Throwback Thursday: Blood Rites by Jim Butcher

On August 26, 2022May 27, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Murder Mystery, Throwback Thursday8 Comments

Publisher: Penguin Audio (Audiobook – 3 August 2004)

Series: Dresden Files – Book Six

Length: 13 hours and 5 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday I keep diving into the epic Dresden Files urban fantasy series with the impressive sixth book, Blood Rites.

Last week, in my review for the outstanding fifth book in the Dresden Files series, Death Masks, I mentioned how I had also started listening to the next book in the series, Blood Rites. I honestly had so much fun reading Death Masks last week (as I did with the rest of the Dresden Files series, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Battle Ground and The Law), that I had to immediately dive into the next book as soon as I could. The sixth novel in the series, Blood Rites, was another epic novel which had an impressive and captivating plot to it.

Harry Dresden, Chicago’s resident wizard and protector from the paranormal, continues to eke out a deadly living through his chaotic career of odd mystical jobs while also defending the city against the worst monsters lurking in the shadows. However, his latest job may place him in the most uncomfortable spot yet, on the set of an adult movie, which finds itself under attack from a deadly and relentless curse.

Taking the case as a favour to his vampire friend and suspicious ally Thomas Raith, Dresden goes undercover on set and attempts to discover who is responsible for cursing the movie’s cast and crew, and why. However, Dresden’s heroics on set make him a target, and he soon finds the curse striking at him, attempting to end his investigation before he can find the magical murderer. Worse, enemies old and new are bursting out of the shadows, as two separate courts of vampires attempt to strike Dresden down.

As Dresden continues to search for the murderer wielding the curse, he is forced to fend off attacks from the lethal Black Court. Led by a powerful elder vampire with a serious grudge against Dresden, the Black Court will stop at nothing to destroy him and any of his friends that gets in their way. However, the greatest threat may reside in the White Court, to which Thomas belongs. The White Court vampires are manipulative and subtle killers, using their alluring presence to suck the life out of everyone they touch. Caught between warring members of the White Court family, Dresden must use all his wits to escape their wrath and uncover hidden truths if he is to survive. But what secret from the past connects Dresden to the White Court and their machinations, and is Dresden really ready for the dark knowledge waiting for him?

Whelp, it seems that it is pretty impossible for Butcher to write a dud novel. Blood Rites is an exceptional addition to the wider Dresden Files series, and it was another one that I have no choice but to give a full five-star review to. Featuring an intense and deeply captivating narrative, Blood Rites was an incredible read and I quickly got sucked into its unique story, compelling mysteries and dark, damaged characters.

I just loved the elaborate, dark and powerful narrative that Butcher featured in Blood Rites, as the author comes up with a complex tale that expertly brings together a dark urban fantasy with a thrilling murder mystery storyline. Like the rest of the Dresden Files books, Blood Rites exclusively follows protagonist and point-of-view character Harry Dresden as he finds himself forced to face off against a series of dangers and threats at the same time. The most prominent of these includes an investigation into a deadly curse aimed at the female employees of an adult entertainment studio, which sees Dresden go undercover on set to try and save the remaining cast and determine who the killer is. This also leads him into a confrontation with the White Court of the vampires, especially when his vampire friend, Thomas Raith, requests his help. At the same time, vampires from the Black Court are after Dresden for his actions in Grave Peril, which forces him to call in some major backup to take them on. Unfortunately, this also leads him into conflict with his supposed allies, as well as his former mentor, when secrets from the past are revealed. Dresden is also hit with a whole bundle of personal drama, especially when he discovers unfortunate truths about his long-dead mother, and there is an interesting growth in the relationship between him and several supporting characters.

As a result, there are many plot elements scattered around Blood Rites, which makes for quite an elaborate overall story. Luckily, Butcher does an excellent job of introducing all these separate narrative threads to the reader, and you swiftly get drawn into all of them. After a good and necessary bit of setup, the story roars off at a quick and captivating pace, and the reader has a great time jumping from storyline to storyline. Everything starts to come together near the middle of the book, where you get some excellent action scenes, including a particularly funny death sequence involving a vampire and a frozen turkey, and the fallout of these scenes leads to some great dramatic moments with big personal revelations. Following this, the story zooms along, and you soon find a partial and problematic solution to the murder case, while the protagonist is also forced to deal with an all-out assault on the Black Court, while also dealing with dark secrets from his allies. The attack on the Black Court was one of the best sequences in the book, and the surrounding drama results in some major revelations that fans of the series will lap up. The remaining storylines then come together perfectly for the finale, as Dresden solves the murder and faces off against its overall architect in a brilliant and extended dark sequence. I loved how this entire narrative unfolded, and some of the concluding notes will leave you wanting to dive into the rest of the series to see what happens next.

To bring Blood Rites’ great story to life, Butcher utilises his typical style and techniques, which I always immensely enjoy. The entire narrative is paced perfectly, and you quickly get drawn into the various plotlines, especially with their great combination of characters, intriguing plots, fantasy elements, and dramatic moments. All of this is overlayed with Butcher’s distinctive humour, most of which is expelled through his cocky point-of-view protagonist, and it helps to enhance the overall powerful and entertainment of the book, especially when the protagonist tries to deflect from his many issues with comedy. The narrative pretty much goes non-stop, and you get bounced through multiple excellent and powerful scenes, all of which are very fun to see. I loved how the author balanced out action, character growth, universe building and more in each of the sequences, and there is something quite entertaining and fun for all manner of readers. I wasn’t as keen on Butcher’s continued attempts to spice up the story with more adult themes, such as the adult film set or the lust-inducing White Court vampires, although it was pretty tame compared to some of the scenes in the last book (that bondage scene, yikes!), and Butcher wove some very compelling narratives around all of them that I deeply enjoyed. I did enjoy how inclusive Butcher made this novel to new readers, and anyone could easily jump into Blood Rites and enjoy it, even if they haven’t read a Dresden Files book before. However, there is also a lot to appeal to established fans of the series, especially as there are multiple major reveals and secrets featured here, many of which will lead to big story moments down the track. As such, I deeply appreciated how this story came together, and pretty much everyone will have a great time getting through it.

I really enjoyed some of the cool fantasy elements featured throughout Blood Rites as Butcher seeks to expand on the lore and magic of his unique universe. There are some great and intriguing fantasy inclusions here, with the obvious focus being on the various Vampire Courts. The three main factions of Vampires have all been featured in previous books, although most of the focus has been on the Red Court, whom Dresden is at war with. Blood Rites, however, has a far bigger spotlight on the two of the other courts who have major differences in powers and appearances. Most of the focus is on the White Court, who are essentially this universe’s version of succubi, extremely beautiful and seductive creatures who feed off the life energy of those who desire them. The White Court go on to become a major faction in the Dresden Files series, but this is one of the first books that fully explores them in substantial detail. As such, you quickly get across their unique abilities, strengths, weaknesses and powers throughout this book, and they come across as quite a distinctive group as a result. You really get to understand their entire society and worldview, as well as seeing some very different members of the factions, and Butcher writes some compelling storylines around them, while also putting in some very vivid depictions of their powers in action. I loved how sinister and villainous members of the White Court appear at times, and there is something quite insidious about their abilities that creeps out the protagonists and reader. A truly complex and excellent group that I had a lot of fun exploring.

Almost in direct comparison to the White Court is the Black Court. The Black Court are a completely different group of living dead, portrayed more like the classic vampires from Bram Stoker’s novel (indeed, the Dracula novel was an elaborate propaganda attack by their enemies). Shown as ugly, decaying, blood-hungry creatures that are more monsters than their original human forms, the Black Court are a much more obvious threat with much clearer motives. There are some brutal and powerful scenes featuring the Black Court in this book, and it was really interesting to see Dresden and his allies go up against them with some classic vampire-hunting weapons, albeit with some fun modern twists to them. I also deeply appreciated the fantastic parallels between the Black Court and the White Court vampires featured in the Blood Rites; whilst they are both extremely dangerous, their diverse methods and powers troubled Dresden in different ways. These cool vampires, plus some other great new supernatural threats, added a lot to the complexity of the narrative and I loved the excellent detail and lore that Butcher imbued them with.

As usual, one of the highlights of this Dresden Files book is the compelling and impressive characters the story revolves around. Butcher features an intriguing and fantastic group of characters in this book, with a compelling blend of established supporting characters and several new figures, many of whom will go on to have substantial roles in the rest of the series. I had a brilliant time with all these characters, especially as Butcher endeavours to write some outstanding and distinctive storylines around them.

As usual, the most prominent character is Harry Dresden, the wizard protagonist and point-of-view character of the series. Like most of the recent books, Blood Rites is an emotionally damaging book for Dresden. Not only is he forced to deal with another harrowing case that racks his sanity, but he also finds out some long-buried secrets that prove quite damaging to behold. In particular, there is a deep dive into his past and his missing family, both of which are hard subjects for him, and he finds himself with some unexpected connections that he has long been missing. It was truly fascinating to see this long buried and painful part of Dresden’s past explored, and Butcher ensures that the reader gets struck in the feels with some of the powerful scenes that are explored. Other interactions and reveals see Dresden re-evaluate some of his relationships in this novel, and there were some intriguing and harsh discussions between him and other characters as a result. I did think that Butcher is over-playing the whole chivalrous-to-a-fault aspect of Dresden, as he continues to be a tad sexist and constantly underestimates woman, usually to his own detriment. It’s honestly getting a little old, and I hope it gets phased out a bit in future books. Still, I deeply enjoyed the fantastic development around Dresden in Blood Rites, and it greatly enhanced the narrative.

This book also featured a great appearance from previous supporting characters Karrin Murphy and Thomas Raith, who both play a major role in Blood Rites. This proved to be quite a pivotal novel for both characters, and I really appreciated the way that Butcher built on their previous appearances and used them to write some impressive and powerful storylines around them. This proves to be one of the more intriguing looks at Murphy so far in the series, especially as it dives into her complicated family life, and I liked the early hints here about the future relationship between her and Dresden. Murphy gets dragged far further into Dresden’s magical activities than ever before here, and she is forced to balance her responsibilities as a cop with the necessity of killing monsters, something she has great difficulty with. An overall badass character, Murphy has some brilliant and action-packed scenes in Blood Rites, and I love how well she serves as a foil to the more ridiculous Dresden.

Thomas, on the other hand, gets quite an intense and deeply personal storyline here as you get the most in-depth look at this elusive and compelling vampire character. Not only do you get a great look at the rest of his family as the book explores the White Court, but you finally find the reasons why he is always helping Dresden, which leads to some emotional and compelling scenes. A lot of time is also spent exploring the battle between Thomas’s humanity and the monster within, especially when it comes to feeding on those around him. This comes to a head when his need to feed and survive hurts someone close to him and he has trouble coming to terms with what he’s done, especially when Dresden harshly confronts him. Throw in his complicated family and intense daddy issues, and Thomas goes through the emotional wringer in this book, which proves to be very illuminating. Butcher sets Thomas up as quite a substantial supporting character in this book, and I look forward to seeing more of him in the future.

Aside from these main characters, there is also a great collection of supporting characters who add a lot to the story, and there are some awesome appearances here. I really enjoyed seeing more of mysterious mercenary Kincaid in this book, especially after his fun appearance in Death Masks. Kincaid is a badass killer who is hired by Dresden to kill the Black Court, only to end up being a bigger threat to Dresden when the wizard lacks to money to pay him. Kincaid has some excellent and action-packed scenes, and I was intrigued by his backstory, especially the hints at his dark, dark past. I also loved the use of Dresden’s mentor, Ebenezar McCoy, an older wizard who raised him and taught him magic. Butcher writes some amazing scenes around McCoy, especially once Dresden finds out just how many secrets the old man has been keeping from him. Throw in a batch of great vampire characters (including the sinister Lord Raith and the compelling Lara Raith), some entertaining members of the adult film industry (including the fantastic diva Trixie Vixen), and the first appearance of Mouse, Dresden’s puppy, and you have an amazing cast of characters here that Butcher gleefully and impressively wraps the story around. Each of these characters is very fun and intriguing in their own way, and I loved the elaborate and moving scenes that they star in.

Naturally I chose to check out Blood Rites on audiobook, which I maintain is the absolute best way to enjoy the Dresden Files books. The captivating story and excellent characters really fit into this format extremely well, and I find myself absorbing the narrative and the author’s fantastic style a lot better this way. With a runtime of just over 13 hours, Blood Rites is the noticeably longer than the previous books in the series (they get progressively longer and longer as the series goes, with some later books like Cold Days reaching nearly 19 hours in length). Despite the increased run time, I still found myself knocking this audiobook off in no time at all, especially once I got stuck into the excellent and powerful story. I must also highlight the incredible voice work of the always awesome James Marsters, who did another spectacular job narrating this fantastic novel. At this point in the series, Marsters has really hit his stride when it comes to narrating, and he voices each audiobook with some impressive passion, effortlessly bringing the dark events and complex characters to life and ensuring that everything sticks in the listener’s mind. All the characters are voiced extremely well, with the highlight again being protagonist Harry Dresden, who Marsters inhabits effortlessly. He really understands the character’s anguish, pain, and dark humour, and this comes across in his narration perfectly. Thanks to his epic performance in Blood Rites, and the other Dresden Files audiobooks, Marsters remains one of my favourite audiobook narrators, and I cannot recommend the Blood Rites audiobook enough as a result.

