Song of the Risen God by R. A. Salvatore

Song of the Risen God Cover

Publisher: Audible Studios (Audiobook – 28 January 2020)

Series: Coven trilogy – Book Three

Length: 17 hours and 3 minutes

My Rating: 5 out of 5 stars

Legendary fantasy author R. A. Salvatore brings his Coven trilogy to an explosive and enthralling end with the third and final novel, Song of the Risen God.

The Coven trilogy is an exciting series that Salvatore has been writing over the last three years, which is set in the world of Corona, the setting of his previous series, The DemonWars Saga. This new trilogy follows the adventures of an interesting group of characters in the lands surrounding Loch Beag, including the imposing mountain, Fireach Speuer. The first two novels in this series, Child of a Mad God and Reckoning of Fallen Gods, have both been extremely good, and I have been enjoying reading some of Salvatore’s non-Forgotten Realms fantasy work. I am a massive fan of Salvatore’s writing and I have been looking forward to finishing this series off for some time now. Salvatore certainly did not disappoint with the final entry in this trilogy, as this final novel is potentially my favourite book in the entire series.

War has once again come to the world of Corona, as a new evil leads its forces on a mission of conquest and destruction. The wild lands surrounding Loch Beag and Fireach Speuer have never been peaceful, but now a massive army of invaders is marching across them, determined to conquer and kill all before them. These mysterious invaders are the Xoconai, a lost race of humanoids from the other side of Fireach Speaur. Now, with their reborn god leading the charge on his mighty dragon, the Xoconai are commanded to expand their empire to the opposing coast.

With no hope of defeating the vast host that has suddenly appeared above them, the few surviving inhabitants of the villages surrounding Loch Beag flee through the wilds to find sanctuary. Led by the powerful witch Aoelyn, the frontiersman Talmadge and the ranger Aydrian Wyndon, the villagers move towards the apparent safety of Honce-the-Bear, the most powerful human kingdom in Corona. There they hope to warn the people of Honce-the-Bear of the approaching danger and gather a force that can push back the Xoconai.

However, the dark ambition of the Xoconai god, Scathmizzane, knows no limit, and his magical powers are as vast as they are terrifying in their origin. Using these powers, Scathmizzane is able to accelerate the Xoconai invasion at a tremendous pace, striking right at the heart of Honce-the-Bear, and managing to overpower both their armies and the magic of the Abellican monks. As the Xoconai horde advances, it falls to Aoelyn, Aydrian and their companions to stop them by any means necessary. But can even the most powerful magic user on the continent and a fallen king be able to throw back the invading armies, or will Scathmizzane’s dark power fall across all the lands?

Song of the Risen God is a really impressive and captivating read that provides the reader with an entertaining adventure in one of Salvatore’s detailed and expansive fantasy universe. This final book in the Coven trilogy is a cool addition to the trilogy that not only acts as a satisfactory conclusion to this new series but which also ties it even more firmly into the wider world of Corona.

This book contains an epic and wide-ranging narrative that showcases the dramatic aftermath of the second novel in the series, Reckoning of the Fallen Gods, which saw a massive army and a dragon-riding god descend on the isolated setting of the first two novels. In this third novel, the protagonists are chased all the way to one of this world’s key settings, the kingdom of Honce-the-Bear, where they must fight to save the world from the invading horde. This turned out to be a rather interesting departure from the previous novels in the Coven trilogy, which were much smaller in their scope, tending to focus on a handful of closely related villages in a single location. I actually liked this change of pace, as it made for a much more impressive conclusion, and I quite enjoyed seeing the characters interact with the wider world. This turned out to be an extremely exciting and fast-paced novel that contained a lot of entertaining action and large-scale battle sequences, although the author does not skimp on the intriguing dialogue, creative world building or compelling character development. Salvatore utilises a host of point-of-view characters to tell this story from a variety of different angles, which leads to a rich and comprehensive overall narrative. I am also glad that the author continues to feature in-world texts at the beginning of each part of the novel, which provides some fascinating insights into some characters, and contains some clues about a big twist towards the end of Song of the Risen God. Overall, this was an extremely captivating story with a great blend of elements, and I had a fantastic time reading it.

One of the more distinctive parts of Song of the Risen God is how it connects with some of the previous books set in the world of Corona. Corona is a unique fantasy world created by Salvatore, which has previously served as the setting for 13 novels, including the previous two Coven books. The first seven of these books are all part of the same series, known as The DemonWars Saga, which established many elements of this world, including the kingdom of Honce-the-Bear, the Abellican order of monks and the world’s gem based magical system. The Coven series has always been set in Corona, but the first novel in this trilogy, Child of a Mad God, had very little to do with these prior books. More of a connection was established in Reckoning of Fallen Gods, especially with the appearance of Aydrian, who was a major figure in the later DemonWars books. However, in Song of the Risen God, Salvatore fully combines this trilogy with his prior series, by bringing the protagonists and antagonists of the previous Coven books into the main location of The DemonWars Saga and having them interact with these established characters and settings.

