The Voyage of the Forgotten by Nick Martell

On February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books2 Comments

Publisher: Gollancz (Audiobook – 3 November 2022)

Series: The Legacy of the Mercenary King – Book Three

Length: 19 hour and 47 minutes

My Rating: 5 out of 5 stars

One of the very last books I read in 2022 might be one of the very best: the latest epic novel from Nick Martell, The Voyage of the Forgotten, which showcases just how much of an impressive, rising talent this outstanding author truly is.

Since 2020, one of my absolute favourite new fantasy authors has been the very, very talented Nick Martell, who burst into the scene in a big way with his elaborate and compelling The Legacy of the Mercenary King trilogy. This series started with The Kingdom of Liars, an exceptional book that introduced Martell’s intriguing fantasy world and distinctive protagonist Michael Kingman. The scion of a formerly great family whose patriarch was executed for a murder he didn’t commit, Michael spent most of The Kingdom of Liars trying to prove his father’s innocence while also finding himself dragged into various conspiracies infecting his home city of Hollow. I had an amazing time reading The Kingdom of Liars, and it ended up being one of my favourite books, audiobooks and debuts of 2020. Martell expertly followed his first novel up a year later with the equally incredible The Two-Faced Queen, which continued many of the fantastic story threads from the first book. However, the stakes were raised even further with the protagonist forced to deal with immortals, dragons, assassins, serial killers and more, all while trying to stop the woman he loves from killing him. This was another exceptional read, and The Two-Faced Queen was easily one of the best books and audiobooks of 2021. Naturally, there was no way that I would not read the third and final book in the series as soon as I could. This third book, The Voyage of the Forgotten, was one of my most anticipated reads of 2022, and I eagerly dove into it just before the year came to a close.

After proving his father’s innocence and restoring his family’s place in Hollow society, Michael Kingman should be happy. However, the closer he comes to victory, the more tragedy and defeat he suffers. Not only is the love of his life, Serena, the queen of Hollow, engaged to a merchant prince with his own elaborate agenda, but dangerous conspiracies centred on Michael seem to emerge from around every corner. His sister is enslaved to an immortal Wolven King who seeks war with his soon to be freed brothers, while his mercenary mentor, Dark, is becoming one of the most dangerous creatures in existence, using his stolen dragon magic to wreak havoc and destruction in the name of love. However, his true enemy remains Angelo Shade, Dark’s father, who seeks to bring back his dead wife and will burn the world, and everything Michael loves, to achieve it.

Thrust once again into this deadly battle of forces outside his league or ability to comprehend, Michael only has his wits, his barely trained magic ability, and a few dedicated friends to fight against the immortal schemers who have spent years bringing their elaborate plans to fruition. However, Michael is well used to being outclassed and underestimated by everyone he goes up against, and he resolves once again to make everyone pay to keep those he loves safe from harm.

Gathering his allies, Michael embarks on a foolish quest to fully understand all the world’s secrets that have long been hidden from him and ensure that he has the weapons to survive. But his course of action will put him at odds with the deadly mercenaries of Regal Company, all three of the ancient Wolven Kings, and even his own mercenary company. Defeating all of them seems impossible, but that has never stopped him from trying before. Can even the legendary stubborn Michael Kingman succeed and achieve his goals of becoming a Mercenary King when fate itself seems set against him? And even if he succeeds, is he willing to pay the terrible price that victory demands?

Wow oh wow, what an epic book. Nick Martell continues to deeply impress me with his captivating story writing ability as he brings this trilogy to a powerful and momentous end that I was instantly addicted to. The Voyage of the Forgotten was a truly exceptional read, loaded with amazing characters, elaborate fantasy lore and an intense story that refused to drop my attention. I can find no higher praise for this book than the fact that I named it one of my favourite books of 2022 well before I had even finished it; the first half was that damn good.

Martell has come up with a pretty epic narrative for The Voyage of the Forgotten, and it is one that I will not forget in a hurry. However, the first thing that I need to say about the story is: if you haven’t read the first two The Legacy of the Mercenary Kings novels, go back and start at the beginning. Martell has loaded the entire series with a ton of intricate and interesting lore, and he starts rapid firing back to the events of the last two books extremely early on in the story. While there is a useful Dramatis Personae, as well as a fun summary of previous events from one of the side characters, which helped to refresh my memory, if you haven’t read the previous books you will get lost very quickly when trying to read The Voyage of the Forgotten. The narrator is constantly making references to previous events, revelations, or characters who only appeared in the prior books, and it can get a little confusing if you don’t know what he is talking about. As such, I would strongly recommend reading (or re-reading) The Kingdom of Liars and The Two-Faced Queen in advance, which is a very small chore considering how amazing they are.

Now, if you’re up to speed on the prior books, you are in for a real treat when it comes to The Voyage of the Forgotten’s story. Told mainly from the perspective of protagonist and calamity-magnet Michael Kingman, Martell weaves together an intriguing, action-packed and character-driven conclusion to the elaborate story he set up in the first two books, which also leaves a lot of room for the larger series to grow in the future. The author once again primarily utilises a chronicle style from Michael’s perspective, which really helps to tell this unique story, especially as it forces Michael’s chaotic and hilarious personality into the story and made every scene seem that little more entertaining and personal.

The narrative itself starts quickly and effectively, with a series of fun battles, big confrontations, and a horde of vengeful dragons, all of which ensures that the reader is quickly reintroduced to the chaotic main character and the multiple tangled webs and conspiracies that he has found himself involved in. The story quickly advances to the main issue of this book as Serena Hollow loses her memory, and Michael is forced into an epic quest to find a cure. This of course leads Michael to fight against the entire world, as everyone is opposed to his quest, and this ends up resulting in multiple intriguing or over-the-top encounters. At the same time, Michael is constantly trying to unravel the mysteries of the world and his many enemies. There are some epic scenes and sequences in this first half of the book that I really fell in love with, and Martell has some fantastic writing chops behind him that makes his outrageous concepts really work and come to life. For example, one of the best sequences in the first half of the book sees Michael trapped in his own mind, forced to experience multiple loops of a historical battle from an ancient time. The constant death and fighting that occurs over innumerable rotations slowly drives the protagonist mad, which Martell captures perfectly in exquisite detail. Partnered with this intriguing sequence are several scenes showing an external view of Michael’s body, which has been taken over by a malevolent entity. This ended up being one of the best moments of the entire book, especially as it has a very fun ending.

In addition to the action, Martell continues to unwind or add to the overlying layers of conspiracies, plots and personal or historical secrets that have always been such a fun part of this series. Several long-running story threads are finally resolved in the first half of the book, and it is so much fun to see Michael finally get quite a few intriguing answers. Martell really does not hold back with the revelations in The Voyage of the Forgotten, and the entirety of the book is loaded with characters unburdening their secrets (at least some of them) or discussing the unique history of the wider world. I absolutely loved every sequence where revelations about this universe and its fun inhabitants came to the surface, and it was fascinating to see how they fit into the wonderful tapestry that Martell has woven throughout this trilogy. This universe building is further enhanced by a series of great interludes with alternate narrators, which show events outside of Michael’s knowledge and experiences. Not only do these help to showcase some of the fun supporting characters from the first two books but it also deepens the narrative and shows what schemes his friends, and more importantly his enemies, are up to, which provides some fun foreshadowing.

Everything really comes to a head in the second half of the book as Michael and his companions are thrust towards their destinies. After several major setbacks and further revelations that show off the sheer scope and intricacies of the story, you and the protagonist are dragged back on the road towards the final epic confrontation. The author sets all of this off perfectly by finally answering some big secrets that have been bedevilling the protagonist since the beginning, and there is a particularly cool twist that makes you rethink every major event of the first two books. I really loved how Martell briefly changed the narration around when this big twist is revealed and had Michael address the audience directly to reveal why he never mentioned certain details in his previous storytelling. This helped to really sell the effectiveness of this major reveal, as well as showcase a previously unseen alternate layer to the character’s personality, and I personally thought that this was bit of pure genius from Martell. All this leads up to the big final confrontation as Michael finally comes face to face with Angelo Shade, the main architect of his family’s pain, as well as some other surprising foes. This big conclusion is everything you would want it to be, with some epic moments, utter tragedy and multiple character arcs coming full circle in all the right ways. While parts of this conclusion do get a bit overly complicated and metaphysical, I felt that it came together pretty damn perfectly in ways that really fit the universe and the controversial main character to a T. Readers will come away from this conclusion both heartbroken and hopeful, and I felt that it was an exceptional and very on-brand ending to one of the more distinctive fantasy trilogies of the last few years.

I honestly think that Martell wrapped this book up extremely well, and my only major disappointment is that there was not more crammed in, as I would have gladly listened to several more hours of it. The exceptional narrative, backed up with extensive lore, amazing character development and the very distinctive writing style helped to make this final book really pop, and I was honestly impressed every step of the way. I was also very happy with how Martell handled the sheer range of extensive storylines that he had set up in the previous books. My main concern before reading the final book was that Martell would be unable to wrap up every storyline or plot point he had set up. Indeed, there are still quite a lot of potential storylines and questions that were unresolved by the end of the book, but Martell is clearly setting up a sequel trilogy of some design in the same universe. Some of the best ongoing storylines have been left to continue in the future, and I for one am very excited for that as I hope to spend many more years getting lost in Martell’s world. I felt that the author was cleverly selective when it came to which storylines ended in The Voyage of the Forgotten, as he chose to close off the ones connected with protagonist Michael Kingman, while leaving others open. This ensures that any future stories will probably focus on some of the other characters that Martell has set up in this trilogy, and indeed it is pretty clear who that will be. I personally look forward to seeing a new take on this universe in the future, and it will be very interesting to see how the narrative continues with a major change in perspective.

One of the things that has always impressed me about The Legacy of the Mercenary King trilogy is the elaborate and well-thought-out fantasy world that the story has been set in. Its dark and grim nature, coupled with the intricate history, compelling magic system, and diverse people, has always added so much to the story, and this remains true in The Voyage of the Forgotten. Because he did not shut off this universe completely, Martell was given free rein to continue to expand on his elaborate universe, and boy did he. The reader is treated to a ton of extra information and history about this amazing world, including some of the strongest glimpses about the mysterious Wolven Kings, the world’s various immortals and other unique creatures, and their long-running battles throughout history. There are several glimpses of the past thanks to magic, and you really learn a lot about what previously befall many of the immortal characters and how this affects their current motivations. In addition, several new cities, islands, nations, groups and other great elements are featured heavily in the plot as Michael and his companions explore the wider world and engage on some massive sea voyages. Martell does a great job of incorporating these new elements or character history into his wider narrative, with the protagonists either spending substantial time exploring this information, or else discussing it with the clear intention that it might become a major detail in the future. I really enjoyed how many of the previous novel’s mysteries were answered thanks to world expansion featured in this novel, and it is very clear that Martell has a lot more planned for this fantasy world in the future.

Of course, I also need to mention the cool magical system that Martell features throughout The Voyage of the Forgotten, especially as it has some major and extremely clever implications on the plot. Like the first two books, the main form of magic featured is Fabrication, which forces the user to sacrifice their memories to perform magic. It is actually quite horrifying to see the consequences of Fabrication misuse, as some of the users forget friends, facts or family, and this is often enhanced by the user’s sacrifice or by the fact that they suddenly lose all concept of someone they’d grown close to. However, this is nothing to becoming a Forgotten, someone who has completely lost their memories or sense of self, and this is strong explored in this book. I deeply appreciate the amazing way that Martell utilises this memory loss throughout The Voyage of the Forgotten, especially when it relates to the protagonist, as he often does not remember what he is forgetting, and it is always very heartbreaking when you notice that he, or one of the supporting characters, has forgotten something or someone important. This darker side of magic is well counterbalanced by the various impressive usages that occur throughout The Voyage of the Forgotten, and there are some rather elaborate battles that take place as a result. Martell also does a very deep dive into the origins of magic in this novel, and you find out some interesting facts about Fabrication, as well as other magical disciplines that exist in this universe, many of which have been cleverly foreshadowed throughout the trilogy. I really enjoyed seeing some of the over-the-top magic that was utilised by other characters throughout the various battles, and there are some very interesting moments as a result. It will be very interesting to see what happens to the magic use in the future, especially considering the major changes to Fabrication theory that occurred at the end of The Voyage of the Forgotten, and I look forward to seeing how Martell continues that intriguing plot thread.

While I can go on about the story, setting, magic and writing, for me the true strength of The Legacy of the Mercenary King books has always been the outstanding and extremely complex characters. This remains the case in The Voyage of the Forgotten as Martell brings many of his best characters back for a particularly emotional adventure. There are so many major and dramatic character moments throughout this book as Martell used the end of the trilogy to wrap up multiple character storylines and events. I really appreciated some of the fantastic development and big character moments that occurred throughout this final book in the trilogy, and fans of the first two novels are going to be very moved by what happens to their favourite characters.

The primary focus of the plot is naturally Michael Kingman. Martell has done some real wonders around Michael Kingman in the last two books, and he has ended up being one of the most complex characters you are ever likely to encounter. A highly damaged individual who has had his mind warped by magic, has seen his family destroyed, has been forced to live up to an impossible legacy, and has been kept apart from the love of his life, Michael has had a lot of growing to do in the last two books, and Martell has really laid on the character development. As such, the Michael Kingman in The Voyage of the Forgotten is wiser and more mature than we have previously seen, although he still has some ways to go. However, Martell ensures that this growth continues in this final book, as he keeps trying to become a better person, especially when faced with the certainty of his death and the loss of people he loves. There are some major moments when Michael is forced to face damaging revelations or hard truths and each of them change him in some way, often during a pivotal and well-written scene. Martell also cleverly includes some great secrets about his past and his life that I thought were pretty damn epic, especially as it answers some major questions about his personal history and why he is stuck in the middle of events.

Despite all this, Michael is still the same cocky bastard that he was at the start of the trilogy and his overconfidence, determination and sheer ability to enrage anyone he comes into contact with is so damn entertaining. Seeing normally calm and collected characters trying to deal with the Michael problem always result in some of the funniest scenes, and I loved the often hilarious edge that the character brings to much of the story due to his amusing narration. As such, you find it very hard to dislike Michael, no matter how hard you try, and his unique and heartbreaking tale is one that will appeal to many people. Martell wraps up much of Michael’s great and intense story in this final book and it was very moving to see some of the dark sacrifices the character is forced to make to save his family and fix some of his biggest mistakes. I guarantee you will not be prepared for everything that Michael goes through in The Voyage of the Forgotten, but you won’t be able to turn away as Martell does some dark, yet wonderful things, to his best creation.

In addition, quite a lot of the book focuses on major secondary character Serena Hollow, Queen and love of Michael’s life, who has had a turbulent relationship with her Kingman. This relationship gets even more complex in The Voyage of the Forgotten, especially when Serena becomes a Forgotten without any idea of who she is or what her many responsibilities are. You see a much more free version of the character in this book, and I found the differences between this person and the vengeful queen of the second book to be very intriguing. The continued focus on the relationship between Michael and Serena hits extra hard as a result of this loss of memory, and it is fascinating and moving to see them attempt to rekindle what they had. Honestly, their entire story is pretty tragic in this final book, but I was nice to see a powerful conclusion to their doomed love story and Martell features some damn fine character work when it comes to Serena.

Aside from Michael, The Voyage of the Forgotten features a rich and extensive cast of characters, many of whom are returning from the previous two books. Standout characters include Dark, the mercenary killer who serves as Michael’s mentor and possibly most dangerous foe, as he attempts to find his own way to bring back the dead. Dark is a brilliant character, and I love how Martell has written such an edge of menace around him, although by the events of The Voyage of the Forgotten Michael is pretty much immune to it, resulting in some very entertaining interactions. You also have to love the sinister Angelo Shade as the main antagonist of the book. Michael’s former foster father and the man responsible for his family’s downfall, Angelo has been an outstanding manipulative bugger the entire way through this trilogy, and I loved seeing more of his games in this final book. Watching his elaborate plans come to fruition is pretty amazing, and Martell does a good job continuing to show his past and motivations, ensuring his obsession with bringing back his dead wife is mirrored by Michael’s attempts to save Serena. Other great characters like Naomi, Chloe and Alexis have some fantastic moments in this book as the main supporters of Michael and Serena, and it was great to see some of their storylines. The rest of the cast make some fantastic appearances as well, although it is interesting that several key characters from the first two novels only had minor appearances, and indeed I was a tad disappointed that some figures, such as amusing immortal nobleman, Charles Domet, were barely featured. However, it is clear that Martell is saving them up for future entries in this larger series, and I look forward to seeing what happens to them next. Overall, this was a great cast of characters and Martell should be congratulated on the amazing character work he did.