My dive into the early Dresden Files novels continues to be incredibly epic, as I once again fell in love with one of Jim Butcher’s unique reads, Blood Rites. This fantastic novel has so much going for it, and I had a brilliant time exploring the powerful urban fantasy/crime fiction based narrative. Featuring a deeply compelling mystery, a ton of intriguing parallel storylines, and some impressive and emotionally charged character development, Blood Rites is another exceptional book that is so much fun to get through. Honestly, if I didn’t have such a backlog of awesome recent audiobook releases, I would probably be diving into the seventh Dresden Files novel right now, but hopefully I will get a chance later this year. If you haven’t checked out the Dresden Files books after my previous glowing reviews, then you really need to get your butt into gear and start reading them now!

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Hide by Kiersten White

On August 17, 2022August 17, 2022 By The Unseen LibraryIn Audiobook, Horror, LGBT+, Thriller1 Comment

Publisher: Penguin Random House Audio (Audiobook – 24 May 2022)

Series: Standalone/Book One

Length: 8 hours and 9 minutes

My Rating: 3.75 out of 5 stars

Amazon Book Depository

Get ready to run and scurry for cover in the intriguing new horror thriller from Kiersten White, Hide. Kiersten White is a captivating author who is known for her young adult and tie-in fiction novels. I best know her for her work on the extended universe of franchises like Buffy the Vampire Slayer, where she recently wrote a series of novels about a new Slayer, which started with the 2019 release Slayer. White is also making some waves this year with the new Star Wars young adult novel, Padawan, which follows a young Obi-Wan Kenobi and which is pretty high up on my to-read list. However, her 2022 release that intrigued me the most was the thriller release, Hide. Hide had a great concept to it and I couldn’t resist checking it out in the last week to see what it was all about.

Mack is good at hiding. She’s spent her whole life doing it after it worked so well to save her life as a child while her family died around her. However, after years of avoiding people, Mack is running out of options and money. So when a strange challenge arises, Mack has no choice but to accept, even if it brings back terrible nightmares from her past.

A mysterious corporation is sponsoring a new and unique reality competition with a prize of $50,000 to the winner. The challenge is simple: survive a week hiding in a creepy abandoned amusement park and don’t get found. The last person left hidden is crowned the winner and gets enough money to change everything.

Competing against a group of similarly desperate and determined young people, each of whom is hoping that this game will turn their life around, Mack thinks the odds are in her favour to win. However, there is something far more sinister going on than any of the contestants know. As the people around her start disappearing, one by one, Mack and the rest of the competitors begin to realise that something else is in the park with them, something that is hungry and unrelenting. Come out, come out, wherever you are.

This was an intriguing and fun book from White that I managed to get through in a few days. I loved the excellent premise behind Hide and I think that the author produced a pretty good story that appeals to both horror and thriller fans. While the book has a slightly slow start to it, once the competition starts I found myself getting pretty into it as I was very keen to see what happened. White ratchets up the tension day by day as the competition continues, and I think that the increased level of threat and uncertainty that occurred helped to keep my attention and make me want to figure out what is going on. There are some interesting revelations about halfway through the book that I thought were pretty clever, especially the reveal about what exactly is chasing them and why. Once that happens, it’s a pretty high-octane fight for survival that results in some fantastic and compelling moments. While there were still a few questions left over by the end of the book, I think White ended Hide pretty well and everything came together in interesting way. I do wish that there the competition was a bigger part of the plot, as that could have been pretty cool, but I guess you can’t have everything.

White utilised an interesting storyline telling method to get Hide’s narrative across, which worked for the most part but had a few issues. While the story is primarily focused around Mack, the book does quickly jump between the other characters in the book, giving some brief insights into their thoughts and history. While this worked to keep you in the loop about every contestant, it was a bit random at times and I felt that it impacted the pacing of the story, especially when it jumped between multiple perspectives in a very short amount of time. I also felt that the use of jumps resulted in some missing details in places, such as when some characters are removed from the contest without you realising it. I did think that White did a good job inserting the background lore behind the events of the book into the story through a series of journal entries, and that part of the book was quite fascinating, although I wouldn’t have minded a bit of a deeper dive. There is also quite a bit of social commentary chucked into the mix as well, especially when it comes to exploring the motives of the unsurprising villains, plus you must appreciate the strong LGBT+ elements thrown in as well. The story itself had a mostly fine flow to it, and you do feel the fear and terror of the contestants once they realise what is going on. All of this worked pretty well in the end, and I think that the story came across in a pretty accessible and compelling way.

White focuses the story on an interest group of protagonists, each of whom has their own reason to be there. Due to the way that the narrative jumps around to examine different characters, you get a decent look into the heads of each of the competitors, as well as some other characters, and you soon get some insights into why each of them is there. It soon becomes apparent that each contestant is pretty desperate and broken in their own way, which I felt added to the drama and intensity of the story. However, due to the quick-fire change in perspective, the reader isn’t given a lot of time to bond with most of the characters, and their eventual fates aren’t too shocking or moving as a result. The main exception to this is Mack, who you do spend quite a lot of time with. Mack has a very tragic backstory (it reminded me of last year’s book, The Final Girls Support Group by Grady Hendrix), which becomes a major part of her motivations and trauma in Hide. Watching her attempt to overcome her dark past and her reservations for being there is pretty intense, and there was some interesting character work there, as well as a potential for new friendships and romance. A couple of other characters who survive towards the end of the book (I won’t mention who) are also developed to a decent degree, and I felt that some of the story arcs around them were pretty intense as well. It was a little obvious which of them was going to survive and who was going to die, even with a few twists thrown in, although I did appreciate a few surprise changes in motivations that worked really well. An overall interesting group of characters, I do wish that we could have gotten to know a few of them a little better though.

I ended up listening to Hide on audiobook, which worked as an excellent format to enjoy this interesting horror read. Hide has a pretty short runtime of just over eight hours, so if you get caught in the story you can get through it rather quickly. I felt that this format did help to emphasise the tension and the rising panic of the protagonists, especially as narrator Emma Galvin does a good job telling the story. Galvin had an excellent voice that was pretty fitting to this setting and story genre, and she ended up doing a good job personifying the main characters. I rather enjoyed the tone and intensity that Galvin brought to this audiobook, and I felt that this was a fantastic format to check out Hide on.

Overall, I had a lot of fun with Hide and Kiersten White came up with a great story that I really enjoyed. While I do think that there were a few missed opportunities and pacing issues in places, this mostly came together pretty well and I think fans of exciting novels with horror elements to it will have a great time with Hide. An interesting book that is worth checking out.

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Star Wars: The High Republic: Midnight Horizon by Daniel José Older

On August 10, 2022August 13, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Tie-in Novel, Young Adult4 Comments

Publisher: Disney Lucasfilm Press (Audiobook – 1 February 2022)

Series: Star Wars – The High Republic

Length: 10 hours and 5 minutes

My Rating: 4.75 out of 5 stars

Amazon Book Depository

The first phase of The High Republic Star Wars novels continues to come to an intriguing end with the phase’s third young adult entry, Midnight Horizon, a deeply exciting and fun novel from the talented Daniel José Older.

Since the start of 2021, fans of Star Wars fiction have been granted a unique treat in the form of The High Republic books, a Star Wars sub-series set hundreds of years before the events of the films. Set at the height of the Republic, the High Republic era is loaded with dangers for the Jedi, particularly that of the Nihil, dangerous raiders who seek to raid, pillage, and destabilise order, while their mysterious leader attempts a far more ambitious plan: the destruction of the Jedi. Broken down into three phases, the first phase was pretty epic and set up the entire High Republic premise extremely well. This phase has featured a great collection, including the three main adult novels, Light of the Jedi, The Rising Storm, The Fallen Star; some intriguing young adult books; the audio drama Tempest Runner; two awesome comic book series; as well as some other media releases. However, this first phase has come to an end, and I just managed to finish off one of the novels that served as its conclusion with Midnight Horizon.

Midnight Horizon is the third young adult fiction novel set within the first High Republic phase, and it is probably the best. This book was written by Daniel José Older, who has authored several great Star Wars novels over his career, including Last Shot, which was one of the books that started my recent obsession with Star Wars extended fiction, and who has been one of the key contributors to The High Republic. Midnight Horizon is set around the same time as the last adult book of the phase, The Fallen Star, and continues storylines from some of the previous books, including the other two young adult books Into the Dark and Out of the Shadows, as well as the Star Wars Adventures comic series and the junior novel Race to Crashpoint Tower.

Following the devastating Nihil attack on the Republic Fair, the Nihil raiders are finally on the run from the Jedi of Starlight Beacon. However, not everything is as it seems, and several mysterious events and attacks are beginning to occur around the galaxy. One of the more alarming rumours of Nihil activity has been sent from the planet of Corellia, home of the galaxy’s premier shipyards, where a now missing diplomatic bodyguard was attacked by mysterious killers wearing Nihil garb.

Determined to ensure that the chaos of the Nihil does not spread to the core planets of the Republic, the Jedi dispatch the small team of Jedi Masters Cohmac Vitus and Kantam Sy, as well as Padawans Reath Silas and Ram Jomaram, to investigate. All four Jedi have substantial experience dealing with the Nihil, but each of them is going through their own personal internal battles as they struggle to deal with recent losses. Nevertheless, the Jedi embark upon their investigation into Corellia and soon find unusual help from young security specialist Crash, the employer and friend of the missing bodyguard.

While Cohmac and Kantam attempt to investigate through official channels, Reath and Ram work with the chaotic Crash and her unusual security specialists to infiltrate Corellia’s high society. Crash believes that one of her elite clients has knowledge about the Nihil infiltrators and embarks on an ambitious plan to draw them out, setting up Jedi associate Zeen as a famous singer. However, nobody is prepared for the Nihil’s plans, both on Corellia and at Starlight Beacon, and chaos is about to be unleashed upon the Jedi and all of Corellia. Can the Jedi stand against their foe when all hope seems lost, or will the Nihil continue to sweep across the entire galaxy?

Midnight Horizon was an exceptional entry in the High Republic series, and I was particularly impressed with the cool and epic story it contained. Older came up with a brilliant and powerful narrative that combines a fast-paced story with great characters and some interesting High Republic developments.

This entry in the High Republic range had a very distinctive and compelling young adult story that sees all manner of chaos and action befall its protagonists. Older wrote a very fast-paced, character driven narrative that takes the reader to the world of Corellia. Drawing in an interesting team of entertaining and chaotic protagonists, all of whom are going through some major issues, Older sets them on a path to a major confrontation, while all of them try to come to terms with their roiling emotions. The author sets most of the story up extremely well at the start of the book, and the reader soon gets quickly invested in seeing the Jedi investigate the Nihil on Corellia. The story goes in some very interesting directions as everyone tries to identify the Nihil plot, with the best ones following the two Jedi Padawans as they team up with young bodyguard Crash. Crash has some elaborate and over-the-top plans that she drags them into, including tricking a rare species eating diva named Crufeela, and this proves to be a lot of fun, while also setting up the final act of the story. At the same time, Older also throws in some intriguing flashbacks to one of the character’s pasts, as well as showing a few scenes outside of Corellia, all of which adds some greater context to the story as well as adding to the amazing emotional depth of the novel.

Everything comes together brilliantly in the final third of Midnight Horizon, where the Nihil plot on Corellia is revealed, simultaneously occurring at the revelation of the fall of Starlight Beacon (which you knew was coming). I must admit that until this final third, I kind of found Midnight Horizon to be a bit by the numbers, although undeniably fun, but the way everything came about near the end was pretty awesome, as the characters are thrust into an all-out war. There are multiple pitched battles, tragic deaths and surprise reveals occurring during this part of the book, and you are constantly hit with big moment after big moment as it continues. I honestly couldn’t stop at this point in the book, as I desperately wanted to see what happened next, and I was sure that I was seconds away from bursting into either tears or cheers. My determination to continue really paid off, as Older saved the best revelation for right near the end as there is a really big moment that changes everything and is sure to get every Star Wars fan deeply excited. Older leaves everything on an exciting and powerful note, and readers will come away feeling deeply moved. It will definitely keep them highly interested in The High Republic as a whole.

The author really worked to give Midnight Horizon an extremely fast pace, and it is near impossible not to swiftly power through this book as it blurs around you. Shown from the perspective of all the key protagonists, you get a great sense of all the impressive events occurring throughout the book, while also getting some powerful and intense examinations into their respective heads. Older presents the reader with an excellent blend of universe building, character work, humour and action throughout Midnight Horizon, and there is a little something for everyone here, guaranteeing that it keeps your constant interest and attention. I do think that the story as a whole could have benefited from greater development of the book’s villains. They honestly came a bit out of nowhere towards the end and you really didn’t get an appreciation of who they were (some of it is explored in some of Older’s other works). I really wish that Older would have shown a few more scenes from the villain’s point of view, highlighting the establishment of their plans a little better, and I felt that really would have increased the impact of the book, but I still had a lot of fun with it.

Midnight Horizon also proved to be a pretty good young adult novel, especially as it shows multiple compelling and well-written teenage characters in dangerous situations, and I loved the powerful exploration of their unique issues, especially the constant uncertainty and doubt about what they are doing. There are also some major LGBT+ elements scattered throughout this novel, which I thought were done really well, as you get a range of different relationships, orientations, sexualities and fluid genders throughout the book, and I loved seeing this sort of inclusivity in Star Wars. I also liked the easier flow that Older featured in the novel, which I felt was associated with the younger characters, and it worked quite well to quickly and efficiently tell this book’s fantastic narrative. While this is a young adult book, there are some great darker themes that all readers will appreciate, and I loved how it developed into a brutal and powerful war at the end.

