Quick Review – The Wrong Hands by Mark Billingham

Publisher: Sphere (Trade Paperback – 25 June 2024)

Series: DS Declan Miller – Book Two

Length: 405 pages

My Rating: 4.25 out of 5 stars

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Bestselling crime fiction author Mark Billingham continues his DS Declan Miller series with the highly entertaining read, The Wrong Hands.

Billingham is an intriguing British crime fiction author who has an impressive catalogue of books to his name.  Best known for his long running DI Tom Thorne series, Billingham has also written an array of compelling standalone novels and audiobook exclusives.  His latest body of work is his DS Declan Miller series, which is a light-hearted crime fiction series focusing on an array of over-the-top characters.  Starting with The Last Dance, the DS Declan Miller books follow an eccentric police detective as he investigates unusual crimes in Blackpool, including the murder of his own wife.  The Wrong Hands is the second book in the series, and it proved to be another cooky investigation with a highly entertaining plot behind it.

Plot Synopsis:

This is one case Detective Miller won’t want to open . . .

The second rip-roaring mystery from multi-award-winning number international bestseller Mark Billingham starring Detective Miller: unique, unconventional, and criminally underestimated…

Unconventional Detective Declan Miller has a problem. Well, two problems. First, there’s his dead wife and her yet-to-be-solved murder. He really should stop talking to her ghosts…

Second, and most pressing, a young man has just appeared on his doorstep with a briefcase . . . containing a pair of severed hands. Miller knows this case is proof of a contract killing commissioned by local ne’er do well Wayne Cutler—a man he suspects might also be responsible for his wife’s death. Now Miller has leverage, but unfortunately, he also has something that both Cutler and a villainous fast-food kingpin are desperate to get hold of.

Sprinkle in a Midsomer Murders-obsessed hitman, a psychotic welder, and a woman driven over the edge by a wayward Crème Egg, and Miller is in a mess that even he might not be able to dance his way out of.


The Wrong Hands
was a highly entertaining and slightly outrageous crime fiction read that sets the author’s distinctive police detective protagonist against an unlikely assortment of criminals in a wacky, fast-paced plot.  Starting off with a very entertaining opening sequence that sees a world-class assassin and a local crime boss severely embarrassed by two local youths who managed to steal vital evidence, the book only gets even more fun from there as DS Declan Miller comes into possession of a pair of hands that could prove the key to locking up his rival and solving the murder of his dead wife.  However, to get there, Miller must first catch a dangerous killer, determine who the hands belong to, and protect anyone associated with the thieves responsible for the whole debacle.

I had an amazing time with this story, as Billingham loaded his plot with a huge array of over-the-top characters, each of whom proved fun to follow.  The plot moves at a very fast pace, and the author loads up some interesting clues and set-ups that result in some fantastic twists.  Much of the plot turns into an unlikely game of cat and mouse as Miller and his colleagues try to find the assassin before he strikes down everyone involved with the case.  I liked the captivating tension and unique story moments that led up to the big confrontation and the eventual solution to the book’s main plot proves to be quite enjoyable, especially as the villains are brought down from an unexpected source.  However, I must admit that I felt the author’s solution to the big crime of the series, the murder of the protagonist’s wife, didn’t get the epic solution it deserves, especially as the culprit kind of comes out of nowhere.  Still, this was an overall fantastic read and you really get wrapped up in the clever story.

Billingham utilises a distinctive stye that combines humour with compelling crime fiction scenarios.  While slightly derivative of the current craze around comedic murder mystery novels, The Wrong Hands still proved to be extremely entertaining, and I found the entire oddball scenario to be very compelling.  The quick change in focus between the various memorable figures involved in the case helped to give the novel some additional depth and comedic power, and I loved seeing the different angles to this entertaining narrative.  In addition, I felt that Billingham did a great job making The Wrong Hands a very accessible and easy to read book.  While The Wrong Hands does serve as a sequel to The Last Dance, new readers can easily dive into this latest book from Billingham without any issue, and the author ensures all the key plot points are expertly rehashed, allowing anyone to come in and have a great time with this fantastic novel.

While I loved the plot of The Wrong Hands and the way it was presented, the real fun lies in the unique characters themselves, as Billingham brings together an amazing and varied cast of niche crooks, crazed killers and troubled cops.  While I did think that Billingham may have tried a little too hard to make his protagonist, the dance-loving, unusual fact-spouting, rat-owning DS Declan Miller seem as quirky as possible, he still proved to be a great character to follow, and I felt that the author perfectly captured his grief, guilt and obsession with finding his wife’s killer.  His partner, DS Sara Xiu, proved to be an excellent foil to Miller, and even with her issues she worked as an enjoyable straight figure to Miller’s eccentric persona.  However, it is Billingham’s villains that really make The Wrong Hands stand out, as the author utilises an excellent collection of outrageous rogues.  This includes two crime bosses with alternate product focuses, whose neglectful family life proves to be their downfall, an elite assassin with a less-than-perfect naming convention and a love for Midsomer Murders, and a psychotic welder with some major issues.  These fantastically dark characters added a lot of impact to The Wrong Hands, and I loved seeing how their entertaining and often ironic storylines came together.

Overall, The Wrong Hands was an awesome and very fun new book from Mark Billingham, who let his ridiculous side loose to produce a fantastic crime fiction read.  Fast, funny, and loaded with outrageously complicated characters, The Wrong Hands is an easy book to get lost in, and I am glad I decided to pick it up.

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Hill 112 by Adrian Goldsworthy

Hill 112 Cover

Publisher: Head of Zeus (ebook – 23 May 2024)

Series: Standalone/Book One

Length: 495 pages

My Rating: 4.75 out of 5 stars

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Prepare to dive headfirst into the deadliest of struggles as acclaimed historical fiction author Adrian Goldsworthy provides a captivating look at the Normandy invasions with his epic novel, Hill 112.

Adrian Goldsworthy is an impressive historical fiction author who has been producing some great novels as of late.  A respected historian, Goldsworthy made the jump back to fiction in 2011 when he started his Napoleonic Wars series.  I had the great pleasure of reading the first few books in the series, including True Solider Gentlemen and Beat the Drums Slowly, and Goldsworthy prove to be an outstanding author who would focus his stories on intriguing historical elements.  His Napoleonic Wars series ended up featuring six novels before he dove into Roman historical fiction in 2017 with his Roman Britain series.  Starting with Vindolanda and also featuring six novels, the Roman Britain series sounds very awesome, and it is one I need to check out in the future.  Due to how much I enjoyed some of Goldsworthy’s previous books, I made sure to grab a copy of his latest release, Hill 112, which provides a compelling examination of the bloody invasion of Normandy during World War II.

June 6th, 1944.  After years of enduring the Nazi onslaught, the Allies are finally ready to begin their campaign to invade occupied France.  But to liberate France and free all of Europe, the Allies first must make a perilous landing and brave the full force of the German army waiting for them.  The destination for their fateful landing: Normandy!

As the Allies begin their invasion, three young soldiers, former classmates from south Wales, are amongst the troops landing in Normandy.  The charismatic James must put his previous experience as cricket captain into practice by leading a troop of Sherman tanks into fray.  The athletic Mark is forced to prove himself as the young officer in charge of a platoon of infantrymen, while Bill, the group’s resident firebrand, finds himself in the middle of the fighting as he serves as a private soldier.  However, none of these young men are truly prepared for the carnage to come.

The battle-hardened German army is determined to push the Allies back into the sea, and soon both sides find themselves caught up in a brutal battle for survival.  Into the middle of this, James, Mark and Bill find their courage and luck tested like never before as they finally experience the horrors of war and the seemingly unbeatable Germans.  Their fates, and that of the entire Allied war effort, will be decided in one of the most brutal fights of the Normandy campaign, the battle for Hill 112.

Goldsworthy brings together one of his heaviest and moving novels yet with the incredible Hill 112.  A gritty and realistic war story that seeks to capture the experiences of young soldiers during Normandy, Hill 112 was a fantastic and moving novel that drags readers right into the heart of the fighting.

Hill 112 has a great story to it that, while simple in concept, hits the reader hard and provides a powerful look into the realities of war.  Told from the perspective of three young soldiers as they experience their first taste of combat, Hill 112 is a very moving war novel that is hard to look away from at times.  Starting with the first day of the Normandy landings, you initially follow James, who leads the charge with his tank unit, while Mark and Bill wait back in England for their deployment to the front.  While this did make James’s chapters a lot more interesting and exciting than the others’ at the start of the book, I liked how Goldsworthy chose to start the remaining two characters off back in England.  Not only was historically realistic, but it allowed you to get to know these two protagonists and other supporting characters before the fighting, while also building up the tension, especially when you compared their experiences with what James was going through on the front.

It doesn’t take long for Mark and Bill to make it over to Normandy, and from there the reader becomes enmeshed in seeing all three protagonists facing the tough campaign in Europe.  There is a lot of action and a ton of tragedy in this part of the book, and it was fascinating to see them slowly adjust to the new normal of battle, as they experience the true horrors of war.  Goldsworthy continued to keep the three protagonists separated for most of the story, which allows each of them to grow, while also showcasing several different fronts at the same time.  Their storylines start to converge as the book continues, especially when they find themselves at the foot of the tactically significant Hill 112.  The last third of the book is essentially all out fighting as the three protagonists attempt to survive the desperate battle for the hill.  The carnage flies thick and fast in this part of the book, and you are constantly on edge as the three characters fight on, while also trying to understand the necessity and impacts of war.  I was deeply captivated for this entire part of Hill 112, and I couldn’t stop reading as I waited to see the fates of all three characters.  Goldsworthy did not disappoint, as the ending to this book was extremely shocking and powerful, and you come away wondering about the sacrifices, experiences and emotions of those involved in the fighting.  This was a such a great character-driven war story, and I came away very impressed with how it all unfolded.