While I received a massive physical copy of The Voyage of the Forgotten, I chose to listen to the audiobook version of this book when it first came out, and boy was I glad that I did. I have often said that the audiobook format is the perfect way to absorb vast amount of lore and universe elements (at least for me), and, with all the revelations and expansions that Martell featured here, that proved to be a major boon. The story came across perfectly in this format, and you can easily visualise the powerful scenes, battles of wits, and some of the more outrageous actions of the characters, as they are read out to you. It helps that this audiobook was once again narrated by one of my favourite audiobook narrators, Joe Jameson, who has impressed me before with the first two audiobooks in the series, and with his work on King of Assassins by R. J. Barker and the fun Warhammer 40,000 novel, Fire Made Flesh. Jameson always does a remarkable job with his narration of Martell’s books, and his great tones and pacing help to move The Voyage of the Forgotten along at a fast clip. However, the main advantage of Jameson as a narrator is the cool voices he brings out for the characters. While I was not the biggest fan of a couple of his female voices, the majority of his narration was pretty much spot on and I felt that he really showcased the cool personalities and emotions of the key figures. However, the best voice is saved for the main protagonist and narrator Michael Kingman, who Jameson perfectly encapsulates throughout the course of the audiobook. Jameson really gets into Michael’s head with his narration and expertly portrays his personality, emotions and thought process. This great portrayal of the central characters adds so much to overall quality of the entire audiobook, and my enjoyment of The Voyage of the Forgotten as a whole, and I loved every damn second of Jameson’s narration as a result. This honestly was the best way I found to enjoy The Voyage of the Forgotten, and I very strongly recommend it as a result. With a run time of just under 20 hours, it does take a little bit of effort to get through this audiobook, however, it is more than worth the effort as you will have a fantastic time.

If this extensive write-up didn’t give it away, I clearly deeply loved The Voyage of the Forgotten. Nick Martell has wrapped up his The Legacy of the Mercenary King trilogy in an exceedingly epic way, and I deeply enjoyed how the elaborate, powerful, and character rich narrative came to an end. This is some of Martell’s best work yet, and if you haven’t experienced this amazing fantasy author’s work yet, you are really missing out. I look forward to seeing how Martell will continue this story in the future, and any follow-up trilogy that will jump to the top of my to-read list the moment it is announced. In the meantime, make sure to check out this exceptional book, as well as the proceeding two novels in the trilogy, as The Voyage of the Forgotten gets one of the easiest five-star ratings I have ever given out.

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Throwback Thursday – For the Emperor by Sandy Mitchell

On February 10, 2023 By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer3 Comments

Warhammer 40,000 - For the Emperor Cover

Publisher: Black Library (Audiobook – 23 December 2003)

Series: Ciaphas Cain – Book One

Length: 8 hours and 57 minutes

My Rating: 4.75

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I’ve already put up one Throwback Thursday post today, for the cool Warhammer 40,000 novel, Kingsblade by Andy Clark, but the fun doesn’t end there as I am also going back to 2003 and reviewing the hilarious and deviously clever novel, For the Emperor by Sandy Mitchell, which is easily one of the funniest Warhammer books I have ever read.

Anyone who has paid the slightest bit of attention to my recent review habits would probably have noticed that I am quickly and doggedly powering through a ton of the top books in the Warhammer 40,000 range of fiction. Not only did I recently finish off the epic Eisenhorn trilogy by Dan Abnett (featuring Xenos, Malleus and Hereticus), but I have also checked out several cool standalone novels, including Grim Repast by Marc Collins, Deus Encarmine by James Swallow and Sepulturum by Nick Kyme. All these books are exceedingly impressive examples of Warhammer 40,000 fiction that featured their own unique elements, such as galaxy spanning conspiracies, intense horror elements, or a futurist homage to classic, gritty cop stories. However, the one thing that they all tended to lack was a substantial and notable sense of comedy. That is where my next entry comes in as I have finally had a chance to explore the first book in the iconic Ciaphas Cain series by Sandy Mitchell (a pseudonym for author Alex Stewart), For the Emperor, which had me laughing like crazy.

In the millennia when the forces of humanity fought to maintain the Imperium of Man, many heroes have risen from amongst the ranks of the Imperial Guard, gloriously leading mankind’s armies against the traitors, the heretics and the xenos. Of these, few are spoken of with as much reverence and respect as the famed Commissar Ciaphas Cain, a living legend of duty, honour and courage. Known throughout the Imperium for his daring exploits that have seen him survive the harshest of battlefields and continually lead his forces to victory, Commissar Cain is considered by many to be one of the greatest heroes of the age.

However, everything everyone knows about Cain is a lie. In reality, he is a conniving coward who only seeks to avoid the horrors of the battlefield by any means necessary, in order to survive and make it to retirement. Blessed with remarkable survival instincts, Cain has managed to stay alive against impossible odds many times, which has led many to believe he is a true hero capable of anything. However, Cain’s ill-earned fame and reputation is a double-edged sword, as he is constantly chosen to journey to the worst battlefields in the Imperium, where his bad luck ensures he is in the thick of the fighting.

His latest mission sees him assigned to a newly formed Imperial Guard regiment suffering from horrific infighting and a lack of discipline. Determined to install unity and respect amongst his new regiment, primarily so they don’t shoot him in the back, Cain is confident that he has found a relatively safe assignment. However, his bad luck once again sees him in the thick of it, as his regiment is transferred to the backwater planet Gravalax, where a delicate situation is unfolding. The inhabitants of Gravalax are attempting to defect to the alien Tau, who come with a message of peace and the Greater Good. Not wishing to face the Tau and their superior technology, Cain works hard to avoid an upcoming war and ensure diplomacy will prevail.

However, after the Tau ambassador is assassinated and tensions are enflamed across the planet, Cain begins to suspect that there is more in play than he previously expected. A shadowy conspiracy is hoping to start a war between the Tau and Imperium on Gravalax, and Cain is right in the middle of their plot. To survive and avoid yet another war, Cain needs to work with a beautiful inquisitor to find out who is behind the attempted carnage before it is too late. But his investigation reveals a far more dangerous enemy than expected, one that is determined to destroy all before it, starting with the terrified Cain.

Wow, oh wow, now that was a pretty damn fun book. I had heard many times before how awesome and entertaining the Ciaphas Cain books were, and For the Emperor really did not disappoint. Featuring a compelling story loaded with clever, dark humour, For the Emperor is a very easy book to fall in love with, and I ended up coming away really impressed with Sandy Mitchell’s amazing writing and comedic ability.

For the Emperor’s narrative itself is pretty interesting as it follows Cain through one of his most notable adventures. Told in a chronicle perspective from Cain’s own memoirs (which may or may not be the most reliable source of information), you get to see the true Commissar Cain as he finds himself thrust into another adventure. After a quick and very intriguing introduction, with notes from Cain’s associate, Inquisitor Amberly Vail, the story initially details Cain’s attempt to unify and control the Valhallan 296^th-301^st composite Imperial Guard regiment (eventually the Valhallan 597^th). These initial chapters showcase many aspects of the compelling protagonist, his deep cunning and determination to avoid damage, while also taking the time to introduce several of the major supporting characters. The story changes after a few chapters as Cain and his new regiment arrive on Gravalax, where Cain must contend with the Tau, who are influencing parts of the local population. Unlike most Warhammer 40,000 novels, the story doesn’t revolve around a war between the Imperial Guard and the Tau; indeed the focus on the plot is avoiding the conflict as two rival races attempt to find a diplomatic solution. Unfortunately, some hidden force is attempting to start a war between the Tau and the humans, and Cain soon finds himself trying to maintain the peace, primarily for his own benefit. After several intriguing and entertaining side missions, the plot eventually sees Cain and the new Inquisitor Vail lead a small, expendable force into the lair of their true enemy. While I won’t go into detail about who they face, it results in a series of gruesome and deadly battles, where Cain’s survival skills are really put to the test. Mitchell features a ton of action, intrigue, and odd-couple team-ups for this final major sequence, and you are really drawn into the intense storytelling, with even Cain’s sense of humour failing to cut through the brutal nature of the conflict. Everything ends on a compelling, if slightly dark note, and you come away from the story pretty damn satisfied and ready for another intriguing adventure from this hilarious protagonist.

I really liked the fun way Mitchell wrote For the Emperor, as everything is set out to enhance the inherent comedy of the book. While there is a ton of impressive action, adventure and intrigue, at their core all the Ciaphas Cain books are very light-hearted and add a more humorous spin to the grim Warhammer universe. Indeed, I was getting some major Blackadder vibes from For the Emperor, as much of the plot sees the supposedly noble protagonist attempting to weasel his way out of actually getting into a fight. Pretty much every interaction or thought in this book had me chuckling in some way, and I appreciated some of the clever jokes or references that Mitchell scattered throughout. I also deeply enjoyed the cool chronicle format of the story, as Cain’s antics are made even funnier when you see it from his eyes. At the same time, Mitchell includes a ton of extra notes and excerpts from other in-universe texts that not only provide intriguing context, but also add to the humour, especially as the intentionally over-the-top opinions and bad writing highlights just how crazy other members of the Warhammer 40,000 universe are. There are also a series of notes, footnotes and quotes from supporting character Inquisitor Vail sprinkled throughout the plot to provide some additional insights, often in a humorous way. I always deeply enjoy the use of a good footnote in fiction, especially due to my love of Terry Pratchett’s novels, and I felt that Mitchell utilised them perfectly throughout For the Emperor. Not only do they provide additional information, but Vail’s footnotes often directly contradict Cain’s opinions and descriptions of events, and ensure a much more complex and complete overall story.

While the focus is often on the humour, Mitchell also does write a pretty compelling military thriller as the main story, which ties well into the wider Warhammer universe. The focus on the intense conspiracy and the outbreaks of rebellion and war fit into the more humorous feel of the book extremely well, and you get quite an impressive story as a result. There are also some rather dark moments scattered throughout the novel as well, and they provide a rather interesting contrast to the more comedic elements. Having the character deal with some heavy moments, like being forced to kill an innocent man, provides some great balance to the story, and despite the lighter tone, you are always reminded just how grim the overlying universe truly is.

I deeply enjoyed Mitchell’s unique take on the Warhammer universe that was featured in For the Emperor, especially thanks to who is telling the story. Most of the Warhammer 40,000 books you experience either follow a bold warrior or a common soldier, many of whom see the universe through lens of duty or ignorance. However, the Ciaphas Cain books provide a much more down-to-earth view as the cynical Cain sees events as they truly are and he knows deep down just how deadly the universe and his own comrades are. I really liked this alternate view of the franchise from a protagonist and it, and the inherent humour of the story, help to make this book really stand out from some other novels. At the same time, Mitchell adds in some compelling and fascinating insights to the Tau, and other factions to the story, which really help to expand out the universe and ensure that there is plenty there for all Warhammer readers. The examination of a more diplomatic route from the usually xenophobic Imperium of Man was also pretty damn fascinating, and it really helps to showcase how pragmatic some of Mitchell’s characters are. This lighter tone, as well as the fun references to some other classic Warhammer 40,000 novels, ensures that all fans of the franchise are going to have an amazing time with this book, and I personally found it to be a welcome change of pace between a few heavier Warhammer novels I have recently read. For the Emperor would also serve as a pretty good entry point into the Warhammer 40,000 universe, especially as you get a good idea of how crazy everything is, while also getting to have a laugh at it. As such, this is an extremely good Warhammer novel, and I now fully understand why the Ciaphas Cain books are so beloved by the fandom.

I can’t mention For the Emperor without discussing the awesome and extremely entertaining collection of characters that Mitchell successfully introduces here. For the Emperor features a substantial and compelling cast, each of whom brings something special to the story and helps to either enhance the humour or the more serious aspects of the book in their own special way.

The most important of these characters is of course Commissar Ciaphas Cain, through whose memoirs we see most of the plot unfold. A legendary hero of the Imperium, Cain is one of the more unique figures in Warhammer 40,000 fiction, mainly because he doesn’t deserve his inflated reputation. While he acts the great hero and everyone is in awe of his reputation, in reality he is a craven figure who is actively trying to avoid the universe’s various wars and stay alive. Thanks to his narration throughout the book, you see him constantly manipulating the situation to his advantage. Literally every single action he takes is done to benefit him and him alone, with an appropriate explanation or excuse to keep people from getting suspicious. Even his more heroic actions in the book (stopping a riot, defending the Tau ambassadors, visiting the enemy stronghold) are only done because they serve him in some way or when he can’t get out of doing it without dying or losing his ill-gained fame. I absolutely loved this unique character feature, as not only is it hilarious to see how he manages to weasel out or manipulate situations but it ensures that he is the complete opposite of the usual gruff and ultra-serious Commissar characters that are such a big part of franchise (Gaunt and Yarrick, for example).

While it would be easy to dislike such a selfish character, you really grow to enjoy Cain and his hilarious and cynical viewpoint of the universe, which is the source of much of the book’s comedy. It also helps that nearly every one of his actions backfires on him in some way, as his attempts to stay out of the fighting usually see him put into an even worse situation. His intriguing narration through his journals (which have been seized and classified for political reasons), adds to the comedic and emotional impact of the story, especially as you get to see him weigh his actions with the benefit of hindsight (although he is usually unrepentant). Of course, Cain is also the textbook definition of an unreliable narrator, and you have to wonder at the truth of his words sometimes. I did like how Mitchell tried to show that despite his desire to avoid combat, Cain is actually a pretty capable warrior and commander, and that he wouldn’t be as effective a leader if he weren’t trying to keep up his lies. There are also some flashes of humanity and deeper emotions scattered throughout the book, and you can see that there is a good person in there somewhere, even if it is buried far beneath his instincts for self-preservation. Honestly, Cain might be my most favourite Warhammer character since Kal Jerico, and I had such a fun time seeing his antics in For the Emperor.

Aside from Cain, I really need to highlight Inquisitor Amberly Vail, who finds herself investigating the same conspiracy Cain gets wrapped up in. Vail is a very fun character in this book as she not only presents the fictional version of For the Emperor to the reader, but she has a big role in the actual plot. Vail serves as Cain’s love interest, but she also is the only person in the book who sees right through Cain and knows what he truly is. Watching her manipulate the seasoned conman is quite cathartic, and the two make an effective and interesting team throughout the book. However, I felt that Vail’s best contribution to the novel comes in the form of her notes and footnotes throughout the account, especially as they constantly call out Cain for his actions and keep his narration mostly honest by filling in some crucial gaps. It as also very fun to see the various different versions of Vail that appear throughout the book, as you see both how she presents herself to the reader, and the slightly altered version of her that Cain sees. This really makes her stand out as a central character in this series and her funny notes and corrections deeply enhanced the already entertaining plot.

Another major character I need to mention is Cain’s aide-de-camp, Jurgen, the Baldrick to Cain’s Blackadder. A stooped, smelly and scruffy being, Mitchell has made Jurgen as Baldrick-like as possible (including a scene in which he comes up with a cunning plan), and I loved every damn second of it. Firmly believing that Cain truly is the hero he claims to be, Jurgen faithfully serves Cain, and it is a lot of fun to see the two play off each other, especially as Jurgen is honestly the most honest and likeable character in the entire book. The rest of the cast, which include schemers, professional soldiers, and various Tau, also have their moments, and I really liked how they were portrayed in the book. However, they all share one particularly defining feature: they all believe Cain is a hero and are led around by his manipulations. Watching these generally smart people fall for Cain’s lies is a great part of the book’s plot, and I had so much fun seeing them act the fool in this one specific way. Overall, though, For the Emperor has some outstanding characters to it, and it will be fun to see how they are utilised in the other Ciaphas Cain books.

