Star Wars: Victory’s Price by Alexander Freed

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series. 

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story. 

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future. 

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him. 

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

The Bone Shard Daughter by Andrea Stewart

The Bone Shard Daughter Cover

Publisher: Orbit (Trade Paperback – 8 September 2020)

Series: The Drowning Empire – Book One

Length: 439 pages

My rating: 4.5 out of 5 stars

From outstanding new fantasy author Andrea Stewart comes The Bone Shard Daughter, the first entry in The Drowning Empire series and one of the best debuts of 2020.

For generations the Sukai Dynasty has ruled the floating islands of the sprawling Phoenix Empire, protecting it from a mysterious force from the past.  In exchange for the Sukai’s protection and governance, each citizen must provide the Emperor with a shard of bone from their head, which can be utilised by the royal family to bring life to magnificent and dangerous magical constructs of flesh and power.  However, as the Emperor’s influence fades, revolution and change is coming to the Phoenix Empire, and the fate of the land lies with a handful of exceptional people.

In the capital, Lin, the Emperor’s daughter, has lost her status as heir after a disease takes her childhood memories from her.  Desperate to gain her father’s respect and her rightful place on the throne, Lin embarks on a dangerous quest to unlock the secrets of her father’s palace and gain the knowledge to master her family’s dangerous bone shard magic.  However, ambition and fear will drive her to attempt the impossible: turning her father’s most powerful constructs against their creator.

Elsewhere, Jovis, a notorious smuggler, is chasing the ghosts of his past as he attempts to find a shadowy ship that took something precious from him.  As he scours the seas of the Empire, he becomes an unlikely hero to the people, saving children from the Emperor’s bone shard tithe and ensuring their safety.  His mission will take him to the island of Nephilanu, where rebels are massing, and the governor’s unruly daughter Phalue finds herself torn between love and duty.  At the same time, a mysterious woman awakens on an isolated island with no memories of her past and a desire to gain freedom.  Each of these people will find the fate of many thrust upon them, and their adventures will shake the Phoenix Empire to its foundation.  But are any of them truly prepared for the consequences of their actions?

The Bone Shard Daughter is a fantastic and clever novel from Andrea Stewart that was one of the most hyped-up fantasy releases of last year.  I have been meaning to read this excellent book for a while now and I finally got the chance to do so a couple of weeks ago.  I am extremely glad that I did as Stewart’s debut novel was an exciting and captivating book that transports the reader to a compelling and unique fantasy setting with all manner of conflicts, magic and terrible secrets.  This was an outstanding debut novel, and I had a great time reading it.

Stewart has come up with a captivating and complex character-driven narrative for her first novel, which sees several young protagonists from various walks of life attempt to survive in this brutal empire while also discovering its dangerous and earth-shattering secrets.  The Bone Shard Daughter contains four separate and distinctive storylines, each of which follows a separate protagonist (or in one case, two linked protagonists), on their own adventure of discovery.  Stewart does a fantastic job of introducing each of these storylines at the start of the novel, with some compelling opening chapters that hook the reader in different ways, whether with descriptions of complex magic, the start of an apparent kidnapping or a frantic attempt to escape from a sinking island.  Once these storylines have their hooks in the reader, Stewart starts to grow each of them throughout the course of the book, with all four of them maintaining a well-balanced pace.  While some of the storylines have a little more prominence than others, they are all really intriguing and exciting in their own right, especially as they have different focuses based on their respective protagonist’s abilities and history.  As the narrative progresses, the separate storylines start to come together as the various protagonists interact with each other, and the reader is gradually treated to a much more cohesive tale.  I felt that these unique storylines fitted together well, and Stewart ensured that they support and strengthen each other, forming a coherent and captivating narrative.  The end result is an excellent tale, filled with conflict, revenge, betrayal and magical chaos.

Stewart sets the narrative around five excellent point-of-view characters, each of whom narrates several chapters within The Bone Shard Daughter.  All five of these fantastic protagonists have their own enjoyable tale to tell, and their varied narratives helped to produce a comprehensive and rich overall narrative.  While each character has their own role to play in the novel, two of these characters in particular, Lin and Jovis, have more prominence then their fellows, especially as their chapters are told in the first person.  Lin is the young daughter of the Emperor of the Phoenix Empire, who has only recently recovered from a peculiar sickness that took away her childhood memories.  Now out of favour with her father, who instead focuses on training her rival, Bayan, Lin uses her skills for climbing, exploring and thievery to steal her father’s keys and gain access to the locked rooms of the palace.  With each key she gains, Lin obtains more information about her past and the secrets behind her family’s powerful bone shard magic.  However, the more information she uncovers, the more she becomes certain that something is wrong, and that her father is no longer fit to be emperor.  I really enjoyed the Lin storyline; not only does it give the reader the most information about this series’ distinctive bone shard magic but there is a substantial amount of intrigue and mystery surrounding Lin’s entire life which I found really fascinating to unravel.  There are some really good twists involved with Lin’s tale, and this was definitely a standout part of The Bone Shard Daughter’s overall story.

The other major character is Jovis, a skilled smuggler, sailor and navigator with a knack for getting into trouble.  Jovis is a fun and entertaining fellow with a heart of gold, who runs afoul of everyone while trying to find his lost love, Emahla, who was taken from him by an unknown ship with blue sails many years before.  While searching for the ship, Jovis finds himself caught up in the wider story when he survives the sinking of an island, managing to rescue a small child and a strange aquatic creature he names Mephi.  Returning the child to its parents, Jovis gains a reputation as a legendary hero, especially as he finds himself gaining unnatural strength and other abilities, and he soon becomes a key figure in the rebellion against the throne.  Due to his likeable personality, the adorable relationship he formed with Mephi, and his action-orientated chapters, Jovis quickly grew to become my favourite character within The Bone Shard Daughter and I deeply enjoyed seeing his adventures unfold.  Jovis proved to be the major bridging character of this novel, as he was the person who encountered many of the other protagonists, bringing their tales together and ensuring that they were all connected.  I also liked how Jovis’s story and points of reference were so different from Lin’s, due to his underprivileged start in life, as he has seen the worst that the Phoenix Empire and the Sukai Dynasty have to offer.  Jovis is also the most insightful and realistic protagonist of the bunch, able to spot the deeper and sinister motivations of some side characters that the other characters miss, and I appreciated how and why he developed these much-needed survival skills.  Overall, Jovis proved to be an exceptional and enjoyable character, and I looked forward to reading his chapters the most while getting through The Bone Shard Daughter.  There are a lot of questions left over when it comes to Jovis’s tale, especially with his relationship to Mephi, and it will be interesting to see how they unfold in future entries in this series.

In addition to the main characters of Lin and Jovis, there was the intriguing couple of Phalue, the Governor of Nephilanu’s daughter, and her girlfriend, Ranami.  Their joint storyline, which is told in the third person, follows the two as they become embroiled in a plot to overthrow Phalue’s corrupt father, with Ranami acting as the idealistic rebel while Phalue reluctantly goes along in the name of love.  This proved to be an excellent and enjoyable narrative that aims to highlight the inequality in the various classes featured throughout the empire and which seeks to explore the rebellion of the group known as the Shardless.  While neither character is featured as heavily as Lin or Jovis, Phalue and Ranami easily have the most interconnected storyline, and together they narrate nearly as many chapters as either of the main two protagonists.  While I quite enjoyed seeing Phalue and Ranami’s chapters unfold, I do have to admit that I wasn’t as invested in their storyline as I was with Lin’s or Jovis’s, as it just was not as interesting.  This was particularly true when Jovis arrives at Nephilanu, and becomes embroiled in their rebellions, as the charismatic smuggler immediately starts to steal focus from Phalue and Ranami.  I also really didn’t buy the relationship between these two as the book progressed, as there were way too many betrayals and lies by the seemingly highly moral Ranami to her girlfriend Phalue, and I am very surprised that they stayed together.  Still, there were some excellent moments in this chapter and it proved really intriguing to see.