Midnight Horizon proved to be an interesting entry in the wider High Republic series, as it served as one of the last books in the first phase. Since it is set alongside The Fallen Star, the readers get a whole other side of this key tragedy in Midnight Horizon, as the established characters all witness the fall of Starlight Beacon and the corresponding changes to the galaxy. At the same time, it does some interesting exploring of the key planet of Corellia during this period, gives some hints about some events that will appear in the upcoming second High Republic phase, while also setting up some other key moments for the future. However, the most significant thing that Midnight Horizon does for the High Republic is continue and conclude multiple key storylines and character plot lines that were started in other bits of work, such as the other High Republic young adult books. It also provides an intriguing sequel to Older’s junior fiction novel, Race to Crashpoint Tower, and actually serves as the conclusion to The High Republic Adventures comic series, also written by Older. The High Republic Adventures was one of the major comic lines for this phase of the sub-series, and fans of it really need to check this book out as it details the fates of several of its main characters. I had a great time seeing how some of these storylines continue in Midnight Horizon, and Older did a great job of bringing everything together in this novel, while also making it quite accessible to newer readers who haven’t had a chance to read the comics. That being said, good knowledge of the preceding High Republic works is probably a good thing to have for this novel, although Older does make sure to give as much background as possible as he goes.

As I have mentioned a few times throughout this review, Midnight Horizon was highly character focused, as the author brings in an interesting collection of main characters to base the story around. All the major point-of-view characters have been featured in previous pieces of High Republic fiction before (mostly in Older’s work), and the author ensures that they all get detailed and compelling storylines in this novel that not only revisit their complex appearances in previous books, but also brings all their storylines to an intriguing close for this phase. Older also spend a substantial time diving into the minds of these protagonists, which added some impressive emotional depth to the book, as all the characters experience deep traumas or regrets, especially after fighting the Nihil for so long. This resulted in quite a moving read, and while I do think that Older might have used a few too-many supporting characters, this ended up being an exceptional character focused novel, and I really appreciated the clever way the author explored his protagonists and showed the events of this book through their eyes.

The best two characters in this book are the two Jedi Padawans, Reath Silas and Ram Jomaram, who serves as Midnight Horizon’s heart and soul. I was particularly keen to see Reath Silas again, as he has been the constant protagonist of the High Republic young adult books and is a pretty major figure as a result. Older is the third Star Wars author who has featured Reath as one of their main characters, and I do like how consistent the various authors have been while showcasing his growth and emotional damage. Reath is going through quite a lot in Midnight Horizon, as he continues to try and balance his duty as a Jedi with the mass trauma he has experience in the last two books, his conflicted emotions, penchant for personal connections, and general uncertainty about what he is doing. Despite this, he proves to be a steadfast and dependable character, and it is hard not to grow attached to his continued story, especially as he has developed so much from the first book from scholarly shut-in to badass warrior. Reath’s narrative comes full circle in Midnight Horizon, and fans of this character will really appreciate how Older features him in this book.

I also had a lot of fun with Ram Jomaram, who was such a joy to follow. Ram is an eccentric and unusual Padawan who first appeared in the concurrently released The Rising Storm and Race to Crashpoint Tower. A mechanical genius with poor social skills and who is always accompanied by a group of Bonbraks (tiny sentient creatures), Ram brings most of the fun to the book with his antics and complete lack of situational awareness. While I initially didn’t like Jam (mainly because I found out he was the Jedi who first came up with calling cool things “Wizard”), he really grows on you quickly with is exceedingly perky personality. It was so much fun to see him in action throughout the book, and he gets into some unusual situations as a result. Despite mostly being a friendly and cheerful figure, Ram is also going through some major emotions in Midnight Horizon, as he witnessed his home planet get ravaged by the Nihil in The Rising Storm, and he is now very uncertain about the emotions he feels while getting into battle. This sees Ram form a great friendship with Reath throughout the book, and the two play off each other extremely well, bringing not only some fun humour but an interesting mentor-mentee connection. Ram ends up showing everyone just how much of a badass he is towards the end of the book, and I honestly had an amazing time getting to know this character.

There is also an interesting focus on the two Jedi Masters, Cohmac Vitus and Kantam Sy. Both go through some interesting and major moments in Midnight Horizon, and you really get some powerful insights from both. Cohmac’s story is an intense and intriguing examination of trauma as you see this Master continue to struggle with his history and inability to process emotion. These issues have been building within Cohmac since his introduction in Into the Dark, and it was fascinating to see them continue to impact him here, especially once he discovers what happened at Starlight Beacon to one of his closest friends. Kantam Sy is a nonbinary character who has been primarily featured in The High Republic Adventures comic. You get a much more in-depth look at Kantam in this book, especially as Older spends time developing several flashbacks around him that examine his complex past as one of Yoda’s students. Kantam’s team-up with Cohmac proves to be an intriguing part of the book’s plot, and it was compelling to see the more balanced Kantam witness Cohmac’s building anger and frustration.

The final two major characters are Zeen and Crash, both of whom have some interesting storylines in this book. Zeen, a Force-sensitive teen who assists the Jedi, is one of the main characters from The High Republic Adventures comic, and many of her storylines are finished off here a little abruptly although in some interesting ways. Most of her storyline is focused around her growing romantic relationship with Padawan Lula Talisola, who she has been close with during the series, and the resultant internal conflict as she tries to decide whether to act on it. There are also some more damaging emotional moments for Zeen as she comes to terms with the actions of her old friend Kamerat and the tragedy of Starlight Beacon. The other character is Alys Ongwa, better known as Crash, a diplomatic protection officer who specialises in protecting Corellia’s fractious and deadly political elite. Crash is an interesting character who was first introduced in a one-shot comic written by Older, Crash and the Crew Do What They Do, and it was interesting to see her brought back here. A skilled bodyguard and leader, Crash is an intense and highly motivated figure who enacts multiple crazy schemes to get what she wants, while also trying to be a good friend and boss. Crash hits some major crossroads in Midnight Horizon, especially when she is forced to balance her oath as a bodyguard against justice for her friend and the safety of her city, and she is constantly forced to keep her own intense emotions in check. I found Crash to be one of the most entertaining and enjoyable figures in Midnight Horizon and watching her and her chaotic crew of bodyguards in action is a lot of fun, especially when she plays of all the other protagonists really well, bringing out the recklessness in all of them. However, Crash is also quite emotionally vulnerable, and it was nice to see her try to become a better friend while also working on her romantic attachments to a beautiful alien singer and lifelong friend. I had a wonderful time with all these major characters in Midnight Horizon, and Older did a remarkable job highlighting them and ensuring the reader was aware of their many issues.

As with most Star Wars novels I read, I chose to grab a copy of Midnight Horizon’s audiobook format, which was the usual exceptional experience. Featuring a short run time of just over 10 hours, Midnight Horizon is a quick and fun audiobook to get through, and I loved the various ways this format enhanced the fantastic story. As usual, Midnight Horizon features all the amazing Star Wars sound effects for lightsabers, blasters and ships, which are used to punctuate the story elements being described and perfectly bring listeners into the moment. It also made good use of some of the classic Star Wars music, which, even though it was used a little more sparingly in Midnight Horizon, deeply added to the atmosphere of the book and perfectly enhanced the emotional impact of several key scenes.

While the sound effects and music where as cool as always, the thing that really impressed me about the Midnight Horizon audiobook was the great choice of narrator in Todd Haberkorn. I didn’t realise that Haberkorn was going to narrate this book until I started listening to it, and I was pretty blown away the second I realised that I got to listen to an audiobook read by Natsu himself. I am a massive fan of Haberkorn’s work as the English voice actor for dubs of awesome anime like Fairy Tail and Full Metal Alchemist Brotherhood, so it was really cool to have him narrate this audiobook. Not only that, but Haberkorn did an outstanding job bringing the various characters to life in Midnight Horizon and moving the story along at a blistering and fantastic pace. Haberkorn’s voice perfectly fit the frenetic energy of this story, and I loved the distinctive and very fitting voices he gifted to the novel’s eccentric characters. He also had a lot of fun voicing some of the unique alien creatures featured in the book, such as the Bonbraks, and he got to do a particularly good Yoda voice as well. I had an absolute blast listening to Haberkorn narrate this awesome audiobook, and when combined with the great music and impressive sound effects, this was an exceptional way to listen to Midnight Horizon. I would highly recommend this format as a result, and it probably added a few points to my overall rating because of how impressive it was.

Overall, Midnight Horizon was an excellent High Republic young adult novel that was a real treat to read. Daniel José Older came up with an outstanding and fun story that was both exciting and powerful as he dives into his various fantastic and damaged protagonists. Loaded with some awesome moments and epic developments, this was a great addition to the Star Wars canon, and I loved every second I spent listening to it.

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The Accomplice by Steve Cavanagh

On July 15, 2022May 23, 2023 By The Unseen LibraryIn Thriller13 Comments

The Accomplice Cover

Publisher: Orion (Trade Paperback – 26 July 2022)

Series: Eddie Flynn – Book Seven

Length: 323 pages

My Rating: 4.75 out of 5 stars

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The murder trial of the year is in session as brilliant legal thriller author Steve Cavanagh returns with his latest Eddie Flynn novel, The Accomplice.

Last year I had the great pleasure of reading a very fun and compelling thriller novel with The Devil’s Advocate, which was the sixth book in the Eddie Flynn series by talented author Steve Cavanagh. I had heard of Cavanagh before last year, and indeed I already had a couple of his other books currently sitting on my to-read shelf, but this was the first real chance I had to read one of his novels. I ended up being really impressed with The Devil’s Advocate, which pitted the series’ conman turned lawyer protagonist against a murderous southern prosecutor in a story that was wildly entertaining, extremely clever, and highly addictive. As such, I have been rather eager to see what Cavanagh would write next, and his next book, The Accomplice, had been high on my upcoming books list for a while. Well, I just received an advance copy of The Accomplice a couple of days ago and I immediately picked it up and started reading because it had such an awesome story idea behind it.

Carrie Miller is the most hated woman in America! A seemingly normal and unassuming housewife, the world was shocked to discover that Carrie’s husband, Daniel Miller, was the notorious and brutal serial killer known as the Sandman. After terrorising New York for months and killing 14 people, the Sandman suddenly vanished just as the police arrived to arrest him. While the Sandman may have been gone, Carrie was still there, and everyone, including the police, FBI, media, and the entirety of America, believes that she knew about her husband’s crimes and helped to cover them up.

As the start of her trial begins, a desperate Carrie turns to the one defence attorney that could save her, former conman and legal genius Eddie Flynn. Convinced of her innocence and determined to help, Flynn reluctantly takes on her case. However, this will be the most difficult case of his life, as he must convince a jaded jury and the rest of the world that Carrie had no knowledge of her husband’s crimes and took no part in the murders. But with Carrie already convicted by the media, and no evidence or witnesses that can back up her story, Eddie will have a real fight on his hands.

As Eddie prepares for the case, a dangerous new problem enters the picture. After a lengthy absence, the Sandman has returned to New York, and he’s determined to save his wife from a life sentence. Even with the police, FBI and rogue serial killer specialist Gabriel Lake on his tail, the Sandman begins a new reign of terror, targeting the prosecution’s witnesses and members of the FBI. With the stakes higher than ever, can Eddie prove Carrie’s innocence before the killer strikes again or will he and everyone he cares about face the wrath of the Sandman?

Cavanagh hits it out of the park again, providing readers with a brilliant and intense thriller that is dark and fun at the same time. Combining fantastic legal elements with a gripping psychological narrative about a dangerous killer, The Accomplice was another impressive read from Cavanagh that was well worth the wait.

This seventh Eddie Flynn novel has a really awesome and intense story to it that takes the reader on an impressive ride that is near impossible to stop. Starting off with a great introduction to the case, the story quickly loops in Eddie Flynn and his team, while also bringing back the great villain in the Sandman. Following some subsequent exposition and background to the case, Eddie gets into planning the defence, only to have a substantial shock hit him as the Sandman strikes in several different directions. As the various characters attempt to deal with the issues surrounding the Sandman’s new attacks, Eddie is forced to defend his client in impossible circumstances as the trial starts.

Thanks to his great use of multiple character perspectives, which follows everyone including Eddie, his team, and even the Sandman himself, you get a great view of the events occurring throughout the book. The middle of this impressive novel is filled with some excellent sequences depicting the killers’ current brutal actions, the desperate search for him that envelopes several main characters, and Flynn’s always impressive legal scenes. I loved the awesome changes in tone and focus that occurred between these various chapters, and there is an intriguing and powerful contrast between the intensive cat-and-mouse games surrounding the killer and the more legal focused scenes. All the perspectives come together in a big way towards the end of the book, and The Accomplice has a fantastic and wildly entertaining finale. There are some pretty cool twists loaded up here and Cavanagh does a great job setting them up throughout the narrative. I was kind of able to predict how one of the main ones would turn out, but I was pleasantly surprised by the other, and looking back it was cleverly set up and then hidden by the other secrets. The author ends The Accomplice on a great note, and readers will come away wildly entertained and very impressed with how everything was so neatly wrapped up.

