Top Ten Tuesday – Top Ten Longest Novels That I Have Ever Read

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. For Tuesday the 5th of November 2019 participants in Top Ten Tuesday are supposed to list the Top Ten Books That Give Off Autumn Vibes. However, I am going to be posting up a Top Ten list I put together last week but couldn’t post due to my internet being down (the ultimate horror in this day and age). For last week’s Top Ten Tuesday, participants got a Halloween freebie, meaning that I can make a Top Ten List on any topic of my choosing. While this list should probably have been Halloween themed, I am honestly not a massive fan of the horror genre, so I would struggle to produce any sort of list that would require at least 10 horror books. That being said, I would strongly recommend a few horror books such as Into the Drowning Deep by Mira Grant, or some of the Joe Ledger books by Jonathan Maberry such as Patient Zero, Code Zero or Assassin’s Code if you want a scary read. Instead, I decided to list the longest novels I have ever read (if you are desperate for a Halloween theme you could say that they are scary long). This is a bit of a continuation of the Top Ten Longest Audiobooks list that I did back in March of this year (and which I might do a follow-up list of in a few months).

In order to work out what was the longest book I ever read, I decided to go off the total number of pages contained within a book. I went through the longest books in my personal collection and took down the number of pages. I also went online to Goodreads to work out the page count of some books I borrowed from the library or previously owned. That means that in most cases, I am going of the versions that I have at home or using an online word count for the version I think I read, and hopefully this accurately reflects most printings of that book. I realise that this is not the most scientific method for working out which is the longest book I have ever read, especially as a number of factors such as formatting, font and print size could all come into play here, but I am personally happy that this is a mostly accurate way of working this out.

This list will only feature books that I have physically read and completed (so none that I have only listened to on audiobook), and hopefully it produces an interesting and varied list. Before I even started collecting the data for this, I had a few predictions about which books will be at the top (I assumed a few of the Ken Follett books I have read are going to make an appearance). There is also likely to be some crossover with this list and my Top Ten Longest Audiobook list, as I would have read the physical copies of several books the first time, and then relistened to them on audiobook. Let’s have a look and see which book tops this list:

Top Ten List:

1. Lord of Chaos by Robert Jordan – 1011 pages

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2. Edge of Eternity
by Ken Follett and The Shadow Rising by Robert Jordan – 1007 pages

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3. The Fires of Heaven
by Robert Jordan – 989 pages

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4. Tombland
– C. J. Sansom – 866 pages

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5. Inheritance
by Christopher Paolini and Mistress of the Empire by Raymond E. Feist and Janny Wurst – 860 pages

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6. Assassin’s Fate by Robin Hobb – 853 pages

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7. Assassin’s Quest
by Robin Hobb – 838 pages

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8. Servant of the Empire
by Raymond E. Feist and Janny Wurst – 827 pages

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9. The Priory of the Orange Tree
by Samantha Shannon – 825 pages

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10. Winter of the World
by Ken Follet – 819 pages

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This turned out to be a pretty intriguing result for me. I am a little surprised that the Robert Jordan books took two of the top three spots on the list. It has been a very long time since I read Robert Jordan’s The Wheel of Time series, but I honestly do not remember them being that long. The rest of the books on the list are not a massive surprise, though. Follett has created some amazingly long historical fiction novels over the years which, despite their length, are all incredible reads that always find a way to hook the reader. The same could be said of C. J. Samson, and there is a reason that both he and Follet made my Top Ten Auto-Buy Authors List. I am also not too surprised that some books by Raymond E. Feist (another autobuy author of mine) and Janny Wurst’s Empire books made it in, same with Christopher Paolini’s Inheritance Cycle books. While they seemed like smaller reads when I was younger (possibly because I wanted to power through them as soon as I got them), they all scored fairly highly on my Top Ten Longest Audiobook list, so I figured they would have a high page count. Assassin’s Fate and The Priory of the Orange Tree were books I reviewed in the Canberra Weekly, and I am glad they made the cut. Not only were they pretty epic reads, but it was good to see some more recent books I have read make the list.