The final point-of-view character in this novel is the mysterious Sand, who awakens on an island with no clear memories of who she is or how she arrived there.  Working with the similarly amnesiac inhabitants of her island, Sand attempts to find out something about her past, and swiftly determines that there is something very wrong with her life.  The chapters focusing on Sand and her compatriots, which are also told in the third person, are an intriguing and compelling addition to The Bone Shard Daughter but get the least amount of prominence throughout the book.  Due to the amnesiac nature of the protagonist, these chapters are shaded in mystery and uncertainty, and at first it is very unclear how they fit into the greater story, making them a little hard to get invested in.  However, as the novel progresses and more details are revealed about the island and its inhabitants, the reader swiftly begins to understand just how significant the character of Sand is and what has happened to her.  This was an interesting fourth storyline to this book, and while it was not featured as heavily or appeared to be as significant as the others, it is obviously going to be a major part of the series as a whole and was well set up.  Overall, I was deeply impressed with each of these fantastic characters and their captivating personal storylines, and it proved to be an exceptional and powerful centre to this entire novel.

In addition to the great story and excellent characters, I also really enjoyed the unique and inventive new fantasy world that Stewart created for The Drowning Empire series.  The Phoenix Empire, where the entirety of the series is set, is made up of a range of populated floating islands separated by sprawling oceans.  I quite enjoy novels that feature an oceanic or nautical theme to them, and Stewart features a number of fun sequences aboard or around boats, which here are powered by burning a magical substance to gain speed on the water ways.  I also liked the sequences set within the islands, as there is a particularly cool Asian influence to the people and settlements contained on them and I loved the unique and clever tale that they were able to inspire.  While there are some really cool elements to this setting, such as the vast and complex royal palace where Lin roams, the highlight of this world had to be the magical constructs that are powered by bone shard magic.  Each of these constructs contains a number of bone shards depending on their complexity, which give them intelligence and power, while simultaneously draining the life force out of the person from whom the shard was extracted.  Stewart, through the medium of her curious character Lin, provides a detailed and compelling examination of these constructs and the magical science behind them, and I really appreciated how the author set them up and utilised them throughout the novel.  These were a cool and distinctive part of The Bone Shard Daughter, and I look forward to seeing how Stewart expands on them in later books in her series.

The Bone Shard Daughter by Andrea Stewart is an amazing and incredible fantasy read that serves as the fantastic first entry in the cool new The Drowning Empire series and which really lived up to the hype I was hearing about it.  I had an outstanding time reading this novel and I really got lost in the inventive new fantasy world and the multiple compelling character perspectives.  This book comes highly recommended and I cannot wait to the see what happens in the series next.  The second entry in this series, The Bone Shard Emperor, is currently set for release in November this year, and I think it will end up being one of the top fantasy releases of 2021.

Star Trek: Discovery: Die Standing by John Jackson Miller

Die Standing Cover

Publisher: Simon & Schuster Audio (Audiobook – 14 July 2020)

Series: Star Trek: Discovery

Length: 12 hours and 15 minutes

My Rating: 4.5 out of 5 stars

One of the leading authors of media tie-in fiction, John Jackson Miller, returns with his second Star Trek: Discovery novel, Die Standing, an awesome and captivating read that follows the adventures of an excellent protagonist, the evil version of Michelle Yeoh’s Philippa Georgiou.

After the dramatic conclusion of the first season of Star Trek: Discovery, Emperor Philippa Georgiou, former ruler of the Terran Empire, a power-hungry and xenophobic human interstellar empire from a twisted alternate universe, has been stranded in the main Federation’s universe.  Biding her time while trapped on the Klingon home planet of Qo’noS, Georgiou is finally given a the opportunity she has been waiting for when Starfleet’s covert spy organisation, Section 31, offers her a chance to work as one of their agents.  However, Georgiou is far more interested in gaining her freedom and plotting to use Section 31’s resources to flee beyond Starfleet’s control.

Georgiou’s plans change when she receives news about a mysterious attack on one of Starfleet’s military vessels by a malicious and dangerous cosmic entity, one that her counterpart in this universe may have seen years before.  Intrigued by the description of the attack, Georgiou decides to remain with Section 31, especially as it bears a striking similarity to a powerful superweapon that was kept from her when she was Emperor.

Determined to use this weapon to regain her stolen power and take control of this weaker universe, Georgiou accepts Section 31’s proposal to travel to an isolated section of space where the creature was first witnessed.  Travelling with two mismatched minders who are already well out of their depth, Georgiou attempts to contact an old flame of this universe’s Georgiou, one who has a lot of influence in this quadrant of space.  Forced to conduct a subtle investigation amongst the secretive alien races of the sector, Georgiou and her companions follow the clues that will lead them to the entities they seek.  But what will happen when the former Terran Emperor has ultimate power within her grasp?  Will she ensure the safety of the Federation she despises, or will another universe bow before her might?

This was a fun and impressive new novel from bestselling author John Jackson Miller.  Miller is an interesting author who has a lot of experience writing tie-in stories, having previously written several pieces of Star Wars fiction as well as some notable Star Trek novels.  I have not previously read anything from Miller before, although I think that will have to change due to how much I enjoyed Die Standing.  Miller has written a couple of books that have been on my radar for a bit, including a previous Star Trek: Discovery novel, The Enterprise War, and the Star Wars: A New Dawn novel, which ties into the Star Wars: Rebels animated show.  This latest novel from Miller is an exceptional read, as he has come up with a wildly entertaining and clever novel based around the excellent character of Philippa Georgiou.  Backed up with an extremely compelling story, some interesting side characters and some wonderful universe-building, this is one of the better if not the best Star Trek novels of 2020, and ended up being an awesome read.

At the heart of this fantastic novel is a captivating and intense narrative that sees the protagonist and her companions venture into an unknown area of space in search of a creature with deadly potential.  This was an extremely clever and well-written character-driven story that features an excellent Star Trek narrative, filled with all manner of espionage, betrayal and war.  I really liked the way that the author blended together familiar Star Trek elements with a thrilling espionage narrative, especially one that was centred on a morally ambiguous protagonist who plans to betray everyone she encounters.  This makes for a number of great scenes, and I really liked the fascinating and clever places that the story went.  There are a number of particularly good twists featured throughout the book, and while I was able to predict where some parts of the story were going to go, I found myself pleasantly surprised and intrigued at some of the other reveals.  I also enjoyed the way in which Miller worked in some compelling comparisons between the two mirror universe, one mostly good and the other mostly evil, and it served as a clever and distinctive part of the book, especially as Miller does a lot with only one scene set in the Terran universe.  All of this makes for an exciting and powerful story that readers are going to have a wonderful time reading.  I really enjoyed the dark, thrilling and twist laden narrative and it honestly did not take me long to become hopeless addicted to this incredible Star Trek novel.