Cavanagh was in the zone when he was writing The Accomplice, and I deeply enjoyed how the entire story came together. Like most of Cavanagh’s novels, the pacing in The Accomplice was spot on and the reader is never really given a chance to relax or put the novel down, which ensures that they try really hard to get through everything in one go (it worked on me). There was an excellent blend of styles throughout The Accomplice, and Cavanagh once again did a great job of combining the darker subject matter of a disturbed killer, with the lighter scenes that focused on Eddie Flynn’s outrageous behaviour. The scenes focused on the Sandman were particularly dark and gripping, especially as you get to see directly into his diseased mind, and the use of them throughout the novel really helped to amp up the drama and threat, while also moving the narrative along in some impressive directions. Likewise, you get some intriguing and powerful character driven scenes from some of the other major characters, such as Flynn’s investigator Bloch and newcomer Gabriel Lake, as they get obsessed with finding the Sandman and bringing him to justice.

However, my personal favourite scenes in the book are those that deal more with the legal thriller aspects of the book. I am always a sucker for a good legal battle in fiction, and Cavanagh, a man who knows a thing or two about the law, does a brilliant job of showcasing trials, legal prep work, and the formation of a defence case throughout his novels. The court sequences scattered throughout the novel are very well written, and it was fascinating to see the author’s take on certain prosecution and defence strategies (some of the names for the strategies were quite amusing) as the protagonists do their darndest to blow a hole in the seemingly airtight case against their client. I really loved how Cavanagh once again let Eddie go wild during the court case, and he uses all his knowledge and flair for the dramatic to manipulate the court in some inventive and often hilarious ways. Most of Eddie’s appearances in the court are wildly entertaining, and his over-the-top shenanigans so much fun to behold, especially when he takes down every smug opponent and obstacle in a big way. The author has a lot of fun setting up some of these events throughout the book, and it is really entertaining to see the protagonists coming up with their eccentric plans, as the hints about what they are going to do are left purposely vague to capture the reader’s attention. I have so much love for Cavanagh’s ability to bring some wacky ideas into the court setting, and I can’t wait to see what convoluted and hilarious strategies the protagonist employs in any future books.

On top of the great story and distinctive sequences, Cavanagh also excels at character creation and development, which adds an extra impressive layer to the narrative. The Accomplice features an interesting complement of characters, from the established cast of the previous books to some exceptional new figures whom the current case revolves around. Naturally, most of the focus falls on the protagonist of Eddie Flynn, who is once again brought into an impossible case. Flynn has another strong turn in The Accomplice and gets up to all his old tricks to win. This results in quite a few entertaining and hilarious moments, and most of the book’s strong humour is because of Flynn’s more outrageous behaviours. However, parts of this case do really get to Flynn and show that deep down he’s a good and flawed figure who lets his work dig into him. Watching certain stresses and griefs take their hold on him really adds to the drama and intensity of the book, and I really appreciated how Cavanagh portrayed him throughout this latest novel.

On top of Eddie, the author brings back the central legal team, who are very strongly featured throughout this seventh book. This includes Eddie’s mentor and advisor, Harry Ford, who continues to be a solid and calming presence for much of the book. Harry serves as an excellent foil to the more outgoing Flynn, and they work well together as a team, especially during some scenes that see Harry have a bigger impact on the story than usual. The other two key members of the staff are the firm’s other associate, young lawyer Kate Brooks and investigator Blotch, who are well utilised throughout The Accomplice. Both bring something very different to the story, whether it be Kate’s relative innocence and determination to help wronged women, such as their client in this book, or Blotch’s investigative knowhow, capacity for violence, and general determination. Both prove a good match for Flynn throughout this book, and I really liked the major impacts they have on the story, as it resulted in a much more varied and fun narrative. There is also a great look at their strong friendship, which has lasted since childhood, and it was fun to see more examples of Blotch’s overprotective nature, especially when it comes to a thieving neighbour.

Finally, there are also some excellent new characters utilised in The Accomplice, who each bring something very different to the table. Due to their stronger involvement with this particular case, be it suspect, perpetrator or hunter, Cavanagh does spend a bit more time introducing and developing these new characters than the existing cast, and you end up getting to know them extremely well. This includes Flynn’s new client, Carrie Miller, the wife of the infamous Sandman, who finds herself under attack from pretty much the entire country in this book. Carrie cuts a fascinating figure as a result, and while you are constantly wondering just how innocent she is, you get to see her at her most vulnerable as everyone she knows has turned against her. I particularly enjoyed some of her insights (her choice of favourite film is excellent), and the journal entries that the author scatters throughout the novel really enhances her tale and gives greater context to her present actions.

In addition, Cavanagh also introduces the character of Gabriel Lake, a former FBI agent turned private investigator who specialises in catching serial killers. A brilliant man with interesting ideas about the way to hunt killers which goes against the established theories of the FBI, Lake is an integral part of the plot, as he helps Flynn with his case in the hope of catching the Sandman. However, there is also a deep well of anger within Lake, due to both his past and his personal connection to the Sandman case, and this becomes a major problem for the protagonists as the book goes on. You never quite know what Lake’s motivations or intentions are, and he ends up adding an entire extra layer of complexity to an already twisty plot.

The final character I need to mention is the killer known as the Sandman. While I won’t go into too much detail here about them to preserve some plot details, they serve as a sinister and threatening figure throughout the story, and their presence really impacts the events of the narrative. Cavanagh goes out of his way to make the Sandman appear as deadly and deranged as possible, and it was fascinating to get a glimpse into his mind, especially as he truly believes that the Sandman is his true persona. Watching him work his deadly skills in several disconcerting point of view chapters really adds to the intensity of the narrative, and he ended up being a particularly impressive literary villain. I really had a great time with all these amazing and complex characters, be they old and new, and Cavanagh has once again really showcased his excellent skill when it comes to writing damaged people.

Unsurprisingly, I had a wonderful time with The Accomplice and Steve Cavanagh continues to impress me as one of the more entertaining thriller authors out there today. This latest Eddie Flynn novel has all the series trademark flair as Cavanagh presents the reader with another unique and captivating case. I loved how The Accomplice featured a great combination of a dark killer, hilarious legal scenes, a twisty thriller plot, and some well-established characters, which result in an incredible and addictive narrative. A deeply enjoyable read, I really must go back and check out some of the earlier Eddie Flynn novels when I get a chance. Highly recommended!

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Armored by Mark Greaney

On July 13, 2022February 2, 2023 By The Unseen LibraryIn Thriller16 Comments

Publisher: Sphere (Trade Paperback – 12 July 2022)

Series: Standalone/Book One

Length: 497 pages

My Rating: 4.5 out of 5 stars

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Bestselling thriller author Mark Greaney presents one of the most exciting and action-packed novels of 2022, the high-octane thriller Armored.

Over the last few years I have been really getting into the awesome thriller novels of impressive author Mark Greaney, who is having a very big 2022. Not only has he released two separate novels but he also has a film adaptation of his iconic series coming out later this week, The Gray Man. I am really looking forward to this film, especially as I am now a pretty big fan of The Gray Man novels, having enjoyed both the first book, The Gray Man, and some of the latest entries, such as Mission Critical, One Minute Out, Relentless and Sierra Six. However, Greaney’s year is far from done as the novel version of his 2021 Audible Original release, Armored, has just come out. Converted into book format, Armored tells an impressive and over-the-top tale of survival and destruction that has already grabbed the attention of legendary director Michael Bay, who plans to adapt it into his next major blockbuster.

Joshua Duffy used to be one of the best close protection agents in the world, working with teams of private military contractors as security for elites in some of the most dangerous countries. But after his fateful last mission in Lebanon cost him his team, his client and his lower left leg, Joshua finds himself suddenly and violently out of the game. Forced to work as a mall cop to support his struggling family, Joshua’s future seems shot. However, opportunity is about to come knocking with a deadly offer he cannot turn down.

Following a chance encounter with an old colleague, Joshua is given the opportunity to work one last job that promises to solve all his financial issues. A violent and highly organised drug cartel has risen to power in the Sierra Madre Mountains of Mexico, and its recent actions have greatly infuriated the Mexican government and army. To save the large civilian population living in the Sierra Madre Mountains, the United Nations is sending a peace mission in to ease tensions and attempt to negotiate a truce before it is too late. However, the only way to reach the cartel’s base of operations is by road, and that means travelling through one of the most dangerous and lawless areas on the planet, the Espinazo del Diablo, the Devil’s Spine.

Joining up with the notorious Armored Saint company and hiding his injury, Joshua is recruited as a team leader in the convoy assigned to keep the UN dignitaries safe. Even loaded up in advanced armoured vehicles and working with a team of elite operators, Joshua has no allusions that his chances of success are slim, but even he is unaware just how dangerous this mission is going to be. The other Mexican cartels are determined that the peace talks fail and are willing to pay any price to see the UN team killed and their rivals destroyed in the aftermath. Worse, someone else is working behind the scenes to manipulate events to their advantage, and they are willing to kill everyone in the convoy to get what they want. Can Joshua and his new team survive the deadly onslaught about to be unleashed upon them, or will they end up another victim of the Espinazo del Diablo?

Greaney continues to shine as one of our leading thriller readers with this highly entertaining action saga. Armored is pure pulse-pounding excitement from start to finish, and I ended up powering through this substantial novel in very short order, especially once I got lured into its amazing narrative and impressively written fight scenes.

I had a lot of fun with the awesome story that Greaney came up for this impressive release that is based around an intriguing and epic premise of a small team of mercenaries caught up in the violence and backstabbing of the Mexican cartels in a remote and dangerous area. Armored has a great start to it that sets up complex protagonist Joshua Duffy extremely well, showcasing his last mission as a conventional private security contractor in a massive and deadly confrontation. After this action-orientated introduction, you see a very desperate Duffy as he attempts to get on with his life, only to be dragged into the main mission of the book. Greaney sets up many key parts of Armored’s plot in the early pages, introducing the main characters, showing the desperation surrounding the central protagonist, and introducing all the substantial opposition that they are likely to face. Thanks to the use of mysterious antagonist Oscar Cardoza, you see just how rigged the situation is against the protagonists as the villain manipulates and deals with multiple cartels to ensure that they are all set against the peace mission. As such, you know pretty early on that you are in for a wild thrill ride later in the book and Greaney does not disappoint.

Once Armored’s main story gets underway, the book moves at an extremely fast pace to match the convoy of armoured cars it is following. The protagonists immediately face opposition, obstacles and attacks as they continue on their way, ignoring the multiple warnings about the even greater threats to come (seriously, they get so many warnings). After surviving an increasingly deadly barrage of ambushes, betrayals and personal dramas, the story takes a whole new turn as a big twist switches the entire narrative on its head. This twist was a fantastic game changer that was well set up during the earlier parts of the book, and it was really cool to see it fully unfold, introducing some intense new problems and opportunities. Thanks to this twist, the second half of Armored essentially becomes one continuous battle for survival. There are some really awesome and over-the-top moments during this second half, as several key characters die, the odds become more and more stacked against the protagonists, some final twists come into play, and new players are drawn into the fray. This all leads up to the big conclusion, which unsurprisingly contains more action and excitement, before bringing everything to an awesome end. I came away feeling pretty satisfied with how the story came together, and I think that Greaney wrapped up everything really well.

I quite enjoyed how Greaney wrote Armored as he brought his typical style to this later thriller. The story was expertly told using multiple character perspectives to show the various viewpoints of the key protagonists and antagonists. Not only does this result in a much richer story with various intriguing characters, but Greaney ensures that it ramps up the novel’s tension, especially when the reader can see betrayals and traps being formed in advance of them being unleashed upon the characters you are rooting for. The author uses these alternate perspectives to also hint at hidden motivations in some of the supporting characters and it does a good job mostly disguising who the culprits are, while ensuring that the reader knows something big is about to go down. There are even some intriguing flashback sequences thrown in for greater context, which help to highlight the bond two key characters have. The entire story is very well paced, with Greaney doing a good job evenly spreading out the big action moments and the intriguing character development to ensure a continuous story that never has any slow points. I also liked the way in which Greaney adds in some intriguing commentary about certain real-world issues, including around private military contractors, the issues surrounding wounded veterans, and the current political and criminal situation in Mexico, especially regarding the volatile cartels. All this comes together extremely well, and the reader has a very hard time turning away from the story as everything unfolds before them.

Unsurprisingly, the real star of Armored is the action sequences, as Greaney really goes all out to provide the reader with all the high-octane gun fights they could ever want. This thriller novel is packed to the gills with battle scenes as every major character is dragged into a series of brutal and bloody fights as they attempt to achieve their goals and survive. I have always been really impressed with how realistic Greaney can make his fight sequences in The Gray Man novels, and this awesome attention to detail and realism continues over into Armored. Greaney clearly knows what he is talking about when it comes to gun battles, and you really get drawn into the intense battles, as well as the detailed descriptions of proper military tactics and strategies, especially in the first half of the novel. However, I did think that Greaney went a little too far with some of the action scenes in the second half of the book, as the already over-the-top action started to get a little insane. Greaney was clearly trying to set up some big Hollywood moments for the announced adaptation here (to be fair, Michael Bay is going to love bringing some of these sequences to the big screen), even though it was a little too much at times. I was especially bemused by one scene that saw several characters shooting guns out the back of a small plane, which resulted in one of the most ridiculous things I have read about in a serious thriller read. While these crazy moments honestly did not detract too much from my enjoyment of the novel, it did give Armored a bit of an unfortunate sillier edge that it really did not need.

