Tag: Damaged Protagonist

He Who Fights With Monsters: Adventurer by Travis Deverell (Shirtaloon)

On By The Unseen LibraryIn Australian, Fantasy, Throwback ThursdayLeave a comment

Publisher: Michael Joseph (Trade Paperback – 15 September 2026, originally published 18 May 2021)

Series: He Who Fights With Monsters – Volume Two

Length: 607 pages

My Rating: 5 out of 5 stars

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After falling in love with the first book in Travis Deverell’s He Who Fights With Monsters series, I just had to check out the second volume, Adventurer, which proved to be just as fun, entertaining and addictive as the first entry.

Readers of this blog may remember a couple of months ago I became obsessed with the amazing first volume of the impressive He Who Fights With Monsters LitRPG series.  Written by Australian author Travis Deverell (also known as Shirtaloon), the first volume of the He Who Fights With Monsters series was originally released several years ago but has since been republished in paperback by Penguin.  This series followed an Australian protagonist, Jason Asano, who becomes a deadly fantasy adventurer after being pulled into an alternate version of Earth filled with magic, monsters and all manner of carnage.

The first volume of this series, recently titled Outworlder, served as an excellent introduction to the protagonist, multiple supporting characters, and Deverell’s fantastic fantasy world.  I had a wonderful time with this initial book’s story, which saw Jason learn to become an adventurer as he gets involved with monster slaying, politics, local crime and larger conspiracies.  While a little rough in places, I ended up absolutely powering through this first volume, and I found it to be an extremely fun and impressive piece of LitRPG.  Due to how much pure enjoyment I got from the first He Who Fights With Monsters book, I made sure to grab a copy of the second volume when it was released, and boy was I glad that I did.

Plot Synopsis:

The path from retail middle management to interdimensional wizard adventurer wasn’t easy, but Jason Asano is settling into his new life.

Now, a contest draws young elites to the city of Greenstone, competing for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer.

While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Jason thinks he’s on the sidelines—until it becomes clear he’s already crossed the wrong path. With allies and enemies closing in, one thing is certain: this contest is only the beginning, and the coming conflict will change everything.

Now this was a very cool and relentlessly fun sequel.  This second volume of He Who Fights With Monsters, titled Adventurer, ended up being a particularly addictive read as Deverell loaded it up with a great story, zany humour and clever fantasy LitRPG elements.  I couldn’t stop reading Adventurer at times, and because I powered through all 600+ pages in only a couple of days (which is impressive even for me), I must give this second volume a full five-star rating.

I had an absolute blast getting through Adventurer’s fantastic story, which brings together a range of intriguing plot elements into one brilliant tale of adventure and action.  Once again primarily set in the city of Greenstone, Adventurer’s narrative mostly focuses on protagonist Jason Asano, former Australian retail worker turned interdimensional badass, as he and his friends are still reeling from the death of one of their own at the end of the last book.  Determined to become a better adventurer, Jason focuses on the latest complication in his unusual life, the captured thief Sophie, who, thanks to political intrigue and bad luck, has gained the protection she needs by becoming Jason’s indentured servant (in a mostly non-weird way).  Needing to keep her safe, Jason works to make Sophie an adventurer, and much of the first half of Adventurer sees Jason and his friends training Sophie while also forming a new adventuring party.  At the same time, Deverell works in a compelling side story that sees much of the supporting cast investigating the mysterious interdimensional army that attacked the Greenstone adventurer expedition at the end of Outworlder, revealing a large-scale conspiracy that could destroy the entirety of this magical world.

This first half of Adventurer really drags the reader in, and you are soon quite absorbed in the various ongoing storylines.  The plot around Sophie and her attempts to become an adventurer matches Jason’s training in Outworlder, and it was nice to still get an outsider/trainee perspective on the rules of magic and adventuring.  This training element worked well with the book’s entertaining personal dynamics as Jason forms a team with Sophie and some of their other friends and associates, brought together utilising Jason’s chaotic, yet persuasive manner.  At the same time, Deverell also ensures that there are some storylines going for all the extensive supporting cast, and the separate exploits of several of these characters worked well alongside the main story focused on Jason.  I appreciated how well the author fell back on elements from the first book, even some of the more obscure inclusions, and many of these previous hints are cleverly built into the overlying conspiracy that was a big part of Adventurer’s plot.

While I had a brilliant time with the first part of Adventurer, the second half of the book is where things really kick off and drag the reader in.  Indeed, I read the entirety of this second half of Adventurer in a single day, I was that damn hooked.  Much of this is because the main story follows Jason, his team, and several other major supporting characters as they enter a magical competition for rising adventurers.  Essentially split up throughout a dungeon with many other aspiring adventurers, Jason and his team need to fight through an array of monsters and rivals to participate in the main trial of the competition.  This keeps you extremely hooked, as you are drawn into an extended session of action, exploration and advancement, with some interesting combinations of supporting characters coming together into impromptu groups.  This entire extended sequence was so damn good, and while the winner of the trials isn’t especially surprising, the journey to get there is so much fun and wraps up a lot of key storylines from this second volume.  This proves to be a particularly awesome main plot sequence for this volume, and I loved how it turned out.  I also enjoyed how there was still a little bit of Adventurer left after this dungeon sequence, with the author taking some time to showcase the gains following this major arc, while providing some build-up to the third novel.  While this slightly slows the story down at the end, it ensures that the main cast have all their new abilities ready for the next entry, and this will very much appeal to those readers who enjoy the nuances of the LitRPG genre.  Deverell does make sure to keep some intensity going with a big cliffhanger around a major supporting character, while other threats to Jason and the larger world continue to grow, and by the time you finish Adventurer, you are extremely ready for more He Who Fights With Monsters fun.

I had an amazing time with this second He Who Fights With Monsters book, especially as I felt that Adventurer was a better written novel than Outworlder, with Deverell improving as an author.  The author did a great job building on the best elements of the first book, like the worldbuilding and cool fantasy elements, and there was once again a fantastic blend of adventure, personal growth and underlying intrigue to draw the reader in.  I particularly love the effective way in which the LitRPG elements of the setting are incorporated into the story, and the resulting carnage from the distinctive magical system allowed for some intense scenes, especially in the well-structured and intense extended dungeon sequence, which really was a brilliant highlight of Adventurer. At the same time, most of the rough edges I noted in the first He Who Fights With Monsters novel where gone, allowing for a smoother read, especially as I was also more familiar with the author’s writing style.  I was particularly happy that the weird formatting issues that bugged me in the first book were missing, which was a major relief.

Another thing I appreciated about Adventurer was how well Deverell set it up as a sequel to Outworlder.  While LitRPG sequels tend to just be continuations of the first book without much variation, there was a clear plot delineation between the events of Adventurer and Outworlder, which ensures that it feels like an entirely separate novel.  There is also a great continuation and expansion of many of the story elements, world building and the magical system throughout Adventurer, all of which expands in some compelling and intriguing ways.  Naturally, this does mean that Adventurer is going to be a lot easier to read for those people who already checked out the first He Who Fights With Monsters novel, especially as this sequel starts right after the climactic battle of Outworlder.  However, I did think that Deverell’s writing style in Adventurer would allow new readers to start exploring this series with the second book if they wanted to, especially as there are some recaps about the magical system and character arcs. Still, I would recommend reading Outworlder first, as it will allow you to enjoy the entire He Who Fights With Monsters series a lot more.

As with the first He Who Fights With Monsters book, Adventurer features a huge cast of characters whose adventures form the basis for the plot.  Most of the attention of this book is once again on series protagonist Jason Asano, an Australian retail worker who was dragged to this world of magic and monsters thanks to a summoning ritual gone bad and is now making a new life as an adventurer.  As I mentioned in my review of Outlander, Jason is a complex and unique protagonist who projects an outer layer of silliness and seeming insanity to everyone around him.  However, deep down he is a far more collected and shrewd person who has not only already mastered adventuring but is thriving in this new world thanks to his unrivalled ability to empathise with and manipulate everyone he meets.  His anti-authority streak also comes into play a lot in this novel, and it was fun to see him interact with fantasy beings who usually appreciate a hierarchy (although the amused reactions of several gods to this is quite entertaining).  While I can see how some readers might not enjoy Jason as a character for being too over-the-top or a little preachy with his attitudes, for the most part he is great, and much of the book’s humour comes from his various crazy interactions.  I enjoyed how Deverell provided a bit more of a look at Jason’s past in this novel, including how his feelings of inadequacy towards his brother resulted in his current persona.  There was also some compelling focus on how Jason has finally found his calling and friends in this new world, and it will be interesting to see how future storylines that involve him returning to Earth will play into that.

While most of the book is focused specifically on Jason and his adventures, there are a huge number of additional supporting characters in this novel, including most of the cast of the first book, as well as several interesting new figures.  While in some ways the cast of this novel is too big (I must admit that I sometimes lost track of who was who, especially as they all have normal names rather than memorable fantasy ones), it was fascinating to see the various interactions and specific storylines that emerged around them.  Deverell expertly follows various cast members throughout the book, including Jason’s original companions, members of his new team, various key figures of Greenstone who Jason has interacted with, and even a few antagonists.  The third-person perspective of He Who Fights With Monsters really helped to ensure that Deverell could effectively showcase storylines around these characters without Jason needing to be there.  A good example of this occurred during the major dungeon arc of Adventurer, where most of the cast were across a large space and couldn’t communicate with each other.  This resulted in the various members of Jason’s usual party and other supporting characters being forced to team up with other new adventurers, and it was interesting to see how each character was able to work with people they had never dealt with before.

Supporting cast highlights of this book included Jason’s student/indentured servant Sophie, who fills an important role as the rookie adventurer in this story.  A generally untrusting figure, Sophie finds herself forced to work with Jason, and there was a good focus on her uncertainty about Jason’s motivations.  This allowed for some intriguing interactions alongside the interesting examination of Sophie’s abilities as an adventurer, and I felt that she worked well as a serious foil to the usually silly Jason.  The team that Jason and Sophie help form in this book were also a fun group of supporting characters from the first book, and it was interesting see their teamwork grow throughout the novel.  Jason’s friend and mentor Rufus Remore also gets a compelling arc in this book, as he feels guilty for the death of his team member Farrah at the end of Outworlder, and spends much of the story determined to find the one responsible.  These, and many other character storylines, ensured that a range of different plot points and bits of character growth in this novel, and it was fun following so many figures that had great introductions in the first novel.

The He Who Fights With Monsters series continues to impress me, with this second entry, Adventurer, proving to be a particularly addictive read.  Travis Deverell did an exceptional job with Adventurer, and I had such a brilliant time getting through this novel.  I really am not exaggerating with just how hard I found it to stop reading this outstanding novel, and I got through it so damn quickly.  Due to this, I’ve pretty much committed myself to reading the entire He Who Fights With Monsters series in order as soon as I can (a big commitment considering that the 13th book just came out).  Indeed, I’ve already ordered the third book in the series, titled Hero, and I will probably start reading it the second I get my hands on it next week, which really goes to show just how much I am enjoying Deverell’s amazing novels.

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The Daughter’s War by Christopher Buehlman

On By The Unseen LibraryIn Fantasy, Throwback ThursdayLeave a comment

Publisher: Gollancz (Hardcover – 25 June 2024)

Series: Blacktongue series – Book 0 

Length: 389 pages

My Rating: 4.5 out 5 stars

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Prepare for the most brutal of wars with the intense and impressive fantasy prequel from Christopher Buehlman, The Daughter’s War, an intriguing read that dives into the early life of one of the author’s more complex characters.

Most fantasy fans will be aware of author Christopher Buehlman, who has been very popular since 2021 when he released the acclaimed novel The Blacktongue Thief.  An elaborate dark fantasy adventure story set in a series of human nations recovering from a devastating total war against goblins, The Blacktongue Thief was an exceptional read that very much lives up to the hype around it.  I had the pleasure of finally reading The Blacktongue Thief earlier this year, and after finishing it I attempted to find a copy of the 2024 prequel novel, The Daughter’s War.  After a long search through many second-hand bookshops in Australia, I was eventually able to find a wonderful hardcover copy of The Daughter’s War at the tail end of a road trip (thank you Wyrdbooks in Wentworth Falls), and I just got the chance to read it.  A brutal war novel, The Daughter’s War was a great read that provides some additional history around a fantastic character from the first book in the series.