Die Standing is one of those tie-in novels that require some prior knowledge of its associated content to fully enjoy.  In this case, readers really do need to have a good understanding of the Star Trek: Discovery television show, as much of the story is derived from key events in the first and second seasons.  In particular, knowing the full tale around the character of Philippa Georgiou (both versions) is quite essential to fully appreciate the book’s story elements and character work.  At the very least, having some general knowledge of the Star Trek universe and the events of some of the shows would be useful, especially as the book is fairly dependent on some established story elements, such as the evil alternate universe.  That being said, Miller does do a really good job making this novel accessible to those readers whose knowledge of the genre might be lacking, and many of the key elements are explained in sufficient detail to follow the story and enjoy it.  However, this is definitely a novel most suitable for established Star Trek fans, especially as the author loads it up with a ton of fun or clever references to Star Trek: Discovery and some of the other television shows.  For example, this novel features the great inclusion of a younger version of the Dax symbiont (see more below), and I personally really liked how a major part of the book’s plot revolved around a key moment from Captain Kirk’s backstory (from The Original Series episode Obsession), not only showing the event from a different perspective, but also adding in some explanation for its origins and the reaction from Starfleet.  Die Standing also serves as a rather good bridge between the first and second seasons of Star Trek: Discovery, and it does an excellent job setting up the main character for her reintroduction to the show.

While this book did have an exceptionally captivating story and some cool Star Trek elements, the absolute highlight of this book has to be its wonderful protagonist (and occasional antagonist), the evil Terran version of Philippa Georgiou.  Die Standing features Georgiou in all her evil glory and she quickly makes an impression of the reader, especially after one particularly brutal and entertaining prison break sequence at the start of the book.  Pretty much every scene that features Georgiou is highly entertaining, and the snarky, arrogant personality she displays to anyone she meets proves to be spot on to how she is portrayed in the television show.  While I really enjoyed this character in Star Trek: Discovery (she is easily one of the best parts of the show) I personally felt that Miller actually helped to make Georgiou an even more compelling character throughout the course of this book.  The author really dives down into her personality and motives, showing just how twisted and self-serving she can be while also reflecting on all the things she has lost and the changes she is forced to deal with.  Georgiou goes through some fascinating self-examinations in Die Standing, especially when she is confronted with the legacy of her dead counterpart in this universe, and this serves as a fantastic emotional centre of the book.  The author’s impressive use of this fantastic character works extremely well, and it certainly helps Die Standing stand out from some of the other Star Trek novels of 2020.

Die Standing also features an excellent cast of side characters who add a lot to the story.  There are two characters who particularly stand out, Emony Dax and Sean Finnigan, who both serve as alternate protagonists, with significant parts of the book told from their perspective.  While Dax and Finnigan are nowhere near as dynamic as Georgiou, they are both distinctive in their own ways, and Miller does a good job at making them both likeable and compelling parts of Die Standing.  Emony is a young Trill gymnast who is the third host of the Dax symbiont.  This makes her an earlier incarnation of the Dax character who appeared in the Star Trek: Deep Space Nine television in two different guises (Jadzia Dax and Ezri Dax).  Thanks to her youth, both as a symbiont and a host, this version of Dax is a little more unsure and scared then her later counterparts, but is determined thanks to the terrible things she witnesses at the start of the book.  While she is initially extremely cowed by Georgiou’s overwhelming personality, Dax grows throughout the book and is eventually able to influence Georgiou.  Deep Space Nine fans will no doubt enjoy seeing this earlier version of Dax, and I rather appreciated the excellent character growth she experienced.  The other main character, Sean Finnigan, is definitely one of the more entertaining characters in this book.  Finnigan is an unashamedly Irish character who serves as the book’s comic relief.  A wild and unruly former Star Fleet officer, Finnigan is drafted into the mission due to an interesting connection he has to Georgiou, as a murderous, brainwashed version of himself served as the Emperor’s assassin in the mirror universe.  While Finnigan is a mostly entertaining character, joking, drinking and socialising with all everyone he meets, there are some deeper elements to his character, especially as he spends a good part of the book trying to balance his real personality with the more insane version of himself that Georgiou tries to bring out.  Dax and Finnigan form a compelling team with Georgiou, and they ended up being an extremely good trio the anchor the story around.

I also quite enjoyed the intriguing Star Trek universe-building that Miller featured throughout Die Standing.  A key part of this book’s story is set within an isolated section of space that is home to three distinctive alien races who are attempting to stay separate from the Federation.  All of these species are quite intriguing and inventive, and include a race of giant living spindles, an intensely warlike species of living tanks and a group of gaseous psychics.  Miller does an exceptional job exploring each of the three new alien species throughout the course of the book and giving them each unique characteristics, histories, and personalities.  Not only are these aliens quite fascinating in their own right but each of their specific traits plays into the overall story extremely well, with some fantastic twists tied into them.  In addition, Miller also spends time exploring some of the differences between the main Star Trek universe and the mirror universe that contained the Terran Empire.  Not only is there an excellent opening sequence set in this mirror universe that showcases the brutal nature of this alternate reality, but there are a number of fantastic discussions that examine how different these universes could be.  Miller ensures that the protagonist Georgiou spends a good amount of time recounting some of the horrifying details of her universe to her companions (mostly to unnerve them), and it proves quite entertaining to hear all of her various stories, especially as most are apparently not exaggerated.  I also loved the fun way that Miller altered famous historical quotes to show how different the universes could be, with a number of classic lines twisted into something far more brutal and cynical, such as “Let them eat field rations” from General Antoinette.  The book itself is also broken up into five separate sections, based upon the Terran stages of grief (for coping with a loss of status): defiance, murder, plundering, destruction and vengeance, with each sections starting up with a quote from the Terran universe that describe its history.  Needless to say that Star Trek fans are going to love the cool additions that Miller works into the expanded universe in this novel, and I personally had a wonderful time seeing all the inventive and entertaining things that the author could come up with.

Like most of the Star Trek books I have had read in the past, I chose to check out Die Standing’s audiobook format.  This was, as always, an excellent way to enjoy this clever Star Trek novel, and I had a wonderful time listening to the story unfold.  Die Standing has a run time of 12 hours and 15 minutes, which is actually the longest Star Trek audiobook that I have so far listened to, but I was still able to breeze through it in relatively short order once I got hooked on the story.  In order to tell this amazing book, Die Standing makes use of the vocal talents of narrator January LaVoy.  This is the first audiobook I have heard narrated by LaVoy, although she did voice a minor character in Star Wars: Dooku: Jedi Lost.  She has also served as narrator for several books I have physically read, such as Star Wars: Galaxy’s Edge: Black Spire, Star Wars: Last Shot and The Night Swim, and she has also narrated a couple of books I am hoping to checking out in the future, including Star Wars: Phasma.  I have to admit that I was initially a little thrown to have LaVoy as narrator, as this was the first Star Trek audiobook I have listened to that was not narrated by Robert Petkoff.  However, it makes a lot more sense to feature LaVoy as narrator due to the female lead, and I really enjoyed listening to her narration of this book.  LaVoy did an incredible job bringing the characters to life throughout Die Standing and she ascribed some very apt and distinctive voices to each of them.  I was particularly impressed with the fantastic voice she utilised for Philippa Georgiou, and I felt it was very similar to how the character was portrayed in the television show.  LaVoy makes sure to channel all of Georgiou’s scorn and sarcasm to the reader, and it was an absolute treat to listen to her villainous rants throughout the book.  I also quite enjoyed the voice that LaVoy utilised for Sean Finnigan, Irish accent included, and it helped to enhance him as a fun and entertaining character.  All of this leads to quite an exceptional Star Trek audiobook and I would strongly recommend this format to anyone interested in checking out Die Standing.