Finally, I need to highlight the characters featured within Armored. Greaney has a good knack for creating large groups of likeable and distinctive characters, and most of the protagonists and antagonists in Armored were extremely good, adding some great elements to the overall story. I particularly liked main protagonist Joshua Duffy, the wounded veteran contractor who is dragged back in for one last dangerous job. Greaney does a lot with Duffy in this novel, showcasing him at his emotional height, slamming him down hard, and then slowly building him back up through the course of the main story. As such, Duffy serves as an excellent central figure for most of the story, and watching him try to escape the ghosts of his past and bring his new team together to complete the mission proves to be deeply captivating in many ways. I really enjoyed watching him being a major badass, even with one leg, and Greaney wrote a fantastic storyline over his attempts to take on a leadership role in this mission, despite dealing with a group of disrespectful and arrogant soldiers. A definite standout character for me, it will be very interesting to see who is cast to play Duffy in the movie adaptation, and whoever it is will have a great role to fill.

Aside from Duffy, Armored featured a pretty large and fun cast of characters, with a decent focus being on the team members in Duffy’s armoured vehicle. Made up of six members, Charlie team proves to be a solid group of protagonists, and Greaney writes a good story about them slowly coming together as a team, despite being gradually picked off. While I enjoyed them, I did find them to be a little stereotypical in ways, with most of them being classic disrespectful and uncontrollable soldiers. This is especially true for the characters of Wolfson, the arrogant former seal; Frenchie, the weathered veteran acting as the voice of reason; Squeeze, the extremely angry African American former Marine; and Tony Cruz, the talented but token Spanish-speaking soldier. All of the above filled overused action tropes to a degree, and it felt a little lazy, especially when compared to some of the other characters in the book. Luckily, this group of soldiers were well balanced out by their final member, NASCAR, the team’s driver and the book’s comic relief. NASCAR, a former race driver turned military contractor with a history of crashing his vehicles, was an excellent addition to the cast, and his entertaining antics helped to distract from some of the blander figures in the team.

I also need to mention Duffy’s wife, Nikki, a former Army officer who has taken to cleaning houses to support her family and wounded husband. While initially just a supporting role to help motivate the protagonist, Greaney ends up bringing Nikki into the main story in a big way as she attempts her own rescue mission. I deeply enjoyed the determined narrative around Nikki, and it was a fantastic addition to the plot, even if it resulted in more problems for the protagonist. I also enjoyed the other major female character in the novel, Dr Flores, a Mexican anthropologist who is assigned to the peace talks as a cultural advisor and interpreter. Despite being a bit of a preachy figure, Dr Flores is pretty much the only character that has any common sense or idea of what they are walking into, and her knowledge and passionate personality slowly bring the main cast around. I really enjoyed Dr Flores’s scenes throughout the novel, and you really feel for her as she keeps trying and trying to talk some sense into the soldiers or diplomats, only to be knocked back by their arrogant and dismissive attitudes. The final character I need to highlight is Oscar Cardoza, who serves as the book’s main antagonist. Billed as a cartel consultant who works for the highest bidder, Cardoza is a mysterious and dangerous figure for most of the book, visiting the various cartel leaders and working them to his advantage, before getting closer to the action halfway through. I instantly enjoyed Cardoza from his first scene, especially after some fun, if ineffective, small talk with some cartel guards, and it was fantastic to watch him flit around the various cartels and play them to his advantage. He also serves as a great foil to the main band of protagonists, and once he gets involved in the hunt for them, he really shines as a villain, especially once some secrets about him are revealed. The cast of Armored ended up being a fantastic and captivating band of character, and I ended up becoming really invested in their unique and powerful storylines.

I cannot emphasise how exciting and enjoyable Armored turned out to be and I am really glad that I got the chance to read it. Mark Greaney obviously had a ton of fun turning his latest novel into the most action-packed adventure he could, and Armored really lived up to its plot potential, providing the reader with wall-to-wall fire fights and intense combat. While the novel did get a little over-the-top in places, this was a solid and impressive read that is really worth checking out. An excellent and fast-paced thriller designed to entertain anyone who reads it; the Armored adaptation is going to end up being a pretty awesome movie that Michael Bay will have a wonderful time making.

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Wake by Shelley Burr

On July 4, 2022August 15, 2022 By The Unseen LibraryIn Australian, Murder Mystery, Thriller14 Comments

Wake Cover

Publisher: Hachette Australia (Trade Paperback – 27 April 2022)

Series: Standalone

Length: 360 pages

My Rating: 4.5 out of 5 stars

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2022 is proving to be quite the year for Australian crime debuts, with several compelling and thrilling read already out. However, one of the more impressive recent debuts is probably the amazing release by new Canberran author Shelley Burr, Wake, a gripping and powerful crime thriller that takes the reader on a wild and emotionally charged ride.

Nannine is a small rural town in the harsh heart of New South Wales, punished by drought and slowly declining as the local agriculture industry starts to deteriorate. However, Nannine will always have one harrowing claim to fame: the unsolved disappearance of Evelyn McCreery. In 1999, young Evelyn disappeared from her rural house in the dead of night, right from the bedroom that she shared with her twin sister, Mina.

Now, 19 years after Evelyn’s disappearance, Mina lives a reclusive life on the destocked family farm, desperately seeking some shreds of normality. However, the shadow of the unsolved case and the subsequent massive media storm that bombarded her family still haunts her, especially as many question whether she had a role in the tragic events, while others constantly attempt to claim the massive reward the family posted. However, despite the time and her attempts to not get involved in the craziness again, Mina finds old wounds reopened when Lane Holland arrives in town.

Lane is a private investigator and failed Federal Police cadet who has made a living out of cracking cold cases involving missing girls. Interested in claiming the substantial reward, Lane begins his own in-depth investigation of Evelyn’s disappearance, and his determination and insights soon grab Mina’s attention and she finds herself drawn close to Lane. However, Lane has his own personal reasons for solving the case, and his dark ghosts could end up dragging Mina down with him.

This was an excellent and captivating debut novel from Shelley Burr, which is already gaining some major recognition, including some major Australian awards. While I knew I was likely to enjoy this amazing novel, I ended powering through Wake in a day as I got really hooked on its compelling and intense outback story.

I deeply enjoyed Wake’s awesome story, especially as Burr makes sure that it contains all the necessary elements to grab your attention. This novel starts in the modern day, 19 years after the disappearance that rocked Nannine, and sees newcomer Lane Holland arrive to attempt to solve the case. The introduction of this sleuth character helps to jumpstart the narrative, especially as his new investigation allows the reader to find out all the relevant details about the old case, while also revealing the lasting issues it had on the various protagonists, including the long-running infamy of being involved with such a major case. Most of the first half of the book revolves around Lane trying to find his feet in the investigation and get close to Mina, while also finding himself involved in a separate case involving another missing girl. At the same time you get to know Mina from her perspective, and find out just how messed up she is because of the disappearance and media scrutiny. All the key characters, major story elements, hints and settings are perfectly set up in the first half of Wake, and the captivating mystery and damaged characters really drag you in and ensure that you become deeply invested in seeing how the case unfolds.

After some big reveals about halfway through the novel, the story intensifies even further, especially once you fully understand Lane’s drive and get to know the characters even better. There are some compelling twists and turns in this second half of the book, with multiple theories and red herrings to cleverly distract the reader, while major personal moments hit all the key characters. This all perfectly sets up the big finale, as all the plot points, tragic backstories and hidden hints come together extremely well for the major reveal. I really liked how Wake’s story concluded, and I think both the solution to the mysteries and the resolution of all the character arcs was pretty ingenious, especially with how well it tied together the various character’s secrets, histories and regrets. Overall, the reader will come away very satisfied with how everything is tied up, and this ended up being a very impressive and compelling narrative that was well-paced and loaded with some great surprises, major moments, and a very intriguing central mystery.

There were many cool elements to Wake that I deeply enjoyed and which I felt helped to enhance the mystery-laden story. I liked the rural setting of Nannine, a fictional town that captures the heart of feel of many rural Australian communities, especially those that are suffering from many issues such as drought and the slow decline of the agricultural economy. This decaying agricultural town serves as the perfect backdrop to this amazing story, and you really get to see how the small-town vibes and attitudes affect the investigation of the case. I also appreciated the fantastic dive into the over-the-top press coverage that surrounds famous crime cases. The disappearance attracted a massive media focus, and Burr spends a lot of time exploring how it initially covered the case, how it morphed over the years, and the lasting impact that growing up as a media sensation had on both Mina and the other supporting characters from Nannine. I particularly enjoyed the examination of how the case became a favourite of true-crime fanatics, which is primarily shown through a series of posts on the murder forum that appears in front of multiple chapters. These posts highlight the attitudes, theories, mindsets and more of the true-crime internet community and serves as an intriguing weather vane for the wider Australian community. I loved these posts, not only because they were entertaining and realistic but because it proved to be a great way to provide the reader with some interesting context while also having some impacts on the main story. Throw in the great way that Burr utilised several flashback sequences, some hidden clues in character names, some clever insights into missing person cases, and other outstanding elements, and you have a really impressive book that will easily keep your attention.

I also need to highlight Wake’s awesome damaged characters that the plot focuses on. Burr has come up with some sensational and powerful story arcs for these great characters, and their various histories, connections and life events add some excellent emotional heft to the story that I really enjoyed. This includes Mina McCreery, who serves as a major point-of-view character for most of the plot. Mina is the twin of the disappeared Evelyn, and has spent the last 19 years living in her disappeared sister’s shadow. Not only did she have to deal with the emotional backlash of her sister being either killed or abducted but she also had to experience the intense media scrutiny and other issues associated with the major case, especially as her mother ended up becoming a media sensation to keep the focus on Evelyn’s case. Due to this, the strained relationship she had with her sorrowful mother, and certain suspicions from some that she had something to do with her sister’s disappearance, Mina now lives a solitary life, avoiding most people and not having many friends. This makes her rather standoffish, angry and a little paranoid (for good reason) for most of the novel, and she has a hard time connecting to anyone, especially Lane. The events of this book really shock her in some major ways, as the years of repressed trauma and emotional uncertainty come to the surface again, especially once secrets and long-hidden truths come to the surface. I felt that the author did an amazing job highlighting all the major issues contained within Mina’s psyche, and the subsequent emotional moments were a fantastic and powerful part of the book.

Aside from Mina, the other major character in Wake that I need to discuss is private investigator Lane Holland, who arrives in Nannine to investigate the case. Burr created something really impressive in Lane, a former police cadet turned private investigator, as he ends up having one of the more intense and memorable character arcs in the entire novel. Initially seen as an unwelcome outsider by most of the other characters, apparently interested in only the reward money, Lane is able to prove himself to Mina and other characters and manages to gain their trust. However, everything you think you know about Lane is blown out the water when you find out his surprising connection to the case, as well as his motivations for investigating it. Burr sets up the connections extremely well in the early parts of the novel, putting in several clever hints and suggestions, while also doling out useful flashbacks to Lane’s past that explain everything. These revelations, as well as some insights into Lane’s personal history and motivations, help to both intensifies the story, while also dragging you closer to Lane as a character, hoping that he will succeed for everyone’s goods. Burr takes Lane’s character arc into some very dark, by captivating, directions, and his entire story comes together in a brilliant and powerful way, especially with some major decisions made towards the end of the book. These two excellent, intense, and very damaged central characters, really acted as the heart-and-soul of Wake, and I was really drawn into the outstanding narrative Burr wove around them.

With her excellent debut novel, Wake, Shelley Burr has successfully entered the world of Australian crime fiction in a big way. Featuring a captivating and distinctively dark murder mystery narrative that sees damaged characters bring a notorious cold case into the light, Wake was a gripping and deeply thrilling read that I had a fantastic time reading. A moving and enthralling novel, Wake was an exceptional Australian crime debut and I am extremely excited to read more stories from Burr in the future.

Wake Cover 2

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One Foot in the Fade by Luke Arnold

On June 16, 2022August 13, 2022 By The Unseen LibraryIn Australian, Fantasy, Murder Mystery6 Comments

One Foot in the Fade Cover

Publisher: Orbit (Trade Paperback – 26 April 2022)

Series: Fetch Phillips – Book Three

Length: 439 pages

My Rating: 4.75 out of 5 stars

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One of Australia’s fastest rising fantasy authors, Luke Arnold, returns with the third novel in his Fetch Phillips series, the fantastic and impressive One Foot in the Fade.

Back in 2020, Australian actor turned author Luke Arnold made his fantasy debut with his first Fetch Phillips novel, The Last Smile in Sunder City. This very clever and intense read, which ended up being one of my favourite debuts of 2020, was set in the unique landscape of Sunder City, a formerly majestic fantasy city facing hard times in a world that has just lost all its magic, causing all the fantasy creatures and beings who lived there to become deformed and dying beings. The story focused on the character of Fetch Phillips, a human private investigator responsible for the disaster, who tries to redeem himself by helping the disenfranchised former magical beings. Arnold followed it up later that year with a sequel, Dead Man in a Ditch, which was just as impressive and exciting as the first book. Both these novels were extremely good, and they perfectly set up Arnold’s intriguing and magic-less universe. I have been rather keen to see how the story continues so I was quite excited when I received a copy of the third book, One Foot in the Fade, a few weeks ago.