While I enjoyed figuring out the top ten, I am still curious to see where some of the other books I read fit in my overall ranking. So as a bit of bonus material, and because I already spent all that time working out how many pages there were, here are the next top 15 books as an Honourable Mention.

Honourable Mentions:

11. The Eye of the World by Robert Jordan – 814 pages

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12. Harry Potter and the Order of the Phoenix
by J. K. Rowling – 766 pages

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Well I am glad at least one Harry Potter book made the cut. These always seemed so massive when I was kid, but in reality, they are not that big compared to some other books that are out there.

13. Brisingr by Christopher Paolini – 763 pages

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14. The Twelve Children of Paris
by Tim Willocks – 754 pages

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This one is a blast from the past that I haven’t thought about for a while. This was a bloody and gruesome action-packed historical novel that made for a fun, if rather violent, read.

15. Royal Assassin by Robin Hobb – 752 pages

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16. A Column of Fire
by Ken Follett – 751 pages

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17. Pilgrim
by Sara Douglass – 749 pages

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I am not too sure how popular the late Sara Douglass was outside of Australia, but this book was part of a great fantasy series I got into when I was younger, mostly because they were one of the few major series available in my school’s library. I think several books in The Wayfarer Redemption series make the top 25 cut, and they excellent and enjoyable series to check out.

18. Starman by Sara Douglass – 733 pages

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19. Sleeping Beauties
by Stephen King and Owen King – 718 pages

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20. The Great Hunt
by Robert Jordan – 705 pages

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21. Eldest
by Christopher Paolini and Magician by Raymond E. Feist – 681 pages

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22. Battleaxe
by Sara Douglass – 674 pages

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23. Enchanter
by Sara Douglass – 672 pages

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24. The Shining City
by Kate Forsyth – 661

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The Shining City is a fantastic entry from Australian author Kate Forsyth. Forsyth is probably best known these days for her historical dramas; however, some of her earliest works included two excellent fantasy series, which featured some outstanding novels, such as this book, of which I was a massive fan.

25. Hawk Quest by Robert Lyndon – 658

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Another exciting historical adventure. Hawk Quest was a wide-ranging epic that followed a small group of adventurers through medieval Europe and the Middle East, as they attempt to capture a rare hawk to help pay a ransom.

Now that added some variety to the list. I am not at all surprised to see more from Feist, Jordan, Paolini and Follet, but the addition of all those Sara Douglass books was a bit of a blast from the past. Some of the other books, such as Sleeping Beauties, Hawk Quest and The Shining City were a nice treat, and I think it is fair to say that I have read a good collection of long novels in my life so far. I would definitely recommend each and every book on this list to anyone who is looking to sink their teeth into a nice, massive book, as all of these books are highly enjoyable. This is probably going to be an ever-evolving list that I will hopefully add to each year, especially as I read more and more long books. For example, just today I received a copy of Legacy of Ash by Matthew Ward, which clocks in at a whopping 768 pages, and which, when I read it, will replace Order of the Phoenix’s at number 12 on this list. In the meantime, let me know what you think in the comments below; I am curious to know the longest book that you have ever read.

Top Ten Tuesday – Top Ten Longest Audiobooks That I Have Listened To

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. This week participants get an Audio Freebie week, so I get to choose any audiobook topic that I want.  Regular readers of my blog will know that I love audiobooks, so I was very keen to participate in this topic.  Because of some recent long books that I have read and listened to, I have gotten very curious about the top ten longest audiobooks I have ever had the pleasure of listening to.

Therefore, I have decided to go back and list of all the audiobooks I have listened to and their run times to see which ones were the longest.  For consistency’s sake, I will use the run times as stated on either Audible or Amazon, and I will only use the versions and narrators that I listened to.  For example, I have only listened to the Harry Potter audiobooks narrated by Jim Dale and not the Stephen Fry versions, which are apparently longer, so I will therefore list the run times for the Jim Dale versions.