Star Trek: Discovery: Die Standing is an amazing and impressive Star Trek novel from John Jackson Miller that was an absolute joy to read.  Miller has crafted together a captivating and clever narrative for this book that follows several excellent protagonists on a high-stakes adventure through all manner of intrigue and betrayal.  Featuring some compelling story elements, fantastic world-building and an awesome evil protagonist, Die Standing was an exceptional novel and it ended up being one of my favourite Star Trek novels I have so far had the pleasure to read.  A highly recommend piece of tie-in fiction, fans of the Star Trek: Discovery television show really need to check this fantastic book as soon as possible.

How to Rule an Empire and Get Away with It by K. J. Parker

How to Rule an Empire and Get Away With It

Publisher: Orbit (Trade Paperback – 18 August 2020)

Series: The Siege – Book Two

Length: 357 pages

My Rating: 5 out of 5 stars

Prepare to laugh like crazy with How to Rule an Empire and Get Away with It by K. J. Parker, an intensely funny and clever fantasy read that was one of my most anticipated releases of 2020.

Several years after their home fell under a brutal and prolonged siege, the inhabitants of the City have settled into a new way of life.  There may be a vast army camped on the plains outside and the occasional catapult shot may demolish a house or two, but that does not mean that people cannot make some money and get on with their lives.  This includes Notker, an acclaimed actor, skilled lookalike and mediocre playwright, who scrapes a living by impersonating the rich and powerful of the City at parties while trying to get someone to pay him money for his latest play.  However, what Notker does not know is that fame, opportunity, and a rather large boulder are about to land in his lap.

When the City’s greatest hero and nominal leader, Lysimachus, secretly dies, his followers/handlers, desperate to stay in power, recruit Notker to play the role of a lifetime.  Impersonating Lysimachus, Notker continues to act as the city’s figurehead, allowing life to go on, and he even begins to think he has a handle on this simple job, until someone tries to murder him.  Now he finds himself in the midst of a brutal and ongoing power struggle as the various power players in the city attempt to manipulate him for their own ends resulting in him being crowned as Emperor of the entire Robur Empire (or what is left of it).

As Notker attempts to find some sanity within his home, he begins to understand what a fragile position the City is in.  With enemies surrounding them and the besiegers slowly overcoming the City’s defences, Notker needs to choose between making a run for it or trying to save the City.  But what difference can one very good actor make in a war?  If Notker has anything to do with it, everything!

How to Rule an Empire and Get Away with It is another spectacular and extremely entertaining fantasy novel from legendary fantasy writer, K. J. Parker.  Parker, a pseudonym of bestselling author Tom Holt, has written a vast catalogue of books over the years, including a substantial collection of humorous and satirical fantasy novels.  I first really got into Parker’s work last year when I was lucky enough to receive a copy of the awesome Sixteen Ways to Defend a Walled City, a very funny novel that focused on a conniving engineer as he thwarted a massive army through guile, tricky and a substantial amount of BS.  Sixteen Ways to Defend a Walled City was an amazing read and it was easily one of my favourite books of 2019.  As a result, I have been eagerly keeping an eye out for any additional releases from Parker and was very excited when I saw that How to Rule an Empire and Get Away with It was coming out.  I was especially intrigued when I learnt that this latest Parker novel was some form of sequel to Sixteen Ways to Defend a Walled City, and I was very, very happy when I got my copy of this latest book.

This new novel from Parker proved to be an extraordinary read and it was easily one of the funniest novels of 2020.  The author writes a clever, fast-paced and addictive story that utilises the author’s unique sense of humour to create a very entertaining piece of literature.  This is a very enjoyable read, and fans of Parker’s work will love that How to Rule an Empire and Get Away with It is a sequel to Sixteen Ways to Defend a Walled City, continuing some of the great storylines from the prior book.  I had an outstanding time reading this book and it gets an easy five-star review from me.

Parker presents another brilliant and witty story for How to Rule an Empire and Get Away with It that follows the adventures of another unlucky and jaded protagonist as he tries to survive the chaotic events unfolding around him.  Just like with Sixteen Ways to Defend a Walled City, this novel is written purely from the perspective of the protagonist as he chronicles his actions and personal history into a historical text.  This results in a very fast-paced and hilarious story, as the main character bounces from one bad situation to another, encountering plotters, ambitious politicians, angry crime bosses, dangerous invaders and one particular fierce actress who serves as Notker’s leading lady.  I absolutely loved the various outrageous and challenging situations that the protagonist finds himself in, and Parker does a fantastic job presenting them in a humorous way, showing how silly everything is and the various, clever and well-written solutions to these problems.  The entire story goes in some very fun and compelling directions and this ends up being an overall excellent narrative that is extremely well written.  I was able to predict the overall conclusion of the story somewhat in advance, but Parker did an amazing job setting it up and it resulted in a very entertaining and satisfying conclusion.  This was such an amazing story and I had an absolute blast getting through it, laughing my head off the entire time.

As part of this awesome and entertaining story, Parker sets up a whole new protagonist for this novel, Notker the liar.  Notker is another fun protagonist in a similar vein to the main character of Sixteen Ways to Defend a Walled City, in that he is a self-serving and opportunistic individual who is mostly looking out for his own wellbeing.  This changes once he takes on the assignment of impersonating the dim-witted but charismatic Lysimachus and soon finds himself responsible for the safety of the city.  While at first he is mostly trying to survive and find a way to escape from all the insanity and backstabbing that is his life, once he becomes more aware of the situation facing the City and the danger it is really in he begins to take on more responsibility, manipulating everyone so that they can start fighting a more effective war.  I really liked seeing this protagonist attempt to take control of the situation surrounding the City, especially as he appears to be one of the only sane people around.  Watching his various incredulous reactions to the problems presented to him and his various solutions, which are a combination of common-sense responses and brilliant but out-there tactics, is really entertaining.  I especially loved how Parker played up the actor/screenwriter aspect of the character as many of his greatest tricks are derived from theatre techniques, such as selling something to a crowd, misdirection or the value of good lighting.  There is also a great underlying aspect to the character as he pretends to be Lysimachus and he needs to strike a balance between responses that Lysimachus would have done and his own common sense and craftiness.  This compulsion to act like Lysimachus actually becomes a major problem for Notker as he enjoys being the heroic former gladiator and soon begins emulating him instead of acting in his usual manner of self-preservation.  All of this results in another complex and likeable central character who the reader cannot help but root for as he attempts to survive.  I really liked how Notker’s story progressed and it was a real joy to read about him from start to finish.

Another thing that I really enjoyed about this book was the way in which it acts as a fantastic and humorous follow-up to Sixteen Ways to Defend a Walled CityHow to Rule an Empire and Get Away with It is set in the same city as the author’s 2019 release, and the story begins a few years after the events of this proceeding novel.  This new novel mostly presents a new story, told from the perspective of a different protagonist, but it does have a lot of connections to the previous novel.  The individual Notker is impersonating, Lysimachus, was a side character in the first novel, serving as a bodyguard to the original protagonist.  In this book it is revealed that following Sixteen Ways to Defend a Walled City, Lysimachus, a champion gladiator and a revered public figure, was given all the credit for the original protagonist’s efforts following his death.  Parker does a fantastic job revealing this to the reader, and it is extremely fitting in the scope of the first novel as this original protagonist was always getting overshadowed and overestimated.  The author makes sure to really drive this point home by completely excluding the name of the previous protagonist throughout How to Rule an Empire and Get Away with It, just to emphasise how no one in the city truly remembers who he was or what he did, which is pretty darn hilarious.  The novel contains a number of fantastic references to the events that occurred with the previous book, including giving Notker a copy of the previous protagonist’s memoirs (which formed the basis of Sixteen Ways to Defend a Walled City).  Notker of course then provides his own witty two cents to this memoir, providing a writer’s critical analysis, including doubting some of the events that occurred, such as the coincidence around the protagonist being the childhood friend of the mastermind of the siege.  All of this definitely adds a lot to the book’s overall humour, and it is always entertaining to see an author make fun of his own work.