A new dawn has risen in the formerly magical Sunder City. Under the leadership of human business mogul Thurston Niles, the city is entering a technological age, leaving behind its mystical roots and providing everyone, both human and former magical being, with cars, guns and electricity to service their needs. Most are content with the new way of life, all except man-for-hire Fetch Phillips. Still ridden with guilt for the role he played in destroying the world, Fetch spends his days taking on odd jobs for former magical beings while also desperately searching for any way to bring back the magic.

After his latest assignment, recovering stolen artefacts still containing traces of their power, ends badly, Fetch’s hopes for bringing back magic are at an all-time low, until a new clue literally and fatally lands at his feet. An Angel has fallen from the sky at a great height, his formerly decayed wings once again feathered and whole, clearly the result of magic. But who or what is responsible for reinvigorating the unfortunate Angel’s magic?

Desperate to uncover the roots of this new mystery, Fetch discovers a former Genie, Khay, whose body is slowly losing its hold on reality. Still apparently capable of granting wishes, including returning a person’s magic to them, Khay may be the best chance for Fetch to redeem himself. However, in order to make her powerful enough to bring magic back, Khay requires a legendary crown located at the deadly and isolated Wizard city of Incava. Pulling together a small team, Fetch embarks for Incava to reclaim the crown. But the further Fetch goes on his quest, the more he begins to realise that not everything is as it seems. Blinded by his obsession with magic and redemption, Fetch walks a dangerous path that may end up damning him once again.

This was another extremely awesome read from Arnold who continues to showcase his impressive talent as a fantasy author. One Foot in the Fade did a brilliant job continuing from the previous Fetch Philips novels, and I loved revisiting the deformed and depressed world of Sunder City. Loaded with complex characters and powerful settings, this latest story was particularly captivating, and I think that One Foot in the Fade is probably Arnold’s best novel yet.

I really appreciated the powerful and intriguing narrative contained with One Foot in the Fade as Arnold has come up with some deeply fascinating and intense storylines that make this novel very hard to put down. Taking place shortly after Dead Man in a Ditch, One Foot in the Fade’s story places Fetch Phillips right into the action as he attempts to recover some magical artefacts. Thrown off by his villainous corporate antagonist, Fetch falls into despair, only to immediately find a dead angel whose magic has been returned to them. This leads him into a hunt for the being responsible for the miracle, quickly finding Khay, who reunites his faith and hope in magic. Bringing together a new team of comrades, Fetch travels outside of Sunder City on an epic quest to retrieve a legendary magical crown in order to empower Khay’s abilities. This works as a particularly fun and exciting centre to the entire narrative, and Arnold really pumps up the action and danger in this part of the book, seeing the protagonists deal with all manner of dangers, deadly creatures, former allies with their own agendas, a mysterious secret society, a giant Minotaur, and even some surprising and very dark magic.

I had an absolute blast with the first two-thirds of the novel, especially with all its action, intriguing new characters and world building; however, it is the final third that really turns One Foot in the Fade into something truly special as Arnold adds in some intense and intriguing twists. Despite Fetch’s best efforts, everything turns pear-shaped on him as some of the supporting characters are revealed to be far darker and more damaged than he ever believed. Thanks to some big and dramatic tragedies, Fetch is forced to make some hard decisions that will deeply impact him and change the entire course of the story. These later twists and revelations are pretty well set up throughout the first two-thirds and the novel, and I really appreciated the way in which Arnold brought the entire story together in such a clever and enjoyable way. While there are a few excessive plot points that slightly distract the main story, One Foot in the Fade’s narrative was pretty tight and never really slows down. I love the cool blend of dark fantasy, detective noir and urban fantasy elements contained within this impressive read, and Arnold has come up with a pretty bleak, character-driven narrative that really gets to the heart of the protagonist while also exploring the possibilities of redemption. The reader will find themselves getting quite drawn into this epic story, and I myself powered through most of it in a single night. Despite the author’s best efforts to recap the necessary background, One Foot in the Fade is a little hard to read by itself and I feel that most readers should read the first two books in this series first, although this is hardly a chore. I really enjoyed the hopeful end note of this third novel, and I cannot wait to see where the rest of the series goes from here.

While the Fetch Phillips novels all have great narratives to them, their best qualities are the unique and striking settings. Primarily set in the once majestic and glorious Sunder City on the fantasy continent of Archetellos, the stories generally explore how the city has changed since magic left the world. The first two books in this series saw Sunder City as a decaying metropolis, filled with depressed and dying magical beings who were trying to adapt to the new world. However, in the second book, an industrious human company is starting to provide technological alternatives to everything formerly powered by magic. Since then, the entire feel and tone of the city has changed, with Sunder City transforming into an industrious and factory orientated city, with 1920’s-esque technology like cars, firearms (that everyone carries) and neon signs. I really appreciated the brilliant and logical way that Arnold keeps changing the feel and look of his great setting every novel, especially as every change seems to match the series’s overarching noir feel. I had a lot of fun seeing the comparisons between the setting’s current technology and the former magical glory, and watching the protagonist compete against the march of progress. Arnold doubles down with the world building in One Foot in the Fade, with some interesting new additions that I found really fascinating. Not only are we introduced to multiple new magical races, all of whom have been impacted by the death of magic in their own unique ways, but a large portion of the novel takes place outside of Sunder City, as the characters head to another former major settlement, the Wizard city of Incava. The journey to and into Incava showcases multiple new interesting features about the larger continent of Archetellos, and I appreciated how much time Arnold put into expanding it. Incava itself proves to be a particularly haunting and deadly setting for a good part of the book, and the various dangers within really amp up the action-packed story. Overall, Arnold remains well on top of the cool settings in this novel, and readers will once again be entranced by the fantastic and distinctive setting of this series.

One Foot in the Fade also boasts a great array of complex and damaged characters whose personal journeys and intense pain really enhance the impressive narrative. This is particularly apparent in series protagonist and first-person narrator Fetch Phillips, a man with a particularly intense backstory. Due to bad choices in his past, Fetch is moderately responsible for the death of magic in the world and all the bad things that went with it. This led him into an extremely dark spiral and he has spent the rest of the books trying to redeem himself. However, this has not been easy, especially as he was forced to go up against his magical mentor and best friend in the second novel and his guilt is at an all-time high at the start of One Foot in the Fade. As such he is particularly obsessed with bringing back magic in this novel and embarks on the quest to repower his new Genie friend and redeem himself no matter the cost. This obsession blinds him (and by extension the reader) to the risks of what he is doing, and he ends up endangering his friends, while also ignoring some troubling signs from other characters that hinted at the books tragic ending. This is easily the most obsessed we have seen Fetch throughout the entire series, and it really fits into his brilliantly written character arc which sits at the core of the moving narrative. Watching him continue to try and fail is always very heartbreaking, and you really feel for Fetch throughout this novel, even with all the mistakes he’s made. As such, he serves as an excellent centre for the story, and I have a great time following his personal tale, especially as Arnold has also imbued him with a good sense of humour. The author also sets up a few intriguing character developments and changes throughout One Foot in the Fade that I think will lead to some very compelling storylines in the future, so I look forward to seeing where Fetch goes in the future.

Aside from Fetch, Arnold has filled this novel with a substantial collection of excellent supporting characters, each of whom adds their own distinctive flair to the narrative as well as a complex and often damaging relationship with the protagonist. One Foot in the Fade features a combination of new and existing supporting characters, and it was interesting to see who returned after the events of the last book. It was great to see more of former Witch and academic Eileen, one of Fetch’s main compatriots, who helps him throughout most of the book. Eileen serves as Fetch’s sense of reason, and her more measured approach to the tasks at hand balance well with the protagonist’s more impulsive nature. I also enjoyed seeing more of futurist company leader Thurston Niles, who is serving as something of an overarching series antagonist. Thurston, who was introduced in the second book, is the human businessman whose company is responsible for the industrialisation of Sunder City and all its new technology. While his appearances are a little brief in this novel, he serves as an excellent alternative human character to Fetch and I am really enjoying their rivalry. Despite appearing as the villain due to his desire to replace magic completely with technology, Thurston has more layers and he actually appears to enjoy Fetch’s efforts to bring back magic. Their various interactions in this novel are pretty entertaining, and I look forward to seeing their conflict continue in the rest of the series.

The author also introduces several great new characters in One Foot in the Fade, and their interesting and often self-contained storylines are pretty impressive. My favourite was Theodor, a Werewolf adventurer who Fetch and his friends hire to help get to Incava. Despite being disfigured and partially disabled (Werewolves and other shape-changers were also partially transformed into dark human-animal hybrids without their magic), Theodor is a badass hunter and tracker who quickly becomes one of the more likeable figures in the novel. Theodor serves as a mentor to many of the characters, especially Fetch, and it was fun to watch him teach the city slickers how to survive out in the wilds. Due to the way that Theodor’s storyline in One Foot in the Fade ends I am very curious to see if or how he returns in the future, and I am sure that Arnold will come up with some plot points elements for him. The other impressive new character was Khay, the Genie who serves as the book’s sentient McGuffin. Arnold paints a tragic picture around Khay as a Genie literally fading away due to the death of magic. Only able to survive through certain magical objects and granting wishes to people, namely returning their magic, Kay is just as obsessed as Fetch to achieve their objective. However, there is a powerful and captivating alternate side to Khay, and the consequences of her actions will have some lasting impacts in the entire series. These outstanding characters, and more, are an impressive and very important part of One Foot in the Fade, and I really appreciate how much effort Arnold put into making them so relatable and memorable.

With One Foot in the Fade, Australian author Luke Arnold continues to showcase his amazing literary talent, bringing together an epic new story with his already distinctive characters and settings. Thanks to the powerful and intense new narrative, this third Fetch Phillips novel is probably Arnold’s best novel so far and it is really worth checking out. I cannot wait to see how Arnold impresses me with the next book.

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The Hunger of the Gods by John Gwynne

On May 14, 2022August 14, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books18 Comments

Publisher: Orbit (Audiobook – 14 April 2022)

Series: The Bloodsworn Saga – Book Two

Length: 22 hours and 57 minutes

My Rating: 5 out of 5 stars

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Extremely talented dark fantasy John Gwynne returns with one of my most anticipated fantasy novels of 2022, The Hunger of the Gods, the epic second entry in The Bloodsworn Saga.

Last year, the fantasy world was aflame with discussion about a certain novel from acclaimed author John Gwynne, best known for his The Faithful and the Fallen series and its sequel Of Blood and Bone trilogy. While I wasn’t initially intending to check this book out, the sheer amount of positive feedback and reviews convinced me that I was clearly missing out, so I grabbed a copy and ended up being deeply impressed by the elaborate fantasy saga it contained. That novel was The Shadow of the Gods, a Norse inspired dark fantasy tale that saw three intriguing protagonists explore a deadly new fantasy world wrecked by the last battle of the dead gods, and filled with monsters, warbands and powered humans tainted by the divine ancestors. I had an exceptional time with this great book, which really met all my expectations and ended up being one of my favourite books and audiobooks of 2021 (it also topped my favourite new-to-me authors list and best covers of 2021 list, it was just that damn awesome). I deeply enjoyed the fantastic and elaborate tale this novel contained, and I could not wait to see how it would be continued. As such, when I received a copy of the sequel, The Hunger of the Gods, which featured another awesome fantasy cover and plot synopsis, I immediately started reading it and was once again thrust into world of gods and heroes.

The dread dragon god, Lik-Rifa the soul-stealer, has been released from her ancient tomb and now all of Vigrid lies in peril. Determined to unleash a new era of blood, death and conquest upon the lands, Lik-Rifa immediately begins to gather around her horde of Tainted warriors, including her own descendants, the dragon-born, terrible monsters and a cult of followers, all slaved to her will. Hope looks bleak, especially as the warring human kingdoms remain unaware that Lik-Rifa is free and about to unleash fresh horrors upon them.

Amongst this chaos, the deadly Orka continues her hunt for her stolen son, taken by Lik-Rifa’s followers. Now revealed as the legendary and infamous warrior, the Skullsplitter, Orka will not rest until she has her son and her vengeance, no matter the obstacles. While Orka continues her quest, her former warband of secretly Tainted warriors, the Bloodsworn, head south, determined to rescue one of their members, while their newest initiate, Varg, continues his attempts to find vengeance for his sister. Meanwhile, Elvar is forced to fulfil the blood oath she took to rescue another child from the dragonborn, and needs to convince her now leaderless warband, the Battle-Grim, to follow her.

As these brave warriors each take their own steps to destiny, they will all face dangerous challenges and horrendous odds. Orka will need to come to grips with the wolf lying deep in her heart as she attempts the impossible: defying a god. Varg and the Bloodsworn will travel to a distant land to achieve their goals, only to meet tragedy and loss. Elvar finally attempts to claim the responsibility of leadership that she has always desired. However, despite all their bravery and skill in arms, none of these heroes are going to be capable of fighting Lik-Rifa directly. Instead, Elvar and her company will attempt a desperate plan, using forbidden magic to bring a dead god to life and bind it to their will.

Wow oh wow, what an incredible and awesome read. Gwynne continues to showcase why he is one of the best current authors of fantasy fiction with The Hunger of the Gods, which perfectly continues the impressive Bloodsworn Saga in a big way. Featuring tons of bloody action, impressive new fantasy elements, complex characters, and a powerful and elaborate narrative that is the very definition of epic, The Hunger of the Gods was another five-star read from Gwynne that is easily one of the better books I have read so far this year.