Immersing this series more fully into the wider fantasy world was an interesting choice from Salvatore, and it one of the major things that distinguishes Song of the Risen God from the previous books in the trilogy. This was not a sudden or random decision from Salvatore, as there have been hints that this was going to happen in the previous two books, especially once Aydrian was introduced as a major character. I rather enjoyed the way that Salvatore so dramatically expanded the setting and started using elements from The DemonWars Saga in this novel, as it made for a much more expansive and fascinating story. I never actually read any of the books in The DemonWars Saga (a regrettable gap in my Salvatore knowledge), and before reading Song of the Risen God, I had no real idea what happened in this series, aside from what was discussed in the second Coven novel. However, I found that you really didn’t need any pre-existing knowledge of these earlier books, as Salvatore spends a good amount of time explaining some of the major story events that occurred during these novels and how they impact the current plot. As a result, at no point while reading Song of the Risen God was I in anyway confused by what was going on, and I always had a good idea how the plot was tied into the wider universe. I really appreciated being able to enjoy the entirety of the plot without having to read The DemonWar Saga first (which admittedly sounds pretty awesome, and I might have to check them out at some point), and I think that Salvatore did a fantastic job recapping the events of this prior series in text. Fans of The DemonWars Saga will no doubt like the fact that Salvatore is once again exploring this world, and many will be interested in seeing how much the universe has changed in the intervening years, as well as the major developments that occur as part of Song of the Risen God.

As I mentioned above, Song of the Risen God is the third and final book in the Coven trilogy, which does mean that this book might be a bit harder to follow for those readers who try to jump into the series at the very end (although that would be true for any trilogy). Salvatore does do a good job of recapping and exploring some of the key events of the first two novels, so most readers should be able to follow it well enough. I think that Song of the Risen God proved to be a great conclusion to the entire trilogy, as all of the major storylines were wrapped up rather well. The ending of the book also suggests that Salvatore is planning an additional Corona based series in the future, and if so, it is likely to focus on some of the major characters from the Coven trilogy. I personally would be extremely interested in a follow up series to these books, especially after all the major events that occurred in this novel, and I look forward to seeing what Salvatore cooks up next.

One of the major highlights of Song of the Risen God was the incredible raft of characters. This book had a massive and diverse group of characters featured within it, including the protagonists of the previous two books, characters from The DemonWars Saga and original characters who appeared for the first time within this book. Salvatore did a fantastic job diving down into several of these protagonists, and there was some rather intriguing character development that occurred throughout Song of the Risen God, most of which has some interesting roots in some of Salvatore’s previous novels.

A good portion of the book focuses on Aoelyn, who has served as the main protagonist for the first two Coven novels. Aoelyn is a witch who has spent the previous books trying to escape the clutches of her vicious tribe, the Usgar. In this novel, Aoelyn finally has her freedom, and finds herself in a brand new world, although she still seems to be dealing with some of the same prejudices and problems that occurred amongst the Usgar. Aoelyn spends a good portion of this book continuing to come to terms with her magical powers, which both define her and frighten her, as she has seen how magic can corrupt individuals, and she also attempts to take responsibility for the Xoconai invasion, which she inadvertently caused by killing a demon in the first Coven novel. I felt that Salvatore covered her character arc rather well, and there were quite a few intriguing moments, including Aoelyn making new friends and finding closure with some of the antagonists from the first two novels. I also liked some of the interesting developments that occurred towards the end of the novel with Aoelyn, which not only impact her outlook on life, but which may have some major impacts on any future Corona novels that feature her.

In addition to Aoelyn, quite a few other characters have some fantastic moments within Song of the Risen God. Bahdlahn, the former Usgar slave and Aoelyn’s childhood friend, probably had the most dramatic character development of all within this novel, as he grew and grew with every new encounter and experience within the plot. You cannot help but get attached to Bahdlahn, especially as he goes from wide-eyed former slave who had barely seen anything of the world, all the way up to an elite knight and resistance fighter in Honce-the-Bear. Bahdlahn is another character who has some interesting developments towards the end of this novel, and it looks like Salvatore has some big plans for him in the future. The former Usgar witch Connebragh also has a rather fascinating, if shorter, storyline within this book, as she befriends two former inhabitants of the lakeside villages, despite the long hostility between her tribe and theirs, and helps them survive the Xoconai invasion. The frontier explorers Talmadge and Khotai are also well utilised towards the front of the book, and there are some great moments with them, especially as Khotai regains her mobility in a rather unique way, although both disappear for the last third of the book. Salvatore also invests time in showing the viewpoint of a couple of key Xoconai characters, which I think really adds a lot to the story. Rather than having the Xoconai solely being mindless followers of Scathmizzane, these character perspectives help show them as being rather similar to humans, and two characters in particular have some very interesting viewpoints that lead them to question the word of their god as they attempt to fight his holy war.