I deeply enjoyed the compelling and powerful story that Goldsworthy created for Hill 112 that hits all the right notes for the reader.  Goldsworthy made the clever choice to provide the reader with a more insular look at the invasion, as the viewpoint is limited to the lower-ranked protagonists, more concerned with their own battles, rather than a look at the large war going on around them.  This proved to be an excellent choice of focus, and I deeply appreciated the way in which Goldsworthy was able to get into the mindset of the young soldiers fighting this war.  The constant switching between the three main protagonists allowed for a complex and intriguing story, as they experienced different battles while coming to terms with the fighting in their own ways.  Goldsworthy has a real talent for showing the chaos of war, and you are thrown into innumerable skirmishes, firefights and large-scale battles, all of which is captured in its full destructive glory.  You can honestly feel the bullets flying and the shells landing as you pour through Hill 112, and the constant conflict, danger and excellent portrayal of the fighting ensures that readers have a very hard time pulling their attention away from this amazing book.

Goldsworthy clearly did an exceptional amount of research for Hill 112 as this book is loaded with historical detail as the author meticulously covers key events of this initial invasion.  While the main regiments featured in Hill 112 are fictitious, Goldsworthy bases them on actual participants of the fighting, and you get incredibly detailed depictions of the early days of the Normandy campaign for the English and Canadian forces.  This includes events that followed from the initial landings on Normandy all the way to the conclusion of the fighting around the titular Hill 112, a key historical battle.  Readers get a very compelling and intensive look at how the campaign unfolded, and it was interesting to see how hotly contested this initial fighting in France was, especially as most modern war movies/television series usually show swift victory the moment the allies are off the beaches.  The battle of Hill 112 was naturally a compelling part of the book which the author covers in heavy detail, noting the movement of all the relevant units and the various attacks.  I got so engrossed in Goldsworthy’s recounting of this battle, and readers are left haunted and amazed that so much death occurred for a simple hill in the countryside.

The author really did not spare any detail when it comes to the fighting, and you get a comprehensive vision of the potential experiences of the participants in these battles.  Goldsworthy really dives into every single aspect of the solider experience, and you come away with insights into the conditions, equipment, training and attitudes of the troops, all of which greatly adds to the gritty realism of the story.  This is particularly true in the battle scenes, and it was very compelling to see how the soldiers would have fought, as well as other factors that came into play, such as the Allies’ overwhelming artillery.  I especially enjoyed the many scenes that focused on vehicular combat as one of the protagonists spends most of the book inside a Sherman tank, fighting against German armoured units.  The sequences in the tank are always a high-strung affair, and Goldsworthy expertly captures the cramped conditions, fast-paced fighting, and constant peril that the British crews experienced.  The author further increases the authenticity of the book by having his protagonists experience various incidents that were recorded to have happened during these invasions.  The author cleverly retells these events to feature his characters, and the various experiences, some of which are quite hellish, add a lot of intensity to the book.  Goldsworthy really pulls no punches when it comes to showcasing the experiences of Allied soldiers in Hill 112, and it proves hard not to deeply appreciate his ability to utilise a massive amount of historical detail to tell a good story.

I must also highlight the intriguing characters featured within Hill 112 who added a lot to the impact of the book.  The three main characters, James, Mark and Bill, are all quite intriguing in their own way, and I appreciated how they ran the gambit of young people who would have joined the war effort after leaving school.  Goldsworthy ensures that each of these main characters have a compelling backstory which contrasts in a moving way to their current experiences, and it was moving to see them grow up throughout the course of the horrendous ordeals they find themselves in.  These three main characters are also accompanied by a huge supporting cast of fellow soldiers, officers, tank crews and other figures, each of whom travel with the protagonists to engage in the fighting.  Many of these supporting characters are exclusive to the chapters told from the perspective of a particular protagonist, allowing for unique interactions, and Goldsworthy often provides relevant backstories for these supporting characters as well.  This cast of additional characters gets quite extensive as the book continues, which can make remembering everyone a little hard at times.  However, that proves to be a short-term problem at best, as the supporting players usually doesn’t last too long in the fighting.  This proved to be an excellent and intense character-driven novel, and I really appreciated how well Goldsworthy captured the experiences of these young soldiers in war.

Adrian Goldsworthy once again brings the past back to haunt his readers in the outstanding and moving novel, Hill 112.  A highly detailed and impressive war novel, Hill 112 does an incredible job capturing the experiences of young soldiers in the Normandy campaign and you will quickly become absorbed in the resulting story.  Highly recommended, especially for those fans of military history, Hill 112 was such an amazing read.

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Agricola: Invader by Simon Turney

Agricola - Invader Cover

Publisher: Head of Zeus (ebook – 14 March 2024)

Series: Agricola – Book One

Length: 352 page

My Rating: 4.5 out of 5 stars

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I was in the mood for a compelling historical adventure, and the intriguing upcoming novel Invader, the first book in the Agricola series, seemed like the perfect choice, especially with the always impressive Simon Turney at the helm.

Simon Turney, who also writes as SJA Turney, is a well-established historian and historical fiction author who has been producing complex and action-packed reads for years.  Predominantly known for his Roman historical fiction works, including the Marius’ Mules, Tales of the Empire, Praetorian, Roman Adventure and Damned Emperors series, as well as the Knights Templar and Wolves of Odin books, Turney has a substantial catalogue of fantastic books to his name.  I have had some great experiences with Turney in the past, especially as I loved his 2019 novel Commodus, which perfectly captured the life of one of Rome’s most complex Emperors.  I have been meaning to read more from Turney for years and I finally got the chance when I received an early copy of his upcoming book, Invader.  The first book in a new series that will follow the life of famous Roman general Gnaeus Julius Agricola, a historical figure Turney is very familiar with, Invader was a great read that covered Agricola’s first military command.

58 AD, Rome.  Teenager Gnaeus Julius Agricola is the son of a distinguished Roman family that has languished into poverty since the death of his father.  Determined to bring honour and glory back to his family’s name, Agricola sets out to prove himself to the people or Rome through military service.  Utilising the last favour owed to his family, Agricola secures a posting as Tribune in the province of Britannia.

Determined to make the most of his opportunity, Agricola finds himself assigned to the staff of Roman general Suetonius Paulinus, who is about to launch an ambition campaign to capture more of the island and pacify the resentful tribes.  Marching across Britannia, Agricola begins to show himself a capable leader, especially while be forced to deal with rebelling locals, dangerous rivals, and an incompetent commander.

Soon, the war leads to the ancient stronghold of the druids, where Agricola finds his star on the rise.  However, great disaster awaits the Romans back at the heart of the province.  The warrior queen Boudicca has risen in revolt, determined to wipe out all the Romans in Britannia.  With the fate of the entire colony hanging in the balance, can Agricola help find a way to ensure victory for the Romans, even with the odds firmly stacked against them?

Invader was an epic and compelling piece of historical fiction from Turney, who starts up an awesome new series in a big way.  Loaded with action, intriguing characters, and some great historical detail, Invader was a highly addictive read that I was able to power through in two days.

Turney came up with an excellent story for the first Agricola book that quickly grabbed my attention and ensured I couldn’t stop reading.  Told exclusively from the focus on the new series, historical figure Gnaeus Julius Agricola, Invader serves to both introduce the protagonist, while also highlighting some of his early adventures.  The author starts the book off quick, setting the scene for the protagonist and ensuring you’re invested in his ambitions, before dropping him into a particularly chaotic period of the Roman occupation of Britania.

Thanks to the setting, most of the story focuses on General Paulinus’s massive campaign to conquer more territory and destroy the druids, which is a fascinating historical backdrop, especially considering where it led.  I liked how Turney primarily showed one leg of the invasion as the protagonist accompanied one of the split forces through a lengthy march of suppression, colonisation and negotiation.  This results in several interesting encounters and situations, especially as Agricola is desperate to prove himself against the enemy, while also dealing with internal issues, including a rival Tribune and a drunk commander.  This combination of obstacles helps to create a compelling story, and I enjoyed seeing the characters simultaneously involved with internal politics and external fights.  There are some great battles featured here, and this lengthy march of Agricola’s central force through the miserable British landscape proves to be one of the best parts of the entire book.

The rest of the story only gets better, as the protagonist and the supporting characters find themselves involved in two key conflicts, the Roman invasion of the island of Mona and Boudica’s revolt back in the settled provinces.  These scenes are loaded with more action as Turney does an excellent job of setting the protagonist right into the centre of the conflict, and the resulting chaotic warfare, personal worries and other issues really works to tell an engrossing story.  I was initially a little surprised that Turney chose to condense these two major events into the second half of the book, as you probably could have written a whole second Agricola novel about them.  However, after finishing the story, I think it worked well and honestly wasn’t too rushed.  This entire part of the novel proved to be highly entertaining and exciting, and I honestly couldn’t put it down as I waited to see how everything ended.  Turney also sets everything up nice for a sequel/continuing series, and it will be interesting to see how that turns out, especially now that we have the protagonist’s earliest adventures, a potential long-term rival, and a connection to the province Agricola is most known for.

