Throwback Thursday: Green Arrow (2001): Volume 3: The Archer’s Quest by Brad Meltzer, Phil Hester and Ande Parks

Green Arrow Archer's Quest

Publisher: DC Comics (Paperback – 1 September 2004)

Series: Green Arrow Vol. 3 – Volume Three

Writer: Brad Meltzer

Penciller: Phil Hester

Inker: Ande Parks

Colourist: James Sinclair

Letterer: Sean Konot

Length: 175 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I check out an all-time favourite comic of mine, the third volume of the epic 2001 Green Arrow relaunch, The Archer’s Quest.

The late 1990s and early 2000s were an outstanding time for DC Comics, who produced an amazing number of epic and fascinating comic series that combined brilliant storytelling with fantastic artwork.  While there are several great series I enjoy from this period (Teen Titans comes to mind), one of my absolute favourites was the awesome 2001 relaunch of Green Arrow.  Also recorded as Green Arrow Vol. 3, this series resurrected the original Green Arrow, Oliver Queen, some years after his death.  I have an amazing amount of love for this comic; not only was it one of the first series I ever really got into but it still really stands up after all this time.  This is easily one of my all-time favourite comic book series, and the absolute pinnacle of this series was the simple, yet amazingly effective fourth volume, The Archer’s Quest.

While I probably should review some of the proceeding volumes of this series first before talking about The Archer’s Quest (such as the first volume, Quiver by Kevin Smith), I recently re-read this fantastic comic, so it has been on my mind all week.  Containing issues #16-21 of this outstanding series, The Archer’s Quest is a brilliant and captivating comic tale that really gets to grips with the protagonist as he embarks on a journey vital to his identity and history.  Featuring the brilliant writing of bestselling author Brad Meltzer (author of several amazing thriller novels, as well as some impressive DC Comics), and the artistic stylings of Phil Hester and Ande Parks, this is an exceptional comic which gets a five-star rating from me.

Green Arrow - #16

Following his unexpected resurrection after his violent death, Oliver Queen, the Green Arrow, has been returned to Earth, ready to continue the good fight.  However, no man can come back from the grave without a heavy heart, and Oliver Queen has more skeletons in his closet than most of his fellow heroes.  A chance discovery that the villain, Catman, attended his funeral leads Oliver back to his old friend, Shade, the immortal being Green Arrow trusted to round up certain artefacts of Oliver’s superhero career that could reveal his secret identity. 

Discovering that Shade failed to get several of Oliver’s most precious keepsakes, Oliver embarks on a cross-country road-trip to recover them himself.  Accompanied by his former sidekick, Roy Harper, Oliver begins visiting some of the locations most important to himself and his career as a superhero.  From the ruins of the Arrowcave to the Justice League’s orbiting Watchtower and even the Flash Museum in Central City, Oliver and Roy will attempt to find these items from the past in order to safeguard their future.

However, this will be no simple road trip, as the two heroes encounter some unexpected dangers and surprising opposition, including fellow hero the Flash and the angry zombie Solomon Grundy.  Worse, this journey will uncover some dark secrets from the past that Oliver has long hoped to keep quiet.  Can Oliver recover his treasures without his friends and family discovering who he really is, or has the past finally come back to destroy this resurrected hero?

Green Arrow - #17

The Archer’s Quest is a fantastic and powerful Green Arrow comic that takes the protagonist and his former sidekick on a wild and extremely personal adventure.  Before reading this, if you had ever pitched me a comic based around the idea of a recently resurrected superhero going on a road trip, I might have been a little dubious.  Well, it turns out that I would have been dead wrong, as Brad Meltzer produced an intense, captivating and emotionally rich narrative that is not only extremely entertaining but which contains some excellent character work, some brilliant references to the classic Green Arrow comics, and which dives deep into the psyche of a troubled and complex protagonist. 

The narrative of The Archer’s Quest starts extremely strong, with Green Arrow meeting Superman at Oliver Queen’s grave.  This is a fantastic opening scene, especially once Superman hands over a series of photographs of the funeral, and I loved the focus on the harrowing realities following a resurrection.  The sombre mood is broken when Green Arrow notices a stranger in his photo amongst his closest friends.  This leads him to hunt down Catman, which also reveals the hand of Shade and the revelation that certain items from Oliver’s past are still out in the open.  This forces Green Arrow into a road trip, hunting for his artefacts and dealing with friends, enemies and family.  The first chapter packs in some much-needed action, as Green Arrow goes toe-to-toe with Solomon Grundy in an epic and brutal fight, that ends with a surprising, and gruesome, win from the protagonist.  From there, Meltzer and the artists pile up the emotional and the feels by having Oliver encounter several fellow heroes who he has complex relationships with, while also building up the nostalgia factor, with the reveal of classic Green Arrow items, locations and characters.  All this leads to some major moments, from an attempted proposal to a moving and long-awaited conversation between father and son.  However, Meltzer saves the absolute best for last with a startling revelation about the past that shows Oliver’s true character and serves as a powerful end to the entire story.  This was a beautiful, character driven story, and I think Meltzer hit all the right notes.  The pacing is perfect and there is a fantastic blend of action, character development and emotional discovery, which all comes together into one outstanding story.  The Archer’s Quest is addictive and dramatically intense from start to finish, I can read and re-read this comic for years (and I probably will).

Green Arrow - #18

One of the things that I really enjoyed about this amazing comic is the way in which Meltzer and the artists turned it into a homage to the Green Arrow comics.  The creative team spend a substantial amount of time diving back into the history and lore of the character and his comics, working them into the story in very meaningful ways.  So many key aspects of the Green Arrow comics are referenced or alluded to in some way, as the characters journey around some iconic locations, including the Arrowcave, to obtain the artefacts.  Through this dive into the past, the creative team manage to perfectly capture the various eras of Green Arrow, including the classic Golden Age comics, the grittier Silver Age comics, the road trip era with Green Lantern (which this comic really tries to emulate), and The Longbow Hunters period.  This wide range of references makes for a very intriguing and compelling comic, and it helps turn The Archer’s Quest into a must-read for all Green Arrow fans.  I loved the clever range of different artefacts that protagonists are trying to recover, including the diamond-tipped arrow from Green Arrow’s first appearance in Justice League of America, his official invitation to the Justice League, and the truck that he and Green Lantern used in their iconic road trip.  These cool artefacts really help to ramp up the nostalgia while simultaneously including key modern story elements hidden within.  The cool funeral sequence at the start of the comic also allows the creative team to reference and include a vast range of supporting characters and allies from the original comics, with a range of different figures from Oliver’s career appearing to pay their respect.  I deeply appreciated the modern analyses and descriptions of the items, locations, complex relationships, character designs, weaponry (why all the boxing gloves?) and prior adventures included in this comic, and it helps to produce a comprehensive account of these iconic events, while also bringing them up to speed with more modern comic lines.  You can really tell that the creative team behind The Archer’s Quest had a lot of affection for the preceding Green Arrow comics, and this outstanding comic proves to be an amazing and captivating love-letter to the Emerald Archer.

I deeply enjoyed the epic characters that this amazing comic followed, especially as Meltzer uses this story to dive deep into the psyche and relationships of the protagonists, especially Oliver Queen, the titular Green Arrow.  This version of the character is only recently returned from the grave, and this becomes a major part of his identity throughout the comic, driving him to fix some of the mistakes of his past while also ensuring that he never hurts his family again.  Thanks to the entire comic being narrated by Oliver, you get some very intriguing insights into Green Arrow’s mindset during this period, and you really get to know who he is and what his motivations are.  Rather than some of the typical portrayals of him as a liberal, generic arrow slinger, the creative team attempt to show him as a complex veteran hero, still deeply impacted by his resurrection and uncertain about his place in the world.  A lot of The Archer’s Quest’s narrative involves Green Arrow attempting to find pieces of his past that are significant or potentially damaging to him, and as such you get an amazing look into key events of Oliver’s past, as well as his current priorities and concerns.  I really enjoyed the storylines involved with him trying to reconcile or repair relationships with his former friends and allies, as well as an interesting development in his romantic partnership with Black Canary.

Green Arrow - #19

One of the best things about this comic is the way that Meltzer portrays Oliver as a more morally ambiguous figure, willing to make a deal with a supervillain, lie to those closest to him, and initiating undercover actions to protect identities.  There is also some great evidence of the self-destructive tendencies that would be a major defining feature of this series, as well as the complex decisions that affect those closest to him.  As such, he keeps many secrets, even from his former sidekick, such as his main motivation for recovering his old truck is to secure the Green Lantern ring Hal Jordan hid in there years ago.  However, the biggest secret involves the revelation that he always knew that his son, Conner, existed, and that he pretended he did not know who he was when they first met.  This revelation is slowly and cleverly revealed throughout the comic, first with Oliver subtly making the recovery of its hiding place his main priority, and then in the final scenes after he has a heart-to-heart with Conner, when he reveals the secret photo.  The narration during this scene sums up Green Arrow in this series perfectly: “You’re a bastard Oliver Queen.  You knew.  You always knew.  And the worst part is…. it’s still your secret.” and the entire sequence ensures you will never look at this character again in the same way.  I also musty highlight the great inclusion about Green Arrow secretly coming up with plans to protect secret identities if a hero died.  Not only is this vital to the plot of The Archer’s Quest, but it also hints at the great storyline that Meltzer would eventually use in his epic Identity Crisis, which features a proactive team of heroes mind-wiping villains and destroying personalities.  This outstanding and layered portrayal of Green Arrow in this comic is one of the defining characteristics of The Archer’s Quest, and I am blown away with this brilliant character work every time I read this volume.

The other major character of this novel is Roy Harper, his former sidekick (now Arsenal), who Oliver calls in to help him hunt down Catman.  I really enjoyed the inclusion of Roy in this comic, especially as he had been overly featured in this series (he was mostly appearing in Titans).  As such, we had not really gotten a glimpse at the current relationship between former mentor and sidekick, which has always been strained since the infamous heroine incident.  The Archer’s Quest did an amazing job bringing them back together again, and Roy really gets into the swing of the adventure, with the two characters getting back into their adventuring groove.  However, the comic also deals with the inherent mistrust between the two characters, with Roy upset that Oliver trusted Shade more than him to protect his identity after his death.  The two end up working through these issues throughout this comic, and it ended up being a fun and powerful reunion that long-term Green Arrow fans will deeply enjoy.

Green Arrow - #20

Aside from Green Arrow and Roy Harper, this comic also makes great use of several other supporting character who either bring the protagonist back to his past, or help to add some emotional weight to the story.  This includes brilliant inclusions of two fellow superheroes, Kyle Rayner and Wally West, the versions of Green Lantern and the Flash who were active at the time.  Both these younger heroes bear a major legacy that results in some complicated and moving interactions with Oliver.  One of the most important is Kyle Rayner, who has taken over the mantle of Green Lantern following the corruption and eventual death of Green Arrow’s best friend, Hal Jordan.  Since Oliver’s resurrection, their relationship has been strained, with Oliver having trouble accepting him.  This all finally comes to a head with Oliver travels to the Watchtower and encounters the young Lantern, and they have a massive heart-to-heart.  The revelations that Oliver has trouble accepting a new Lantern instead of his best friend, as well as the emotional burden Kyle also bears, especially around his first loss as a superhero (women in refrigerators man, that stuff will mess you up), all comes out, and leads to an amazingly moving scene.

I also loved the great interaction that Oliver had with Wally West outside the Flash Museum, after Wally is warned that Oliver is planning to break into it.  The two characters have a great stare-down, which sees the usually jovial Flash incredibly serious at Oliver’s attempted trespass.  Oliver’s narration about this event is pretty great, especially noting that Wally’s usual short attention span is overridden by his love of Barry Allen’s memory.  These two interactions with Green Lantern and Flash are short but extremely powerful, and it was amazing to see the strain on Oliver at being still alive, while the roles of his friends have been passed on to the next generation.  Despite the serious nature of these scenes, both had an entertaining ending with Oliver managing to outsmart his younger colleagues: “That old, lying son of a b…”.  I also liked the inclusion of Superman at the start of the comic, which was both entertaining, and played into the resurrection storyline perfectly with Superman feeling guilty about not being able to save Oliver when he died, while also being a bit of an expert on coming back to life himself.  I also enjoyed the fantastic conclusion of the Flash arc, especially as the entire break-in was to retrieve a costume-filled ring that the Flash made for Green Arrow years before, and which was a nice nod to the great friendship they used to have.

While this volume of Green Arrow does not have an antagonist per se (except for Solomon Grundy and Oliver’s self-destructive behaviour), it does feature a couple of great supervillains in a supporting role.  The first of these is Shade, the immortal shadow-powered gentleman who, despite being a villain, gained Green Arrow’s trust years ago, and was entrusted by Oliver to fulfil his post-death wishes (always chose an immortal).  Shade is a fantastic inclusion to this comic, especially as his inclusion enhances the implication that Green Arrow is a much more morally grey hero than you would initially believe.  The interactions between Shade, Green Arrow and Roy Harper are really good, and I liked the explanations for why he was unable to fulfil all his duties (I wouldn’t want to annoy Jay Garrick either).  I also really need to highlight the excellent inclusion of Thomas Blake, better known as Catman, in his first appearance in comic form in years.  Catman has always been a bit of a joke character due to his gimmick (which simultaneously rips off Catwoman and Batman at the same time), but in this comic he is shown to be a shell of even his previous ridiculous self, who is looked down on by the entire supervillain community.  Hired by Shade as his agent, Catman is hunted down by Green Arrow after attending his funeral, only to show him as an overweight and unthreatening loser.  This entire comic paints him as quite the pathetic figure and shows the downsides of being a fourth-rate villain who turned on some very powerful people.  While his appearance in this comic was more entertaining than deep, it does beautifully set up his later appearances in such comics as Villains United and Secret Six and serves as his inspiration for becoming the ultra-badass we see there.  These two villains perfectly rounded out the main cast of The Archer’s Quest, and both inclusions were fantastic and intriguing additions to the overall plot.

