How to Kill a Client by Joanna Jenkins

How to Kill a Client Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Australian lawyer and debuting author Joanna Jenkins introduces herself in a big way with her fantastic first novel, the legal thriller How to Kill a Client, which takes the reader on a fascinating journey to the dark side of Australia’s legal profession.

As the in-house lawyer at a powerful international mining company, Gavin Jones oversees millions of dollars’ worth of legal contracts each year, including to the Brisbane office of the Australian legal firm Howard Green.  Using them to negotiate lucrative contracts throughout Australia, Jones has become one of Howard Green’s biggest clients and the money he controls ensures that everyone at the law firm treats him like a god.

But while everyone fawns over Jones and his power, no-one actually likes him.  A cruel, petty and vindicative man, Jones has messed with the careers and lives of everyone in his orbit, especially women, who he reserves a particular disdain for.  His actions ensured the suffering of everyone he has power over, including his wife, his employees, and the female partners at Howard Green, as he seeks to wreck lives, destroy careers and give himself the lifestyle he feels he deserves.

So when Jones dies suddenly and suspiciously, everyone he knew is a potential suspect; thanks to his dodgy dealings and underhanded tactics, they all had a motive to kill him.  As the police begin their investigation and the lawyers at Howard Green close ranks, it falls to partner Ruth Dawson, one of the few people without a motive, to protect her firm and its secrets.  However, when her investigation reveals proof of who killed Jones and other dark secrets her firm is hiding, will Ruth reveal the truth or will she bury it to protect her firm?

How to Kill a Client is a clever and tricky novel that really showcases Jenkins’s skill as a new writer.  Blending a fantastic and compelling crime fiction narrative with intense looks at the lifestyle of members of a successful law firm, How to Kill a Client was a gripping and interesting read that is really worth checking out.

I loved the cool story contained within this book which came across as part legal thriller, part personal drama surrounding high-level professionals, and part intriguing murder mystery.  The story dives into the chaotic world surrounding the legal firm of Howard Green and its clients and effectively introduces all the key players in this drama, who have their own views on the troubles to come.  Each primary characters is connected to the eventual victim, Gavin Jones.  Jenkins spends the first half of the book showcasing Jones’s terrible nature and the various ways they are messing with everyone.  Cleverly utilising multiple character perspectives, you are soon drawn into the various main characters’ lives and soon see all the various reasons why each of them may have wanted to kill Jones, as well as some of the suspicious steps some of them took.  Jenkins perfectly sets up everything in the first part of How to Kill a Client, and by the time you reach the halfway point, you are firmly enthralled by the narrative and want to see how the rest of the book unfolds.

When the eventual death happens (a real high point) the reader is left wondering whether it was an accident, a mistake, or a deliberate action, with the evidence pointing towards a murder.  However, due to the sheer range of suspects and motives, the story produces a twisty and fun range of plotlines that you need to navigate to get to the final conclusion.  Jenkins really produces an emotional and captivating second half as you try to find out who killed Jones and why.  There are some brilliant revelations unfurled here, and I loved how some cunningly hidden clues in the first half of the book were utilised in the final mystery.  I was very impressed with the final reveals around how the killing was committed and why it happened, and you will come away from this story very satisfied, especially as Jenkins builds in some excellent character moments and ensures that all the remaining characters get a fitting end to their arcs.  I found myself getting really caught up in Jenkins’ powerful and amazing story and I honestly powered through the last half of the book very quickly to see how everything ended.

Part of the reason why How to Kill a Client is such an effective read is that Jenkins introduces an excellent cast of intriguing and complex characters who are thrust into a variety of compelling situations throughout the course of the narrative.  Each of the main cast, who Jenkins effectively builds up and utilises in the plot, are quite damaged, desperate or concerned in their own unique way, while many of the supporting characters are notably selfish or manipulative for their own ends.  Characters like Ruth Dawson and Viv Harrison give some compelling and honest insights into how women are treated in this influential professional setting, while Anne Jones shows the harsh reality of a women trapped in an abusive relationship.  At the same time, there is a great collection of supporting lawyer characters who Jenkins uses to show off the range of people and personalities one is likely to experience in Australia’s legal services.