I loved the historical elements that Turney featured in Invader as he did an outstanding job of capturing the feel of both the wild, unexplored areas of Britania and the conquering Roman legions advancing through it.  I loved the author’s great depictions of the various Roman units featured throughout Invader, and you really get a sense of the order, battle tactics and arrangements of a Roman army.  Turney also expertly portrays the intriguing events surrounding General Paulinus’s massive invasion of inner Britannia and, to a lesser degree, the events that led to Boudica’s uprising.  Many of the key recorded moments of these historical events are showcased in an amazing way in Invader, including some major battles, figures and locations.  I rather enjoyed how we saw these events from the perspective of a Roman soldier on campaign, who had no idea about the upcoming revolt that they would have to fight against, nor the wider political issues that led up to it.  Instead, you see how the army was forced to react and the resulting actions that led them to face off in the final battle against Boudicca.  As such, Invader proved to be a particularly impressive historical read, and I cannot wait to see how Turney portrays other key events that Agricola was involved within in future books of this series.

In addition to showcasing the historical events, Turney also features an intriguing range of characters who make up the story.  Most of this is shown through the eyes of series protagonist Gnaeus Julius Agricola, who serves as the point of view character.  Agricola is a historical figure that Turney is very familiar with, and Turney really does a great job featuring him.  While Agricola is generally strongly covered in historical texts (his son-in-law is one of the few surviving historical sources of the period), only a little is known about Agricola’s first visit to Britannia as a young man.  Turney does a great job of portraying Agricola as a hungry young man looking to prove himself, and I think he presented a great potential story about the character.  Watching Agricola battle against everything holding him back was very entertaining, and I look forward to seeing what happens next in the series.  Naturally, Turney places Agricola in the middle of every major battle or encounter he could find, mainly to flesh out the sparse historical notes, and it was interesting to see the combination of ambition, dedication, tactical ability and pride that the author imagined this figure would have in his youth.  Invader also features a great range of supporting characters, both from history and fictional inclusions, who all add a lot to the story.  Standouts include a frustrating rival for the protagonist, a drunk and unpredictable commander who the protagonist is forced to work around, and a native slave, Luci, with whom the protagonist forms an unusual friendship.  I really enjoyed these characters, and it will be interesting to see how their stories continue in the rest of the series.

Overall, Invader was an impressive piece of historical fiction from Simon Turney.  Featuring a great historically important protagonist, Invader served as a brilliant first entry in the new Agricola series, and I really enjoyed the intense and intriguing story that emerged.  Exciting, entertaining, and highly addictive, Invader was an outstanding read that comes highly recommended.  I had an awesome time reading Invader, and I cannot wait to see how Turney captures the rest of Agricola’s complex life throughout this series.

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Rebellion by Simon Scarrow

Rebellion Cover

Publisher: Headline (Trade Paperback – 14 November 2023)

Series: Eagles of the Empire – Book 22

Length: 398 pages

My Rating: 4.5 out of 5 stars

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One of my favourite historical fiction authors of all time, Simon Scarrow, returns with another epic adventure that places his long-running Roman protagonists right in the middle of the deadliest fight imaginable with Rebellion.

I have made no secret of the fact that I am a massive fan of Simon Scarrow, especially when it comes to his main Roman historical fiction series.  While I have deeply enjoyed Scarrow’s books set in other periods, such as his awesome Berlin Wartime thrillers Blackout and Dead of Night, it is Scarrow’s Eagles of the Empire series that I come back to every time.  Following two veteran Roman officers who manage to find themselves sent to every battlefield imaginable, the Eagles of the Empire books have dominated the historical fiction market for over 20 years, and I have had such an incredible time reading every entry in this series.  Eagles of the Empire has been a staple series for this blog ever since I started The Unseen Library, and I have reviewed multiple entries, including The Blood of Rome, Traitors of Rome, The Emperor’s Exile, The Honour of Rome and Death to the Emperor.  Due to how much fun I have with these fantastic historical adventures, I always make time to read the latest Eagles of Empire book each year, and I finally managed to read the late 2023 entry, Rebellion.  The 22nd book in the series, Rebellion was an exceptional and bloody read that places Scarrow’s protagonists in their most dangerous battle yet.

AD 60, Britannia.  The Roman province of Britannia is in utter turmoil as the queen of the Iceni tribe, Boudica, leads her people in total rebellion after suffering the greed and cruelty of Rome too long.  Despite the best efforts of retired centurion Macro, Boudica’s growing force of Britons managed to destroy the veteran’s colony of Camulodunum, and now her army is emboldened to take back the entire province in a bloody spree of vengeance.

Campaigning on the other side of the province, Governor Suetonius desperately attempts to lead his army back to Londinium as soon as word reaches him about the uprising.  Forced to move ahead with a smaller force, led by Prefect Cato, Suetonius hopes to rally the rest of the troops in Britannia to make time for his army to arrive.  However, Suetonius is unprepared for the savagery of the desperate rebels and the incompetence of the officers he left behind, and he soon finds himself hopeless outnumbered.

As the Roman forces attempt to salvage the situation, Cato finds himself lost without his longtime comrade Macro beside him.  Convinced that Macro died at Camulodunum, Cato is determined to avenge his friend no matter the cost.  But Macro’s fate is far more complicated than the Roman’s realise, as he has been taken prisoner and is trapped in Boudica’s camp where everyone wants him dead.  As the Roman host desperately makes their final stand against the rebelling tribes, can these two grizzled soldiers survive this bloody battle, or has their luck finally run out?

Scarrow once again presents a fast-paced and powerful piece of historical fiction that proves impossible to put down.  Focusing on a particularly fascinating and iconic piece of history, Rebellion is an outstanding novel that once again thrusts Scarrow’s beloved protagonists right into the middle of the carnage.

The author had to achieve a lot in Rebellion, especially after the epic cliffhanger the prior novel, Death to the Emperor, left us on.  The events leading up to Boudica’s rebellion have been in play since the author’s very first book, and it was only a matter of time before Scarrow showcased it in this series.  Death to the Emperor did a really good job setting the rebellion in motion, and Scarrow needed to majorly capitalise on that in this latest novel.  Luckily, he was more than up to the task, presenting a captivating story that covers the key events of the rebellion.

After starting with a fun and bloody introduction that helps to highlight just how much trouble the Romans are in, Rebellion swiftly returns to the protagonists.  The first part of the book is told primarily from Cato’s perspective, as he accompanies the Roman general and a small force back to the imperilled capital in a desperate march.  This sets up a lot of the later narrative, especially as you get a sense of how out of position the Romans are and how desperate events have become.  Rebellion’s plot got even more interesting when the story spent several chapters focussing on Macro.  Now, I never for a second believed that Macro had been killed in the previous book, so I do not consider it a spoiler to mention that he was a major part of Rebellion.  His scenes were easily the highlight of the first half of Rebellion, especially as he endured being a prisoner of the rebelling tribes and his former lover, Boudica.  These scenes are so tense and emotionally charged, as Macro is forced to watch his comrades be butchered all around him, while also learning some surprising secrets.  Despite the horrors he witnesses, Macro still manages to be a bullish and utterly frustrating figure for his captors, and I loved seeing the various ways he tries to fight back.  Naturally, these two separate storylines converge as the book continues, although things only get darker once Cato and Macro are back together.

The second half of Rebellion is so damn fast-paced, exciting and intense that I honestly read the whole thing in a single night.  Everything about this second half is very impressive, as the characters go through hell time and again.  Much of this involves an extended chase sequence as the Romans are forced to flee the advancing wrath of Boudica.  The sheer desperation, despair and sacrifice involved in many of these scenes is extremely moving, and Scarrow did not sugarcoat just how brutal and bloody things got at the hands of the rebelling Britons.  The continued perspective spilt between Cato and Macro during these sequences works great, and Scarrow really captures just how fraught the situation is.

While I loved this long chase sequence and the brawls involved with it, the main highlight of Rebellion was always going to be the final battle between the Romans and Boudica.  Scarrow takes his time setting up this battle, which really heightens the anticipation, as the characters make their preparations and reflect on the fight to come.  The conclusive battle was everything you would hope it to be, and Scarrow showcases the epic confrontation, one of the bloodiest in Roman British history, in fantastic detail.  The action is intense, fast and shocking, and you are constantly on the edge of your seat waiting to see how events would unfold and whether the protagonists would survive.  Everything comes to a powerful and desperate finish, and readers will be thrilled by how this entire novel comes together.

As with most books in Scarrow’s Eagles of the Empire series, Rebellion can be read as a fun standalone novel, although in this case reading one or two of the previous entries might be beneficial.  This is because most of the storylines from the last few books have involved the events that led to Boudica’s revolt, and it was great to see it finally see this ongoing arc finally come to fruition.  At the very least, I would advise people to read the prior novel, Death to the Emperor, before getting into RebellionDeath to the Emperor was one of Scarrow’s best recent book in the series, and it ends with the battle for Camulodunum and a cliffhanger regarding Macro.  The two books form a powerful pairing, and I strongly believe that the impact of Rebellion was enhanced by reading the events of Death to the Emperor first.  However, if you choose to dive into Rebellion as a standalone, you will still be in for a good time because Scarrow ensures that the plot is very accessible and easy to follow for new readers.  This proves to be an awesome Eagles of the Empire book as a result, and I look forward to the next entry in the series, especially after some of the cool revelations that came out in this impressive novel.