Plot Synopsis:

The goblins have killed all of our horses and most of our men.

They have enslaved our cities, burned our fields, and still they wage war.

Now, our daughters take up arms.

Galva ― Galvicha to her three brothers, two of whom the goblins will kill ― has defied her family’s wishes and joined the army’s untested new unit, the Raven Knights. They march toward a once-beautiful city overrun by the goblin horde, accompanied by scores of giant war corvids. Made with the darkest magics, these fearsome black birds may hold the key to stopping the goblins in their war to make cattle of mankind.

The road to victory is bloody, and goblins are clever and merciless. The Raven Knights can take nothing for granted ― not the bonds of family, nor the wisdom of their leaders, nor their own safety against the dangerous war birds at their side. But some hopes are worth any risk.

Buehlman brings the carnage in this compelling prequel novel.  The Daughter’s War was an interesting and action-packed addition to this cool fantasy series that tells a powerful character-driven narrative, while also cleverly expanding on the lore his unique fantasy universe.  A wonderfully dark and addictive novel, The Daughter’s War was an outstanding read you’ll have a hard time pulling away from.

I very much enjoyed the prequel narrative that Buehlman set for The Daughter’s War, especially as the author sets out a gritty war story rather than the classic adventure narrative in The Blacktongue Thief.  Set several years before the events of The Blacktongue Thief, The Daughter’s War follows young noblewoman Galva dom Braga, the striking character from the first book who was introduced as a scarred war veteran and death worshipper.  However, in this prequel Galva is a more innocent and hopeful figure who has volunteered to fight in the Daughter’s War against the goblins, so called because most of the new soldiers are women after most of the men died in the previous goblin wars.  A member of the experimental Corvid Knights unit, an all-female band of warriors who fight alongside giant, magically mutated ravens, Galva travels to the goblin occupied nation of Gallardia, and fights in some of the most brutal battles of this latest war.

Told in a chronicle format primarily from Galva’s perspective, The Daughter’s War starts off with an effective reintroduction to Galva and starts to showcase the various complexities of her early life that you never saw in The Blacktongue Thief.  This includes familial responsibilities and drama when she is reunited with her three brothers, each of whom is participating in the war in different ways.  Buehlman soon embarks on the full intensity of his war story as Galva and her companions head towards the inevitable battles and tragedy to come.  There is a good pace to this story, as the author expands the setting while slowly introducing both the protagonist and the reader to the horrors of war and the goblin enemies.  After several smaller battles, and the build-up of several additional problems around Galva, you soon get your taste of the first true combat, which also introduces readers to even more complexity for the protagonist as she meets her love interest from The Blacktongue Thief for the first time.

After a more emotionally charged centre to the story, the second half of The Daughter’s War is defined by true brutality, as the protagonist and her comrades encounter the wrath of the goblins.  Buehlman is in his dark fantasy element when it comes to this second half of the book, and he excels at highlight the horrors of the war through Galva’s constantly hardening eyes.  After an escalating series of tragedies, there is a major battle sequence that was a highlight of the book, and which sets the protagonist down a darker path.  This change in characterisation is showcased in the book’s climatic sequence, where Galva asserts herself in all the best ways, and becomes the figure we knew from The Blacktongue Thief.  Throw in some intriguing wrap up which helps to bridge the gap between this book and The Blacktongue Thief, and this ended up being an outstanding prequel narrative, guaranteed to keep you hooked to the end.

I enjoyed how Buehlman utilised a different writing style for The Daughter’s War, which helped it stand out as its own novel.  Rather than utilising the active first-person style of The Blacktongue Thief, this novel is told in a chronicle format, as Galva recounts her memories of the war to an unseen character (the protagonist of the first book).  Primarily told from Galva’s immediate perspective, Buehlman also utilises several in-universe documents and letters, as well as other inclusions and rogue memories to paint a wider picture of events and help to recount the larger war.  This chronicle style highlighted that The Daughter’s War was very much a prequel novel, and the author did an amazing job emulating the feel of a veteran recounting their most personal war story.  This includes working in a sense of regret and sadness from the very first page, as the protagonist/writer lays down hints about the tragedies to come.  This focus on the past ensures that The Daughter’s War works well as a prequel to The Blacktongue Thief, and readers have a choice of either enjoying this book after The Blacktongue Thief to see how the protagonist got the way she did, or by reading it first and then exploring the aftermath of the war with the original book in the series (with some potential spoilers).  I will admit that, thanks to its unique style and narrative structure, The Daughter’s War might not be for every fantasy reader out there, especially those who enjoyed the more straightforward and humour-laden style of The Blacktongue Thief.  However, for those looking for an intense and darker character-focused read with some epic and brutal battle sequences, The Daughter’s War has a lot to offer.

One of my favourite things about the original book in this series was the elaborate and dark fantasy world that Buehlman invented as the background for The Blacktongue Thief’s story.  The various human nations still diminished and feeling the impact of the goblin wars made for a striking and bleak setting, and I loved following the protagonists on the map as they made their way across the continent.  This setting was also a highlight of this prequel, especially as the author uses The Daughter’s War to provide an extended look at new parts of the world, while also showcasing some of the dark history mentioned in The Blacktongue Thief.  Readers follow the sprawling campaign through the invaded kingdom of Gallardia and get to appreciate the dark impacts war has had on it.  Multiple other kingdoms from the larger continent setting of the series are also represented in other ways, primarily from their soldiers fighting in the war, and the author’s portrayals of the different combat styles of these nations was very compelling.  Additional details about the protagonist’s home country of Ispanthia, which was talked about but not seen in The Blacktongue Thief, were also mentioned here, and this context helps to expand on the character’s origins.

While the focus on the human participants in the war is excellent, Buehlman’s portrayal of the goblin antagonists is particularly awesome.  Already shown as deadly and malicious creatures when nominally at peace in The Blacktongue Thief, the author does not hold back showcasing their true nature in this prequel as you see the goblins at their full war savagery.  The scenes showing them fighting against human soldiers are so damn brutal, and their varying tactics, weapons and counters to traditional warfare add some major impact to the impressive battle sequences.  However, it is the examination of how they treat humans, especially humans they have captured or conquered, that really showcases how terrifying the goblins are, with the goblins essentially considering them to be cattle that they can drug, mutilate, eat and find various uses for (human skin sails and mutated human warriors are a striking inclusion).  This portrayal of the goblin ruthlessness really ups the stakes of The Daughter’s War, and it was very fun to have an antagonist group that is so irredeemably evil.  These outstanding elements of the setting were perfectly utilised in Buehlman’s darker fantasy narrative, and I really appreciated this look at the war that caused all the scars in the original novel.

In addition to cool setting and dark fantasy features, another great highlight of The Daughter’s War was the author’s excellent character work, especially around protagonist Galva dom Braga, who enters the war as a hopeful Corvid Knight, leading two magically enhanced ravens into battle alongside her sister knights.  Buehlman does an excellent job showcasing the young noblewoman in a very different light than when you see her in The Blacktongue Thief, as through her own telling, she was a somewhat naïve and uncertain figure with no experience of war.  Thanks to the horrors of battle, interactions with several supporting characters, and various tragedies involving her three brothers, Galva is slowly turned into the experienced and death-worshipping figure that we encountered in the original novel, and I really appreciated the gradual and understandable transition that the author worked in.  The use of Galva as both the main character and the narrator recounting her most brutal memories allows for some powerful storytelling and she ended up being an excellent centre for this book.  Throw in some outstanding, if somewhat doomed, supporting characters, including comrades, rivals, cheeky talking ravens, an insane wizard, the princess Galva falls in love with, and her three brothers, each of whom has their own complex narrative in this book, and the cast of The Daughter’s War is extremely impressive and adds a lot to the overall story.  I’m extremely glad that Buehlman decided to provide all of Galva’s story in this prequel, and I cannot wait to see what happens with this eventually brooding warrior next.

Christopher Buehlman continues to showcase his skill for dark fantasy fiction in this impressive novel.  The Daughter’s War was an outstanding prequel to Buehlman’s The Blacktongue Thief, and I really appreciated the exploration of the past of his complex setting and one iconic scarred character.  Shocking, intense and filled with inevitable tragedy, The Daughter’s War comes highly recommended, and I am very glad I finally got the chance to read this book.  I cannot wait to see what happens in the upcoming third book in the series, The Thrice-Bound Fool, and I’m hoping to get that very soon.

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The Mortons by Justine Larbalestier and Scott Westerfeld

On By The Unseen LibraryIn Australian, ThrillerLeave a comment

Publisher: Penguin Random House Australia (Trade Paperback – 21 July 2026)

Series: Standalone

Length: 454 pages

My Rating: 4.75 out of 5 stars

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Get ready for one of the more unique crime fiction reads of 2026, as the superstar writing team of Justine Larbalestier and Scott Westerfeld present The Mortons, a complex and addictive read about a very messed up family.

Plot Synopsis:

A darkly funny, action-packed gothic thriller following a modern-day, old-money crime family with murderous intent. It’s The Secret History meets The Sopranos, with a dash of Saltburn!

Meet the Mortons: In this family, murder is currency – and business is booming.

The Mortons are a modern-day, old-money dynasty with impeccable taste, from their exquisitely crafted cocktails to their expertly tailored vintage garments. They are also stone-cold killers.

They, along with the other crime families, send their progeny to Helshire College, where legacy students learn to exercise control over their wealthy peers. Jessica Morton has always excelled at Helshire, secure in her knowledge that she is the prodigy of her generation. Now, having committed her first kill, it should be Jessica’s moment, her honour.

But that kill will cut more ways than one – and it will set in motion a series of consequences from which there is no turning back.

Sharp and hypnotic, The Mortons is an epic novel of alliances and power, loyalty and kinship, and the consequences of ruthless ambition.

The Mortons was an exceptional and highly addictive crime fiction thriller that provides a dark look at humanity through the eyes of a born and raised killer.  The first adult fiction collaboration between Australian young adult fiction author Justine Larbalestier and her husband Scott Westerfeld, also an established young adult author, The Mortons was a brilliantly twisted and complex read that I honestly couldn’t put down as I moved between shocking moments.

The plot of The Mortons is centred around protagonist and sole point-of-view character Jessica Morton, a murderous prodigy hiding in plain sight at the elite Helshire College.  A member of the Morton family, an extended clan of killers who manipulate, threaten and assassinate others for power and influence, Jessica is the rising star of the family, determined to do the rest of the Mortons proud.  However, after she is ordered to perform her first kill and murder an underperforming cousin, Jessica’s carefully planned life begins to change as she balances new feelings with her family duty and expectations.

The authors do an excellent job setting up much of The Mortons’ key story elements in the first half of the book, and I really appreciated the effective introduction to the protagonist, the titular Morton family, and the wider hidden world of family-controlled violence and manipulation.  There is some good early character work, especially as the protagonists deals with her apparent guilt, while also finding out some secrets around her family and Helshire.  Things become even more complicated when Jessica is sent on an important mission for the family.  This part of the book provides some of the more intriguing looks at Jessica’s personality, and the authors play up new uncertainty about her role and her family.  It also leads up to one of the book’s main, shocking moments halfway through, which changes the protagonist’s entire trajectory.

After this big moment, the second half of The Mortons is just one intense and highly addictive thrill ride, which I honestly got through in one extended sitting.  Faced with several traumatic events, Jessica’s storyline goes in a very interesting direction as she struggles with who she truly is.  I really enjoyed the additional emotional uncertainty of the plot in this part of the book, while additional revealed motivations from several supporting characters add to the general chaos of the plot, until a big moment changes everything once again.  I was very impressed with Larbalestier and Westerfeld for the big twist towards the end of the book, as it changed everything you thought you knew about the plot and altered everyone’s motivations.  The authors follow this twist up with some very dark moments guaranteed to leave you shocked, before leading up to the complex and thought-provoking conclusion.  The ending itself is a little low-key, but there is an intense beauty to it which fits The Mortons’ various character arcs extremely well.  It also leaves the story open to allow potential sequels from the authors, although The Mortons works quite well as a standalone story and adding more might remove the overall impact of this excellent book.