I am very curious to see what makes up my Top Ten List.  I have an idea of what will be at the top, but I am expecting quite a few Harry Potter books in the top ten.  Let us have a look:

1. The Way of Kings by Brandon Sanderson, narrated by Michael Kramer and Kate Reading – 45 hours and 48 minutes

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2. The Wise Man’s Fear by Patrick Rothfuss, narrated by Nick Podehl – 42 hours and 55 minutes

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3. Magician by Raymond E. Feist, narrated by Peter Joyce – 36 hours and 14 minutes

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Technically two books combined together (Magician: Apprentice and Magician: Master), but as I will always listen to them together, I am counting it as one book.

4. A Game of Thrones by George R. R. Martin, narrated by Roy Dotrice – 33 hours and 45 minutes

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5. Mistress of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 32 hours and 1 minutes

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6. Inheritance by Christopher Paolini, narrated by Gerrard Doyle – 31 hours and 29 minutes

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7. Servant of the Empire by Raymond E. Feist and Janny Wurst, narrated by Tania Rodrigues – 30 hours and 42 minutes

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8. Brisingr by Christopher Paolini, narrated by Gerrard Doyle – 29 hours and 34 minutes

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9. The Name of the Wind by Patrick Rothfuss, narrated by Nick Podehl – 27 hours and 55 minutes

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10. Harry Potter and the Order of the Phoenix by J. K. Rowling, narrated by Jim Dale – 27 hours and 2 minutes

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This was a very surprising result for me.  While I was expecting books such as The Way of Kings and The Wise Man’s Fear to make the cut, I really did think that Order of the Phoenix would be higher up on the list.  I was also very surprised that two books from Feist and Wurst’s The Empire Trilogy made the list, and I really did not think that Inheritance and Brisingr were that long.  Still, it’s a good result, which I have no doubt will change in the future, especially as some of the books I am keen to listen to, such as The Ember Blade (30 hours and 40 minutes long) would make it onto this list, knocking Order of the Phoenix off.  I am sure that with a different narrator or production company, some of these audiobooks would be longer or shorter; still, it was quite interesting to see.

As a bit of bonus material, and because I already had the run times listed, here are the next top ten books as an Honourable Mention.

Honourable Mentions:

11. Red Seas under Red Skies by Scott Lynch, narrated by Michael Page – 25 hours and 34 minutes

12. The Republic of Thieves by Scott Lynch, narrated by Michael Page – 23 hours and 43 minutes

13. Eldest by Christopher Paolini, narrated by Gerrard Doyle – 23 hours and 29 minutes

14. Before They Are Hanged by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 38 minutes

15. The Blade Itself by Joe Abercrombie, narrated by Steven Pacey – 22 hours and 15 minutes

16. The Lies of Locke Lamora by Scott Lynch, narrated by Michael Page – 21 hours and 59 minutes

17. Harry Potter and the Deathly Hallows by J. K. Rowling, narrated by Jim Dale – 21 hours and 36 minutes

18. Harry Potter and the Goblet of Fire by J. K. Rowling, narrated by Jim Dale – 21 hours and 12 minutes

19. Cold Iron by Miles Cameron, narrated by Mark Meadows – 19 hours and 29 minutes

20. Promise of Blood by Brian McClellan, narrated by Christian Rodska – 19 hours

So that is where some of the other Harry Potters are.  With all 20 books being fantasy, I think it is obvious that I need to branch out into some longer books from other genres in order to break up this fantasy monopoly.  While I have reviewed some of the books on this list, I am planning to get to the rest at some point in the future.  However, I think most of those require a re-listen before I am able to do proper review of them; now I just have to find the time to fit them into my reading schedule.  I was quite happy with the interesting result of this Top Ten Tuesday, and I will have to revisit this list at some point in the future.  Feel free to comment below about the longest audiobook you have ever listened to.

Throwback Thursday: The Inheritance Cycle by Christopher Paolini

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Publishers: Paolini LLC, Knopf Books, Random House AudioBooks

Publication dates:

Eragon – 2002

Eldest – 2005

Brisingr – 2008

Inheritance – 2011

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my first edition of Unseen Library’s Throwback Thursday series, I have decided to review an important series from my youth, the Inheritance Cycle.  Loved by many, strongly criticised by others, the Inheritance Cycle is a highly inventive young adult fantasy series with an epic narrative of good versus evil

Released between 2002 and 2011, the Inheritance Cycle is the first series from author Christopher Paolini and contains four books.  Since its initial release, the first book in the series, Eragon, has been adapted into a movie starring Jeremy Irons, John Malkovich, Robert Carlyle, Djimon Hounsou and Rachel Weisz.  Despite its strong cast, the movie was a poor adaption of the source material and flopped both critically and financially.  As is often the case, however, the books are stronger than the film.