I loved the historical aspects of Rebellion as Scarrow does an amazing job of exploring the events of Boudica’s revolt in detail.  As I mentioned above, the set-up for the revolt was handled flawlessly in Death to the Emperor, and Scarrow did a great job following it up with the main event here in this sequel.  Many of the key aspects of this conflict, including the sacking of Londinium, the forced march of the Roman army, and the general panic of the citizens in Britannia are shown in impressive detail, and Scarrow does a great job of setting the scene and showing just how close the Romans were to defeat.  The author does not pull any punches when it comes to how bad things got, and the inhuman actions both sides committed really raised the stakes of the book.  Scarrow also does an outstanding job of filling in historical details that were not effectively covered by the surviving sources.  For example, I liked his take on the destruction of the Ninth Legion at the start of the book, which was reminiscent of the Teutoburg Forest massacre.  Scarrow further enhances the story by providing an intriguing potential viewpoint on both sides of the revolt.  Interactions between Cato, Macro, and several different Briton characters really highlight how both sides thought they were in the right, and the differing views around the conflicts amped up the emotions of the story.  However, it was his fantastic depiction of the final battle that I particularly enjoyed.  Despite its fame, reliable details about this battle are scarce and I think that Scarrow presented a very reasonable depiction, showing the tactics the desperate Romans likely used.  This battle really came to life thanks to Scarrow’s outstanding storytelling, and you can just envision the fight between the tightly formed Roman legionaries and the massed hordes of Britons.  All this historical detail was just superb, and I loved how authentic and brutal it helped to make Rebellion.

In addition to the amazing and compelling historical elements, Rebellion also featured some moving character work.  The plot of Rebellion featured an interesting combination of long-running protagonists, real-life historical figures, and new characters introduced for this book.  I think this cool combination of characters worked extremely well, and it helped to tell an amazing and complex story.  Naturally, most of this focus goes towards the characters of Prefect Cato and Centurion Macro, who we have had so many adventures with over the years.  Cato is again showcased as the young but tough veteran campaigner and tactician, and I liked his intriguing storylines in Rebellion as he was involved in all the major battles and conversations.  While I am not sure that every key idea for Rome’s victory needed to come from Cato, it did allow him to serve a vital role in Rebellion, providing the reader with the best overview of Rome’s tactics and strategies during the war.

Due to Cato’s role as the leader, much of the more emotionally charged character work was left to the usually impassive and unflappable Macro.  Macro actually goes through a lot in Rebellion, as after losing several friends in Death to the Emperor, he is captured by the Britons.  Despite his steely resolve and fighting spirit, this imprisonment leaves its mark on Macro, especially when as he learns some disturbing secrets.  Macro also bears a certain amount of guilt in Rebellion, as he feels responsible for Boudica’s uprising, and he worries about all the deaths he seems to have caused.  I love this moving and powerful look at Macro, and it was great that Scarrow can still give him some additional depth this far into the series.  Throw in compelling and intriguing looks at the two opposing leaders of this war, Boudica and Roman Governor Suetonius, as well as some other great characters, many of whom do not survive the entire book, and Rebellion proved to be an exception novel that expertly showcased its amazing cast.

Simon Scarrow once again wows me with his outstanding Roman historical fiction novel, Rebellion.  This latest exceptional Eagles of the Empire book was everything I hoped it would be as Scarrow expertly places his protagonists in bloody heart of Boudica’s revolt.  Loaded with action, intriguing historical detail, and fantastic emotionally charged character moments, Rebellion had me hooked from the very beginning, and I loved every second I spent reading it.

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The Thursday Murder Club by Richard Osman

The Thursday Murder Club Cover

Publisher: Penguin Audio (Audiobook – 22 September 2020)

Series: Thursday Murder Club – Book One

Length: 12 hours and 25 minutes

My Rating: 5 out of 5 stars

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British comedian and television personality Richard Osman presents one of the best debut novels of 2020 with The Thursday Murder Club, a clever and hilarious murder mystery novel that was an absolute treat to read.

Welcome to Coopers Chase, a luxury retirement estate near the town of Fairhaven where the elderly can relax and enjoy their final years in peace, quiet and good company.  But for four enterprising septuagenarians, Elizabeth, Joyce, Ibrahim and Ron, retirement also offers them a bold opportunity for some excitement and adventure as the Thursday Murder Club.  Meeting up each Thursday in the Jigsaw Room, these four friends attempt to solve cold cases forgotten by the police.  While it may seem like a harmless hobby, these retirees are thrilled by their amateur investigations and welcome the chance to bring a little justice in the world.  However, when a local property developer with a dodgy past is brutally murdered with a mysterious photograph left next to his body, the Thursday Murder Club jump at the chance to investigate a real live case.

Thanks to a lifetime of connections, skills and intuition, the members of the Thursday Murder Club are able to quickly position themselves in the middle of the burgeoning case, much to the frustration of the local police.  Using every unorthodox and somewhat unethical trick at their disposal, the club members gain vital information about the murder.  However, when a second person is poisoned right in front of them, the club soon begin to realise how high the stakes are.  A killer is stalking Coopers Chase and they will do anything to protect their secret.  Can the Thursday Murder Club stop them before it is too late, or will their first real mystery be their last?

Well, that was exceedingly delightful.  Osman is a fantastic British comedian who has been in a number of great British television programs (we’re big fans of Pointless), and, like many celebrities, he decided to have a go at writing his own novel.  I have to admit that when I first heard that Osman was writing a crime fiction book, I was intrigued but I did not initially plan to read it.  However, after hearing some positive buzz from other reviewers and being in the mood for something a little different I decided to check it out, and boy was I glad that I did!  The Thursday Murder Club turned out to be an exceptional read which blew me away with this incredible and unique crime fiction story.  Osman has come up with something special with this book, and I had an outstanding time listening to it and exploring the fun story, unique characters, and clever depictions of the elderly of Britain.  This is easily one of my favourite debuts of 2020 and it gets a full five stars from me.

Osman has come up with an elaborate and entertaining story for The Thursday Murder Club that combines an excellent murder mystery with large amounts of brilliant humour and several amazing and tragic moments of drama.  The author makes great use of multiple character perspectives to tell his clever story, and the reader is soon wrapped up in a number of different personal tales that all tie into the murders that form the centre of this book.  While The Thursday Murder Club is a little slow at the start, it does not take long for the story to get going, and once the first body drops the reader is firmly entranced and cannot wait to see where the author is going next.  There are so many great elements associated with this book, and you are guaranteed to have an outstanding time getting through The Thursday Murder Club.

At the centre of The Thursday Murder Club’s narrative lies a compelling and intriguing murder mystery that follows an intense case around the Coopers Chase retirement village.  Osman has weaved together a pretty impressive murder mystery here, with two disreputable people killed in quick succession in apparently connected killings, which prompts the members of the Thursday Murder Club to get involved.  Watching these characters investigate proved to be extremely fascinating and entertaining, especially as they employ some much more unique and unusual methods to get the answers they are looking for.  Osman pairs this unorthodox search for the killer with the official investigation being conducted by the police, and the two different methodologies make for a good contrast, especially when they both get some extremely different results.  The two murder cases go in some extremely compelling and clever directions, and Osman has come up with a number of impressive twists and misleading suspects to deflect from the real culprits.  The conclusions of the cases were really good; I loved how the entirety of the mystery came together and how the various crimes were connected.  Osman adds in lot of foreshadowing for the various twists featured within The Thursday Murder Club, but some of the results were still pleasantly unexpected.  I was able to predict one of the major twists of the book in advance, which allowed me to work out who a killer was and why they were doing it, but I did not see certain other twists and reveals coming.  I really love it when a mystery can shock and surprise me and I think that The Thursday Murder Club was one of the best murder mystery novels I read all year.

An exceptional highlight of The Thursday Murder Club is the excellent characters from whose eyes we see the story unfold.  The Thursday Murder Club is made up of four unusual friends who make for very fun central protagonists.  All four members of the Thursday Murder Club are entertaining and complex characters in their own right and who each add a lot to the story.  Osman spends a great deal of time exploring each of these characters, and the reader soon becomes intimately familiar with their lives while also becoming enamoured with their intriguing personalities.  The main character of the book is probably Elizabeth, the founder of the Thursday Murder Club and its apparent leader.  Elizabeth is extremely determined, and it is strongly hinted throughout the book that she was formerly a rather successful spy.  Described by one of the other characters as being essentially Marlon Brando in The Godfather, Elizabeth is the driving force behind the club’s investigation into the murders around Coopers Chase, especially with her innumerable contacts and natural intuition.  Elizabeth has a very strong personality, and it is fantastic to see her go about her business, intimidating and outmanoeuvring everyone she encounters with practiced ease.  Despite this hard, clever exterior, Elizabeth has a number of emotional vulnerabilities, including an ailing husband and a comatose best friend, which Osman explores throughout the novel.  These vulnerabilities help to drive Elizabeth throughout the book, and she becomes quite a complex character as a result.