Larbalestier and Westerfeld crafted together a slick and emotionally charged novel here with The Mortons.  Blending a deeply personal character driven story from a damaged protagonist into a larger tale of family expectations and criminality resulted in a great read, and I loved the intense amount of drama and intrigue that the authors loaded into this book.  The underlying setting of the hidden crime families secretly influencing the world and training together alongside normal wealthy students a Helshire was very clever, and I loved the extended look at the sinister Mortons.  The authors do a wonderful job of initially showing the Mortons as a cool, if dangerous, family to be a part of, although the full depth of their evil becomes more apparent as the book continues.  This slow reveal of the titular family ties in nicely with the overarching themes of self-determination, nature vs nurture, and generational trauma, all placed in the context of a cultish criminal dynasty.  I did think at times that The Mortons had a young adult feel to it, especially the sequences examining first love and Helshire.  While this is to be expected considering the authors’ young adult fiction background, it might not appeal to some more mainstream thriller fans.  Still, I really enjoyed the easy style of The Mortons, and its complex characters and clever twists makes it a fantastic read for all crime fiction readers.

A key highlight of The Mortons is the distinctive characters contained within, especially the various murderous members of the Morton family proper.  The compelling collection of family-orientated killers and the people they associate with, was an impressive part of the book, and the authors do an amazing job of showing how dangerous and manipulative they can be, while also examining other parts of their personality.  As the book’s primary protagonist, much of The Mortons’ focus is on Jessica Morton, who goes through a particularly intense journey in this novel.  Initially shown to be a diligent Morton, Jessica finds herself drawn between family loyalty and other connections after her first kill.  The authors do an amazing job of initially introducing Jessica and her cold personality, before bombarding her with new experiences and thoughts.  This includes her first flourishes of romantic love, as well as other personal connections, all of which play against her family’s beliefs.  Jessica’s internal struggle is a big part of the book’s plot, especially once you understand how it’s being manipulated by others, and I really appreciated how effectively the authors dove into this protagonist.

Other key characters I have to highlight include Jessica’s roommate, Faraday, a party girl who finds herself drawn towards the mystique of the Mortons without fully understanding the dangers, and Jessica’s adopted cousin, Sebastian, who provides an interesting human perspective on the dark family.  These characters, and more, are all extremely well written, and their take on love, death, and the trauma of being or knowing the Mortons becomes integral to the plot in some many excellent ways.  I was so damn impressed with all these complex character moments, all of whom add to the powerful emotional depth of The Mortons.

Thanks to its captivating story, intense characters, and killer charm, The Mortons stands tall as one of the more intriguing and distinctive crime fiction reads of 2026.  Justine Larbalestier and Scott Westerfeld prove to be an incredible writing team, and there is so much depth and complexity in this brilliant joint adult thriller debut.  The Mortons comes highly recommended as a result, and readers are guaranteed to have an incredible time with this book, although you likely won’t be prepared for all its devilish twists.

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30Seven by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Science Fiction, Thriller1 Comment

Publisher: Podium Audio (Audiobook – 20 January 2026)

Series: Standalone

Length: 11 hours and 51 minutes

My Rating: 5 out of 5 stars

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Jeremy Robinson presents one of the most awesome and unique science fiction reads of early 2026 with the impressive and over-the-top novel, 30Seven, a clever alien abduction novel with some daringly dark horror elements behind it.

Jeremy Robinson is an outstanding author who has a fantastic career writing clever, fun, and occasionally terrifying thrillers that often feature intriguing science fiction elements.  Best known for his Antarktos Saga, Chess Team and Nemesis Saga series, Robinson has written a staggering amount of fiction over the years, including additional cool series and standalone reads.  I got into Robinson’s work a few years ago when I read a few books from his addictive interconnected Infinite Timeline series, including Tribe, The Dark and Mind Bullet (the latter two of which were amongst my favourite books and audiobooks of 2021). I have also started getting into Robinson’s standalone novels, including Point Nemo (one of my favourite audiobooks of 2024), and Artifact (one of my favourite books and audiobooks of 2025). As such, I was very excited to read some more books from Robinson in 2026 novel, including the awesome sounding 30Seven, which was one of my most anticipated releases for the first half of the year.

Plot Synopsis:

Twenty-eight people are abducted from a lakeside beach-and a killer is among them-in this twisty UFO horror novel from the bestselling author of The Others.

After a year of torment following the loss of his wife, Isabella, to a serial killer with an artistic flair, Marcus Lockwood retreats with his son, Elias, to Moose Hollow-a secluded campground in backwoods Maine-in search of healing. There, a close-knit band of lifelong campers immerses them in a warm, nostalgic experience filled with fishing, canoeing, crackling barbecues, and a taste of normalcy.

When whispers of eerie UFO sightings ignite a vigil on the beach, Marcus and Elias eagerly join the hunt for the inexplicable. But when the sky erupts in otherworldly light, they’ll get much more than they bargained for. A mysterious craft descends, and in one surreal moment, the group is abducted and transported into the unknown. Amid the chaos and disorientation, a gut-wrenching discovery terrifies Marcus:

One of them is Isabella’s killer.

Jeremey Robinson hits it out of the park again with this outstanding standalone science fiction thriller.  30Seven was a complex and addictive novel, that cleverly twisted the classic narrative of alien abductions into a brutal and manic thriller.  A highly addictive novel I couldn’t get enough of, 30Seven gets a very easy five-star rating from me, especially as I’ve still got some of the reveals and revelations stuck in my head.

I loved the dark and very clever story that Robison featured in 30Seven, which I frankly think was one of the strongest the narratives that I have so far seen from this author.  A slick, character driven novel, the book quickly introduces you to the main point-of-view protagonist, Marcus Lockwood, a highly damaged figure who has journeyed to the remote Moose Hollow campgrounds with his son, Elias.  However, despite the serene setting, nothing is quite what it seems, especially with strange alien sightings and evidence that Marcus and Elias were lured to the camp by the serial killer responsible for destroying their family.  Robinson does an interesting job of setting up a lot of key elements in the first part of 30Seven, especially as you are introduced to the key cast of fellow campers, as well as some early information about potential alien encounters.

While this first part of the book moves quickly and effectively draws the reader in, Robinson makes sure to kick the narrative up a notch with the sudden abduction of the entire protagonist group by a UFO, a moment that changes 30Seven’s entire status quo.  Not only do the characters now have to deal with terror caused by interacting with telepathic aliens but the abduction awakens the serial killer, who begins a murderous reign of terror aboard the ship.  What follows is a horrifying jaunt as Marcus tries to find and protect his son amid disastrous alien first contact, while a deranged killer stalks around them, butchering and artistically posing multiple victims.

The entire second half of 30Seven is so damn good, and I loved just how dark things ended up getting, with so many gruesome horrors.  The clash of fascinating alien interactions against human insanity makes for an intense and fast-paced story, and you race towards the end eager to see who the killer is.  Everything leads up to a fantastic final confrontation, where all the author’s twists come to light.  While I saw part of the big reveal coming, the full extent of it was very impressive, and it makes you rethink everything that took place earlier in the novel.  Readers will come away very satisfied, if a little disturbed, and Robinson does an amazing job wrapping up the entire story and ensuring this was a tight and captivating read.

30Seven ended up being a spectacular novel, and I really enjoyed the unique feel that this book had.  Featuring an alien abduction narrative that devolves into a horror-laden slasher novel, Robinson perfectly emulating both genres to pull together an intense read.  The resulting story is unique, and Robinson expertly tells it through a primary first-person perspective which allows readers to have a front-row view of 30Seven’s crazy carnage.  I loved how the book got darker the further you went along, with Robinson moving the story further into the horror genre, especially when it comes to having the bodies displayed as artworks (a certain moving art exhibit was particularly disturbing).  This really ups the tension of the plot, and you are constantly on edge all the way through the final clever reveals.  Throw in some interesting thoughts about the potential for alien life, the influence they’ve had on humanity, as well as some interesting concerns about the rise of AI, and this ended up being a very clever and well-written novel.

Robinson always excels at creating likeable figures for his readers to follow, and 30Seven was no exception, featuring an interesting collection of major characters.  Unsurprisingly most of the focus goes to main protagonist, Marcus Lockwood, who serves as the novel’s primary point-of-view character.  A clever and relatable father, who has been severely traumatised by the recent murder of his wife, Marcus serves as a great heart to the story, especially as he encounters the horrors of Moose Hollow.  I felt that Robinson did a good job at painting Marcus as an excellent everyman hero, with some very understandable reaction to events going on around him.  In addition, the first-person perspective allows Robinson to really get stuck into Marcus’s trauma, allowing for an authentic and powerful look at a grieving father’s fear, attempts to protect his child, and establish a new connection.  All this allows for a fantastic emotional ride, which enhances 30Seven’s main narrative, while pushing the plot in some interesting directions.

In addition to Marcus, 30Seven features a great collection of supporting characters who help or develop the protagonist’s journey in some compelling manners.  Most of these supporting characters are fellow campers at Moose Hollow, whose connection to the camp and previous alien encounters provide some interesting side-plots and hints at what is to come.  I don’t want to go into too much detail about these supporting characters, especially as it could spoil who is and who isn’t the antagonistic serial killer.  However, I will say that each of these supporting characters are well utilised, even if they have an untimely and brutal death.

The one character I do want to go into a little more detail about is the serial killer antagonist of the story.  A sinister shadow for some of the early parts of the book, this serial killer awakens when the first alien abduction occurs, and you start seeing parts of the novel from their perspective.  These additional perspective shots are some of the best parts of 30Seven, primarily because the killer talks to an unseen watcher that also acts as a proxy for the reader themselves.  The resulting sarcastic commentary from the killer as he haunts the ship and the protagonists is so damn brilliant and adds a dark bit of humour to the story.  There are also some extremely clever moments as the killer seems to taunt the reader with his words, while also providing hints about who he really is.  The final reveal about the figure behind this narration is impressive, especially as it twists the hints around, while the killer mocks readers who guessed wrong (or even partially right).  I laughed so damn hard at some of the jokes Robinson loaded into the killer’s chapters (especially those that seem personally aimed at cynical readers like me), and these sections were some of my favourites in the book, especially when they attacked my preconceived notions of how the plot should unfold.  Honestly all the characters in 30Seven were great, and I really appreciated the amazing depth, complexity and humour they added to the plot.

As has been habit with all the previous Jeremy Robinson novels I have enjoyed, I ended up grabbing the audiobook version of 30Seven.  This format always works extremely well to enhance Robinson’s outstanding and crazy narratives, and 30Seven is no exception to this, as I quickly powered through its near 12-hour long runtime.  A lot of this is down to the exceptional narration of Scott Brick, who proves to be an interesting replacement to Robinson’s usual audiobook collaborator R. C. Bray.  Brick, whose work on the Orphan X by Gregg Hurwitz and Cotton Malone by Steve Berry audiobooks I’ve previously enjoyed, is a very talented narrator who brings his substantial experience with voicing thriller novels to this complicated read in all the best ways.

Despite this being Brick’s first time narrating one of Robinson’s novels, I felt that Brick did an outstanding job adapting to the author’s style.  Not only does he have a little more energy in his voice when reading out the over-the-top science fiction action, but he also perfectly expresses Robinson’s excellent humour.  I also really liked the fantastic voices that Brick pulled together for the extended cast of 30Seven.  While a couple of voices were similar to tones Brick used in previous audiobooks, most of the cast sounds unique, and you’re able to easily distinguish between the characters.  I especially loved the old, wise voice he gives to Emmett, the camp caretaker, while the over-worldly voices of several alien characters were well done.  However, it is the sinister and delightfully malicious tone that Brick utilises in the various interludes where the serial killer is seemingly talking to the reader that was the true highlight of this audiobook’s narration.  The sarcastic and mocking voice that comes out here was just perfect, and I loved how it helped increase the threat this mysterious figure had.  All this results in an exceptional audiobook, which does an incredible job showcasing Robinson’s compelling story.