Green Arrow - #21

This amazing and complex narrative is perfectly backed up by some excellent artwork from the team of Hester and Parks, who really bring this story to life in exquisite detail.  This entire comic is drawn in fantastic detail with some beautiful scenes, fantastic backdrops (including some iconic Green Arrow locations, lovingly brought to life) and entertaining sequences.  This includes some brilliant and powerful action sequences, and the artists pay particular attention to the flight, movement, and destructive potential of the arrows.  I particularly liked the awesome fight scene between Green Arrow and Solomon Grundy, which was filled with some brutal action in the tight confines of the former Arrowcave and featured some great narration from the protagonist.  I loved the character designs featured in the comic, and the classic look of Green Arrow and his companions was great.  The artists do a great job portraying emotion on the face of the characters, especially surrounding Oliver and his multiple examples of anguish and conflict.  I also appreciated the play of emotion on some of the other characters faces, especially Flash when Oliver arrives at the Flash Museum.  Seeing the grim and dark look on Flash’s face as he tries to stop Oliver is really surprising and impactful, and the artists do a fantastic job of showcasing a tense stare-down between the two as the sun starts to rise.  However, in my opinion, the best drawn sequence in the entire comic occurs at the front of the volume, when Oliver contemplates his funeral.  Shown in a series of polaroids, you see the various grieving mourners and it was fantastic to see several obscure figures from Oliver’s past appear to pay their respect.  This beautifully drawn scene is short, but it sets the scene for the rest of the volume extremely well and is an excellent way to start this fantastic comic.  I loved the way the comics in The Archer’s Quest were drawn, and they ensured that the outstanding story reached its full potential.

Overall, I have an insane amount of love for this third volume of this classic Green Arrow series, and it comes highly recommended.  The Archer’s Quest is a brilliant and powerful comic arc that perfectly combines a clever and nostalgic story, with some intense character development and a fun and enjoyable art style.  Meltzer’s narrative in this fantastic Green Arrow comic so damn amazing, and I deeply enjoyed his take of this iconic character.  I deeply enjoyed The Archer’s Quest, and it easily one of my favourite comic volumes of all time.  I am hoping to review the rest of this Green Arrow series in some future Throwback Thursday series, and I look forward to highlighting all the amazing storylines that were contained in this incredible run.

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The Bone Ship’s Wake by R. J. Barker

The Bone Ship's Wake Cover

Publisher: Orbit/Hachette Audio (Audiobook – 28 September 2021)

Series: The Tide Child Trilogy – Book Three

Length: 20 hours and 49 minutes

My Rating: 5 out of 5 stars

Amazon     Book Depository

One of the fastest rising fantasy authors in the world today, the brilliant and exceedingly talented R. J. Barker, brings The Tide Child trilogy to an end in epic fashion with the exceptional and powerful The Bone Ship’s Wake, one of the best fantasy reads of 2021.

There have been some really impressive fantasy authors producing great reads over the last few years, but in my opinion none have been as consistently amazing and addictive as R. J. Barker.  Barker burst onto the scene in 2017 with Age of Assassins, the first book in The Wounded Kingdom trilogy, and soon followed it up with two additional outstanding reads, Blood of Assassins and King of Assassins.  While I have a lot of love for this brilliant trilogy, especially the final novel King of Assassins, Barker has since eclipsed it with his second series, The Tide Child trilogy.

The Tide Child trilogy is a grim and powerful series that follows a unique set of characters in an exceptional, character driven, adventure tale.  The Tide Child books are set in a dark fantasy world, primarily made up of deadly oceans and seas which have produced a harsh breed of warring humans.  The inhabitants of this world traverse these oceans in ships made of the harvested bones of sea dragons, known as the keyshans, the creation of which led to the mass extinction of these dragons.  The first novel in this series, The Bone Ships, set the scene for this great series and introduced the primary characters as they set out on an epic quest to hunt the last sea dragon aboard the boneship, Tide Child.  This was an exceptional read that ended up being one of the best books and audiobooks of 2019.  Barker followed this up in 2020 with Call of the Bone Ships, a great sequel that saw the crew of Tide Child engage in a rebellion against the established order.  Call of the Bone Ships ended on a pretty massive cliffhanger that set the scene for an exceptional and stunning conclusion.  As such, the final entry in this trilogy, The Bone Ship’s Wake, was one of my most anticipated reads of 2021, and Barker did not disappoint here, as he produced an epic and captivating read.

It has been a year since the climactic battle that saw the boneship Tide Child and the rebel fleet barely escape the wrath of the Hundred Isles after being forced to abandon shipwife Meas Gilbryn.  In that time, loyal deck keeper Joron Twiner has taken on the mantle of leadership for the rebel black ships and turned them into a fleet of marauding pirates.  Now known by all as the feared Black Pirate, Joron constantly raids the Hundred Isles, determined to weaken its fleet and devastate its defences for an invasion from the rival Gaunt Islands, Joron’s only true priority is to discover the location of his lost commander and rescue her.

After a particularly vicious raid nearly sees the destruction of Tide Child, Joron is only more determined to find the shipwife before the entire fleet is lost.  With time running out for Joron thanks to the insidious keyshan’s rot that is slowly eating away at his body, Joron embarks on an ambitious plan to find and rescue Meas by returning to the most dangerous place in the world, the capital city of the Hundred Isles.

Accompanied by a small crew, Joron hopes to infiltrate the city and force Meas’s location from the ruthless rule of the Hundred Isles, Meas’ estranged mother.  However, all Joron will discover is blood and betrayal, as dangerous forces seek to take control of the oceans for their own nefarious ends.  Worse, Joron must continue to struggle with the dangerous legacy of the magical gullaimes, who believe that he is the Caller, the man who can sing up the keyshans and use them to destroy the world.  Will Joron and his crew succeed against impossible odds, or will the final voyage of the Tide Child result only in the death of everyone and everything Joron loves and cares about?

Well damn, now that was an incredibly awesome book.  I have said time and time again that Barker seems to get better with every book he writes, and I honestly believe that The Bone Ship’s Wake is the very best so far.  The Bone Ship’s Wake has an exceptional narrative filled with emotion, tragedy and powerful action on the high seas, which perfectly wraps up this epic series and provides the reader with an emotional and captivating goodbye.  Easily one of the best books of the year, The Bone Ship’s Wake gets a full five-star rating from me.

This final entry in The Tide Child trilogy has an extremely powerful, character-driven narrative to it, which perfectly continues the epic tales told in the preceding novels while also providing an extremely satisfying and moving conclusion to the entire series.  Told nearly exclusively from the perspective of central protagonist Joron Twiner, The Bone Ship’s Wake starts one year after Call of the Bone Ships, with some major changes occurring to the world and the characters during this period.  Told in three parts, this book has a bit of a slower introduction, which Barker uses to full effect to highlight the situation the characters find themselves in, while also reintroducing all the key elements of the fantasy world.  The first part of the novel is primarily used to show how far Joron has come, placing him in command of a ship as he faces off against his enemies.  This outstanding introduction sets up several key storylines while also featuring a tense and detailed chase out on the seas, with deadly and monstrous consequences.  The second part of the novel follows a desperate Joron, after leaving his ship and most of his crew behind, as he embarks on a dangerous all-or-nothing quest to save his shipwife and bring her back to the fleet.  This second part is loaded with some major dramatic moments, intrigue, treachery, and politics, which does an outstanding job expanding the already captivating storylines, while also serving as a great buffer from the nautical heavy start and end of the novel.  The story goes in some amazing directions here, and Barker throws in some captivating and surprising twists that alter everything you thought about how the story would end.

All this leads up to the conclusion of the novel, which sees the surviving primary characters caught in a desperate situation on the high seas.  After some daring actions and clever plans which have some unfortunate costs, all the characters are perfectly set up for their final places the series’ brilliant storyline.  This last part of the novel is deeply thrilling and powerful, and it honestly proves impossible to put it down as you wait to see how everything comes to an end.  Barker really amps up the desperation and hopelessness during this part of The Bone Ship’s Wake, as the crew of Tide Child and its allies are pressed in some destructive naval actions.  It all leads up to one final gambit, with the lives and the hopes of the survivors held in the balance.  This epic conclusion is extremely dramatic and powerful, with some big sacrifices and major character moments that will leave you breathless and deeply moved.  I thought that this amazing conclusion perfectly wrapped up the entire series, with all the key storylines and character arcs coming to a very satisfying and emotional end.  I loved every single second I spent getting through this exceptional story, and every brilliant turn, clever revelation and powerful character moment is still firmly engrained in my mind.

I really need to highlight Barker’s fantastic writing style, which brings this brilliant story to life.  It has been an absolute pleasure to see Barker grow as an author throughout the last few years, especially as he utilises more and more complex techniques with each passing novel.  The Bone Ship’s Wake is a particularly good example of this, as an amazingly well paced novel that slowly builds momentum as the story requires, with the intensity of the book turning on a dime, from the deep slowness of sailing to the fast pace of an epic nautical battle.  This is often accentuated by the author’s great use of repetition, with key sentences throughout the novel repeated multiple times to build up tension or to highlight the rapidity of duty aboard a ship.  This pacing and repetition almost gives The Bone Ship’s Wake a pulse, and you can feel the rhythmic build towards the high points of a novel.

I was once again deeply impressed by Barker’s incredible ability to produce a nautically focused novel.  Nautical novels require an insane amount of detail and dedication to work, and Barker has done that in spades throughout The Tide Child trilogy.  Thanks to Barker’s ultra-detailed writing style, life aboard the boneships is brought to life for the reader, showcasing every single action of the crew or movement of the ship.  The reader gets an amazing sense of what is happening aboard Tide Child, and you feel that you are aboard the ship itself, watching the crew in action.  This works particularly well during some of the intense, high-concept naval battles, where the actions of multiple ships are followed, ensuring that the reader gets a great idea about what is going on.  Barker also works in a lot of ship details that are unique to the series’ fantasy universe, allowing for a much more distinctive and compelling time at sea.  The combination of traditional nautical elements and fantasy features, such as ships crafted from dragon bone, ultra-powerful bolt throwers, wind calling bird men and the various monsters stalking the deeps is particularly striking and really helps this cool trilogy stand out.  This is honestly one of the best series set on a ship you are ever likely to read, and I am still so impressed with how well Barker was able to feature it in his novels.

I also must highlight the cool, dark fantasy world that Barker has created for this series.  Throughout this trilogy Barker has put an amazing amount of work into crafting this complex and deadly fantasy world, containing hostile oceans with only a few small islands, where the inhabitants are forced to fight on ships made from dragon bone.  I have had an outstanding time exploring this complex and compelling landscape, and I have a lot of love for some of the more unique details, including the enslaved gullaime (bird-like windtalkers), crazy monsters, the gender reversed human society which includes subtle changes like ships being consider male by their crews, and the constant naval warring and raiding such a landscape has created.  Barker does some very interesting expansions in this final entry, resulting in some substantial changes and journeys to new locations within the world.  There are some cool new creatures, including a mist-spewing kraken, as well as some fascinating and intense developments amongst the established creatures, including the gullaimes and the keyshans.  I similarly appreciated the way Barker examined the troubles with his female dominated society, especially as the motivations for some of the antagonists are closely tied into it.  Overall, I had a wonderful time with my last exploration of this unique and dangerous setting, and I cannot wait to see what sort of distinctive setting Barker comes up with next, although I already know it will be pretty incredible.

You cannot talk about any novel in The Tide Child series without praising the outstanding character work that Barker has done.  Each of these novels has done an exceptional job of building up all the major characters, from the central point-of-view perspective, to the various supporting characters found upon the central ship setting.  I have deeply enjoyed seeing each of these characters develop into better and well-rounded figures as this series has progressed, and Barker makes sure to give them an impressive send-off in this final entry.  Pretty much all the key surviving characters get some great moments throughout The Bone Ship’s Wake, and most of their associated storylines come to an end, one way or another.  This naturally results in some intense emotional moments throughout the novel, especially as readers of this series will have become deeply attached to a lot of these characters, and you will not be prepared for how some of these characters go out!

Just like in the previous two novels, the central focus of The Bone Ship’s Wake was on Joron Twiner, the deck keeper (first mate) of Tide Child, who has grown from scared drunkard to experienced officer within the course of the series.  Twiner has gone through an incredible amount during the last two books, and when we first see him again in The Bone Ship’s Wake, he is a very different person.  Joron has since lost a leg and is now infected by the keyshan’s rot, an incurable disease that is slowly eating him alive.  Despite this, he has finally taken on command of his vessel and an extended fleet and fashioning himself a new persona, that of the Black Pirate, a notorious killer of ill-repute.  This is a fascinating change for Joron, and it is absolutely amazing to see how the differences between this character and the one we first saw in The Bone Ships.  While this change is substantial, it has been well built up in the last few books, and it was great to finally see Joron take on the command he was always meant to have.  Despite this, Joron still has some uncertainty dogging his steps that proves great to explore, especially as he is hesitant to risk the lives of those under his command on his missions.  Joron is also forced to deal with the insane prophecy and power hanging over his head, as he is forced to contemplate his ability to summon the sea dragons and potentially end the world.  Throw in his unwillingness to take on the role of his mentor, and the extreme guilt he feels for all the lives he has taken in her name since the conclusion of the last book, and you have a quite a conflicted figure, desperate to do anything to redeem himself.  This makes for some amazing character moments, and I really appreciated the sheer amount of development that went into Twiner in this novel.  A lot of Twiner’s storylines come full circle in this novel, and there are some extremely satisfying moments  between him and the other characters in the novel.  I deeply enjoyed this flawed and uncertain protagonist throughout this series, and Baker ensures that he is given a fitting and powerful ending.