The other female member of the Thursday Murder Club is Joyce, a former nurse.  Joyce is a great character who becomes an invaluable part of the investigation.  Appearing to be mostly quiet and somewhat placid, Joyce is actually a deeply intelligent person who uses her mild and kind personality to get people to do what she wants.  As the newest member of the club, Joyce provides the reader with an outsider’s view of the other major characters, and you get an interesting glimpse of how the investigation is progressing as her point-of-view chapters are written in a fun journal format that is unique to her.  Aside from Elizabeth, Joyce probably gets the most character assessment and development in The Thursday Murder Club, especially as some of her personal relationships become key parts of the plot, and she proves to be a particularly intriguing character as a result.

The other members of the Thursday Murder Club are Ibrahim and Ron, two very different people who are actually the best of friends.  Ibrahim is a particularly pleasant man, a former psychologist, who is nice and sociable to everyone he meets and who serves as the heart and soul of the team.  Out of all the main characters in this book I think that Ibrahim got the least amount of development, which was a shame considering how entertaining he proved to be.  I hope he gets more of a storyline in the future entries of this series and I look forward to seeing how Osman expands this character out.  Ron, on the other hand, is the complete opposite of Ibrahim.  A famous former union activist, Ron enjoys the spotlight and revels in fighting for lost causes against authority figures.  Ron is the hot-headed member of the group and he has a personal stake in the investigation when his son becomes a prime suspect for the police.  Despite his rough and impulsive attitude, Ron fits in well with the rest of the club and is a keen investigator, mainly because of the way he refuses to believe anything anyone else tells him.  All four of these main characters are exceptionally well written, and I really enjoyed the way that they played off each other and used their unique talents to solve the case.

This novel also focuses on two police officers, Donna and Chris, who are leading the official investigation into the murders and who find themselves working with the members of the Thursday Murder Club.  Donna is a young rookie cop who has transferred over from the London Police and now finds herself bored to death as a member of a small town force.  Thanks to the manipulations of Elizabeth, she finds herself assigned to the case, which revitalises her and helps address some of her issues and concerns from her past.  Donna proves to be a fun character to follow, especially as she is the only younger person who sees through the members of the Thursday Murder Club and doesn’t fall for their antics.  She also has a fun partnership with Chris, the senior officer investigating the case, and the two swiftly form a connection throughout the story.  Chris, despite being a clever and experienced detective, is a bit of a sad-sack who finds himself stuck in a rut.  This fresh case also reinvigorates Chris, and he starts to fall out of his bad habits with Donna’s help.  However, unlike Donna, Chris is a lot more susceptible to the charms of the Thursday Murder Club, and it is extremely entertaining to see him get manipulated for a good part of the novel.  These two police characters get a fair bit of attention throughout the novel, and their official investigation nicely complements the unofficial one being run by the Thursday Murder Club, with the divergent information they receive coming together perfectly in the final results.  I also quite enjoyed the friendship that forms between Donna and Chris, as it allows both of them to grow and has a very nice development at the end which I thought was rather sweet.

Osman also creates a bevy of distinctive and entertaining side characters, many of whom have a connection to the crime or are a potential suspect.  This includes all the residents of the retirement village, which is filled with unique personalities with lifetimes of secrets.  Osman explores several of these great characters throughout the course of the book, providing some rich backstory and intriguing motivations for their potential involvement.  I personally enjoyed the character of Bogdan, a relatively young Polish immigrant who works as a labourer for the local property developers and who finds himself involved in the case after finding a body.  Bogdan forms a fantastic friendship with Elizabeth and her husband throughout the book, and I really enjoyed his guarded personality and shrewd intelligence, which proves to be an excellent match for the secretive Elizabeth.  I also have to highlight the two major murder victims.  Both of these victims get a few scenes early on in the novel before they are killed, and Osman sets them up as particularly outrageous and unlikeable people.  While this does ensure that the readers are not too cut up when they end up dead, it does mean that there are a whole of suspects when it comes to their murders, and I liked how that added to the case.  All of the characters featured in The Thursday Murder Club were a lot of fun and I had an amazing time seeing how each of their individual arcs unfolded and what each of them was capable of deep down.

I quite enjoyed how Osman turned The Thursday Murder Club into a fun and entertaining ode to the elderly that highlights the fact that retirees can achieve quite a bit and have a lot to offer to the world.  I really enjoyed the author’s story idea of four senior citizens investigating a murder and it produced a truly entertaining and enjoyable read.  Some of The Thursday Murder Club’s funniest moments revolved around the four protagonists manipulating or swindling the younger characters in the book to get what they want, whether it be information on the case or a confession about certain illegal actions.  The way in which they go about influencing the younger people they encounter is very entertaining, as they mostly utilise the classic trick of appearing helpless and innocent, while in reality they are controlling the entire situation.  Some of their methods will be very familiar to any reader with an elderly grandparent or parent, and I personally laughed my head off at one scene where one younger character is slowly worn down through a unique interrogation method involving crowded chairs, friendly company, an overflowing mug of tea and crumbly cake.  Watching the veteran police characters slowly work out how and why they are being manipulated was extremely funny, and by the end of the book they are noticeably more wary about dealing with the members of the Thursday Murder Club.  As this is a book about senior citizens, there are naturally a number of jokes about growing old, including entertaining discussions about their thoughts on today’s society and several depictions of them trying and failing to work modern technology.  While most of the discussion about the elderly is light-hearted and inspiring, it does get quite sad in places.  There are a number of scenes that focus on the debilitating impacts of aging, with each of the protagonists witnessing someone close to them starting to fade for one reason or another, resulting in several deep sequences when they consider their own mortality or frailty.  There are also a number of extremely tragic character moments involving age, and you can’t help but feel a little heartbroken in several places thanks to Osman’s excellent writing.  This adds some memorable and necessary drama to the overall narrative and it really helps to turn The Thursday Murder Club into a much more captivating read.  Overall, I think that Osman captured the issues surrounding aging extremely well, and I very much enjoyed his depictions of these badass septuagenarians outsmarting everyone they meet.

I also liked how Osman went out of his way to make his debut novel exceedingly British.  Everything about this book screams “British” to the reader, from the way the characters, act, talk and interact with each other, to the classic, subtle humour that is featured throughout.  Osman also includes a ton of references to various cultural, social and political elements of the country, with the characters discussing or reminiscing about everything from their favourite foods, television shows, bands, locations, historical experiences (Ron, for example, has some thoughts on Thatcher) and various other aspects of day-to-day life.  Due to the way that British culture funnels down into Australia, I had a decent understanding of most of the references that Osman made, although I imagine that some readers could get a little offput by the many references to aspects of the culture they are unfamiliar.  That being said I found the constant discussion about everything British to be exceedingly fun, and I really appreciated the way in which the author made a truly British book.

In order to enjoy this fantastic book I decided to grab a copy of the audiobook version of The Thursday Murder Club which was narrated by actress Lesley Manville.  The Thursday Murder Club audiobook has a run time of 12 hours and 25 minutes, and I got through it rather quickly, especially once I become wrapped up in the fun and captivating mystery.  I found myself really enjoying this excellent audiobook version of this novel and I think that having the events of the book narrated to me helped me follow the plot more closely and connect to the characters more.  I do have to admit that I was a tad disappointed that Osman did not narrate his own audiobook, but this disappointment quickly faded once I experienced Manville’s excellent narration.  Manville’s voice and narration style really fit into the unique tone of The Thursday Murder Club, and she was able to convey all of the novel’s humour, mystery and drama extremely well.  I also absolutely loved the great voices that Manville came up with for the characters featured within the novel, and I felt that she was able really accentuate the various personalities that made up the story, as well as come up with several different accents.  While Osman doesn’t narrate this audiobook, there is an interview between Osman and Marian Keyes featured at the end of it, in which Osman details how he came up with the idea for his book and why he wrote it, which I am sure many people will find fascinating.  I ended up having a wonderful time listening to this version of The Thursday Murder Club, and it ended up being one of my favourite audiobooks of 2020.

The Thursday Murder Club by Richard Osman is an exceptional and masterful crime fiction novel that is easily one of the best debuts of 2020.  Osman has crafted together an outstanding read that follows some entertaining and compelling protagonists as they investigate a complex murder mystery in a very fun way.  I had an amazing time listening to this fantastic novel and I would strongly recommend this book to anyone interested in a fun and intriguing read.  This was an absolute triumph from Osman, and I am extremely keen to see what he writes next.  I note that a sequel to The Thursday Murder Club is planned for next year and I cannot wait to get my hands on a copy.

Make sure to also check out my review for the sequel novel, The Man Who Died Twice.

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V2 by Robert Harris

V2 Cover

Publisher: Hutchinson (Ebook – 15 September 2020)

Series: Standalone

Length: 312 pages

My Rating: 4.25 out of 5 stars

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One of the most talented historical fiction authors in the game, Robert Harris, dives deep into the history of the infamous Nazi V2 rocket program in his latest novel, V2.