The brilliant and dark mind of Jeremy Robinson was once again on full display with his new novel, 30Seven.  A wonderfully twisted science fiction novel that sets a serial killer loose on a spaceship with dark results, 30Seven was an outstanding standalone novel I couldn’t get enough of.  Clever, shocking and highly addictive, 30Seven was an incredible novel and it was one of my top books so far this year.  I will definitely be reading more Robinson in 2026, and I cannot wait to try out either the recently released Parallax or the upcoming novel Settle Down when I get a chance.

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A Sociopath’s Guide to a Successful Marriage by M. K. Oliver

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Publisher: Hemlock Press (ebook – 31 December 2025)

Series: Standalone/Book One

Length: 384 pages

Rating: 4.75 out of 5 stars

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Brillant new author M. K. Oliver presents one of the more entertaining novels of early 2026, with the wonderfully devious and captivating book, A Sociopath’s Guide to a Successful Marriage.

Plot Synopsis:

There’s a dead body in my living room.

I’ve not called the police because it was I who stabbed him. Seven times in all. The truth is, it’s surprisingly difficult to dispatch someone with a vegetable knife.

In case you’re wondering, the dead man is not my husband. I do resent our pitiful sex life and his woeful lack of ambition, but I wouldn’t murder him for it. Not yet, anyway.

Right now, I have far more pressing scheming to get my daughter into the perfect school; buying my dream home in Hampstead; and disposing of a corpse.

A woman’s work is never done. I’ve created the perfect life – and I’ll kill to keep it.

A Sociopath’s Guide to a Successful Marriage was a fantastic and very amusing crime fiction thriller that I honestly couldn’t get enough of.  The debut novel of M. K. Oliver, A Sociopath’s Guide to a Successful Marriage perfectly utilised it’s delightfully deceitful and pragmatic protagonist to tell an outstanding story.

Oliver pulls together an awesome and insane narrative for A Sociopath’s Guide to a Successful Marriage, which follows a particularly compelling protagonist in Lalla Rook, a busy wife, mother and relentless sociopath, with dreams of a bigger home and getting her daughter into the perfect private school.  However, Lalla’s plans threaten to come crashing down around her when she brutally murders an intruder who breaks into her home before her child’s birthday party.  What follows is a deeply entertaining romp of secrets, lies and ambition, as Lalla tries to balance achieving her goals for the future with disposing of the dead body currently hidden in the house.  Oliver builds a very amusing and fast-paced story around this, as Lalla soon encounters problems with inconvenient witnesses, prying police, and a whole second murder.  These problems brought on by the inopportune murder blend with the protagonist’s other issues, including with her disinterested husband not working hard enough to achieve the career goals Lalla set for him, her controlling mother-in-law trying to destroy her marriage, her daughter is starting to showcase similar sociopathic tendencies that are ruining her chances at an elite academic institution, and the constant issues of her social-climbing friends.

These fun elements come together into a very entertaining story, and it is a ton of fun to watch A Sociopath’s Guide to a Successful Marriage’s ruthlessly pragmatic protagonist deal with each of these issues in her own manipulative and intense way.  Of course, things continue to get further out of hand for Lalla as the narrative continues, with the mysterious dead man who started her recent misadventures having a connection to dark secrets from her past.  Worse, Lalla soon finds her carefully constructed life starting to come crashing down as her plans hit annoying snags as those closest to her are plotting against her.  I love how well Oliver showcases the protagonist losing control in the last third of this book, and it really ups the stakes of A Sociopath’s Guide to a Successful Marriage, especially as you have no idea just how far his protagonist is going to go to achieve her goals.  The final part of this book came together extremely well, as the protagonist’s various schemes and problems blend into a series of manipulations and deadly encounters, which results in a highly entertaining and chaotic conclusion.  The result was pretty damn perfect, as nearly every character gets exactly what they deserve thanks to some hilarious and insightful carnage.

I must admit I was quite surprised when I found out that A Sociopath’s Guide to a Successful Marriage was Oliver’s very first novel, as it was impressively well written.  Featuring a fast-paced narrative perfectly told from the first-person perspective of a particularly captivating protagonist, A Sociopath’s Guide to a Successful Marriage blends a thriller narrative, loaded with personal tales of deceit and murder, with some fantastic humour set around an amazing protagonist.  This protagonist, Lalla, allows for much of the book’s comedic charm, as you watch her casually manipulate those around her to get what she wants.  Oliver does such a good job of capturing Lalla’s sociopathic nature with his writing, and I loved his take on this amazing female character.  The way this protagonist goes after what she wants with no shame or regret, while being completely aware and uncaring of the impact she is having on those around her, is very refreshing and entertaining, and while you know she is evil, you can’t help rooting for her.

It helps that even though Lalla is a murderous and manipulative figure, she honestly isn’t the most selfish character in the book, and it proves quite fun to see the resourceful Lalla go up against the spoiled upper-class housewives, corrupt businessmen and other elites in her quest to get what she wants.  This great character-driven humour is further enhanced by some amusing examinations of ambition and avarice in various forms, especially as some characters get exactly what they are looking for in some very unlikely ways.  This all deeply enhances Oliver’s very impressive story, and I really enjoyed just how hilarious and thrilling this story could be in equal measures.

Overall, A Sociopath’s Guide to a Successful Marriage was an outrageous and hilarious debut thriller that I cannot recommend enough. M. K. Oliver did a remarkable job with this first book, and I loved the wildly entertaining scenario he created and the brilliant story he wrote around it.  Clever and funny in equal measure, A Sociopath’s Guide to a Successful Marriage was an incredible read and I cannot wait to see what amazing books Oliver writes in the future.

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Whisper in the Wind by Luke Arnold

On By The Unseen LibraryIn Australian, Fantasy, Five-Star Books, Murder Mystery3 Comments

Publisher: Orbit (Trade Paperback – 29 April 2025)

Series: Fetch Phillips – Book Four

Length: 381 pages

My Rating: 5 out of 5 stars

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Australian author Luke Arnold delivers another incredible fantasy hit with his deeply impressive fourth novel, Whisper in the Wind.

In recent years, one of my favourite fantasy series has been the underrated but always amazing Fetch Phillips Archive.  Written by Australian actor Luke Arnold, who has very successfully transferred to a whole new career, the Fetch Phillips series is a clever and memorable urban fantasy series with an amazing, if dark, twist to it.  Primarily set around the fantasy metropolis of Sunder City, the Fetch Phillips books showcase the aftermath of a worldwide catastrophe that destroyed all magic and permanently warped the various magical citizens of the city into disfigured mortal beings.  Following titular investigator and odd-job man Fetch Phillips, a human partially responsible for the disaster, the books see Fetch attempt to solve unique crimes in the ruined city, while also looking to bring back magic in the face of human technological progress.  All three previous books in the series have been very impressive, including The Last Smile in Sunder City (one of my favourite debuts and Australian novels of 2020), Dead Man in a Ditch and One Foot in the Fade (one of my favourite Australian novels of 2022).  I have been eagerly awaiting this fourth book for a while, and Whisper in the Wind really did not disappoint.

Plot Synopsis

The fourth instalment of Luke Arnold’s Fetch Phillips series, Whisper in the Wind, takes readers to a very different Sunder City. One where government corruption is rampant and tensions are rising.

Fetch is done being a hero. Once a detective, all he wants now is to run his cafe in peace. Sunder City is still recovering from the sudden and violent end of magic, and if one man can’t solve all its problems, he can at least stop some people going hungry. But when a kid on the run shelters in Fetch’s cafe, and a chain of gruesome murders begins among Sunder’s high and mighty, trouble is brought to Fetch’s door.

There’s a word whispered on the wind, and that word is revolution…

Whisper in the Wind was another exceptional novel from Luke Arnold, who is very clearly getting better as an author with each new book he writes.  Bringing his damaged protagonist back into action, Whisper in the Wind was another extremely clever and impressive fantasy crime novel that makes full use of the author’s exceptional imagination and world-building.

I really enjoyed the new story that Arnold came up with for Whisper in the Wind, which, thanks to its great combination of a complex mystery, compelling characters and some ongoing storylines about changes to a former magical land, is probably the author’s best work yet.  Arnold starts the story off very effectively by showcasing returning protagonist Fetch Phillips as a changed man, no longer obsessed with trying to return the magic he helped destroy.  Managing his friend’s café in peace, Fetch is dragged back into the chaotic life when one of the city’s police officers is murdered after talking to him.  Initially trying to stay out of it, Fetch is blackmailed into investigating some additional killings plaguing the city, seemingly caused by acts of magic.

Arnold sets up this early part of the story extremely well, and you are once again dragged into Fetch’s often unsuccessful attempts to make his city a better place.  Things get very intense as the story continues, especially as it becomes apparent that the murderer has started targeting the city’s elite who are responsible for handing effective control of Sunder City over to a ruthless corporation that Fetch has long opposed.  Caught between various big players, Fetch tries to find the killer and uncover the latest corruption besetting his city from those in charge.  There is a great mixture of compelling investigation which dives into some outstanding character arcs and some fantastic action as the protagonist gets closer to his goal.  Arnold throws in some amazing and powerful twists as the reader gets towards the end of Whisper in the Wind, and the dark revelations play into the author’s long-term storytelling extremely well.  I loved the complex revelation about who the killer was and why they were doing their crime, as well as final big moments of the plot as Fetch shows the reader what kind of hero he really is.  Ending the book on a fantastic cliffhanger that brings back some interesting moments from the very first book, the entirety of Whisper in the Wind’s narrative was extremely awesome, and I honestly could not get enough of it.

As I have mentioned above, Luke Anrold has really gotten better as an author since starting the Fetch Phillips series, and I think that Whisper in the Wind showcased how good an author he really is.  Perfectly continuing the series from the turbulent conclusion of One Foot in the Fade, Arnold once again paints a compelling picture around a despondent former hero who is only now finding his way again.  This book’s mystery is probably one of Arnold’s best, as he presents an excellent conspiracy laden plot that presents as much tragedy as possible.  The author also once again expertly utilises his chaotic setting to really enhance his narrative, forcing the protagonist to deal with his past mistakes as well as the pliable nature of people.  A lot of the story revolves around a focus on how the wealthy and powerful manipulate the working classes through lies, fear and promises of safety and comfort, which has a certain real-world resonance to it, especially after the last year.  Arnold handled these elements extremely well, especially as it provided extra despair to his already damaged protagonist in a particularly relatable way.  The result is a particularly powerful read, that provides an exceptional balance of mystery, character growth, and a focus on the author’s unique fantasy elements.

While Whisper in the Wind would likely work well as a standalone novel for new readers, especially as Arnold is able to provide useful in-text recaps of the relevant prior books, this book is probably best read by those who have enjoyed the previous Fetch Phillips novels.  The author brings back a lot of ongoing storylines from these books, especially those involving the human corporate takeover and modernisation of a formerly magical city, which is quite fascinating.  In addition, reading the other Fetch Phillips books allows readers to get a lot more emotional impact from Whisper in the Wind, especially as you get some much better insights into the protagonist’s growth as well as his ongoing trauma and despair.  I personally also loved seeing more of the world that the Fetch Phillips books are set in, especially the changes around the main setting of Sunder City.  It has been fascinating to watch Arnold’s continued world-building since the first book, and he has turned this setting into some unique and distinctive.  I honestly cannot wait to see what changes come to this world next, and Arnold has some interesting avenues when it comes to continuing his current storylines.

