Billy Summers by Stephen King

On August 31, 2021July 12, 2023 By The Unseen LibraryIn Five-Star Books, Thriller14 Comments

Publisher: Hodder & Stoughton (Trade Paperback – 3 August 2021)

Series: Standalone

Length: 433 pages

My Rating: 5 out of 5 stars

Stephen King returns with another exceptional read, Billy Summers, an awesome and memorable character driven thriller that has proved to be one of the best books of the year so far.

2021 has been quite an amazing year for Stephen King, who has released two outstanding and impressive novels in a short period of time. His first book of 2021 was the interesting horror novel, Later, which followed a child who can see and talk to the recently deceased. While I have not had a lot of experience reading Stephen King novels in the past, I really got into Later due to its likeable characters and thrilling narrative, and it ended up being one of the best audiobooks I listened to in the first part of 2021. Due to how much I liked Later, I made sure to keep an eye out for any additional Stephen King releases, and I was extremely intrigued to see that he had a second book coming out with a great-sounding plot. As a result, this second novel, Billy Summers, was one of my most anticipated reads for the second half of the year, and I was excited when I received my copy, especially as it contained a really cool story.

Billy Summers is an assassin and gun for hire. A maestro with a sniper rifle and a master of elaborate escapes, there are few killers better than him. However, for all his skills, Billy has one unusual quirk: he has a conscience and a moral code which limits him to only taking out contracts on targets he considers to be bad guys. After a lifetime of killing, as both an assassin and a soldier, Billy wants out, and he is willing to take one final job to retire. Luckily, his employer has a job that fits all his criteria.

Taken to the small city of Red Bluff on the East Coast of America, Billy is hired to kill a notorious gangster and killer who is currently locked up in Los Angeles but due to be extradited back to Red Bluff. Billy’s boss wants the target dead the moment he arrives to stop him making a deal with the authorities ahead of his murder trial. With a massive pay cheque on the line, Billy accepts the job, despite some odd stipulations. As part of their plan to take out their target, Billy will need to take on the identity of an author working in the office complex overlooking the courthouse and maintain his cover for as long as it takes the extradition process to go through.

Despite misgivings about the job, Billy dives into the role as required and soon establishes himself as a regular figure in the office block. As he waits for his target to arrive, Billy begins to get to know the people around him and takes the opportunity to write a memoir about his life and the decisions that led to him becoming a killer. However, the closer he gets to the conclusion of the job, the more he suspects that nothing involved with this assassination is on the level, and that his bosses intend from him to die as well. Making his own plans in case things go sideways, Billy prepares to end his career as an assassin on his own terms. But then he meets Alice, and everything changes.

Well damn, how the hell does King do it? After nearly 45 years of writing, you’d think the man would run out of unique and compelling ideas, but that apparently is not the case, as his latest book, Billy Summers, turned out to be quite an exceptional read. King has produced an impressive and powerful story that follows a complex and well-established protagonist as he experiences life for the first time. With some outstanding characters, a deeply thrilling storyline and some intriguing insights into the human condition, this was an outstanding read that was easily one of the best books I read in 2021 and which got a full five-star review from me.

Billy Summers contains a pretty addictive and powerful story that I found to be really cool. The book is primarily told through the eyes of the titular Billy and shows him as he prepares to take on his final job. King does a great job of introducing the character and the scenario, and you are soon placed into the midst of a very cool storyline as Billy moves into suburbia under an assumed identity to build his cover. This results in some compelling character interactions, as Billy simultaneously prepares for his assassination mission with his employers while also getting close to some of the people he encounters and starts to see what a normal life feels like. At the same time, he also builds up a third identity to use after the job is completed, which requires him to assume a different disguise and create some additional personal connections. He also starts writing a personal memoir which tells a slightly altered version of his life story, including his rough childhood, his military career, and his early contract work. This mixture of intriguing and fascinating story threads come together extremely well in the first half of the novel, and you get quite a unique and compelling narrative which perfectly blends thriller excitement with personal character growth.

After a big moment halfway through the novel, the entire storyline dramatically changes, especially as Billy is introduced to a key character, Alice. While there is still a large amount of focus on the job from the first half of the novel and its consequences, the story noticeably morphs at this point, really diving into the relationship that develops between these two characters. The storyline also moves away from some of the prior relationships that were introduced, and moves into a road trip, with Billy now accompanied by Alice. There are some really good sequences in this second half of the novel, as well as a continued exploration of Billy’s past. King does a fantastic job morphing the various story threads and plot ideas into a cohesive and captivating narrative, and I really enjoyed the powerful combinations. The set pieces are a series of awesome action sequences, which help tie up several of the main story threads and lead up to the book’s epic conclusion. While King is often criticised for his endings, I felt that Billy Summers had an exceptional and incredible conclusion that I deeply enjoyed. This great conclusion is both tragic and memorable, and it ties together the entire novel extremely well, helping to turn Billy Summers into one of the best stories I have read all year.

I really enjoyed King’s writing style in this novel, especially as it focused a lot on character development and interactions between unique people. The entire novel has a very philosophical bent to it, as King and his characters take time to explore the human experience, especially those aspects of life that people on the outside, such as BIlly, miss out on. While you wouldn’t think that this would pair well with a thriller story about an assassin, it actually works extremely well, especially when combined with Billy’s journaling scenes, and readers are guaranteed to fall in love with this distinctive form of storytelling. I also liked the author’s great use of various settings which help to show off the uniqueness of America’s landscapes. King features several different locations, including suburbia, the inner city, the wide open road, the isolated Colorado mountains, and even some more famous locations, like fabulous Las Vegas. Each location offers the reader and the characters something new to enjoy or appreciate, and King makes sure to capture both the beauty and the ugliness of these various settings. While King does move away from some of his more extreme murder sprees in this novel, there are some dark moments in this book. Not only are there some very graphic action sequences, but readers should also be warned about the sexual violence content, especially one scene where Billy enacts some justice. I’m also slightly concerned that King might end up getting sued by Rupert Murdoch for a certain facsimile character who does some bad things. Overall, though, I really enjoyed the way King told his latest unique story, and there is something for everyone in it.

As I mentioned above, I don’t have the most experience reading Stephen King novels, with only a few of his more recent reads under my belt. Despite this, I was easily able to enjoy Billy Summers, especially as it is a standalone thriller with one-shot characters. As a result, this is a book that any reader can easily pick up and get into, and I really liked how open the author made Billy Summers. However, fans of King, as well as those people generally aware of his work, will probably have fun seeing the references to some of King’s previous books. One of his more iconic works is referenced several times, especially as the protagonists end up spending time near a pivotal location. While this is not particularly essential to the plot, it was a nice callback, and I think that most people will appreciate the fun self-homage. I also found it interesting that both of King’s novels of 2021 had a compelling focus on writing, which becomes a key part of the plot. While Later focused more on the publishing side of things, Billy Summers contains a fantastic examination of the difficulties of putting your ideas to paper as a writer, with the protagonist attempting to write his life story in his downtime. While there are several fantastic advantages to the writing subplot, such as it being a great way to introduce the protagonist’s backstory in a compelling and episodic manner, I also quite enjoyed seeing the depiction of the writing process, and the various difficulties of telling a story. It very much felt that King was pouring some of his own experiences with writing into these sections of the novel, and it was incredibly fun and insightful to see one of the world’s greatest authors depict the difficulties of writing in one of his novels.

Another area that Billy Summers excelled in is the fantastic central and supporting characters. King does a remarkable job of introducing a diverse cast of characters, each of whom affect the character in various ways, either by showing him what his missing, or showing him what he is better than. The most focused character is naturally the titular protagonist, Billy Summers, a brilliant contract killer who only kills bad people. Billy is a remarkably complex figure, who builds several different personalities and personas around himself for professional reasons and protection. I really enjoyed the intriguing portrayal of this character, mainly because you got to see at least four different versions of him in the first half of the book. While the narrator is the calm and collected lover of classic novels who is basically a good guy, despite being an elite professional killer able to see every angle and work out the best way to kill someone and escape, that is a viewpoint that only the readers sees, at least at the start of the novel. Billy hides this real side of himself from the rest of the world, effecting a less intellectual personality to his criminal associates, which he calls his “dumb self”, to fool them and think he’s less of a threat.

While his dumb self is usually enough to get by, his new assignment requires him to take up the identity of a struggling author who moves into a suburban neighbourhood and a local office block to focus on his upcoming bestseller. Billy is forced to integrate into these social systems to keep his cover, and he soon makes friends amongst the people he meets, many of whom have an impact on him due to their honesty, innocence, and normality, all of which Billy has long given up. He also builds up yet another identity to rent an additional house, which he plans to use as a safe house if the job goes wrong, which forces him to deal with additional normal people. On top of that, he also takes the opportunity to write a memoir of his life, not only to maintain his cover but to satisfy his own curiosity about the writing process. This proves to be a delicate balancing act, as he attempts to give an honest account of his past while also trying to keep up the charade of being dumb in case his employers read the story he writes. This results in a unique, multifaceted character, and you get hints at the true nature of Billy, not just from the narration, but from seeing the similarities and differences between the various versions he presents to the world.

Billy’s life changes even further when he meets Alice, a woman who he meets at the very worst time of her life. Saving her initially to maintain his cover, Billy soon finds himself drawn to protecting Alice, who has no-one and is having trouble getting over her trauma. Billy soon works in a fantastic and touching relationship with Alice, as the two become close and help each other see the world in other ways. Not only is Alice a great character in her own right, especially as King presents a very real and moving portrayal of a damaged and lost woman, but she also brings out the best in Billy. While Alice does imprint on Billy due to her trauma, she also encourages him and gets him to continue writing his book. This powerful bond they form soon becomes a central part of the book’s plot, and it is extremely fascinating and compelling to see what happens to them. These exceptional characters and deep personalities really turn Billy Summers into an exceptional read, and I become severely invested in their story, even though I knew it was likely to end badly.

Stephen King has once again shows why he is the premier fiction author in the world today with another intense and exquisite read in Billy Summers. Featuring a deep and captivating narrative about a complex character, Billy Summers was an absolute treat to read, and comes highly recommended. Readers will swiftly fall in love with the unique narrative and compelling leading figures, and I guarantee that you will have trouble putting this excellent novel down. Easily one of the best books of 2021, I cannot praise Billy Summers enough.

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Throwback Thursday – The Death of Superman

On August 27, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Extended Universe, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 32 / DC Animated Movie Universe – Film 11

Directors: Sam Liu and Jake Castorena

Writer: Peter J. Tomasi

Producers: Sam Liu and Amy McKenna

Length: 81 Minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. This week, after the fun I’ve had recently reviewing Batman: Assault on Arkham and Batman: Under the Red Hood, I continue to check out some awesome DC comic book animated features, with the impressive and powerful The Death of Superman.

Easily one of the most iconic comic book arcs of all time is the 1992/1993 storyline, The Death of Superman, which (spoiler alert) saw Superman die at the hands of new villain Doomsday. Not only did the act of actually killing off Superman shock the world but the series was a massive financial success, becoming one of the bestselling comics of all time. Due to its popularity, DC have attempted to adapt the storyline multiple times, with Smallville, the animated Justice League show, and Batman v Superman: Dawn of Justice, all using elements of it in one form or another. There has even been another direct animated attempt at recreating the storyline, with the 2007 release, Superman: Doomsday, the very first film of the DC Universe Animated Original Movies. However, in my opinion, none of them successfully conveyed the tone or the fantastic story as well as the 2018 animated film, The Death of Superman.

Directed by Sam Liu and Jake Castorena and written by Peter J. Tomasi, The Death of Superman is an incredible and amazing film that really gets to grips with the original comic, while also adding in some unique details to create a memorable and deeply moving experience. As the 32nd instalment in the DC Universe Animated Original Movies, it also sat in the joint DC Animated Movie Universe, and was a major instalment in this series, setting up several storylines that would later be utilised in later entries, such as the final film, Justice League Dark: Apokolips War. Featuring an awesome story, a fantastic voice cast and some exceptional animation, The Death of Superman is easily one of the best films in the entire DC Animated Movie Universe and is one of my all-time favourite animated comic book adaptions.

After saving the world multiple times, both by himself and with the Justice League, Superman reigns as one of the planet’s most popular superheros, inspiring the world with his spirit and determination to do good. His latest act of heroics saved the mayor of Metropolis from the notorious Intergang, who made use of a large arsenal of advanced weaponry, likely supplied by an apparently incarcerated Lex Luthor. However, despite his larger-than-life personality, Superman is also Clark Kent, a down-to-earth man from small-town America, trying to make his new relationship with fellow reporter Lois Lane work. As Clark finally opens himself up to Lois and reveals his biggest secret to her, a brand-new threat arrives on Earth, bringing with it only death and destruction.

A mysterious meteorite has rapidly entered the solar system and crashed down on Earth, landing in the ocean. When a team sent by Luthor and a group of Atlantean soldiers arrive, they find that the meteorite was a containment pod, and inside is something monstrous. Killing everyone it encounters, the beast escapes the ocean and makes landfall, heading towards the largest population centre it can find, Metropolis. With no-one able to slow it down, and even the Justice League powerless against it, it falls to Superman to engage it as Earth’s last standing defender.

Engaging in battle in the heart of Metropolis, Superman and the monster, Doomsday, begin a bloody battle that tears through the streets and levels buildings. Superman may by the strongest person on the planet, but his new foe is a deranged and unstoppable killing machine, concerned with only death, destruction, and dominance. Can Superman once again prevail and defeat his foe or has the Man of Steel finally met his match. Whatever, happens, the world with never be the same again, and everyone who Superman has inspired may suddenly have to deal with the death of their greatest champion.

I must admit that when I first saw that they were doing yet another adaption of The Death of Superman comic, I was a little ambivalent, as I have not been too impressed by some of the other versions out there. However, I still grabbed a copy as soon as it came out, and I was frankly blown away by how good it was. This film has everything you could want in a brilliant animated feature, including an exceptional story and some amazing actors, but what this film has in abundance is heart. Throughout its run time, you swiftly become attached to the great characters contained within, especially Superman and Lois, and then you are forced to watch as they suffer the most tragic moment of their lives. This results in an extremely moving and powerful film, which became an instant classic in my book, and it is one that I have no problem awarding a full five-star rating.

When writing this film, Peter J. Tomasi had to do a lot with a limited amount of time. Not only did he have to produce a pretty accurate adaption of the original Death of Superman comic, but he also had to work it into the wider DC Animated Movie Universe, which had already had its own unique history. He easily succeeded on both fronts, as The Death of Superman contains an excellent and powerful story, that I have an extremely hard time faulting in any way whatsoever. The story starts off with a shot of Superman saving the city and painting a pretty rosy picture of himself as Metropolis’s favourite son and defender. After the title card, which contains the grim name of the film, the movie works to quickly introduce all the key characters, relationships, and settings, most of which had only been briefly touched on in the preceding DC Animated Movie Universe films. This makes for a rather light-hearted start to the film; however, it also works to get you to know the characters and other key aspects of the Superman mythos and backstory, and all the setup is essential for you to get the full emotional and dramatic reactions during the second half of the film. I also liked the way in which the film is tied into the other films of the universe, mostly using the Justice League, especially Batman and Wonder Woman, and it was great to see more of that version of the League. All of this serves as a great set-up for the intense and action-packed second act, which is where all the action and mayhem begins.

About halfway through, the film really picks up the action with the Justice League, sans Superman, engaging Doomsday in a small town. The action here is fast and furious, as the various members of the League get their best shots in and are then taken down in some quite brutal ways. While this is happening, Clark is on a date with a frustrated Lois, where he finally reveals to her that his is Superman. This date scene is done really well, and Lois’s reaction to the revelations runs the full range of emotions, especially once Superman, forced to leave to confront the threat reveals his other secret: that he loves her. This is a great scene, and it is one that helps solidify the relationship and emotional bond between Superman and Lois while also making the viewer care for the characters just a little bit more. However, the focus is quickly changed back to the fight with Doomsday, who has managed to take out the entire League, with only Wonder Woman hanging in. As she falls, Superman steps in and begins a massive and brutal fight throughout Metropolis. The creative team behind The Death of Superman really do not hold back here, as they present a knockdown brawl between the two, with Superman forced to also try and save civilians as they fight. Their battle is a truly intense and amazing extended sequence, and there are some outstanding scenes featured throughout it. You get some great reaction shots from the various supporting characters, and Lois and Lex Luthor have some outstanding moments as well, as they get involved for various reasons. However, despite everything, it soon becomes clear just how indestructible and dangerous Doomsday is, and how even Superman doesn’t stand a chance.