Harris is an impressive and well-regarded novelist who has been writing fiction for nearly 30 years.  A former journalist, Harris’s initial books were a series of non-fiction novels in the 1980’s on various subjects, including a book that is considered to be the definitive account of the investigation into The Hitler Diaries scandal which later inspired a drama-documentary miniseries.  His first fiction novel was the 1992 release, Fatherland, an alternate history novel that depicted Germany wining World War II.  He has since gone on to write a number of other fascinating novels, most of which have a historical edge to them, including Pompeii, The Ghost (later adapted into the film The Ghost Writer), The Fear Index and Munich.  Harris is one of those authors I have been meaning to read more of, but so far I have only checked out his 2013 release, An Officer and a Spy, which featured a fascinating account of the Alfred Dreyfus affair in 19th century France, and which was an outstanding piece of historical fiction.  I also currently have his 2019 release, The Second Sleep, on my bookshelf and it was one of the novels I most regret not reading last year.  As a result, I was rather interested when I got a copy of V2, which sounded like quite a fun and intriguing historical read.

In November 1944, while the Allies advance on Berlin, the Nazis are desperate to avoid defeat at all cost.  Placing his hopes in new technology, Hitler funnels vast resources into his V2 rocket program, the most sophisticated weapon on the planet.  The V2s are powerful ballistic missiles capable of delivering an explosive warhead deep into enemy territory at immense speeds.  Hitler has ordered the production of 10,000 rockets and from an isolated forest in occupied Holland, the Germans launch them towards London, causing immense damage.

Rudi Graf is a German scientist who has long dreamt of sending rockets to the moon, and who now regrets his role in the creation of the V2.  Stationed at the V2 launch site, Graf desperately tries to hang onto his humanity as he watches his dream cause only destruction and death.  At the same time, in London, Kay Caton-Wash, an officer in the WAAF, is experiencing the full horror of the V2 rockets as she barely survives one of their strikes.  Over the course of five days, these two strangers are about to be connected by their circumstances.  As Graf is forced to launch even more of his rockets at London, Kay becomes involved with a secret mission to locate and destroy the V2 launch sites in Holland.  Travelling to Belgium, armed with only a slide rule and some equations, Kay works to end the V2 menace once and for all.  However, danger and duplicity are around every corner, and both Graf and Kay soon begin to realise that they cannot trust anyone.  As both rush towards their destinies, their actions will have unintended consequences on the over, changing the course of history forever.

V2 was a clever and compelling novel from Harris, who did a wonderful job wrapping an intriguing, character-driven story around one of the most remarkable military programs of World War II.  Like the majority of Harris’s novels, V2 is a standalone book that can be easily enjoyed by anyone in the mood for informative historical tale or war story that shows the horrors of war and the terrible ways that a person’s dreams can be twisted for evil purposes.

Harris has come up with a captivating narrative for this book.  The focus of V2 is split between two fictional point-of-view characters, Kay and Graf, and follows their respective experiences over a period of five days, with several flashback scenes thrown in for context.  This proved to be a rather intriguing read, and I liked how the author tied a mostly fictional story around some fascinating historical events, such as the creation and implementation of the V2 rockets.  Both of the two separate storylines are quite intriguing and both go in some exciting directions, including Kay getting involved in a secret military operation while Graf tries to keep his sanity as he navigates the politics, treachery and sadism of his Nazi controllers.  However, the real appeal of this narrative is the way in which the two separate story arcs intersect throughout the novel.  For example, the novel starts with Graff witnessing and assisting the launch of a V2 rocket, which then lands and changes Kay’s life.  As the story proceeds, the various actions and reactions of these two point-of-view characters impacts the events occurring around the other character, resulting in danger and tragedy in equal measures.  While I really liked the fascinating individual narratives and the cool way in which the storylines overlapped, I did think that the main story ended rather suddenly and lacked a substantial or satisfying conclusion.  This narrative desperately needed some big, exciting hook at the end to really tie everything together, even if it was historically inaccurate.  Still, V2’s story was really good and easy to get into, and I had a fantastic time reading it.

In order to tell this fascinating tale, Harris utilises two great fictional characters, Kay and Graf, through whose eyes we see the events unfold.  Both of these characters are rather interesting and I quite enjoyed both their individual character arcs.  However, of the two, I definitely found Graf to be the more compelling character.  This is because Graf is a particularly tortured individual, a brilliant scientist who is forced to work for the Nazis to bomb England.  There are some excellent scenes throughout this book that show Graf agonising over his actions working for the Nazis, who have perverted his childhood dream of creating spacefaring rockets into weapons of mass destruction.  Harris also spends much more time exploring Graf’s past, investing in a series of flashbacks that show how Graf became obsessed with rocketry, how he became involved with the V2 project and some of the tragedies that working with the Nazis have brought.  Add in a very captivating storyline that shows Graf starting to rebel against the actions of his Nazi handlers and attempting to find a small measure of redemption out in the wilds of Holland and you have a very impressive and enjoyable character arc that does rather outshine the storyline Harris sets up for Kay.  That being said, Kay is still an interesting focus character in V2, and I did enjoy her arc of trying to find and destroy the V2 launch sites by travelling to Belgium with several other members of the WAAF to work out the trajectories of the rocket flights.  It was also really cool to see this portrayal of a WAAF, a female air force officer, throughout the book, especially one deployed outside of England, and I found it interesting to examine the varied roles that they played throughout the war.  Overall, these two characters do an outstanding job telling this story, and I had a great time seeing how their individual arcs unfolded.

The real highlight of this novel has to be the author’s incredible and captivating portrayal of the infamous V2 rocket program.  Harris has clearly done his research on the subject as he does an amazing job examining all the key aspects of the program and bringing them to life.  This includes a detailed examination of the history of the project, the technical aspects of the rockets and various examinations of how they fly and what they can do.  Harris makes good use of the various flashback sequences in Graf’s chapters to examine the full fascinating history of the project, including the origins of the rockets, identifying who the key architects of the project were and how the project came to the attention of the Nazis.  This includes some compelling depictions of several major historical figures associated with the V2s, such as the project’s leader and main creative driver, Wernher von Braun, as well as several key Nazi characters who had a hand in the project in some way or another.  The author also provides the reader with an unfiltered depiction of the devastating effect that these rockets had on the inhabitants of London when they hit and he actually features several real, historical rocket strikes that occurred during the timeline of the novel, including the most devastating attack that hit London.  The depictions of the horror and the carnage that the rockets caused were really striking, especially as Harris tries to capture the psychological impact that these unstoppable and ultra-fast rockets had on the populace.  I really loved learning more about the V2 rockets and it was easily the most fascinating and captivating part of the entire book.  I especially appreciated the way in which Harris used his dual character perspectives to examine the project from the point of view of the Germans and the Allies, and it was great to see the clash of understandings and opinions about the rockets.  It was also really fascinating to learn more about the Allies’ covert attempts to identify and demolish the V2 launch sites, and this was a great addition to the novel.  All of these historical aspects are immensely enjoyable and fascinating and they add a heck of a lot to the story.

V2 by Robert Harris is a particularly clever and intriguing World War II novel that presents the reader with a fascinating and memorable examination of the infamous V2 rocket program.  Featuring a compelling story, fantastic characters and an outstanding historical focus, V2 was an awesome and captivating read that is really worth checking out.

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The Queen’s Tiger by Peter Watt

The Queen's Tiger Cover

Publisher: Macmillan (Trade Paperback – 12 November 2019)

Series: The Colonial series – Book 2

Length: 360 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s best historical fiction writers, Peter Watt, returns with another exciting historical adventure in The Queen’s Tiger, the outstanding sequel to his 2018 release, The Queen’s Colonial.

Following on from the events of The Queen’s Colonial, in 1857, former Australian settler Ian Steele is still living under the guise of Samuel Forbes, a rich English noble who Ian bears an uncanny resemblance to. Ian switched places with Samuel in order to help him meet the required military service he needs to receive a vast inheritance. Serving as a captain in Queen Victoria’s army, Ian has proven himself to be a natural soldier, fighting against the odds dozens of times over against the most vicious enemies of the crown. However, despite the formidable enemies he has faced on the battlefield, Ian has encountered greater dangers far closer to home, as Samuel’s father and his murderous brother Charles are determined that Samuel will never receive his inheritance.

As Ian and his men, including his old friends Sergeant Conan Curry and Corporal Owen Williams, return from fighting the Persian army in Iran, a dangerous threat to the empire is brewing in India. Indian troops under the employ of the British East India Company have begun to mutiny, and the country, caught up in a swell of anti-British nationalism, is beginning to violently rebel against British rule. Among those caught up in the chaos are Samuel’s sister Alice and her husband the surgeon Peter Campbell, whose honeymoon turns into a brutal fight for survival.

Redeployed to India, Ian is once again leading the charge in some of the campaign’s most deadly battles against a determined foe. However, the biggest threat to his survival is happening half a world away back in England, as the real Samuel Forbes returns to London for a personal meeting under the name Ian Steele. When Samuel is spotted and his true identity is suspected, he finds himself hunted throughout England by Charles’s agents, determined to prove that Ian is an imposter. Can Ian and Samuel continue their ruse amidst the tragedy, tribulations and conflicts they encounter, or will the evil forces arrayed against them finally bring them down?

This was another fantastic book from Peter Watt, who has a true knack for producing compelling historical adventures filled with action, intrigue and family drama. The Queen’s Tiger is the second book in Watt’s Colonial series, which follows its protagonists through some of the most dangerous conflicts that the British army found itself involved with during the 19th century. I have to admit that I have been quite keen to check this book out for a little while, and not just because it quotes one of my Canberra Weekly reviews on the cover. The first book in this series, The Queen’s Colonial was an excellent read, and it did a good job following up Watt’s long-running Frontier series of which I was a big fan (make sure to check out my Canberra Weekly reviews for the last two books in this series, While the Moon Burns and From the Stars Above).