The novel also spends a lot of time examining Tide Child’s shipwife, Meas Gilbryn, also known as Lucky Meas.  When we last saw Meas, she was surrendering herself to the Hundred Isles to give her fleet a chance to escape.  In the year that follows, she has been brutally tortured by her captors, who are attempting to gain all her secrets, especially regarding the sea dragons.  Due to her capture, and the primary focus on Joron, we don’t see that much of Meas for the first half of The Bone Ship’s Wake, and when we finally do, she is very different.  Rather than the always confident captain we are used to, we have a broken and brooding figure, unsure of the correct actions to take and unprepared for how much her legend has spread in the year she has been gone.  This makes for a very interesting counterpoint to the growth in Joron, and it is fascinating to see the slight role reversal that occurs between them.  I loved this exceptional character change that occurred around Meas, and Barker uses it to full effect to create some dramatic and emotionally charged moments.  The author also ensures that several lingering questions about Meas are answered, especially as she finally gets some closure with members of her family, such as her mother.  It was also amazing to see the unique relationship she forged with Joron come full circle, as the man she chose to be her second surpasses her.  The outstanding character work surrounding Meas, especially when it comes to her connection to Joron, added so much to the overall quality of this novel, and it was great to see how Barker altered and explored this character in The Bone Ship’s Wake.

I have to highlight the outstanding storylines surrounding the Gullaime, the ship’s windtalker of legendary power, who is destined to destroy the world alongside Joron.  This humanoid bird creature is always an entertaining figure in the novel, due to their unique appearance and outrageous behaviour and Barker does an exceptional job giving unique avian features to it.  However, like the other characters, the Gullaime goes through some big events in this final novel, especially once certain species detail is revealed, as well as the full scope of its powers and prophesised responsibilities.  Out of the all the characters in this series, the Gullaime is probably the easiest to like, and the end of its story cuts deep to the heart.

I also really appreciated Cwell’s storyline in this novel, especially after all the changes that occurred around her in this series.  Cwell initially started as a secondary antagonist who led a mutiny against Joron in the previous novel.  Despite this, Joron spared her life and kept her as his shadow, a silent bodyguard always watching his back.  This final book really explores the extent of this bond forged between them, as Cwell’s loyalty is tested multiple times throughout the course of the novel.  Barker is such a canny writer when it comes to Cwell, and it was fascinating to see some of her final depths in this book, especially as you honestly have no idea what she is going to do and whether she will end up betraying Joron.  It was also great to see more of Farys, the young woman Joron mentored through the series, and who now finds herself as his second.  Farys has a complex and compelling storyline in this novel, and I really appreciated how much time Barker put into enhancing her role in this final novel.  I also want to give callouts to recurring characters Mevans, Solemn Muffaz and Aelerin the courser, who all have some great moments in this novel, and whose roles each had their own emotional weight.  There is also a certain interesting reveal about one side character, right at the end of the novel that was a little surprising to me, but which I really appreciated, especially as Barker set up some great hints about them as the novel progressed.  Overall, all the side characters in this book are extremely awesome, and I am so deeply impressed with the work that Barker put into them, and the outstanding impacts that had on this already epic and captivating tale.

While I did receive a physical copy of The Bone Ship’s Wake, I ended up enjoying this novel in its audiobook format, not only for scheduling reasons but because I knew that I would have an amazing experience with it.  The Bone Ship’s Wake’s audiobook format has a substantial runtime of just under 21 hours, which does require a substantial time investment to enjoy.  I can guarantee that the time spent is well worth it, as the audiobook format perfectly gets the reader into the flow of the story and the detailed fantasy world of the series, and I found myself really absorbing all the many details Barker places into his writing.  I was also deeply impressed with the narration of Jude Owusu, who really threw himself into voicing the various books in The Tide Child trilogy.  Owusu has a brilliant voice that perfectly fit the epic, marine based tale, and which perfectly translated every single action and move to the listener.  Owusu has an excellent range of voices for the various characters featured throughout the novel, and each character ended up with a distinctive voice that perfectly fit their personality and demeanour.  I particularly enjoyed the weird and hyper-excited voices he utilised for the various gullaime characters, fully highlighting their birdlike characteristics in his voicing.  I felt that the narrator did an amazing job of injecting all the relevant emotion into the tale, and you have no doubt what the characters are feeling as they speak.  This brilliant and powerful voice work really helped to bring this epic tale to life, and I loved every single second of this fantastic audiobook.  This format comes very highly recommend, and it was easily one of the best audiobooks I have had the pleasure of listening to in 2021.

With The Bone Ship’s Wake, the final incredible and epic entry in The Tide Child trilogy, the unstoppable R. J. Barker has once again shown the world he is the future of the fantasy genre.  This outstanding and captivating nautical fantasy novel masterfully wrapped up one of the best trilogies I have ever read, ensuring that the reader will be emotionally blasted by this brilliant and clever tale.  The entire story came together perfectly, and fans of this series will be amazed and moved by the fates of so many well-established characters.  Not only was this Barker’s best book to date, but The Bone Ship’s Wake is also one of the most impressive novels I have enjoyed all year.  An exceptional five-star read that comes very highly recommended, especially in its audiobook format.  Anyone who loves fantasy needs to read this series!

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Warhammer 40,000: The Twice-Dead King: Ruin by Nate Crowley

The Twice-Dead King - Ruin Cover

Publisher: Black Library (Audiobook – 9 October 2021)

Series: Twice Dead King – Book One

Length: 11 hours and 22 minutes

My Rating: 4.75 out of 5 stars

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Intriguing new author Nate Crowley presents one of the most complex and fascinating Warhammer 40,000 novels I had the pleasure of reading, The Twice-Dead King: Ruin, an epic and thrilling novel that explores one of the most intriguing races in the canon, the Necrons.

I have been having a lot of fun listening to a bunch of awesome Warhammer 40,000 (Warhammer 40K) novels over the last year, with some great examples including Deathwatch: Shadowbreaker by Steve Parker, Kal Jerico: Sinner’s Bounty by Joshua Reynolds, Fire Made Flesh by Denny Flowers, and First and Only by Dan Abnett.  While I have deeply enjoyed all these novels, I felt that it was time to go outside of the novels that typically focus on this universe’s human characters and instead read something with a more unique subject matter.  As such, when I saw that The Twice-Dead King: Ruin had recently been released, I instantly grabbed a copy, and I am really glad that I did.

Ruin is the first novel in The Twice-Dead King series, which looks set to explore the Necrons and their place in the current Warhammer 40K universe.  This was the second Warhammer 40K novel from author Nate Crowley, who previously released the intriguing Ork-centric novel, Ghazghkull Thraka: Prophet of the Waaagh!, as well as several short stories/novellas set in the universe.  Crowley makes full use of his talent for getting into the mind of fictional aliens to create an excellent and enjoyable read that I had a wonderful time listening to.

In the chaotic and war-striven future of the 41st millennium, many powerful and dangerous races fight for domination and destruction.  However, no race is more mysterious or feared than the immortal beings known as the Necrons.  The Necrons are an ancient and ruthless race who, thousands of years ago, sacrificed their mortality and humanity to defeat a powerful enemy as well as death itself.  Forced into thousands of years of hibernation after their great victory, the Necrons are now slowly awakening to reclaim their empire by destroying all life in the galaxy.

However, despite their intense belief in themselves, the Necrons are a dying race, gradually being whittled down by time, madness, and the unceasing tide of organic life they are forced to constantly fight against.  None know this better that Oltyx, a bitter and resentful Necron Lord who has been banished to the wretched border world of Sedh.  Once heir to the throne of a mighty and glorious dynasty, he now only has control of a small garrison of degraded warriors who are slowly dwindling under constant attacks from Ork raiders attempting to invade the Necron empire.

As Oltyx dreams about vengeance and reclaiming his birthright, he finds himself facing an immense threat that could spell the doom of his dynasty and the entire Necron race.  The invading Orks are only the precursor of a larger and much more powerful enemy, one his small force has no chance of defeating.  With no other option, Oltyx is forced to return to his dynasty’s crownworld and beg for reinforcements from the court who cast him out.  However, his return uncovers something far more disturbing than he could have ever imagined.  A twisted horror now lies within the heart of Oltyx’s dynasty, bringing only madness and bloodshed with it.  To ensure his people’s survival, Oltyx must face the curse of the Necrons and the pure horror of a twice-dead king.

Ruin is an exceptional and captivating tie-in novel that perfectly combines an intriguing and addictive narrative with large amounts of Warhammer 40K lore and some great character work.  This is a perfectly paced story that does an exceptional job introducing the complex setting and character and placing them into an intense and emotionally rich adventure.  While the initial start of the book is a tad slow due to the necessity of throwing in so much Necron lore, it swiftly picks up speed and excitement within the first few chapters.  I personally became really attached to this novel a couple of chapters in when the protagonist and point-of-view character, Oltyx, attempts to determine the best way to defend his planet against the Ork invaders, while also simultaneously mulling over the failures of his personal history.  There was one amazing extended sequence that saw Oltyx attempting to analyse a vision from his past to come up with a perfect plan, while also watching a massive force of Orks approaching.  This scene perfectly blended a fun Warhammer battle with alien history and a complex character moment, all set to a timer that was counting down to the start of combat.  From there the story gets even more enjoyable, as after getting up close and personal with the real horrors of the Necrons, the protagonist discovers that there is a bigger danger approaching: humans.  From there, Oltxyx is forced to journey back to his home planet to beg for help, but instead finds a secret more terrible and disturbing than he could ever imagine.  After some severe lows, combined with a couple of family reunions of variable enjoyment, the story leads up to an impressive and epic conclusion, loaded with war, destruction and sacrifice.  This satisfying and moving conclusion wraps up this leg of the story extremely well and treats the reader to some outstanding action sequences and some major emotional moments that will define the protagonist for the entire series.  An overall brilliant and deeply memorable narrative, I powered through this cool book and loved every second of it.

Ruin was also a pretty impressive entry in the overall Warhammer 40K canon, especially as it contains an outstanding look at one of the franchises more unique races, the Necrons, who are extremely underrepresented in the extended fiction.  Crowley has done a brilliant job here with Ruin, and I loved the distinctive and compelling Warhammer 40K story it contained.  The author has made sure to load up this book with a ton of detail, information and settings unique to this massive franchise, and fans will no doubt love immersing themselves in this cool lore.  Ruin also contains several massive and well-written battle sequences that will easily remind readers of the table-top games that this franchise is built around and which really increase the epic nature of this novel.  The immense amount of somewhat more obscure lore may turn off readers new to Warhammer 40K fiction.  However, I think that most new readers can probably follow along pretty well here, especially as Crowley has a very descriptive and accessible writing style, and Ruin proves to be an excellent and compelling introduction to the Necrons.

I was deeply impressed by how Crowley featured the Necrons in Ruin, especially as he provides a deep explanation of their history and personalities, while also making this somewhat aloof race extremely sympathetic.  The Necrons are a very interesting race within the Warhammer 40K canon, with a look that can be best summed up as Ancient Egyptian Terminators.  They also have a backstory that is somewhat similar to the Cybermen from Doctor Who, in that they are formally organic beings who were transplanted into metal bodies, with only a few members (mostly the former nobility) maintaining their personalities, memories and emotions.  This makes them a very hard species to get a handle on, and most of their appearances in the expanded fiction feature them as cold antagonists.  However, Crowley really went out of his way to showcase the deep and rich culture, history and personalities contained within this race, and the reader ends up getting an impressive and comprehensive look at them throughout Ruin.

This book contains so many intriguing and compelling details about the Necrons, and the reader gets a real crash-course, including why they gave up their humanity to become metallic monsters.  Crowley attempts to cover every single detail about the Necron way of life in this book, and Ruin is filled with cool discussions about current Necron biology, how their components work, how they communicate, and what the mindset of these immortals truly are.  The readers are left with a vision into the complex and hierarchical minds of this unique race, and you get some compelling insights into who they are and why they do what they do.  In addition, Crowley really attempts to highlight just how tragic the Necrons really are as a race, with a deep and compelling look at what they truly gave up when they become the metal beings we all know.  Crowley paints the Necrons as a dying race, despite the apparent immortality bestowed upon them, as the finite members are slowly being worn down by combat, disrepair, and madness.  There is a particularly fascinating look at how the transition from flesh to metal has deeply impacted the psyche of many of its members, as some have been driven into a deep depression while others are turned into crazed cannibals.  This fascinating and comprehensive examination helps to turn the Necrons into quite a sympathetic race throughout Ruin, and you end up rooting for them as the book progresses, even when they are fighting humans.  While the Necrons have never been my favourite race/faction in the Warhammer 40K canon, I deeply appreciated seeing a novel from their point of view, and Crowley’s excellent writing has helped to alter my opinion about them.  I must admit that it was extremely fun to see their perspective on the events of the Warhammer 40K universe, as well as their opinions about the other races inhabiting it (the protagonist makes a very intriguing comparison between Necrons and Space Marines that really sticks in the mind).  This was a perfect Necron novel, and readers will come away with a whole new appreciate for their backstory and plight.