Like most Warhammer novels I have the pleasure of enjoying, I chose to listen to For the Emperor’s audiobook format, which I maintain is one of the best ways to enjoy Warhammer 40,000 fiction. All the best narrative and stylistic elements of For the Emperor comes through at an even higher quality when you listen to them, and you really find yourself getting drawn into the complex story while also laughing at the fun characters. I felt that the production value behind For the Emperor was particularly impressive, as the audiobook features three separate narrators in experienced voice actors Stephen Perring, Penelope Rawlins and Emma Gregory. Perring, who I enjoyed last year in the audiobook for Engines of Empire by R. S. Ford, serves as the primary narrator for most of the book as he voices all the characters and action in the chapters of For the Emperor told from Cain’s perspective. Perring is an extremely awesome narrator and the range of epic voices he creates for the main cast are very impressive and really capture their personalities and unique physical characteristics. I loved the cynical, tired and falsely noble voice that Perring utilises for the main character of Cain, and you have to mention the slimy and fun voicework for the character of Jurgen as it makes him sound even more like Baldrick. Perring also narrates a couple of the in-text extracts (those written by a male author), and he ensures that they sound even more pompous and filled with misinformation, than you would get from a simple reading.

While Perring is the main narrator, the other two featured actors have amazing performances in For the Emperor’s audiobook which really add to the overall production. Penelope Rawlins voices the character of Inquisitor Vail during the parts of the novel she writes, mainly her notes on the events going on and the various footnotes featured throughout the plot. Rawlins’s take on Vail is slightly different to that of Perring, and you get a stronger sense of her intelligence and power through Rawlins voice, which I felt helps to emphasise that Cain’s perspective might not be the most reliable. The change in narrator also ensures that the various notes from Vail really pop out in comparison to the main story so you always know when Vail is speaking to correct Cain’s memory of events. The way that the footnotes are read out exactly where they fall in the text also works extremely well, and it ensures that Cain’s misinformation never gets a chance to sit properly. The final voice actor, Emma Gregory, also provides a few interesting sections to the audiobook, particularly as she narrates one of the recurring in-universe texts that is quoted, written by an older version of one of the supporting characters (Guardswoman Sulla, who gets promoted to a general in the future). Gregory captures the pride and arrogance of Sulla, as well as her devotion to Cain, perfectly, and I felt that this additional performance was a great part of the production. All this incredible voice work, as well as the amazing story that it brings to life, ensures that For the Emperor’s audiobook is particularly awesome and really worth listening to. With a runtime of just under 9 hours, this is a really easy audiobook to get through, and I powered through it in only a couple of days, mainly because of how much fun I was having, and I cannot recommend this format enough.

Look, I think it is clear to see that I loved For the Emperor and had a fantastic time reading this awesome book. Sandy Mitchell did something pretty special with this first entry in the epic Ciaphas Cain series, and I am now a massive fan of this series and the titular character. Loaded with so much clever humour, fantastic Warhammer elements, and a strong and surprisingly intense narrative, For the Emperor is pretty much perfect, and there is so much for people to enjoy. As a result, this book is particularly highly recommended, and I fully intend to get more Ciaphas Cain fun and manipulations in the future.

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Throwback Thursday – Warhammer 40,000: Malleus by Dan Abnett

On January 28, 2023March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer6 Comments

Publisher: Black Library (Trade Paperback – 27 December 2001)

Series: Eisenhorn – Book Two

Length: 10 hours and 13 hours

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday, I continue my extensive dive into the Warhammer 40,000 universe with the awesome, galaxy-spanning thriller, Malleus by Dan Abnett.

For one of my latest Throwback Thursday reviews, I took a look at one of Dan Abnett’s iconic Warhammer 40,000 novels, Xenos, the first book in the incredible Eisenhorn trilogy. This fantastic book, which followed Inquisitor Gregor Eisenhorn, a hunter of dark influences in the Imperium of Man, was a clever and compelling read that saw Eisenhorn face off against a range of terrible foes who seek to destroy humanity from within. I had an outstanding time with Xenos, which really showcased Abnett’s skill as an author (I have also really enjoyed his Gaunt’s Ghosts novels, including First and Only, Ghostmaker and The Vincula Insurgency). Indeed, I enjoyed it so much that I quickly decided to continue the Eisenhorn trilogy by listening to the second book in the series, Malleus, another exceptional read that takes its protagonist on another dark and engrossing adventure.

In the 41^st Millennium, the dark enemies of mankind, whether they be heretical, daemonic, or alien in nature, continue to try and destroy the Imperium of Man from within. It falls to dedicated inquisitors, such as Gregor Eisenhorn, to battle their malign influences by whatever means they deem necessary. But what happens when the very institutions that Eisenhorn has long fought to uphold are turned against him?

Whilst battling against deadly alien influences on an isolated planet, Eisenhorn is made aware of certain allegations against his character which suggest that he has been corrupted by the influence of Chaos. Initially planning to ignore the rumours and continue his vital work safeguarding humanity, his plans are put on hold when a terrible act of destruction unfolds on the planet of Thracian Primaris. Investigating its causes, Eisenhorn is thrust into another deadly conspiracy, one tied to a foe he last encountered 100 years before, the daemonhost Cherubael.

Chasing after Cherubael and his minions, Eisenhorn attempts to discover what their latest unholy plan is. However, his investigation reveals that Cherubael is just a pawn, and that the true mastermind of the plot he has uncovered may be a fellow inquisitor. However, before Eisenhorn can find and confront them, he himself is declared a heretic and renegade by puritan members of his order, forcing him to flee. Chased by the members of the Ordo Malleus, as well as other deadly hunters loyal to Imperium, Eisenhorn must work outside the bounds of his usual authority to prove his innocence and find the true culprits. But to defeat his enemies, Eisenhorn may be forced to cross a dangerous line and become the very thing he has sworn to destroy.

Damn, Abnett was on a major roll when he wrote the Eisenhorn novels, as the second book, Malleus, is getting another five-star rating from me. Brilliantly combining a taut and intrigue-laden plot with the darkest elements of the Warhammer 40,000 universe, Malleus is an addictive and powerful read that proves near impossible to stop listening to.

Malleus has an incredible story that I found to be pretty damn addictive. Set 100 years after the events of Xenos, Malleus continues to follow Inquisitor Eisenhorn as he investigates several malign cults and figures throughout his sub-sector of space. The story soon ties into some of the lingering storylines from Xenos as the daemonhost Cherubael makes another appearance, framing Eisenhorn as a heretic. After a massive and suitably destructive series of events, Eisenhorn is thrust into a whole new investigation, trying to finally hunt down the figures that vexed him during the events of Xenos. Traversing the sector in pursuit of Cherubael and other rogue inquisitors, Eisenhorn finds himself thrust into battle after hopeless battle, and his constant losses war with his determination to finish the case. The protagonist faces several major hurdles towards the middle of the book, including capture and imprisonment by a fellow inquisitor for false crimes. Eventually escaping, Eisenhorn spends much of the book as a fugitive hunted by loyalist forces, which is an exciting new element that Abnett plays to full effect to enhance the plot. The overarching mystery/conspiracy plot of the book comes together extremely well, and I loved the outstanding investigation angle that follows as Eisenhorn desperately tries to find the evidence that not only ends the threat but exonerates him. This hunt for answers is actually set over a substantial period of time, mainly due to the delays associated with space travel, but this only increases the power of the plot as you witness Eisenhorn lose years of his life being hunted. Everything leads up to a massive confrontation with plenty of bloody battles and dangerous decisions that leave several fantastic characters dead or damaged. The ultimate conclusion is pretty impressive, especially as Abnett really starts to showcase his protagonist’s inevitable fall from grace here, and he leaves the book on a particularly dark note that was so damn awesome.

Just like with Xenos, Abnett has a fantastic writing style that really helps to enhance Malleus’s narrative and make the book very addictive and exciting. Perfectly utilising an excellent chronicle style that allows you to see inside Eisenhorn’s head, you are swiftly drawn into the complex plot. Abnett keeps up a swift and intense pace the entire way through, and you barely have a moment to stop and breathe before the next intriguing event takes over. The blend of intrigue, Inquisition politics, sector-spanning conspiracies, complex character development, unique Warhammer concerns, and impressive action is a heady mix and you get really get caught up in the hunt for the antagonists and Eisenhorn’s fight to prove his innocence. I loved how intense and deadly some of the crazy battle scenes got and Abnett has great skill at showcasing his characters in mortal danger. His attention to detail also results in some breathtaking sequences, and I was really impressed by that epic parade sequence, especially its ultra-chaotic ending. Abnett also takes the time in Malleus to set up some future storylines and alternate books, with some fun hints at novellas/short stories you should check out, while also quickly introducing his next major protagonist, Ravenor. All these brilliant writing elements, and more, really help to drag you into this elaborate narrative, and I deeply enjoyed the more intrigue-focused stories that are the hallmark of the Eisenhorn books. A worthy and powerful sequel to Xenos that really showcases the awesome characters and continues the outstanding and elaborate storylines.

I really loved the elaborate Warhammer 40,000 elements that Abnett featured within Malleus as the author dives right into the heart of the Inquisition and their battles. Just like with Xenos, you get a great understanding of the various internal threats that the Imperium faces in this universe, as Eisenhorn attempts to combat various conspiracies and threats. However, there is also a much deeper look at the inner workings of the often hidden Inquisition Ordos, especially as Eisenhorn is forced to work against the factions associated with them, including the Ordo Malleus, who think he has been compromised. The ensuing hunt for answers leads the protagonist, and by extension the reader, on a mighty chase around various unique planets in the Imperium, including Cadia before the fall, and Abnett has a lot of fun exploring the intriguing elements associated with these locations, as well as the general lore surrounding inquisitors, daemons and more. I did find it interesting that one of the major McGuffins of the book, the mysterious pylons of Cadia, ended up seeming a little more important in hindsight after the 13^th Black Crusade, and you have to wonder if the antagonist’s villainous plan didn’t actually have some merit. I felt that this was a particularly awesome Warhammer 40,000 book and I deeply appreciated how the universe’s unique elements and lore were able to seamlessly support the elaborate tale that Abnett wrote here. Due to Abnett’s detailed and compelling writing style, new Warhammer readers could easily start their exploration of the franchise with Malleus and get a rather good idea of the universe. However, I would really recommend starting with Xenos, as you get a much better introduction to key details and characters there. An overall exceptional read that makes full use of the massive, extended setting.

A highlight of any Abnett book is always the outstanding and highly complex characters, and Malleus has those in spades. The focus is once again on series protagonist and narrator, Gregor Eisenhorn, who grows as a character with each passing adventure. I really liked how Abnett portrayed Eisenhorn in Malleus and his compelling mission for justice and redemption is pretty intense. The Eisenhorn here is a different creature to that in Xenos, especially as, after 100 additional years in the Inquisition, he is a lot more experienced and skilled in his work. Now commanding a small army of followers, Eisenhorn has different methods and resources than before, but the same determination, loyalty and kindness (at least compared to other inquisitors) is still there. However, Malleus sees Eisenhorn go through some major battles, both mentally and physically, as he is forced to confront an enemy within his own order while defending his own methods and character. Watching him declared a heretic by his fellow inquisitors is pretty brutal, and Abnett throws in a heartbreaking prison scene to keep the readers intrigued. These events, coupled with some personal losses, and the continued presence of beings far more powerful than him, force Eisenhorn to make deals and cross lines he really shouldn’t. I love how each of the Eisenhorn books show the protagonist’s slow fall towards radicalism, and Malleus is an interesting starting point for that, as you understand why Eisenhorn is forced to go down this route. While he ends the book with most of his humanity and integrity intact, that brilliant final scene shows that he is getting awfully comfortable with his feet over a line he previously feared, and I cannot wait to see how far he falls in the next Eisenhorn novel.

On top of Eisenhorn, Abnett features a pretty awesome collection of supporting characters who assist the inquisitor in his investigation and they each add their own distinctive personality to the narrative. There is a good continuation of character arcs from the first book as several of his followers from Xenos make a return here, including the entertaining Savant Aemos, former Arbites investigator Fischig and his dedicated psychic blank Bequin. Each of them is a little older, wiser and more familiar with the hardships of being an inquisitor’s acolyte, and I liked the stronger relationships that developed amongst them, particularly Bequin, who really comes into her own in this book as a veteran. There are several interesting new characters added as well, such as the bounty hunter Nayl or brash pilot Medea Betancore (replacing her father Midas), and I felt that their distinctive personalities added a fun and entertaining edge to the narrative. I was surprised that new character Gideon Ravenor, who goes on to get his own spinoff series, only had a relatively small appearance in this book, as I figured he would be a pretty major character to get his own story. Still, he gets a good introduction here and it will be interesting to see how his arc plays out in the future.

Malleus also features several intriguing antagonists, each of whom test Eisenhorn and his colleagues in different ways. While there are the usual array of cultists, aliens and other creatures, most of the antagonists in this novel prove to be other inquisitors, who are either working on their own radical plots or who believe that Eisenhorn is the true heretic who needs to be stopped. This adds a very interesting dynamic to the story and it was fascinating to see the varied philosophies and plots amongst the rival orders and factions. I did find it interesting that the main villain of the story, a mysterious inquisitor acting from the shadows, only had a very minor appearance in the book, and while you feel his presence, a bigger appearance from him might have been in order. However, this character is more than made up for by his principal minion, the daemonhost Cherubael, who returns after his fantastic appearance in Xenos. Cherubael is a brilliantly sinister character who steals every single scene they are in thanks to their menacing monologues and intriguing insights. The outstanding obsession he forms with Eisenhorn is a great deal of fun and I loved seeing this evil figure toy with the inquisitor and force him to go to great lengths to defeat him. Abnett really knows how to write an outstanding character, even in a limited amount of time, and it will be fascinating to see what happens to these characters in the next Eisenhorn book.

I of course chose to listen to Malleus on audiobook, as it is my preferred way of enjoying great Warhammer books, and I was not disappointed with how it turned out. This fantastic format once again deeply enhanced the quality of the story and you can practically see the awesome battle scenes and other breath-taking elements of the wider Warhammer 40,000 universe. Narrator Toby Longworth, who is the go-to narrator for all of Abnett’s Warhammer audiobooks, does another outstanding job with Malleus, and I loved how he was able to keep the pace of the production going. He also has an outstanding voice that really conveys the dark and dangerous nature of the universe, while also perfectly bringing the characters to life. I deeply appreciated how Longworth made sure to utilise the same character tones that he previously featured in Xenos here, and it gave the Malleus audiobook a great sense of continuation. All the new characters are also given excellent voices, and I loved how awesome he made them sound, especially the more supernatural or alien beings that the protagonist comes across. I was frankly hooked on this audiobook from the very start, and it is an exceptional way to enjoy this epic narrative. With a run time of just over 10 hours, I managed to power through this audiobook very quickly, and this is definitely the best format for the Eisenhorn series.

Dan Abnett continues to showcase why he is one of the absolute best Warhammer authors out there with the second book in his superb and beloved Eisenhorn trilogy, Malleus. Featuring a powerful and incredibly captivating narrative of conspiracy, heretics and desperation, Malleus takes Abnett’s compelling protagonist on an even darker journey of despair, compromise and hard choices. Brutal, intense and impossible to put down, Malleus is easily one of the best Warhammer books I have ever read, and I cannot get over how exceptional it was. A very highly recommended book, I plan to check out the third and final Eisenhorn book soon as I can to see how this epic series ends.

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Quick Review – 36 Streets by T. R. Napper

On January 24, 2023 By The Unseen LibraryIn Australian, Science Fiction, Thriller2 Comments

36 Streets Cover

Publisher: Titan Books (Trade Paperback – 19 January 2022)

Series: Standalone/Book One

Length: 433 pages

My Rating: 4.25 out of 5 stars

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One of the most unique reads by an Australian in 2022 had to be the action-packed and deeply compelling cyberpunk thriller, 36 Streets by new-to-me author T. R. Napper.

Plot Synopsis:

Altered Carbon and The Wind-Up Girl meet Apocalypse Now in this fast-paced, intelligent, action-driven cyberpunk, probing questions of memory, identity and the power of narratives.

Lin ‘The Silent One’ Vu is a gangster and sometime private investigator living in Chinese-occupied Hanoi, in the steaming, paranoid alleyways of the 36 Streets. Born in Vietnam, raised in Australia, everywhere she is an outsider.