The Queen’s Tiger continues the intriguing story from the first book, which saw a simple Australian blacksmith pretend to be an English gentleman in order to serve as an officer in the Queen’s army. This was a compelling start the series, and I am glad that Watt has continued to follow through the fun blend of military action, intrigue and character interactions that have been a signature writing trend of his for some time. The Queen’s Tiger contains a wide-ranging story that covers several characters across a number of continents. This allows the author to showcase a number of different and enjoyable storylines within one book, and as such we can have one section of a book that focuses on the military action and adventure being undertaken by several of the characters in India, and the next section than looks at the sinister plotting of the book’s antagonists, or the desperate attempts of the real Samuel to keep his identity secret in England. In addition to their ongoing adventures, the author also explores the various relationships and romances that the various characters have, painting a rich tapestry of these point-of-view characters’ lives. This is a wonderful combination of storylines, all of which comes together into an excellent and highly enjoyable read.

Just like he did with the Crimean War in The Queen’s Colonial, Watt does a fantastic job bringing an intriguing historical conflict to life in this book, with his focus and examination of the Indian Mutiny of 1857. The book actually follows the entire duration of the Indian Mutiny and showcases most of the key moments of the rebellion that turned into full-scale war for independence. As a result of the way that Watt positioned his characters from the first book, the reader gets to see two separate parts of the mutiny. Alice and Peter’s storyline, which also features the new major character of Scott Campbell, focuses on how the English people who were living in India when the mutiny started would have perceived what was going on, and the desperate battle that the English forces garrisoned in India faced against a mass rebellion of their Indian soldiers. Ian’s storyline, on the other hand, shows the battles that the English relief force faced as they tried to retake the country and rescue the English citizens trapped within. This was an extremely fascinating historical event, and I think that Watt’s portrayal of this conflict was extremely intriguing and compelling. Based on the comments in the historical notes section of this book, it looks like Watt is planning to take his characters through a number of England’s various 19th century military campaigns in the following books, and I look forward to seeing where they end up next.

Needless to say, a book that has such a strong focus on soldiers and the Indian Mutiny is going to be very heavy on the action, as the protagonists fight in several battles across Indian and Iran. There are a significant number of fast-paced sequences throughout this book, from the various battles and skirmishes that occur during the mutiny, to thrilling chase scenes in the backstreets of London. Watt’s grasp of 19th century military combat is quite impressive, and there is a very realistic feel to the huge number of fight sequences that occur throughout the book, as he focuses on the tactics and weaponry of the British infantry man. As a result, there is rarely a dull or quiet moment in this book, and action fans will really appreciate the cool fights occurring throughout the book.

Peter Watt has once again delivered an electrifying and enthralling piece of historical fiction with The Queen’s Tiger. Featuring some amazing depictions of a deadly part of history, as well as a bunch of great characters whose various adventures, deceptions and relationships are particularly intriguing, this is a fantastic piece of Australian fiction that is really worth checking out.

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Heads You Win by Jeffrey Archer

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Publisher: Macmillan

Publication Date – 30 October 2018

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From the mind of one of modern fiction’s most controversial authors comes a two-in-one fantastic and elaborate piece of historical fiction that utilises an intriguing narrative device to create one of 2018’s most unique stories.

Young student Alexander Karpenko is the bright, talented and ambitious child of two hardworking citizens of the Soviet Union.  Living in Leningrad in 1968, Alexander’s dream is to become the first democratically elected president of his country.  However, when he is betrayed and his father is killed by the KGB, Alexander and his mother realise that their only hope is to flee Russia and make a new life for themselves in another country.

Arriving at the docks, Alexander and his mother are given a choice between two different ships: one heading to London or one heading to New York.  The decision is made by the flip of a coin, and Alexander’s life splits into two separate paths: one where he heads to Britain and one where he heads to America.  Alexander arrives in these countries with great ambition and a desire to succeed no matter what.

Over the next 30 years, in both these lives, Alexander finds success in a two separate ways.  He fights his way up from the bottom as a lowly immigrant to an influential person, overcoming obstacles and antagonists along the way.  Both Alexanders’ journeys are inspirational, but no matter what these two Alexanders accomplish, the fate of their home country is always on their minds, and the shadow of the Soviet Union constantly surrounds them.

Jeffrey Archer is a rather interesting individual, with a very eventful and controversial background.  A former British MP, Archer is probably better known for the various accusations of fraud he has attracted throughout his life, and he has even spent some time in jail as a result.  However, rather than let that ruin his public profile, Archer has used his experience and imagination to create a number of fascinating novels, many of which utilise aspects of his political, academic or professional life or expertise to some degree.  As a result, Archer is now one of the most high-profile authors in the world and has written over 20 adult novels, including the three books in his Kane and Abel series and the seven books in his bestselling Clifton Chronicles.  On top of that, Archer has also written a number of short stories, a couple of plays, several children’s books and his Prison Diaries, three non-fiction novels that chronicle his life in prison.

Heads You Win is an extremely fascinating novel from Archer, which takes his protagonist on two separate adventures through over 30 years of American and British history and life.  Archer utilises a very clever divergent timelines narrative device (think Sliding Doors), which creates two separate timelines around the different outcomes of one event, in this case, the outcome of a coin toss.  As a result, in one timeline, the protagonists and his mother get on a ship to London, while in another timeline they board a ship bound for New York.  This is a very interesting concept to utilise in this story, and one that works to create two separate narrative threads to follow.  Both of these storylines focus on the protagonist attempting to find his place in the country that he eventually ends up in, and then moves onto the protagonist becoming a powerful and influential individual in his own way, all the while dealing with the terrible people that seem to inhabit Archer’s world.

I rather enjoyed both of the separate storylines in this book, and had a lot of fun seeing the different or similar ways that the protagonist attempted to make his fortune in each lifetime.  The differences between these two storylines happen right away, as in the London timeline, Alexander and his mother find themselves on a nice ship with a friendly crew who mostly want to help, while the New York timeline finds them in a poorly maintained vessel with a self-serving crew who seek to exploit the two main characters.  I found it rather fascinating to see the way that their treatment and the environments they find themselves in change the way in which they act.  For example, Alexander’s experience in the English setting encourage him to seek the full Cambridge academic lifestyle, while his American counterpart was less focused on his formal education and learned more on the street.

Both of these divergent timelines feature an intriguing look at the cities and countries that the protagonists end up in, and both serve as a good historical backdrop to each of the main storylines, featuring several real historical events and some historical characters.  For example, the Alexander who ends up in the American timeline is forced to fight in the Vietnam War, while the British Alexander rubs elbows with a number of the country’s prominent politicians.  I liked how the divergent ways that the two separate protagonists gained their power and prestige matched the country that there were in.  The American Alexander became rich through his business acumen and financial brilliance, while the British Alexander went the academic route and eventually become deeply involved with the British political system, something close to the author’s heart.  Not only does this help match the locations and people that the protagonist deals with, but it allows the two separate stories to diverge out slightly, with the British storyline containing political intrigue, while the American storyline reads a little bit more like a financial thriller.  While the focus on the protagonist’s two adopted homelands is a great part of this novel, the protagonist’s history in the Soviet Union is a major part of this story.  The initial chapters capture the uncertainty and despair that inhabitants of the Soviet Union would have felt in the 1960s, while the character’s subsequent visits helped highlight the obvious differences between the Soviet Union and the countries that Alexander escaped to.  There is also a rather exciting reveal about one of the Russian characters towards the end of the book that will prove to be the most memorable part of Heads You Win, and is definitely something to look out for.

While I enjoyed the divergent timelines narrative device that Archer employed throughout Heads You Win I did feel that he could have done more with it.  I would have loved to see a bit more crossover between the two separate timelines, and, for example, see how key characters from one storyline would have fared without their Alexander in their lives.  Instead there is minimal crossover between these two separate storylines, which feels like a bit of a missed opportunity.  I am also not the biggest fan of what these quick crossovers revealed, as it strongly hinted that both storylines actually exist together at the same time, and as a result, there are two Alexanders existing in the world at the same time.  This is a bit of a weird twist, and while it does not negatively impact the vast majority of either storyline, it does result in a conclusion that some may find slightly confusing.  As a result, while this did slightly mark down my rating of Heads You Win, the split storyline concept is a fantastic and unforgettable part of this book and makes it quite a distinctive read.

This latest novel from one of the world’s most colourful professional authors is a fun, historical thrill ride that features a very unique and memorable narrative device.  With a great look at two different countries during the same historical time period and featuring two separate by similar stories of life, adversity and success, this is an extremely enjoyable novel that will appeal to a varied range of readers.  Heads You Win is definitely worth checking out, and I am planning to keep an eye out for the next read from Archer.

My Rating:

Four stars

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War of the Wolf by Bernard Cornwell

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Publisher: Harper Collins

Publication Date – 24 September 2018

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Uhtred of Bebbanburg returns in another rich historical adventure set in the heart of post-Roman Britain in this incredible and first-rate story from historical fiction legend Bernard Cornwell.