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I received a copy of Eragon as a birthday gift a short time after its initial release in 2002 and powered through it in short order, as I was instantly hooked by the ambitious plot, massive amounts of lore, and the inventive fantasy elements.  Following Eragon I made sure to grab every other book in the Inheritance Cycle as soon as they came out and I considered it one of my favourite series.  Having re-listened to the entire Inheritance Cycle a few times on audiobook I still massively enjoy the series, although I have noticed a few flaws with the franchise.

The books are all set in the world of Alagaësia, a land filled with classic fantasy elements such as dragons, elves, dwarfs and magic, in addition to a few unique creatures and powers.  Many years before the start of the series, an order known as the Dragon Riders were formed to keep peace and harmony in Alagaësia.  The elven and human Riders were bound to their sentient dragons and formed a lifelong partnership with them, gaining powerful magical abilities as a result.  Following years of peace, the Dragon Riders were wiped out by a crazed former member of the order, Galbatorix, and his followers.  After destroying the Riders and driving the dragons to near extinction, Galbatorix conquered the human kingdoms of Alagaësia and forced the elves and dwarfs into hiding.

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The first book in the series, Eragon, starts with the titular character, the young human Eragon, receiving one of the last surviving dragon eggs, which hatches forth the dragon Saphira.  Following an attack by Galbatorix’s servants, Eragon, Saphira and their mentor, Brom, are forced to flee their village of Carvahall and travel throughout Alagaësia before finally joining up with the rebel organisation, the Varden.  Along the way, Eragon and Saphira lose Brom, encounter the mysterious Murtagh, and rescue the elf Arya from Galbatorix’s captivity.

The following books in the series follow Eragon and Saphira as they lead the fight against Galbatorix while also learning about their powers and the history of the riders.  They encounter new mentors, find out terrible secrets about Eragon’s past, and eventually confront Galbatorix in a final battle.  At the same time, Eragon’s cousin Roran becomes a fugitive from the crown and must lead the entire village of Carvahall in an epic journey to the Varden.  There is also a focus on young political rebel Nasuada, who becomes leader of the Varden in the second book, and examines the trials and tribulations of leading a war against an all-powerful magic tyrant.

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The last two times that I enjoyed the books in the Inheritance Cycle, I chose to listen to them by audiobook, which are narrated by the outstanding Gerard Doyle.  Eragon is the shortest audiobook at 16 hours 27 minutes, while Inheritance, the finale, clocks in at 31 hours 28 minutes.  I am a huge fan of listening to books with large amounts of internal lore, history and background as it means I am less likely to miss an interesting fact or accidently skip over something with tired eyes.  As Paolini has created a massive amount of background lore and detail to accompany his story, I would heartily recommend listening to the Inheritance Cycle, as I felt that I absorbed so much more from the series as a result.  Doyle is an excellent narrator for this series, and at no point did I find his voice work either distracting or annoying.  His character voices are done very well, and he was able to produce excellent voices for both the male and female characters, as well as the various fantasy species.  I particularly enjoyed the Scottish accent that Doyle attributed to the character of Murtagh, as I felt it fit the character perfectly and made him very distinctive throughout the series.  Other features of the audiobook editions of this series that might appeal to potential listeners are the exclusive interviews with the author that were included at the end of two of the books.

Without a doubt, the best feature of this entire series is the sheer amount of imagination and lore that Paolini has invested in his book’s settings and history.  Each of the books in the Inheritance Cycle contains an incredible amount of background information, elaborate settings and a huge range of fantasy creatures, each with their own skills and history.  Paolini’s immense creativity is particularly evident in the series’ complex rules of magic that are a major feature of all the books.  The detailed explanation provided in Eragon is massively expanded upon in the later books in the series, and represents a significant part of the narrative.  It is also incredible to consider that Paolini created a completely new language for this magic.  With huge amounts of effort expended in creating complex lore, magic and history for all the races and peoples of Alagaësia, it is worth reading this entire series just to see all of these wonderful inclusions.