Another thing that I deeply enjoyed about Ruin was the complicated protagonist, Oltyx, a disgraced Necron noble who has been banished to a desolate and worthless frontier planet for his transgressions.  At the start of Ruin, Oltyx is an angry and arrogant creature, weighed down by his bitterness and resentment, and is not a particularly fun character.  However, as the story progresses, Crowley adds layer upon layer of complexity to him, using a mixture of flashbacks, personal insights, revelations, and alternate perspectives of his memories.  This slowly turns him into a sympathetic and compelling figure, showing him as one of the few nobles to truly care about the future of his people, whole also exploring his concerns about the madness and apathy that could one day claim him.  As the story progresses, and he reencounters the members of his family and has more visions of his past, Oltyx continues to evolve into a much more likable character, especially as he deals with great adversity and tragedy.  This adversity gives him some great appreciation for his race, even the lower tiers, and he soon comes away a well-rounded figure with an interesting future ahead of him.  This was an overall exceptional introduction to this character and Crowley has set up this figure up perfectly for the future entries in this series.

Aside from Oltyx proper, there were a couple of other fun figures I must highlight in this book.  Five of these characters are actually part of Oltyx himself, as the protagonist has installed five subminds into his head in order to help him achieve his mission.  These five subminds each provide different insights to a range of subjects, including doctrine, aliens, combat, strategy, and analytical analysis.  The various subminds each have their own personalities, based on their design, and it is fun to see them interact with Oltyx in his head and with each other.  While some of the subminds are focused on more than others, they prove to be an intriguing inclusion in the story, especially as they also grow and develop alongside Oltyx, especially once he comes to appreciate them more.  The subminds also help compensate for the general lack of other side characters in the novel, which are a result of both isolated planets and the general lack of remaining sentience amongst the Necrons.

The other major side character I want to talk about is Djoseras, Oltyx’s brother, who the protagonist blames for his exile.  Djoseras is an excellent mentor character who was just as deeply impacted by the transition to a metal body as his brother.  Despite Oltyx’s bitter memories about him, nothing about Djoseras is as cut-and-dry and you initially believe.  Once you encounter him in person and see some additional memories for Oltyx, you really grow to appreciate Djoseras more, especially once you see him lead an army in battle.  Oltyx’s multiple encounters with Djoseras add some outstanding emotional elements to the story, and each of his appearances were complex and compelling.  Other side characters are introduced in this book, although most of them were only featured for a short time.  However, they will probably have a bigger role in the future novels in this series, and Ruin serves as a good introduction to them.

I grabbed a copy of Ruin in its audiobook format, which proved to be an outstanding way to enjoy Ruin, especially as it allows listeners to really absorb all the cool and impressive details contained within this compelling read.  This novel has a decent runtime of over 11 hours and features some brilliant voice work from narrator Richard Reed.  Reed is a talented narrator who has been a major fixture of the Warhammer audiobook scene in the last few years, and I really loved the awesome job he did here with Ruin.  Reed has a great voice for this impressive science fiction epic, and he manages to move the story along at a quick and thrilling pace which allowed me to finish off this novel in a few short days.  Each of the major characters are gifted their own distinctive voice throughout Ruin, which fits them perfectly and ensures that the reader always knows who is talking.  I particularly enjoyed the fun voice work set around the protagonist’s five subminds, especially as they are similar, yet slightly different, to that of the protagonist.  I also really appreciated Reed’s voice work during certain big scenes, such as when attempting to emulate a crowd of mad, chanting Necrons, and his great narration really helped to enhance these scenes.  An exceptional and deeply entertaining audiobook outing, I would strongly recommend this format to anyone interested in enjoying this fantastic epic.

With Ruin, the first The Twice-Dead King book, brilliant author Nate Crowley, has provided Warhammer 40K fans with an exceptional and powerful introduction to the mysterious Necron faction.  Featuring a captivating, action-packed narrative, a complex protagonist, and an excellent examination of the complex Necrons, Ruin is a must read for all fans of the franchise.  This is easily one of the best Warhammer 40K tie-in novels I have had the pleasure of reading and I cannot wait to see what Crowley adds to this franchise in the future.  This series is set to continue with the second entry, The Twice-Dead King: Reign, and I cannot wait to see what happens next.

Make sure to also check out my review for the second The Twice-Dead King novel, Reign.

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2 Sisters Detective Agency by James Patterson and Candice Fox

2 Sisters Detective Agency Cover

Publisher: Century (Trade Paperback – 28 September 2021)

Series: Standalone/Book One

Length: 382 pages

My Rating: 4.5 out of 5 stars

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The powerhouse crime fiction team of James Patterson and Candice Fox returns for 2 Sisters Detective Agency, an intense and clever novel that sets two unlikely protagonists on a dark, character-driven case.

In recent years crime fiction icon James Patterson, best known for his Alex Cross novels and other bestselling series, has been collaborating with a range of talented authors to produce a vast library of crime fiction, murder mystery and thriller novels.  These range from major series such as The Women’s Murder Club to multiple standalone novels such as Lost (co-written by James O. Born) which I read last year.  These collaborations have allowed Patterson to release multiple books each year; including several in 2021 (examples include The President’s Daughter, which was co-written with Bill Clinton, or The Noise, which was co-written with J. D. Barker).

This latest book was co-written with Australian author Candice Fox, a writer whose crime fiction novels I have been rather enjoying over the last couple of years.  Fox is a well-established author who first made her mark with her Archer and Bennett murder mystery series set in Australia.  Since then, Fox has written several other novels, including her Crimson Lake series, and two standalone books, Gathering Dark and The Chase, both of which I had a wonderful time reading.  Fox has also previously collaborated with James Patterson several times to write the intriguing Detective Harriet Blue series, another interesting Australian crime series.  2 Sisters Detective Agency will be the fifth novel written by the team of Patterson and Fox, and it serves as an excellent standalone read with potential to start a great new series.

Rhonda Bird is a criminal defence attorney in Colorado, specialising in helping young offenders and juvenile delinquents being crushed by the criminal justice system.  A strong and independent figure, Rhonda is unprepared for the call informing her that her estranged father has died, especially as his death brings with it certain caveats that will change her life forever.

Travelling to Los Angeles, Rhonda discovers that despite abandoning her years before, her father has decided to leave behind two major surprises.  The first is his shady private detective agency; the second is a teenage half-sister she never knew existed named Baby.  Reeling from these revelations, Rhonda attempts to bond with the rebellious and strong-willed Baby, while also trying to determine what shady actions led to her father concealing a massive stash of cash in his office.  As Rhonda attempts to deal with both these strange circumstances, she suddenly finds herself drawn into a case when a young man walks in, claiming he was abducted.

The young man is a member of a teenage group of self-serving vigilantes, who specialise to bringing their own violent brand of justice to anyone they feel crosses them.  However, when their latest spree of terror goes horribly wrong, they suddenly find themselves on the wrong side of a violent former assassin, determined to get revenge.  As Rhonda and Baby start to investigate, they find themselves caught between a desperate group of violent teens and a skilled killer, neither of whom are going to have any trouble putting a bullet in two interfering sisters.  Worse, the Bird sisters are soon targeted by the Mexican cartel, who are determined to reclaim the money stolen by their father.  Can Rhonda and Baby survive their first case, or will these two sisters end up dead before they even get to know each other?

This was an outstandingly entertaining novel that takes the reader on a wild and addictive ride.  Patterson and Fox have come up with a pretty awesome story in 2 Sisters Detective Agency, and it was one that I had an extremely hard time putting down.  I ended up getting through this cool book in several intensive sessions, and I ended up finishing off the final half in one fun-filled night.  2 Sisters Detective Agency is an interesting and exciting crime fiction read told from multiple character perspectives and containing an entertaining and accessible character driven story.  Written as a standalone novel, this book also serves as a potential opening to a whole new Patterson/Fox series focused around some unique and compelling characters.  I really liked how this book was composed, with a large collection of short chapters.  These short chapters not only ensure that the author keeps the story nice and concise, but it also serves to keep the audience engaged, especially if they know that the next chapter only has a few pages in it.  It also helps that this is a pretty non-stop action novel, as the various characters are constantly in the midst of something very interesting, such as attempted murder, psychotic planning by rich teens, or near-fatal family bonding.

The authors do an amazing job of setting up everything really quickly in this book, with all the major storylines starting out in short order.  This includes the introduction to the Bird sisters, the preparation surrounding the teenage gang known as the Midnight Crew, and the start of the former assassin turned parent, Jacob, as he starts his mission of vengeance.  Once everyone has been introduced, all these storylines start off at the same pace, with the short chapters and multiple perspectives ensuring that readers are constantly updated with what is happening in the various storylines.  Rhonda and Baby’s storyline forms an entertaining and relatable half of the novel, and it was a lot of fun seeing these very mismatched siblings meet for the first time and eventually start to work together.  Their investigation into the other major storyline is only a small part of their initial narrative, with a bigger focus initially placed on their relationship and their attempts to deal with some murderous cartel members.  While I did enjoy the Bird storyline, I ended up having a lot more fun with the Midnight Crew vs assassin storyline.  This is a more intense and exciting narrative thread, and there are some outstanding moments involving this single-minded assassin taking apart the group of entitled teens one at a time.  However, this storyline really does not go as you would expect, especially as one of the teenagers really cannot be considered helpless.

I had a lot of fun with both cool storylines, and I felt that they really complemented each other.  While these two storylines have some crossover throughout the book, they really don’t join up until two-thirds of the way through, especially in the lead-up to a couple of epic showdowns.  I really liked the way in which both storylines ended, although the big and brutal confrontation at the hospital was pretty exceptional.  The story ends up in a rather cool place, and leaves the novel open to a potential sequel, which is something I would be quite eager to see.  I absolutely loved how this awesome story unfolded, and Patterson and Fox really came up with something special here.

One of the best parts of 2 Sisters Detective Agency were the awesome and distinctive group of characters featured throughout it.  Thanks to the excellent use of multiple character perspectives, the reader is given an up-close view to several of the more interesting members of this cast, and you quickly get drawn into their compelling arcs, even though you shouldn’t get too attached to some of them.

The main character is Rhonda Bird, the maverick criminal defence attorney who travels to Los Angeles to sort out her estranged father’s business, but then gets stuck minding a teenage half-sister.  Even though she only appears for around half the novel, Rhonda is set up as the central protagonist of 2 Sisters Detective Agency, especially as her chapters are the only ones told from the first-person perspective.  There are a lot of interesting things about Rhonda, especially as the authors have gone out of their way to make her as unique and memorable as possible.  Rhonda is described as a larger woman, who is obese but also extremely well-muscled, able to bench 350 pounds.  In addition, she has bright pink hair, outrageous clothes (which she wears in court), tattoos, a daring attitude, daddy issues, and destructive combat abilities.  While I would say that so many odd distinctive features might be a bit over the top (if she had any more tawdry quirks, she could open up a tawdry quirk shop), it actually ends up working really well, much to my surprise.  Despite how strong her unique features were layered on, I quite liked this distinctive character and the way she takes care of business and gets involved in any case that could potentially involve children in trouble.  Add in her massive family drama, especially as she nearly meets her match in Baby, and you have quite an interesting character who ended up being the emotional heart of this deeply exciting narrative.

Baby Bird is the wildly independent teenager who, after suffering through the sudden death of her father, is forced into the care of an older sister she never knew.  I wasn’t the biggest fan of Baby when the book started, especially as her attitude and demeanour were that of an over-exaggerated and stereotypical disrespectful teen.  However, she did grow on me as the story progressed, thanks to her keen detective insight and slowly developing relationship with her sister, which is what the authors probably intended.  Baby ends up being a lot more complicated than you would imagine, and you swiftly see that she badly messed up by her father’s lax parenting and the sudden loss of the only family she knew, and this makes for some intense and moving dramatic moments.  If this novel continues into a major series, I have a feeling that Baby is going to develop the most, and I would be quite interested in seeing that.

The rest of the characters in this novel are also exceeding distinctive, with several outrageous and over-the-top figures who help to amp up the entertainment factor of this fun novel.  These include the members of the Midnight Crew, a group of violent, rich teenagers who get their thrills breaking into houses and assaulting the residents to settle their petty grudges.  The members of the Midnight Crew are essentially a more psychotic and deranged version of the Bling Ring, and Patterson and Fox really spend time portraying them as exceedingly spoiled rich kids, more concerned with status and thrills than ethics (with one exception).  Out of all the members of the Midnight Crew, easily the best is their leader, Vera.  Vera is the entire driving force behind them, and the authors do a really good job of building her up throughout the novel, especially as she is far more psychotic and murderous than you would expect.  The entire storyline around her is exceptional, and it opens some interesting narrative threads that could be explored in any future entries in this series.  I also really liked the assassin character, Jacob, who gets violently drawn into the Midnight Crew’s obit.  The authors do a great job with Jacob, and I deeply appreciated their portrayal of him as a former killer who is dragged back into his former life and has very few regrets about it.  Finally, I must highlight the fun Dr Perry Tuddy, a world-renowned chemist who keeps getting kidnapped to make drugs. The entire storyline around Tuddy is pretty hilarious, especially as he has developed a weird fetish for getting held captive, the explanation of which makes for one of the weirdest and most entertaining scenes in the entire book.  I had a lot of fun with all these characters, and they helped turn 2 Sisters Detective Agency into something special.