The entire film leads up to the final climatic sequence, where the inevitable finally happens and Superman dies taking down Doomsday. This entire scene is done perfectly, with a near-defeated Superman spurred on to make one final effort against Doomsday as the monster advances towards a seemingly hopeless Lois, who reveals to a downed Clark that she loves him too. The blow itself is beautifully rendered with a powerful and lethal shot to Doomsday, but it is the aftermath that really turns this film into a five-star watch, as Superman is fatally impaled on a spike. Watching a grieving Lois slowly release that the love of her life is dying in her arms is so hard to watch, and the creative team really turn up waterworks with Superman giving some touching last words: “what a lucky man I was”. The eventual death is extremely moving, with the entire world witnessing his death and Lois’s grief, while standing in absolute shock. Even the Justice League is moved to tears, with the usually taciturn Batman’s reaction being the most telling. This entire sequence is deeply enhanced by a brilliant orchestral score that really plays up the emotion of the scene and strikes home every time you hear it. This is such a powerful and impactful sequence, and it is swiftly followed by a moving funeral, with all the major characters in attendance, and then a final shot of several characters reacting in a post-funeral grief while Superman superfan Bibbo Bibbowski narrates a fitting final prayer for the character. This entire sequence leaves me breathless, even after several re-watches, and it easily one of the most moving animated sequences I have watched. The film then does a decent wrap-up, with several concluding sequences and post-credit scenes setting up the events of the sequel film. However, it is the moving conclusion that will stick with you well past the films end, as it really brought everything about this movie together.

While I would be plenty happy with this film with only the outstanding story and amazing conclusion, The Death of Superman is also backed up with some incredible animation and a fantastic musical score which deeply enhance this fantastic film. The animation is really great, and I loved the designs for the various characters, most of which hark back to their original comic book appearances. The most impressive animation is reserved for the excellent and impactful action sequences involving Doomsday. The animators show no hesitation in showing the blood and gore as Doomsday literally tears through everything in his way. The initial fight with the Justice League is brilliant, especially as Doomsday brutally counters all their unique abilities and absolutely destroys them. However, it is the giant fight with Superman which is the true highlight of The Death of Superman. This fight is pretty extraordinary, and the animators really highlight the desperation and inspiration of the two participants. Each of them is well and truly battered, and it is really shocking to see all the damage that Superman takes throughout the fight. There is also some very dramatic damage to the city of Metropolis, with even the Hall of Justice being turned to a pile of rumble as these two duke it out. I cannot emphasise how awesome this animation is, and it was so cool to see these battles unfold.

I also really need to highlight the fantastic use of music throughout this film, which works well in concert with the animated sequences. The Death of Superman features an exceptional orchestral score, with the various tunes often harking back to classic Superman music. This music is used perfectly throughout the various scenes in this film and help to really enhance the drama or emotion of the scene. There are some great scenes with music throughout the film, although nothing tops the fantastic climatic sequence I mentioned above. This animation and music are so very awesome, and it was an absolute joy to behold.

This film contains a pretty cool range of different characters, including iconic heroes, major Superman supporting characters and even a few more obscure characters. This helps to turn The Death of Superman into quite a unique and fun film, and I really loved the range of reactions and character arcs that it contained.

Unsurprisingly, the most highlighted character in the film is Superman, who is voiced by Jerry O’Connell, who voiced the character in most of the DC Animated Movie Universe entries. Up until this point, I felt that Superman was a bit underutilised. Most of the previous films have focused on Superman’s relationship with Wonder Woman, while also featuring him as the League’s powerhouse. However, this is easily Superman’s film, as the writers take substantial time to examine his history, relationships, inner personality and the duality between Superman and his Clark Kent persona. You really get some intense insights into both versions of the same person, especially when you see his evolving relationship with Lois, and you swiftly grow to care for him in a way that some of the recent live-action films really didn’t make you. His character really shines through during the battle with Doomsday, as he refuses to stay down, especially when people’s lives are on the line, and even risks himself to save his most hated enemy. His sheer determination and intensity is really inspirational, and it starts to hurt a little inside to see him get beaten down by his opponent. I felt that O’Connell does such a great job portraying Superman, and he really brings out the best of the character, showing his true heart and soul, and making him such a likeable character, who, despite his alien heritage, was still so very human. I was really impressed and shocked by how much I grew to love Superman by the end of this film, which of course, ensures that you are so moved by the final scenes. Seeing this character die in Lois’s arms in front of the world is just heartbreaking, and you guaranteed to be moved by his portrayal in this film.

While there is a natural focus on Superman, in many ways The Death of Superman is just as much a film about Lois Lane. Voiced by the talented Rebecca Romijn, this version of Lois is bold and fearless in her career but also a little guarded in her personal life, especially as she senses that Clark is hiding something from her. This film really builds up Lois extremely well in its short run-time, and you get a great sense of who she is and what she cares about. I felt that the character had some amazing chemistry with Clark, which really isn’t surprising as Romijn is married to O’Connell in real life, so I’m sure they channelled a lot of that film. I really was impressed by the way they showed Lois’s growing relationship with Clark as the film progresses, and the revelation about Superman’s true identity at the centre of the film really helps to solidify it, especially once Clark declares his love for her. The subsequent battle sees Lois go through hell, as she chases the fight throughout Metropolis and has to watch Superman continuously get beaten up. The scene where she tries to distract Doomsday and then gives up as he turns towards her is so dramatic, especially as she follows it up with her own declaration of love for Clark. The final grief laden scene with Superman really moves me every time, and I felt that the sheer emotion coming off Lois was just amazing. This might be one of my all-time favourite portrayals of Lois Lane, especially as Romijn does some exceptional follow ups in later DC Animated Movie Universe films.

The other major character I really want to highlight is Lex Luthor, who was voiced by the always entertaining Rainn Wilson. Like Superman, Lex had been really underutilised in the DC Animated Movie Universe; his reveal in the Throne of Atlantis post-credit scene really did not pan out in a meaningful way in Justice League vs. Teen Titans. However, this dramatically changed in The Death of Superman as they go out of their way to build up the showcase and show him as the maniacal yet brilliant businessman and criminal mastermind. The creative team did a lot with Luthor in a short amount of time, and you get a really good idea of his genius, his various plans, and his unrelenting antagonism with Superman, born out of jealousy. He proves to be a good secondary antagonist for the film, eventually turning into an erstwhile ally, abet for his own purposes, and he has some great scenes. I was particularly impressed by Rainn Wilson’s voice work in this film, as he brings all the arrogance he can to the film, while also giving character a bit of a slimy edge. I think he really captured Luthor’s various nuances, and ensures you see him lose his cool when faced with defeat. I really liked the scene where Luthor can only watch in horror as Superman, despite being beat to hell, saves his life, and that results in some interesting changes in the later films. I also liked how they captured a bunch of fun aspects of Luthor’s character from the 1990 comics, such as a nod to the Lex Luthor II persona that appeared in The Death of Superman comic.

I also need to highlight the main antagonist, Doomsday. Despite not saying anything, Doomsday is a major presence, mainly due to his brutality and capability for destruction. Doomsday is perfectly introduced and I loved the slow reveal of his true form, as the suit containing him is destroyed after several fights. I must again really highlight how cool he looks in a fight, and the battles between the Justice League, Wonder Woman and Superman are just so damn impressive and pretty intense. This was a really good portrayal of the character that perfectly harkens back to its comic origins, and it was a nice palate-cleanser after his cave-troll look in Batman v Superman: Dawn of Justice.

The Death of Superman also contains a pretty substantial supporting cast of characters, each of whom add a fair bit to the overarching narrative of the film. Some of the most prominent of these are the various members of the Justice League, with most of the actors from the earlier DC Animated Movie Universe films reprising their roles. Each of these characters and their actors have been perfectly introduced in the previous films, so they are inserted into The Death of Superman with minimal effort and form a fantastic cohort around Superman. The leading two characters are probably Batman, voiced by Jason O’Mara, and Wonder Woman, voiced by Rosario Dawson. Both characters have unique relationships with Superman, particularly Wonder Woman, and his death really impacts them both. I also liked the combination of Green Lantern (Nathan Fillion) and Flash (Christopher Gorham), who form a fun comedic duo, while also having some great action moments. I had a great laugh during the Justice League meeting scene where Flash does a good imitation of Batman joining the PTA of Damien’s school, and Batman’s glaring reaction is pretty funny.

I also loved the inclusion of a couple of unique Superman supporting characters. Despite the role he played in the original comic, I was really surprised to see so much of Bibbo Bibbowski, Superman’s biggest fan, in this film. Bibbo is a bit of a dated character, to be honest, but he slides into this film really well, and I loved the voice work done by Charles Halford. His comedic interactions with both Superman and Clark Kent in the early parts of the film are pretty fun, and there is something amusing about a big, rough sailor type fanboying about a superhero. It also proves to be quite heartbreaking to see this fan watch Superman die in front of him, and you can see it really breaks him. I felt that Bibbo’s Hail Mary prayer at the end, which overscored some great visuals of people in mourning, and the subsequent breakdown on the dock was quite touching. I also liked Erica Luttrell’s Mercy Graves, especially as she forms a great counterpoint to Luthor, especially as she calls him out on some of his more outrageous plans. Overall, I think that this film was incredibly well cast, and I loved the fantastic group of characters that they brought together.

The Death of Superman is a truly great and powerful animated film that continues to reign as one of my absolute favourite animated comic book adaptions. Featuring a near-perfect adaption of one of the most iconic comic stories of all time, The Death of Superman is intense, exciting, and downright heartbreaking, as it shows the greatest hero in his final battle. I was moved to tears the first time I saw this film, and I have so much love and admiration for the work the creative team did to revitalise the character of Superman in one short film. A highly recommend film to watch, this is one of the better Superman adaptations (live action or animated) I have ever seen.

Throwback Thursday: Batman: Assault on Arkham

On August 14, 2021August 14, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday2 Comments

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 20

Director: Jay Oliva and Ethan Spaulding

Writer: Heath Corson

Producer: James Tucker

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I go back and check out one of the more intriguing DC animated movies, with Batman: Assault on Arkham.

As I mentioned in a recent Top Ten Tuesday, I have been in a DC mood ever since I saw The Suicide Squad on the weekend, which was easily the best film focusing on the titular Suicide Squad. While people only familiar with the live-action films might think that this is a low bar, those who know about the awesome catalogue of DC Comics animated films will know that there are several awesome and outstanding films that perfectly capture the feel and tone of the supervillain team and are pretty fun to watch. Therefore, this week I will look at one of these great animated films, with Batman: Assault on Arkham.

Assault on Arkham is an amazing and fantastic film that came out in 2014 and is set in the same universe as the Arkham video game franchise (set between Arkham Origins and Arkham Asylum). Directed by Jay Oliva and Ethan Spaulding, written by Heath Corson and produced by James Tucker, this was a memorable and fun DC Universe Animated Original Movie, which contains some of the best comic book based animated films out there. Despite the name, Assault on Arkham is really a Suicide Squad movie, with Batman strongly featured but acting more as a side character. This was an excellent and impressive film, which makes use of a darker tone and more adult animation to create a fitting Suicide Squad experience. Heck, this was a much better Suicide Squad movie than the 2016 live-action film as it embraced the team’s darker side and their propensity for violence, while also featuring an impressive and clever story.

Two years before the Joker took over Arkham Asylum, the Clown Prince of Crime terrorises Gotham City, this time by threatening it with a dirty bomb. With the Joker locked up in Arkham Asylum and refusing to talk, Batman stalks the streets of Gotham, searching for those who helped him. His mission leads him to save the Riddler from a black-ops team of soldiers, sent by shadowy government agent Amanda Waller. With Riddler now locked up in Arkham Asylum, Waller assembles the one force capable of breaching Arkham’s walls to find him and the information she desires, Task Force X.

Task Force X, also known as the Suicide Squad, is made up of some of the most deadly and skilled villains in the world, each of whom have been forcibly drafted onto the team and offered reduced sentences if they complete their mission. Recruiting a team made up of Floyd Lawton (Deadshot), Harleen Quinzel (Harley Quinn), George Harkness (Captain Boomerang), Eric Needham (Black Spider), Nanaue (King Shark) and Louise Lincoln (Killer Frost), Waller sends them into Arkham with bombs implanted in their necks.

Forced to work together despite their innate distrust and dislike of each other, the Suicide Squad arrive in Gotham and make their plans to infiltrate the asylum. However, it doesn’t take long for petty rivalries, massive manipulations, and dangerous outside influences to put all their schemes in disarray. Working their way through the most dangerous place on the planet, the Squad soon learns a deadly secret that will change everything and set them on a bold new path. But with Batman wise to their presence, can the Squad achieve their goals and make their escape, or will they find themselves locked up in Arkham instead. Worse, someone far more dangerous is stalking the halls of the asylum, someone with an insane sense of humour and a desire to claim back what is his. The Joker is loose, and he wants to play!

This is an awesome film that really does the chaotic and dangerous Suicide Squad justice. Featuring an excellent story and serving as a clever adaption of the Suicide Squad comics and other pieces of media, this is an extremely fun movie. Throw in an exceptional voice cast, some great interpretations of iconic characters, and some powerful animated sequences, and you have a great and impressive movie that I have long been a fan of.

At the heart of this great movie is a very compelling and exciting narrative that takes its various characters on a wild and dangerous ride to hell in back. Assault on Arkham starts off with an excellent scene, which sees Riddler being attacked by Waller’s goons, only to be rescued by Batman in an intense and brutal fight sequence. This then leads into an entertaining introductory sequence for the various members of the squad, with a fun reel of shots with no dialogue showing each member of the Squad showing off some of their skills before getting captured by various law enforcement groups. These dark and sometimes gruesome introductory scenes really set the tone for the entire movie, while also providing great summaries of each of the main characters. What follows is a fun and captivating character-driven tale as the members of the Squad arrive in Gotham and make their play to break into Arkham. There are some fantastic clashes of personality and deep personal moments in this early part of the film, as the team initially comes together, despite their crazy differences. This leads to an intriguing central part of the film, where the characters begin their assault on the asylum, performing a reverse prison break. After some great scenes, the team are at large in the asylum, which leads to even more chaos, destruction, and big fight moments. All of this leads to an explosive and dangerous final act, as the characters need to escape while being pursued by Batman and the Joker. Caught between these extremely dangerous forces, the fractured Squad attempts to escape, facing some major defining obstacles which really bring the entire film together. I loved the fantastic and darker story that this film featured, and the writing team did an excellent job combining brutality, humour, character development and pure craziness into one enthralling tale. There are so many fun and thrilling moments to this outstanding film, and viewers will found themselves really getting drawn into the cool story.

The animation in Assault on Arkham is very impressive, and the creative team behind it did a great job bringing the various characters to life and placing them in some outstanding action sequences. The movement and action in this film is pretty damn seamless, and you are in for some very fast-paced scenes that look pretty superb, especially as they feature a great mixture of lighting and multiple unique characters. Highlights include the opening shadowy encounter between Batman and the special forces soldiers, the massive fight between Batman and the entire Suicide Squad, and the final two confrontations that occur after a big helicopter crash. I loved the cool character designs of the various characters, especially as they mix some new looks with classic drawings. I also felt that the creative team combined this cool animation with the excellent musical score well, and the various tunes really helped to set the scene. There is something very dark, bloody, and adult about the designs in the film, and the end result is definitely not a kid’s cartoon.

Part of the design that I really enjoyed was the way in which the creative team attempted to emulate the style from the fantastic Batman: Arkham video games. This film serves as a canon entry between Arkham Origins and Arkham Asylum, and the team did a great job capturing the cool style and themes that the games are famous for. This is particularly seen in the various scenes featuring Batman, the playable character of the games, and you get to see him whip out the various gadgets and viewscreens that appeared in the games. I particularly enjoyed the opening scene where Batman takes out a squad of soldiers in much the same way that a player would in the games, from the flips to the use of a batline. There are also several references to the games throughout the film, from a character trying to hide in a vent, to the layout of Arkham Asylum, where you spend significant time in the first film. Despite all these references, this film can easily be enjoyed by comic fans who have not played the video games. Assault on Arkham is very much framed as a standalone film, and no matter your familiarity with Batman or the Arkham games, you will have a fun time watching this movie.