The Hunger of the Gods has an outstanding and impressive story that instantly grabs the reader’s attention and ensures that they are unable to put the book down until the very last page. This sequel kicks off right after the epic conclusion of The Shadow of the Gods and quickly follows up on all the big revelations and events that occurred there, especially the release of the giant dragon god, Lik-Rifa, who serves as a suitably sinister and epic main antagonist for the series. Just like the first book, The Hunger of the Gods’ narrative is told from a series of split storylines, each one focused on a specific point-of-view character. All three character-specific storylines from The Shadow of the Gods are continued here, following Orka, Varg and Elva. These existing storylines go in some exciting and interesting directions in The Hunger of the Gods, and I loved how the author expanded on the character’s growth and individual journeys from the first novel, while also keeping some of the existing dynamics and elements. Gwynne also adds in two new point-of-view characters, as antagonists Gudvarr and Biorr, who were good secondary characters from The Shadow of the Gods, get their own intriguing storylines here. These new character arcs are impressively entertaining, providing great alternate perspectives to deepen the story, while also working into the existing storylines extremely well. All five storylines go in some great directions throughout the course of the novel, and there are some absolutely brilliant moments, twists and revelations that occur throughout, especially as many of these storylines started to come together more. I had an excellent time seeing where everything went, and Gwynne really did a great job taking all these character stories in some appropriate directions. Every single storyline end on an amazing note and the conclusions are guaranteed to drag readers back for the third Bloodsworn novel.

This second book in The Bloodsworn Saga is written pretty damn perfectly as Gwynne continues his magic to produce an addictive and distinctive read. The Hunger of the Gods retains the excellent tone introduced in the first novel, ensuring that everything comes across as a Norse adventure story set within a unique, dark fantasy realm. Everything about this book is handled extremely well, from the exceptional pacing, which ensures that you fly through this massive novel, to the intense and brutal action that is installed in every section of the book, guaranteeing that readers get that much needed adrenalin rush. Gwynne utilises an interesting writing style here that really emphasises repetition and unique dialogue to help to make the story feel more and more like an epic Norse saga. Just like the preceding novel in The Bloodsworn Saga, I think that The Hunger of the Gods had just the right blend of action, humour, character growth, world building and darker elements to create an excellent and enticing read. I also have to say that I was quite impressed with how Gwynne was able to avoid middle book syndrome here, as in many ways The Hunger of the Gods was even better than The Shadow of the Gods. While the story does slow down in places to help build up certain settings or plot elements, there is always something interesting or compelling going on, and I can honestly say that I was not bored at any point in the book. You could almost read The Hunger of the Gods by itself with no knowledge of the preceding book and still have a brilliant time with it, especially with the detailed synopsis of the prior novel at the start.

The best thing about how this story is written is the exceptional use of multiple character perspectives. The story perfectly flits between the five separate characters arcs throughout the novel, with a different character being focused on with each new chapter. Thanks to the inclusions of two new characters, readers of this sequel get to enjoy a much deeper story here, especially as the new characters are associated with some of the series’ antagonists, providing some fantastic new elements. I think the additional characters worked really well, as while the existing three protagonists are great, their storylines needed to be spaced out more in this sequel. All five separate character storylines play off each other perfectly as the novel continues, telling an immense narrative that, while connected, still contains a fair bit of individuality as you follow their specific adventure.

I liked finally being able to see some interactions between the various protagonists and I loved seeing these outstanding and well-written characters finally come together in some intense scenes, allowing the reader to see these distinctive characters viewed through the eyes of the other protagonists. The author had a great sense of which perspectives needed to featured at certain times, and there were some amazing contrasts as certain exciting storylines were played off each other, especially when you were able to see two sides to certain major battles or events. In addition, this is one of those rare multi-narrative fantasy novels where it is near impossible to choose a favourite storyline or character to follow. Each of the five storylines offers the reader something different, from a bloody revenge story, to an intriguing look at the book’s main antagonists, and all of them work extremely well in the context of the wider story. I will say that Orka’s brilliant quest for her son has some amazing action scenes and powerful character moments, while the camaraderie and excellent larger-scale battles of Varg’s storyline ensured that I was excited to hear from this character. In addition, Gudvarr provides some great political intrigue from the perspective of a true weasel, which was so very fun to watch. However, I honestly had a great time with every single character, and there was not a moment that their individual stories did not enhance the overall quality of The Hunger of the Gods.

I really must highlight the incredible dark fantasy setting of The Bloodsworn Saga that is expertly used again in The Hunger of the Gods after Gwynne took the time to set it up in the first novel. The harsh land of Vigrid, with its warring Jarls, terrifying monsters, long-dead gods, glory-seeking warbands and the feared and exploited Tainted, works so well as a background to this epic story and it really helps to expand the bloody adventures featured within. I loved how Gwynne uses classic Norse elements like shield walls, longboats, weaponry and mindsets, and I still really love seeing this in a fantasy context, especially when combined or used against the monsters and Tainted characters. This is further enhanced with the continued use of Norse inspired terms and dialogue throughout the novel, and it helps to give this entire series such a distinctive feel (although I kind of wish that he would stop trying to continually make “thought cage” an alternative to a person’s skull). While the author spends a bit of time continuing these elements from the first book, The Shadow of the Gods also features some brilliant world building as Gwynne provides intriguing enhancements to the existing gods, land and people, which were already extremely intriguing. There are also some examinations of the neighbouring nation of Iskidan, which was mentioned a few times in the first book. Iskidan, which has elements of historical China, the Middle East and the Byzantine Empire in its construction, serves as an intriguing counterpoint to Vigrid, and it was fascinating to learn more about it. I also loved a couple of cool, if freaky new monsters, that were featured in this book, although the flesh burrowing insect monster and the nightmare inducing tongue eaters, are a bit on the gruesome side (readers who don’t like body modifying monsters are warned to stay away). All these awesome elements are fitted in the book perfectly, and I loved this continued dive into the dark and gruesome world Gwynne has lovingly created.

While the awesome narrative, clever storytelling and dark fantasy setting are amazing parts of the book, I would be extremely remiss if I didn’t highlight the incredible character work that Gwynne did within The Hunger of the Gods. Just like the first book in The Bloodsworn Saga, The Hunger of the Gods features an impressive and captivating cast of characters, each of whom are expertly featured and who add some fantastic elements to the overall story. This is particularly true for the wonderful and memorable characters from whose perspective this epic tale unfolds. Gwynne did an incredible job introducing these excellent characters in the first book, and it was great to see two previous supporting characters promoted up to the central cast. All five main characters are exceptional and their unique personalities and goals ensure that every chapter is different from the last which helps to produce an awesome and expansive read.

The first of these characters is Orka, an incredibly dangerous warrior who is hunting for her lost son and vengeance for her murdered husband. Orka is a brilliant and complex figure who is easily one of the most exciting and enjoyable characters in the entire series. Due to her single-minded determination and bloodlust, pretty much all Orka’s chapters read like a bloody revenge trip that is essentially a dark fantasy version of Taken. Gwynne continues this excellent trend with Orka in this second novel and it was great to see this implacable warrior travel across this land, killing everyone who gets in her way as she takes big risks. However, Gwynne adds in some extra elements to Orka’s tale in The Hunger of the Gods, especially following the revelations made at the end of The Shadow of the Gods that Orka is both Tainted and the former leader of the Bloodsworn, the legendary killer known as the Skullsplitter. Orka actually comes across as a lot more bestial in this second book, especially after the big massacre she created at the end of The Shadow of the Gods that unleashed her inner monster. As such, there are more scenes of Orka trying to contain her rage and anger, and there were some fantastic and clever portrayals of her inner beast throughout the book. We also see some of Orka’s guilt and regret as the novel explores how she left the Bloodsworn and the relationships she sacrificed for the sake of her unborn son. I also quite enjoyed seeing her as a reluctant leader in this novel as she finds herself in charge of a small team of warriors and monsters. This enhances her sense of guilt and remembrances of her previous time with the Bloodsworn, and it adds some fun drama and even a mentoring arc as continues her work with her young student, Lif. Orka’s storyline goes in some great directions throughout The Hunger of the Gods, and you will be enthralled with her tale right up until the last line of this book.

I also had a lot of fun with Varg in this book. Varg, or as his warband knows him, Varg No-Sense, was probably my favourite character in The Shadow of the Gods and he continues to be an excellent part of this sequel. While he doesn’t develop as much as some of the other characters in The Hunger of the Gods, Varg still remains an enjoyable figure. Most of the appeal revolves around his friendship and growing sense of acceptance with his fellow Bloodsworn, and I liked seeing him continue to develop as a warrior and a free person, especially as starts to create some meaningful relationships. Like Orka, a lot of Varg’s personal storyline deals with his desire for vengeance, as well as his issues controlling his Tainted rage, and I liked seeing how this complemented and contrasted with Orka’s experiences. This is particularly noticeable when it comes to how he deals with loss, something he is not good at, especially when some good friends fall throughout the story. As a result, there are some great moments for Varg in this novel, and his chapters are filled with some of the funniest supporting characters and best battle sequences. I did find it interesting that Varg didn’t have the biggest impact on the overall storyline in this novel, even during his own chapters, but Gwynne is clearly planning some big things for him in the future, which I am really looking forward to.

Elvar, also has a great storyline in The Hunger of the Gods, and I honestly think that out of all the characters, she has the most development in this book. Due to where her story from The Shadow of the Gods ended up (dragon gods rising and all), I was extremely excited to see more from Elvar in this novel, and it really did not disappoint as she immediately gets into action, resurrecting gods and bending them to her will. Quite a lot of major plot elements occur through Elvar’s eyes, and she proves to be an excellent focus for all these key storylines. I liked how Elvar grew up quite a lot in this sequel, especially after the traumatic betrayals of the previous book, and she ends up with a very different mindset throughout this sequel, especially when it comes to leadership and her need for fame. Watching her grow and take control of the Battle-Grim is a compelling part of this novel, and it was awesome to see her come to terms with her new responsibilities. It was also great to see how a lot of Elvar’s story comes full circle in this novel, especially when it comes to her personal history and family, and her final chapters in this novel are some of the best in the book. I am once again extremely keen to see how Elvar’s story continues in the rest of the series, and Gwynne has left her in an incredible spot for the future.

Like I mentioned above, I was really impressed with Gwynne’s decision to start utilising two additional point-of-view characters in The Hunger of the Gods, and it really helped to turn this sequel into a much more detailed and compelling read. Part of the reason this works so well is that these two additional characters are both complex and excellent characters, and their chapters act as a great continuation of some of the minor storylines from the first book. The first of these characters is Biorr, former member of the Battle-Grim who was revealed to be a spy planted by Lik-Rifa’s followers and who ended up betraying and killing the Battle-Grim’s leader. While it would be easy to hate Biorr for his actions, he becomes quite a sympathetic character. Not only does he spend most of the book feeling intense guilt for his actions, but he also paints a pretty grim picture of his previous life as a slave, showcasing the hardships he and his fellow Tainted have suffered. As such, you can understand many of his reasons for why he is helping Lik-Rifa, especially as she is promising a new world order for people like him. Despite this he is still quite conflicted, and he acts as a more moderate antagonist. This changes towards the end of the book, especially after he meets a certain divine being, and he starts to become a bit colder and more determined to support Lik-Rifa. Despite being one of the least action-packed storylines in the novel, Biorr’s chapters were an excellent and entertaining part of the novel. I particularly enjoyed the intriguing alternate views they gave of the main group of antagonists, making them seem more reasonable and complex, and the inclusion of Biorr greatly enhanced the entire narrative for the best.

The other new point-of-view character is Gudvarr, the conceited lordling who hunted Orka in the last book and was a particularly annoying antagonist. I must admit that I was initially surprised that out of all the great supporting characters, Gudvarr was the one who was upgraded to main cast. However, it soon became apparent why he was used, as Gwynne had some real fun turning him into one of the entertainingly despicable characters in the entire novel. Gudvarr is the absolute epitome of arrogance, petty cruelty and cowardice throughout this book, and it is near impossible to have any respect for him, as he lies, brownnoses and attempt anything to gain power and reputation, often with disastrous results. Gwynne goes out of his way to make him seem as conceited and cowardly as possible throughout the novel, mainly through his inner monologue, where he constantly hides all his insults and most cowardly thoughts to avoid getting into trouble with actual warrior. He is such a little arseling in this novel, and you can’t help but hate him, especially as he has the devil’s luck and frustratingly manages to wiggle out of every single disaster he finds himself in. Despite this, or perhaps because of it, I grew to really enjoy Gudvarr’s chapters as everything he did was hilarious in a sneaky and spiteful way, and it is just so damn entertaining to see him get pushed around then overcome more powerful and confident characters. The Gudvarr chapters also provide some fantastic insight into another group of antagonists, loaded with political intrigue and deceit from one of the main courts of Vigrid. I had an absolute blast following Gudvarr throughout the novel, and the way that his storyline in this novel comes to an end is just so perfect and really showcases what an absolute cowardly snake he is. I cannot wait to see him get his eventual just deserts (or maybe he’ll be the only survivor), and he ended up being on of my surprisingly favourites in The Hunger of the Gods.