Overall, 2 Sisters Detective Agency ended up being an amazing and deeply compelling read that I found to be particularly addictive.  The brilliant team of James Patterson and Candice Fox really did a great job with this clever book, and I still cannot believe how much I enjoyed its fantastic story.  I really loved the unique narrative and characters contained within this novel, and I hope that this amazing team will strongly consider providing us with a sequel to this cool and captivating read.

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The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

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Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

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The Pariah by Anthony Ryan

The Pariah Cover

Publisher: Orbit (Audiobook – 24 August 2021)

Series: The Covenant of Steel – Book One

Length: 19 hours and 57 minutes

My Rating: 5 out of 5 stars

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Bestselling fantasy author Anthony Ryan returns with the first book in an epic, brand new series, The Pariah, a massive and captivating tale of one young man destined to alter an entire kingdom.

Anthony Ryan is an impressive and highly regarded fantasy author who has been a leading figure in the fantasy fiction landscape for the last 10 years.  Ryan has already written several compelling series, including the Raven’s Shadow trilogy (succeeded by the Raven’s Blade duology), the Slab City Blues series, the Draconis Memoria trilogy and his Seven Swords series.  All these series sound pretty awesome, and I have been meaning to check out some of Ryan’s works for years, especially his Raven’s Shadow books.  Unfortunately, I never had the opportunity to go back and read any of them, which I really regret.  So when I was lucky enough to receive a copy of The Pariah a couple of weeks ago, I was very interested in checking it out, especially as it serves as the first book in the brand new The Covenant of Steel series, which I thought would be a good way to experience Ryan’s writing style.  I am very glad that I did as The Pariah was an outstanding and powerful fantasy read that I had a wonderful time getting through.

Alwyn is a young outlaw, trained by his band to steal, kill, spy and deceive.  Raised in the massive and forbidding forest known as the Shavine Marches, in the heart of the kingdom of Albermaine, Alwyn serves the notorious Deckin Scarl, a feared and revered bandit king who rules the forests with an iron fist.  Following a deadly civil war, Deckin finds himself with an opportunity to eliminate a recently installed duke and his family and seize his power and lands.  However, before he can enact his ambitious and murderous plan, the bandit horde is betrayed, Deckin is executed and Alwyn is imprisoned, sent to work a lifetime in the labour prison known as the Pit Mines.

Determined to escape the mines and get revenge on the person responsible for the death of everyone he knew and loved, Alwyn finds himself under the sway of an inspirational cleric imprisoned alongside him.  Under her tutelage, Alwyn learns a subtler art and becomes a scribe of great skill.  However, his desire for freedom and revenge is never far from his mind, and he soon leads the inmates of the pit in an ambitious escape attempt, and so sets forth a series of events that will change Albermaine forever

Managing to escape from the prison and find sanctuary, Alwyn learns much and finds himself taking on many guises including that of scribe, scholar, advisor, and thief, as he attempts to find safety, wealth, and revenge.  However, fate never appears to be on Alwyn’s side, and his bad luck eventually forces him to join a military company serving a noble lady who believes herself touched by the gods.  Pledging himself to this company to save his life, Alwyn traverses battlefields and warzones across Albermaine, encountering some of the unusual people who inhabit this chaotic realm.  His adventures will place him at the centre of the formative events of the kingdom and the church, but how will this scribe of bastard birth rise to become one of the most infamous figures of the age?

This was an outstanding novel from Ryan and one that makes me really regret not checking out some of his previous novels earlier.  The Pariah contains an epic and comprehensive fantasy tale that sees a flawed protagonist traverse a compelling and well-established new fantasy realm.  I had an amazing time getting through this impressive novel and it gets a full five-star rating from me.

The Pariah has a really great story that I got pretty damn addicted to.  This latest book from Ryan is told in the chronicle form, as penned by its protagonist, Alwyn Scribe, who recounts his life story, including the early events which are the focus of this book.  Ryan dives right into The Pariah’s narrative extremely quickly, with details of the setting and history weaved in as the tale progresses.  The story has an intriguing start to it, showing Alwyn as the young member of a bandit crew with an ambitious leader.  However, the story goes in some very interesting and devastating directions fast, with a brutal massacre changing the entire status quo for the protagonist and forcing him onto a new path.  The rest of the story follows Alwyn as he becomes mixed up with a series of inspirational leaders, mysterious magic users, and fun side characters, whose plans and beliefs forces the protagonist into great adventure and intrigue.  This leads to some awesome and memorable scenes, including a dangerous prison break, some epic battle sequences, and innumerable mysteries and revelations, several of which are left open for the author to explore in the rest of the series.  This all leads to an intriguing and action-packed conclusion that showcases the protagonist’s growth, while also setting up the future entries in the series pretty well.

I deeply enjoyed the author’s impressive writing style in this novel, especially with the entire novel set out in the form of first-person chronicle.  Due to the cool stories that it can tell, I have a lot of love for the chronicle format, and I felt Ryan did a really good job of utilising it in The Pariah.  The post-examination of Alwyn’s story from his older self provides a unique and compelling view of the events unfolding around him, and I enjoyed the various notes from his older self that hint at future events and hidden secrets.  These discussions of future events help to add a certain amount of anticipation and suspense at various points at the novel, such as the early hints about the ambush at the bandit camp or mentions about future dark meetings with certain characters.  I also found the focus of this book to be quite interesting, especially as a large portion of the novel was more concerned with setting up future storylines, rather than moving the story along at a quicker pace.  This is a very classic epic fantasy move from Ryan, and it quite enjoyed the way in which he took the time to establish the protagonist, the supporting cast, and the settings, with a particular focus on some of the formative events of Alwyn’s life.  While I enjoyed this set-up, it does steal a little excitement and momentum from the narrative, although I think the sheer amount of interesting setting detail and the intriguing potential of several established, long-term storylines more than makes up for it.  All these interesting writing elements helped to turn The Pariah into a very exciting and compelling read, and I really loved the way in which they enhanced the already awesome narrative.

I also quite enjoyed the new setting that Ryan set up for The Covenant of Steel series, which has an interesting medieval European feel to it, equipped with knights, forest-dwelling bandits, and religious crusades.  The entire novel is set within the Western Duchies of Albermaine, a nation riven by civil war, invasion and religious instability.  This proves to be an outstanding and compelling background to the awesome story contained with The Pariah, especially as the protagonist finds himself visiting some of the more unique locations of this setting during major historical events.  I personally enjoyed the cool forest lair portrayed in the start of the novel, mainly because Ryan was trying to emulate a darker version of the Robin Hood tale, but there is also a deadly prison mine and an elaborate cathedral that serve as major settings which I thought were really good.

There is also a great focus on the political and religious makeup of Albermaine, and this results in some fascinating storylines.  I really liked the focus on the martyr-based and corrupt overarching religious organisation that has substantial control of the kingdom, as that forms a driving point of the plot, with the protagonist becoming involved with several unorthodox clergy members, who bring down the wrath of the rest of the church for their actions.  Also, I am kind of curious to see if a prophesied end-of-the world event that multiple characters preach about actually occurs in future novels, especially as it would be a pretty fun story moment if it did.  The protagonist also seems drawn to several people with magical abilities considered heretical by the church, which offers an interesting counterpoint to his other threats, especially as each of these magical characters produce impressive mysteries and potential dark storylines.  I was impressed with how much time the author takes to imbue his setting with a massive amount of detail and after the quick start to the narrative, the reader is given a crash course in the history and politics of the realm.  Despite the level of detail, I think that Ryan spread the world building out to an acceptable degree, and I never felt too overwhelmed with the various explanations and world expansions.  I had a wonderful time traversing Albermaine with the protagonist and I look forward to seeing what additional developments and storylines occur within it in the future novels.

As I mentioned above, the novel is solely told from the perspective of protagonist Alwyn, later known as Alwyn Scribe once he takes up his profession, who is penning the events of his younger life.  Alwyn is an interesting protagonist to follow and thanks to the author’s use of the chronicle style, you really get a sense of the character’s personality, motivations, and intentions as the novel progresses.  Initially starting off as a young thief with immense loyalty to his chief, Alwyn goes through a lot as the novel progresses, forced to make hard decisions and encountering horrors, mistakes and a load of enemies as his tale progresses.  I found Alwyn to be a complex and compelling figure, and I didn’t always like him or his decisions, especially when he was reckless and rash.  However, he does grow as the novel progresses and, while he still has a lot more development to go, I felt that he was a better character at the end of the novel.  I liked the various talents that Alwyn develops throughout the novel, and it was fun to have a more complex and less noble figure, thanks to his past as a thief and conman.  I especially enjoyed his transition into a scribe, which the character soon sees as his primary profession, and it certainly is an interesting and compelling role for a fantasy protagonist.  I liked the way in which the older version of the character tells the story, especially as there are some great reflections about his actions and his personality during that time, and you can often hear the protagonist’s regret over what he did and what is to come.  I cannot wait to see what happens to this character in the future, and I kind of suspect that his tale is not going to come to a very happy end.

Aside from Alwyn, The Pariah is filled with a massive contingent of side and supporting characters who Alwyn meets throughout his adventures.  These characters are featured perfectly throughout the narrative and I loved the unique and compelling ways in which they influenced the overall story.  Ryan invests a lot of time into developing many of these characters, even some who had more minor roles, providing interesting personal histories and personality traits to make them stand out, and I appreciated how complex and compelling their storylines could turn out to be.  I found it interesting that there was a focus on inspiration leaders, with Alwyn falling in with three separate figures in this novel, each of whom commanded his loyalty through different means and whom he became close with in different ways (one is a surrogate father, another a teacher, while the third has a very complicated and constantly evolving relationship with the protagonist).  There were also some interesting antagonists featured throughout the novel, and while a couple died before their time, Ryan made sure to leave some of the better ones alive for the next entry in the series, and I am sure they will have an impact there.  Each of the characters featured in The Pariah added a lot to the plot, and I cannot wait to see what unique figures are featured in Ryan’s next entry.

While I did receive a physical copy of The Pariah, I decided to try out the audiobook format instead.  I am glad that I did as this was an excellent and enjoyable audiobook that was really fun to listen to.  Due to its massive story, The Pariah has a decent run time of just under 20 hours, although I managed to get through it in less than a week as I really got into the amazing story.  The audiobook moved at a great pace, ensuring that there were never any dull or slow moments for the listener to get bogged down in.  I also found that the audiobook format was a great way to absorb the intense amount of world-building, and it also lent itself to some of the exciting fight scenes extremely well.  I was also impressed by the narration of Steven Brand, who brought a wonderful energy to this format.  Brand has an amazing voice and he quickly leapt into the role of the narrator, telling the unique tale of the protagonist’s life and inhabiting the character seamlessly.  I loved the distinctive and well-fitted voices that Brand used throughout The Pariah, and he really helped to turn this format into something special.  As a result, the audiobook version of this book comes highly recommended and I will probably end up listening to the rest of this series in this format.

The Pariah by Anthony Ryan is an epic and deeply compelling piece of fantasy fiction that is really worth reading.  Perfectly setting up Ryan’s intriguing new series, The Pariah was an awesome outing from this talented author, and I loved the brilliant story, complex characters and chaotic setting that was featured throughout it.  I cannot wait to see how this awesome series is going to turn out, and The Covenant of Steel novels look set to be one of the most iconic fantasy series of the next few years.

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The Man Who Died Twice by Richard Osman

The Man Who Died Twice Cover

Publisher: Viking/Penguin Audio (Audiobook – 14 September 2021)

Series: The Thursday Murder Club – Book Two

Length: 12 hours and 30 minutes

My Rating: 5 out of 5 stars

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Following on from his epic crime fiction debut last year, writer and television personality Richard Osman presents the second book in his Thursday Murder Club series, The Man Who Died Twice.

Richard Osman is an awesome comedic talent and personality who I have enjoyed for many years on Pointless, Would I Lie to You and other fun British panel shows.  Known for his clever wit and immense height, Osman has a great sense of humour, and I was pretty excited last year when I saw that he had written a crime fiction novel, The Thursday Murder Club, which followed a group of true crime loving retirees who investigated a nearby murder.  While I knew I was likely to have a great time reading The Thursday Murder Club, I was truly blown away and it ended up being one of the best books, audiobooks and debuts I enjoyed in 2020.  Due to this, and the fact that my review for The Thursday Murder Club received a lot of attention this year, I have been really looking forward to reading the sequel for some time and I was very excited when details about The Man Who Died Twice were finally revealed.  This awesome sequel was one of my most anticipated releases for 2021 and it did not disappoint, presenting another clever and impressive character driven mystery.

Welcome back to Coopers Chase, the sprawling aged-care community near the town of Fairhaven, England, where peace and serenity is guaranteed for all its residents, aside from the thrill-seeking members of the Thursday Murder Club, a small group of friends who spend their Thursdays investigating cold cases and gruesome murders.  Made up of the intrepid Elizabeth, Joyce, Ibrahim and Ron, the Thursday Murder club has already had great success solving the murder of the previous owner of Coopers Chase, and they are now looking for their next batch of excitement.