As I have mentioned above, this awesome film contained a really impressive and memorable take on the Suicide Squad, producing a truly great movie. Part of this is the choice of team, as it features a compelling blend of characters that are inspired by the team first introduced in the New 52 range. Anchored by team leader Deadshot and wildcard Harley Quinn, it also features long-time Suicide Squad member Captain Boomerang, as well as a fantastic combination of Black Spider, King Shark and Killer Frost. While the team structure is similar to the team in the first live-action film, Assault on Arkham actually predates this film by a couple of years, and also utilises them a lot better, really showing off some more complex aspects of their personality, mainly thanks to the excellent voice cast. This animated film also takes itself a lot less seriously than the first live-action film did, and is less afraid to show blood, sex and death. While some of this is a tad over the top (some of the female characters are way too sexualised), I really wish that the subsequent live-action film had taken some cues from how successful this animated feature was, as that would have resulted in a much better experience.

Easily the best part of this film is the amazing characters and sensational voice cast, which really help to make it stand out. While it does feature a lot of Batman and Joker, the main characters of this film are the Suicide Squad. The most prominent is team leader an assassin extraordinaire, Deadshot. Voiced by the talented Neal McDonough, a man who has voiced quite a few villains in his day, this version of Deadshot is near perfect, and contains a lot of elements from the comics that the live-action version was lacking. While the overriding love for his daughter is still there, this version of Deadshot is a lot colder and a lot quicker on the trigger, happily massacring everyone who gets in his way. McDonough really captures the character’s menace, killer instinct, and determination, and this Deadshot serves as the tough and often exasperated leader of the Squad. I loved that they captured Deadshot’s crazier side (he has a massive death wish in the comics), especially as this leads to one of the best scenes in the entire film: “Mate, you just out-crazied the Joker”. It was also cool that Deadshot had one of the most satisfying character arcs in the entire film, ending Assault on Arkham on a very entertaining and memorable note, that showed that the character was a man of his word: “Bang!”

This film also features an amazing version of iconic character Harley Quinn. Before Margot Robbie and Kaley Cuoco put their spins on the character, veteran voice actor Hynden Walch provided her impressive voice to Harley, resulting in a fantastic and crazed female-lead. Walch, who is probably best known for voicing Starfire in Teen Titans or Princess Bubblegum in Adventure Time, does an excellent job going a little darker with this character, producing some excellent scenes of madness and humour as Harley manages to annoy the other characters while cracking up the audience. I loved the introduction that this character had, biting off an ear in a halfway house with Looney Tunes music playing (it’s weird, but it works). Harley proves to be quite conflicted in this film as she finds herself stuck between her abusive ex, the Joker, and her new love interest, Deadshot (all I am going to say about the later relationship is “Yahtzee!”). While this starts off with a very concerted attempt to kill the Joker, Harley is eventually drawn back to him, which is kind of heartbreaking. There is some of the typical abusive relationship stuff that comes out with Harley, as she blames everyone but Joker for her problems. This was a great portrayal of this fantastic and complex character, and I was very happy that Walch came back to portray Harley in other films such as Justice League Dark: Apokolips War.

Other great members of the Squad include Captain Boomerang, voiced by Greg Ellis. Boomerang acts as the Squad’s comic relief, and I liked the uncaring and selfish attitude that is such a feature of the character in the original Suicide Squad comics. Ellis really brings out the character’s smarmy and arrogant side, and I loved the amusing rivalry he formed with Deadshot, which results in a brilliant game of darts. This movie also features the outstanding Gincarlo Esposito in the role of Black Spider, a murderous vigilante who is less than pleased at being lumped in with a group of supervillains. Esposito brings some real gravitas to the character, and he proves to be a skilled and fun member of the team, and his inclusion results in a pretty major fake-out. The hilarious John DiMaggio does a great King Shark in this film, and I loved the somewhat more human design of the monster and his funny dim-witted mentality. Despite being a source of some humour, King Shark is a brutal killer, which is very much shown in his introduction where he emerges from a bathtub full of blood. Finally, the brilliant Jennifer Hale portrays a fantastic Killer Frost (not surprising, considering she’s voiced the character in nearly every film or animated television appearance). This version of Frost is pretty cold-blooded and proves to be a murderous addition to the team. I liked the fun friendship that she forms with King Shark, and they prove to be a great duo.

While the Suicide Squad takes most of the film’s focus, Batman is featured pretty extensively in this film, which is really cool. I personally was overjoyed that they got the iconic voice of Kevin Conroy for the character, and this amazing actor reprises his role from the various animated series and the Arkham games. Batman is mostly on the outside of the story for the first half of the film, only becoming involved when the Squad enters the asylum, but once he gets involved, the results are pretty damn awesome. This version of the character perfectly highlights the various aspects of Batman, as he kicks ass, intimates everyone he meets, outsmarts his foes, and utilises his amazing detective skills to make some big assumptions. Featuring Batman as a side-character in his own film was an interesting choice, but it is one that really works, and it was great to see him attempt to work out the various ploys of the Squad, Waller, and the Joker. Conroy’s voice work is of course, perfect, which isn’t surprisingly considering all the times he’s portrayed the character. Another excellent inclusion of the legendary hero.

While most of the cast of Assault on Arkham are villains, the one that sticks out the most is the master of anarchy, the Joker. Voiced by Troy Baker, who reprises his role from Arkham Origins, Joker really stands out as a character, which honestly isn’t that surprising. Joker escapes his cell and starts causing chaos all over the asylum, coming into conflict with both the Squad and Batman. This version of the Joker is the usual awesome mix of scary insanity and corny humour, and the character has several hilarious scenes throughout the film, including one of the best lines: “Denzel, what have they done to you?” I also enjoyed the new rivalry he forms with Deadshot, as he shows some uncharacteristic jealousy over the fact that Harley has moved on. This leads to a brutal brawl in the film’s conclusion, which is a major highlight. Baker, who would go on to voice the Joker in several other animated features, does a pretty good job in Assault on Arkham, and does well at replicating Mark Hamill’s take on the character. This results in an excellent villain, and I loved seeing the insane Arkham version of the character once more.

The final character I really want to highlight controls Task Force X, Amanda “the Wall” Waller. Voiced by the incredible CCH Pounder, the definitive voice actor for the character (she is so good in Justice League Unlimited), this manipulative bureaucrat is in many ways the true villain of Assault on Arkham, turning everyone against each other to get what she wants. She has an excellent introduction, where she manages to outsmart the Riddler, while also giving a fantastic line about riddles: “I have Google, like the rest of the world!” From there, she proves to be a consistent badass, dragging the ruthless killers together into her Suicide Squad, bending them to her will, and then unleashing them upon the world. Despite her plans not going as well as she hoped, Waller still manages to have a great run in Assault on Arkham, and Pounder really dives into the character’s manipulative nature and inner anger: “No one screws the Wall!” She also has a pretty badass stare-down with Batman, actually managing to win their confrontation. This character has a pretty amazing final moment in the film, especially as it wraps up her entire arc with Deadshot in one fantastic word. Overall, Pounder rounds out the awesome central voice cast perfectly, and it was an absolute treat to see their performance come together.

Batman: Assault on Arkham is a fantastic and memorable animated film that is so much fun to watch. Serving as the definitive and best film about the Suicide Squad for years, Assault on Arkham makes full use of its intense and exciting story, its brilliant design and exceptional cast and characters. I deeply enjoy this amazing film and I have watched it multiple times ever since it was released. A highly recommended watch, especially if, like me, you loved the latest Suicide Squad movie and want some more crazy, villain-led chaos and destruction.

Relentless by Jonathan Maberry

On August 7, 2021March 5, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller28 Comments

Publisher: Macmillan Audio (Audiobook – 13 July 2021)

Series: Rogue Team International – Book Two / Joe Ledger – Book 12

Length: 18 hours and 29 minutes

My rating: 5 out of 5 stars

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One of my absolute favourite series returns with an absolute bang as Jonathan Maberry produces another incredible, intense and thrilling Joe Ledger novel with Relentless, the second novel in the Rogue Team International series.

Readers of my blog will be well aware of how much I love Jonathan Maberry’s Joe Ledger series. This science fiction thriller series, which follows the titular protagonist and his team of elite soldiers as they fight all manner of crazy scientific and supernatural threats, is so much fun and is one of my favourite series. After reading one of these fantastic books a few years ago, I sat down and listened to the entire series, from Patient Zero, all the way to the final entry, Deep Silence. It also led me to some of Maberry’s other novels, including last year’s excellent horror novel, Ink, which was one of my favourite books and audiobooks of 2020. The author also started the Rogue Team International series in 2019 as a sequel series to the original Joe Ledger books, featuring the same characters and universe. The first entry in this sequel series, Rage, got a five-star rating from me and was one of the best books and audiobooks of 2019. Due to Rage’s epic conclusion, as well as how much I enjoy Maberry’s writing, I have been eagerly awaiting Relentless for some time now and I ended up being blown away by how awesome it was.

During Rogue Team International’s (RTI) first mission, Joe Ledger and his team faced off against the dangerous pairing of criminal mastermind Kuga and his fearsome enforcer Rafael Santoro, barely managing to stop their insidious, world-changing plot. However, their victory came at a terrible price, as Santoro delivered fiery vengeance on his foe by killing every member of Ledger’s family in a revenge attack at Christmas. Santoro and Kuga hoped that their destructive blow would mentally destroy their hated enemy forever; instead, it unleashed their worst nightmare.

After returning to the field, Ledger leads an RTI team to an advanced laboratory where terrible genetic, biological and cybernetic experiments are being performed. While the mission begins as a textbook RTI operation, everything changes when Ledger comes across a room full of deformed lab subjects and their cruel tormentors. With his already fragile psyche pushed to the limit by the death of his family, Ledger finally snaps and lets something dark and dangerous from deep within take control. With blood and bodies trailing in his wake, Ledger abandons his team and goes truly rogue.

Accompanied only by his loyal combat dog, Ghost, Ledger rampages across Europe, killing and destroying anything related to Kuga’s operation and questioning anyone who knows where he and Santoro are. Even more concerning for the villains, Ledger is also beginning to get close to their next major operation. Utilising cutting edge technology, Kuga’s group have developed biologically enhanced super soldiers, equipped with some of the most destructive weapons available. Their next plan will unleash a devastating attack within America that will change the political and social landscape for generations to come. However, not even their most advanced troops may be enough to stop the dark thing that Ledger has become, and Kuga is soon forced to make a Faustian deal with someone, or something, whose evil eclipses Ledger’s insanity. Can Ledger defeat his hated foes and save his own soul at the same time, or will he finally be overwhelmed by his own inner darkness?

Once again Maberry shows why he is one of the most exciting and impressive thriller writers out there as Relentless was another epic and wildly captivating novel. This latest Rogue Team International novel contains a complex and thrilling narrative that sets its already complex main character into a horrific quest for vengeance and redemption. Throw in an incredible amount of action, a very clever and well-written story, and some memorable characters, and you have an outstanding novel that gets a full five-star rating from me.

In Relentless, Maberry produces an extremely intense and fast-paced novel that is both character driven and loaded with some of the best action you will ever read. Following up from the dramatic conclusion of Rage, Relentless is one of the darker and more inventive books in the Joe Ledger franchise, presenting the reader with a brutal revenge story as the protagonist puts the rogue in Rogue Team International to kill anyone associated with his foes. Maberry once again makes great use of the unique writing style that has been such a hallmark of this series, with the novel made up of shorter chapters told from a vast number of different perspectives, including several interludes set in the past, to produce a more complex and multifaceted tale and showcase the elaborate plans of the antagonists.

However, the author also tries something new in this book, with a noticeable change of focus away from the protagonist for a good portion of the early novel to highlight some major character developments. This results in a bit less humour during the first part of the book, but this is more than made up for with a darker and more powerful storyline. The story focus does eventually revert to the series’ usual form about halfway through the novel, just in time for the protagonist to find himself with information about a complex and intriguing evil plot that only he can stop. This leads to a pretty epic conclusion with some fun twists and several major moments of worry and surprise, especially as you get some massive concurrent scenes as Ledger and his allies battle the enemy in several destructive and dangerous battles. The action throughout Relentless is typical Maberry, with some very detailed and graphic depictions of the techniques and damage done, and it is near impossible not to get sucked in the combat as the powerful scenes unfold. Readers should be warned that parts of this novel can get a little dark and gruesome as Maberry pulls no punches, but it is very much worth sticking through the blood and guts to see the captivating narrative unfold. I quickly became sucked into his awesome story, and I loved every second of it, managing to finish it off in extremely short order. It looks like Maberry has some intriguing plans for the future of this series, and I for one am extremely excited for that.

Like most of the Joe Ledger/Rogue Team International novels, Maberry has made Relentless extremely accessible to new readers. While I personally would suggest reading Rage first, due to the tragic ending that plays into the events of this novel, people unfamiliar with the preceding books can jump in here and still have an excellent time reading this book. Maberry does an amazing job recapping all the key events of the prior novels, including character bios, descriptions of technology and summaries of various cases. As a result, the reader is never left in the dark about what is happening and who is being talked about, although the certain significance of some characters or revelations might be slightly tempered until the protagonist describes them. One thing I would note after having read all the Joe Ledger books in the last couple of years is that Maberry tends to reuse the same phrases and terms when it comes to describing certain characters or events. While this was fine the first few times, by book 12 in the overall series, it is very noticeable and slightly detrimental to the flow of the story. However, this was an overall incredible novel with more than enough unique features to make it really stand out from the rest of the books in the series.

One of the best parts of any of Maberry’s novels are the complex and likeable characters featured within them. Over the years Maberry has produced some truly great and memorable characters for the Joe Ledger novels, and it was great to see so many of them return for Relentless, especially as most of them go through some major development. The most prominent of these is titular protagonist Joe Ledger, who has one of his most significant roles here in Relentless. Ledger has always been an extremely troubled and damaged protagonist, which has grown more and more apparent as the series progressed as he is forced to deal with additional traumas. However, this is the book where he truly snaps, as he is dealing with the brutal death of every member of his family. While Ledger starts the book mostly fine (by his already low standards), it doesn’t take him long to lose the plot. Fans of this series will understand Ledger’s mind is already broken up into three distinct personalities, the Cop, the Modern Man, and the Killer, which together form his mostly balanced psyche. However, the events of Rage have resulted in a fourth personality, the Darkness, which subverts Ledger’s mind and leads him to commit acts of terrible violence and destruction while massively freaking everyone out. The Darkness completely takes over Ledger, ensuring that you don’t see into his head for a good portion of the novel, which is an interesting change considering that Ledger is the only character in the series with a first-person perspective. While this really changes the tone of this novel, it perfectly highlights just how far-gone Ledger is. Even when he regains control of his mind and becomes a prominent point-of-view character again, the Darkness is still there, and he has to fight hard to control it. All this makes for quite a fantastic and deep read, and it was captivating to see the protagonist deal with the traumatic events of a previous novel in such a dramatic and destructive manner. Maberry really amps up how dangerous Ledger can be in this novel, and there are some truly disturbing and concerning scenes when the Darkness takes over. It will be really interesting to see how Ledger comes back from the events of this book in the future, and I am extremely curious to see what happens to the character next.

In addition to the outstanding central protagonist, Maberry fills up Relentless with great supporting characters, most of whom have been introduced in previous Joe Ledger novels. Maberry really likes a wide spread of characters throughout his novels, resulting in an interesting group of perspectives as the various supporting characters and minor inclusions experience the events of the narrative. It was great to see many long-running side characters return in Relentless, especially as they are severely impacted by Ledger’s walk on the dark side. While a couple of usually major characters only have a couple of scenes in this book, the usual DMS/RTI mainstays are all there. Ledger’s squad mates, Top and Bunny, have a particularly intriguing storyline in this novel, which sees them go undercover to infiltrate Kuga’s operation while being conflicted about Ledger’s actions. It was also great to see more of mysterious RTI leader, Mr Church, the guy who totally isn’t some sort of avenging angel or benevolent god (those are my two top guesses at this point). While Church doesn’t get as much focus as he has in previous books, he is still a major presence, and there some more hints at his past with one of the antagonists. There are also a couple of fun new unique characters introduced who Ledger meets up with as he pursues his quest for vengeance. Several of them are cool, and I look forward to seeing if they show up again.