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There are some amazing story elements contained within the Inheritance Cycle books.  Paolini has created an epic fantasy adventure that draws the reader in and makes them care about the battle for Alagaësia.  This series has everything from impressive duels to large-scale battles that range from small groups of soldiers fighting to massive pitched battles and sieges.  There is also a significant amount of magic, politics, intrigue, romance, family and everything else that makes up a great fantasy story.  The main character, Eragon, is a classic hero coming into his great power storyline that fantasy fans will appreciate and enjoy.  However, I personally thought that the storylines that focused on Eragon’s cousin Roran were the best parts of the entire series, and business really picked up when he was made a point of view character in Eldest.  Roran is a much more grounded and likable character than Eragon, especially as he has to rely on his skill, cunning and luck to survive in a world where massive monsters and powerful magicians run rampart.

The first book, Eragon, is the only edition in the Inheritance Cycle that is told completely from the viewpoint of its titular character.  This book is a superb introduction to the series and spends significant time laying down the groundwork for the next three books.  Some great characters are introduced within this first novel, and there are a range of terrific battle scenes, the establishment of some fantastic relationships and some deep emotional moments.

The second book, Eldest, is another amazing part of this series.  Eragon spends a significant part of the book physically crippled following the final battle in Eragon, and Paolini’s descriptions of his despair and hopelessness are particularly vivid.  I am a real sucker for fantasy teaching sequences, so the scenes where Eragon learns magic, history and other subjects in the elven kingdom were really enjoyable for me.  However, the standout parts of this book focus on Eragon’s cousin Roran and the inhabitants of Carvahall.  Eragon’s actions in the first book results in Carvahall being targeted by Galbatorix and his forces, and Roran and the villages must first defend their home and then attempt to flee to the Varden.  Their exodus has some great scenes, including an extended voyage at sea, and is it fascinating to see how Eragon’s adventures impact the people he left behind.  Special mention should also be made of the scenes told from the viewpoint of Nasuada as she takes control of the Varden and leads its invasion of Galbatorix’s kingdom.  The final battle sequence of the book is another huge highlight, as the reader gets to see Eragon unleash his new powers in a massive battle scene.  The combination of the book’s three storylines into one conclusion is particularly enjoyable and epic, and there are some amazing battles and several important character revelations for the protagonist.

The third book, Brisingr, represents another fun addition to the series.  Eragon sets out on a journey of discovery during his arc.  Of particular note is the extremely intriguing look at dwarf politics and emotional reveals about Eragon’s heritage and family.  Roran’s arc is action-packed and exciting as it focuses on his role as a new member of Varden as he works his way up to becoming a high-ranking commander in the army.  The devastating conclusion to this book provides an emotional punch to the reader as one of the most likable characters meets their end.

Inheritance, the final book in the Inheritance Cycle, draws this story to its epic conclusion.  Readers who have enjoyed the first three entries in this series will have no choice but to see how this adventure ends.  Once again Roran’s arc shines through as the most enjoyable part of the entire book.  Not only does this arc focus on his own fantastic siege storyline, but it is through Roran’s eyes that we watch the massive battle for Galbatorix’s capital.  While Eragon and most of the other supporting characters are fighting Galbatorix, Roran is the only point of view character observing the fierce street-to-street combat happening in the city below.  Roran’s epic battles in this sequence more than make up for certain deficits with the main fight between the remaining Dragon Riders above.  That being said, Eragon, Arya and Angela’s earlier confrontation with a group of fanatical priests in tunnels below an ancient temple has a certain sinister edge to it that will appeal to some readers.  Offering a satisfying conclusion with a number of intriguing storylines left open for future books, this is a superb final chapter for the entire Inheritance Cycle.