However, out of all the characters in this book, the one I must highlight the most is probably the murder victim, Gavin Jones, mainly because he is such a despicable figure.  Jenkins really goes out of her way to make Jones into one of the most unlikable and petty characters you are ever likely to find in fiction and boy does she succeed, perfectly capturing an insecure and manipulative narcissist who enjoys controlling people.  Not only does he go out of the way to try and ruin the careers of several characters just because they are women, but he also demands attention from the male characters to feed is ego, while also abusing and controlling his wife to make him feel good.  In a very short amount of time Jenkins builds Jones up into such an unlikable character that the reader finds themselves trying to reach into the book and kill him before the murderer does.  This naturally adds quite a lot to the mystery of the book, as his malicious professional actions, deceits, violence and puppy killing (seriously, that one really angered me), ensures that everyone he came in contact with had a reason to murder him.  The huge suspect pool around this unlikable character allows Jenkins to craft an impressive murder mystery and you’ll really get drawn into finding who finally snapped and killed this infuriating character.  This villainous figure, and other great characters, all added so much to the plot of How to Kill a Client and really got invested in their stories very quickly.

One of the other features of How to Kill a Client that I particularly enjoyed was the author’s detailed and intriguing examination of an Australian law firm.  Clearly utilising all her past experiences as a lawyer, Jenkins perfectly showcases how a firm would work and act in a variety of scenarios, and you really get the senses of the day-to-day chaos the individuals working there would experience, which adds a lot of authenticity to the story.  Jenkins also dives into the backroom drama and politics that surround such entities, as the various lawyers cut deals and fight for control over various projects or clients.  There is a particularly cynical edge to the book’s portrayal of legal firms in this novel, and Jenkins shows it to be a dark and unfulfilling practice at times, especially in some of the more elite firms.  The author really showcases just how bad these companies are when it comes to the treatment of women as two of the book’s central characters are female partners in Howard Green who have to constantly deal with their male colleagues’ condescension and manipulations, and there are several pointed scenes where the arrogant male managers fail to listen to the women even when they are right.  There is also a focus on the way law firms sycophantically woo potential clients, bending over backwards to get hired, and this adds some intriguing angles to the drama.  Finally, there is also quite a dark look at the demand for profits over people, as there is a constant fear of firings and layoffs, even for the best employees.  This critical presentation of a professional law firm is pretty striking and it results in some powerful scenes throughout the course of the book, especially as the people stuck in these firms often refuse to escape it, no matter how bad it gets.  I felt this examination of the profession in Australia added so much to the outstanding story and it helps to make How to Kill a Client really stand out.

Overall, How to Kill a Client was an outstanding and captivating debut from new Australian author Joanna Jenkins and one I had a wonderful time reading.  Blending compelling legal elements with a fascinating, character-driven mystery, How to Kill a Client has a brilliant story that takes the reader on a powerful and twisty journey.  Slick, emotionally rich, and filled with exceptional characters, How to Kill a Client is one of my favourite debuts of 2023 so far, and I cannot wait to see what epic reads Jenkins will release in the future.

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Quick Review – The Codebreakers by Alli Sinclair

The Codebreakers Cover

Publisher: HQ (Trade Paperback – 3 March 2021)

Series: Standalone

Length: 460 pages

My Rating: 4.5 out of 5 stars

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Interested in a fantastic historical fiction novel that looks at a unique and overlooked part of Australia’s history?  Then make sure to check out The Codebreakers by bestselling author Alli Sinclair, an amazing and dramatic novel that I found to be extremely captivating and powerful.