Out of all the many supporting characters, there are two that I particularly want to focus on as they had some very strong arcs within this book. The first is Alexander Chismer, better known as Toys, the former villain who is seeking redemption and is now a close friend of Ledger’s partner Junie. Toys goes back into the field to find Ledger, even though they really dislike each other. Toys is a pretty smooth operator, and it was fun to see him go back to his criminal roots, even though it was for a good cause. When he eventually catches up to Ledger, their meeting doesn’t go amazingly well (someone gets shot), but they do end up having a rather fantastic and entertaining heart-to-heart. The comparison between their respective paths to redemption is rather deep and fascinating, and it was very intriguing to finally see these two characters interact in an extended way. The other character I absolutely must talk about is Ledger’s dog, Ghost, the bestest boy in all of fiction. Ghost has a pretty rough time in this novel, as he is Ledger’s only companion during his master’s dark spells and ends up getting into some very violent confrontations. Maberry is extremely good at writing canine characters, and most readers will find it next to impossible not to fall in love with this savage, sassy cuddle monster. Due to the many bad circumstances that Ledger and Ghost finds themselves in, I found myself feeling a lot of worry for Ghost, especially as Ledger seemed crazy enough to hurt him at times. The fact that I felt strongly anxious for a fictional dog should tell you all you need to know about Maberry’s ability to write likeable characters, and readers should be warned that they will be experiencing feels in this novel.

It wouldn’t be a Maberry book without some impressive and complex antagonists, and this novel is chock full of villains with an intriguing master plan. The main antagonists of Relentless are the same as Rage, with the fun combination of Kuga and Rafael Santoro. Both Kuga and Santoro are recurring Joe Ledger antagonists (Kuga was the main villain of Kill Switch under a different name, while Santoro was a significant antagonist in The King of Plagues). As a result, they have an amazing amount of history with Ledger and the RTI, which makes them quite dangerous foes. Both are a bit more unhinged in this novel, especially once it becomes clear that a deranged Ledger is on their tail, and it was great to see them slowly become a little more desperate. Despite this, they have a pretty intense and detailed plot to make a large amount of money through the sale of their advanced weapons, technology and enhanced mercenaries. Their master plan for destruction and manipulation is very clever and takes a while to fully become apparent to the protagonist and the reader. Maberry lays the groundwork for this plan perfectly throughout his narrative and the eventual reveal of what they are hoping for is pretty cool and leads to several amazing scenes that play off current events really well.

In addition to the antagonists that appeared in Rage, Relentless also features one of Maberry’s most mysterious and sinister villains. Going by the name of Mr Sunday in this book (which I assume is a fun little nod to Mr Church’s fake name), this antagonist is a very creepy and dangerous being who has had some impressive appearances before (Assassins Code, Predator One and Dogs of War for example). The moment he appeared in this book, I knew that I was going to be in for a good time, as this character is essentially the devil incarnate (there is a strong chance he is the devil). Maberry does an incredible job building him up once again in this novel, and he ends up terrifying his potential allies just as much as his enemies. This character’s appearance has some major implications for Ledger and Mr Church, and it is highly implied that his appearance is causing some of Ledger’s instability. While he is mostly just coasting off Kuga and Santoro’s plans in this book, he also has his own sinister plans which come into fruition perfectly. As a result, he is a pretty fantastic addition to the plot, and I loved the entertaining interludes that featured his elaborate sales presentations. It looks like Maberry has some big plans for this character in the future, and I am very excited to see what chaos he has in stall for the world next.

Aside from the main villains I mentioned above, Maberry also utilises some great supporting antagonists who act as assassins and henchmen. This includes the deranged Eve, who was introduced in Rage and who lost her partner and lover, Adam, to Ledger. This loss has driven her even more insane, and there are several crazy chapters shown from her perspective, and she represents the typical sexual degenerate antagonist that Maberry likes. There is also a new henchman character in Michael Augustus Stafford, a hired gun considered one of the best assassins in the world and is often referred to as the anti-Ledger due to his similar appearance to the protagonist. Stafford leads Kuga’s hunt for Ledger throughout Europe and America and is a dogged tail for much of the book. There are some very intense cat-and-mouse scenes occurring between the two as they attempt to get the upper hand on each other. I really appreciated the way in which the author took the time to building up these less prominent antagonists throughout the novel, and you get a great sense of their personalities and abilities. I would say that they don’t live up to their full potential at the end of the novel, but it was still fantastic to see their entire storyline unfold.

Another hallmark of a great Maberry book is some of cool technology featured in the story, especially as it results in some excellent and over-the-top fight scenes. The villains get some impressive and over-the-top toys in this novel, including biological enhancements, advanced body armour that has a lethal kick to it and massive armoured exoskeletons loaded with giant guns. Maberry has some fun building up the capability of these devices through several of the interludes, and they do not disappoint, causing all manner of chaos and destruction around the world. That ensures that when the protagonists encounter them they are in for a real fight, as it gives their enemies an edge against RTI agents who usually have the most advanced tech. It was really cool to see this technology in action, and Maberry dreams up some outstanding scenes around them. All the fight sequences featuring them in Relentless are ultra-impressive, and readers are in for some great scenes, especially as many of them involve the less destructive and sleeker RTI technology versus the purely destructive Kuga weapons. I really enjoyed seeing these advanced weapons in use, and it helps to give some of the action scenes a major boost.

Just like I have with every other Jonathan Maberry book I have enjoyed, I ended up grabbing the audiobook version of Relentless. I have a lot of love for the Maberry audiobooks, and in my opinion it is the best way to enjoy these cool novels. The main reason for this is the amazing recurring narrator, Ray Porter, who has lent his voice to the audiobook versions of nearly every single one of Maberry’s novels. Porter is one of my absolute favourite narrators, and if he is voicing something, I know I am going to love it. This narrator always manages to deftly drag the listener in and keep their complete attention throughout the entire production. He really dives into the various characters, ensuring every one of them has an appropriate voice, with cool accents and relevant speech patterns. He is also extremely good at portraying emotion, and he always goes out of his way to highlight a character’s feelings in their speech patterns, whether it be excitement, grief, anger, or something darker. This is particularly noticeable with protagonist Joe Ledger. I have noted before at how effortlessly Porter inhabits the role of this complex character, ensuring that the reader gets his full range of feelings, including his boundless rage and outrageous sense of humour (he really gets Ledger’s sarcasm). Porter does another amazing job in Relentless, and it was really cool to hear his take on the more unhinged Ledger, and he really helps to add an extra sense of menace and anger during the scenes where Ledger is out of control. Each of the voices used in this book are extremely good (I would critique the voice of one Australian character, but it’s a fairly minor role), and it was an absolute joy to once again listen to his narration. With a run time of just under 18 and a half hours, this is a rather long Joe Ledger novel, although I powered through it in less than a week due to how much fun I was having. This version of Relentless comes highly recommended, and it is already one of the best audiobooks I have listened to all year.

Well, that was a damn impressive novel. As you can see from my rather long and happy review above, I had an outstanding time reading Relentless by Jonathan Maberry, and I found it to be an incredible read. The Rogue Team International series continues to be one of the most thrilling series out there, and I loved the complex damaged characters and intense storyline this latest novel contained. Easily one of my favourite books of the year, Relentless gets a five-star rating from me and is highly recommended to anyone wanting guaranteed action, fun and comprehensive darkness.

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State of Fear by Tim Ayliffe

On July 31, 2021April 10, 2023 By The Unseen LibraryIn Australian, Thriller15 Comments

State of Fear Cover

Publisher: Simon & Schuster Australia (Trade Paperback – 22 July 2019)

Series: John Bailey – Book Two

Length: 390 pages

My Rating: 4.5 out of 5 stars

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One of the fastest-rising Australian thriller writers, Tim Ayliffe, follows up his impressive debut with an excellent second entry in his John Bailey series, State of Fear.

Tim Ayliffe is a talented author who debuted in 2018 with The Greater Good, the first John Bailey book. This novel explored political corruption and international interference in Australia and made excellent use of the author’s experiences as a journalist. I really enjoyed this first book and was rather interested when I received the second novel from Ayliffe, State of Fear, in 2019. Unfortunately, I did not get a chance to read State of Fear when it first came out, and it has been in my to-read pile for a while, until I received a copy of the third John Bailey novel, The Enemy Within, a few weeks ago. I rather liked the sound of the third book’s plot, and I really wanted to read and review it. However, before checking out The Enemy Within I thought it would make more sense to read State of Fear first, and boy am I glad that I did.

Throughout his long career as a journalist and war correspondent, John Bailey has faced many dangers and been in several terrible situations. However, his worst encounter was with the notorious terrorist mastermind, Mustafa al-Baghdadi, who kidnapped Bailey while he was reporting on the invasion in Afghanistan and relentlessly tortured him mentally and psychically. Following his release from the terrorist group and a retirement from working in active war zones, Bailey thought that his days of dealing with terrorists was over, but he was wrong.

Speaking at a conference on Islamic terrorism in London, Bailey is horrified when a radicalised terrorist murders a woman in front of the convention centre. Rattled, Bailey returns home to Sydney, only to find his troubles have followed him there. The son of his former driver in Bagdad has gone missing, and Bailey has been implored to help. Investigating, Bailey finds that the son has been in contact with some dangerous men with connections to Islamic terrorist cells. Worse, it appears that they are planning to launch a massive attack in Sydney.

Desperate to save his friend’s son from making a terrible mistake, Bailey attempts to make sense of the terrible events unfolding in Sydney. However, the deeper he goes, the clearer it becomes that Mustafa al-Baghdadi is back, and he is targeting Bailey personally. As Bailey and everyone he loves comes under attack, Bailey is forced to turn to his old friend, CIA agent Ronnie Johnson, to find Mustafa and take him down. But will they be able to stop Mustafa before it is too late, or will the world’s most dangerous terrorist destroy everything that Bailey holds dear?

State of Fear was an excellent and powerful novel that takes its great protagonist on a rough and dangerous journey through hell and back. Ayliffe has definitely grown as an author since his first novel, and this second book is a compelling and intense novel with a well-crafted narrative. Starting off with an intense beginning, the protagonist is swiftly shoved into his latest harrowing adventure, as the terrorist he thought he escaped violently bursts back into his life. This is a very captivating novel, and despite its longer length I found myself powering through it in a very short amount of time. The protagonist goes through a real wringer as he is forced to visit the ghosts of his past while trying to stop his foe’s latest plot. Featuring a sprawling and deadly investigation through the suburbs of Sydney, the story eventually journeys back to London, where the protagonist and his friends engage in a deadly and dramatic fight to stop a deadly attack. There is so much going on in this story, and the reader will experience outstanding action, powerful drama, and some major tragedy, especially in the novel’s dramatic conclusion. This is a fantastic book which stands on its own and can easily be read by people unfamiliar with the other John Bailey novels. I had an exceptional time reading State of Fear and it is really worth checking out.

Ayliffe works a lot of fun elements into this novel that make it quite a unique read. Perhaps one of the most prominent of these is his experience and knowledge as a journalist which helps to produce a very Australian centric view of the events that are being depicted. For example, Ayliffe includes a very detailed and compelling look at radical Islamic terrorism and how it is occurring both in Australia and in the wider world, particularly England. Using several real-life Australian cases as basis, Ayliffe manages to expose and explore the heart of the issue, and he paints a fair and captivating picture of how individuals are lured into radical Islam as well as the consequences of their actions. There are some very intriguing and powerful discussions included within this novel, especially around how the Islamic and migrant community in Australia feels isolated and prejudiced against, and I really appreciated the compelling inclusion in the novel.

Other intriguing elements contained within State of Fear include Ayliffe’s experiences with modern media and how journalist stories are produced and distributed. There are some fascinating and fun journalistic scenes contained within this novel, and you have to assume that the protagonist’s extremely negative views about the swing to online social media based journalism has to reflect some of the author’s personal feelings. Another great feature of this novel was the way in which Ayliffe once again used his novel to highlight the city of Sydney. While a good portion of this novel is set in London (which Ayliffe also does a great job portraying), the scenes set within Sydney are a particular highlight. The author really dives into showcasing this city, with the protagonist visiting several real-life suburbs and locations throughout the course of the book, distributing local knowledge as he goes. As a result, this book is filled with some fun references that locals and Sydneysiders will really appreciate, and I enjoyed how Ayliffe spent the time to write a love letter to his city.

In addition to a fantastic story and excellent setting, Ayliffe also ensures that State of Fear is loaded with some complex and memorable characters. The most prominent of these is series main protagonist and primary point of view character John Bailey. Bailey is an outstanding veteran reporting character, and Ayliffe portrays him as a broken older news hound who is trying to balance his addictive career with holding onto his family. This protagonist is the very definition of a damaged character, as he has experienced great trauma, both psychical and emotional, over the years thanks to his work as a war correspondent. Despite this trauma, Bailey has experienced some major growth since the first book in the series, mainly thanks to the actions of major people in his life, and he is now a much more functional human being, allowing the reader to really connect with his struggles and damage. Unfortunately, the events of this novel really hit him hard, as he experiences fresh pain while also revisiting his traumatic past through a series of dark flashbacks. Despite this, Bailey keeps moving forward trying to solve the case, and it was great to see his determination and resolve, even under the worse of circumstances. The ending of the novel is pretty bad for Bailey, and he goes through some tragic moments that will no doubt rock him for the rest of the series. All of this makes for an incredible central protagonist, and readers will fall in love with this damaged and compelling character.

Aside from Bailey, State of Fear also contains several great supporting characters, most of whom are holdovers from The Greater Good, and who find themselves in all sorts of trouble in this book. The most prominent of these is Bailey’s romantic partner, Detective Chief Inspector Sharon Dexter, who serves as a secondary point-of-view protagonist for parts of the book. Dexter is a tough, no-nonsense cop whose past with Bailey led to a romantic relationship in the first book. Despite having a very complex and unusual relationship with Bailey, Dexter proves to be an excellent supporting character, acting as the sensible and official support to Bailey who tries to keep him out of trouble. While she has a bit of a cold exterior, especially when Bailey stuffs up or lies to her, Dexter is another character the reader can easily get attached to, and her involvement in the story is quite essentially the overall powerful narrative.

I also quite liked the inclusion of Bailey’s editor, Gerald Summers, another aging newsman who serves as Bailey’s emotional rock and best friend and who has an amazing run in this book. Gerald is an outstanding and loveable character, which of course means he is going to suffer a little bit, so prepare yourself for that. You also have to like Ronnie Johnson, the maverick CIA agent who spends most of his time living on Bailey’s couch, but who proves to be an effective and very dangerous operative when he needs to. Ronnie has been a favourite character of mine ever since the first book (I mean, he kills an Australian Prime Minister Harold Holt style), and he does some cool things in this second novel. Finally, I felt that Mustafa al-Baghdadi was a pretty good overarching antagonist for State of Fear. Ayliffe did a good job portraying a manipulative religious zealot with grand plans for vengeance and the advancement of his cause. Despite being hidden for most of the book, this character contains a great deal of menace, and I really enjoyed the sinister flashback sequences that featured him and Bailey. I did think that some of his reasons for vengeance on Bailey were a bit weak (I mean, he had to know that the first thing Bailey was going to do when freed was to share what he knew with the Americans), but he was an overall great villain with major impacts on the narrative. Each of these characters were well written and established, and I felt that their combined narratives really improved this fantastic novel.

State of Fear by Tim Ayliffe was an outstanding and captivating read that presents a powerful and moving adventure of journalist John Bailey. Containing an intense narrative about terrorism, some unique elements and amazing characters, State of Fear is an excellent read which swiftly grabs the reader’s attention and refuses to let them go. I had an incredible time reading this novel and I am still kicking myself for taking so long to check it out. I have already read the third entry in the John Bailey series, The Enemy Within, and I am hoping to get a review out for it soon.

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The Shadow of the Gods by John Gwynne

On June 27, 2021August 14, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books29 Comments

Publisher: Orbit (Audiobook – 4 May 2021)

Series: The Bloodsworn Saga – Book One

Length: 18 hours and 13 minutes

My Rating: 5 out of 5 stars

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Prepare to dive into a dark and powerful Norse-inspired fantasy with the incredible and addictive new novel from superstar fantasy author John Gwynne, The Shadow of the Gods. Gwynne is highly regarded fantasy author who has been making some major waves since his 2012 dark fantasy debut, Malice, the first book in The Faithful and the Fallen series. Gwynne has so far written two major fantasy series, the four-novel long The Faithful and the Fallen, and the sequel Of Blood and Bone series. His latest novel, The Shadow of the Gods, is the first book in The Bloodsworn Saga, which will follow a group of epic protagonists in a bloody and grim Norse-inspired fantasy world.