In the early 10th century, after many years of trials and tribulations, Uhtred has at last achieved his lifelong goal of reclaiming his ancestral fortress of Bebbanburg.  Finally able to claim his independence from Wessex and the Saxon Christians who have always treated him with scorn and hostility for his pagan beliefs, Uhtred seeks to move away from the politics, battles and backstabbing that has been his life for so long.  However, his new peaceful life is about to be interrupted by the interventions of enemies new and old.

In the outside world, King Edward of Wessex has made his move on the kingdom of Mercia, and has finally achieved his father’s dream of uniting the Christian kingdoms of Britain into one nation.  The only remaining country outside of his control is the Kingdom of Northumbria, ruled by Uhtred’s son in law, Sigtryggr.  These events have led to dangerous changes and new alliances for the remaining factions living outside of Edward’s control.

When a mysterious priest sends Uhtred on a mission to save Edward’s maligned firstborn son and Uhtred’s former ward, Æthelstan, from a Mercian siege, he finds himself outmanoeuvred by a new army of Danes who have come to claim Northumbria for themselves.  Faced with great loss, Uhtred finds himself in a brutal fight against an opponent who seems to have mystical powers at his command.  At the same time, the politics of the Wessex court threaten to start a war on another front, as the various contenders for the fading Edward’s throne seek to gain position, and many of the potential heirs want Uhtred dead.  With enemies all around and not enough men at his back, the odds look grim for Uhtred.  But, despite years of brutal battles and the ravages of age, Uhtred is still the most feared warrior in all of Britain, and he’s about to show everyone why he is always a force to be reckoned with.

War of the Wolf is the 11th book in The Last Kingdom series of historical fiction books from Bernard Cornwell.  To my mind, Bernard Cornwell has to be considered one of the greatest authors of historical fiction in the world today, both in the quantity of books he has written and the quality of their content.  Cornwell has been writing since 1981 and has produced more than 55 novels in his career, the vast majority of which are either set in England or focus on English characters out in the world.  The sheer scope of Cornwell’s work is incredible, as he has covered vast tracts of world history, including several more obscure eras not regularly covered by other historical fiction authors.  He is possibly best known for his long-running Richard Sharpe series, which followed the adventures of a British soldier and commander during and around the time of the Napoleonic Wars.  The Richard Sharpe series featured 24 books and was adapted into the British television series, Sharpe, featuring Sean Bean as the titular character.  Other series that Cornwell has published include the American Civil War series The Starbuck Chronicles, the Arthurian legends series The Warlord Chronicles and the Grail Quest novels, which are set during the early years of the Hundred Years’ War.  Cornwell has also produced a number of standalone novels, including several sailing based modern thrillers and a number of intriguing individual historical novels.  These standalone novels cover a huge range of different topics, from the prehistoric English story in Stonehenge, to the war novel Azincourt, the excellent examination of one of the more interesting battles of the American Revolutionary War in The Fort and the thriller set among Shakespeare’s theatre company in Fools and Mortals, which I have previously reviewed here.

The Last Kingdom series, alternatively known as the Saxon Stories, the Saxon Tales, the Warrior Chronicles or the Saxon Chronicles, started in 2004 and is Cornwell’s second–longest-running series, with 11 books currently written, and more set for the future.  The Last Kingdom series is the second of Cornwell’s series to be adapted for television, with a third season of The Last Kingdom television just starting yesterday.  I have always been a massive fan of this series, especially as one of the books in the series, Sword Song, was one of the first pieces of historical fiction I ever read and which helped get me into the genre.  This is a fantastic series, as each of the books contains an electrifying adventure set during a period of history often overlooked or underutilised by other historical fiction authors.  I have routinely reviewed several books in this series over the years, many of which will appear in future additions of my Throwback Thursday series of reviews.

War of the Wolf is another incredible outing from Cornwell that once again focuses on the life of his grizzled and battle-tested protagonist, Uhtred of Bebbanburg.  Uhtred is a superb series protagonist who has witnessed the changing political and religious landscape of this period of post-Roman Britain.  Originally a Christian Saxon, he is captured by pagan Danes as a child after the death of his father and the theft of his Uhtred’s ancestral fortress of Bebbanburg (modern day Bamburgh Castle in Northeast England) by his uncle.  Raised by the Danes, Uhtred gains an appreciation for their culture and even starts practicing their religion.  Uhtred is eventually forced into the service of the last remaining Christian kingdom of Wessex and its pious King Alfred (Alfred the Great).  Even with several falling outs between the two, Uhtred serves Alfred and his family for many years as his most ferocious warrior and war leader, participating in several of the defining battles of the era.  Throughout the series, Uhtred is constantly torn between the Christian Saxons and the invading pagan Danes.  Despite being born as a Christian in a formerly Christian kingdom, Uhtred finds more in common with the Danes after being raised by one of their noble families and taking on their religion.  While he’d rather fight alongside the Danes, circumstances force Uhtred to swear oaths of loyalty to various Saxon kings, especially Alfred, despite the hatred and disdain they show towards him for retaining his pagan faith.  These dual loyalties are a key part of the character, and often result in much internal and external conflict for Uhtred and form the basis of a number of excellent storylines.  Cornwell uses the character of Uhtred extremely well to highlight the differences between the Danes and the Saxons, as well as the importance of religion to these warring groups, especially when it comes to the somewhat insidious spread of Christianity to the Danes.

These storylines continue in War of the Wolf, as one of Uhtred’s oaths sends him into battle once again.  This sets up the main story of the new book perfectly, as Uhtred is forced to deal with the politics and betrayals of the Saxons, while also fighting against a dangerous pagan opponent.  I liked how Cornwell has continued to focus on Uhtred’s ties to the warring factions of Britain, and his attempts to reconcile his loyalties with his sense of honour and right and wrong.  I also really enjoyed the way that Cornwell has aged up his protagonists throughout the series.  Many authors will try to fit a number of adventures in to a short period of time in order to keep their protagonists in the same age range.  Cornwell, who has based many of the key occurrences of his books on real-life historical events, has instead chosen to age up his protagonist as he outlives several historical figures.  As a result, in War of the Wolf, Uhtred is no longer the young warrior he was at the start of the series, but is now an old sword in his 60s.  This is an intriguing narrative element from Cornwell, who has been slowly building up to this over the last few books in the series.  Not only has Cornwell been slowly ageing him but he’s been making him a more canny and crafty individual, able to rely on his brains and experiences more than his sword arm, although he still finds himself in the middle of every battle.  In the latest book, this leads Uhtred to think more about the future of the people he cares about than his own future, as he realises he is getting closer to death.  This is another fantastic outing featuring one of Cornwell’s best protagonists, and I am excited to see that he has left the series open for several additional stories in the future.

One of the more interesting parts of The Last Kingdom series is Cornwell’s outstanding research and his focus on historical details and events that are often not part of the public consciousness.  I can think of no better way to highlight this then to mention that while I was doing a post-Roman Britain archaeology course at university, my lecturer actually included several books from The Last Kingdom series on his suggested reading list among the usual textbooks and scholarly articles.  The previous books have all featured major battles or political events that helped decide the future of England, and his fictional point-of-view character often finds himself discussing the events with significant historical figures.  Smaller details, such as the traditional names and spellings of historical people and places, give all of these books an incredibly authentic feel and really make the reader think they are back in this time period.  As a result, these books are extremely intriguing for those fans of history and I cannot speak highly enough of the level of historical detail or insight Cornwell shows in his work.  Cornwell continues his trend of interesting historical features in War of the Wolf, as he examines several key events during this period.  This includes the annexation of the Kingdom of Mercia by King Edward of Wessex following the death of his sister Æthelflæd, the Queen of Mercia, and the subsequent rebellion by the Mercians.  There is also focus on the submission of King Sigtryggr of Northumbria to King Edward, and focuses on the events that led up to it.  Uhtred also finds himself embroiled in the politics around who would rule Sussex following the future death of Edward.  All of this is incredibly fascinating and form an amazing background for the rest of the book’s story.

Intense action sequences have always been a major part of this series, with the large-scale fight scenes between the various warring factions battling around the British countryside.  Cornwell does an excellent job replicating the battle tactics and techniques of the Saxons and the Danes, especially the standard technique of the shield wall, where the two opposing sides line up their shields and advance at each other.  The battles are always incredibly detailed and pull no punches when it comes to the gruesome realities of war and combat.  War of the Wolf in particular has quite a few great battle sequences, including one extended siege sequence towards the end of the book at an old Roman fort.  I also loved the inclusion of the úlfhéðnar, the fabled wolf berserkers, who become a major part of the story, as Uhtred and his soldiers must find a way to overcome these dangerous opponents.  It was quite interesting to see how these sorts of legendary historical fighters would actually fare in battle, and the author presents both the advantages and disadvantages of using them.  Special mention should also be given to the dual between the two opposing ‘sorcerers’ during the climactic battle that was extremely entertaining and one of the more amusing parts of the entire book.

Cornwell has once again delivered a five-star classic piece of historical fiction with the latest book in his bestselling The Last Kingdom series.  Filled with fantastic action, amazing historical context and focusing on a well-established and amazingly fleshed and complex protagonist, War of the Wolf is an incredible read that comes highly recommended.  Even after 11 books, this is still one of my favourite series and I’m very excited to get the next edition.

My Rating:

Five Stars

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