Despite these fun references and the continuation of some story elements from Parker’s previous book, How to Rule an Empire and Get Away with It is very much its own novel, taking the reader on a whole new fun adventure.  As a result, you really do not need to have read Sixteen Ways to Defend a Walled City first, although it is a lot of fun to see the previous book’s events lampooned in this novel.  Indeed, due to the fact that the protagonist and point-of-view character has no idea of the full events of the previous book, you get a good overview as everything is explained to him, which is fun.  Overall, this serves as a very entertaining sequel to this amazing previous book and I will be interested to see if Parker decides to continue the story in some way, which I have no doubt will be another incredible read.

How to Rule an Empire and Get Away with It is a truly awesome and enjoyable read, and author K. J. Parker lived up to all my expectations with this book.  Not only does it contain a captivating and addictive narrative anchored by a likeable and complex main character, but it is also intensely funny.  I loved every second that I spent reading How to Rule an Empire and Get Away with It, and this was without a doubt one of the best books that I have read this year.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Demon in White by Christopher Ruocchio

Demon in White Cover 1

Publisher: Gollancz (Trade Paperback – 28 July 2020)

Series: Sun Eater Sequence – Book Three

Length: 776 pages

My Rating: 5 out of 5 stars

One of the most impressive new science fiction authors on the block, Christopher Ruocchio, returns with the third incredible novel in his epic Sun Eater series, Demon in White.

Far in the future, most of humanity is part of the Sollan Empire, which controls vast systems of space and countless people within them.  The Sollan Empire has long reigned supreme and unopposed in the galaxy, but now it faces its greatest threat, a protracted war against the vicious alien race known as the Cielcin.  While the Cielcins typically engage in random raids and attacks at the leisure of their various chieftains, now a series of coordinated strikes are crippling the borders of the Empire.  The mastermind of these attacks is a powerful new Cielcin ruler, Syriani Dorayaica, who has managed to forge together a mighty alliance with one purpose, the complete destruction of the Empire and every human within it.

As the Empire struggles to combat this threat, all eyes turn to an unlikely hero, the rogue nobleman, adventurer and former gladiator, Hadrian Marlowe.  Following his infamous exploits across the galaxy, Hadrian has been made a knight in service of the Emperor and now finds himself stationed on the Empire’s capital, Forum.  Thanks to a series of successful campaigns against the Cielcin, Hadrian’s popularity and fame has spread across the Empire and many view him as the best hope to defeat the alien menace.  In addition, rumours of his unnatural survival of a lethal wound from a Cielcin prince and his prophetic visions of the future have created a cult-like following around him, heralding him as a divine saviour of humanity.

However, fame and popularity have a price, and Hadrian must now contend with threatened and jealous lords, politicians, and members of the royal family as they plot to undermine and disgrace him.  After several attempts on his life, Hadrian leaves to pursue his true agenda, research into the mysterious celestial being known as the Quiet, who has been manipulating Hadrian’s life while showing him terrifying glimpses of the future.  Hadrian’s mission will take him to some new and dangerous places throughout the universe, until finally he comes face to face with Syriani Dorayaica, who is determined to destroy Hadrian no matter the cost.  Hadrian’s road to the future seems set, but will he truly become the man who commits the greatest act of slaughter in the galaxy, or does a darker fate lie in store for him?

Now that was one heck of an awesome and expansive piece of science fiction.  Ruocchio has been absolutely killing it over the last couple of years ever since he burst onto the scene in 2018 with his debut novel and the first book in his Sun Eater series, Empire of Silence.  I loved this incredible debut and I was especially impressed when he managed to follow it up with an amazing sequel, Howling Dark.  I have had a blast reading Ruocchio’s prior novels, and both of them have been amongst my favourite books of 2018 and 2019 respectfully.  As a result, I have been really looking forward to Demon in White, and Ruocchio certainly did not disappoint as he has produced an outstanding and intensely captivating third entry in this series.

Demon in White is the third act in an expansive and compelling space opera that chronicles the life of Hadrian Marlowe, a man destined to destroy a sun, which will make him both humanity’s greatest hero and its most reviled monster.  The story is told in chronicle form from the perspective of an older Hadrian as he writes the account of his life after the events of this book.  Just like with Howling Dark, the story within Demon in White is set many years after the events of the previous book and details the next major stage of Hadrian’s life.  Ruocchio does an amazing job of reintroducing the readers to his universe and also examining the events that occurred during the gap between the two books (some of which occurred during the 2019 novella, Demons of Arae).  Despite the year-long gap between reading the second and third novels and the substantial amount of detail and information that they contained, I was able to pick up and continue the story without too many issues, quickly remembering who the characters where and what events they had experienced with the protagonist.  I do think that reading the prior two novels in the series first is a must, as I could easily see readers unfamiliar with the Sun Eater books having hard time following the expansive plot of Demon in White at this late stage of the overall story.  Still, this book’s ambitious and exciting narrative might prove enough to keep them going, especially if they make use of the substantial index and character list contained in the rear of the novel.

I really can not speak highly enough of the intense and clever story of Demon in White, as Ruocchio produced an epic and addictive narrative that drew me in and refused to let go.  The author does a fantastic job of bringing together a ton of great elements, including the tale of a doomed protagonist, a galaxy-spanning war, a deep dive into the history of the universe and so much more, into one impressive narrative that I had an absolute blast reading.  One of the things I liked the most about the book was the fact that the first half of the novel is primarily set on the capital planet of the Sollan Empire, essentially a science fiction version of Rome, which results in the protagonist getting involved in all manner of plots and political intrigue.  Due to the protagonist’s popularity with the people, and the rumours that he is unkillable, Hadrian is targeted by politicians, lords, members of the Royal Family, military administrators and the Empires powerful religious organisation, and he has to deal with a number of tricky situations.  I really liked this more intrigue and politics laden part of the story, and it was an interesting change from some of the previous novels.  Ruocchio also dives into some more cosmic and action based inclusions as well and there are some explorations of the universe, examinations of the unknown and a several major and enjoyable battle sequences.  All of this comes together extremely well, and I found myself powering through this 700+ page book to find out how it ended.

Another fantastic part of Demon in White’s story that I really enjoyed was the continued examination of the fascinating and compelling protagonist, Hadrian.  Hadrian is a fantastic and intriguing protagonist for the series, since the reader knows far in advance his story is going to end in fire and death.  The chronicling of his life story that is contained within these novels is always quite enjoyable, especially as the older Hadrian compiling these tales adds in his own spin to the story, ensuring that the novel is filled with his regrets and revelations made in hindsight.  The protagonist also goes through some interesting character development throughout the course of the book.  Not only is he introduced to a number of key figures who will have substantial impacts on his future life but he also starts to come to grips with his eventual destiny.  The younger Hadrian is given some tantalising and terrifying glimpses into the future and he struggles to comprehend his potential fate as a result.