A lot of Whisper in the Wind’s strength, and indeed that of the whole series, lies in the excellent portrayal of the titular protagonist Fetch Phillips.  Arnold has done an exceptional job turning Fetch into a highly tragic and repentant figure who was manipulated into betraying the magical races and taking away their power.  Fetch’s growth from the first book has been very impressive, especially as he spent much of that time trying to undo the damage he did, before he was worn down by hopelessness and the machinations of the powerful who like the new status quo.  This new book sees a somewhat healed Fetch who has managed to find a more peaceful life and has become an impromptu mentor to several younger characters.  However, the spectre of his past and his frustrations with the world around him keep coming back to haunt him, and he finds himself in the fight again, although this time in a more thoughtful and less emotional way.  I enjoyed the compelling and understandable changes to Fetch’s personality in this novel, playing off his prior failures extremely well, and his genuine attempts to stay out of trouble this time allowed for a refreshing change in narrative focus.  Despite his best efforts, Fetch once again has his life unravelled, and his attempts at being a hero backfire on him again.  Still, there was some genuine growth here, and I really appreciate the compelling way Arnold explores and enhances this great protagonist as the series continues.  Throw in an excellent collection of supporting characters, as well as some wonderfully despicable corporate adversaries, and the cast of this book was extremely awesome, and added a lot to both the story, and the emotional impacts of Whisper in the Wind.

Luke Arnold continues to impress as one of Australia’s more captivating current authors of fantasy fiction.  His fourth Fetch Phillips novel, Whisper in the Wind, was so damn good, and I honestly could not get enough of his elaborate and addictive plot, loaded with clever mystery and complex characters, all set in a unique fantasy world.  I must give Whisper in the Wind a full five-star review, and this ended up being one of my favourite books of 2025.  A highly recommended read, if you are a fantasy fan and you haven’t tried the Fetch Phillips series yet, you are missing out.

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Best Offer Wins by Marisa Kashino

On By The Unseen LibraryIn Thriller1 Comment

Publisher: Doubleday (Trade Paperback – 2 December 2025)

Series: Standalone/Book One

Length: 275 pages

Rating: 4.75 out of 5 stars

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First-time author Marisa Kashino provides one of the more entertaining and devious debuts of 2025, with the wonderfully twisted and deeply addictive novel Best Offer Wins.

Plot Synopsis:

How far would you go to get the perfect home?

There was a time when Margo thought she knew. But that was before a soul-destroying eighteen months of house-hunting hell.

Now she’s not sure. Her life, her marriage, her family, her career are dangerously out of control and all she needs is a new home to get them all back on track.

So when the ideal house comes up, desperate measures are called for. A little online stalking. Some sneaky surveillance of the property in question. Befriending the owner. All reasonable enough, right?

But soon it’s clear that nothing is off limits, because when your best offer might not win, then you just need to do what it takes…

Best Offer Wins was an outstanding and captivating debut novel that dives into a very relatable topic in the most insane way possible.  Perfectly encapsulating the dark side of desire and desperation, Best Offer Wins was an impressive first outing from Kashino, who crafted an excellent thriller narrative that is both twisted and hilarious in equal measure.

I loved the crazy crime fiction story that Kashino envisioned for Best Offer Wins, which keeps pushing its delightfully deranged protagonist over the edge and dragging the reader along.  The book starts off quick and fast with a great introduction to main character Margo, and you are soon drawn into her desperate desire to break into Washington D. C.’s housing market.  Finding the perfect house, Margo attempts to ingratiate herself with its current owners, only to face backlash and humiliation when her scheme is revealed.  Still desperate to obtain the house, Margo takes her obsession to the new level and soon embarks on a campaign to find dirt on the current owners and force them to sell to her.

Kashino paints a fantastic picture of the protagonist’s overwhelming obsession at this point of the book, as her need to have the house and the perfect life it represents pushes her to take greater risks to get what she wants.  You honestly don’t know just how far Margo will go, as she manipulates, lies and even resorts to blackmail to get what she wants.  Things continue to further devolve as, after finding out some damaging truths, she decides to go all in to get her way, which has devastating results for everyone around her.  I loved how this final third of Best Offer Wins comes together in a way which is so fantastically over-the-top and crazy.  While I did see the shape of Best Offer Wins’ big twist in advance, getting there is so damn fun, as is the full extent of the protagonist’s plot.  I really loved how well Kashino wrapped her compelling book up, especially as she leaves the book on an excellent dark note, and readers will come away very satisfied and entertained by the entire outrageous narrative.

I have to say that I was really impressed with Kashino’s writing ability in Best Offer Wins, considering that this was her very first book.  The author debuted a crisp and engaging style in this novel, expertly utilising the first-person perspective of her slowly deteriorating protagonist to fully tell her tale.  The author cleverly makes obsession and desperation the central themes for Best Offer Wins, which works as they are so relatable to the reader through the housing market aspect of the novel.  I’m sure I’m not the only reader that struggled with house hunting in recent years, and while I personally never resorted to murder or blackmail (I can’t speak for my wife/editor though), the feelings of despair and loss that accompanied missing out on a house your heart is set on were very understandable.  Utilising the emotions behind this real-world issue in the plot and then turning it into a fast-paced and relentlessly entertaining novel that keeps you constantly on the edge of your seat thanks to perfectly escalating series of events really showcased Kashino’s excellent writing talent, and the resulting narrative was something very special.  I can think of a better way to highlight just how well written this book is than to reveal that I read it in one solid reading session, as there was honestly not a single moment when I wanted to put Best Offer Wins down.

I can’t move away from discussing how good Best Offer Wins was without mentioning the main character, Margo, who was simultaneously one of the most entertaining and most despicable protagonists of 2025.  Starting off as a seemingly normal figure whose early unusual quirks and behaviours can be explained away by her depression over the housing market, you soon begin to realise that Margo really isn’t a good person.  Not only does she quickly start pushing the boundaries of social norms when it comes to getting her dream house, but thanks to her narration of events you realise how little she thinks of the people around her.  Her casual self-discussion about how she manipulates her husband and the clear distain she has for the other people in her life is very off-putting, and even some intriguing insights into her troubled childhood that explain her obsessions really don’t raise too much sympathy for the reader.  Despite this, there is never a single moment where you consider turning away from Margo’s story, mainly because of just how entertaining she is, and due to how far she is willing to take things, uncaring of the impact it has on those around her.  Margo’s story is essentially a slow-motion trainwreck, and you really can’t turn away as she goes further and further to get the house she wants.  However, as you near the end of the book you begin to realise just how calculating and targeted the protagonist truly is, as Margo soon gets everything she wants in a particularly diabolic manner.  I had such a brilliant time following Margo in this novel, and Kashino did an amazing job writing an outstanding story around this complex and twisted protagonist.

Overall, I felt that Best Offer Wins was a particularly incredible debut thriller from Marisa Kashino, who delivered something particularly special here.  Combining a twisted narrative with a topic a lot of people are going to have strong feelings about; Best Offer Wins was a highly entertaining and powerful read from start to finish.  Compelling, clever, and very deranged, Best Offer Wins hooked me so damn fast, and I cannot recommend this novel enough.

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The Strength of the Few by James Islington

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books6 Comments

Publisher: Text Publishing/Audible Studios (Audiobook – 11 November 2025)

Series: Hierarchy – Book Two

Length: 31 hours 8 minutes

My Rating: 5 out of 5 stars

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Australian author James Islington continues his Hierarchy series in epic form with the incredible and complex novel, The Strength of the Few, an outstanding and highly addictive fantasy novel that I had an incredible time getting through.

Back in 2023, I had the pleasure of reading the outstanding novel, The Will of the Many from James Islington, which I very quickly fell in love with.  Following a fugitive prince who finds himself enrolled in an academy for the children of the elite members of the nation that conquered his homeland, The Will of the Many had an intricate plot that forced the protagonist to deal with elaborate ancient puzzles, the unique magic of his world, unlikely friendships, deadly rebels, and all his hidden secrets potentially becoming uncovered.  I had such an amazing time reading The Will of the Many that it got a very easy five-star rating from me, and it ended up topping several of my end-of-year lists for 2023, including my favourite book, audiobook, new-to-me author and Australian fiction lists.  Unsurprisingly, I have been keen to see how the series would continue ever since I finished the final page of The Will of the Many, and the long-awaited sequel, The Strength of the Few, was one of my most anticipated novels of 2025.  I started reading The Strength of the Few the second I could, and it turned out to be another captivating read, with a plot that goes in some captivating and intense directions.

After infiltrating the Academy and running the mysterious Labyrinth, the man known to the Catenan Republic as Vis Telimus thought that he would finally understand some of the secrets of the nation that destroyed his people.  However, his encounters within the Labyrinth have instead resulted in the impossible and placed him in the firing line of an ancient evil determined to destroy his world.

While the original Vis continues to live in the Catenan Republic, attempting to avenge the massacre of his Academy classmates and friends at the Iudicium, he is unaware that the ancient devices within the Labyrinth replicated him across three separate words.  Mirrors of each other influenced and altered by different history, the worlds of Obiteum, Luceum and the world Vis already knows as Res, are divergent places, each with their own troubles, rulers and chaos.

Now one of the few beings existing across all three concurrent realities, Vis stands as the only person who can stop the upcoming Cataclysm that will burn away all he loves.  But first he needs to face the different challenges each world has for him, especially as he truly belongs in none of them.  Forced to fight, to learn how to control the unique powers his situation has granted him, and to understand the different worlds they find themselves in, all three versions of Vis will be pushed to their limits as they try to prove themselves and understand the secrets behind their unlikely journey.  If any version of Vis fails, then all their chance to stop the Cataclysm are finished.  But can Vis really survive in three separate realities, each of which is filled with beings who desperately want him dead?

Well damn, now that’s how you do a sequel.  The Strength of the Few was an incredible novel as James Islington expertly continued the elaborate and ambitious narrative of his epic Hierarchy books.  Featuring a layered story loaded with complex world-building, intricate story details and compelling characters, The Strength of the Few was an exceptional novel that gets a very easy five-star rating from me.

Islington came up with an especially complex and powerful story for The Strength of the Few, which served as a very worthy follow-up to the compelling events of the previous Hierarchy book.  Right out the gate readers are treated to an intricate plot, with the protagonist from The Will of the Many split into three different versions of himself in three separate mirror worlds.  Each version has its own very distinct narrative that revolves around that specific Vis trying to overcome the challenges of that specific world.  For example, the version of Vis on Res, the world that The Will of the Many was completely set in, continues to endure the politics of the Hierarchy, while also attempting to uncover those responsible for the massacre of his classmates at the end of the previous book.  The storyline set on Obiteum is a bit of a post-apocalyptic narrative, as Vis is forced to survive a broken world ruled by the enemy responsible for several previous Cataclysms, and must try to find a way into a forbidden city, half staffed by the living dead.  The final storyline set in Luceum offers a much more adventurous narrative, as a version of Vis that is completely unaware that he is in an alternate world, is forced to explore a new culture and attempt to survive amongst people who have no idea of his past or his destiny.

These three separate and very distinctive storylines each go in some interesting directions as the book continues, and the result is a very impressive and compelling overall narrative, especially as Islington expertly sets up necessary details in the early stages of the book and cleverly builds from there.  For most part, each of these storylines stay isolated, although some key details from each bleed into the wider narrative, and you can appreciate the significance of certain events or revelations in one storyline better thanks to the events in one of the other worlds.  Each plot line goes in some very interesting directions, with the dark politics of Res forcing Vis to engage in some complex schemes and deceptions, the struggles of Obiteum slowly getting to an isolated version of the protagonist, while positive character interactions in Luceum turn that Vis into a completely different person.  Islington starts to enhance the tension of all three storylines in the second part of the book, and there are some very amazing scenes that completely change the tone of each of the main storylines.  I felt the political instability of Res allowed for some particularly powerful moments, especially after a shocking scene about two-thirds of the way through book.  A growing war in Luceum also provides some compelling drama for that storyline, as Vis must decide what he wants in life, while the continued threat of discovery in Obiteum proves to be particularly draining.