Their wish appears to be granted when former spy Elizabeth receives a letter from a man she thought was dead, her former colleague and ex-husband, Douglas Middlemiss.  Douglas has recently run afoul of a dangerous English mobster and an international criminal cartel after stealing a bag of valuable diamonds and securing them in a secret hiding place.  Reluctantly put into witness protection by MI5, Douglas is keeping a low profile in Coopers Chase while he plans his escape and new life in retirement.  But when an assassin breaks into his flat and tries to kill him, Douglas turns to Elizabeth for help. 

Rallying the Thursday Murder Club to her side, Elizabeth attempts to figure out which of Douglas’s enemies is trying to take him out and who knew he was hiding at Coopers Chase.  But when tragedy strikes and an unknown enemy appears to have made off with the diamonds, everything seems lost.  But this opponent is unprepared for just how relentless the Thursday Murder Club can be, as Elizabeth and her friends put an ambitious plan in place.  However, this time the Thursday Murder Club aren’t just going after a killer; now they are facing down hardened criminals and assassins with a substantially less compunction about killing senior citizens.  Will the Thursday Murder Club once again solve the unsolvable, or will this be their final case?

Wow, this was amazing novel from Osman that I had an outstanding time getting through.  Featuring another epic and captivating mystery set around a fun group of characters, and featuring Osman’s amazing subtle humour, The Man Who Died Twice was an excellent read that I powered through in a few short days, and which gets another five-star rating from me.

The Man Who Died Twice has an impressive and deeply compelling character driven narrative that follows its various protagonists as they attempt to unravel the compelling case of the twice murdered man and the stolen diamonds.  This second entry in the Thursday Murder Club series can easily be enjoyed as a standalone read, although fans of the first book will no doubt have an amazing time seeing how the various characters continue to progress throughout this second book.  Osman beautifully utilises multiple character perspectives to tell several fantastic stories throughout the book, with the protagonists also involved in several personal battles, as well as attempting to bring down a local crime lord and a vicious young thug.  All of these storylines are chock full of mystery, humour, emotion and personal tragedy, as the protagonists work through the issues and challenges in their own unique ways.  The author balances all the storylines perfectly throughout the novel, eventually producing a clever and very entertaining conclusion.  I loved how the entire narrative came together, and there are some very amusing and compelling moments featured throughout.  Thanks to Osman’s ability to provide a great wrap-up to a story, the readers are left feeling incredibly satisfied and happy, especially after every single twist and bit of character development is revealed.  Combine that with Osman’s subtle sense of humour, mostly relating to the more outrageous situations these unlikely heroes casually wander in and out of, as well as some amusing jokes about being out of touch, and the barrage of references to British pop culture, and you have a very entertaining and addictive story that proves near impossible to put down.

I really enjoyed the central mystery of The Man Who Died Twice as the Thursday Murder Club and their associates are drawn into the case of Elizabeth’s ex-husband, a MI5 agent who has stolen a bunch of diamonds from a crime lord and is now avoiding assassins in the Coopers Chase retirement community.  While the initial hunt is for the location of the hidden diamonds, it soon morphs into another murder when a mysterious killer gets too close to the prize.  This is a very interesting and well-crafted mystery, and I loved how Osman moved away from more traditional murder and into the world of espionage and international crime.  To help solve this crime, the Club are forced to work with MI5 agents and soon find themselves investigating an influential criminal middleman with ties to the Mafia, who are hunting for the diamonds.  However, the nature of the crime also suggests an inside job, and the Club are forced to investigate friends and supposed allies to figure out who is responsible.  I had a great time with this mystery, and I loved the clever misdirection and various suspects that Osman featured throughout the plot.  I was able to pick up one of the twists pretty early in, but the full scope of the conspiracy was a lot more complex than I realised, with some additional unexpected reveals that I didn’t see coming.  I deeply enjoyed the elaborate and entertaining final plan utilised by the protagonists to entrap their opponents, especially when it ends in such a comical and amusing manner.  An overall compelling and fantastic mystery, I cannot wait to see what intriguing case appears in the next book.

You can’t talk about a Thursday Murder Club novel without mentioning the outstanding and loveable characters the story is formed around.  The Man Who Died Twice follows an intriguing and eclectic mix of characters as they find themselves caught up in the events of the latest mystery.  Osman spent a great deal of time in the previous novel introducing these fantastic characters and ensuring that the reader would fall in love with them.  This enjoyment for the characters continues in The Man Who Died Twice, as each character continues to evolve, with some excellent new details revealed about them.  Osman really does a good job of utilising each of these character perspectives in the novel, and I really appreciated the way in which the tone subtly changes for each of the characters.

The main characters of this book are the two female members of the Thursday Murder Club, Elizabeth and Joyce, who have some excellent moments in this latest novel.  The first of these is Elizabeth, the former spy and investigator who is now retired and has formed the Club to keep her mind busy.  Elizabeth gets a lot of attention in this novel as the story focuses on her prior relationship with Douglas, which also examines her career in espionage.  Elizabeth is a great protagonist to follow, mainly because she is bold schemer even now as an old woman.  I always have a fun time seeing her manipulating and outsmarting everyone she comes across, especially now that most of the other characters know her game but still can’t help falling into her webs.  While there is a lot of focus on her abilities and unerring talent for danger and deception, you also get a good look at her somewhat tragic personal life.  Not only is she impacted by the return of Douglas, which raises a lot of memories from her past, but she is also still trying to hold onto her current husband, Stephen, who is suffering from dementia.  I really appreciated the complex storylines around Elizabeth, and I appreciated the way in which Osman did an intriguing dive into her past.

Joyce on the other hand is a pleasant and friendly former nurse who was the last member of the gang to join the Club.  Joyce seems like your typical, well-intentioned older lady, and I am sure that many readers will see a lot of parallels between her and their own parents or grandmothers.  However, Joyce is a brilliant thinker who uses her brain and her friendly personality to make everyone like her and then help her out.  Joyce forms a fantastic partnership with Elizabeth, and the two make an effective double team, with Joyce’s more subtle tactics and insights combining well with Elizabeth’s more direct approach.  It is a lot of fun to see Joyce investigating these brutal crimes, especially as she picks up on just as much, if not more, than the experienced spy Elizabeth.  I also really appreciate the way in which Joyce’s chapters are written, with her point-of-view shown in a series of diary entries.  This different storytelling technique helps Joyce stand out as a protagonist, especially as it highlights her entertaining personality, including the revelations and observations she has about modern technology and younger people (I had so many chuckles at her forays on Instagram).

The male members of the Thursday Murder Club are Ibrahim and Ron,  who are a little underutilised compared to Elizabeth and Joyce in this novel, but they both get their intriguing storylines which were really well-written and compelling.  This is particularly true for Ibrahim, the group’s shy intellectual, who is forced to deal with a brutal physical attack from a young criminal at the start of the book, a scene which really hit me hard due to how much I got to know this harmless character during the first book.  This attack leaves Ibrahim scarred mentally as well as physically, and he spends the rest of the novel feeling quite afraid and unwilling to leave Coopers Chase.  Osman does some deep and emotional character work on Ibrahim here, and readers end up getting quite invested in his recovery as well as his intense mental journey.  This attack on Ibrahim is also the primary catalyst for Ron’s storyline, which probably gets the least amount of attention out of all the main characters.  Ron, the former union leader, who always puts on a classic tough-guy persona, is deeply impacted by the attack on his best friend and spends the early part of the book constantly by his side.  However, once it becomes clear that Ibrahim is alright, he then leads the charge against his friend’s attacker, and uses Elizabeth’s contacts to bring the thug to justice.  I felt that Osman hit the right notes with Ron in this book, and I appreciated seeing both his emotional side and his vengeful side, and I loved how they both came from the same place of love.

The final characters I want to mention are the associated members of the Thursday Murder Club, younger characters who have been drawn into the orbit of the compelling senior citizens.  These include police officers Donna and Chris, both of whom had an entertaining introduction to the Club in the previous novel and are now firm friends with them.  Donna and Chris spend most of the book attempting to bring down a Fairhaven crime lord while also dealing with their personal issues.  Chris, who was a bit of a sad-sack character in the first novel, has been revitalised by his blooming relationship with Donna’s mother.  While happy and now health conscious, this results in a lot of soul-searching by Chris, who is unsure how to pursue the romance, especially once his girlfriend is threatened by the criminal they are hunting.  Donna, on the other hand, continues her unlucky hunt for love and purpose in this novel, going from one bad date to another while also being suitably horrified by her boss sleeping with her mother.  While Donna does not get as much focus in this novel as she did in The Thursday Murder Club, she still had some great character moments, and I deeply appreciated that touching scene she had with Ibrahim.  I also need to mention Bogdan, who, after being a major suspect in the first novel, has moved on to a supporting role in this book due to his firm friendship with Elizabeth and her husband.  Simply put, Bogdan is the coolest person in Fairhaven and a true friend, helping Elizabeth with her projects by doing all manner of unusual requests, from looking after Stephen to buying a large amount of cocaine.  He has some really good scenes in this book, and Osman sets him up as quite the bright, mysterious action man with a heart of gold.  Throw in some other well-established and explored side characters in addition to the above and you have an exciting and compelling cast with a great story around them.

One of the key things about this series that I really appreciate is the way in which Osman attempts to champion the aging process and show how capable and interesting older members of the community can be.  The Man Who Died Twice is another great example of this, as it contains multiple amazing examples of older protagonists doing impossible things and manipulating people half their age in some elaborate and entertaining ways.  It was a lot of fun once again seeing these older characters taking charge, and Osman has a very unique and entertaining take on the aging process and the mindset of older people.  However, not everything is about the positives of aging, as the author once again presents some sad and dark elements that added some powerful drama to the narrative.  Throughout the course of the story, there are plenty of discussions about illness, living with regrets, and the growing realisation that death is just around the corner.  There was a particular focus on the vulnerability of the elderly, especially with Ibrahim’s storyline, as it shakes both the victim and all his friends.  There is also a compelling look at Stephen’s battle with dementia, which includes Elizabeth’s attempt to keep him in their apartment despite what may be medically best for him, resulting in some touching and emotional scenes, especially once the double meaning of the novel’s title becomes clear.  I really appreciated the author’s unique and compelling take on the aging process, and it was great to see more of the novel’s fun senior protagonists.

While I was lucky enough to receive a physical copy of The Man Who Died Twice, I decided in the end to listen to the audiobook format of this novel, which was a fantastic choice.  The Man Who Died Twice has a runtime of 12 and a half hours, although the last 40 minutes or so is an interesting interview.  I found myself getting through this audiobook extremely quickly, not just because of the amazing story but because the audiobook has a great pace to it and some excellent narration by actress Lesley Manville.  Manville, who also narrated The Thursday Murder Club, does another wonderful job in this second novel, and it was great to hear her impressive take on this fantastic story.  Manville has come up with some amazing voices for the various characters, with each person getting their own distinctive and fitting voice, with some great continuation from the first book.  Each of the character’s voices work extremely well, and I really appreciated the way in which Manville can ascribe age, emotion, and personality with her vocal work.  I had an outstanding time listening to Manville tell this cool story, and it was made even better by a fun discussion between Osman and Manville at the end of the book.  This nice and unique talk between author and narrator was an outstanding and fitting way to finish of this audiobook, especially as it offers some cool insights into the book you have just been enjoying.  I particularly enjoyed finally getting an explanation about why Osman doesn’t narrate his own novel, and I actually agree with his reasoning for it.  Overall, this was another exceptional audiobook adaptation, and I would strongly recommend this format to anyone and everyone keen to check out The Man Who Died Twice.

With his second entry in the spectacular Thursday Murder Club series, Richard Osman continues to showcase he is just as talented at writing crime fiction as he is at comedy.  The Man Who Died Twice is an outstanding and wildly entertaining read that combines an impressive story with a clever mystery, some complex and likeable characters, and a brilliant sense of humour.  This was a spectacular read and I had an incredible time getting through this fantastic sequel, especially in its amazing audiobook format.  The Man Who Died Twice was one of the best books of 2021 and I cannot wait to see where Osman takes this series next.

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The Councillor by E. J. Beaton

The Councillor Cover

Publisher: Daw Books (Hardcover – 20 July 2021)

Series: The Councillor – Book One

Length: 442 pages

My Rating: 4.5 out of 5 stars

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Australian author E. J. Beaton presents an excellent and compelling fantasy debut with The Councillor, an outstanding and impressive read.

Elira is a country still recovering from a fractious war a generation ago spurred on by the tyrannical magic-wielding White Queen.  The heroic Sarelin Brey, known as the Iron Queen, defeated the White Queen and led the subsequent hunt for the elementals, powerful magical users, who were forced into hiding.  Now, Elira once again stands on the brink of ruin when a mysterious assassin manages to kill the Iron Queen, an act that threatens to split and destroy the entire nation.

The queen’s last act before her death was to name her loyal companion, the palace scholar Lysande Prior, Councillor.  As Councillor, it is Lysande’s duty to choose the next ruler of Elira from the four city rulers and to ensure a peaceful transition of power.  As the city rulers arrive at the palace, Lysande is convinced that one of them may have orchestrated the Iron Queen’s murder.  Using her position as Councillor and the upcoming decisions around Elira’s future to her advantage, Lysande begins to investigate each of the city rulers to find who is responsible for her friend’s death.