The Hadrian in this book is also a very different character than in the prior novels.  Rather than the idealistic dreamer who hopes to one day make peace with the alien Cielcin, Hadrian is far more mature and battle hardened, especially after the traumatic events at the end of Howling Dark.  This version of Hadrian is convinced that there is no hope of peace with his foe, and he has become more ruthless and determined as a result.  However, despite these revelations, there are still fragments of the old Hadrian scattered throughout the novel, which contrasted well with his newer persona.  The sense of wonder he got at seeing a group of alien auxiliaries was very reminiscent of the Hadrian we saw in the first book, especially as this wonder ended up getting him in trouble.  I also liked the scenes that showed Hadrian trying to come to terms with his own legend, as his deeds and adventures have given rise to a cult-like following, with many people convinced that he is some form of divine champion or immortal being.  This proved to be a fantastic aspect of Hadrian’s character throughout Demon in White, as he does not want this attention or praise, not only because it will result in conflict with the various factions in the Empire but also because he does not want to be anyone’s worshipped hero.  However, many of the events that are focus of this cults worship, such as surviving being beheaded or his visions of the future, are actually true (in a sense), and he ends up having to rely on these abilities to survive the events of this novel, which is going to result in some interesting consequences.

There are also some major and fantastic emotional moments for the protagonist scattered throughout the book, such as when a long-running side character leaves him, or when he encounters a major figure from his past again.  I also enjoyed seeing more of his relationship with his main love interest, Valka, and their unconventional romance has flourished over the centuries that this series has been set.  Valka serves as a fantastic grounding force for Hadrian, and it is quite nice seeing them together, although the reader’s joy at seeing them together is somewhat tempered by the narrator’s hints that something tragic is bound to happen between them.  All of this makes for a very intriguing protagonist, and I have enjoyed seeing him flourish and grow over the course of the first three books, moving towards his eventual destiny.  I look forward to seeing how his story continues in the next novel, especially after the major events that occurred at the end of Demon in White.

I have always been impressed with the detailed and massive science fiction universe in which Ruochhio has set his series, and each of the Sun Eater books have added some new depth and unique features to this overarching setting.  Unlike the prior book, Howling Dark, which was set out in the wilds of space and alien planets, Demon in White returns to the confines of the Sollan Empire, a repressive, technophobic and tradition bound galactic kingdom that is stylistically based on ancient Rome.  I really enjoyed this creative science fiction setting, as it is a very dark and gothic location which clashes well with the mostly good-natured protagonist and narrator.  Demon in White adds a huge amount of detail to this universe, especially as the first two thirds are primarily set on new Imperial worlds, including the capital planet Forum.  As a result, there are a ton of intriguing new details and discussions about the politics, history and administration of the Sollan Empire, as well as the introduction of many significant characters, including the Emperor who Hadrian is destined to kill.  The later part of the book also contains some terrific new detail, and we get a really intriguing view about how this dark Empire was founded, including more details about the war against the machines created by the precursor empire, the Mericannii (Americans).  I really liked some of these dives into the past, especially as Ruocchio does a fantastic job of portraying a historical timeline that has been altered or hidden by war, destruction and political or religious censorship.  As a result, the protagonists believe in a very different version of history, and wildly incorrect discussions about historical events are often quite amusing, especially their ideas about American history.  Ruocchio also provides the clearest view of the origins and nature of the cosmic entity, the Quiet, who has been an overarching influence over the prior two books.  This was a rather intriguing, and at times metaphysical, examination of this being, and some of the revelations in this book, including about the connection the Quiet has with Hadrian, the Sollan Empire and the Cieclin, are rather major, and will have significant impacts in the next few books.  All of this proves to be exceedingly fascinating and I cannot wait to see how the author will expand on this setting in his future novels.

I also really have to highlight some of the incredible action sequences that occurred throughout Demon in White.  While a substantial amount of the plot is dedicated to the political intrigue that the protagonist finds himself involved with, there are some great action sequences in this book, including a major war sequence against the Cieclin in the last quarter of the book.  Ruocchio has done an amazing job building the Cieclin up as a major threat and the various bloody battle sequences against them help to reinforce this.  I particularly enjoyed the great scenes where the protagonist faces off against his foe in tight and confined spaces, such as on a ship or in the depths of a city, and the author ensures that the reader gets to enjoy them in all their claustrophobic glory.  Ruocchio adds to the horror by introducing a new form of antagonists in the form of giant Cieclin warriors who are cyborg hybrids enhanced with Extrasolarian (rogue human scientist) technology.  These terrifying hybrids act as very dangerous opponents for Hadrian and his allies, resulting in some dramatic and high-stakes battles.  Hadrian also gets some new combat abilities in this book, which add some intriguing new elements to the fight scenes and are generally quite fun to check out.  Overall, those readers who are interested in seeing some intense science fiction action will not be disappointed with this book as Demon in White delivers some impressive and memorable fight sequences that really help to get the heart pumping.

In this latest novel, Christopher Ruocchio has delivered another extraordinary and captivating science fiction epic that does a terrific job expanding on his fantastic Sun Eater series.  Demon in White contains an incredible and exciting story that sends its complex protagonist on a series of intriguing adventures throughout this rich and unique science fiction universe.  I had an awesome time reading Demon in White and I cannot recommend it highly enough.  This outstanding book gets a full five-star rating from me and if you are not already reading the Sun Eater series you need to start now!

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Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

Lords of the Sith Cover

Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

Doctor Aphra Unspeakable Rebel Superweapon

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

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Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

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As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

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Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

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I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

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Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!

Throwback Thursday – Star Wars: Tarkin by James Luceno

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Publisher: Penguin Random House Audio (Audiobook – 4 November 2019)

Series: Star Wars

Length: 9 hour and 32 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday I check out an amazing and compelling Star Wars tie-in novel that focuses on a fascinating character from the franchise, with Star Wars: Tarkin, written by veteran tie-in author James Luceno.

Since early 2014, Disney has done an excellent job installing a new and distinctive expanded universe for the Star Wars franchise. This new expanded universe, which supplanted the existing expanded universe (which is now known as Star Wars Legends), has featured some amazing books which I have been really getting into in the last couple of years. I have read a lot of Star Wars books in 2019 and not only have I tried to stay abreast of the latest releases (for example, the latest Star Wars novel, Resistance Reborn) but I have also been checking out some of the older novels in the franchise (such as Thrawn and Death Troopers).

Tarkin was released in late 2014 and was one of the first non-movie novelisations or young reader Star Wars novels that were released in this new canon. Tarkin was written by James Luceno, an author with a huge number of Star Wars tie-in novels from the Legends canon already under his belt, such as the intriguing-sounding Darth Plagueis. I had heard good things about this book, and I was curious to see how Luceno would alter the character of Grand Moff Tarkin.

To those familiar with the Galactic Empire, Grand Moff Wilhuff Tarkin is a legendary figure. A former admiral, adjutant general, planetary governor and war hero of the Clone Wars, Tarkin was one of the Emperor’s most dedicated and capable servants. Determined to enforce the Empire’s authority throughout the galaxy by any means necessary, Tarkin was renowned for his merciless nature and his ability to out-think any opponent on the battlefield or in the political arena. But where did this nature come from: his past as a solider or as a politician, or are there powerful lessons in Tarkin’s upbringing that constantly drive him forward?