Through grit and courage Lin has carved a place for herself in the Vietnamese underworld where Hanoi’s crime boss, Bao Nguyen, is training her to fight and lead. Bao drives her hard; on the streets there are no second chances. Meanwhile the people of Hanoi are succumbing to Fat Victory – a dangerously addictive immersive simulation of the US-Vietnam war.

When an Englishman comes to Hanoi on the trail of his friend’s murderer, Lin’s life is turned upside down. She is drawn into the grand conspiracies of the neon gods – of regimes and mega-corporations – as they unleash dangerous new technologies.

Lin must confront the immutable moral calculus of unjust wars. She must choose: family, country, or gang. Blood, truth, or redemption. No choice is easy on the 36 Streets.

36 Streets was a particularly unique and ultra-exciting novel that tells a powerful and memorable story of intrigue, conspiracy and the various families you make in life. Set in a futuristic Hanoi in the midst of a Chinese occupation, 36 Streets begins as a cyberpunk gangster tale following Lin Vu, a deadly enforcer and fighter for a Vietnamese street gang. Raised in Australia before being deported to Vietnam, Lin is a damaged and angry figure who has found purpose as an ultra-violent gang member, and is somewhat content with her current life of drinking, drugs and womanising. However, her latest job for a mysterious English executive leads her and her gang into the middle of a dark conspiracy that could influence the entirety of Vietnam and which pits her against a deadly rival gang, the Chinese government, and a corrupt corporation.

Napper tells a fast-paced and compelling story in 36 Streets, and I was constantly intrigued where the plot was going, especially as the author blends interesting character work, futuristic cyberpunk elements and an intense conspiracy storyline to create a great overall read. Lin’s attempt to find answers and discover the full and terrible truth of the events she has been dragged into serves as an outstanding base to the story, and the author throws in some great twists and swerves as the story continues. Brutal and sharp action scenes are interspersed with a compelling street-based investigation, as well as fascinating showcases of the cool cyberpunk technology, including a trippy video game that shows an alternate version of the Vietnam War, all of which creates a distinctive and dark overarching tone for the book, which I felt matched the compelling conspiracy story extremely well. Napper further adds to intensity of the plot by diving into his complex protagonist’s past, which includes unique family dynamics, rejection from every country she has ever lived in, and some of the most brutal training sequences you are ever likely to find in a fiction novel. Everything comes together in a shocking and bloody conclusion, which leaves the reader satisfied, saddened, and wanting more.

There are so many great elements to this book that I could talk about, but a true highlight of 36 Streets is Napper’s intriguing examination and portrayal of the soul and culture of Vietnam, as well as the beautiful historic city of Hanoi. The intrepidness and distinctive personality of the Vietnamese people are on full display throughout the entirety of 36 Streets’ story, and the author spends substantial time exploring the history and culture of Vietnam through his complex characters. This dive into the Vietnamese people and their mindset, actually becomes a key and intriguing part of the book’s overall plot, and I loved how the conspiracy that Lin is investigating ties into elements of the Vietnam War and country’s inbuilt ability to resist. I was also quite impressed with Napper’s outstanding portrayal of his version of Hanoi, especially as he perfectly blended the new cyberpunk elements of his story with the distinctive historical elements and culture of the city that exists today. Another intriguing setting element he included was the fictional future Chinese invasion and occupation of Hanoi and greater Vietnam, especially as it results in a second Vietnamese War, with a new Vietcong now fighting and beating the Chinese from the other side of the country. All of these outstanding elements, including the unique futuristic setting and the powerful examinations of Vietnam and its people, add a memorable impact to the larger story, and I felt that this book benefited greatly from Napper highlighting the Vietnamese people in this way.

I honestly was not sure how 36 Streets was going to turn out when I initially started reading it. However, after enjoying everything about its cool story, fantastic insights and brilliant character work, I have to say that this was a pretty amazing read and one that I am very glad I grabbed a copy of. Australian author T. R. Napper has created something very impressive with 36 Streets and I cannot emphasise what a powerful and compelling book this turned out to be, especially with its Vietnamese setting and fantastic cyberpunk inclusions. Highly recommended!

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Throwback Thursday – Warhammer 40,000: Xenos by Dan Abnett

On January 14, 2023March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller, Throwback Thursday, Tie-in Novel, Warhammer10 Comments

Publisher: Black Library (Audiobook – 1 May 2001)

Series: Eisenhorn – Book One

Length: 9 hours and 55 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In my latest Throwback Thursday I continue to review the awesome Warhammer 40,000 works of Dan Abnett with his impressive and dark space thriller, Xenos.

For my Throwback Thursday last week, I talked about legendary Warhammer fiction author Dan Abnett and his Gaunt’s Ghosts series, which is one of the pillars of Warhammer 40,000 fiction. I have already had a lot of fun reading several of the Gaunt’s Ghosts novels (including First and Only, Ghostmaker and The Vincula Insurgency), so I thought I would take the opportunity to check out one of Abnett’s other major Warhammer entries, the Eisenhorn series, which I have heard some extremely good things about. Set in a different area of the Warhammer 40,000 universe than the Gaunt’s Ghosts books, the Eisenhorn books are a darker and more intense series that follows a troubled Imperial Inquisitor hunting down a deadly conspiracy at the heart of humanity.

In the dark future, the Imperium of Man is under constant attack from aliens, monsters and daemons who seek to destroy or corrupt all within. However, the greatest threat to the Imperium comes from within as diabolical heretics, witches and cultists work from the shadows to weaken the Imperium, worship the forces of Chaos, and bring humanity crashing down around them. The only protection humanity has against these nefarious and hidden threats are the members of the Inquisition, deadly agents who wield great power and authority to pursue their investigations by any means necessary.

Gregor Eisenhorn is a talented and experienced Inquisitor who has long fought against the shadows constantly threatening stability and order. When he finally corners and kills an old adversary amid a dark ritual, Eisenhorn hopes that his actions have permanently ended an ongoing source of Chaos and despair in the Imperium. However, evidence he recovers from the crime scene hints at a greater conspiracy that threatens several local systems.

Travelling to a prosperous system hub, Eisenhorn restarts his investigation, determined to get to the bottom of this new danger. However, he is unprepared for the full scope of the hidden forces of Chaos that wait for him, as a massive and hidden cabal rises in opposition against him. As multiple planets within the system burn due to the action of the Chaos cultists, Eisenhorn works with a series of unique allies to bring this cult to heel before they cause irreparable damage to the Imperium. However, the more sinister danger may come from the prize that his enemies are seeking, an ancient and dark tome of knowledge, known as the Necroteuch, which has the potential to burn the universe and turn the entire Inquisition against Eisenhorn.

Xenos was another exceptional novel from Abnett, and one that really showcases his ability to tell a varied and complex tale. This is a dark, powerful, and impressive character-driven read, and I loved the switch to dark intrigue and heretical investigations, which made for such an incredible story. I was an instant fan of Xenos’s clever and highly addictive plot, and I must give it a full five-star rating for how awesome it was.

I was deeply impressed with the outstanding and compelling story that Abnett featured in Xenos, especially as it was very different in style and substance to his previous works I have enjoyed. While the Gaunt’s Ghosts novels are gritty war stories that focus on the common soldier, Xenos was a powerful and twisty space thriller that saw a determined Inquisitor attempt to root out the manipulations of Chaos far away from the battlefields. The story itself is extremely clever and well-paced, and it swiftly draws you in with its dark events, especially its intense and action-packed introduction. Despite killing his nemesis early in the story, Eisenhorn is forced to keep digging even further as he uncovers more conspiracies and plots. Utilising undercover methods, interrogations, obscure evidence and a series of bloody fights, Eisenhorn and his unique comrades follow the trail across the sub-sector, attempting to discover the true plot of their enemies. This leads to several large and memorable set pieces, and I loved the constant change of locations, especially as it allowed you to get a whole new idea of the scope of their foes plans and the desperate battles being fought to stop them. I also enjoyed the quieter scenes that were laid out between them as they not only added some great intrigue, but also highlighted the personal nature of the protagonist’s quests and the bonds he forged along the way. The plot is eventually resolved after several major battles, including some very trippy sequences, and I came away from this book very satisfied and wanting more, especially as Abnett laid some intriguing hints about deeper conspiracies towards the end. I was absolutely hooked the entire way through this narrative and I had such an amazing time reading this exciting and compelling story.

Xenos was an extremely well written Warhammer novel, and I really appreciated how Abnett was able to seamlessly change writing style and tone for this darker read. The author makes excellent use of a first-person perspective for Xenos, as the story is in a chronicle format being written by the central character of Inquisitor Eisenhorn. This allows for a much more personal and protagonist-centric narrative which really draws you into the hunt as you see the protagonist’s obsession with capturing the heretics and ending the threat to the Imperium. Abnett keeps the pace pretty fast and intense throughout the entirety of Xenos, even during the sequences between the main action-packed scenes, and you are constantly engaged with the hunt or the intriguing relationships between the characters. I was personally very impressed with how Abnett was able to blend a lot of distinctive story elements together throughout Xenos to produce an excellent story. The way that the author combines Warhammer, thriller, mystery, science fiction and even horror (the Chaos creatures can get pretty bad at times) elements together is just amazing, and it opens up the appeal of the book to a wide range of readers. I loved the continued and powerful hunt throughout the Imperium, especially as all the protagonist’s actions and attempts to end the threat result in major consequences for those around him. This was a deeply captivating and intense read, and I cannot empathise how addictive and fun I found it.

One of the main reasons I chose to check out Xenos and the Eisenhorn series, aside from generally loving Abnett’s writing, is it is generally considered to be one of the best series to start a dive into Warhammer fiction. After powering through Xenos, I can confirm this as Abnett uses the lore and the darker side of the Warhammer universe to its full advantage throughout this fantastic thriller tale. While some slight knowledge of the large Warhammer 40,000 universe might be helpful to understand parts of Xenos, new readers unfamiliar with the franchise can easily dive into this book and follow the story with no problem, and any science fiction fan can have an amazing time reading it. Abnett patiently and competently explores key details of the Warhammer universe as the story continues, although never in a way that interferes with the captivating flow of the book. As such, you get a good view of the overall state of humanity and the Imperium during this novel, with a particular focus on the Inquisitors and their mission. The Inquisitors have always been a fascinating and complex part of Warhammer 40,000 lore, and this series really highlights just how dangerous their tasks are, as well as the fine line they walk in their hunt for justice and purity. Naturally, this dive into the Inquisition will also make this book very appealing to experienced Warhammer readers as well, and Abnett is considered to be one of the best franchise authors for a reason. I have a deep appreciation for all the cool lore elements that were featured here, and I particularly enjoyed how Xenos offers a very different story to many of the other Warhammer 40,000 books out there, and really highlights just how complex the universe can be.

I was also very impressed by the exceptional character work that Abnett featured with Xenos, as this compelling read features some great characters. The primary figure of this book is naturally Inquisitor Gregor Eisenhorn, who serves as the main protagonist and narrator of the story. I felt that Xenos served as a particularly good introduction to this iconic Warhammer figure, and I found myself getting quite attached to his journey. A no-nonsense and extremely practical Inquisitor, Eisenhorn is seen by many as a cold and calculating man, although deep down he is a caring individual who feels great attachment to his friends and comrades. Abnett portrays Eisenhorn as a pretty reasonable figure, preferring subtle investigations, which makes him appear a bit radical to some of his fellow Inquisitors whose preferred methods are to kill anyone with any potential for evil. It was very interesting to see him as a pretty strait-laced guy in Xenos, especially as I have heard of how radical he gets in the future, and I think it was very smart of Abnett to showcase him in this way first to enhance the impact of his future actions. However, Eisenhorn does go through a lot in Xenos, including mental, psychical and spiritual tortures, and you can really see the damage done to him and how his desire for vengeance and getting the job done by any means grows. I cannot wait to see how his story advances in the next few books, as I know that Abnett has damaging days in store for him.

In addition to Eisenhorn, Abnett loads Xenos with a ton of interesting supporting characters, all of whom are seen through Eisenhorn’s eyes. This includes Eisenhorn’s eccentric entourage of follows and agents, including a data-obsessed scholar, a skilled pilot, a grim justice operative and his newest associate, Bequin, a psychic blank who is drafted into the war against Chaos against her will. This unusual team prove to be great backup to the dour Eisenhorn, and I liked the genuine connection that Eisenhorn forms with them, especially as it shows that he really isn’t the monster many people think he is. Other characters of note include the varied and distinctive fellow inquisitors that either assist or oppose Eisenhorn, and the various deadly enemies he goes up against. Rather than have one specific antagonist in Xenos, Abnett featured a cabal of Chaos worshipping foes, each of whom despises Eisenhorn for what he represents. While there isn’t a massive focus on any specific villain, each of the major players in the cabal are pretty distinctive, and I liked the overall effect that Eisenhorn is fighting a multi-faced beast in Chaos, rather than a specific evil. These outstanding characters really enhanced this epic and captivating narrative and I look forward to seeing what other insane figures show up in this series as it progresses.

Unsurprisingly, I chose to enjoy Xenos in its audiobook format, which is frankly the best way to experience any Warhammer novel. With a run time of just under 10 hours, I absolutely powered through this audiobook and I found that it perfectly conveyed all of Abnett’s elaborate and compelling story elements. This was partially due to the brilliant narration of veteran voice actor Toby Longworth, who has lent his fantastic vocal talents to most of Abnett’s Warhammer books. Longworth did another remarkable job here with Xenos, and I loved his take on this slighter darker narrative. I deeply appreciated all the voices he provided to the characters in Xenos, especially as he is not just recycling the voices he uses in the Gaunt’s Ghosts books. Each of the voices here are pretty fitting to their respective character and there is some fantastic variation based on plot details such as the speaker’s planet of origin, species, inclination, and personality. This excellent voice work really enhanced my enjoyment of this captivating read and I would strongly recommend this format to anyone interested in reading Xenos.

The first entry in Dan Abnett’s Eisenhorn series, Xenos, lives up to all the hype surrounding it as it proved to be an exceptional and highly addictive read. Perfectly combining an elaborate thriller story with the dark Warhammer 40,000 universe, Xenos was a joy to read from start to finish. I cannot recommend this novel enough and my plan is to listen to yet another book from Abnett in the next couple of days.

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Dead Man’s Hand by James J. Butcher

On December 12, 2022 By The Unseen LibraryIn Fantasy, Murder Mystery2 Comments

Dead Man's Hand Cover

Publisher: Ace (Hardcover – 29 November 2022)

Series: The Unorthodox Chronicles – Book One

Length: 373 pages

My Rating: 4.5 out of 5 stars

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Murder, magic and mayhem are about to be unleashed in the impressive urban fantasy debut from exciting new author James J. Butcher, Dead Man’s Hand.

I think it is fair to say that no recent urban fantasy book has intrigued me more than the compelling Dead Man’s Hand by James J. Butcher. Not only did it have a striking cover, a cool name, and an awesome synopsis, but the author himself is very interesting. Despite the fact this is his first novel, Butcher is a name that comes with some expectations, due to him being the son of legendary fantasy author Jim Butcher. Jim Butcher has pretty much set himself up as the gold standard of urban fantasy fiction thanks to his iconic Dresden Files series that follows wizards in modern Chicago. I am a pretty big fan of the Dresden Files and when I first heard that Jim Butcher’s son was releasing his own book, I was immediately curious about it. As such, I made sure to get a copy of Dead Man’s Hand as soon as it came out, and I was very happy that I did. The first book in his series, The Unorthodox Chronicles, Dead Man’s Hand was a superb read that I had an amazing time getting through.

On the mean streets of Boston, a dark murder has occurred whose ramifications will shake the city’s magical community. The victim was Samantha Mansgraf, an extremely powerful witch and one of the most effective agents of the Department of Unorthodox Affairs, the government department that polices magic users and keeps the peace between the ordinary Usuals and the paranormal Unorthodox. Her body has been found mangled and tortured, and the only clue is a secret message she left behind which simply reads, “Kill Grimsby.”