I must admit that until recently I had not had the pleasure of reading any of John Gwynne’s novels. This has always seemed like a major oversight on my behalf, especially as most fantasy reviewers massively talk up Gwynne’s existing series. While my attention was drawn to this book thanks to its baller cover (I mean look at it, so awesome), it initially was not a major reading priority for me. However, this changed once the reviews for The Shadow of the Gods started pouring in. Within a day of its release, my inbox was getting blown up with glowing reviews, as nearly every member of the fantasy fiction community started singing the praises of Gwynne’s new book. While I generally like making my own reading decisions, after seeing so many different reviewers claim it was one of the best books of the year, I honestly had no choice but to check it out, and boy was I glad that I did.

Hundreds of years ago, the gods fought in a brutal and fatal war in the lands of Vigrið for power, vengeance, and pride. When the fighting stopped all the gods lay dead, the land was shattered, and hordes of monsters and demons were unleashed upon the world. Now, after barely surviving the carnage of the god’s war, humans dominate Vigrið, with powerful jarls fighting for control of the towns while mercenary war bands quest after monsters and the most feared inhabitants of Vigrið, the Tainted. The Tainted are human descendants of the gods who bear small remnants of their savage power, and who are now hunted out of fear and a desire to harness their power for the wars to come.

While life is always bloody in Vigrið, times are especially bleak now with war looming on the horizon, monsters roaming the wilds and sinister forces gather out of sight. In these dark times, three dangerous people will find the fate of Vigrið resting in their hands. These new heroes include Orka, a hunter and trapper who lives a quiet life in the wilds with her family, attempting to avoid her troubled past while raising her young son. Meanwhile, Varg, an escaped thrall seeking answers, finds unexpected friendship by joining the legendary Bloodsworn mercenary company. Finally, Elvar, a young noblewoman running from her family, seeks glory and battle fame as part of the Battle-Grim, another mercenary band who specialise in capturing Tainted humans.

Soon, all three of these fighters are faced with new and life-changing challenges. Orka is forced to embark on a bloody mission of vengeance when her peaceful life is shattered and her son is taken from her. Varg attempts to reconcile his responsibilities to the Bloodsworn and his own personal oaths, as the war band march into the wilderness to face a mysterious foe. Elvar and the Battle-Grim embark on a legendary quest to find the final battleground of the gods. However, all three will be unprepared for the revelations, lies and bloodshed about to be unleashed before them. A dangerous conspiracy is forming in Vigrið that will shatter the very land and bring untold chaos to humanity. Not all the gods are dead, and those that survive are very angry!

So, a little life lesson for me here: when the entire reviewing world says a book is good, then you can be damn sure that it will be an amazing read! In this case, The Shadow of the Gods turned out to be an exceptional and captivating novel which provides an intense and clever story with great characters exploring a harsh and broken world. Gwynne did an incredible job with his latest novel, and this was easily one of the best fantasy books I have read so far this year, earning an easy five-star rating from me. The Shadow of the Gods has an incredible and powerful narrative that becomes even more addictive and exciting the further you get into it. This is an outstanding and dark fantasy story which cleverly Gwynne has anchored to three separate point-of-view characters, Orka, Varg and Elvar. I really liked how Gwynne came up with three separate narratives that are fun and memorable in their own unique way, and The Shadow of the Gods is stronger because of this.

The first one of these independent storylines revolves around Orka, a skilled and deadly warrior who has taken to living as an isolated hunter with her husband and young son. Initially attempting to stay out of the politics and battles of Vigrið, and with a mysterious past surrounding her, Orka is eventually forced into action when her home is destroyed and her son is kidnapped. What follows is a bloody and brutal revenge story, as Orka traverses the landscape in search of her son, killing everyone in her way. Accompanied by two inexperienced fighters, Orka cuts a fantastic path of vengeance and despair throughout the world, eventually revealing just how dangerous she can be. Orka’s story is really fantastic, and I loved seeing her on her quest for vengeance, blood and her son. Gwynne weaves an incredible narrative around the character and takes her to some dark and dangerous places, as she is forced to contend with conspiring jarls, rogue warbands, vengeful fighters and dangerous Tainted with unknown agendas. The author also puts some very impressive character work into Orka. Initially shown as a mysterious being who is haunted by her past and is only just keeping her aggressive instincts in check for the sake of her family, Orka soon displays increasing violence and prowess as her storyline continues and she loses more control. This was a fantastic and epic story, which has an outstanding ending with some extremely fun, if slightly predictable, twists to it.

The next storyline follows the amazing Varg, a former thrall who has run away after killing his owners. In desperate need of magic to avenge his dead sister, Varg attempts to join the Bloodsworn, a highly regarded mercenary company, to make use of their seiðr-witch. After impressing the Bloodsworn, Varg travels with them as an apprentice mercenary, unable to use the seiðr-witch until he proves his worth. His first quest with the Bloodsworn takes him to a remote part of Vigrið to investigate missing villagers. As Varg struggles between fulfilling his oath to his sister and starting a new life, he will experience betrayal, despair, and terrible revelations. This is another excellent storyline which has a lot of awesome elements to it. Not only is there a lot of action and intrigue as the Bloodsworn find themselves in the middle of the chaos infecting Vigrið, but it also serves as a fantastic tale of friendship, redemption, and camaraderie.

Varg proves to be a really good central protagonist and readers will quickly become attracted to his resilience, natural battle prowess and deep inner tragedy. A former slave, Varg is unused to friendship or support from those around him, as the only person he could ever count on was his sister, whose death he seeks to avenge. However, when confronted by the easy friendship of his fellow Bloodsworn brothers, Varg finds himself suffering from some dramatic inner conflict, especially as he believes himself undeserving of support and kindness, and his happiness feels like a betrayal to his dead sister. This is an amazing bit of character work here, and I really appreciated Varg’s impressive personal story. His background as a slave also ensures that this storyline features more background about this world than some of the other stories do, and you also get a series of training montages as Varg learns how to fight as a member of the Bloodsworn. This storyline is further enhanced by a great band of supporting characters, especially as Varg finds himself fighting side by side with an eclectic group of unique and outrageous warriors. There are several fantastic and enjoyable side characters featured amongst the Bloodsworn, although my favourite must be the cocky and entertaining Svik, a skilled warrior with a love of cheese and a funny tale to back it up (trust me, it is worth reading just to see him tell his cheese tale). These supporting characters help to make Varg’s storyline the most entertaining and humorous parts of the book and it is near impossible not to fall in love with the various members of the Bloodsworn.

The final character arc featured in The Shadow of the Gods follows the young warrior, Elvar. Elvar is the daughter of a powerful jarl who gave up a life of comfort and forced marriage to join the Battle-Grim, another notorious mercenary warband who specialise in killing monsters and trapping Tainted to sell them for profit. After capturing an unusual family of Tainted, Elvar and the Battle-Grim embark on a quest of epic proportions that will change the world. This was another impressive and captivating storyline which has some very unique differences from the other character arcs. Elvar is an excellent point-of-view character with a complex past, who presents an interesting counterpoint to the other two protagonists. While Orka and Varg and primarily motivated by family and vengeance, Elvar is primarily concerned with proving her worth to her crew, her commander, and her overbearing family, and is determined to win enough battle fame to outshine her father. I also loved the comparisons between the Bloodsworn and the Battle-Grim, and it was interesting to see how the similarities and differences between the warbands, especially as the Battle-Grim are more concerned with wealth and reputation. This storyline is a particularly ambitious and contains some amazing battle sequences, especially one at the start against a troll, and there is much more of a focus on fighting within a shield wall as a unit. This storyline also has one of the best twists in the entire novel, as well as an extremely impressive ending that will have major implications for the rest of the series.

The three narratives are generally kept very separate right up until the end with only a minimal amount of crossover. This means that the readers end up getting three distinct stories with a unique group of characters set within the same book. I think that this was a pretty cool way to start the wider series off, especially as it let the reader see more of the universe, while also expertly establishing the main protagonists and their storylines. At the same time, limiting the narrative to only three major characters (I understand that Gwynne usually uses more), also ensures that the story does not get too fractured, and that the reader has time to get properly invested in each storyline. I had a wonderful time reading each of the three storylines, and I honestly enjoyed each of them pretty much equally. This is pretty rare for novels that use multiple POV characters, as there is usually one narrator or storyline that the reader enjoys more than others. I will admit that Elvar’s storyline did take me a little longer to get into, but I become extremely hooked on it after a few chapters. If I had to choose an absolute favourite storyline, I would say that the Varg chapters were really appealing to me, and I enjoyed seeing his cool story of redemption, as well as his fun companions. While the stories were primarily kept separate, a few overarching plotlines and a couple of supporting characters are shared between the three arcs. While subtle, it does perfectly set up an overarching conspiracy that has major implications for the entire plot and which sets up the next novel perfectly. This makes for a pretty epic novel, and it is one that no fantasy fan will be able to easily put down.

I was deeply impressed by the clever and memorable fantasy universe that Gwynne came up with for The Shadow of the Gods. The world of Vigrið is a thrilling dark fantasy setting, filled with all manner of dangerous monsters, dead gods and roving warbands, all of which proves to be an amazing backdrop to the overall story. I loved the beautiful combination of fantasy elements with Norse historical inspirations, and it was pretty damn cool to see Viking-esque warriors facing off against monsters and magically enhanced beings. The author does a great job capturing the intricacies of these Norse elements, and the reader is treated to detailed depictions of Viking tactics, weapons and fighting styles, such as a several brutal shield wall sequences. Gwynne really tries to enhance the authenticity of these elements by using the Norse names for various things, such as brynja for a coat of mail, and I really appreciated this attention to detail. I am not entirely sure he needed to describe someone’s head as a thought-cage every single time, though, as it that was a tad annoying. In addition to the cool Norse elements, I loved the whole concept of a land of fallen gods where their human descendants are hunted and enslaved. This opens some great storylines, especially around how the Tainted are treated, and it proves to be rather interesting to see which characters are secretly empowered (some are more obvious than others). I think that Gwynne did a good job of introducing all the key elements of his universe throughout the course of the book, and the reader is never unsure or confused about what is going on. This truly was an impressively inventive new setting, and I look forward to seeing what chaos and destruction occurs throughout it in the next novel, especially after that ending.

I ended up listening to The Shadow of the Gods’ audiobook format, which turned out to be an amazing and captivating production. The Shadow of the Gods has a substantial run time of just over 18 hours; however, listeners are guaranteed to power through it in no time at all. I found myself really enjoying into this book’s audiobook format, especially as it really helped to bring the excellent story to life for me, with many fantastic details and thrilling fight scenes become so much clearer. One of the main reasons that this format works so well is the excellent narration from Colin Mace, a man who has lent his vocal talents to some great novels in the past, including The Black Hawks by David Wragg (as well as its upcoming sequel, The Righteous). Mace has a very gruff and commanding voice that perfectly fits the dark, Nordic tone of The Shadow of the Gods. Mace does an awesome job moving the story along at a quick pace, and there is never a single slow spot for the listeners to get stuck in. At the same time, he produces some rough and damaged voices for the various characters featured within the book which I felt fit each of them perfectly and which helped to highlight their distinctive personalities. This results in an exquisite and memorable audiobook production, and I would strongly recommend this format to anyone interested in checking this impressive novel out.

With his latest incredible novel, the impressive John Gwynne once again shows why he is one of the leading authors of dark fantasy fiction. The Shadow of the Gods is a fantastic and captivating read that takes the reader on thrilling adventures with some exceptional characters. Featuring a powerful narrative and an intricate and grim new fantasy setting, The Shadow of the Gods is an outstanding and addictive novel that is one of the best fantasy books of 2021. A highly recommended read for anyone looking for their latest dark fantasy fix, I cannot wait to see where Gwynne takes The Bloodsworn Saga next, but you have to know it is going to be something particularly epic.

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Throwback Thursday – Heroes in Crisis by Tom King and Clay Mann

On June 17, 2021August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Superhero, Throwback ThursdayLeave a comment

Heroes in Crisis Cover

Publisher: DC Comics (Paperback – 1 October 2019)

Writer: Tom King

Artists: Clay Mann, Travis Moore, Lee Weeks, Mitch Gerads, Jorge Fornes

Colourists: Tomeu Morey, Arif Prianto, Mitch Gerads

Letterer: Clayton Cowles

Length: 234 pages

My Rating: 4 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this latest Throwback Thursday article, I look at an interesting DC Comics crossover event from a couple of years ago, the deep and compelling Heroes in Crisis.

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Now I have to admit that I have been somewhat avoiding a lot of the recent DC crossover events, mainly because I think the universe is getting a bit too complicated, what with the multiple versions of characters and timelines. However, I recently grabbed the Heroes in Crisis collected edition (containing all nine issues of the limited series), mostly because I had heard some conflicting reports about whether it was any good, and I thought that it would be worth seeing just what sort of comic it really was. I was also drawn to this comic as I am major fan of Tom King and Clay Mann after the work they recently did on Batman, which featured some really cool and compelling storylines. Heroes in Crisis turned out to be a rather fun and intriguing comic, especially as King came up with another fascinating narrative.

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After years of fighting and surviving against the very worst evils in the universe, even the greatest heroes will start to crack under the unreal pressures of their chosen lives. Realising this and determined to help their fellow superheroes, the trinity of Superman, Batman and Wonder Woman designed Sanctuary. Sanctuary is a hidden facility containing a cutting-edge artificial intelligence programmed to provide advanced therapy, support and counselling to any hero that needs it after harsh battles and traumatic events. However, no sanctuary lasts forever, and after losing contact with the facility, Superman, Batman and Wonder Woman arrive to find Sanctuary in shambles and several patients brutally killed. As the world’s superheroes reel from the deaths of friends and colleagues such as Roy Harper, Red Devil, Commander Steel, Poison Ivy and Wally West, their thoughts swiftly turn to justice. But who is responsible for the killings, and could the culprit be one of their own?

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The answer may lie with the only two survivors of the Sanctuary massacre, the greatest hero you have never heard of, Booster Gold, and the mad clown princess, Harley Quinn. However, Booster and Harley are both convinced that they saw the other commit the crime, and are now out to stop the other survivor by any means necessary. As the heroes attempt to uncover the killer lurking amongst them, their world will be further turned upside down when the confessions and therapy sessions recorded at Sanctuary are leaked to the media, casting a new light on them. Can the killer be caught before they strike again, or will this case irreparably damage the world’s greatest superheroes? Whatever happens, the DC universe will never be the same again.

This was a very unique and fascinating crossover comic which contains some notable flaws, but is something that I quite enjoyed. King, Mann, and their artistic team produced a clever comic that really dives into the minds of the collected heroes of the DC universe. Featuring a great story, some powerful character moments and some impressive artwork, Heroes in Crisis turned out to be a fun and heartfelt comic that I had a wonderful time reading and which has really stuck in my mind.

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Heroes in Crisis has an intense and powerful character driven narrative that presents the reader with an interesting mystery, while also attempting to dive into the minds of some of the most iconic comic book characters out there. I very much enjoyed the excellent premise that King came up with for this comic, especially as he starts the narrative off by showing several iconic heroes brutally killed around the Sanctuary within the first several pages. At the same time, two of DC’s most unique and complex characters, Booster Gold and Harley Quinn, are fighting to the death, with both claiming that the other is responsible for the crimes. This proves to be an excellent start to the comic which really drew me into the book, and which quickly leads into a compelling investigation angle with Booster, Harley and the DC Big Three (Superman, Batman and Wonder Woman) all working towards the same goal while also fighting amongst themselves. At the same time, a mysterious opponent is manipulating events from the shadows, ensuring that the protagonists are distracted by the public revelations about their mental fragility. All of this leads up to an interesting and heartfelt conclusion where the killer is finally revealed in an emotional confrontation.

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This was a rather intense and fast-paced narrative and it was clear that King was drawing a lot of inspiration from the iconic Identity Crisis crossover comic (another controversial comic that split the fan base, although I personally consider it a masterpiece). However, unlike Identity Crisis, I think that Heroes in Crisis fell a little flat and I can see where a lot of the criticism surrounding it came from. While this comic has a great start and the author sets up the whole mystery and characters perfectly, I felt that the ending had some major flaws to it. The reveal of the killer, despite some hints throughout the story, is a bit of a letdown (admittedly, due to internet spoilers, I did know who it was in advance of reading this comic, but this didn’t massively impact my overall reaction). While I could appreciate some of the motives surrounding the killer’s choices, especially as it ties into the psyche aspects of the comic, it was a bit of a weak choice that undermined an amazing and well-established character. In addition, many aspects of the conclusion, such as the reveal, the killer’s motivations, and the eventual solution to some established problems, were unnecessarily complicated and required some major logic leaps. I also did not quite get why King included a certain “bros before heroes” scene, as it proved to be a very odd inclusion for such a serious story. While I did greatly enjoy the set-up, as well the impressive inclusion of flashbacks and character centric panels throughout the entire comic, this ending was a bit of a letdown that substantially affected how much I enjoyed Heroes in Crisis.