All of these character arcs are great, but my personal favourite has to be the one surrounding Aydrian Wyndon. Aydrian is a major character within The DemonWars Saga, as the son of the original protagonists, who eventually became the main antagonist of the series after being possessed by a demon. Freed from his corruption at the end of the series and banished from Honce-the-Bear, which he ruled for a brief time, Aydrian has taken up the role of a ranger, which led to him meeting and helping the protagonists of the Coven series in the previous novel. In this book, he finds the threat of the Xoconai so great that he is forced to return to Honce-the-Bear, despite his banishment, to warn his former people. This leads to several outstanding scenes where he revisits the hurt and despair that he previously caused as a despotic and murderous king, and it serves as a fantastic defining characteristic as he searches for redemption. Aydrian has an absolutely incredible storyline throughout this novel, and his inclusion really added a whole lot to the overall narrative.

In addition to the fantastic story and amazing characters, I also have to once again highlight some of the enjoyable fantasy elements that Salvatore includes in this novel. At the fore of this is the cool gem-based magic that is one of the defining features of the stories set in Corona. This gem magic is an excellent concept, and it proved to be particularly fascinating in this novel as Aoelyn, a self-taught magical gem user, encounters members of the Abellican Church, who also use this form of magic, although in an apparently lesser way. Salvatore makes full use of all this cool magic throughout Song of the Risen God, and there are some rather impressive and destructive examples of the universe’s various magics, which were a lot of fun to see. I really enjoyed some of the cool and unique fantasy elements contained within this book, and it was a rather exciting addition to the story.

I ended up listening to the audiobook format of Song of the Risen God rather than grabbing a physical copy. This audiobook runs for just over 17 hours and is narrated by Tim Gerald Reynolds, who has provided narration for several of Salvatore’s previous books, including the other Coven books. I really enjoyed the audiobook version, and it proved to be a fantastic way to absorb and experience the cool story and the intriguing settings and characters. This is a bit of a longer audiobook and it took me over a week to fully listen to it, although my audiobook listening schedule has been a bit messed up lately. I felt that Reynolds did a really good job narrating this audiobook, and his fantastic voice really helped me get sucked into this fun story. Reynolds had a great handle on all the characters featured within Song of the Risen God, and I liked all the voices that he came up with for them. I ended up having an amazing time listening to this audiobook, and this is a truly excellent format to enjoy this novel in.

Song of the Risen God is a very impressive and deeply enjoyable fantasy novel that comes highly recommended. R. A. Salvatore once again shows why he is one of my favourite authors as he produces a slick and captivating read which is not only fantastic in its own right but which concludes an epic trilogy and ties it into a wider fantasy universe. This proved to be an absolutely amazing read, and I think I have to award it a full five-star rating based on how much fun I had listening to it. Salvatore has done it once again, and I look forward to checking out his next book in a few months.

Dreadful Company by Vivian Shaw

Dreadful Company Cover.jpg

Publisher: Orbit

Publication Date – 24 July 2018

 

Those looking for an entertaining, intriguing and different take on the horror genre should investigate Dreadful Company, the latest book from author Vivian Shaw, which contains a thrilling story based around the doctor to your favourite fictional monsters.

Greta Helsing is London’s medical practitioner for the undead, providing specialised treatment to the city’s hidden community of ghouls, vampires, mummies and zombies.  After being called to Paris to attend a supernatural medical conference, Greta’s plans to enjoy a stimulating discourse and debate on monster medicine is ruined when she is suddenly kidnapped off the street.  Her abductors turn out to be a coven of young and murderous vampires led by the unhinged Corvin, who bears a particular grudge against Greta’s vampire friend Ruthven.  Even more concerning, a member of Corvin’s coven is using magic to summon small and friendly magical creatures.  While the creatures may be harmless, the ripples they are causing in reality are not, and represent a significant threat to our world.

While Greta is trapped in the tunnels and catacombs below Paris, her friends arrive in the city to save her.  Legendary elder vampire Ruthven and Greta’s vampyre boyfriend, Sir Francis Varney, team up with Paris’s guardian werewolf, two immortal paranormal investigators and the city’s resident demon to free Greta and put an end to the dimensional instability.  But Greta and her companions are about to find out that there are weirder and more dangerous things than a collection of bloodthirsty vampires in the tunnels underneath Paris.