As the investigation continues, Lysande soon learns much about the city rulers, including the secrets that they harbour.  Forced to balance her investigation with her responsibilities to the people, Lysande begins to revel in the power that she has been granted, even as her problematic addiction to a magical narcotic threatens her self-control.  However, the closer she gets to the truth, the more Lysande begins to understand that there is a dark threat rising, one that could overwhelm Elira for good.  The White Queen is returning, and this time there is no mighty Iron Queen to stop her, only a brilliant scholar with a bright vision for her nation.

The Councillor was an impressive debut fantasy novel from Beaton, who combines some intriguing characters with a powerful fantasy narrative laden with political intrigue, espionage and one character’s personal journey from scholar to ruler.

Beaton utilises a pretty awesome story in The Councillor, and it is one that I quickly became quite addicted to.  Told exclusively from the point-of-view of protagonist Lysande, the novel has a powerful start with one of the major characters killed off, leaving Lysande and the entire nation in chaos, especially as it appears that a notorious magical villain has returned years after her famous defeat.  From there the protagonist attempts to identify the agent responsible for her friend’s death, believing it to be one of the four arriving nobles vying for the throne.  This results in a compelling storyline where Lysande investigates the secrets of the city rulers, while also becoming increasingly involved in the politics of the realm after being unexpectedly placed in a position of power.  As The Councillor progresses, it evolves into a very captivating piece of political intrigue as Lysande and the city rulers tour the country, attempting to rule together, initiate plans to stop the growing influence of the White Queen, while also attempting to achieve their own goals.  There are some great misdirects and red herrings featured throughout this part of the book, as Beaton attempts to disguise who the antagonist is and what the agendas of the various other politicians are.  This all leads up to a big and explosive conclusion where the traitor is revealed and several great storylines come together, resulting in some awesome action and clever political storylines.  While I was able to guess who the traitor was in advance, Beaton did a great job setting them up, and I did find the methods of the antagonist very surprising, especially the fun super-weapon that was hinted at throughout the book.  The final scenes wrap up the entire narrative extremely well and do a great job setting up the next novel in the series.  I look forward to seeing where the narrative goes from here and I think that the series has some amazing potential.

I really enjoyed the cool and memorable fantasy world that Beaton introduced in her first novel, and it serves as a great setting for the awesome story.  The nation of Elira is broken up into several distinctive political and climate zones, based around a city state, resulting in fascinating group of different and proud people.  I loved the fun blend of cultures featured within this nation, especially as it results in some compelling and entertaining cultural and political clashes.  There is a great focus on the history of Elira, especially as it relates to the previous war against the White Queen, with the scholar protagonist attempts to uncover the full truth behind the past to determine the country’s future.  There are also a ton of LGBT+ elements associated with the setting, which I really appreciated and which helped to make the setting even richer.  Add to that several hostile nations surrounding Elira, a rampaging magical queen full of vengeance, and a covert network of independent magical users with their own agenda, and you have a fantastic combination of groups and political ideals, which helps to makes the compelling narrative even more exciting.  This all proves to be pretty damn awesome, especially as Beaton does a wonderful job describing the rich and vibrant countryside of her setting, allowing the reader to have an outstanding time exploring this new nation.  I really enjoyed this captivating setting and I look forward to seeing how the author expands it in her next novel.

Easily the best thing about The Councillor are the complex and intense characters featured throughout the story.  This includes main protagonist Lysande, who is forced to endure quite a lot of growth and betrayal during the story.  Beaton weaves a powerful and intense narrative around Lysande, an orphan who was chosen to become the Iron Queen’s companion and who grew into a brilliant scholar and thinker.  After the queen’s death, Lysande is forced to become both a ruler and politician, and she finds herself excelling in the role, especially as it allows her to use her skills as a scholar and researcher to her advantage.  Due to Lysande being the point-of-view protagonist, Beaton takes a lot of time exploring her personality, feelings, and history, and it does not take long for the reader to become attached to her, especially as she finds herself in a dangerous and complex personal and political situation.  It proved to be extremely compelling to see Lysade take the political stage for the first time, and I loved the way she adapted to the intrigue and deceit, especially once she started to revel in it.  It was pretty cool to see a scholar attempt to take the throne, resulting in a very different hero from what most fantasy fans would expect.  I also enjoyed the way that the author ensured that Lysande is a bit of a flawed protagonist, especially as she is controlled by her addiction to Chimera Scale, a magical narcotic that gives her energy and different insights to the world.  This growing reliance on Chimera Scale impacts her severely throughout the novel, especially as it covers up some deeper secrets about her, which come to fore later in the novel.  An overall exceptional main character, I am very intrigued about where this story will take Lysande next.

Aside from Lysande, The Councillor features a fantastic collection of supporting characters, each of whom add a lot the story.  The main four supporting characters are the city rulers who arrive in court to put their cases for being the next monarch.  Beaton spends a bit of time building up each character, and it proves quite enjoyable learning their flaws, personalities and secrets, especially as any of them could potentially be villainous.  The most prominent of these city rulers is the mysterious and manipulative Luca Fontaine, a dangerous bastard son who became city ruler after killing his family.  Presented as a dark figure with a love of intrigue, espionage and advanced politics, Fontaine has some outstanding back and forth with Lysande, which were extremely enthralling and compelling, and Fontaine swiftly becomes one of the more entertaining and likeable characters in the novel.  I did think that Beaton could have toned down Fontain’s manipulative side just a little, especially as it made him too obvious a suspect for being the traitor, however, I don’t think this had too much of a negative impact on the narrative.  Aside from the city rulers, the book has some interesting focus on Lysande’s advisors and guards, each of whom hep her in their own unique way.  I particularly enjoyed Lysande’s new maid, Litany, especially once her real purpose in the court is revealed.  This great supporting cast proves to be a lot of fun to follow, and I really appreciated the time and detail that the author put into setting them up.

Overall, I found The Councillor to be an outstanding and deeply entertaining fantasy read with a really addictive and compelling narrative.  Australian author E. J. Beaton did an excellent job with her first book, and this is a must read for anyone who loves a fantasy tale laden with clever political intrigue.  A highly recommend fantasy debut, I cannot wait to see where Beaton takes this series next.

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The Dark by Jeremy Robinson

The Dark Cover

Publisher: Podium Audio (Audiobook – 13 July 2021)

Series: Infinite Timeline

Length: 10 hours and 25 minutes

My Rating: 5 out of 5 stars

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Prepare for a literal journey into darkness with one of the most unique and insanely entertaining horror novels of 2021, The Dark by Jeremy Robinson.

Jeremy Robinson is a bestselling author of science fiction and horror who has been producing some amazing novels of the last few years.  Since his debut in the early 2000s, Robinson has written a massive number of novels, including several fantastic sounding series, such as his Nemesis Saga, as well as a big collection of compelling standalone novels.  I have been meaning to read some of Robinson’s books for a while, especially as one of his series, the Chess Team novels, are part of a somewhat shared universe with Jonathan Maberry’s Joe Ledger novels.  After seeing several mentions of Chess Team in Maberry’s novels, I got curious and had to have a look at Robinson’s catalogue of work.  I really love the sound of some of Robinson’s books, especially his Chess Team novels, which follow a special forces team at work against mythical threats, and the Nemesis Saga, which presents a new look at the Kaiju genre.  Before diving into these series, I thought it might be good to get an idea of Robinson’s writing style, and so I decided to read his latest standalone novel, The Dark.  I am extremely glad that I decided to check this out, as The Dark ended up being an incredible horror read that I deeply enjoyed.

Miah Gray is a messed up former army soldier, struggling with PTSD and other symptoms after his time in Afghanistan.  Now living with his mother, sister and stepfather in an upscale New Hampshire neighbourhood, Miah spends most of his time being the neighbourhood’s resident weirdo, avoiding his troubles with prescribed cannabis and holding out hopes that his crush, Jen, will notice him.  Managing to convince Jen to get high and watch a meteor shower on his roof one night, Miah thinks that his life is finally turning around.  However, nothing in his wildest dreams could prepare him for what is to come next.

Awakening the next morning, Miah and Jen are shocked to discover that the sun has been blotted out and the entire neighbourhood has been plunged into darkness.  With no communications, limited power, and no working artificial lights, Miah and his family attempt to adjust to the crazy events occurring around them.  All available evidence suggests that an obscure religious doomsday prophecy about three days and three nights of darkness is coming true, with the lore indicating that the only way to survive is to barricade yourself in your home and cover the windows.  Despite the blacked-out sun, Miah is dubious about this being a religious event, until a bright light from the heavens brands his forehead with an old Norse rune and an unholy army of demons invades.

Dark shapes are twisting their way through the neighbourhood, luring people outside and brutally dragging them away to an unknown fate, while even more terrifying figures lurk in the shadow.  Attempting to ride out the storm at home, Miah is forced into action when his parents are taken.  Leading a small group of survivors through the horrors outside, Miah attempts to save who he can while also trying to find a way to rescue those who were taken.  But as Miah and his friends flee through the surrounding demons and devils, a far more dangerous threat is waiting to assail them.  The rune on Miah’s head is starting to change him into something angry and inhuman.  Now forced to resist his own mind, Miah will need to dig deep than ever before if he wants to survive what is coming, even as it drags him straight to the gates of Hell.

Wow, now that was awesome.  When I started this novel, I strongly suspected I was going to love it, especially as it had a fantastic sounding plot, but I was unprepared for how much fun The Dark turned out to be.  Robinson has created an exceptional and dark horror novel that keeps you on the edge of your toes from the very start all the way to the finish.  I had an outstanding time listening to this book and there was no way I could give anything less than a five-star rating.

Robinson has come up with a pretty awesome story for The Dark, and I loved this unique horror tale.  The Dark has a great start to it, and the author manages to do a lot in a very short amount of time, thoroughly introducing the main character, Miah, while also setting up several of the other major supporting characters.  The novel’s big change from normal times to darkness occurs early in the novel, as soon as all groundwork has been established, so the protagonist can run right into the craziness.  It does not take long for events to go sideways, with danger and despair all around as everything goes to hell, literally.  The centre of the novel is extremely entertaining, as the protagonist meets a range of different people hunkering down through the apocalypse and slowly builds up a fun group of survivors.  At the same time, some of the characters, including Miah, are forced to face an inner evil that has been brought on by these dark events.  This internal battle for control and the elements that introduce it are very cleverly established, and it adds a fantastic new edge to the plot, especially as at times it seems like the only point-of-view protagonist is about to irrevocably snap.  All this leads up to an epic conclusion as the protagonist journeys to a very evil place and comes face to face with some startling revelations and immense horrors, as well as some interesting story threads for the future.

I felt that this was an exceptional story, and I deeply enjoyed the outstanding combination of action, horror and comedy that was expertly bundled throughout the novel.  It is rare to find a story that can alternately thrill, traumatise, and entertain in short succession, but The Dark does that in spades.  It was gloriously entertaining and there was honestly not a single moment in this book that failed to keep my attention.  The action sequences are crisp and fantastic, and you get a real sense of the intense violence happening all around the protagonist.  I also really loved the horror feel that this novel had, especially as Robinson is a master of building up tension and suspense.  Readers should be aware that there are a quite a few extremely gory scenes throughout the book, and Robinson does not hold back on the gruesome descriptions.  I liked how the author switched the tone of the novel around two-thirds of the way through, with the horror focus moving away from fear of the unknown to a more extreme and science fiction based narrative.  I did think that the sudden appearance of certain groups in the big finale were a bit coincidental and could have been telegraphed slightly better, but this really did not cut down on my enjoyment of the story, and I was still blown away with the cool action sequences that were featured in this part of the book.  This was a really good standalone horror story, and I was deeply impressed with the exceptional narrative that Robinson featured in this book.

One of the things that I really appreciated about The Dark were the cool monsters and horror elements that Robinson came up with.  The entire concept of the novel revolves around dangerous creatures who come out during an eclipse of the sun that covers the entire setting in darkness, while also wreaking havoc on human technology.  Not only are these monsters pretty freaky and deadly, but Robinson builds up an intriguing mythology around them.  Because the protagonists have no idea what they are facing, the entire phenomenon is attributed to a religious event, especially as there is a coincidental Christian prophecy about three days and three nights of darkness which will purge those who leave their house.  Once the monsters appear, the characters initially identify them as demons, due to their unique look, ability to replicate voices and their dark and disturbing laughter.  I found these attempts by the protagonists to understand what is happening to them to be really fascinating, and it involves some fun looks at mythology and ancient lore.  The character’s understanding of these creatures evolves and changes over time, as there are some new freaky bits of context, and I thought it was pretty cool the way that Robinson was able to adapt these horror elements.  I also must highlight the terrifying setting of Hell, where the protagonists eventually end up.  There are some pretty dark and excessively gruesome aspects to this location, and it was a very fitting location for the big finale.  Overall, I really liked the cool creatures and mythology that Robinson brings to The Dark and it was so much fun to see these monsters tear through a typical suburban neighbourhood.

Easily one of the best things about The Dark were the complex and impressive characters that the narrative was set around.  The most prominent of these was central protagonist and point-of-view character, Miah, a former soldier who returned from the war even more messed up then before.  Initially a bit of a weirdo loner, Miah soon evolves into a more heroic figure, especially as he takes the lead during the demonic invasion, saving several people he comes across and leading the survivors to either safety or battle.  Miah is a very deep protagonist, and I really enjoyed the impressive and powerful examination of his inner trauma and the mental burdens he carries after his time in the army.  Robinson really tries to make Miah as complex as possible, and he even works some of his own personal experiences with trauma into his protagonist’s psyche.  It was great to see him evolve throughout the course of the book, especially once he has the fate of several other people on his hands, and these events help him grow and overcome his previous experiences.  Miah is also an extremely entertaining protagonist to follow, especially as he has a great sense of humour, is constantly high and initially does not take anything seriously, even when all the lights go out.  This combination results in Miah doing some unusual things, including wearing one of his sister’s skirts for the first third of the novel (it’s weird, but it works).  Most of the book’s humour comes from his flippant narration of the weird events occurring around him, and even once stuff gets really serious, he still has plenty of fun jokes or odd observations about what he encounters.  I loved his outrageous outlook on the world, and I ended up really appreciating Robinson’s fantastic choice of protagonist.