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While the flaws in the story were a little disappointing, I think that King’s excellent character work more than makes up for it. As he has previously done with his recent run on Batman, King attempts to really dive into the heart of the characters featured within Heroes in Crisis, highlighting their complex psyches and personalities to help to draw the reader in. I also quite liked how this comic focuses on a very unique selection of characters, including several of my personal favourites. While much of the story follows the Big Three, with some additional inclusions from the Barry Allen Flash, the major focus of the comic is on the fun duo of Booster Gold and Harley Quinn.

Booster Gold, unconventional time traveller and the greatest hero you have never heard of, is a character I have a lot of love for, especially as he is usually shown to be a bungling hero trying to do the right thing. Booster ends up being an excellent character in Heroes in Crisis as he desperately tries to understand who is responsible for the deaths at Sanctuary, especially as he is a suspect himself. While much of Booster’s appearance is comical, there is a deeper sadness to him, both before the killings and after them. King does a masterful job showing off Booster’s inner thoughts in some of his therapy sessions while also presenting him as a damaged person potentially capable of committing the murders. I loved seeing Booster used so prominently in the comic and I hope we see more of him in the future. The appearance of Booster also ensures that we get to see some of his robot companion, Skeets, who has a fun relationship with Booster, often pointing out the stupidity of several of his plans, such as telling the Flash that he may be responsible for Wally West’s death and not realising it would get him punched in the face.

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Heroes in Crisis also strongly features Harley Quinn, who DC have been heavily promoting recently. Harley is her usual fun, chaotic self throughout Heroes in Crisis, although like Booster, deep down she is hurting. King makes sure to explore the various damages that she still bears from her abusive relationship with the Joker, while also focusing on her current, relatively healthier relationship with Poison Ivy (who has a very lethal idea about therapy). However, when Ivy is killed, Harley snaps a little and is determined to hunt down the person she thinks is responsible. King does a great job showing off Harley’s unpredictability, humour and inner turmoil, and I liked how he presents her as a real threat, even to the likes of Superman and Batman. Harley has a number of great moments throughout this comic, including a dangerous standoff, some great character development and some fantastic lines. Harley also serves as a great foil to Booster, and when they are not trying to kill each other their conversations highlight their similarities, as both consider themselves failures in one way or another. I deeply appreciated the use of Booster and Harley as key characters, and they were an outstanding focus of this comic.

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Heroes in Crisis also features a fantastic array of supporting characters, and the creative team takes full advantage of their story to bring back some great underutilised heroes. I loved how King spent time exploring all the various characters who were massacred at the start of the novel, especially as he examines why they were there seeking help. While there is an obvious focus on the more prominent heroes like Wally West and Poison Ivy, I had a lot of fun seeing characters like Lagoon Boy, Commander Steel and Gnarrk the Last Cro-Magnon. King did a lot with these very minor DC characters, using a few short sequences to build them up as sympathetic and likeable characters, ensuring that the impact of their death was a little more significant to the reader. The inclusion of Wally West was also mostly well done and I appreciated the exploration of all the trauma and pain he has gone through in the last few years (being written out of existence for a few years is a painful experience). Batgirl and Blue Beetle (Ted Kord) also show up as supporting characters for Harley and Booster respectfully, and I quite enjoyed the examination of the unique relationships between these friends. All of these characters really add a lot to the story and I very glad that King took the opportunity to explore and highlight how complex some of these DC heroes can be.

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While Heroes in Crisis has many good and bad qualities, without a doubt the best thing about it is the examination of traumatised heroes. A large part of this comic’s narrative revolves around the fact that all the superheros in the DC universe are deeply traumatised or emotionally damaged because of their heroic careers, requiring them to seek treatment at Sanctuary. While I know that some readers really disliked this portrayal of superheroes being emotionally and psychologically damaged, I personally felt that it was a clever inclusion from King that added a lot of realism to the DC universe. Of course these heroes are going to be traumatised! Most of them have been fighting crime or dealing with crazy people for most of their lives, experiencing innumerable tragedies and losses along the way, including dying and coming back to life multiple times. It is honestly rather refreshing to see this acknowledged within the comics, and I deeply appreciated that King decided to feature it so prominently in Heroes in Crisis.

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One of the reasons that this psychological plotline works so well is because Heroes in Crisis features a ton of panels and scenes highlighting the heroes as they discuss their trauma. Not only do you get glimpses at several AI assisted therapy sessions, some of which are quite intense (Lagoon Boy’s one hurts to read at times), but there are a ton of “confession” panels, which show the various heroes sitting in a special room discussing their pain to a camera. These confession scenes are cleverly scattered throughout the comic and are worked into the story extremely well, showing the raw psyche of some of the comic’s major characters or murder suspects and providing possible motivations for their actions. At the same time, they work to show the reader just how damaged some of your favourite heroes can be. While there is a focus on characters who were part of the Sanctuary massacre, nearly every DC superhero makes an appearance at some point in Heroes in Crisis, talking about their pain and their sorrow. King ensures that each of these confessions, even the single-panel ones, are really emotionally rich and moving, and you get some amazing feelings out of all of them. Highlights for me include a great sequence with Batman lamenting the death of his sidekicks, and another one with Commander Steel, who is pretty damn traumatised by his experiences of dying, being reborn as a zombie, having his corpse mutilated, and then coming back again. Booster, Harley and Wally West also have some very intense, story driven confessions which both moved the story along and helped to get to the roots of their issues. I found these scenes of trauma, healing and emotions to be particularly well written and very powerful, and they are one of the main reasons I enjoyed this comic as much as I did.

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Another major highlight of Heroes in Crisis is the exceptional artwork by a massive collection of artists who banded together to produce some iconic and powerful pieces of art. All of the scenes within this comic are very well drawn, and there is a real sense of movement, purpose and intensity in every panel. I loved all the cool action sequences, and the artists really did not pull any punches when it came to highlighting the tragic deaths of so many different heroes. Some of the best artwork, however, lies around the amazing and wonderful background and landscape shots throughout the comic. There are so many fantastic shots that superimpose the characters in front of some beautiful settings, whether they be fields, sunsets or other pieces of nature. These shots are not only visually impressive but they really add to the dramatic feel of the entire comic, especially as they remind you of the hope that so many of the damaged characters want to feel, but cannot, either because of the events of this comic or some pre-existing trauma. The artistic team also has a lot of fun bringing to life a host of heroes from various periods of DC’s history, including some obscure characters we have not seen for a very long time. While some of them were brought back only to die a painful death, it was great to see them again and the artwork surrounding them turned out to be superb. I also deeply appreciated the artists’ ability to portray emotion and sorrow on the faces of each of the characters featured within Heroes in Crisis. You get a real sense of the darkness and pain lying behind some of the characters’ eyes, especially in some unguarded moments, and it helps to enhance the emotion of the pages. Overall, this was some impressive and memorable artwork that did a great job enhancing King’s intriguing tale.

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Heroes in Crisis was a very interesting and memorable comic which I had a great time reading. While it does have some flaws, I think that the creative team behind it managed to create a very touching character driven narrative that succeeded in highlighting the vulnerabilities of several iconic DC superheroes. I had an amazing time reading this comic and it is definitely worth checking out, especially if you are interested in exploring the damaged minds of some of your favourite heroes.

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The Two-Faced Queen by Nick Martell

On June 6, 2021February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books22 Comments

Publisher: Gollancz (Audiobook – 25 March 2021)

Series: The Legacy of the Mercenary Kings – Book Two

Length: 20 hours and 6 minutes

My Rating: 5 out of 5 stars

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Following his epic 2020 debut, one of the fastest rising stars in fantasy fiction, Nick Martell, returns with the second entry in his The Legacy of the Mercenary Kings series, The Two-Faced Queen.

Last year I was lucky enough to listen to a copy of Martell’s incredible first novel, The Kingdom of Liars. The Kingdom of Liars was a gripping and impressive fantasy read set in Hollow, a crumbling city surrounded by an army of rebels, which followed the misadventures of the infamous Michael Kingman. Michael is the scion of the legendary Kingman family, a noble clan of heroes and leaders who have guided Hollow for generations, serving as both supporters to the royal family and a check on their power. However, the legacy of the Kingman family has been severely tarnished in recent years as Michael’s father was executed for the murder of the heir to the throne. With their family disenfranchised, Michael grew up as an outcast in his own city, acting out against authority. This changed when a chance encounter allowed him to investigate who was responsible for his family’s downfall and the death of the prince of Hollow. While he was eventually able to discover the true murderer, his investigation also resulted in the King’s suicide, which subsequently saw him tried for regicide and sentenced to death. The end of the book saw him manage to escape his execution, while also setting up several of the storylines for future entries in the series. I deeply enjoyed the cool story of this first entry in The Legacy of the Mercenary Kings, and The Kingdom of Liars ended up being one of my favourite novels, audiobooks and debuts of 2020. As a result, The Two-Faced Queen was one of my most anticipated reads of 2021.

Michael Kingman is a dead man walking. Still accused of killing the King of Hollow, Michael is now under the protection of the Orbus mercenary company, serving as an apprentice under the mysterious mercenary Dark. However, even with Orbus’s protection, everyone in Hollow still wants to either kill him or use him for their own dark ends. The deadliest of these is the one person Michael is sworn to protect above all others, the heir to the throne, Princess Serena. After spending years away, a vengeful Serena has returned to claim her throne and end Michael’s life. Wielding great power, a lethal attitude and holding the keys to Michael’s heart, nothing will stand in the way of her wrath.

To restore his family’s position, save his home and convince Serena of his innocence, Michael needs to unravel the various conspiracies that have encircled Hollow and uncover the true motivations of the various power players in the city. However, to succeed, Michael is forced to go up against a magnitude of foes, from the Corrupt Prince, the unhinged Rebel Emperor besieging the city, enraged royal guards, conspiring nobles, a scheming immortal, an insane serial killer, dangerous assassins and his former foster father, the man responsible for all his family’s ills.

But the more Michael attempts to understand Hollow’s hidden past and the dangerous plots surrounding his city, the more it becomes apparent that his is a mere pawn in a very dangerous game. Immortals, monsters and mercenaries are all present in Hollow, and each of them has their own nefarious designs for Michael and his family. Can he save everyone he loves before it is too late or has the Kingman family finally breathed its last? Michael’s rise to become a Mercenary King continues, but who will truly wield power when the dust settles?

Now that was one hell of a sequel! Martell absolutely crushed this second entry in this outstanding and exceptional fantasy series, producing a five-star novel that is extremely compelling, intense and so damn exciting. I was absolutely enthralled with this book the moment I started listening to it and I loved every second. The Two-Faced Queen is easily one of the best books I have read in 2021 and I think that any other fantasy novel coming out this year is going to be extremely hard-pressed to outdo it.

Martell has come up with a pretty incredible and intense narrative for The Two-Faced Queen, one that proves to be extremely addictive and insanely good. Starting shortly after the events of The Kingdom of Liars, this novel starts fast and hard, with Michael following up on a number of storylines and revelations from the previous novel. There is already so much going on right from the start of the novel, as the protagonist finds himself surrounded by enemies and conspiracies, both old and new. While several secrets were revealed at the end of the first novel, there is still so much that Michael needs to understand. However, as he attempts to learn these additional secrets, he must also try to avoid the deadly attentions of his beloved princess, end the rebellion plaguing the city, restore his family, defy a dangerous immortal, and make up with his betrayed friends. While this is already a substantial amount of story, Martell keeps adding to it, as Michael also soon encounters a deadly assassin with a contract on him, and a deranged and unnatural serial killer.

While this may seem like too many story elements for one novel, it actually works extremely well, and the reader quickly becomes engrossed in Michael’s various adventures throughout the city. I loved the inclusion of the serial killer storyline, as not only does it add some fantastic mystery elements, but it also proves to be a gateway to some intriguing world building, revealing more of the dark, immortal forces manipulating events from the shadows. This storyline also results in several epic action scenes that place the protagonist and his friends in mortal danger from some unusual foes. I had an outstanding time getting through this complex and well-constructed narrative, especially as every single scene has an intriguing revelation, intense character development or subtle clue to the future of the series. Several key mysteries and secrets from the first novel are answered, partially or wholly, in this novel, although many more are introduced. This really helps to keep the reader’s attention focused on The Two-Faced Queen’s plot, and I am not exaggerating when I talk about how addictive the secret-ridden narrative proves to be. Readers are hammered with large amounts of lore and history in places, so I would recommend reading the first novel in the series, The Kingdom of Liars, before reading this book, although binge-reading this series is hardly a chore. Overall, The Two-Faced Queen’s narrative is epic story writing at its best, and readers will love this terrific tale.

I absolutely must highlight the awesome and well-developed characters featured within The Two-Faced Queen. The most prominent is series protagonist Michael Kingman. Michael is an intriguing and distinctive figure through whose eyes most of the plot unfolds. I have to admit that Michael was not my most favourite character in the first book, mostly because of his impetuous nature and selfish behaviour at times. However, it was revealed that the reason for some of his annoying behaviour was due to some magic affecting his memories and personality. As a result, Michael’s behaviour is substantially changed in The Two-Faced Queen and he comes across as a more considerate figure in this book. He still has quite a few flashes of recklessness and stubbornness, but many of the rougher edges from the first novel are worn away here. Still, a lot of people call Michael out for his crap in this book, including his friends and family, and it was great to see him finally heed their words. There was also some additional exploration of how Michael deals with the legacy of being a Kingman; he is forced to live up to some big expectations. There is a rather good scene where Michael is exploring the crypt of his ancestors with some of his friends, describing why some of them are famous and others are considered failures because they never achieved anything remarkable but just lived a normal life. Seeing this, Michael’s friends, both of whom have been some of his greatest critics, start to understand just how much pressure he is under. I really appreciated the way in which Martell continues to develop his protagonist, and it will be very fascinating to see how Michael’s story continues in the future novels.

Aside from Michael, there is an impressive collection of interesting supporting characters, each of whom have some fascinating storylines, as well as secrets or details from their past which helps to move the story along. They also have their own motivations and plans to shape Hollow and the rest of the world to their advantage, which results in additional plots and conspiracies that the protagonists have to overcome. The most prominent supporting character is probably Serena, the titular Two-Faced Queen. Serena is Michael’s childhood friend and the royal he was sworn to, meaning that he was always destined to be her protector, advisor, and conscience. However, after the death of her brother and Michael’s family were declared traitors, their relationship effectively ended. Now returned, Serena is determined to destroy Michael for the apparent murder of her father, even if it leads to her own ruin. The novel starts up with Michael visiting Serena only to find that she has hand-dug a grave for him, showing her resolve for killing him. This forces Michael to attempt to change her mind, which is no easy prospect, and results in great calamity. Naturally, these two characters share thorny romantic feelings for each other, which complicates Michael’s plans to stay alive, as Serena is a major blind spot in his defences. Their entire joint character arc in this novel is extremely good, and I really appreciated the author’s take on their complex relationship.

Another key character is Dark, Michael’s mercenary master, who, aside from having his own mysterious past and motivations, is the son of Michael’s nemesis, Angelo Shade. Due to Michael and Dark working together closely, the protagonist learns several of Dark’s secrets, especially those related to his troubled childhood and his encounters with the Heartbreaker serial killer. While you don’t learn everything about Dark’s past in this novel (Martell is the master of dolling out just enough character detail to keep you interested, while also keeping plenty back for future novels), you do find out quite a lot, and what is revealed is extremely memorable. Dark has a real dark side to him, no pun intended, and while Michael initially believes that Dark is his ally, he is soon faced with the possibility that he might have placed all his trust in a monster. This results in a very interesting mentor/student relationship between the two, filled with much conflict and mistrust. I really enjoyed learning more about Dark in The Two-Faced Queen, and it will be fascinating to see how the rest of his story unfolds in the future.