Synopsis:

1943, Brisbane: The war continues to devastate and the battle for the Pacific threatens Australian shores. For Ellie O’Sullivan, helping the war effort means utilising her engineering skills for Qantas as they evacuate civilians and deliver supplies to armed forces overseas. Her exceptional logic and integrity attract the attention of the Central Bureau-an intelligence organisation working with England’s Bletchley Park codebreakers. But joining the Central Bureau means signing a lifetime secrecy contract. Breaking it is treason.

With her country’s freedom at risk, Ellie works with a group of elite women who enter a world of volatile secrets; deciphering enemy communications to change the course of the war. Working under immense pressure, they form a close bond-yet there could be a traitor in their midst. Can the women uncover the culprit before it’s too late?

As Ellie struggles with the magnitude of the promise she’s made to her country, a wedge grows between her and those she holds dear. When the man she loves asks questions she’s forbidden to answer, how will she prevent the double life she’s leading from unravelling?

The Codebreakers was an amazing and well-written historical drama from Australian author Alli Sinclair, who has previously penned several other great historical novels.  This latest book from Sinclair tells the impressive and captivating tale of some of the most unique women in Australia’s storied war history, the secret codebreakers of Central Bureau.  This proved to be an impressive and captivating read that I powered through in a quick amount of time, especially as Sinclair came up with a clever and compelling narrative.

Throughout this outstanding tale, Sinclair not only covers the intricacies of a fascinating group of female codebreakers, also known as the Garage Girls (they worked out of a garage), but also includes some excellent character-driven drama as the protagonist is forced to come to terms with the secrecy of her work as well as the various tragedies that befall her and her friends as the war takes it harsh toll.  Throw in an intriguing spy thriller angle, as the Garage Girls find out that one of their own may be a traitor, and this becomes quite an intriguing and exciting read.  I loved the great blend of excitement, adventure and tragedy that the author produced, and I really liked how she not only showed the protagonist’s entire tenure with the Garage Girls but also featured the tragic aftermath of the war, where the consequences of the protagonist’s decisions and the loneliness of missing friends and colleagues forces her to choose a different path.  Readers will swiftly find themselves very attached to the main protagonist and her amazing story, and I had a great time seeing this entire tale unfold.

I must highlight the excellent historical aspects of The Codebreakers as Sinclair has clearly done some intense research on this period.  I really enjoyed the intriguing examination of the Central Bureau codebreakers who were active in Brisbane during WWII and who helped to decrypt transmissions and provide vital information to the Allies.  Throughout this great book, Sinclair really goes into great detail about the work the codebreakers would have done and some of the impacts of their work.  She also tries to examine the mentality that surrounded these codebreakers, both in their work and outside it, as each codebreaker was forbidden to talk about their work to anyone, both during the war and after it.  This proves to be an intriguing and intense central part of the novel’s drama, and it is apparently based on interviews that Sinclair did with surviving members of the real-life Garage Girls.  This was an impressive and amazing basis for this great story and I deeply enjoyed learning more about this fascinating and formerly-secret women.

I also enjoyed the way in which the author perfectly captured the feel of mid-war Brisbane throughout The Codebreakers’ story.  Sinclair laces her narrative with a lot of fascinating discussions about various military attacks that hit Australia, wartime polices and general thoughts and feelings about the war and the people involved with it.  However, I was most impressed with Sinclair’s attempts to capture the mentality of the people on the home front in Brisbane at the time.  Not only did you get the frustrations of the common Australian citizen/soldier as they dealt with the deployed American soldiery, but there is also the sadness and regret of those that survived.  You could almost feel the despair of several characters in this book, especially after the deaths of some of their loved ones, and it was a truly moving inclusion in this fantastic and powerful read.  All of these historical inclusions were really remarkable, and I had an outstanding time exploring Sinclair’s vision of this intriguing and momentous period of Australian history.

