Publisher: Macmillian (Trade Paperback – 31 May 2022)
Length: 359 0ages
My Rating: 4.25 out of 5 stars
Intriguing new author Hayley Scrivenor presents her powerful and excellent debut novel with the powerful and dramatic Australian mystery, Dirt Town.
My best friend wore her name, Esther, like a queen wearing her crown at a jaunty angle. We were twelve years old when she went missing.
On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home.
Ronnie’s going to find her, she has a plan. Lewis will help. Their friend can’t be gone, Ronnie won’t believe it.
Detective Sergeant Sarah Michaels can believe it, she has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible.
Lewis can believe it too. But he can’t reveal what he saw that afternoon at the creek without exposing his own secret.
Five days later, Esther’s buried body is discovered.
What do we owe the girl who isn’t there?
Character-rich and propulsive, with a breathtakingly original use of voice and revolving points of view, Hayley Scrivenor delves under the surface, where no one can hide. With emotional depth and sensitivity, this stunning debut shows us how much each person matters in a community that is at once falling apart and coming together.
Esther will always be a Dirt Town child, as we are its children, still.
Dirt Town was a fantastic and clever novel that contains a lot of interesting elements and moving parts to it that I had an amazing time reading. Set in the small Australian country town of Durton in late 2001, the crux of Dirt Town’s plot revolves around the sudden disappearance of local schoolgirl Esther, who vanishes on her way home. The subsequent search and police investigation into the disappearance soon involves several different inhabitants of Durton, including Esther’s friends, family and other connections, many of whom are dragged into the case over the course of the following days. The investigation and the eventual reveal of what happened to Esther slowly but surely tears the town of Durton apart, as everyone’s secrets come spilling out.
The story focuses on several intriguing protagonists, including Esther’s best friend, Ronnie, who attempts to find her without really realising what is going on; their fellow schoolmate Lewis, who witnessed something relevant to the case but is unable to say anything out of fear of being outed; the various relatives to the children; the cops that come to investigate; and more. This strong focus on these complex characters allows Scrivenor to weave together a compelling and exciting tapestry of personal stories that are altered for the worse when Esther goes missing. All the characters react to the disappearance in different ways, and the reader gets a deep and captivating look into their lives, which often reveal long-buried secrets, fears and insecurities that the investigation brings to the light. At the same time, the hunt for the missing child reveals other crimes going on around Durton, and everyone is moved in some way by the events of the narrative. The eventual reveal about what happened to Esther and who was involved is very intense, and I really loved the clever, heartbreaking twist that Scrivenor utilised here. The author layers the story with some clues, but it is still shocking to see what unfolded, and the series of events that led up to it and followed from there. Dirt Town ends with a satisfying, if very bittersweet, conclusion, and I really appreciate the impressive debut narrative the Scrivenor produced here.
This was a pretty moving and distinctive novel, as Scrivenor blends several genres together into a single riveting tale. While mostly framed as a mystery novel, Dirt Town also has a strong drama aspect to it, especially when it comes to examining the lives and secrets of the various townsfolk. This ensures that you get quite a lot of unique character interactions throughout Dirt Town, and it was very moving and powerful to see how everyone was impacted by the events of the plot, often in quite substantial and painful ways. It is also a particularly good piece of rural Australian fiction, as Scrivenor, who grew up in a small country town herself, does an amazing job portraying the tight-knit community, isolated landscape, and the feeling of decline that many of these towns experience during times of hardship. Scrivenor added in a distinctive, disassociated chorus narrator, which is essentially the joint voice of the town, which produces some poetic and insight examinations of the impacts that the case has on the town and its people, as well as providing compelling insights into how the town is generally faring. These separate elements blend well into a captivating and moving story, and you can find yourself getting quite drawn into Dirt Town as a result.
Overall, I felt that Dirt Town by Hayley Scrivenor was an outstanding and very distinctive debut novel, and one that sets Scrivenor up as an interesting rising talent in Australian fiction. A recommended read, especially for those who love complex stories in Australia’s unmatched rural setting, Dirt Town was an outstanding book that is well worth checking out.