Five years after the end of the Clone Wars, Governor Tarkin holds the rank of Imperial Moff and is tasked with overseeing one of the Empire’s most sensitive and covert projects, the construction of a massive mobile battle station which the Emperor believes will become the ultimate symbol of Imperial power in the galaxy. Determined to bring order to the post Clone War chaos, Tarkin finds his plans for the construction of the station stalled when a mysterious ship launches an innovative attack against one of his bases. In the aftermath of this attack, Tarkin is ordered to work with Darth Vader to determine who orchestrated this incursion and deal with them.

Travelling to an isolated planet, Tarkin and Vader begin their investigation into the rebellious activity plaguing that area of the Empire. But when their opponents manage to out-manoeuvre them, Tarkin must call upon all of his experiences, including as a young hunter on his home planet of Eriadu, to stop them. However, even the lessons of his past may not be enough, as his new foes are as smart and determined as Tarkin and Vader and are willing to do anything to achieve their revenge on the Empire.

Tarkin was a smart and exciting Star Wars tie-in novel that did a fantastic job exploring the life of one of the franchise’s most complex characters. I had a great time listening to this book, and it is one of the better Star Wars novels that I have enjoyed this year. I really liked the deep dive into the history and mind of Tarkin, especially as the author wraps a compelling and multi-layered narrative around the character’s story. As a result, the novel gets four and a half stars from me and was a really good read.

This story is an interesting combination of an adventure that occurred five years after the events of Revenge of the Sith (roughly 14 years before the events of A New Hope), and a series of tales from various points in Tarkin’s earlier life. Grand Moff Tarkin has always been a fascinating Star Wars character to me; despite his lack of force abilities, he appeared to wield nearly as much power as the Emperor and was even able to command Darth Vader. This book does a wonderful job of not only showing how he was able to obtain so much power within the Empire but also exploring all of the formulative events of this character’s life that made him into the man capable of achieving so much. I personally think that this was a great combination of character narratives which come together extremely well, and I think that Luceno did a fantastic job getting to the root of Tarkin’s psyche and personality.

Despite it being the shorter part of the book, I personally enjoyed the various chapters that explore various moments of Tarkin’s past the most. In particular, I thought that the author’s examination of his training as a hunter to be a truly fascinating basis for the character’s tactical ability. The various scenes depicting him hunting the large beasts of his home planet are pretty cool, and it was really interesting to see the way that he utilised lessons from hunting creatures in his later careers. For example, he is trained to instil fear into all the beasts he encounters in order to establish dominance above them and to show them the consequences of acting in way he dislikes. A later scene in the book shows him using this training to successfully end a pirate menace in a very harsh and final manner, and it also explains why he considered blowing up a planet to be a viable fear tactic against rebels. In addition to its impact on future Star Wars stories, Tarkin’s early training and hunting background are utilised to great effect throughout the entirety of Tarkin, and it was great to see how it impacts on Tarkin’s thought process and planning. I also really liked how the focus on the hunt comes full circle, as the author works in a fun confrontation back at the Tarkin hunting grounds with the main antagonist of the book that I absolutely loved and which was a fantastic conclusion to the whole story. This hunting aspect was an exceptional addition to this canon’s depiction of Tarkin, and I like how other authors have expanded on it in other pieces of Star Wars expanded fiction. For example, the third volume of Darth Vader: Dark Lord of the Sith features Tarkin using his hunting abilities against Vader in a contest of wills.

In addition to this new origin for Tarkin’s tactical ability and mental acuity, I also enjoyed the various flashbacks to his history before and during the events of the Clone War. Luceno comes up with some great storylines that show off, for example, when Tarkin first gained the attention of the Emperor, or his thoughts on the various events that occurred during the course of the prequel movies. It was fun getting his theories on the causes of the Clone Wars or the formation of the Empire, especially as he is pretty close to the mark every time. I also liked that Luceno worked a confrontation between Tarkin and Count Dooku into one of the flashbacks, which shows why Tarkin remained loyal to the Republic during the course of the Clone Wars. All of these examinations of the character’s past, especially in the context of several key events in Star Wars history, was really fascinating and proved to be a fantastic part of the book.

While I did enjoy the examination of the character’s past, the main story itself is also compelling, as it shows the events that led to Tarkin becoming the very first Grand Moff. These parts of the book are a lot of fun and feature a unique and personal hunt for the protagonist which ties in well with the journeys to his past. I also quite enjoyed the fun team-up between Tarkin and Darth Vader, who assists him to complete his mission. Tarkin and Vader form a very effective team in this book, and it was interesting to examine the relationship between them and the mutual respect that grew between them. It was also cool to find out that Tarkin was one of the few people in the whole Empire who guessed that Anakin Skywalker and Darth Vader were the same person (the only other Imperial character who apparently guessed that was Grand Admiral Thrawn). This section of the book also features some intriguing looks at the early stages of the Empire, and I personally liked the examination of Imperial politics, the intelligence agencies and the ruling style of the Emperor. I also really liked the idealistic opponents that Tarkin faced off against, mainly because their leader becomes more and more aggressive the longer the fight against the Empire goes, until he starts to lack the moral high ground in this conflict.

While I really enjoyed the team-up between Tarkin and Vader, I do wonder if the author perhaps featured Vader and the Emperor a little more than he should have. Do not get me wrong, I absolutely love Darth Vader as a character and I have deeply enjoyed a number of extended universe comics or books that have featured him (such as the Darth Vader and Dark Lord of the Sith comic series, or the Dark Visions limited series). However, I think that a book called Tarkin should have focused a lot more on the exploits of the titular character and shown how he dealt with the unique problems presented in the plot on his own. Instead, he received a fair bit of help from Vader and the Emperor, which kind of undermined the book’s message that he was an unsurpassed strategist and hunter. The author might have been better off only featuring a small amount of the Emperor in this novel, and perhaps introducing Vader in a later Tarkin novel, much like Timothy Zahn did with Thrawn: Alliances. Still, it was a fantastic book, and I am never going to seriously complain about too much Darth Vader.

Tarkin proved to be a really interesting book in the current Star Wars canon, and one that fans of the franchise are really going to enjoy. That being said, I would say that no real knowledge of the Star Wars extended universe is required to understand the plot of the book. While it does reflect on some of the events of The Clone Wars animated series, particularly the handful of episodes that a young Tarkin appeared in, there is no urgent need to go out and watch these episodes first, as they are more passing references. It is also important to note that this book was released back in 2014, two years before the release of Rogue One. As a result, it lacks the inclusion of Director Krennic as a rival for Tarkin, which is something most of the tie-in media released after 2016 features.

Like many of the Star Wars novels I have enjoyed in the past, I chose to listen to the audiobook format of Tarkin rather than read a physical copy. The Tarkin audiobook was narrated by Euan Morton and runs for roughly 9½ hours in length. I found myself absolutely breezing through the Tarkin audiobook, and I was able to listen to all of it in a few short days, as I become enthralled in the awesome story. Star Wars audiobooks are always a fun production to check out thanks to their use of the iconic music and sound effects from the movies. Tarkin also makes great use of a number of the classic scores from the movies to enhance the various scenes, most notably The Imperial March, which is used a number of times when members of the Empire are being particularly ruthless or authoritarian. I also really liked the use of the various Star Wars sound effects, such as the sound of blaster fire, spaceship engines and even the iconic sounds of Darth Vader breathing, all of which are used to help set the appropriate atmosphere for the scene. While some of the Star Wars audiobooks greatly overused these sound effects and music scores, I think that the Tarkin audiobook had the just the right amount of these elements. At no point did the music or sounds overwhelm the narration nor distract the reader from the plot; instead they did a wonderful job of helping the reader stay glued to the story.