Other intriguing characters in this novel include Michael’s best friend Trey, who is attempting to forge his own path and take down both the nobles and the rebels, even if this leads him into conflict with Michael. Trey has a fantastic arc as dangerous antihero in this book, taking control of the city’s criminal element in order to protect its citizens. While a lot of his hostility towards Michael has ended, Trey and the protagonist still have a strained relationship, although Trey does go out of his way to help his friend. Despite their friendship, it is clear that there is a major schism between the two planned in the future, which no doubt will result in all manner of pain and regret. The ruthless immortal Charles Domet is still a firm favourite of mine, and it was fun to see his attempts to manipulate Michael, especially as Michael is now well aware of his true nature. There are some interesting hints to Domet’s past in this novel, and he is clearly working up to something big. The ambitious social climber Naomi also returns, although now she is suffering from a bad drug addiction which makes her even more entertaining, especially as she decides to torment Michael through embarrassment. I also quite liked the expanded use of the chronicler, Symon. Symon, who is determined to record and analyse every secret of Michael and his family, has taken to stalking them by living at the Kingman family home, and it is always entertaining to see his take on the events occurring before him. He ends up actually narrating several interludes in The Two-Faced Queen, which are laid out as parts of his in-novel chronicles as part of a very clever and amusing supplement to the main story. Symon really endeared himself to me in this novel, especially after his insulting descriptions of Michael in his proposed history book, and I deeply appreciated his increased presence.

I honestly could go on and on about the various characters featured within this novel; indeed, I have only just scratched the surface of the support cast in the paragraphs above. However, it is more than clear that Martell does an excellent job in introducing and developing complex characters, and I loved the detailed and intriguing depictions of them throughout the novel. Nearly every character featured within The Two-Faced Queen gets at least one big moment, and there are plenty of revelations and compelling backstories that are really cool to uncover. I will say that you should probably not get too attached to the characters; however, I am very much looking forward to seeing what happens to each of the survivors, especially as Martell has set up some deeply captivating and powerful character arcs around them.

In addition to the fantastic story and amazing character work, Martell has also invested a lot of time in expanding his enthralling fantasy world. The first entry in The Legacy of the Mercenary Kings did a great job setting up the key elements of Hollow, such as the noble families, the people of the city and the various problems they faced. This unique setting of a besieged city filled with scheming nobles and set on a world where pieces of a shattered moon fall to the ground was so cool, and The Two-Faced Queen continues to expand on these previous elements, while also adding to the history and geography of the city and its surrounding nations. Not only do you learn of several outside nations and locations but you also get to see how the key characters of this novel, or their ancestors, have impacted them, as well as the various dangers these realms represent. However, some of the most substantial world-building revolves around some of the unusual creatures residing in this world, including a range of dangerous and destructive immortal creatures. In the previous novel we only encountered one immortal (that we knew of), whose plots and schemes were a major part of the book’s plot. This second novel, in contrast, is loaded with many more immortals, each of whom has their own unique abilities and plans for the world. Martell introduces the lore around these immortals extremely well, and their various traits and schemes are worked into the plot extremely well. It sounds like we are going to encounter a whole raft of intriguing and monstrous immortals in the future of this series, and I am very much looking forward to seeing what happens there. The next book also looks like it will be set in a whole new location, and I will be extremely intrigued to see how that impacts the narrative.

One particular bit of world-building that I really enjoyed was the excellent expansions of Martell’s unique magical system. The main magic of Hollow is known as Fabrication, which allows its users certain control over certain elements or phenomena at the cost of their own memories. This is a really cool magical system, and Martell uses it to great effect throughout his novels, ensuring that there is all manner of destruction and manipulation throughout the narrative. The Two-Faced Queen features multiple new Fabrication types, as Martell introduces unique Fabrications throughout the story, including several that even the protagonists have never heard of. Examples include a particularly dangerous telekinetic Fabrication, which forces everyone to their knees (perfect for its user), while I was also very impressed with the disturbing blood Fabrication that one of the supporting characters pulled out. In addition, Martell also introduces some different forms of magic from some of the other countries in his fantasy world. While you only get to see one or two of these new magical abilities, they are still fun to see and they stand as an intriguing counterpoint to the already established magical abilities. It looks like Martell is setting up some sort of mystery around the origins of all these different powers and it should prove pretty interesting to see how that turns out.

Martell also does an incredible job fitting the downsides of this magical Fabrication into the plot, as several characters experience memory loss, which affects their plans, reactions and relationships. This is most obvious in Michael; as narrator, he loses several days of his life, resulting in him being unaware of plans he puts into motion or certain secrets that he learnt in these missing days. Because the reader does not see these missing pieces of time either, this adds an extra amount of mystery and uncertainty into the narrative, as you try to work out both what is being deliberately hidden from Michael and what he has simply forgotten. These bigger lapses in memory are a fantastic part of The Two-Faced Queen’s narrative, and it helps to make the flow of this book unique and compelling. However, you also have to appreciate some of the smaller examples of memory loss throughout the book, some of which are quite heartbreaking in nature as the characters forget elements of their friends and families without realising it. There is one extremely poignant scene in which Michael confesses to forgetting something very important to him, with the reader only then realises that a certain normal-sounding character description was evidence of memory loss all along. Some of these subtle details are really impressive, and I deeply enjoyed seeing the hurtful side effects of this magical system.

To enjoy this awesome book, I ended up grabbing its audiobook format, mainly because I had such a great time listening to the first novel. There were actually two audiobook versions of The Two-Faced Queen, and I ended up grabbing the Joe Jameson narrated version. Jameson is a fantastic audiobook narrator who has previously lent his voice to amazing fantasy novels like King of Assassins by RJ Barker. I loved his narration for The Kingdom of Liars last year and I was really keen to continue to listen to him in this sequel. Jameson has a great voice for this complex fantasy read, and you swiftly become enthralled by the way he narrates the events occurring, as well as the fantastic voices he comes up with for his characters. All the characters are given a unique voice in a variety of different accents, and each of them really helps to capture the character’s emotions and personality perfectly, whether it is the constant confusion and hurt in Michael, the raging anger of Serena, the cold menace of Dark or the calculating and manipulative voice of Charles Domet. All this voice work is perfect and spot on and I really appreciated the effort that Martell put into this book. Despite its runtime of 20 hours, I got through this audiobook in no time at all and I honestly wished it was a lot longer by the end. This was another outstanding audiobook, and this format comes highly recommended to anyone interested in this fantastic novel.

With this epic and captivating second novel, Nick Martell has cemented his position as one of the best new fantasy authors out there. The Two-Faced Queen was absolutely incredible, and I loved the complex and addictive story, set in a unique fantasy world. There are just so many cool elements to this awesome novel and it really does not take long for the reader to become hooked on every single mystery, secret and hidden past that Martell features within this great read. I cannot wait to see what happens next in this series, but it is already perfectly clear that The Legacy of the Mercenary King books are going to be one of the defining fantasy series of the next few years.

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Star Wars: Thrawn Ascendancy: Greater Good by Timothy Zahn

On May 22, 2021May 2, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel22 Comments

Publisher: Penguin Random House Audio (Audiobook – 27 April 2021)

Series: Thrawn Ascendancy – Book Two

Length: 16 hours and 17 minutes

My Rating: 4.75 out of 5

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One of the most impressive authors of Star Wars fiction in the world today, the legendary Timothy Zahn, returns with another epic entry in his Thrawn Ascendancy series, Greater Good, which continues to explore the early life of that awesome Star Wars character, Grand Admiral Thrawn.

Zahn is an outstanding author who has been writing Star Wars fiction since 1991, with the highly regarded Heir to the Empire. Since then, Zahn has written several amazing Star Wars novels in both the current canon and the Star Wars Legends canon. While I have not read all of Zahn’s Star Wars novels (yet!), the ones I have were all incredible and are some of my all-time favourite Star Wars novels (such as the awesome Star Wars: Scoundrels). However, his most distinctive works have all surrounded the awesome character of Thrawn.

Grand Admiral Thrawn is an alien officer in the Imperial Navy, renowned for his amazing tactical knowledge, brilliance in battle and ability to discern insights about his opponents by observing their personality or culture, especially art. Ever since his introduction in Heir to the Empire, Thrawn has been a firm favourite among the fans, so much so that he was one of the few characters from the Legends extended universe reintroduced in the new canon. This reintroduction was done in the third season of the Star Wars: Rebels animated series, where he served as an impactful antagonist for the third and fourth season. It also looks like Thrawn will also be getting a live-action appearance at some point in the future after his name was dropped in The Mandalorian, which is pretty damn exciting.

The character has been heavily featured in the current range of Star Wars novels, as Zahn was brought back in to write some exciting new Thrawn-based novels. This started with a brand new Thrawn trilogy in 2017, made up of Thrawn, Alliances and Treason, which showed how Thrawn joined the Imperial Navy and his early career as an officer. These novels were all incredible reads (Thrawn got a five-star review from me, and Treason was one of the best books I read in 2019), and I loved the character’s unique adventures. Thrawn’s story was furthered expanded last year with Chaos Rising; the first novel in Zhan’s Thrawn Ascendancy series, which examines the character’s pre-Empire life.

While the armies of the Republic and the Separatists battle for supremacy in the Clone Wars, another deadly conflict is occurring beyond the bounds of known space. Deep in the unexplored regions, known as the Chaos, the mighty Chiss Ascendancy have just defeated the forces of General Yiv the Benevolent, shattering his empire, the Nikardun Destiny, and bringing peace back to their territories. As the Chiss Ascendancy returns to normal, they are unaware that they are still under attack from a malevolent and clever foe that is determined to finish off the Chiss once and for all.

On a Chiss agricultural planet, a group of peaceful and seemingly harmless aliens have arrived, seeking to temporarily make a home. In addition to their good nature, kind hearts and unique spices, these aliens have also brought something of great value that many people will kill for. As news of the alien’s resources spread, cracks begin to appear in the very foundation of the Ascendancy, as the various powerful families fight for supremacy.

With civil war on the horizon, the future of the Chiss Ascendancy may lay in the hands of the brilliant and infamous Senior Captain Mitth’raw’nuruodo of the Chiss Expansionary Defence Fleet. Thrawn, who is personally responsible for the defeat of Yiv and the Nikardun, is currently investigating the origins of their attack on the Ascendancy and, in doing so, comes across a previously unknown planet destroyed by its own deadly civil war. As Thrawn attempts to explore this new mystery, he soon finds himself in the midst of a dark conspiracy. An unseen force is attempting to take control of the entire Chaos, and the Chiss are the greatest obstacle to their plot. Hamstrung by politics, family ties and his own inability to see the deeper motivations of his fellow Chiss, can Thrawn stop the oncoming conflict before it is too late, or will the Chiss Ascendancy burn from the inside out?

Zahn has once again produced an exceptional and outstanding piece of Star Wars fiction that further explores the fantastic early adventures of his greatest creation. Greater Good is an excellent middle novel in this cool trilogy, and readers will deeply enjoy this book’s blend of intricate storytelling, great characters and impressive universe-building. All of this results in an exciting and compelling novel that quickly draws readers in and has absolutely no trouble keeping their attention. I had an outstanding time getting through this great novel and I was able to power through its audiobook format in no time at all.

At the heart of this outstanding novel is a clever and addictive narrative that follows Thrawn and a bevy of supporting characters as the Chiss Ascendancy finds itself in danger from an indirect attack. Greater Good follows on immediately after Chaos Rising, and examines the next stage of a compelling conspiracy against the Chiss, while also focusing on Thrawn’s battles during this period. The author utilises a substantial number of alternate perspectives to tell a rich and varied story and, while Thrawn is the centre of much of the book’s plot, Zahn has widened the focus of the novel with several compelling storylines and characters. These include an investigation into the origins of a Nikardun attack on a remote planet, several jaunts out into different parts of space, internal political conflicts that are a threat to Thrawn, and exciting encounters with other inhabitants of the Chaos. There is also a substantial focus on a new plot to destroy the Chiss, which includes several compelling flashback sequences that examines the origins and initial planning of the conspiracy. This use of flashback is pretty impressive, and while certain aspects of the antagonist’s storyline are a tad odd, it was still an interesting tale. I really enjoyed the vast array of different storylines and character arcs that really highlighted the richness of the setting and the unique plotlines they could inspire. While some of these storylines might seem rather disconnected at times, Zahn cleverly brings them together at the end of the novel, resulting in a very impressive and intriguing conclusion.

As with most of Zahn’s novels, Greater Good is loaded to the brim with Star Wars lore and intriguing universe-expanding ideas as the author dives deeper into the origins, culture and history of the Chiss Ascendancy. Zahn really expands on what he introduced in his previous Thrawn and Thrawn Ascendancy novels, especially Chaos Rising, and highlights the proud Chiss warrior culture. A vast amount of new information of the Ascendancy is featured within this latest book, and the reader gets a fascinating look at the planets, political makeup and social hierarchy of this race, especially at the family level. Not only is this really intriguing, especially for those readers who have enjoyed Zahn’s previous additions to the Star Wars canon, but the author uses it extremely well within the plot. Much of the main narrative, including the conspiracy that threatens to destroy the Chiss, is based on their family makeup and the accompanying politics and family mentalities that go along with that. I felt that Zahn integrated this into the narrative extremely well, forcing the characters to navigate their unusual and insane politics in order to survive.

The author also expands the reader’s knowledge of the previously unexplored area of the Star Wars universe known as the Chaos. The Chaos, thanks to certain celestial anomalies, is harder to navigate and transverse than regular space; it is a mess of isolated planets, unknown societies and new alien races. Zahn introduces several new aliens throughout this novel, with each unusual race playing an interesting role in the overall story. I love the unique Star Wars setting of the Chaos, especially as many of the established Star Wars rules and technology are not as present. For example, the various warships have some different armaments and shielding, such as acid-filled missiles, resulting in some unique and previously unseen battle tactics. It was also interesting to see the different takes on the Force that the inhabitants of the Chaos have come up with. Without any Jedi present, the various races within the Chaos each have their own interpretations or uses for the Force, such as the Chiss Sky-Walkers, young children who can use the Force to help ships navigate the Chaos more effectively, and it was intriguing to encounter different views of this throughout Greater Good. Hardcore Star Wars fans will enjoy the intriguing additions that Zahn makes to the expanded universe, and the final few pages hint at some major lore introductions occurring in the next Thrawn Ascendancy novel that I am rather curious about.

While this was a great book and piece of Star Wars fiction, I did feel that it required some pre-knowledge of Zahn’s prior works. The narrative of Greater Good is heavily linked to the events of its preceding novel, Chaos Rising, and while the author does re-explain some of the elements or storylines, a lot of the plot does rather assume you read the first book. Having greatly enjoyed Chaos Rising, I was able to follow this quite easily, but I could easily see some newer readers getting a little lost or overwhelmed in places. In addition, parts of the Thrawn Ascendancy series are heavily linked to the events of the previous Thrawn trilogy, and certain references or comments might not make much sense unless you had already read these books. As a result, I would suggest newer readers check out some of Zahn’s earlier novels first, although it is still possible to enjoy Greater Good without it. Those readers who have enjoyed these prior books are definitely in for a great treat though and will find the deeper dive into the Chiss and Thrawn’s past to be really enjoyable.

I cannot review one of Zahn’s Thrawn-centric novels without talking about the awesome space battle sequences they contain. Each of these awesome books features some impressive and detailed space battles as the protagonists encounter a range of ships and fleets that they must fight against. Greater Good is a particularly good example of this, as Zahn has written several outstanding sequences that are attention-grabbing and fun. The sheer level of detail and planning that Zahn puts into these action sequences is incredible, and you get an amazing sense of what is occurring during the battle as well as the associated tactics and plans. The sequences involving Thrawn are easily the best, as Zahn goes out of his way to showcase the character’s tactical brilliance. This results in some very elaborate sequences, as Thrawn quickly determines the weaknesses of his opponents and uses that knowledge to craft intricate and somewhat insane strategies to utterly defeat them. Watching these plans come to fruition is always amazing, especially as the reader has no idea in advance what is going on in Thrawn’s mind. Instead, you only get to see the brilliance and impact of his tactics at the same time as the other characters, and it is always a lot of fun seeing how Thrawn was able to come to his conclusions about his opponents and use them against him. Zahn comes up with some outstanding sequences for Greater Good that are guaranteed to leave readers on the edge of their seats.