This message can only relate to one person, Grimshaw Griswald Grimsby, whose future as an Auditor for the Department of Unorthodox Affairs was unceremoniously ruined by the victim. Now working in a terrible fast food job extremely close to where Mansgraf was killed, Grimsby seems the most likely suspect for her murder. However, there is one major flaw in this theory; Grimsby is magically incapable of committing the crime. Only able to cast a few minor spells and hampered by an old injury, there is no way that Grimsby could have killed the victim. But this fact isn’t going to be enough to stop everyone coming after him.

Targeted by both the Department and the monsters actually responsible for Mansgraf’s murder, Grimsby finds himself in a whole lot of trouble. His only hope of survival is to team up with Mansgraf’s old partner, the legendary Huntsman Leslie Mayflower, an expert at killing all things magical, and find out who is really behind this gruesome murder. However, Grimsby and Mayflower soon find themselves caught in the midst of a deadly magical conspiracy, one where every potential loose end needs to be killed. To survive, Grimsby and Mayflower will need to dig deep and uncover the darkest secrets from Boston’s magical community. However, can an old broken down Hunstman and a failed witch manage to take on the evil coming for them, or are they about to be as dead as Mansgraf?

Butcher comes out the gate swinging with his first magical adventure, and I really enjoyed the result. Dead Man’s Hand is a clever and cool new novel that sets up Butcher’s planned series while also presenting the reader with a captivating character driven story, filled with mystery, murder and magical mayhem. I managed to knock this book out in a couple of days, and it proved to be a wonderful and impressive debut.

Dead Man’s Hand has a great urban fantasy narrative to it that follows two interesting and complex characters caught in the middle of a magical conspiracy. Butcher kicks the story off quickly, with Mayflower getting involved in the hunt for his former partner’s killer, which leads him to Grimsby, who is initially a suspect, until it becomes very clear he couldn’t have pulled off such a destructive killing. When Grimsby is attacked by the apparent murderer, the two start to work together and they focus their investigation into finding a dangerous artefact that the victim had hidden before her death. That leads them into all manner of trouble, including demonic gangsters, freaky constructs, and Department agents, all of whom are coming after them with lethal intent. This results in a great twisty and slick narrative, as the characters need to uncover multiple mysteries while also confronting the many unusual creatures coming for them. There are several great action-packed confrontations loaded into this book, and Butcher makes excellent use of his distinctive new magical universe to create some memorable sequences. Everything leads up to a big and powerful conclusion where, after some personal betrayals, the two protagonists are forced to come together to take out the culprit and save the day. While the ultimate reveal of who the killer is was a little predictable, Butcher did it in an entertaining way and the stakes were pretty damn high by the end of it. Butcher also ramped up the tension for the final confrontation and you honestly had no idea how the book was going to conclude and who was going to pull through. I was personally hooked all the way to end and I came away pretty happy with the conclusion, especially as Butcher sets up some potential sequels in the future and I have a feeling that this is the first entry in an awesome long-running series.

I quite enjoyed Butcher’s writing style for Dead Man’s Hand and I think that the excellent story came across really well in the end. The story moved at a very quick pace, and Butcher really did not slow down for anything, hitting the reader with a ton of action, intrigue and moving character development from start to finish. Like most good urban fantasy novels, Dead Man’s Hand had a fantastic blend of mystery and fantasy elements, and you are soon swept up in the hunt for the magical killer, especially as it reveals a complex and deadly conspiracy. This helped to create quite a compelling and exciting read, which comes across like a buddy-cop romp thanks to the entertaining partnership between the two main characters. The story is broken up between these two character’s perspectives and you get to see how they come together as a dysfunctional but effective team, and I loved the fun veteran/extreme-rookie dynamic that their partnership achieved. Butcher further enhances the story by featuring a ton of comedic humour, most of which was brought in by the chatty and snarky main character. Readers will no doubt notice that Butcher took some inspiration from his father when it came to writing humour, especially when it came to the main character’s snark, as well as some of the very over the top scenes and inclusions. There are some pretty ridiculous moments, especially surrounding the character of Grimsby (his stint as a food entertainer was fun at the start), and things only get more over the top as you go (let’s just say that there is something very interesting in a box, and leave it at that). While this was amusing, I was glad that most of the focus remained on the more serious elements of the book, which came together extremely well. This ended up being a very strongly written book, especially for a debut, and I was pretty impressed with Butcher’s great style and writing ability.

Butcher’s series, The Unorthodox Chronicles, has an interesting urban fantasy setting to it, and I was impressed with the new world. While I am sure that some will try to unfairly compare it to his father’s urban fantasy world, I felt that Butcher did a good job making it stand out on its own the reader is successfully introduced to many cool key details in this first book. This series takes place in a version of Boston where the world is aware that magic exists, and magical creatures and magic users are kept in line by the Department of Unorthodox Affairs and their deadly agents known as Auditors. I was quite intrigued by the inherent bureaucracy surrounding an unhidden magical world and it was fun how wizards are treated in a world where people are aware of them. The visible magic itself is pretty simple, but effective, with magic users drawing their own inner-magic (Impetus) from within and launching it out using simple keyword spells. Some of the effects of these spells are pretty fun and the protagonist manages to achieve a lot with some very basic combinations. Butcher further populates his world with some freaky magical creatures, who give the book a darker and intense edge, especially those human familiars, who make for quite an effective and deadly enemy. However, one of the most distinctive features of this universe is the Elsewhere, a dark, alternate magical realm that most wizards can perceive and which have its own rules. The Elsewhere is so weird and crazy that all magic users need eye protection on all the time or else they will be driven mad by the things they see. One excellent extended sequence sees the protagonist forced to visit the realm (which can be achieved by travelling through mirrors), and it came across as a pretty gruesome place to journey, thanks to all the creepy creatures and its inherent time dilation. I loved all the cool details contained in this new world and I am quite excited to see how Butcher plans to expand on it in the future.

Aside from the amazing story and intriguing fantasy elements, one of the main strengths of Dead Man’s Hand was its excellent main two characters, who Butcher uses to great effect as alternating narrators of the story. Both central protagonists are very damaged and complex in their own ways, and their eventual team-up helps them both to develop and escape the ruts they find themselves in at the start of the book. The main character is Grimshaw Griswald Grimsby, an orphaned wizard who was badly scarred as a child in a fire that killed his family. Grimsby previously attempted to become an Auditor for the Department, but he found his path blocked by the murder victim, mainly due to his inability to do complex spells and because his scars weaken his magic. Now trapped in an embarrassing dead-end job, Grimsby starts the book off depressed and resentful, with zero confidence in himself. However, this changes as the story continues and he is able to prove himself to his new mentor character, Mayflower, who, while gruff, helps mould him into a better person. The one thing he cannot change is his motor mouth as Grimsby is constantly talking and joking, giving off a magical level of snark. Much of the book’s humour comes from Grimsby’s irreverent view of the world and there are some great jokes flying out his mouth here. I also loved seeing Grimsby’s inventiveness throughout the book, especially as he can only really cast three weaker spells, which requires him to be very imaginative in how he uses them, especially in self-defence. There are also some fantastic storylines surrounding his traumatic past, as well as some more contemporary storylines about whether he actually belongs in this dangerous lifestyle or whether he should seek a quieter life. While it would be easy to compare Grimsby to another snarky urban fantasy protagonist (say the one written by Butcher senior), I think that Grimsby stands on his own, and there are still quite a few layers for Butcher to uncover in the future.

The other major character is Leslie Mayflower, better known as the Huntsman, a bitter retired agent who specialises in killing magical creatures and beings. Eternally grouchy and bitter at the Department, Mayflower dives into the case seeking revenge and comes across Grimsby, eventually partnering with him. Mayflower is the direct opposite to Grimsby for much of the book, and I loved how Butcher portrayed him as a past-his-prime killer who returns for one last job. Shown to be full of regret, self-loathing and a desire for revenge, Mayflower was a powerful part of the book, especially once Butcher pairs him with Grimsby. These two made for a great team, and watching the positive Grimsby start to have an impact on Mayflower’s personality was a fun part of the book. Despite still being mistrustful for most of the book, Mayflower soon grows to appreciate the partnership with Grimsby, and it was quite moving to see the character have something to live for again. While you do see a lot of his personality and intensity in Dead Man’s Hand, I liked that Butcher was a little vague when it came to his past, and I am hoping that the author will dive into more of his history in future books. Both central protagonists were extremely well written and very damaged in their own way, and this makes for a great story focus, especially as there are some excellent scenes when they start working together.

Overall, I thought that Dead Man’s Hand was an excellent and captivating first book from James J. Butcher, and it is one that I had an amazing time reading. Fast-paced, hilarious, and filled with all manner of magical chaos, Dead Man’s Hand served as a powerful and enjoyable first entry in the author’s new series, and it comes highly recommended as a result. I will definitely be grabbing the next book in this series when it comes out and I look forward to seeing how Butcher’s career progresses from here.

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Warhammer 40,000: Outgunned by Denny Flowers

On September 18, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer5 Comments

Publisher: Black Library (Audiobook – 20 August 2022)

Series: Warhammer 40,000

Length: 10 hours

My Rating: 4.75 out of 5 stars

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One of the fastest rising stars of Warhammer fiction, Denny Flowers, returns with his second novel in the Warhammer 40,000 canon, Outgunned, a deeply compelling and epic novel with a twisty and powerful story.

Last year I was lucky enough to read an interesting and memorable Warhammer 40,000 novel, Fire Made Flesh. The debut novel of Denny Flowers, who had previously written some interesting Warhammer 40,000 short stories, Fire Made Flesh was part of the Necromunda subseries and told a fantastic story about warring factions in a spooky underworld town. I had a lot of fun reading Fire Made Flesh, and it ended up being one of the better debuts I read in 2021. As such, I have been eager to see how Flowers was going to follow up this debut, and I was deeply excited when I saw that he had a new novel coming out, the intriguing Outgunned.

In the far future, the soldiers of the Imperium of Man fight monsters and aliens on many battlefields and there is always a need for fresh bodies to fill the gaps in the ranks. That is where Kile Simlex comes in. A talented propagandist, Simlex excels at creating moving cinematic picts to inspire the people and increase recruitment to the Astra Militarum. However, Simlex desires greater realism and seeks to travel to a battlefield to gain real footage for his greatest pict yet.

Travelling to the fetid swamp planet of Bacchus, Propagandist Simlex plans to chronicle the adventures of the Aeronautica Imperialis, the brave flying aces who traverse the skies, fighting in deadly aerial combat against the rampaging ork hordes. In particular, he hopes to make a pict about legendary fighter ace, Lucille von Shard, considered to be the greatest pilot in the Imperium, to turn her into a renowned hero. However, not everything is as it seems on Bacchus, and Simlex’s attempts to get footage may cost him everything.

Soon after arriving, Simlex begins to realise that the war on Bacchus is not going to plan. The undermanned Aeronautica forces are being overwhelmed by the supposedly crude orks who have created an elaborate fleet of fighters and are slowly destroying Imperial forces from a hidden base. At the same time, a mysterious sickness is destroying the planet itself, while its governor is determined to downplay the war no matter the cost.

However, his biggest threat may come from his chosen subject, as Lucille von Shard is an arrogant and disobedient pilot who has only avoided execution due to her peerless flying abilities. Determined to make the situation work, Simlex attempts to chronicle the reluctant Shard’s skills, while also investigating the strange occurrences on Bacchus. But is even the legendary Lucille von Shard capable of defeating the mysterious enemy waiting for them within the clouds? The Green Storm hungers for combat, and the entire Imperium may shake as it approaches.

This was a superb and deeply impressive Warhammer 40,000 read that really highlights Flower’s growing skill as a science fiction writer. Containing a unique and highly addictive narrative, Outgunned was an outstanding read that blended an exceptional story with some impressive glances at the wider Warhammer 40,000 universe. I had an amazing time getting through this book and it was one of the more exciting and compelling Warhammer novels of 2022 so far.

I must admit that while I deeply enjoyed Outgunned’s brilliant narrative, it honestly wasn’t what I was expecting when I first started reading it. Rather than a completely combat/military focused story about battles in the sky, Outgunned is a powerful and intense story that spends just as much time examining the darker aspects of the Imperium of Man as it does facing off against the ork threat. This becomes clear very early on, especially as the opening introduction from Simlex hints at the deceit, cover-up and lies that are to come. However, I was still unprepared for the full extent of the fantastic narrative that Flowers came up with, as he blends a lot of complex themes and components with some exceptional character work and clever universe expansions to create something truly special.

Outgunned’s narrative starts off hard and fast, quickly introducing Simlex and his propagandist ways, as well as his intentions on Bacchus, before throwing him briefly into the fray and introducing his fellow protagonist, Shard. From there, Simlex attempts to film the flying aces in action, but he soon begins to realise that the supposedly stupid orks have developed a giant fleet of sophisticated airships and are slowly winning the battle against the Aeronautica Imperialis. As he attempts to learn more about this, he finds himself drawn into a major conspiracy as Bacchus’s governor is determined to minimalize the impacts of the ork invasion and is actively working against it. This forces Simlex to engage in multiple efforts, including diving into the past of his desired subject, the prickly and secretive Shard and flying on several missions against the orks, only to discover just how organised and deadly they are. At the same time, he also attempts to understand what is truly going on with Bacchus and its people, as he finds many strange elements to them, including a spreading disease and a corrupt leader. These well set up storylines are not only quite compelling and intriguing in their own right but they come together to tell a complex and impressive story that I was deeply addicted to. I loved the mysteries and intrigues featured within this story, and they blended extremely well with the more combat orientated aspects of the plot and the unique character interactions that Flowers included. Everything comes together extremely well at the end, and I loved some of the brilliant revelations and secrets that come out as the story concludes. The entire narrative leads up to an excellent final fiery confrontation with the orks, which ties in nicely to many of the story elements featured throughout the book. This is an overall excellent and powerful narrative that will really draw you in, especially with its unique look at the Warhammer 40,000 universe.

I deeply enjoyed the way that Flowers set out Outgunned’s narrative as there are so many great elements to it. Told in a chronicle format from Propagandist Simlex’s perspective as he recalls the events in a more realistic and negative light. This works to tell quite an intriguing tale, especially as you get some hints of the events of the future, and the negative tint that Simlex gives to the book’s narrative was a fantastic overall tone. Despite this interesting narration choice, this novel has a brilliant, fast pace to it and the reader is never left in a dull spot, as there is always some cool action, fascinating intrigue or powerful dive into a character occurring throughout. I loved the balance of story elements, and I must highlight the fantastic moments where Simlex works on his propaganda picts and dives through his recordings of the events around him. I also had a lot of fun with the outstanding ariel combat scenes that are featured through the plot. While they aren’t as heavily featured as you would expect from a book about the Aeronautica Imperialis, there are still some great sequences that were very fun to see. Flowers really captures the magic and brutality of combat in in the air, and I loved some of the crazy scenes that resulted, especially against the ork stronghold. There is also a particularly good fight sequence in the middle of a swamp that was pretty awesome, especially as it showed one character’s particular ingenuity and fighting spirit.

Outgunned served as an impressive standalone entry in the Warhammer 40,000 universe, and I deeply enjoyed how self-contained the narrative turned out to be. Flowers also did a great job explaining most of the relevant Warhammer 40,000 elements featured within Outgunned, and I felt that this book can be easily enjoyed by most science fiction fans, although established Warhammer fans will probably get the most out of it. I loved some of the very unique Warhammer 40,000 aspects that Flowers featured in Outgunned, as the author came up with some fantastic new elements that added so much more to the story. I personally thought that Flowers did a really good job examining the Imperium through his character’s eyes, and you really get to see a fun new edge to it. Not only do you get to see the Aeronautica Imperialis in action, which will appeal to many Imperial Guard fans, but you also get a cool viewpoint of the Imperium’s propaganda department. Watching the protagonist dive into the techniques and motivations of the Imperial propagandists is quite fascinating, and it gives another great edge to the already dark and gothic Imperium that make you understand that deep down, they really aren’t the good guys they try to make out. Throw in a fun blast of Imperial politics, as a corrupt planetary governor can manipulate the Astra Militarum for their own selfish ends, as well as some dark viewpoints of the brainwashing of young soldiers that occurred to certain characters, and you have a great, cynical view of the Imperium that I deeply enjoyed.