Aside from these main five characters, The Hunger of the Gods is filled with a massive raft of supporting characters, with a distinctive cast associated with each of the point-of-view storylines. Gwynne handles these supporting characters beautifully; despite the cast list going on for six pages, you get to know all of them and fully appreciate everything they bring to the story. Most of these characters support their respective storylines incredibly well and many of the characters either stand on their own as distinctive figures or have some brilliant interactions with the main characters. Many of my favourites were members of the Bloodsworn band, with the hilarious and witty Svik being the best example of this with his tall tales, love of cheese, and calming attitude towards Varg, while an additional storyline about his connection to Orka adding some intriguing depth to his character. You really get to enjoy many of the key Bloodsworn members, although this does mean you become way too emotionally strained when they get hurt or killed. I also really grew to enjoy returning character Lif in this book as he continues to grow as a warrior through Orka’s tutelage. Watching him develop is a great part of the Orka chapters, and he proves to be an excellent foil to the brutal main character. I loved the deeper look at many of the series’ main antagonists throughout The Hunger of Gods, especially with the two new character perspectives, and it was great to see a different side to their plans and motivations. The multiple resurrected or freed god characters proved to be an excellent addition to this second novel, with the main characters brought into their renewed war one way or another. These gods really changed the entire story, and it was fascinating to see their interactions with the main characters, as well impact they have on everyone’s psyches. These great characters, and many more, all added a ton to the story, and I loved how their various arcs and storylines came together. It will be fascinating to see if anybody else becomes a point-of-view protagonists in the future (my money is on Lif), and I can’t wait to see what happens to these brilliant characters in the future.

While I was lucky enough to receive a physical copy of The Hunger of the Gods, I ended up listening to the audiobook version of it instead, which was an extremely awesome experience. With a runtime of just under 23 hours, this is a pretty lengthy audiobook (the 19^th longest audiobook I’ve ever listened to) and requires a substantial investment of time. However, this is more than worth it as hearing this epic tale read out to you is a brilliant experience. Not only does it ensure that you become deeply trapped in the elaborate story and are able to absorb all the great detail, but it also fits with the book’s inherit theme of an oral saga. One of the best features of this audiobook is impressive narrator Colin Mace, a man with a ton experience narrating elaborate fantasy and science fiction audiobooks (such as The Black Hawks by David Wragg). Mace has a commanding and powerful voice that really fits the theme of this universe and perfectly conveys all the violence, grim settings and powerful elements of the dark fantasy world. He does a particularly good job with the character voices as well, as every character has a distinctive tone that fits their personality and actions extremely well. I loved some of the great voices that he comes up with, including deep-voiced warriors, snivelling cowards, strange creatures, ethereal gods and more, and it helped to turn The Hunger of the Gods audiobook into quite an experience. As such, I would strongly recommend this audiobook format as the way to enjoy The Hunger of the Gods, and I fully intend to check out the rest of this series on audiobook when it comes out.

John Gwynne continues to dominate the fantasy genre with his incredible Bloodsworn Saga. The amazing second entry, The Hunger of the Gods, is another exceptional read that takes you on a wild and deadly adventure through Gwynne’s impressively put together dark fantasy world. Containing an epic and powerful story, chock full of action, Norse fantasy elements and impressive characters, The Hunger of the Gods was one of the best reads of 2022 so far and I had an outstanding time reading it. In some ways The Hunger of the Gods ended up being a better novel than the first entry in the series and is an absolute must read for all fantasy fans.

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Death of the Black Widow by James Patterson & J. D. Barker

On May 2, 2022February 2, 2023 By The Unseen LibraryIn Five-Star Books, Horror, Thriller21 Comments

Publisher: Century (Trade Paperback – 12 April 2022)

Series: Standalone

Length: 520 pages

My Rating: 5 out of 5 stars

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Prepare for one of the trippiest and darkest thrillers of 2022 with Death of the Black Widow, the latest brilliant standalone novel from the all-star team of James Patterson and J. D. Barker.

Few thriller writers out there at the moment are as well-known or prolific as superstar author James Patterson. Patterson has been absolutely dominating the thriller and crime fiction genre for nearly 30 years and has an incredible catalogue of works to his name, including his best-selling Alex Cross books. In recent years, Patterson has released a torrent of works, including some solo books and several novels done in collaboration with other talented writers and even a few celebrities. I personally have loved several of his previous collaborated books, including Lost (co-written with James O. Born) and 2 Sisters Detective Agency (co-written with Candice Fox). However, one of the more intriguing authors he has teamed up with is acclaimed thriller and horror author J. D. Barker. Barker, whose work I previously enjoyed on Dracul (co-written with Dacre Stoker), has already produced two intriguing novels with Patterson, The Coast-to-Coast Murders and The Noise. I have been keen to check out this awesome writing team for a while (The Noise is currently sitting on my shelf waiting for my attention), and when I received a copy of their latest book, Death of the Black Widow, I made sure to read it as soon as possible.

It is a typical night in Detroit until former police officer Walter O’Brien and his comrades call in a bomb threat on a busy night club and use concentrated sniper fire to keep its patrons trapped inside. When the police arrive on scene, Walter surrenders to them and offers them a simple choice: allow them to kill a single woman hidden within the club, or watch as the entire building is destroyed. But who is this mysterious woman and what has driven Walter and his friends to such extremes?

The origins of these desperate actions date back decades to when a young Walter O’Brien is called to a murder scene on his very first night for the Detroit PD. What he uncovers is a terrible and bloody crime scene: a scared and surprisingly alluring young woman has apparently escaped from captivity and skillfully bludgeoned her ruthless captor to death with a lamp. Attempting to take her to hospital, Walter is shocked when she escapes from his custody, leaving an impression on him that will last a lifetime.

Years later, as a new homicide detective, Walter has a chance encounter with someone he believes to be same women from that fateful night. Still obsessed with his previous encounter, Walter attempts to track her down, only to find a disturbing pattern between this mysterious and woman and several disturbing and unexplainable murders he is investigating. But when his case takes an even more unusual twist, Walter finds himself thrust into something far bigger than himself. A secret government agency is attempting to find this mysterious woman, and soon they and Walter begin to uncover a disturbing trend of murders going back years. As Walter begins to lose himself more and more to obsession, he becomes determined to be the one to stop any more killings. But what is he willing to do to stop the deaths once and for all?

Wow, now that was a fun and intense book. Patterson and Barker have produced something very special with Death of the Black Widow, which was an utterly insane and awesome read. I was actually a little surprised with how much I enjoyed this clever book, and I think I have very little choice but to give it a full five-star rating.

Now, I must admit that when I started reading Death of the Black Widow, I honestly did not know too much about the book, apart from what was in the synopsis. From that and the name, I assumed that this was going to be a psychological thriller or a spy thriller. However, while Death of the Black Widow does have thriller and murder mystery elements to it, and indeed it appears to be a purely crime fiction novel for the first few chapters, it actually turned out to be something entirely more complex. Within the first 100 pages or so, you begin to realise that the authors are subtly including elements from other genres, and Death of the Black Widow soon starts to take on a distinctive horror vibe, with some incredible brutal killings done under extremely unusual circumstances. While I was surprised by this, I cannot say that I was disappointed. Instead, I felt that it was a brilliant move from the authors and one that played particularly well to Barker’s strengths. This new genre combines well with the books existing thriller/crime fiction framework to create an intense and exhilarating read that is extremely easy to get into and very, very hard to put down. I personally found myself powering through the last 350+ pages in less than a day, especially once I begun to fully understand just how clever and weird things were about to get.

I was really impressed with how Death of the Black Widow unfolded as a story, especially as Patterson and Barker went out of their way to make this standalone read as enticing and epic as possible. The book starts in the present day and shows the older protagonist and his compatriots entering the end game of their confrontation with a mysterious woman. This serves as a great setup to the rest of the story, which jumps back multiple decades to 1986, when Walter and the mysterious woman, known here as Amy Archer, first meet, and the strange and deadly circumstances behind their encounter. The story then jumps forward several years to 1992, where Walter is investigating several strange murders when he has a chance encounter with someone he believes is Amy. This results in an intriguing series of chapters where Walter deals with both the investigation and his growing obsession with this girl, before everything blows up terribly and the mystery becomes more convoluted and unusual with each new revelation. This pattern continues throughout the book, with the story jumping ahead years at a time to show the multiple encounters between Walter and his obsession. Each time period reveals some intriguing new angles and elements, and you find out new revelations about the woman the protagonist is hunting, resulting in the full truth about her finally being revealed. The novel also keeps slipping back to the siege occurring in the present, with some new characters trying to uncover what Walter and his team are up to as the protagonists provide them with hints about who they are and what they are after.

I deeply enjoyed that the authors chose to utilise a split timeline for Death of the Black Widow, especially as it works extremely well to tell this outstanding narrative. The switch between time periods and chronological length of the story really enhances just how mysterious the events of the book are and the powerful, life-altering impact they have on the protagonist. There are many clever elements to the switches between the periods, and I loved the subtle inclusions in the present timeline that hint at the events in the past that the protagonist was yet to experience, and the full impacts of them. There are also some fun summaries loaded at the front of each change between the past and the present that represent the protagonist’s notes on the case. Not only can these be useful to remind the reader where they are, but it helps to highlight just how massive the case gets, especially towards the end of the book, as well as tracking Walter’s growing obsession (especially the last one). This entire story is loaded up with brilliant reveals and shocking twists, and I was honestly surprised and very thrilled in some of the excellent directions that the authors took the story. You will honestly have a hard time putting this novel down once you get past the halfway point, especially once the 1992 storyline comes to its shocking end, and the intense revelations and horrific scenes of the next few time periods ensures you will become unerringly trapped as you attempt to find out more about the antagonist and their past. This entire story of obsession, murder and mystery concludes perfectly in the present, with some truly big moments, as everything comes full circle and twists that have been hidden in plain sight since the start come into the light. This was such a great story, and I frankly loved every single second I spent reading it.

I cannot finish talking about this book without mentioning the excellent characters it contained. Death of the Black Widow features an intriguing and unique cast, each of whom brings something fun and compelling to the story. The most prominent of these is Walter O’Brien, who serves as the central point-of-view character for most of the story. Thanks to how the book progresses, you get to see the entirety of Walter’s life unfold, from his young days as a rookie cop, all the way up to his present, when an older, dying Walter attempts to bring his great obsession to an end by finally catching the woman who has haunted him for decades. This ensures you get a brilliant look at this character and it proves absolutely fascinating to see the various stages of his life and the continued impacts of his interactions with the woman he knows as Amy Archer. One of the best parts of this is that you get to see the growing obsession that Walter builds towards this woman, as meeting her proves to be a defining experience for him. Despite the fact that his interaction with her are relatively short, each time he meets Amy she changes his life in a different way and he soon becomes quite obsessed with her. This obsession continues to bloom, even after certain revelations about her and her actions become known, and he is forced to fight his own feelings and observations throughout the entire book, especially once it becomes clear that this obsession is mutual and that Amy is drawn to Walter as well in a twisted romance that is so damn dark. Watching this usually confident and capable person being haunted by this obsession proves to be powerful and captivating centre to this story, and you really feel for this protagonist as he struggles. Walter ends up serving a great role as the central protagonist of this story, and I found his entire character arc to be extremely well written and cleverly exposed.

On the other side of the coin is the mysterious woman who serves as the titular Black Widow of the story. Known to Walter as Amy, this woman serves as a shadowy and enigmatic figure in the book, especially as you have no idea who she truly is for most of it. To avoid spoilers, I will not go into too much detail about her here, but I will say she was an exquisite and amazing character, and the authors did a remarkable job bringing her to life and fitting her into this remarkable story. She is easily one of the most distinctive and memorable literary villains I have read for a while, and if they ever make a movie of this book (which they really should), I think a great actor could turn her into something very special. These two characters, as well as some other great supporting characters (the members of Walter’s team in the present day, as well as some distinctive cops from the past timelines for example), prove to be the beating heart of this incredible story, and it was absolutely fascinating to see how their intriguing lives worked in to the plot of this book.

No doubt it, I was really, really impressed with Death of the Black Widow, which ended up being one of the most exciting and compelling reads of 2022 so far. The outstanding team of James Patterson and J. D. Barker were absolutely amazing here, producing a clever and intricate thriller, loaded with unique characters, a deep obsession laden storyline and some excellent horror elements. This was easily one of the most unique and memorable novels I have read in a while, and I loved every single second I was going through it. A highly recommended read that will appeal to anyone interested in a dark and deadly read, you will not be disappointed with Death of the Black Widow.

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Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

On April 21, 2022May 2, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Throwback Thursday, Tie-in Novel8 Comments

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis. Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels. I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine. Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show. I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller. Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome. As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

These are dark days for the galaxy. The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place. All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi. After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy. Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past. However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders. The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks. When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for. Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done. But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life. Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out. With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine. However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them). While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure. Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities. Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi. Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides. The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations. Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story. Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way. This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe. Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you). Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains. There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways. Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series. Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details. As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi. This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet. Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point. The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders. I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point). I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle. However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark. You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon. I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan. You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi. This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe. I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character. Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben. This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope. I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith. The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy. While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain. This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind. As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist. This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past. Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel. I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways. All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them. My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi. Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure. However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations. Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist. The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker. I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault. Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona. Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him. While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben. She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements. Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour. Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book. A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch. They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do. All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format. Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome. With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days. Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on. Both were really good throughout Kenobi, with the sound effects in particularly being put to great use. I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis. Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama. He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb. He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes. Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities. I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation. This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure. Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed. Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down. Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.

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