In addition to the awesome narrative, action and universe-building, Greater Good also features an awesome collection of characters, each of whom add so much to the novel. Naturally, the most impressive character is Thrawn himself. Even amongst his own people, Thrawn is a strange being who sees the world in a very unique way, and everyone he encounters is impressed by his tactical know-how and unnatural observational skills. I always enjoy the way in which Zahn depicts Thrawn’s actions in the novel, as Thrawn is one of the few characters whose perspective we do not see. Instead, Thrawn is only portrayed through the eyes of the major point-of-view characters who observe and react to his actions. Not only does this remove the inherent difficulties in depicting Thrawn’s mind, but it really enhances the impacts of his deductions and subsequent reactions. The observing characters view Thrawn making his moves or claiming some impossible bit of knowledge, and then slowly work out how he did it, either through their own observations or thanks to comments by Thrawn. This is done in a similar manner to the classic Sherlock Holmes novels, with the supporting characters in Greater Good acting in the role of Watson to witness and be impressed by the protagonist’s intelligent leaps. Like with Sherlock Holmes, the use of the outside narrator in Greater Good deeply enhances the impact of Thrawn’s action, resulting in some awesome scenes.

One of the intriguing aspects of Thrawn’s character in Greater Good that I appreciated was the way in which Zahn continued to highlight his character’s one major weakness: politics. Thrawn has absolutely no concept of politics, family alliances or some of the inner conflicts impacting the Chiss, and as such is unable to defend himself or others against political ambitions or vindictiveness. I always really enjoy this trait in the Thrawn novels, especially as it gives Thrawn a noticeable weakness, while also enhancing the impact his fellow supporting characters have, as all of them understand politics better and can help Thrawn in this arena. This blindness to political realities is particularly important in Greater Good, as not only is Thrawn being attacked by politicians from within his own family but the main threat facing the Chiss is more political than militaristic in nature. This results in a rather intriguing handicap for Thrawn throughout Greater Good, and it was cool to see the sort of plan that the character came up with to compensate for it, as well as the mistakes he then makes. Overall, Thrawn is a pretty awesome and fascinating character to follow, and I cannot wait to see what events happen to him in the final book in the trilogy.

Aside from Thrawn, I also really enjoyed some of the supporting characters featured throughout Greater Good. In addition to being perfect conduits to observing Thrawn’s actions, each of these characters have their own intriguing storylines, many of which are continuing from Chaos Rising. Examples of this include Thrawn’s old friend, Admiral Ar’alani, Thrawn’s second in command Mid Captain Samakro, the former Sky-Walker Thalias, who has tied her fate with that of Thrawn, and the powerful Mitth family politician, Thurfian, who serves as a secondary antagonist. Each of these characters is further developed in Greater Good, and I enjoyed some of the cool storylines that Zhan is coming up for them. Thurfian’s storyline is particularly intriguing going into the next novel, as the final scenes hint that he is going to come into possession of some very interesting knowledge soon.

Zhan also introduces several great new characters throughout Greater Good, many of whose narratives are tied into the malevolent plot to destroy the Chiss. I found myself quite intrigued by the character of Lakinda, a fellow Senior Captain in the Chiss Expansionary Defence Fleet, who serves alongside Thrawn. Not only does Lakinda offer an intriguing alternate observation angle on Thrawn, tinged with a bit of jealously and mistrust, but this character provides greater insight into the Chiss family structure. Lakinda is an extremely loyal member of a mid-tier Chiss family, and she often finds her loyalties conflicted as she attempts to choose between family and the fleet. This results in some captivating and emotional sequences which really help to highlight the unusual nature of Chiss society.

I also quite liked how Zahn spends time following the main antagonist of Greater Good, the mysterious alien Haplif. Haplif and his people have been hired by a mysterious third party to orchestrate chaos and dissent within the Chiss Ascendancy to destroy them. As a result, he masterminds an ingenious plot to promote conflict between various members of the Ascendancy. I really enjoyed the complex and clever plot that this character came up with, and it was really cool to see him manage to manipulate several people throughout the course of the book, and he was an interesting alternative to the previous antagonist, Yiv. It was a little odd to see Haplif, a supposedly brilliant planner and master manipulator, find his plans constantly stymied by a spoiled teenager and a backwater rancher, but it was fun to see his arrogance work against him. All of these characters are amazing, and I really appreciate the time and effort that Zahn put into developing them.

It will not surprise anyone that I ended up listening to this Star Wars novel’s audiobook format rather than seeking out a physical copy of the book. I absolutely love Star Wars audiobooks, and this was another excellent example that comes highly recommended. The Greater Good audiobook has a runtime of just over 16 hours, which, while substantial for a Star Wars novel, is extremely easy to get through, especially once you become engrossed in Zahn’s cool story. Like most modern Star Wars audiobooks, Greater Good makes amazing use of the classic Star Wars sound effects and film score to enhance the story. I particularly enjoyed its use in Greater Good’s various space combat sequences, and it really amps up how epic those scenes were.

The real standout of this audiobook was the outstanding narration by Marc Thompson. Thompson is an experienced narrator of Star Wars fiction who, aside from contributing his voice to all the books in the Thrawn and Thrawn Ascendancy novels, has also narrated awesome audiobooks like Light of the Jedi, Doctor Aphra, Dooku: Jedi Lost, Dark Disciple and more. Thompson does an incredible voice for Thrawn that is filled with the character’s control, intelligence, and gentle menace, and which is very, very close to how the character is portrayed in Star Wars: Rebels. This amazing voice for Thrawn is easily one of the best parts of the audiobook, and it is fun to listen to the character lay out his elaborate strategies in Thompsons’s awesome tones. Aside from Thrawn, Thompson also produces a great range of different voices for Greater Good’s supporting characters. Each character gets their own distinctive voice, which matches their personality and physical qualities, and the listener is never in doubt about who is talking. I also quite enjoyed how Zahn makes fun accommodations for the various different species featured within the audiobook, tailoring his voices to make them sound more alien at times. Zahn also gives more rural accents to some of the Chiss characters featured in this novel who are from, or are located on more backwater planets, which I thought was a very nice touch. All of these amazing features help to turn the Greater Good audiobook in an absolute treat for your ears, and it is an incredible way to enjoy this epic novel.

Thrawn Ascendancy: Greater Good is another exceptional piece of Star Wars fiction from Timothy Zahn. Featuring his iconic and impressive creation, Grand Admiral Thrawn, Greater Good serves as an outstanding second entry in the Thrawn Ascendancy series, which charts the early life of this great character. With a clever and exciting story, chock full of universe building, fantastic characters and some unique and memorable battle moments, Greater Good is an excellent novel that comes highly recommended. I have so much love for Zahn’s Thrawn and Thrawn Ascendancy novels and, after really enjoying Greater Good, I am very excited to see how this series ends. The final book in the Thrawn Ascendancy trilogy, Lesser Evil, is coming out in November 2021, and I cannot wait to get my hands on it.

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Firefly: Life Signs by James Lovegrove

On May 11, 2021August 20, 2022 By The Unseen LibraryIn Extended Universe, Science Fiction, Tie-in Novel3 Comments

Firefly Life Signs

Consulting Editor: Joss Whedon

Publisher: Titan Books (Hardcover – 15 March 2021)

Series: Firefly – Book Five

Length: 377 pages

My Rating: 4.5 out of 5 stars

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One of my favourite tie-in series returns with another awesome Firefly novel by bestselling author James Lovegrove. This time, Lovegrove digs up an intriguing unaired plotline for the epic science fiction series and crafts an outstanding story out of it for Firefly: Life Signs.

Set between the events of the Firefly television series and the Serenity film, Captain Malcolm Reynolds and the crew of Serenity are still scraping by, earning a living from barely legal jobs while also dealing with the consequences of their previous capers. Life seems to be normal (well, normal for this motley crew) until they receive some shocking news: former crewmember Inara is dying from a terminal illness.

Rushing to her side, a devastated Mal learns that Inara is suffering from Kiehl’s Myeloma, an incurable form of cancer. With only a few short weeks until Inara’s time is up, Serenity’s crew look set to lose one of their own, until a rumour reaches them of a potential cure. Esau Weng, a maverick scientist, was rumoured to be working on a medical breakthrough that could potentially treat Inara’s condition. However, the unethical and secretive nature of his work landed him in trouble with the Alliance, who arrested him and bundled him off to their most notorious prison.

Tracking Esau’s location, the crew are disheartened to learn that he has been sent to the prison planet of Atata, a dangerous and harsh place where the worst criminals and dissidents the verse has to offer are housed. Inmates are abandoned on its surface and are forced to survive with no guards, no protection, and limited resources. Worse, the planet is a frozen wasteland, nearly uninhabitable thanks to its failed terraforming, with its snow-covered surface filled with mutated animals. Determined to save Inara no matter what, Mal organises a desperate infiltration of the prison with Zoe, Jayne and Simon. However, finding Weng will prove to be harder than they imagined, as they are forced to deal with the deranged ruler of the prison. Can Mal and his team find Weng before it is too late, and even if they can, will his supposed cure be enough to save Inara?

Over the last couple of years, there has been an excellent resurgence in Firefly/Serenity tie-in fiction as new publishing companies have taken charge of producing content for the franchise. One of the best examples of this has been the new collection of Firefly novels that introduced some compelling original stories surrounding various members of Serenity’s crew. All of these novels have been pretty awesome so far, and I have really enjoyed the awesome and impressive stories they have created.

While other authors have been lined up for these books, such as Tim Lebbon (who wrote Firefly: Generations), the MVP of this series has been James Lovegrove, who has written four out of the five novels (including this one). His previous books have included Big Damn Hero (with Nancy Holder), The Magnificent Nine and The Ghost Machine, all three of which have been exceptional tie-in reads. In my opinion, each of Lovegrove’s Firefly novels has been better than the last, and this continues to be the case with Life Signs. Life Signs was an outstanding and clever read that explores some of the most interesting and compelling aspects of the Firefly universe while also getting to the very core of some of its iconic characters.

For his latest Firefly novel, Lovegrove comes up with an awesome narrative that is both exciting and emotionally powerful, as the crew engage in a prison break to save one of their own. Like the rest of the Firefly books that I have had the pleasure of reading, Life Signs is an extremely fast-paced novel, which makes great use of multiple character perspectives, including all the members of Serenity’s crew as well as several new characters, to tell a complete and intriguing story. The novel starts at pace, with the crew receiving the devastating news about Inara’s upcoming death, which hits all the characters, especially Mal, extremely hard. From there the story splits into two linked but separate story arcs: one on the planet and one in space. The storyline set on the prison planet is pretty good, and it was a lot of fun to see the more criminally minded Mal, Zoe and Jayne attempt to blend in, along with a faltering Simon. Their attempts to infiltrate the criminal inhabitants of the prison ends up producing several interesting issues that they need to overcome, and they eventually engage in a desperate battle for survival out in Atata’s snowy wasteland. There are some great twists associated with this part of the story, including a clever one surrounding an inmate who joins their team, and this was a fantastic part of the book. At the same time, the three other members of the crew are out in space aboard Serenity and must deal with a fanatical Alliance captain who is determined to capture them, resulting in some amazing space exploits which push River to the fore. Both these separated arcs are pretty awesome, and they come together extremely well, ensuring the reader gets a fantastic blast of action and character development. I also enjoyed the additional emotional weight that the life-or-death storyline surrounding Inara has, and it was definitely a powerful and compelling narrative that readers are guaranteed to want to finish off as quickly as they can.

Life Signs is an intriguing and clever addition to the wider Firefly canon. While the story is quite open to new readers or those who are unfamiliar with the franchise, this is definitely a novel best enjoyed by fans of the Firefly television show and additional tie-in media, as there are a number of fun references and major character moments that they will find particularly appealing. One of the most interesting parts of this book is the storyline surrounding Inara having cancer. As some Firefly fans may be aware, members of the show’s creative team have revealed that they initially planned a whole major storyline around Inara suffering from a terminal illness, which would have appeared in a future episode of the show. They even layered a few hints about this in the first season, such as her mysterious syringe and the reasons why she was travelling on Serenity rather than a more luxurious ship. I was very excited to hear that parts of this storyline were being used in Life Signs and I think that Lovegrove did a great job examining this interesting character thread surrounding Inara. Not only does this result in some brilliant and dramatic moments, but Lovegrove makes sure to make mention of several of the hints that were shown in the television series, which fans will deeply appreciate. Lovegrove provides several additional references that eagle-eyed fans will appreciate, such as the very start of the book containing a fun follow-up to one of the crew’s previous adventures. Lovegrove also subtly ties Life Signs into some of the previous Firefly novels he wrote, including through a key supporting character, and I quite liked the continuity of the novels. As a result, this is a perfect read for Firefly fans, although general science fiction buffs or those who enjoyed the show will have a great time with this novel as well.

As usual with Lovegrove’s Firefly novels, one of the most impressive highlights of this book is the fantastic depiction of the fantastic characters from the show. Lovegrove has always done an amazing job of bringing these great characters to life within his novels and I really love his attention to character detail, emotion and their inner selves. Life Signs continues this trend by thoroughly examining several members of the crew and I deeply enjoyed the emotional and enjoyable inclusions to the plot.

You can probably guess that Inara gets a bit of focus in this novel, due to the reveal that she is dying. As I mentioned above, I really enjoyed that Lovegrove utilised this story arc in Life Signs, and the author leverages this plot to provide a fantastic and powerful dive into Inara’s character, a re-examination of her actions during the television show, as well as an exploration of her relationship with the other people aboard Serenity. This serves to be one of the more intriguing portrayals of Inara in this series of novels, although it is rather brief as Inara spends most of the novel in a near-death state. Due to Inara’s illness keeping her out of much of the plot, a lot of the story’s emotional weight fall to Mal, who ends up getting most of the focus of this novel. While you do get his typical cocky attitude, fun humour and ability to annoy anyone around him, you also get to see Mal on the emotional edge during this book. Mal is naturally devastated by the news that his unspoken love interest is dying, and he quickly latches on to any hope for her survival. As a result, he dives into the hunt for a cure with reckless abandon and ends up taking some big risks. Lovegrove did an amazing job portraying Mal as a bit deranged in this novel, and it was fascinating to see the usual conscientious captain seemingly prioritise Inara’s survival over the safety of his crew. There are some amazingly dramatic and moving moments throughout this book as Mal struggles to deal with the emotions surrounding Inara’s potential death, and Firefly fans will be left on the edge of their seats as Lovegrove provides some new angles to their complex relationship.

While a good portion of the novel focuses on Mal and his concerns for Inara, the rest of Serenity’s crew also appear throughout the novel, as each of them has at least one chapter shown from their point of view. Interestingly enough, both Tam siblings get a decent chunk of focus, with their storylines not as connected to each other’s as usual. Simon has a great arc down on the prison planet after he is dragged along to determine if Weng can actually help Inara. Due to his lack of criminal believability, Simon ends up having a very interesting time in the prison, especially after he befriends a seemingly innocent female inmate, who forms a romantic attachment to Simon. This ends up causing many problems with Simon, due to his poor lying abilities and conflicted feelings over Kaylee, and it was really interesting to see how his arc ended up. On the other hand, River spends her part of the story aboard Serenity, and is called into action when the ship is threatened by Alliance military vessels. I loved that Lovegrove spent time exploring River’s piloting Serenity, something that is shown at the end of the Serenity film, and it was really cool to see her do some complex and insane manoeuvres. The chapters shown from River’s point of view are amongst some of the most entertaining parts of the book, and it is always great to see this crazy genius in action.

Zoe, Wash, Kaylee and Jayne round up the main cast of this book, although each of them has more of a supporting role. Zoe does have an intriguing storyline that sees her bond with a fellow former soldier in the prison, and there were hints back at her past as a Dust Devil, something that was initially introduced in one of Joss Whedon’s comic books. All these characters are portrayed in exquisite detail however, and Lovegrove does a good job replicating their personalities and characteristics throughout the story. Overall, fans of the franchise will love the way that each of the characters are utilised throughout Life Signs, and I cannot wait to see which characters are featured in the next Firefly novel.

Firefly: Life Signs is another exceptional and clever Firefly tie-in novel from the impressive James Lovegrove. Lovegrove has come up with an exciting and clever tale that successfully utilises a planned storyline from the show and produce an addictive and memorable narrative with it. Readers will love the awesome call back to this iconic science fiction show including the excellent portrayals of the main cast of characters. I had an amazing time reading this book and Firefly fans are going to love every second they spend reading it. While I cannot wait to get my hands on the next entry in this series, which looks set to be Carnival by Una McCormack, Life Signs is an outstanding novel to check out now and comes highly recommended.

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