I was also quite impressed with the intriguing and cool viewpoint of the orks contained in Outgunned. 2022 has been a pretty good year for fascinating ork novels, such as Ghazghkull Thraka: Prophet of the Waagh! and Catachan Devil, and Outgunned offered another great look, even though you rarely get to see the creatures in person. Instead, Flowers offers an interesting look at them through the human characters’ eyes as they try to work out just how these supposedly crude creatures are winning the war for the skies over the planet. Watching the characters slowly realise just how ingenious and clever the orks really are is pretty fun, especially as the propagandist main character has spent most of his career showing them as stupid beasts. As such, the book shows many fantastic examples of the complex ork culture through the eyes of characters who really don’t understand it, which I think worked to make it appear a lot more interesting and mysterious. Established fans of the ork faction (and what Warhammer fiction reader doesn’t love the orks?), will have a blast watching the characters, especially the sheltered Simlex, try and understand their motivations and tactics, and I felt that it was a great way of showcasing the orks without having a major ork character present. I deeply enjoyed all the awesome Warhammer 40,000 elements contained with Outgunned, and it really proved to be an amazing entry into the wider canon.

I also must quickly mention the outstanding setting of the planet Bacchus, where the entire narrative took place. A swamp world with little agricultural value, Bacchus proves to be an unlikely battleground for the forces of the Imperium; however, with an influential governor and a corrupt ruling class enjoying the wine that it produces, it soon becomes a major warzone. While I quite enjoyed this further example of how corrupt the Imperium is, its main benefit as a setting is the way that Flowers makes Bacchus appear as unpleasant and deadly as possible, and it provides a very distinctive and memorable background for many of the book’s fantastic scenes. The sickly swamp setting comes across in vivid detail, and you can feel the terrible sucking feel of it, as well as the many dangers in contains. If that wasn’t bad enough, Flowers also inserts in a mysterious rotting disease that is making Bacchus even more deadly and hostile. This disease is worked into the larger story beautifully, and it helps to give Bacchus even more of a rotting, decaying feel that makes you wonder why anyone is still fighting the orks for it. I deeply appreciated this unique and fantastic Warhammer 40,000 setting, and Flower’s masterful portrayal of it deeply enhanced Outgunned’s excellent story.

I also must talk about the outstanding characters contained within Outgunned as Flowers worked to create some impressive and complex central protagonists. While there are some great supporting figures throughout Outgunned, I am going to limit myself to the main two characters who most of the story revolves around. The first of these is Propagandist Kile Simlex, a renowned pict maker and artist who has dedicated his life to making inspirational films that inspire mankind and get them to fight the Imperium’s enemies. Not only is this a very cool position in the Warhammer 40,000 canon, but Flowers writes Simlex in a very compelling way. I loved how the character’s narration allows you to see the cynical hindsight of Simlex after he survived the events of the book and recounts his adventures, and it was fascinating to see the character slowly lose his faith in the Imperium and the system he has always served when confronted with the events of this book. The constant danger, political selfishness, betrayal, misinformation and disdain of the soldiers he is trying to help really get to him as the novel progresses, and you really see him start to doubt himself. Flowers writes some beautiful scenes around this, and the realisations that he has about the Imperium and his role in its continuing exploitation are great, even if they come back to bite him.

I also deeply enjoyed how Flowers paired Simlex with three servo-skulls who are linked to him mentally. These skulls (literal skulls that have been turned into drones) are specifically altered to act as Simlex’s cameras, and he uses them to record the combat footage and gather information as he attempts to unravel the conspiracies of Bacchus. The powerful link he has to these skulls ensures that his mind is often split between different perspectives, and he often views the world through these robotic eyes. This unique method of viewing the world becomes a key part of Simlex’s character, and it was fascinating to see how connected he was to his floating skulls, who almost become characters in their own right. Simlex proved to be an impressive centre for this entire narrative, and his dark and compelling view of the world really helped to shape this awesome book.

The other major character is Flight Commander Lucille von Shard, the greatest fighter ace in the Imperium, who Simlex is hoping to base his pict on. Shard is the scion of a legendary Imperial family whose members are serving the Imperium in distinguished roles. However, rather than being a dutiful solider, Shard is a brash, arrogant and rude figure who knows she’s the best, even when drunk, and is happy to tell everyone she knows. Always depicted with a sneer on her face, Shard appears not to care about her position, and only truly loves flying, drinking and fighting. Initially disrespectful of Simlex and everything he represents, the two eventually begin working as an antagonistic team against the orks, and Simlex soon sees Shard in a new light, especially once he discovers that much of her persona is an act. Flowers does a truly fascinating dive into Shard throughout Outgunned, and she is easily the most interesting and complex characters in the entire novel. There is so much hidden pain, unreasonable expectations and personality issues surrounding this character, and the hints about what drives her and the realities of her family and her past are just brilliant. Shard honestly had a perfect character arc and Flowers did something special with this protagonist. I honestly don’t think that Outgunned would have been as good as it was without Shard, and I had such an outstanding time getting to know her and seeing the complex backstory the author wove around her.

Like most of the Warhammer novels I enjoy, I chose to check out Outgunned in its audiobook format, which was pretty damn epic. I loved how well the Outgunned audiobook turned out, and the format really enhanced the impressive, action-packed narrative. The audiobook moves the already great story along at a brisk and fun pace, while also highlighting the excellent characters. With a run time of 10 hours, this is a pretty quick audiobook to get through, and I managed to power through it in a few days. I was particularly impressed with the voice work of narrator Phillip Sacramento, who does a wonderful job reading out this compelling book. Sacramento has a brilliant voice for the dark gothic narrative of Outgunned, and I felt that this Irish accent gave the overall narration a little more gravitas. I deeply enjoyed the great voices he attributed to the various characters of Outgunned, and every cast member was given a fitting voice that really worked for them. I felt that Sacramento really captured each of these characters extremely well, and you get a real feel of their rough emotions as they attempt to navigate the terrible situations of the book. I particularly liked the voice that was used for Lucille von Shard, as the sheer arrogance of the character practically drips into your ear, only to occasionally be replaced by a different emotion as her barriers break. This outstanding narration added so much to my enjoyment of Outgunned, and this ended up being an exceptional way to enjoy this brilliant book. As such, this format comes very highly recommended, and it is easily the best format to enjoy Outgunned.

With his second novel, Outgunned, Denny Flowers really showed the world what he is capable of as a Warhammer 40,000 author. With its outstanding and captivating narrative, Outgunned rose above the author’s previous novel and was one of the better Warhammer 40,000 novels of 2022 so far. The author wove some brilliant layers into this impressive read, and I loved the incredible characters, memorable setting and fascinating Warhammer elements that enhanced the clever story. A must-read for all Warhammer 40,000 fans, Outgunned was an absolute pleasure to read and I can’t wait to find out what Flowers has planned next.

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Star Wars: Brotherhood by Mike Chen

On June 22, 2022August 15, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel5 Comments

Publisher: Penguin Random House Audio (Audiobook – 10 May 2022)

Series: Star Wars

Length: 12 hours and 46 minutes

My Rating: 4.25 out of 5 stars

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2022 is a great time to be a Star Wars fan as we are currently being bombarded with a string of awesome shows, cool comics, and fantastic novels (a movie also would be nice, but apparently there are issues there). Fans like me are currently having a great time with the Obi-Wan Kenobi live-action show that has been all manners of fun, especially as it brings Ewan McGregor and Hayden Christensen back to their iconic roles as Obi-Wan Kenobi and Anakin Skywalker. However, this is not the only recent Star Wars release that focuses on this iconic duo, as author Mike Chen presents Star Wars: Brotherhood. This is Chen’s first Star Wars novel and follows these two great characters as they embark on a dangerous political adventure right after the events of the film, Attack of the Clones.

It is dark days for the galaxy as the destructive Clone Wars between the Republic and the Separatists have just begun. As the galaxy splits down the middle and more and more systems join the war on opposing sides, the Jedi begin to take a new role as soldiers, the fragile peace they have long guarded slowly disappearing.

When an explosion devastates the neutral planet of Cato Neimoidia, home of the Trade Federation, the Republic is blamed by Count Dooku and the Separatists. Desperate to keep Cato Neimoidia from joining the Separatists, the Jedi dispatch Obi-Wan Kenobi to the planet to investigate the explosion and attempt to maintain the peace. However, Obi-Wan has his work cut out from him as he encounters a hostile planet, blinded by mourning and a long history of prejudice from the Republic. Worse, not everyone wants him to solve the crime, as Count Dooku’s sinister agent, Asajj Ventress, is also on Cato Neimoidia, attempting to turn the populace against the Republic.

At the same time, Anakin Skywalker has been promoted to the rank of Jedi Knight and works to balance his new responsibilities with his secret marriage. Despite orders not to intervene on Cato Neimoidia, when Obi-Wan finds himself in himself trouble, Anakin races to help him, dragging along a promising Jedi youngling. However, with their relationship forever changed by Anakin’s promotion, can the two Jedi brothers still work together as they attempt to grow beyond master and apprentice?

This was a fantastic new addition to the Star Wars canon that fans of the franchise are really going to enjoy. Containing an interesting character-driven story, Brotherhood was a great first outing from Chen, who successfully explored some of the best characters and settings of the Star Wars universe.

Brotherhood has a rather interesting multi-perspective narrative that I felt was pretty good. This cool Star Wars novel is set right at the start of the Clone Wars and seeks to not only highlight some early aspects of the conflict but also dive into the minds of the iconic protagonists, Obi-Wan Kenobi and Anakin Skywalker. The book has a strong start to it, with a devastating bombing going off on a neutral planet that forces Kenobi to investigate by himself. Arriving on a planet thick with emotion, undue influences and conspiracies, Kenobi finds himself in all manner of danger, while his former apprentice, Anakin, is forced into a far less interesting mission. Chen does a good job introducing the key elements of this book, and you soon get invested in the protagonists’s storylines, as well as the deeper emotions raging within them and other supporting characters about the bombing and wider events in the galaxy.

While I liked the start of the book, the centre of Brotherhood honestly dragged for me. Now part of this is because I had to have a break from audiobooks for a few weeks, but even when I started listening to Brotherhood again, I had a hard time making much progress. The slow investigation and Anakin’s slightly lumbering narrative, combined with the occasionally unnecessary plot around Mil Alibeth, just didn’t hold my attention as much as I had hoped, and it ended up being a bit of slog to get through it. Luckily, the pace really picks up towards the end as the various storylines start to coalesce into a more compelling and exciting read. I managed to get through the final third of the novel a heck of a lot quicker, and I was substantially invested in the characters, including a few supporting figures, and the narrative as a result. Everything comes together pretty well in the end and Chen delivers a mostly satisfying conclusion that hints at the wider threat to come. An overall entertaining, if slightly staggered narrative, I did have a lot of fun getting through it.

I mostly enjoyed how Brotherhood was written, as Chen did an outstanding job of blending compelling plot elements with deep character development and some fantastic universe-building. The main story itself features a mixture of investigation, conspiracy and personal conflicts, as Obi-Wan visits a hostile planet impacted by all manner of anger and mistrust. The author makes excellent use of multiple character perspectives to tell a complete and wide-ranging narrative. While a good portion of the plot focuses on the main two characters, Chen routinely throws in the perspective of several great supporting figures, including some antagonists, and it was fantastic to get some alternate views on the events occurring. As I mentioned above, I found the pacing was a bit off in the middle of the novel, and there were certain parts of the story that I had a harder time getting through. For the most part, though, the book flowed pretty well, and the switch between various characters helped facilitate that. While this is primarily a character-focused book, I did think that Chen did spend way too much time having his characters over-analyse everything in their heads, as the constant contemplation of their emotions or actions slowed the story down in places. However, I did think that the author was particularly good at capturing action, with some brilliant and intense scenes featured throughout the book. The ones that really shined to me where the sequences that showcased the Jedi character’s abilities in battle, as Chen made them come to life in a vibrant and powerful way. Overall, I thought that this was a mostly well written story, I loved how Chen’s distinctive style helped to enhance the narrative in places.

Brotherhood proves to be a particularly interesting piece of Star Wars fiction as Chen sought to not only expand on the main characters but also explore the wider universe during the early Clone Wars period. Written mostly as a standalone novel, Brotherhood has a lot of interesting canon elements that established fans of the franchise will deeply enjoy. The book is closely connected with both the events of the second prequel film, Attack of the Clones, and the following Clone Wars animated series. It was also apparently written somewhat in sync with another 2022 Star Wars novel, Queen’s Hope by E. K. Johnston, which I haven’t had a chance to read. However, despite this, most readers familiar with the films should easily be able to jump in and read Brotherhood without any issues as Chen does a great job of explaining all the key characters, concepts and other elements. There is also a ton of stuff for established fans of the franchise to enjoy as Chen spends a bit of time adding in some interesting elements and some great fan service.

One of the more interesting things featured within this novel is the examination of the early days of the Clone Wars. This hasn’t been greatly explored in the current canon too much, so it was cool to see the start of the war, with some of the earlier battles, conflicts and issues surrounding this galactic civil war. Chen spends a bit of time showcasing how the Clone Army was incorporated into the existing Republic structure, as well as the militarisation of the Jedi as they became commanders and generals. There is also an interesting examination of the rise of extremism during the Clone Wars, as various factions start to cause trouble outside the actions of the main armies. As a result, Brotherhood serves as an excellent bridging novel between Attack of the Clones and some of the preceding material, and I loved how Chen spent time setting up a few things for the Clones Wars animated series, although the sudden and unexplained appearance of a female clone was a bit odd. I also had a lot of fun seeing some of Palpatine’s machinations here as he subtly manipulates events to get the Jedi even more involved in the war and more integrated with the clones. There are also some key moments of the corruption of Anakin that occur here, and it was fascinating to see the moment that Anakin revealed his massacre of the Sand People to his future master.

While I deeply appreciated all the above, the most fascinating bit of Star Wars universe-building in Brotherhood had to revolve around the planet of Cato Neimoidia, the capital of the Trade Federation as Chen really went out of his way to explore this planet and its people, the Neimoidians. For years the Neimoidians have mostly been seen as the exploitive and evil villains from The Phantom Menace and were never really explored in that much detail. Chen spends a massive part of the book providing a deeper look at them and it soon becomes quite a compelling part of the novel. In particular, the Neimoidians and their Trade Federation are shown to be mostly neutral, trying to stay out of the war and disavowing the actions of Nute Gunray and his faction who are supporting the Separatists. When Obi-Wan arrives at Cato Neimoidia, he is introduced to their rich culture, unique society and a distinctive mindset that relies heavily on calculation and risk-assessment. However, Obi-Wan soon discovers that there is far more to being a Neimoidian than he ever realised, as the Neimoidians have a long history of being ignored, ridiculed and prejudiced against by the Republic. This long history of abuse, combined with the bombings on their planet, proves to be a deeply captivating and powerful part of the story. All these great Star Wars elements add a lot to the narrative of Brotherhood, and I had an outstanding time seeing all the clever new ways that Chen worked to expand and explore this iconic universe.

While the story and Star Wars universe are key parts of this book, Chen spends most of his time working on the characters. Brotherhood features a great cast of point-of-view protagonists who all have their own deep and unique journey through the book. However, the focus is on the pairing of Obi-Wan Kenobi and Anakin Skywalker, whose relationship lies at the core of the book. Both characters are featured very heavily throughout Brotherhood, and you are soon deeply invested in their individual narratives as well as their joint story. Chen paces out their appearances together very well, and you get to see them act as both a team and independently, although one of the main themes of the book is the examination of how well they work together as a team and how close they are. The author spends a lot of time exploring the unique relationship this master and apprentice duo have especially now that Anakin has become a full Jedi and they are now equals. This proves to be a fascinating element to focus on and I loved how powerful the character work around the pair and their relationship was.