The final third of the book contains some of the best scenes of The Strength of the Few, as Islington builds on all the novel’s great storytelling and complex worldbuilding to bring forth an epic conclusion.  Thrusting all three versions of Vis into mortal danger, the tension is particularly thick, as the protagonist and much of the supporting cast are in constant risk.  This includes a final desperate attempt to achieve his goal of killing a god in Obiteum, which hits a range of snags amongst the ancient city Vis has spent most of the book infiltrating.  At the same time, the Vis in Leceum finds himself in the middle of a deadly war, where his unique abilities and the unlikely rewards of a deadly ceremony weigh him down.  However, the most intense is the narrative set on Res, where Vis finds himself attempting to save who he can from the chaotic events brought on by those manipulating him.  Islington probably throws the book’s most shocking moments into the Res storyline, which nicely builds on a lot of the drama and intrigue from the first novel, and forces the protagonist to make some dark decisions, out of both vengeance and necessity.  One scene where the title of the book is quoted by an antagonist really sticks in the mind, and I’m not sure I’ll be able to forgive Islington with the dark bait-and-switch there.  All three of these storylines end on an interesting note that hint of destructive events for the future, and it is going to be fascinating to see how Islington continues the Hierarchy series going forward.

Thanks to the elaborate ideas that Islington had for this epic sequel, The Strength of the Few turned out to be an exceptionally written read, which provides an intense and compelling fantasy narrative, filled with some great emotional depth.  The inventive way that the author splits the book to follow three separate versions of the same protagonist worked surprisingly well, and it allowed for quite a unique character-driven story, which really showcases Islington’s writing ability.  I felt that the split between the three distinctive storylines was very well done, and these separate narrative threads each stood on their own merits, provide a distinctive experience in each.  I loved how there was something special in each of the storylines, and you got some interesting interactions, world building and different focuses with each of them.  All three were very well written, and there were honestly no weak links with any of the storylines, which is always a risk when you split the narrative like this.  I will say that the intrigue-laden narrative on Res was a particular favourite of mine, but both other storylines were also quite exceptional, and they balanced each other nicely with their alternating themes and varied character growth.  Throw in some creative expansion of the universe the narrative is set in, with its cool Will-based magic system, and three worlds each inspired by different ancient cultures (Roman, Egyptian and Celtic), and this was a very well written book, and I really appreciate how effectively Islington builds up his different worlds and showcases them to the reader.

The Strength of the Few proved to be an impressive continuation of the Hierarchy series, and I felt that Islington did an outstanding job building on the impressive fantasy elements and storylines of the first book.  However, the complex narrative split and the way that Islington dives immediately into the story does mean that The Strength of the Few is probably best enjoyed by those readers who have already gotten through The Will of the Many.  While Islington does re-examine key elements of the plot from the first book as The Strength of the Few continues, it is a very gradual process, and new readers trying to read the sequel first are likely to get confused if they don’t know some necessary details from the first book.  The Strength of the Few might have benefited from a good summary or recap at the front of the book to remind readers of some key details, especially if they haven’t had a chance to read re-read The Will of the Many since its 2023 release.  Still, for the most part, all readers should be able to follow and appreciate The Strength of the Few, especially once you get drawn into the three compelling storylines, and people who love extremely elaborate fantasy narratives with a lot of intricate detail are going to have an outstanding time.

I was once again impressed with Islington’s great characters in The Strength of the Few, as this book has a massive cast, made up of an interesting combination of figures from The Will of the Many, and new characters from the three separate worlds of the setting.  However, most of this book naturally follows the young protagonist from the first book, who is primarily known as Vis Telimus.  A studious and damaged figure who had already gone through a lot before the events of this novel, Vis has rather a unique experience in this sequel, as unbeknown to him, there are now three separate versions of him concurrently existing in the mirror worlds of this setting.

Islington perfectly sets up and utilises this three-way split of his protagonist, and readers are soon treated to three distinct variations of the protagonist, each of whom are altered by their experiences and losses, especially the two versions of Vis who lose their left arm.  It was fascinating to see how each of the Vises are influenced and changed by their respective traumas, and how their adventures are altered by the different information or people that they meet.  For example, the Vis in Res, who is essentially the same protagonist from The Will of the Many, finds himself longing for vengeance after the events of the Iudicium, and spends much of the book angry and forced to endure politics and lies.  The version of Vis on Luceum, while feeling lessened by the loss of his arm, soon finds peace in his new setting, and his eventual motivations for fighting and living are very different from his other incarnations, especially as he finds friends he can trust completely.  Finally, the Vis on Obiteum is one of the more confident incarnations of the protagonist, having full knowledge of the upcoming Cataclysm and his place in the three worlds explain early in the book.  As such, he soon becomes the most competent at utilising his Will talents and appears the most undamaged of the three due to not losing his arm.  However, in many ways the Obiteum Vis is the worst off out of all versions of the protagonist due to his isolation, the desolate surroundings, and the early expectations of murder and potential death that are thrust upon him.  I really cannot emphasise just how clever the split between these different variations of the protagonist is, especially with the subtle differences and alternate reactions to similar events or situations. It really makes for quite a distinctive and moving read, especially as all three versions of Vis experiences even greater trauma and damage as this sequel continues.

While Vis is the obvious focus of The Strength of the Few, there is a huge supporting cast utilised throughout this book, including various characters only found on each distinctive world.  Indeed, each version of Vis picks up its own supporting cast, which allows for some very different interactions in each of the major storylines.  Highlights include many of the recurring characters from the first book who serve as Vis’ friends and mentors in Res.  There is a particular focus on Eidhin and Aequa, who have an expanded role as Vis’s main confidants in this novel, and I liked some of the powerful storylines that formed around them.  Other major supporting characters from the first novel are showcased to a lesser extent in this sequel, primarily due to the book being split into three separate parts, although many of these characters still got a notable role in this sequel.

The cast supporting Vis on the desolate world of Obiteum is a lot more limited, mainly to emphasise the protagonist’s loneliness, although he does find a compelling mentor in Caeror, his adoptive uncle, who the protagonist was hunting for in the first book.  A couple of other native characters from Obiteum gain prominence later in this storyline as Vis attempts to complete his mission, and it is fascinating to see how their experiences living on a dead-world, impact their interactions with the protagonist.  Finally, the cast of the Luceum plotline represent a compelling counterpart to the supporting characters of the rest of the book.  While Vis has enemies in Luceum, he also finds several true friends who he can trust with all his secrets.  It was interesting to finally see Vis truly open up to other people, and it allowed for some very different interactions to the secrets and lies that define the protagonist in the other two storylines.  Throw in a compelling array of antagonists, as well as an entertaining manipulator who keeps chucking Vis into the deep end on Res, and this was an impressive cast for this great sequel.  It honestly was an extremely intriguing experience to have three separate casts of characters set around different versions of the protagonist.  While this narrative split did result in some restrictions when it came to character depth or a full exploration of relationships, I think the overall extended length of the book overcame this and allowed the reader to grow close to the supporting characters.  I will warn readers not to get too attached to the extended cast though, as Islington does get a little murderous as the book continues, however, all these characters are impressive while they last.

While I was lucky enough to receive a physical copy of The Strength of the Few, I ended up holding out for a little bit to listen to the audiobook version of this book instead.  I’m a big fan of audiobooks when it comes to ultra-elaborate fantasy narratives, as I tend to absorb and retain more of the details that way, and this worked out well with The Strength of the Few.  I felt that Islington’s complex story came across very effectively when read out, and all the elements, including the elaborate worldbuilding and the great character work, were well translated to the reader.  I also appreciated how the switches between the three different versions of the perspective protagonist, was easily discernible, and this was a very easy story to follow on audiobook.  The Strength of the Few audiobook saw the return of Euan Morton for narrator, who previously read out The Will of the Many, and who I quite enjoyed as a narrator of the Star Wars audiobook, Tarkin.  Morton has a very interesting cadence to his voice as a narrator, which provided a very unique edge to this audiobook.  While Morton’s narration style might not appeal to everyone, I felt that he did a good job voicing this compelling story, especially through the eyes of the complex protagonist, and his unique narration on this elaborate story worked extremely well.  I also felt that Morton excelled at pronouncing all the different names and titles that Islington featured in his plot, no matter their Roman, Celtic or Egyptian inspiration, and the characters of all three different worlds had a subtly different cadence and accent that helped to distinguish the separate storylines from each other.  As such, I really got stuck into this audiobook, powering through it quickly, even with its 31-hour runtime.  This was probably one of the more intense and moving fantasy audiobooks I had the pleasure of listening to in 2025, and I cannot recommend this format enough.

James Islington does it again with his incredible second Hierarchy novel, The Strength of the Few.  Brilliantly continuing his elaborate narrative from the first novel in a unique manner, The Strength of the Few was an ultra-addictive read, that really showcased Islington’s writing ability and imagination.  Clever, powerful and easy to get addicted to, The Strength of the Few was one of my favourite books of the year, and I cannot wait to see how Islington continues the series going forward.

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Artifact by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller4 Comments

Publisher: Podium Audio (Audiobook – 26 August 2025)

Series: Standalone

Length: 9 hours and 56 minutes

My Rating: 5 out of 5 stars

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One of my very favourite authors of outrageous fiction, Jeremy Robinson, returns with another intense and horrifying science fiction thriller, Artifact, a captivating and powerful novel I couldn’t get enough of.

Jeremy Robinson is an outstanding author who has a fantastic career writing clever, fun, and occasionally terrifying thrillers, often featuring intriguing science fiction elements.  Best known for his Antarktos Saga, Chess Team and Nemesis Saga series, Robinson has written a staggering amount of fiction over the years, including additional cool series and standalone reads.  I personally got into Robinson’s work a few years ago when I read a few books from his massive, interconnected Infinite Timeline series, including Tribe, The Dark and Mind Bullet (the latter two of which were amongst my favourite books and audiobooks of 2021), all of which were incredibly fun and addictive.  I have also started getting into Robinson’s standalone novels, such as last year’s fantastic novel Point Nemo (one of my favourite audiobooks of 2024), which contain some amazing stories.  As such, I was very excited when I got a copy of Robinson’s awesome new novel, Artifact, on audiobook, which sounded extremely amazing.  I honestly started listening to Artifact the same day I found out about it, and boy was I glad that I did.

Plot Synopsis:

In an isolated Alaskan town, the local sheriff uncovers a secret lab where generative A.I. and bioprinting have unleashed grotesque, living anomalies—and now, something monstrous is loose.

Sheriff Colton Graves prefers the quiet life in Raven’s Rest, Alaska, a remote town accessible only by tunnel and home to a hardy mix of locals and secrets buried in the ice. But when a camel wanders down Main Street—its head grotesquely sprouting a dozen eyes—Colton knows his quiet days are over. The bizarre incident leads him to NovaGen, a nearby research facility constructed inside a Cold War bunker, buried in the mountains above town. There, a trail of blood and eerie silence hints at something far more sinister than an escaped animal experiment.

With his deputies—the sharp-witted Tali and rookie Ethan—Colton recruits a few trusted locals, including the unshakable Marit, Tali’s sister, the intimidating ‘Grizz’ Norval, and Edgar ‘Old Red’ Rydell, an aging man plagued by demons from when he worked at the bunker during its covert cold war days.

Together, they investigate the abandoned lab. What begins as a search for missing scientists soon reveals chilling evidence: pools of blood without bodies, cryptic warnings left behind, a bloody six-fingered handprint, and the revelation of a new technology: a generative A.I. capable of printing living organisms. As they descend deeper into the lab, it becomes clear that the answers they seek may come at a terrifying cost—and that what was made in the dark may not be content to stay there.

Jeremy Robinson once again greatly impresses with his new thriller Artifact.  A complex and deeply clever read loaded with weird science, fantastic humour and incredible action, Artifact was an exceptional read that had me hooked very early on and kept my attention all the way to the end.  A particularly intense novel with so many amazing elements to it, Artifact gets a full five-star rating from me, especially on audiobook, and I ended up powering through it so damn quickly.

I deeply enjoyed the compelling and fast-paced narrative that Robinson featured in Artifact, which amps up the intrigue and excitement quickly and keeps it going all the way to the very end.  Starting with an enticing inciting event of a multi-eyed camel arriving in the middle of a snowed-over Alaskan town, the initial narrative of Artifact is quick and effective, with the protagonists quickly realising that something dark has occurred at the nearby and mysterious NovaGen facility.  Pulling together a band of scrappy locals, the group begin their decent into the facility, only to encounter mysterious creatures and tragic death.