Dreadful Company is Shaw’s follow-up to her 2017 debut novel, Strange Practice, and is the second book in her Dr Greta Helsing series.  Dreadful Company returns several of the protagonists from the first book while also adding in a healthy number of new and exciting characters.  A third book in the series is already planned; I will definitely be keeping an eye out for Grave Importance next year.

Shaw’s latest book contains a fun and electrifying adventure that pits several ancient beings and their doctor against a coven of vampires and the magical catastrophe they have created.  The author tells her story through a range of characters to show many different perspectives of the adventure taking place.  Not only is every single protagonist – including returning characters Greta, Ruthven and Varney, as well as new characters the werewolf St Germain, the remedial psychopomps Brightside and Dammerung and the demon Irazek – a point of view character, but so are several of the young vampires who serve as the book’s antagonists.  This allows Shaw to tell a much wider story.  Not only is the central adventure explored in greater detail from a several angles, but the motivations, shared histories and the underlying thought processes of the story’s key players are presented to the reader.

Shaw has made a smart decision to change the book’s main setting from London to Paris.  Many writers can get bogged down in one location during their series, but Shaw did a fantastic job adapting her story to a completely new and unique cityscape, a trend that she will apparently continue to follow in her 2019 addition to the series.  Shaw makes full use of several iconic Paris locations, particularly the catacombs and tunnels underneath the streets, which are the perfect setting for a horror story.  Overall, Dreadful Company contains a rather exciting adventure story that makes spectacular use of its horror and fantasy elements, while also making use of the humour and history of its many point-of-view characters to lighten the darker tone of the book and create a unique and entertaining read.

I was extremely happy that Shaw included more examples of monster medicine within Dreadful Company.  The examination of the medical techniques used on supernatural characters was one of the best features of Strange Practice, and was a very unique and compelling element of this first book.  There are a number of wonderful general monster medicine scenes throughout the book, including a supernatural medicine conference where topics include ‘An overview of the various treatment modalities for tissue degeneration in Class A revenants’ (how to stop bits falling off zombies).  Readers will really enjoy Dreadful Company’s interesting focus on the medicine of vampires.  Shaw did spend a little time exploring the biology and treatment of vampires in the first book, which is expanded upon in Dreadful Company.  There are several discussions about vampire anatomy and physiology, including some of the features of the different vampire subspecies.  There is also a detailed look at the effect of certain substances on vampiric characters, including drugs and garlic, as well as the surprisingly devastating absinthe.  The protagonist is also forced to treat a number of different vampire characters for a variety of different conditions, including an overdose, stab wounds and an infection caused by a ghoul bite.  Once again, Shaw’s inclusion of monster medicine was an amazing part of this book, and I am looking forward to the third novel in the series, Grave Importance, which will focus on the care of mummies.

Aside from the examination of vampire biology, Shaw has also included a fascinating look into the different vampire mentalities, particularly when it comes to the old school versus the young bloods.  The two elder vampire characters, Ruthven and Varney, are reformed from their violent past and are instead trying to live normal and peaceful lives alongside humans.  The younger vampires, on the other hand, are bloodthirsty creatures who don’t follow any rules, kill indiscriminately and indulge in drugs and wanton behaviour.  The differences between the behaviours of these two different types of vampires are quite noticeable, especially when the younger vampires try to live up to all of the vampire stereotypes, such as sleeping in coffins, wearing elaborate clothes and makeup, making up dumb names for themselves, developing a superiority complex and trying out various ways to make themselves glitter.  While these inclusions are extremely fun, the readers will really experience chills when they see how angry the usually calm characters Ruthven and Varney get when they encounter these younger vampires and realise what taboos they have broken.

In addition to the creative and captivating use of vampire characters throughout the book, Shaw has referenced several other classic horror creatures and villains.  There are several allusions to Frankenstein and The Phantom of the Opera, with the protagonists actually visiting the Phantom’s underground lair at one point.  There are also other creatures, such as magically summoned hair monsters, well monsters and a whistle-summoned spirit, all of which play an interesting role in the plot.  Some great humour also comes from the inclusion of several ghosts, many of whom can be found having a lively party in Paris’ iconic Père Lachaise cemetery.  Highlights of this scene include a snarky Oscar Wilde and a musical Jim Morrison, both of whom have some great interactions with the new characters, Brightside and Dammerung.

Dreadful Company sees new author Vivian Shaw return with another fun and thrilling horror novel that contains a fast-paced adventure and a light comedy enhance tone.  Shaw has invested in a range of new characters, a fresh setting and some appealing fantasy and horror elements.  The author’s clever and memorable inclusion of monster medicine once again shines through as the book’s best feature, as well as the detailed examination of the vampire psyche.  An absolutely amazing second outing from Shaw, Dreadful Company is a fantastic read that will prove to be both unique and captivating to a huge range of readers.

My Rating:

Four and a half stars