In addition to the excellent use of Star Wars music and sound effects, Tarkin also featured a fantastic narrator in the form of Euan Morton. Morton does a commendable job of imitating the voice of the titular character and helps bring the stern, intelligent and ruthless character to life with his voice work. In addition, Morton was also able to do good imitations of several other notable Star Wars characters, including the Emperor and Darth Vader. I felt that Morton produced a good replication of their voices, and the listener is instantly able to figure out who is talking. I also liked some of the voices that Morton came up with for the various supporting characters that featured in the book, and I was impressed with the voices he attributed to some of the different alien species that were encountered. I particularly enjoyed his Mon Calamari voice, for example, and felt that he was able to add some distinguishing vocals to each of these different species. Based on this strong narration, as well as the great musical and sound inclusions, I would strongly recommend the audiobook version of this Star Wars book, and I know that I intend to check out more of this franchise’s audiobooks.

Tarkin was an outstanding piece of Star Wars tie-in fiction that I personally really enjoyed. Not only did it contain a compelling and exciting story in the early days of the Empire but it also did a wonderful job exploring the background of one of the franchises most fascinating characters. I had an amazing time learning more about Grand Moff Tarkin, and I am slightly disappointed that there have not been any more Tarkin-centric novels released since 2014. As a result, I would highly recommend this book to anyone interested in a good Star Wars tie-in novel, and I would also recommend the excellent audiobook format.

While the next Star Wars novel I read is going to be Force Collector, I am always considering what older Star Wars book to listen to in the future. I am currently weighing up between this canon’s Lords of the Sith (the Emperor and Darth Vader trapped on a planet being hunted by rebels) or the Star Wars Legends book Scoundrels (a heist novel written by Timothy Zahn). Both sound like a lot of fun, and I will probably end up listening to them both in the very near future.

Commodus by Simon Turney

Commodus Cover

Publisher: Orion (Trade Paperback – 11 June 2019)

Series: The Damned Emperors – Book 2

Length: 482 pages

My Rating: 5 out of 5 stars

Acclaimed historical fiction author Simon Turney catalogues another infamous ruler of Rome in the second book of his The Damned Emperors series, Commodus.

Rome, 162 AD. The Roman Empire is in a rare period of peace and stability, with two brothers, Marcus Aurelius and Lucius Verus, both ruling as Emperor. The future also looks bright, as for the first time in Rome’s history, two male heirs have been born to a ruling Emperor. However, only one of these children is destined to become Emperor and make his own mark on history. His name is Commodus.

Raised as Rome’s golden child, Commodus eventually succeeds his father as Emperor following a period of war, rebellion and disease. Beloved by the people and loathed by the Senate, Commodus styles himself as Hercules reborn, becoming a great patron and competitor of gladiatorial fights, chariot races and other feats of martial strength. However, behind the scenes, Commodus’s life has been filled with tragedy and despair, and he hides a darker side beneath his golden exterior.

As Commodus succumbs more and more to his inner demons, Rome is rocked by power struggles and plots, as his family and servants attempt to control or usurp the unpredictable Emperor. Only one woman, Marcia, truly understands Commodus and can keep his mind together. Born a simple palace servant, Marcia was the love of Commodus’s life and a skilled player of Roman politics. However, not even Marcia can contain Commodus’s self-destructive urges forever, and eventually she must decide whether she will die at the hands of her great love or make the ultimate betrayal.

Commodus is the second book in Turney’s The Damned Emperors series, which takes a look at some of the most tragic, infamous and self-destructive rulers of ancient Rome. After presenting an exciting tale of insanity and vengeance in Caligula, Turney now takes a look at one of the most intriguing emperors in Roman history, Commodus. The result is a powerful, well-written and captivating piece of historical fiction that I absolutely fell in love with and which easily earns a full five-star rating from me.

Commodus is truly one of the more fascinating figures in Roman history, which is saying a lot. While most would probably know him as the villain in the movie Gladiator, as portrayed by Joaquin Phoenix, he actually had a long and controversial reign, with many events that are hard to believe. As a result, a book focusing on his life is bound to be interesting; however, Turney goes above and beyond, presenting a well-researched and deeply compelling novelisation of Commodus’s life. Not only does Turney explore some of the more extraordinary aspects of Commodus’s reign, such as his devotion to becoming the new Hercules, his exploits in the arena or the cult of personality he formed around himself, but Turney also attempts to explain why he may have done them. This results in a clever and thought-provoking look at the entirety of Commodus’s life, including several formative events that are known, or are likely to have happened, and which may have led to some of his more extreme actions later in life. I really enjoyed the potential scenarios that Turney came up with to explain Commodus’s personality, and his justifications featured towards the end of the book are really quite interesting and very compelling. There are also some interesting historical tweaks to some of Commodus’s actions, but I feel that these work in the wider aspect of the story and help to create a more believable narrative. The end result is an outstanding examination of this fascinating historical figure which will allow the reader to see Commodus in a whole new light.

Turney has done an amazing job telling this story, thanks in part to the use of an excellent point-of-view character. The story is told from the perspective of Marcia, the women in love with Commodus, and is set out as a personal chronicle of Marcia’s actions, which run parallel to the life of Commodus. Turney takes more historical liberties with this character and re-imagines Marcia as a close childhood friend of Commodus. The use of Marcia as the story’s narrator and the subsequent re-imagining of parts of her life story are done extremely well, allowing the author to have a single, consistent narrator who is constantly close to the main character. This was the best way to tell the complete story of Commodus’s life, and it was an amazing storytelling device from Turney which completely justifies historical variations in the character.

Using Marcia as the point-of-view character also allowed Turney to tell an addictive historical tale of love, revenge, ambition and tragedy. Marcia is a tragic character in this book, and her storyline is really quite powerful. The daughter of a servant in the Imperial Palace, Marcia is allowed to grow close to Commodus, becoming his childhood friend and confidant before circumstances conspire to keep them apart. However, Marcia’s determination to be with Commodus results in a series of power plays, plots and other nefarious actions as she tries both to free herself and to deal with other people who wish to influence the Emperor. Despite some of the terrible actions she commits, Marcia comes across as a very sympathetic character in this book, and your heart goes out to her with some of the setbacks she encounters. Her romance with Commodus, while caring and filled with love, is also very dramatic, as Commodus’s moods and the influences of others in his circle often place strains and boundaries on them being together. The final, tragic result of this story is told extremely well, as the reader gets to see the highs of their love, swiftly followed by the swift, one-sided deterioration of their relationship. This results in a devastating conclusion to the book, and the reader is left reeling at how this romance comes to an end.

In addition to the story of Commodus and Marcia, Turney also does an excellent job exploring Roman history and events during the span of Commodus’s life in the second half of the second century. Some truly fascinating events occurred during this period of Roman history, including wars, plagues and the reign of proxy tyrants such as Cleander and Perennis. The author covers these events in some detail, and it is really interesting to see how some of the events unfolded, how long they lasted and what actions led up to them. Commodus is also filled with a number of intriguing depictions of Roman life, and the various ancient Roman settings proved to be an amazing background for this great story.

Commodus is a first-rate novel and easily one of my favourite pieces of historical fiction for 2019. Turney is an incredibly skilled author whose dedication to historical detail pairs well with his amazing ability to tell a dramatic and powerful story. Commodus comes highly recommended, and I cannot wait to see which flawed ruler of Rome Turney focuses on in his next instalment of The Damned Emperors series.