While this series has a lot of great features and positive points in its favour, there are a few negative issues that need to be addressed.  When it was released, one of the main criticisms the Inheritance Cycle received was about its similarities to other works, and it’s honestly not hard to see some striking resemblances to the original Star Wars movies.  The Dragon Riders are extremely similar to Jedi, down to the unbreakable, colour-coded swords.  Obi-Wan Kenobi’s monologue from A New Hope about the destruction of the Jedi can pretty much be substituted for Brom’s description of the fall of the Riders.  The main character, Eragon, is essentially Luke Skywalker.  When we first encounter him he is living with a gruff uncle and suddenly receives a MacGuffin (in this case a dragon egg rather than a droid) that dramatically changes his life.  The arrival of the MacGuffin results in the death of his guardian and he flees the only home he knows with a mentor character.  The mentor character, Brom, the former Rider, has way too many similarities with Obi-Wan as he gives the protagonist his early, uncompleted training, provides him with his first weapon, and then dies about two-thirds through the first volume.  In the course of the first book Eragon also meets up with a rogue-like character, rescues a trapped female who he first sees from a distance (through magical scrying rather than a hologram) who later turns out to be a princess, and then flees to a rebel stronghold for an epic confrontation.  In later books Eragon meets a Yoda-like character in Oromis and finds he is related to the Darth Vader equivalent, Murtagh (after Murtagh obtains a red sword).  He eventually faces the Emperor-like villain, Galbatorix, at the very end of the series, and is forced to have a final duel with Murtagh in front of him.  Upon Galbatorix’s death and the utter destruction of his ultimate base, the heroes liberate the whole world from the control of the evil empire and Eragon sets out to teach a new generation of Riders.

These are only some of the more obvious similarities to Star Wars, and they are pretty glaring; however, this has never ruined the series for me.  Other criticisms about similarities to fantasy works such as Lord of the Rings, due to the inclusions of dwarfs and elves are a bit harder to credit, as these are hardly unique fantasy races anymore and Paolini does a fantastic job creating distinctive histories and traits for these races.

One thing that I really disliked about the series, however, is the terrible romantic arc between Eragon and the elf Arya.  Eragon pretty much falls in love with her the second he sees her, but Arya is strongly opposed to his romantic advances for various reasons.  Eragon’s unrelenting pursuit of her, especially in the second book, is very uncomfortable, and his depression and self-pitying attitude following her rejections are some of the worst parts of the series.  While their relationship in the third and fourth books becomes more natural and builds up as a result of mutual respect, I’m personally glad that Paolini doesn’t pull the trigger on their relationship at the end of the series.

I was also not a big fan of the extreme amount of self-doubt that Paolini injected into his protagonist, possibly to counterbalance the overpowered nature of Eragon.  Eragon spends way too long feeling sorry for himself, and the scenes where he deals with these feelings of inadequacy and doubt are some of the hardest to get through.  These character flaws, along with the Arya romance subplot, make it hard for the reader to like Eragon at times, and are part of the reason that I feel Roran is the better hero in the series.

While they did have some amazing parts, the third and fourth books in the series did seem to drag at times.  While I enjoyed Brisingr, when you view the whole series, I feel that Paolini could have probably gotten away with turning the series into a trilogy and simply incorporating some of the key story points into Inheritance instead.  The final conclusion of Inheritance is also a bit clichéd, especially when, out of nowhere, Eragon is able to use magic to make Galbatorix understand all the pain his actions have caused.  It’s a pretty weak way to end this epic confrontation, but luckily the reader isn’t too disappointed, especially with the epic Roran storyline down in the city ramping up the action in this part of the book.

Despite the above criticisms, I still rate all of the books in the Inheritance Cycle four stars out of five.  While this rating may be slightly bolstered by nostalgia, I do believe that this is an excellent series that will appeal to many fantasy fans, especially those younger readers who are only just starting to read the genre.  With an absolutely incredible amount of fantasy details, world history and established lore, I am still amazed by Paolini’s sheer imagination every time I go back to this series.  There are some electrifying storylines within all four of these books, as well as enough action, be it physical, mental or magical, to make any action junkie’s pulse run wild.  Readers looking for the next epic fantasy series to enjoy will find an incredible adventure awaits within the Inheritance Cycle.

My Rating (Series and Each Book):

Four stars