On an individual level, Chen spares most of the focus to look at Anakin, who is going through a lot at this point in his life. Not only is he dealing with the sudden abilities of having to be a Jedi, but he is now secretly married to Padme, is trying to get used to his new robotic hand, and also bearing some anger and guilt at his actions of Tatooine. This presents many complications for Anakin, and he is constantly battling his emotions, desires and the feelings of disconnection that he feels to the rest of the Jedi. Chen does a great job of exploring the complex emotions and history surrounding Anakin, and you get a real sense of the inner conflict he feels all the time, especially when it is reflected in other characters. He does end up coming to grips with many of these issues as the book progresses, although some of them remain, leading to darker events in the future. The author’s focus on Obi-Wan is a little less intense, although there are still some very interesting elements there. Most of Obi-Wan’s concerns reflect his current mission as he finds himself dealing with a culture he doesn’t understand and whose emotions he has trouble responding to. At the same time, Obi-Wan is deeply concerned for Anakin, and his constant worries and examinations of their strained relationship deeply impact him. I found it fascinating to see Obi-Wan’s observations during this period, especially as he witnesses and chooses to ignore some warning signs around Anakin. Chen does a good job of trying to establish the more confident and wiser version of Obi-Wan that we see in The Clone Wars and Revenge of the Sith, and I it was very fun to see him negotiating and investigation on Cato Neimoidia.

Aside from these central characters, Brotherhood contains some other great characters whose storylines prove quite fascinating. The most prominent of these is Jedi youngling Mil Alibeth, whose unique connection to the Force makes her very sensitive to the pain people are feeling, so much so that she spends much of her earliest appearances trying to cut herself off from the Force. Mil finds an unlikely mentor in Anakin in this novel, and I appreciated the impromptu master-apprentice relationship they formed, especially as it benefits them both. Two Neimoidian characters, royal guards Ruug Quamom and Ketar Kor, also serve a significant role in the story, although in two different ways. The younger Ketar, whose family suffered greatly due to Republic prejudice, is extremely hostile to Obi-Wan and becomes a secondary antagonist, driven by his rage, anger and the manipulations of others. Ruug, on the other hand, is a veteran soldier and commando whose more cynical world view, a result of her long life of violence and black ops missions, allows her to see past her emotions and investigate the bombing properly. This results in Ruug becoming an ally to Obi-Wan as she tries to find the truth to save her people from more pain. Ketar and Ruug serve as interesting counterpoints to the Neimoidian emotional spectrum, and their separate impacts on the story are extremely fascinating. You really grow to like Ruug through the book, especially as she sticks to her principles, while Ketar, despite being an easily manipulated idiot, is one of the more understandable Star Wars antagonists you will encounter in, and his dive towards extremism is both powerful and understandable.

I also loved seeing fan favourite The Clone Wars’ character Asajj Ventress in this book, who serves as Brotherhood’s primary antagonist. The events of this book represent Ventress’s first canon interactions with Obi-Wan and Anakin, and it was fascinating to see them attempt to work out who or what Ventress is. Ventress ends up being very slippery and manipulative throughout Brotherhood, and she swiftly outmanoeuvres Obi-Wan by playing to the Neimoidian prejudices and emotions. I loved seeing this early Ventress appearance, and her conversations with Obi-Wan are really fun, especially as Ventress’s sarcasm, venom and contempt shine through in every sentence, only to be met by Obi-Wan’s politeness. This ended up being a great first major outing for Ventress, and I really enjoyed seeing how her rivalry with the Jedi began. The interactions, development and introductions of these great characters serve to really strengthen Brotherhood as a whole and I had a great time seeing Chen’s interpretations about all this amazing figures.

Naturally, I decided to check out the audiobook version of Brotherhood, which turned out to be an excellent decision. The Brotherhood audiobook was a fun experience that once again makes great use the classic and iconic Star Wars sound effects and music to enhance the story. At 12 hours and 46 minutes, this is a pretty standard length for a Star Wars audiobook, although it took me a little while to get through it. I had a lot of fun again with the sound effects which do a great job providing the ambient noise of the story that helps to bring the listener into the story. In addition, the always awesome Star Wars score is utilised to amazing effect during key parts of the book, and it is really impressive how much John Williams’s epic music can increase the impact of a scene.

In addition to the music and sound effects, the Brotherhood audiobook is greatly enhanced by its excellent narrator, Jonathan Davis. Davis is one of the best Star Wars narrators out there and his outstanding voice has been well utilised over the years. I have personally enjoyed Davis works in several fantastic audiobooks such as in Lords of the Sith, Kenobi, Maul: Lockdown, Master & Apprentice, Dooku: Jedi Lost, Doctor Aphra and Tempest Runner, and he is always great value for money. This was once again true for Brotherhood, as Davis does an outstanding job presenting the complex story to the listener while also bringing the various characters to life. Davis does a particularly good Obi-Wan Kenobi voice, which really helped here considering the character’s prominence in the plot. The rest of his voices are also very good, with multiple major and iconic characters come across in distinctive ways that fit how they have been portrayed in other media, particularly Yoda. In addition, the various new characters introduced in Brotherhood are also gifted fantastic and appropriate voices that allow the listener to distinguish who is talking. This excellent voice work, alongside the music and sound effects, really helps listeners to enjoy the compelling story and this is easily the best format to enjoy Brotherhood in.

This was another awesome addition to the rapidly expanding canon of the Star Wars universe. Mike Chen’s Brotherhood had an impressive and compelling narrative that not only explores some intriguing areas of Star Wars lore, but which also perfectly features two of its most iconic protagonists. A fantastic read that will appeal to anyone currently enjoying the Star Wars universe, Brotherhood is really worth checking out and I look forward to seeing what other awesome novels are added to this brilliant, expanded universe later this year.

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Throwback Thursday: Usagi Yojimbo: Volume 13: Grey Shadows by Stan Sakai

On March 3, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday3 Comments

Publisher: Dark Horse Comics (Paperback – March 2000)

Series: Usagi Yojimbo – Book 13

Length: 200 pages

My Rating: 5 out 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I check out another epic entry in the amazing Usagi Yojimbo series by Stan Sakai with the 13^th volume, Grey Shadows.

I had a lot of fun reviewing the 12^th volume, Grasscutter, last week and it set me down a bit of a reread journey which saw me revisit several other Usagi Yojimbo volumes. As such I thought I would take the time to do another review of one of Stan Sakai’s comics, and luckily the next one on my list, Grey Shadows, is a particularly good one.

Grey Shadows takes place immediately after the massive events of Grasscutter and details several adventures that rabbit ronin protagonist Miyamoto Usagi goes on during this period. Made up of issues #23-30 of the Dark Horse Comics run on the Usagi Yojimbo series, Grey Shadows returns to the series norm of featuring several shorter stories, each of which pit Usagi against a new threat or opponent. Grey Shadows have several excellent stories, including some that focus on fantastic murder mystery elements while simultaneously introducing interesting new characters.

The first story in this volume is the intriguing and touching entry, My Father’s Swords. This single-issue story first sees Usagi at the temple of his friend priest Sanshobo recovering from his deadly duel with the demonic spearman Jei at the end of Grasscutter. Still troubled by the disappearance of Jei’s body and the sudden burden of being responsible for the legendary Grasscutter sword, Usagi journeys out from the temple to scout the surrounding area and determine if it is safe to move the divine blade. His journeys eventually lead him to meet young wandering samurai, Donbori Chiaki, whose father was an old friend of Usagi’s who served with him under Usagi’s former lord. While travelling with Chiaki, a chance encounter reveals secrets that will rock Usagi’s soul as a samurai.

This was an interesting first story for Grey Shadows and it is one that I really appreciated. I liked the excellent start that revisited key events of the previous volume and examined the burden that Usagi, Sanshobo and Gen now bear. Not only does Sakai use this opportunity to inform the protagonists about some of the other events of Grasscutter that they were unaware of, but it also helps set up the future 15^th volume, Grasscutter II, which will end this overall storyline. Sakai also takes a little time to showcase Usagi dealing with the dark details of the defeat of his adversary Jei, especially after Jei’s body disappeared upon his defeat. There is a great scene where a clearly shaken Usagi destroys Jei’s fallen black spear to convince himself that his foe is truly dead, although you can tell he doesn’t believe it. I am rather impressed that Sakai manages to do such a comprehensive wrap up of the events of the previous volume in such a short amount of time, while also leaving room for another interesting story.

The main story of My Father’s Swords is pretty moving, as Usagi is immediately brought back to another trauma, his service to Lord Mifune and the Battle of Adachi Plain (see Volume 2: Samurai and Volume 11: Seasons). Travelling with the son of an old comrade lets Usagi briefly relive his glory days, before the past is once again thrust upon him when it is revealed that his friend, Donbori Matsuo, is still alive, following his son anonymously as a cripple. The reasons for Matsuo hiding his existence from his son and the burden he then places on Usagi to keep this secret for him is a little heartbreaking, and it provides more context about the samurai way of life Usagi is bound to. The entirety of this storyline is handled perfectly, from the great introduction to Chiaki, the fun remembrances of Usagi’s past, to the final revelation about Matsuo that ends the story on a poignant note that will leave you very thoughtful and moved. I enjoyed some of the clever artistic tricks in this story, such as the dark shade around Usagi when he deals with Jei’s spear, and the fun way in which Sakai slips in the beggar Matsuo into the background of several scenes, revealing his subtle surveillance of his son. An excellent entry that not only references the events of Grasscutter but also features a powerful story of its own, My Father’s Swords proves to be a great start to this entire volume.

Sakai follows up the moving first story of Grey Shadows with the dark second entry, The Demon’s Flute, a clever and memorable horror story. The Demon’s Flute sees Usagi traversing some remote hills only to be drawn to a small town by the haunting melodies of a flute. Once there, he discovers that the village is under attack by a mystical menace which kills villagers in utter darkness while the sound of a flute plays. Believing it to be a ghostly figure of a flutist who wanders around with a white tokage (the dinosaur lizards that serve as this world’s main animals), the villagers implore Usagi to help save them. However, the true evil attacking them proves to be more complicated and sinister than anyone of them believed.

The Demon’s Flute is a great story that shows just how haunting a Usagi Yojimbo story can be, especially when Sakai utilises some of the creepiest elements of Japanese mythology. While some of the elements of the story are slightly predictable (Usagi has rocked up to save a lot of random villages over the years), the story has a great pace to it that sees Usagi attacked by dark forces he cannot overcome. The various scenes where Usagi runs around the village chasing the darkness and the sound of a playing flute are extremely tense, and the sudden reveal of the story’s monster proves to be very thrilling. I loved the great art that surrounded this part of the story, especially as Sakai makes great use of pure blackness to enhance the tension and threat of a scene, with Usagi often only illuminated by a small hand torch. The final reveal of the monster and the reason for the haunting flute is pretty cool, and I liked the dark sense of honour and duty that drives even the evil and dead of this realm. While parts of the story are wrapped up a little too neatly, this was still a brilliant entry which reaffirms my love for Sakai’s horror stories.

The next entry in Grey Shadows is the wholesome and enjoyable Momo-Usagi-Taro, which sees Usagi arrive at a large town. However, he is almost immediately accosted by a group of orphan children who wrangle him into accompanying them to their orphanage, where he tells them an epic tale to keep them entertained. This is a genuinely nice entry in this volume, which helps to break up the tension and serves as a gentle buffer between the darker stories in the volume. While Sakai does take the time to do a little set up for the upcoming stories, most of Momo-Usagi-Taro is dedicated to Usagi’s story to the children, which is a retelling of the classic Momotarō folk story. I always love it when Sakai tells traditional Japanese stories in his comic, especially as you get to see his artistic take on the legend (which usually results in the protagonist being altered to resemble Usagi), and it was great to see this classic tale brought to life in a new way. Readers are in for a nice story here, and I loved the fun revelation at the end that the orphanage is the same one shown in Daisho, which is supported by the bounty hunter Stray Dog.

Now we are getting to some of the main stories of Grey Shadows with The Hairpin Murders. Set across two issues, The Hairpin Murders sees Usagi get involved in a murder mystery case in town when several prominent merchants are killed using a woman’s hairpin. Teaming up with the brilliant detective, Inspector Ishida, Usagi helps with the investigation and is soon thrust into a long-hidden conspiracy that bind the victims together. However, the closer they get to the truth the more resistance they encounter from Ishida’s superiors, forcing them to decide just how far they want to go to get justice.

This was an excellent and intriguing story that serves as one of the more impressive entries in this entire volume. While still maintaining its comic style and focus, The Hairpin Murders reads just like a classic murder mystery story and sees the protagonist involved in a constricted investigation to find the truth. Sakai sets up this mystery perfectly, and you are soon racing along to find out who is responsible and why. There are a couple of great twists here, as well as some interesting connections to kabuki theatre, with the eventual reveal of the murderer and their motivations is handled really well. The story ends on a pretty satisfying note, and it proves to be quite an intense and intriguing story.

One of the best things about The Hairpin Murders is the introduction of new character Inspector Ishida, who serves as a supporting figure in the rest of Grey Shadow’s stories. Based on real-life policeman Chang Apana (the inspiration for fictional detective Charlie Chan), Ishida is a hard-boiled police inspector who is tasked with investigating various crimes around his town, mostly murders. Despite being restricted by feudal Japanese practices (he can’t do a proper investigation of a body), and the interference of his corrupt superiors, Ishida is a brilliant detective, able to solve complex crimes with the most basic of clues. Ishida gets a great introduction in The Hairpin Murders, as not only do you see him investigating a tough case but you also learn more about his personality, dedication to justice and elements of his tragic past. It is so fun to see him in action in this story, especially as he has that great fight scene that shows of his unconventional fighting style (which is surprising considering his small, hunched stature), as well as his excellent use of the cool jutte weapon (I love the jutte so much). However, the real hint at just how complex and fascinating a character Ishida is occurs at the end of The Hairpin Murders when Ishida is presented with a massive dilemma of justice. It is strongly implied that Ishida, who spends most of the story sticking to the rules, takes justice into his own hands, and I think it fits perfectly into his character arc, while also leaving some ambiguity about how far he went. This really was one of the best character introductions of the entire Usagi Yojimbo series and it was so successful that Ishida would become a major recurring character in future volumes (such as Volume 32: Mysteries and Volume 33: The Hidden).

The other two-issue long story in Grey Shadows is the compelling and moving tale, The Courtesan. In The Courtesan, Usagi runs into the scared young woman he has noticed multiple times in the last few stories and saves her from a group of masked attackers. His actions lead to him gaining the attention of the town’s leading courtesan, the alluring Lady Maple, who begs Usagi to help save the life of her young son, who is the legitimate heir to the local lord. However, dangerous forces within the lord’s court see Lady Maple kidnapped and her son in danger, with only Usagi able to help.

This was another powerful story that really helps to make this volume stand out in terms of story building and character work. The Courtesan is a particularly well-paced story that ties in well with the other entries of the Grey Shadow’s volume. Sakai has come up with a pretty compelling narrative here, and the secret battle for control of the lord’s inheritance is played out with some awesome elements, such as a dive into the world of Japanese courtesans and including several great fight sequences. The character of Lady Maple is particularly strong, as not only does Sakai make a lot of effort to highlight her elaborate beauty with his artwork, but he also shows the mother hidden underneath the fancy makeup and costume, one who is concerned solely for the welfare of her child. This leads up to an epic and tense conclusion, as Usagi faces down all the conspirators, only for his victory to be marred by tragedy. I loved the powerful ending this story contained, which, while sad, also ensures that several worthy characters get what they most wanted in life. Easily one of the strongest tales in the entire volume, I always enjoy reading this impressive story.

The final entry in Grey Shadows is the fast-paced and action-packed single-issue story, Tameshigiri, which serves as an excellent conclusion to the entire volume. Tameshigiri is another mystery story that sees Usagi assist Inspector Ishida to investigate some murders around town. This time the two friends are looking into a series of random killings by mysterious masked samurai. The attacks seem extremely random and lacking in motivation, but the two are soon drawn towards the acolytes of a failing sword testing school who may have a dark reason for dropping bodies around town.

This was a pretty fun and cool final story for the volume, and it leaves an exciting end note for the reader. Sakai pulls together a fantastic and compelling shorter story here that once again combines murder mystery elements with the traditional comic book action. While the culprits of the murder are quite clear from the outset, it is pretty fun to see their plan unfold and the protagonist’s subsequent investigation into it. The reasons behind the antagonists’ actions are pretty fascinating, and the author paints an outstanding picture of desperation and duty that drives them to kill. I also quite liked the intriguing investigation into traditional sword testing, which ties into the story extremely well and proves to be a fascinating addition to Tameshigiri’s plot. The entire story leads up to a massive action sequence that sees multiple participants on both sides engage in a deadly battle to the death. Not only doe we get to see more of Inspector Ishida’s unique fighting style, but Usagi also shines in an awesome duel. Throw in the amusing jokes about the events of the preceding story, where Ishida clearly knows Usagi is behind some of the mayhem, and you have a very entertaining entry that not only wraps up the Ishida-based storylines extremely well, but also ensures that the reader has some fun on the way out.

