threats and more. Utilising the latest military and espionage equipment and the best and brightest soldiers and scientists America has to offer, the DMS operates just outside the government and can go further than any other agency can.

However, while the DMS attempts to combat this latest threat, they find themselves hindered by a megalomaniac President whose stupidity and paranoia make him more afraid of the DMS than the group unleashing earthquakes across his country. As Joe and his team attempt to hunt down the origins of this attack they must contend not only with a dangerous Russian force but also with agents of their own Government and devices that can drive even the most dedicated DMS agent insane. But as the Russians attempt to force the eruption of the Yellowstone caldera, the greatest threat may come from the creatures the technology was stolen from.

Deep Silence is the 10th book in Maberry’s Joe Ledger series, which started in 2009 with Patient Zero. Maberry has been writing since 2006, with his debut book Ghost Road Blues forming the first book in the Pine Deep Trilogy. Since then, Maberry has written a huge number of books, most of which have a horror theme or focus. Apart from his Joe Ledger series, Maberry is probably best known for his Rot & Ruin series, a young adult zombie apocalypse series. Aside from his fictional novels, Maberry has also written several comics for Marvel as well of a number of non-fiction books, which tend to focus on Maberry’s passions for martial arts and the supernatural.

Deep Silence is an exceptional book that combines together a number of genres, including science fiction, thriller, horror, military fiction and spy thrillers into one very captivating narrative. The end result is a non-stop thrill ride that perfectly utilises the series’s bizarre nature and advanced science to create a devastating threat and a larger-than-life protagonist to face it. There are so many amazing elements to this book, from its continuation of an enjoyable series, to the very weird elements that come into play, to the excellent writing style and enjoyable characters. Once I started reading this book I just could not stop, and it is easily one of my favourite books of this year.

From what I understand, the Joe Ledger series started off mostly focusing on the mad sciences that humans are able to create and use against each other. However, in recent books, the series has taken on a more Lovecraftian vibe, with unknown aliens, space demons and incredibly insane technology. Deep Silence in particular seems to relate back to several of these previous alien technology based novels, as the devices, technology and motives that the book’s antagonists utilise are closely related to the adventures that occurred in previous books. That being said, there is still the continuous use of more advanced human technologies utilised by many of the book’s characters, especially those working for the DMS. All the crazy gadgets that they use are pretty impressive, but none (with one or two major exceptions) are outside the realm of possibility and reflect technologies that could potentially exist. Indeed, in the introduction to Patient Zero, Maberry actually confirms that most of the technology he describes in his books is currently used or could soon be used by intelligence organisations around the world today.

One of the challenges of coming into a series late is the reader’s lack of knowledge about the universe’s background information, lore and the development of its main characters and the extent of their relationships. Maberry does an incredible job bridging this gap throughout Deep Silence, providing the reader with descriptions of previous events, recaps of character descriptions and history and making use of a number of references to previous missions and adventures captured in the other books in the Joe Ledger series. There are also a number of scenes that appeared to be callbacks to previous books, although the author was able to describe the pertinent details of these events. As a result, I was never lost at any point and really appreciated the recaps and detailed descriptions the book’s various point-of-view characters provided throughout the novel. It also made me very curious about some of the previous books in the franchise, and I am now very interested in checking out some of these insane and fun-sounding adventures. As a result, Deep Silence is an excellent book if you want to get an idea of what the Joe Ledger series is all about. At the same time, established fans of this long-running series will be interested to see the significant changes that occur to the book’s main characters, as well as the scenes detailing where the series will potentially be going in the future.

One of the things that I really enjoyed about Deep Silence was the way that Maberry presents the book’s narrative from multiple perspectives and across a range of different time periods. Because of this, the reader is given a far wider view of the overall narrative. Not only do they get to see the protagonists attempting to investigate and stop what is going on, but they get to see the antagonists coming up with their plans, discovering and researching their doomsday device over a period of years and then implementing their mission. This also allows the reader to get a far deeper understanding of the antagonist’s objectives and mindscapes in committing these acts and what it costs them mentally and emotionally. Nearly all the fun and eccentric characters working in the DMS get a few scenes told from their point of view. This provides the reader with some high level, but easy to follow, scientific discussions, hacking sequences and the utilisation of incredibly exciting-sounding advanced espionage technology. There is also a focus within Deep Silence of the politics around and behind the DMS, and how the organisation’s leader, the mysterious Mr Church (who is totally an alien, right?), deals with these situations.

While all of the other point-of-view characters are entertaining and it is intriguing to view their sides of the story, the best character has to be the series’s main protagonist, Joe Ledger. Ledger is the extremely dangerous and slightly disturbed leader of the DMS field team, and has been at the forefront of all the adventures in this series. It is interesting to note that Ledger is the only character in this book whose story is told from the first person perspective, which is fortunate because Ledger is one of the biggest smartasses in fiction, especially within the privacy of his head. Nearly every single piece of the book told from Ledger’s point of view is filled with jokes, wisecracks, and exaggerated or sarcastic thoughts. Ledger has some incredibly humorous observations about the world around him, especially the eccentric characters he encounters, and his thoughts are just as likely to be self-deprecating as they are to be insulting about the people he has to deal with. He is also an eccentric being who does some incredibly funny things, from having fun with his opponents to humming the Mission Impossible theme as he breaks into a safe. However, beneath this humorous exterior there is a deeply damaged character who is severely impacted by events that have occurred before and during this series. Maberry spends significant time diving into this character’s history and psyche, which quickly gives the reader, even readers previously unfamiliar with the series, a good understanding of his life and the events that define him. His deep and fractured mind becomes a key part of this story, especially when it encounters mind-altering alien crystal and events beyond the realm of human comprehension. All of this helps create an amazing and incredibly relatable central character whom the reader becomes incredibly drawn to, and as a result, Ledger is one of the best things about this book. Special mention should also be given to Ledger’s combat dog Ghost, who appears in nearly all the same scenes as Ledger and is just as much of an enjoyable character as his owner.