Robinson soon takes the novel into twisted science fiction territory as you are shown the variety of experiments taking place in the facility.  In particular, the staff of NovaGen are bio-printing monsters and other creatures, which has inevitably gone wrong.  Forced to put an end to the experiments and save the town from potential destruction, Colton and his team continue to descend the various levels of the facility, all while being hunted by the worst monsters humans can imagine.  The author does an excellent job of building and maintaining tension throughout Artifact’s story, and you are expertly drawn into the personal struggles of the characters as they try to understand and withstand the horrors of the facility.  There are some outstanding twists and sudden deaths as the story draws towards its conclusion, and I enjoyed the mixture of shocking moments and well-crafted reveals many chapters in the making, which results in an outstanding novel where you never quite know what is happening next.  Robinson ends the book on a mostly hopeful note, along with an amusing cliffhanger, and this proved to be an impressive standalone narrative that is guaranteed to entertain.

I felt that the author pulled Artifact together in a very entertaining manner that allowed for the maximum thrills, tension and character development.  Perfectly utilising the first-person perspective that Robinson is so fond of, Artifact is a great standalone read that requires no prior knowledge of the author’s other works to enjoy (although there are a few fun references established fans will chuckle at).  The author does an excellent job of effectively setting out the key elements of Artifact throughout its run, including with the advanced science elements of the book.  These science elements are both compelling and quite interesting, and you can tell that Robinson did a bit of research into the subject.  This research allowed the author to envision some dark and horrifying creations of potentially realistic science, and I loved how the creatures the protagonist encounter was a combination of weaponised efficiency and dark human imagination.

These fantastic science fiction creations, and the dark conspiracy that birthed them, work well with the author’s Michael Crichton inspired scenario, to create a lot of excellent tension and uncertainty that keeps readers constantly on the edge of their seat.  I loved the constant uncertainty of what traumatising event was about to come out of nowhere next, and there are some great twists and reveals scattered throughout this captivating novel.  Throw in a series of particularly thrilling action sequences as the protagonists face off against printed monstrosities and the other disturbing denizens of NovaGen, and there is a lot to love about how Artifact was written, especially as it perfectly enhances Robinson’s fantastic and captivating narrative.

My favourite elements of Artifact were the complex and compelling characters whom Robinson set his narrative around.  Robinson has always excelled at creating entertaining characters, and I think he did a wonderful job pulling together a layered cast of Alaskan outcasts and rogues to fill the pages of Artifact.

The most prominent of these characters is main protagonist Sheriff Colton Graves, from whose perspective we see the events of this book unfold.  Colton is a widowed lawman who enjoys the simple life at Raven’s Rest, but who quickly rises to the challenge when strangeness invades his town.  Effectively established as a compelling and solid centre to the book’s plot, Colton is an easy character to like thanks to his fun humour, clever insights and leadership skills.  However, Robinson makes Colton even more interesting as the book continues by revealing some fascinating character details that are expertly weaved into the story.  This includes a new romance for Colton that helps him to move forward from his dead wife and serves as his inspiration to continue pushing through the horrors of the NovaGen lab.  In addition to this, the story reveals that Colton has autism and hypersensitivity, and these conditions have strong impacts on the plot and the way the perspective protagonist interacts with the world.  Robinson does an exceptional job really diving into these fascinating aspects of his protagonist, and it was clear that the author was trying to showcase the conditions as accurately as possible based on his own personal experiences.  I think that Robinson really succeeded in showcasing these character elements, and while certain aspects are no doubt enhanced to fit in with the science fiction aspects of the book, it was mostly realistic.  I really enjoyed how Robinson made Colton a particularly likeable and relatable protagonist, and he helps to make Artifact a very distinctive read.

In addition to Colton, Robinson loads up Artifact with a great collection of memorable supporting characters who are perfectly utilised in the narrative and add some entertaining spice on top of the protagonist.  Highlights for me include the troubled and mysterious Old Red, a survivalist with dark connections to facility, who serves as the groups guide and secret badass.  I also had a lot of fun with Grizz, a tough, bear-killing lady with the scars to prove it.  Colton’s deputy, Tali, was the perfect backup for the protagonist, while her sister, Marit, proved to be an excellent love interest to Colton, which resulted in some complicated and emotional sequences.  The rest of the cast, including some unique figures found in the bunker, are also quite entertaining, be they friend, bio-engineered organism, or evil antagonist, and I loved some of the amazing interactions that emerged.  I will warn readers not to get too attached to any characters, as most figures don’t last as long as you’d want, but Robinson makes full use of every character he features, even if they only have a brief life in the book.

As with all the previous Robinson novels I’ve enjoyed, I chose to check out Artifact on audiobook, which was a ton of fun.  I have always found that Robinson’s novels come across particularly well on audiobook, and Artifact was no exception as I powered through its near 10-hour long runtime very quickly.  Part of the reason why I had such a great time with this audiobook is the return of one of my favourite audiobook narrators R. C. Bray.  Bray, who has lent his voice to most of Robinson’s audiobooks, is a truly exceptional narrator, and I just love any story read out in his gravelly and distinctive voice.  This was particularly true for Artifact, where the intense action and the horrifying descriptions of the laboratory’s contents were so much more impactful thanks to Bray’s calm and powerful take on events.  Bray also expertly showcases each of the key characters of the novel, and I felt he developed fitting and personal voices for each of the members of the cast.  While I love Bray’s voice for Old Red and the slacker Jimmy, his best work was saved for main protagonist and point-of-view character Colton.  Bray has long perfected voicing Robinson’s various first-perspective protagonists, and he always manages to cover their complex personalities, dialogue and interactions extremely well.  His take on Colton was very moving in Artifact, and I felt that Bray really enhanced Robinson’s depictions of this character’s quirks and unique viewpoints on life.  Due to this impressive narration, and Robinson’s general cinematic writing style, the Artifact audiobook is exceptional, and it’s easily the best way to enjoy this novel.

With all the chaotic action, crazy science fiction elements, and great character I’ve come to expect from Jeremy Robinson, Artifact was an outstanding novel I had a blast getting through.  Featuring a thrilling plot, laden with shocks and monsters, Artifact grabs the reader’s attention early and refuses to let go.  This book comes very highly recommended from me, especially on audiobook, and anyone keen for a horror-filled and deeply intense thriller is going to have an outstanding time with Artifact.

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The Eye of the Bedlam Bride by Matt Dinniman

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Science Fiction, Throwback Thursday5 Comments

Publisher: Soundbooth Theater (Audiobook – 2 July 2023)

Series: Dungeon Crawler Carl – Book Six

Length: 26 hours and 46 minutes

My Rating: 5 out of 5 stars

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The chaotic fun of Matt Dinniman’s Dungeon Crawler Carl series continues in epic fashion with the ultra-impactful and deeply addictive sixth entry in the series, The Eye of the Bedlam Bride, an exceptional novel designed to strike hard at the reader’s emotional heartstrings.

As you might have guessed from my recent flurry of reviews for this series, I am seriously in love with the Dungeon Crawler Carl books.  An impressive and surprisingly deep LitRPG series, the Dungeon Crawler Carl novels follow a collection of compelling characters as traverse a deadly fantasy dungeon created from the ruins of all of Earth’s buildings by aliens for intergalactic viewing content.  Set around a damaged protagonist and his excitable and now sentient cat, these books are deeply addictive, and once you start the series you really can’t stop.  Indeed, I literally just chain-read the entire series, with awesome books like Dungeon Crawler Carl, Carl’s Doomsday Scenario, The Dungeon Anarchist’s Cookbook, The Gate of the Feral Gods and The Butcher’s Masquerade all proving to be outstanding reads.  I loved these previous books so much, that I instantly started listening to the sixth book in the series, The Eye of the Bedlam Bride, the first chance I got, and boy was I in for an incredible time with it.

After barely surviving the Butcher’s Masquerade and then witnessing the surprising end to the seventh floor, Carl and Princess Donut are exhausted and traumatised by recent losses.  However, they have no time for rest as they find themselves thrust into the dangerous eighth floor of the dungeon.  One of the most ambitious levels so far, the eighth floor is based on a map of Earth’s final days, filled with intangible ghosts of the humans who wandered the world mere weeks before the planet’s death.

However, this is not a perfect replica of Earth; instead these locations have been seeded with monsters and mythological figures based on twisted accounts of Earth legends, with each creature tied to the geographic area their folklore originated.  To complete this level, the crawlers are tasked with finding and capturing six of these monsters and turning them into cards, which can then be summoned to fight alongside their new owners.  Each team will need to find and convert as many powerful creatures as possible to create the best decks, especially as they will be forced to face off against mobs and other crawlers with their own cards.

Unexpectedly starting in Cuba, Carl and Donut navigate an unfamiliar location as they try to learn the new mechanics of the game.  Determined to get to the next floor, Carl and Donut endeavour to find the best monsters they can.  However, the stronger the monster, the less controllable the card, and Carl and Donut will soon have their hands full managing a strange array of summonable creatures, including the legendary demon Shi Maria, who has far more independence than they would like.  Can Carl and Donut survive this new floor of the dungeon, or will they finally be crushed by their dark secrets, troubled pasts and Carl’s slowly eroding sanity, especially once he looks into the eye of Shi Maria, the Bedlam Bride?

Just when you thought this series couldn’t get even better, Matt Dinniman amps up the intensity and complexity of his plot and characters a whole additional notch, with one of the more moving and powerful entries in the entire series.  The Eye of the Bedlam Bride was an absolute masterpiece that featured the author’s trademark LitRPG chaos, while really showcasing his impressive writing ability.  One of the best books in an already incredible series, The Eye of the Bedlam Bride was so damn good, and it gets a very easy five-star rating from me.

Dinniman pulled together another brilliant narrative for his sixth Dungeon Crawler Carl novel, as They Eye of the Bedlam Bride perfectly continued the long-running series storylines while also presenting its own unique adventure.  Thrusting the protagonists into a complex new level, Dinniman quickly showcases all the floor’s new elements, including a fun card-based combat mechanism that fits into the existing dungeon battle system surprisingly well.  While the pacing is initially a tad slower to ensure the readers fully appreciate all the necessary lore and gameplay details of this book’s plot, Dinniman quickly works to show that The Eye of the Bedlam Bride isn’t a filler novel between the pivotal fifth and seventh books.  This becomes especially clear during a major sequence that requires Carl and Donut to make a deadly choice while surrounded by several vengeful gods.  Dinniman also makes sure that a major secret from the previous book is brought into the light early, complicating protagonist relationships and presenting them with dark choices.  Dinniman swiftly follows this up with some very awesome sequences, such as Carl and Donut coming face-to-face with their most problematic card, demonic carnage in a night club, and problems from the wider universe caused by Carl’s ambitious and rebellious plots.

While all these early elements are great, The Eye of the Bedlam Bride hits its storytelling height about halfway through, as Dinniman amps up the emotional stakes of the narrative.  Forced to compete in a gruelling series of battles that test the unique fight mechanics of the floor, the protagonists find nothing but heartbreak as they near the end of the second phase of the level, including a truly horrifying and deeply personal big boss.  All this follows a series of impactful personal revelations for Carl, that hit his already fragile mental state hard and finally provides full context for character background elements that have been hinted at throughout the series.  This central part of the story was so damn heartbreaking, and you really must appreciate how Dinniman can make you laugh before loading up substantial sorrow and regret and producing some beautifully crushing sequences.  While these scenes are emotionally charged, I appreciated how Dinniman often tempered them with more heartwarming moments that show the connections the protagonists have built up during the series, and the author does some amazing character work in the second half of this book.

Everything perfectly leads up to the incredible final third of The Eye of the Bedlam Bride, as Dinniman raises the stakes as only he can.  With the protagonists forced to compete in a brutal third and final phase of the floor, events soon break down into pure chaos with undead hordes, demonic possessions, crazed gods and various rival crawlers all coming into play.  Dinniman keeps the story moving so fast in this last part of the book, as the protagonists dive into key battle after key battle.  I actually ended up listening to the last several hours in one day as I just had to see what happened next.  Following one of the most tragic scenes in the series, which nearly broke me, Carl and Donut race to save as many people as they can from the AI’s inventive endgame, leading to an all-out battle royal in the middle of Cuba.  I loved how so many story elements from the entire book came into play for the conclusion after some clever set up earlier in the plot, resulting in some very epic moments.  The ending was a brilliant mixture of humour, intense action, extra lore, and some particularly dark moments for the protagonists, which came together beautifully and ended the novel on a real high.  Throw in some last-minute reveals that really amp up the excitement for the next book, and this was pretty much a perfect narrative that is guaranteed to keep you hooked all the way the bloody end.