Aside from Miah, Robinson also comes up with some other fantastic characters who go through these apocalyptic events with him.  All these characters are set up extremely well when they are introduced, and Robinson does a great job quickly examining their personalities and expanding on them throughout the course of the book.  There are several fun characters featured throughout The Dark, although my favourite two are probably Bree and Emma, two younger girls who end up part of Miah’s group.  Despite their youth, these two characters are extremely capable and quickly adapt to the weird new world that they live in.  This is in part due to them being branded like Miah, which slowly changes their personalities, turning them into something different.  Both characters react to their branding in different ways, with the eight-year-old Bree more swiftly losing her humanity.  It was pretty fun to see this young kid become more and more bloodthirsty as the novel progresses, and there are some great moments where Miah tries to control her.  It looks likes Robinson has some plans for both Miah and Bree in the future (Demon Dog and Laser Chicken for the win), and I look forward to them turning up again.

While I was checking out some of Robinson’s novels, one of the things that stood out to me was that all his novels have been converted to my favourite format, the audiobook, and that a good proportion of these were narrated by R. C. Bray.  Bray is a very talented and entertaining narrator, whose work I have previously enjoyed in some of Michael Mammay’s science fiction novels, Planetside and Colonyside (the latter being one of the better audiobooks I have listened to so far this year).  After seeing Bray’s name attached to The Dark, there was no way that I was not going to grab it on audiobook, which proved to be a very, very smart decision.

The Dark audiobook has a runtime of just under ten and a half hours, although I found myself absolutely powering through it, especially once I got into the story.  I felt that the audiobook format worked extremely well with The Dark’s first-person perspective, and the audiobook was able to progress at a really quick pace.  Bray really shined as a narrator in The Dark, and I loved the way that he presented the horrifying and intense events occurring around the characters.  Bray does an excellent job voicing the various characters in The Dark, and I particularly liked the way that he dove into voicing central protagonist Miah.  While I was initially a little dubious that Bray, who I have only previously heard voicing tough military characters, would manage with a more immature character like Miah, it ended up working really well.  Bray expertly gets inside the head of the main character voicing, and he quickly portrays Miah in all his doped-up, entertaining glory.  I think that Bray had a lot of fun voicing Miah (despite certain comments that the character makes about fancy audiobook narrators), and he did a great job presenting both the goofy side of the character and his more serious nature.  This ability to dive into Miah’s personality really enhanced the character and the overall story and I really enjoyed all the emotion that Bray threw into him.  I also liked some of the other voices that he did for The Dark, with all the characters ending up with some distinctive and fitting voices, even the younger ones.  This excellent voice work really helps to turn The Dark into an outstanding audiobook production, and I would strongly recommend this format to anyone interested in checking out The Dark.  Also, it has bloopers at the end, which were pretty damn fun.

While The Dark is a standalone novel that can be read with no prior knowledge of Robinson’s other works, it does have interesting connections that I need to mention.  There is a big reveal at the end of the book which ties The Dark together with a previous standalone novel that was a released a couple of years ago.  While I have not read this previous novel, it was a fun connection, and, after deeply enjoying The Dark, it got me in the mood to check out some of Robinson’s other books.  I also looked at Robinson’s website after finishing The Dark and there was a very interesting post about this that has made me appreciate this novel a little more.  Apparently The Dark is an entry in a wider joint universe, known as the Infinite Timeline, which already features several novels that Robinson has released in recent years.  The Dark is part of a sub-series within this universe, and it is linked together with the above-mentioned previous novel and an upcoming novel, Mind Bullet.  This sub-series will continue to become even more linked, eventually leading to another novel, Khaos, before it, and two other sub-series, made up of 11 novels in total, will have a big crossover in the 2023 novel, Singularity.  While this does not impact who can check out The Dark, I think it is pretty awesome that Robinson is attempting to create this massive joint universe, and it has really got me intrigued.  I am now extremely tempted to try and check out the rest of the entries in this joint universe before Singularity is released, and it should be a very interesting couple of years if I do.

Overall, The Dark by Jeremy Robinson was an epic and relentlessly exciting horror novel that I had an incredible time reading.  Thanks to its captivating story, complex characters and unique horror elements, The Dark was an outstanding book and it ended up being one of the most entertaining and compelling audiobooks I have enjoyed all year.  A definite must-read for anyone in the mood for a fun and intense horror novel, The Dark comes highly recommended and gets a full five stars from me.  I think I will end up trying some more of Robinson’s novels in the future, especially in their audiobook format, and I cannot wait to see what other crazy adventures and outrageous events he features in his books.

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The Enemy Within by Tim Ayliffe

The Enemy Within Cover

Publisher: Simon & Schuster (Trade Paperback – 28 July 2021)

Series: John Bailey – Book Three

Length: 353 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s fastest rising crime fiction authors, Tim Ayliffe, returns with another impressive and brilliantly relevant novel, The Enemy Within.

Ayliffe is a great author whose work I have been really enjoying over the last couple of years as he sets some fantastic stories around contemporary Australian subjects.  Debuting in 2018, this journalist wrote a compelling and intriguing first novel with The Greater Good, which looked at political corruption and the growing influence of China in Australia.  He followed it up in 2019 with State of Fear, which looked at Islamic terrorism and featured a dramatic and impactful story.  Now Ayliffe checks out the complete opposite end of the political spectrum in The Enemy Within, which features a look at growing right-wing radicals.

As the smoke from devastating January 2020 bushfires covers Sydney, investigative reporter John Bailey is covering a far more dangerous threat in the suburbs.  Barely recovered from the traumatic events that took the love of his life from him, Bailey is now working for a news magazine.  His first story will cover the re-emergence of right-wing nationalists and white supremacist groups in Australia.  Attending one of their meetings, where a controversial American social media star whose entrance into the country has gained much political opposition and protest, Bailey attempts to gain the pulse of this movement, only to face violence and an anti-media mentality from the crowd.

Working on his story, Bailey has no idea of the chaos that is about to rain down on his life.  After he meets with an old contact and informant, Bailey’s house is raided by the Australian Federal Police.  The police are investigating him for a story he ran back while he was a war correspondent that highlighted the alleged war crimes Australian soldiers committed in the Middle East.  Armed with a warrant granting them access to his phone, computer and all his files, the police tear through Bailey’s life and throw him in gaol for attempting to impede their search.

With the entire nation’s media covering his plight, Bailey is released from prison and soon discovers that someone orchestrated the police raid to delete evidence from the rally.  Attempting to investigate further, Bailey is shocked when his contact ends up dead in mysterious circumstances and the police fail to investigate.  With Sydney on the verge of a race war, Bailey continues his investigation and soon uncovers proof about a dangerous conspiracy that aims to shake the very foundations of Australian life.  With only his old friend CIA agent Ronnie Johnson as backup, Bailey attempts to stop this plot before it is too late.  But with a seemingly untouchable enemy targeting him from the shadows, has Bailey finally met an opponent even more determined than he is?

This was an awesome and captivating novel from Ayliffe who once again produces an intense, character-driven narrative.  Set around some very relevant and controversial topics, The Enemy Within is a powerful and exciting novel that takes the reader on a compelling ride.  I had a fantastic time reading this clever book and I loved the fascinating examinations of one of the more insidious threats facing Australia.

Set in the blistering, smoke covered streets of early 2020 Sydney, this story starts with protagonist John Bailey engaged in a controversial story about the rising far-right wing.  After a predictably violent confrontation, the narrative takes off like a shot, with the protagonist investigating a series of concerning events, including several murders, racial attacks, and a re-opened investigation into an old story of his that sees the AFP raid his house.  Each of these separate investigative threads are drawn together as the book progresses, and the reader is treated to an impressive and deadly conspiracy with several clever allusions to real-world issues and events.  This was a very exciting and captivating novel to get through, and I found myself reading it extremely quickly, nearly finishing it off in a day.  The story leads up to an awesome and intense conclusion, where Bailey uncovers the entire scope of the plot and races to stop it.  While the identity of some of the participants is very clear since the character’s introductions, their full plan, methods, and reach are more hidden and it was great to see the protagonist uncover them all, especially as several were cleverly hidden in innocuous moments earlier in the novel.  There is even an excellent twist towards the end of the book that reveals a well-hidden antagonist, which I particularly enjoyed as it was so skilfully inserted into the story.  I ended having an excellent time getting through this amazing narrative, and this might be one of the best stories that Ayliffe has so far written.

One of the things that I have always enjoyed about the John Bailey novels is the way in which so much of the amazing story was tied to how extremely damaged the titular protagonist is.  John Bailey is a veteran reporter whose previous life as a war correspondent has left him extremely broken, especially after being tortured by a dangerous terrorist leader.  This eventually led to him becoming an alcoholic, which ruined his career and separated him from his family.  However, since the start of the series, Bailey has shown some real character growth, although this is usually accompanied by some traumatic events or tragic moments.  In The Enemy Within, as Bailey is still recovering from the loss of his lover at the end of State of Fear.  Despite making some strides to recover, Bailey is still reeling from the loss, and this becomes a major aspect of his character in this latest book.  This is especially true as Ayliffe does an outstanding job of highlighting the grieving process and showing Bailey’s feelings of despair.  It was really moving to see Bailey in this novel, and I was glad to see him continue to recover from all the bad events of his life, including stopping drinking and getting a dog.  However, Bailey still has an unerring knack to annoy the subjects of his stories, and he ends up getting into all sorts of danger.  It was great to see him getting to the root of this story by any means necessary, and I continued to appreciate his impressive development.

I also love the way that the each of Ayliffe’s novels feature some fascinating contemporary issues facing Australia or the wider world.  In The Enemy Within, the main issue is the rise of Australian right-wing and white supremacist groups in recent years.  Like in the rest of the world, these groups have been becoming a bit more prominent recently in Australia, and Ayliffe does an excellent job analysing this issue throughout his novel.  The author does a deep examination of the movement as the story progresses, and the reader is given a good insight into their concerns, motivations, and the reasons why the movement has been gaining progress in recent years.  There are some clever parallels between the events or people portrayed in the novel and real life, which was interesting to see.  Examples of this include the government allowing controversial right-wing figures into the country despite protests, and the reactions of certain right-wing media groups.  I liked how Ayliffe once again featured the character of Keith Roberts, a right-wing commentator who is a pastiche of several Australian radio personalities.  It was also quite fascinating to see how the concerns and motivations of the right-wing groups were extremely like some of the Islamic terrorists featured in State of Fear, with both groups feeling disconnected from and attacked by mainstream Australian society.  Not only is this extremely fascinating and thought-provoking but it also serves as an amazing basis for Ayliffe’s narrative.  The author does a fantastic job of wrapping his thrilling story around some of these elements, and it makes the overall narrative extremely relevant.

I also must highlight another significant contemporary inclusion that was featured in The Enemy Within, and that was the Australian Federal Police’s raids on Bailey’s house.  This police raid is a direct reference to a series of controversial raids that occurred on several media organisations, including ABC News (who Ayliffe works for), in relation to articles they published.  Ayliffe uses these real-life examples to really punch up what happens within The Enemy Within, and he produces some realistic scenes that were comparable to this.  The subject of the articles that prompt the raids are also very similar and feature another topic that is quite controversial in Australia in the moment, that of alleged war-crimes by Australian soldiers fighting in the Middle East.  Just like with the other divisive topics featured in this novel, Ayliffe did a fantastic job re-imagining these events in his novel, and it produces some excellent inclusions that will particularly resonate with an Australian audience.  I deeply appreciated the way in which he was able to work these events into his story, and I think that it made The Enemy Within a much more compelling and distinctive read.

I have to say that I also really loved the author’s use of setting in The Enemy Within.  This latest book is set in early 2020, when Sydney was surrounded by some of the worst bushfires in Australian history and the entire city was covered in smoke for months.  Ayliffe does an excellent job portraying these terrible conditions, no doubt drawn from his own personal experiences, and the reader gets a good idea of how difficult life was under those conditions (it certainly brought me back to that time, although we didn’t have it quite as bad down in Canberra).  Ayliffe uses this unique setting to full effect throughout the book and it provides some fitting atmosphere for the narrative, especially as the landscape reflects the simmering tensions flaring up within the city.  This was one of the more distinctive features of The Enemy Within, and I really appreciated the way the author used it to enhance his great story.  I also quite enjoyed the throwaway references to COVID-19, with none of the characters particularly concerned about it considering everything else that was happening, and I have no doubt that Ayliffe’s next novel will make great use of the pandemic in some way.

With his latest novel, The Enemy Within, Tim Ayliffe continues to showcase why he is one of the best new writers of Australian crime fiction.  The Enemy Within had an awesome and incredible story that perfectly brings in amazing contemporary Australian issues and settings, which are expertly worked into a thrilling novel.  I had an outstanding time reading this fantastic read and it comes highly recommended.

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