While the mad science elements and characters are great, Maberry has also ensured that this is the perfect book for those action junkies looking for fast-paced thrills. Ledger is an absolute beast throughout this book and engages in a number of fantastic fights in a variety of different scenarios. Maberry channels his love of martial arts through this character and includes a number of detailed and very quick fight scenes as Ledger dismantles his opponents with efficient skill. The other characters are no slouches and there are number of great action sequences I enjoyed. Two of my favourites have to be two separate and extended sequences which see Ledger and DMS’s Echo Team engage in massive fire fights with a range of opponents. These scenes are absolutely incredible and make the reader feel like they are really in the middle of a gun battle. The author takes pains to try and highlight how methodical and calm professional teams can be during battles while also highlighting the various strategies and combat advantages used. The multiple perspectives come into play here perfectly, as the different members of Echo Team engage in various encounters around the main battle, really highlighting what an effective special ops team can accomplish in the field. Maberry enhances the fun and the action to a crazy degree by also utilising the advanced technology available to the DMS agents. This not only includes some insane and deadly weaponry, which is very cool in action, but also other pieces of advanced technology such as drones, body armour, goggles, and enhancements for Ghost that help turn the battles into massive and enjoyable set pieces.

Nothing, however, can top the sheer insanity that unfolds when the book’s antagonists unleash their super weapon against the world. Maberry’s descriptive and skilled writing really brings these scenes to life. The sheer devastation of the earthquakes that he describes is just incredible and very disturbing. But nothing is more crazy or electrifying then the scenes where the people who are affected by the strange energy given off by the weapon go insane and start participating in a violent rampage against themselves or against each other. Maberry pulls no punches here and all the violence is on full display, from terrible acts of violence against anyone around them to disturbing suicides or episodes of self-harm. In many of these scenes the author attempts to get into the head of these characters and watch them slowly unfold from within. This mostly prevalent with his protagonist, Joe Ledger, but other characters’ thoughts are shown. Let’s just say you’ll never look at the Beatles song Revolution 9 the same again. The biggest example of this insanity happens around the Capitol building in Washington DC, and quite frankly it reminded me of the church scene in Kingsman: The Secret Service, with the protagonists stuck in the middle of a crazy mob.

One of the more intriguing parts of Deep Silence is the side character of the President of the United States of America. While this character is never explicitly named in the book, he is clearly supposed to be a Trump analogue. The character is an easily manipulated, short-tempered, Twitter-obsessed moron who puts his own needs far above those of the country he is governing. The resemblance to Trump is uncanny, and Maberry does an incredible job mirroring his arrogance and personality throughout the book. While this character is a great addition by itself, Maberry spends a lot of time exploring how a character like this would deal with the advanced technology and extreme catastrophes that are a major part of this series. The results are frustrating for the reader as they are forced to sit there and watch this character make all the wrong decisions and serve his own agenda or self-interest. It was also very intriguing watching this President go up against the DMS as he routinely targets the department out of fear and ignorance. The new political reality of Washington becomes a major factor throughout Deep Silence, and Maberry is understandably critical about how things are being run and the insanity currently gripping Washington. It was very interesting to see Maberry incorporate the current unpredictable political reality of America into his new book, and readers will be very intrigued to see how this might impact the future of his long-running series.

I listened to the audiobook version of Deep Silence, narrated by Ray Porter. The audiobook version does go for over 16 hours, so it’s one of the longer ones I have listened to lately. That being said, due to its exceptional content, I found myself making a variety of excuses just to keep listening to this audiobook, and got through it very quickly. The audiobook is an incredible way to experience this book, and I would highly recommend it, mainly because of Ray Porter’s narration. Porter absolutely nails all of the characters and provides a number of amazing voices to fully capture the diverse accents and attitudes of this eccentric group of characters. I was particularly enthralled with the calm, cool voice he gifted to the DMS Director, Mr Church, which really reminded me of Tom Hanks’s voice. Special mention should also be given to his narration of the President. The narrator created a fantastic Trump-like voice that fully conveyed the character’s high opinion of himself, as well as his dismissive and arrogant nature. I actually had a visceral reaction when I heard that voice the first time, it was that good. Porter’s narration for Joe Ledger was also perfect, as he does an incredible job portraying Ledger’s high-energy musings and the full tone of his personality. Porter’s voice peaks and rises to meet the full intent of any of Ledger’s sentences, and he is a master at conveying Ledger’s innate sarcasm. At the same time, he is also able to make his voice more serious and subdued during the darker scenes in which Ledger is deep within his head or his memories. This is sterling work from Porter, and one of the best audiobook narrations I have ever listened to. As a result, I highly recommend that the audiobook version of Deep Silence as the best way to experience this novel.

Bestselling author Jonathan Maberry once again takes his audience on a captivating thrill ride in the Joe Ledger Series. Deep Silence provides the reader with an extraordinary and very engrossing story that proves extremely hard to put down. Equally enjoyable for established fans of this long-running series and new readers who have yet to experience Maberry’s work, readers can and will have an incredible amount of fun with this book. Best enjoyed in audiobook format, Deep Silence is guaranteed to make you a dedicated fan of the author and easily gets a five-star rating from me.