I honestly feel that The Eye of the Bedlam Bride was one of the best-written entries in the entire Dungeon Crawler Carl series, and frankly I am still not over every single amazing moment of this book.  Dinniman achieves so much in this impressive novel by simultaneously changing the rules of his own game while also providing the deepest examination of his complex protagonists yet.  At the same time, he makes a novel that most authors would have turned into a filler entry into one of the series’ most impactful books.  I was really impressed by how the author chose to further amp up his various storylines and character arcs in this book, and Dinniman perfectly carries on the craziness of The Butcher’s Masquerade while building up the oncoming calamity of the seventh book and the long-awaited Faction Wars.  Naturally, this means that The Eye of the Bedlam Bride is best enjoyed by those who have read all the previous Dungeon Crawler Carl books first.  Still, for those who are determined to dive in here, Dinniman provides enough context and flashbacks to ensure you can easily follow what’s happening, and there is even a fun summary at the beginning.

This sixth novel in the series brings back all the impressive humour, intense action, and great LitRPG elements that made the previous Dungeon Crawler Carl books so damn good, while also bringing in some impressive new features, primarily a fun new battle element.  I must admit that I wasn’t too sure that the card system of this level, which on paper sounded like a crazy combination of Pokémon and Yu-Gi-Oh!, was going to work.  However, I should never have doubted Dinniman as it fitted in amongst the usual chaos and over-the-top scenes perfectly.  Dinniman does an excellent job introducing and then exploring this system throughout The Eye of the Bedlam Bride it proved fun to see the characters adapt to the new rules.  There is some great progression in how these cards impact battles, and each fight with them gets increasingly hectic.  I really enjoyed how big and crazy battles with these cards could get, especially towards the end, and you won’t see protagonists facing off in card duels with gods and demons anywhere else.

There are some additional excellent elements to The Eye of the Bedlam Bride that also enhanced the epic story in some interesting ways.  This includes a haunting new setting of the book, the ghost-filled replica of the pre-dungeon Earth, which really amplifies the feeling of despair and loss that many of the characters feel.  Dinniman continues to also feature a compelling array of LitRPG elements in this novel, and you really find yourself getting drawn into the minutiae of stat updates, item benefits, spell effects, and so much more, as the author cleverly works it into the narrative.  A lot of why these RPG features are so fun is due the chaotic humour that infests every single page of this hilarious book.  The book’s comedic elements are so effortlessly funny and feature a great mixture of sudden outrageous moments with realistic reactions, the insertion of the book’s reality television elements into life-and-death struggles, often inappropriate jokes from the massive and fun supporting cast, and an array of reference focused commentary on all matters of the dungeon.  While some of the comedic moments get a little out of hand: “I need a baby seal”, they all work beautifully in the context of the book’s clever plot, and I laughed myself silly so many times during this book, including at how the day was saved thanks to, let’s say, “crab meat”.  I’m also as appalled as a certain velociraptor that some of the funniest, if weirdest, moments of the book occurred in Chapter 69.  However, what makes The Eye of the Bedlam Bride particularly good is the way in which these comedic elements are well matched by darker, tragic moments, which allows for quite on overall powerful read, especially when it comes to the characters.

Dinniman went above and beyond when it came to the character development in this book, with a particular focus on series protagonist Carl.  After several books laden with hints about his past, we finally get Carl’s full backstory, which really goes to show just how damaged he is.  Dinniman does an outstanding job showcasing this background in several powerful scenes in The Eye of the Bedlam Bride, and I really appreciate how it built on the subtle foreshadowing from the previous novels.  This existing trauma was further enhanced in this book, as Carl also finds out multiple new revelations about his family, including several that had been kept from him (which simultaneously shows just how bad a girlfriend Bea really was).  Throw in his anger and guilt from being one of the few survivors of Earth, and the trauma from all carnage he has witnessed in the dungeon, and Carl really isn’t in the best headspace for this book, and that’s even before the titular Bedlam Bride gets hold of his mind.  As such, there is a lot of dark moments for Carl to unpackage throughout this novel, and Dinniman perfectly captures his protagonist’s continued struggle to remain in control.  This deeper dive into Carl’s psyche produced some of the best scenes Dinniman has so far written in the series, and I really appreciated how these darker moments were well matched by the revelation that Carl now has a true family with Donut and his new friends.  These relationships kept him relatively sane in this book, and allowed him to remain the resilient, if explosively inclined, straight man of the book.  Dinniman also works to showcase how despite his issues and reputation, Carl has become a bit of a legendary figure for his fellow crawlers, and the big sequence at the end where he is able to convince them to follow one of his craziest plans, was just amazing.

While most of this book’s focus is on Carl and his history, the rest of the characters in The Eye of the Bedlam Bride also get their moments to shine, and you continue to appreciate just how awesome the ended cast of this series is.  This includes the other main protagonist, Princess Donut, Carl’s now sentient cat who provides much of the humour in the story thanks to her over-dramatic reactions, silliness, and feline superiority complex.  While Donut is the comedic relief of the main duo, she still has a lot of serious moments in The Eye of the Bedlam Bride, especially while serving as the emotional anchor the spiralling Carl.  Donut is also dealing with her own grief and sadness, especially after the tragedies of the previous novel, and there are some heartbreaking moments where you see her trying to push that down.  Despite her issues and immaturity, Donut role in the plot, especially as she controls the cards during most of the battles, and you get to see her tactical genius in full display.  There are some super sweet moments with Donut in this novel, and I really love how well Dinniman continues to feature the bond between her and Carl as the true heart of this series.

In addition to Carl and Donut, The Eye of the Bedlam Bride also features multiple other key members of the Dungeon Crawler Carl cast, and it is very impressive how much you care for so many of these figures.  This includes Katia, who, despite leaving the team in the previous novel, still has a major impact on the plot.  Dinniman perfectly revisits some key revelations from the end of the previous novel, that adds additional complexities to her relationship with Carl and Donut.  The protagonist’s mentor, Mordecai, also has a key role in this book, especially as you finally get the full context for his tragic past.  This background adds some additional drama to the main story, especially when Carl and Katia find themselves caught in the same feud between forces outside the dungeon that he did.  There is also a certain sweetness to Mordecai’s story in this novel, especially when you find out he’s caring for several NPC children, in ways very contrary to his usual gruff disposition.  Dinniman also perfectly brings back the various members of Carl’s guild, who form a surrogate family with each other, and whose appearance in one scene was one of the most heartwarming moments in the plot.

Other characters of note in The Eye of the Bedlam Bride include the possessed sex doll head, Samantha, whose insane declarations, unhinged actions, unsettling abilities and crazy general demeanour make her one of the funniest characters in the series.  There is also an array of over-the-top monsters and creatures that the protagonists encounter and turn into cards.  These include Uzi Jesus, a kung-fu seal, hilarious caricatures of Carl and Donut, and a crab who must overcome his ‘performance issues’ to save the day, just to name a hilarious few.  These comedic monsters were well contrasted by Shi Maria, the titular Bedlam Bride, whose dark actions amp up the intensity of this book in some powerful ways.  I also must mention a couple of recurring crawlers from previous novels who reappear in dramatic fashion in the final third of the novel, allowing for some of the book’s best moments.  One of these character ends up having one of the series’ saddest moments, and I frankly am still not over how brutally raw and tragic that whole sequence was.

While all these above characters are amazing in their own ways, my favourite character in this series remains the dungeon’s System AI.  Despite never physically appearing, the AI has a major impact on the plot, and you are constantly bombarded by its unique humour in the various descriptions and summaries it provides to Carl and the reader, often full of weird and hilarious references.  So many serious or threatening moments are turned into comedic gold by the AI’s inappropriate commentary, and anytime it provides input to the plot, you are guaranteed to laugh.  While the AI has been fun the entire series, it gets even more unhinged in this novel as it gains full sentience and takes full control of the.  Determined to continue the crawl on its own dramatic terms, the AI starts making things even weirder for the characters, throwing in its own twists and changes.  Dinniman does a wonderful job showcasing just how insane the AI is at times, including with some very worrying inclusions in its usually informative descriptions.  There are also some hilarious scenes where the AI interacts directly with the characters, including one brilliant moment when he responds to Carl’s feedback on its descriptions in a particularly petty way.  All this, and more, allows the AI to really standout in this book, and it is a testament to how good Dinniman is as an author, that a disembodied voice is one of the best characters in a series loaded with exceptional and extremely complex figures.

As with all the previous Dungeon Crawler Carl novels, I ended up listening to The Eye of the Bedlam Bride on audiobook, which is honestly the only way to enjoy the author’s fantastic and chaotic narrative.  Coming in at nearly 27 hours in length, The Eye of the Bedlam Bride was one of the longest audiobooks in the series, but you frankly don’t mind as every second you spend listening to a Dungeon Crawler Carl audiobook is so much fun.  I honestly powered through The Eye of the Bedlam Bride in no time at all, especially the concluding several hours, and I still love how audiobook format brings out all the book’s humour, tragedy and excitement.  A lot of this is down to the series’ awesome narration, which in the case of The Eye of the Bedlam Bride, includes an extended voice cast.  While there are a few voice actors for this particular audiobook, Jeff Hays remained the principal narrator, voicing nearly all the characters and the plot descriptions.  Hays is an incredible narrator, and I loved the sheer range of epic voices he brings to bear throughout the audiobook, all of which fit their associated character perfectly, with associated accents and clever tonal changes.  This includes an excellent reuse of voices for previously featured characters, while the various crazy new cast members featured in this book were also extremely cool.  My favourites for The Eye of the Bedlam Bride remain Princess Donut, who gets autotune in this audiobook to help with her singing (the sound effects for this were brilliant), and the AI running the dungeon, as Hays matches the unhinged energy of the cracked computer and conveys this insanity to the listener with amazing enthusiasm.

In addition to Jeff Hays, The Eye of the Bedlam Bride also features three other actors who voice small roles in the larger audiobook to great effect.  The most notable of these is actor Patrick Warburton, who was an awesome addition to the experience.  Initially voicing the flashback voice of Carl’s father in several heavy scenes, Warburton did an outstanding job of breathing life into a harsh figure we’d only had glimpses of in the previous books, and his appearances here had some real menace to them.  Warburton also gets to have some fun when he plays a secondary character later in the audiobook with some brilliant levels of enthusiasm.  Narrator Travis Baldree was also hilarious with his appearance in The Eye of the Bedlam Bride, voicing a giant crab who becomes one of the protagonist’s cards.  Featuring a comedic accent and some very over-the-top lines, Baldree was just amazing, and I loved the interactions he had with Hays and Warburton’s characters.  Finally, Soundbooth Theater regular Annie Ellicott returns to voice an entertaining character in a concluding skit, which was very amusing on a variety of levels.  I really loved how well these outstanding extra voice actors were fitted alongside Hays’s impressive main narration, and it allowed for a great overall listen.  Throw in the excellent sound effects of the series, some of which alter Hays’s voice in clever ways, or places a voice role into the background of a scene for some interesting ambience, and this was an exceptional audiobook that I loved so damn much.  There is honestly nothing better than a Dungeon Crawler Carl audiobook, and I must once again recommend this format with all my heart.

With a particularly impressive and powerful plot, The Eye of the Bedlam Bride was one of the best books in the already incredible Dungeon Crawler Carl series, and author Matt Dinniman outdid himself when it came to diving into his damaged protagonists.  A highly inventive and captivating novel that I just couldn’t stop listening to, The Eye of the Bedlam Bride was Dinniman at his very best and you are guaranteed to have an exceptional time with this novel, and you will, like me, instantly dive into the next novel of the series, This Inevitable Ruin, just to see what happens next.

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