I must once again highlight Sakai’s brilliant artistic work in this cool volume, as Grey Shadows contains impressive examples of Sakai’s amazing style. There are so many beautiful and intricately detailed drawings throughout this awesome volume, and I love how perfectly it enhances the already great storylines. I particularly love the amount of detail that he throws into the various panel backgrounds, ensuring that the reader sees both the full breadth of Japan’s majestic natural landscape and the traditional feudal style buildings in the towns and villages Usagi visits. Sakai also does incredible justice to the many battle sequences scattered throughout Grey Shadows, perfectly portraying the intricate deadly movements that make up the character’s sword play. You always get an impressive sense of how the characters moved as they battled, and I deeply appreciated all the brilliant and brutal fight scenes. This incredible artwork always pairs so perfectly with the written story, ensuring that this 13^th volume was very spectacular and awesome to look at.

As you can see, I had a lot of fun with Grey Shadows, and it proved to be another excellent entry in Stan Sakai’s Usagi Yojimbo series. This 13^th volume features several outstanding stories, which really dive into their unique protagonists and antagonists and show the full majesty of this version of feudal Japan. Serving as a key entry in the overall series thanks to the introduction of a cool new character, Grey Shadows is a must read for all Usagi Yojimbo fans and it gets another five-star rating from me.

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Throwback Thursday: Usagi Yojimbo: Volume 12: Grasscutter by Stan Sakai

On February 26, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday3 Comments

Publisher: Dark Horse Books (Paperback – 1999)

Series: Usagi Yojimbo – Book 12

Length: 255 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday I return to my very favourite comic book as I look at the 12^th volume in the epic Usagi Yojimbo series by Stan Sakai, Grasscutter.

It has been a little while since I covered one of these Usagi Yojimbo volumes in a Throwback Thursday article. I had a bit of trouble getting this specific volume, which kind of put everything on pause. Despite my belief that I had a whole collection of the Usagi Yojimbo comics, it turns out I was missing the 12^th volume and I honestly have no idea how I could have misplaced my copy (or did I ever really own it? Who knows?). To fix this oversight, I recently ordered a second-hand copy from Amazon and managed to get it shipped down here from America. Now that I finally have a full collection, I can get back to reviewing this entire epic series, which is proving to be so much fun.

A quick refresh about this series before we start: the Usagi Yojimbo comics are the incredible work of legendary comic author and artist Stan Sakai, who has been working on this series for nearly 40 years. Made up of a ton of amazing volumes, the comic is set in an alternate version of feudal Japan populated by anthropomorphic animals. The series follows the rabbit ronin Miyamoto Usagi, a wandering bodyguard and adventurer who gets involved in all manner of troubles as he faces off against criminals, bandits, ninja, monsters, psychopaths and ambitious lords. Combining brilliant stories with complex characters, cool action, elaborate scenarios and outstanding artwork, this series is an absolute masterpiece and it is one that I have adored for years.

The 12^th volume of this series is Grasscutter, which serves as a particularly major entry in the entire Usagi Yojimbo line. Containing issues #13-22 of the Dark Horse Comics run, this volume unusually contains a single story, rather than the multiple shorter, episodic tales typical of this series. Bringing together several intriguing story threads from previous comics and reuniting several of the more distinctive supporting characters, Sakai tells his most ambitious tale, and the results is absolute magic.

Following a destructive war centuries ago between two rival houses, the nation of Japan is now firmly controlled by the shogun and his court, while the emperor rules only as a symbolic figure, detached from the politics of the realm. While many are content to live within the shogun’s peace, there are some who seek power and prestige through the return of the imperial family to true power. But with the full might of the military and the samurai behind him, only one thing could possibly inspire the people to revolt against the shogun: the legendary heaven-forged sword, Kusanagi the Grasscutter.

However, this divine sword was lost generations ago in the battle that saw the Imperial family overthrown, and it now rests at the bottom of a watery strait, impossible to recover. Undeterred by the odds against them, a small contingent of rebellious lords have initiated a conspiracy to overthrow the shogun by any means necessary. Calling upon the powers of a mysterious witch, the conspirators hope to obtain the sword through sorcerous means. While they succeed in freeing Grasscutter from its watery tomb, fate ensures that the sword ends up in the mostly unlikely of hands, that of the wandering samurai Miyamoto Usagi.

Unsure what to do with the legendary sword, Usagi soon finds himself pursued by the forces of the conspirators and must fight with everything he has to keep it out of their hands. But the events of this conflict spread far beyond Usagi, and soon everyone he knows is in danger as the conspirators attempt to kill his friends Tomoe and Lord Noriyuki to stop them bringing Grasscutter to the shogun. At the same time, the bounty hunter Gen and the rogue swordswoman Inazuma as drawn from their own scuffles into the greater battle for Grasscutter, especially when they encounter the feared demon-spearman Jei. Can Usagi and his friends survive the overwhelming forces arrayed against them, or will the nation be thrown into war once again with the resurgence of the Grasscutter?

Wow, just wow! This is such an impressive comic that is so very epic in scope, storytelling and major character moments. Sakai has done a brilliant job with this cool volume, and I loved the brilliant narrative he cooked up for Grasscutter, especially as it ties into so many major moments from the previous volumes. Filled with intense action, brilliant set pieces and some beautiful art, Grasscutter is an incredible volume that, unsurprisingly, gets a full five-star rating from me.

I loved the incredible story that Sakai has featured in Grasscutter, especially as, in a departure from the series’ usual style of short stories, this volume features one massive and complex story. This change in story length works extremely well and ensures that this volume stands out as a major entity in this epic series. Sakai sets his narrative up carefully, with the initial issues of the comic dedicated to explaining the importance of the sword Grasscutter and how it was lost during a deadly civil war. After establishing the significance of this weapon, the main narrative quickly gets into full swing, continuing one of the storylines from the previous volume, Seasons, and showing the members of the Conspiracy of Eight working to summon the sword from the bottom of the strait using possessed crabs (it makes sense in context). As this is occurring, several other intriguing storylines are set up and you are soon following Usagi as he does his usual wandering routine, as well as other great side characters like Gen, Inazuma, Tomeo and Lord Noriyuki, as well as the deadly villain Jei. Having all these characters caught up in these events makes for quite an interesting and elaborate tale, with each of them getting their own distinctive storyline that slowly merges with the others. For example, Usagi finds himself in a desperate battle against the forces of the conspirators, Gen attempts to hunt down Inazuma for the big bounty on her head, only to run afoul of bandits and police, Tomoe attempts to save Lord Noriyuki from a treacherous ambush only to run into a far more dangerous foe, while Jei finds himself drawn towards the power of the divine sword.

All these storylines come together extremely well as the story proceeds, often in some explosive and action-packed ways. Usagi, in his pursuit of the sword, finds himself once again teaming up with Gen, only to run right into Jei when he is at his most dangerous. Meanwhile the intense storyline surrounding Tomeo and Noriyuki has some large set pieces as the two attempt to escape the army chasing after them. While mostly separate, these two storylines complement each other nicely, especially as the ambush on Tomeo and Noriyuki is due to the conspirators searching for Grasscutter, and it serves as a dramatic side adventure to the main story. There are some amazing moments here, and I was particularly impressed with the storyline that saw Noriyuki come face to face with his father’s worse enemy in a complicated manner. The big finale involves the final fight between Usagi and his mortal enemy, Jei, which sees some absolute carnage. The subsequent damage and the impossible consequences will leave you reeling, and this entire story concludes perfectly, not only bringing the impressive narrative around Grasscutter to a satisfactory end, but also setting up some additional interesting storylines and character arcs. This entire volume is just so damn epic, and I really appreciate the way in which Sakai journeys back to many of his previous storylines and utilises elements from them here, although it does mean that Grasscutter isn’t a great entry for first-time readers to check out. The great combination of action, character development and intriguing world-building elements is just exceptional, and this entire comic is brilliant from start to finish.

One of the main things that I always love about the Usagi Yojimbo comics is Sakai’s use of intriguing elements from Japanese culture and history to compliment his excellent original storytelling. This is particularly true in Grasscutter as Sakai utilises some of the most iconic parts of Japanese mythology and history as the basis for much of the plot, particularly around the legendary sword Kusanagi-no-Tsurugi (Grasscutter or Grass-Cutting Sword). Sakai, who has clearly done a ton of research here, produces an amazing interpretation of the origins of the sword, going all the way back to the Japanese creation myth and showcasing the origins of the Kami and their many descendants. He then goes into the history of the sword, showing its discovery of the sword, the events that resulted in the name change to Grasscutter, before going all the way to the Japanese Civil War (the Genpei War), that saw the rise of the shogunate and the decline of imperial authority. This ends with a brilliant showcase of the massive and destructive naval battle between the two factions which led to the death of the young emperor and the loss of the sword. The loss of the sword, as recounted in The Tale of the Heike, becomes a key part of this narrative, and it is so fascinating to see its sudden return be used as a major story element. Readers unfamiliar with Japanese history or mythology get a brilliant understanding of these cultural elements at the start of the book, and this allows the rest of the story to flow perfectly. I deeply enjoyed how Sakai brought all these cool moments to life (even if he does simplify it in places for narrative reasons), and it ended up being an exquisite and clever start to the book. Throw in a very detailed and fascinating notes section at the back from Sakai, explaining his research and how it influenced his story, and you have some exceedingly cool historical elements that are expertly utilised to create an epic Japanese tale.

While I had a lot of fun with the story, action and Japanese cultural elements, one of the main highlights of Grasscutter is the substantial character work that occurs within. Due to its length and scope, Grasscutter serves as a major part of the Usagi Yojimbo series and as such, it features many of the best supporting characters from the previous volumes. All these characters get some substantial storylines in this book, either as protagonists or villains, and it was extremely fascinating to see what happened to some of them. Sakai melds the unique character storylines together into one cohesive and powerful narrative which does an excellent job exploring each of the characters and giving them key moments in their storylines.

Unsurprisingly, much of the story focuses on the character of Usagi, who serves as the main protagonist of the story. Thanks to his usual luck, Usagi winds up finding the blade immediately after it emerges from the water and is soon thrust into the midst of the conflict surrounding it. This immediately puts him in a major dilemma as he is uncertain what to do with the sword, as all the sides who would claim it (the shogun, the emperor, even some of his own friends) would all use it for their own benefit and the nation would likely suffer as a result. As such he fights incredibly hard to hold onto the blade for everyone’s good, and this forces him into some increasingly desperate battles. Usagi gets pretty beat up and exhausted throughout this entire ordeal, and his final match with Jei pushes him to the limit and strikes him at his very core. While he doesn’t get a major amount of development in this story, he still served as a great centre for the plot and it is always fun to follow along on one of his adventures.

You can’t have a major Usagi story without his friend, Murakami Gennosuke (Gen) showing up and trying to get paid. The rhino bounty hunter has an excellent story which starts when he unsuccessfully tries to claim a bounty on some dead criminals he discovers in the woods. This almost immediately backfires on him and forces him to deal with all manner of corrupt cops and murderous bandits as he attempts to make a little money. His misadventures lead him to face off against Inazuma, the deadly swordswomen who Usagi encountered in the 10^th volume, The Brink of Life and Death. Inazuma, a former innocent girl turned sinister killer, is still being pursued by assassins and bounty hunters who want the massive price on her head. Naturally Gen decides to chase after her, and this results in a pretty brutal fight between the two, which really showcases just how dangerous Inazuma can be. The subsequent storylines are also fascinating as Gen gets dragged into the fight for Grasscutter by Usagi and Inazuma goes deep into her own soul when she encounters Jei. This results in some extremely dark moments for both characters, and it was captivating to see what happened to them throughout the volume. The final reveals about Inazuma and her future are very grim, and it sets up some excellent storylines in the future.

There are also some brilliant storylines going on around the characters of Tomeo and Lord Noriyuki. While primarily separate from Usagi and his adventures, Tomeo and Noriyuki find themselves under attack and are pursued throughout the land by murderous assassins and samurai (much like in their first appearance in Volume 1: The Ronin). Their dangerous journey becomes even more perilous when they run into a familiar face, General Ikeda, the character so perfectly featured in the short story The Patience of the Spider from the previous volume. Ikeda is a great character in that he is a former general who, after failing to kill Noriyuki’s father in a revolt, has spent the last several years living as a peasant, a simple life he became content with. However, when he suddenly finds the son of his mortal enemy in his house, he must choose whether to take up the old grudge or forge a new path for himself. Watching the internal struggle that occurs within Kieda is pretty awesome, and his interactions with the suspicious Tomeo and Noriyuki are just wonderful. I deeply enjoyed how this story unfolded, and it was some of the best character work in the entire volume, not to mention the most action-packed.

The final major character I really to talk about is the infamous Blade of the Gods, Jei. First appearing in the third volume, The Wanderer’s Road, the crazed killer Jei has been one of the best villains in this series, constantly following Usagi and trying to kill him (another good story was in the sixth volume, Circles). Jei and Usagi finally come face to face again in Grasscutter when Jei recovers the sword and attempts to use it for his own dark purposes. Sakai really goes out of his way to make Jei appear as a deadly badass in this comic, with his first appearance shows him killing an entire detachment of samurai by himself. His subsequent wanderings see him interact with several other side characters for the first time in the series, and their reactions to his weird aura and power are brilliant. I loved how the dark Jei is perfectly offset by his companion, the young, innocent girl Keiko, who is the only person Jei cares about and will not hurt. They have some great moments in this comic, and it is fascinating and troubling to see the interactions between them. However, Jei’s big moment in Grasscutter is his rematch with Usagi, which has been brewing for ages. Watching these bitter enemies face each other again is pretty fantastic, and you get some amazing moments during their duel. The conclusion of their fight is very clever and really alters your opinion about both Jei and Usagi, while also seeming to confirm Jei’s supernatural background. Watching the pure fear and shock on the usually unflappable Usagi when he encounters the many mysteries of Jei is so awesome, and Jei continues to shine as a brilliant antagonist in this volume. His intriguing final fate will leave you shocked and surprised as a new version of the character emerges. All this character work and more really helps to turn this outstanding comic into a true masterpiece, and I have so much love for Sakai’s ability to create such amazing and iconic figures.

The final thing that I want to highlight is the impressive artwork contained within Grasscutter. As with all the Usagi Yojimbo volumes, all the art of this comic has been drawn exclusively by Sakai, which is exceedingly impressive. His drawing skills are amazing on multiple levels as he portrays such complex adventures with a simple yet beautiful style which I have so much love for. As with most Usagi Yojimbo comics, Grasscutter is filled with stunning drawings, from amazing landscape shots that show off the beauty of the Japanese wilderness, to close-up shots of the deadly battle sequences. There are some amazing scenes throughout this book, although I personally really enjoyed the fantastic and powerful renderings of key moments of Japanese history and mythology that were featured in the volume’s first two issues. Everything from the formation of the lands to the events that gave Grasscutter its name is very cool, and Sakai expertly imparts his own style into these intriguing spiritual stories. The massive battle that ended the civil war is shown in some exquisite detail here, and I loved how he showcased this elaborate and deadly naval fight. Of course, you cannot forget the brilliant final duel between Usagi and Jei, which was such a highlight of the story. Sakai goes out of his way to make this fight as epic and as brutal as possible, and you get a real sense of both participants skill and determination to win. The mystical aftermath of their fight looks extremely awesome as well, and I loved all the intriguing and unique detail Sakai featured here, including the spooky alterations that happened to one of the characters. Another brilliant artistic outing from Sakai that perfectly supported his incredible storytelling and character work and is some must see drawing.

As you can no doubt tell from the glowing descriptions above, I deeply enjoyed this 12^th volume of the Usagi Yojimbo series. Stan Sakai was in excellent form when he created the powerful and exciting Grasscutter, which features one of the author’s most impressive and extensive stories. Featuring all his best characters, his great love of Japanese culture, as well as some impressive artwork, Grasscutter shines as an outstanding entry in this brilliant series, and it is one that cannot recommend enough.

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