The Codebreakers by Alli Sinclair was an awesome and moving historical drama that proved to be an exceptional examination of a truly unique group of Australian women.  Sinclair makes perfect use of the amazing historical basis for her novel and turns it into quite an exciting and captivating tale of resilience, friendship and romance, which comes highly recommended.  I really enjoyed this fantastic novel and I loved learning so much about the codebreakers of Australia’s Central Bureau.

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Restoration by Angela Slatter

Restoration Cover

Publisher: Jo Fletcher Books

Publication Date – 9 August 2018

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One of the very best authors of Australian crime fantasy returns with another outstanding release in her fast-paced and exceedingly entertaining Verity Fassbinder series.

In a world where the magical beings known as the Weyrd remain hidden from the Normal, non-magical population, Verity Fassbinder is a half-Weyrd, half-human agent for Brisbane’s Weyrd Council and is charged with policing the city’s Weyrd population.  However, following an adventure to the underworld, Verity has been forced into the employ of a crazed fallen angel, and must take up his quest to find two secretive artefacts hidden in Brisbane.  In order to protect those she loves from her murderous new employer, Verity has sent her family away and resigned her position with the Weyrd Council.  Saddled with a murderous Kitsune, Joyce, as a driver and spy, Verity must find a way to recover these mysterious two items without giving ultimate power to the creature holding everything she love hostage.

As if her involuntary quest wasn’t hard enough, Verity is also forced to contend with a myriad of other problems from Brisbane’s Weyrd population.  The vengeful sorceress Dusana Nadasy is back in town, determined to kill Verity for the role she played in the death of her family.  The angel Tobit is refusing to take Verity’s calls, Weyrd Council politics is seriously starting to annoy her, literal ghosts from her past are haunting her and her friends the Norns have developed strange new powers.  Finally, her contact in the Brisbane police, Inspector McIntyre, needs her help investigating a series of desecrated corpses of Normal women found around Brisbane whose bodies show the distinctive impact of Weyrd magic.  What Verity does not know is that all of these strange occurrences will play a part in her quest for the fallen angel’s prize and will change her life forever.

Restoration is the third book from Australian author Angela Slatter and represents the third book in her Verity Fassbinder series.  Restoration is an exceptional example of the benefits of combining two genres, and contains incredible fantasy and mystery elements blended together into a powerful final narrative set in modern day Brisbane.

Throughout Restoration, Slatter has surrounded her central storyline with an elaborate series of smaller mysteries and adventures, all of which cleverly tie into the protagonist’s hunt for the artefacts.  Each of the smaller plot lines and investigations is very interesting, and readers will be amazed about how interlocked the story really is.  Those who have read the previous books in the Verity Fassbinder series will also enjoy how Slatter expertly utilises elements and plot lines from the earlier books in the series throughout Restoration.  This is a fun feature, and really shows off how much planning and foreshadowing Slatter included in her first two books, as even minor observations and actions from the earlier books have some big impacts in the latest volume.  Despite this, Restoration is still an excellent book to come into this series with.  The author makes sure all the relevant details of the last two books are fully explained and explored.  As a result, new readers will be able to follow everything that is happening within Restoration, while also being tempted to check out the earlier books in this fabulous series.  Fans will enjoy how the storylines and side quests come together in the end of the book for a big and exciting confrontation sequence that serves as an epic conclusion to the first three books in the Verity Fassbinder series.

In addition to the book’s strong mysteries, the author has also included a range of enticing fantasy elements for the readers to enjoy.  The huge variety of fantasy aspects included within Restoration have been pulled together from a range of different cultural backgrounds.  As a result, the book’s protagonist interacts with creatures that have their origins in Greek, Germanic, Norse and Japanese mythologies and culture, as well as the usual ghosts, magic users and generally powered individuals.  There are also strong components from the Judeo-Christian religion that play a significant part in the story and which tie in well with the other fantasy elements.  The great mystery elements mentioned above work in conjunction with these fantasy features to create an amazing story.  Slatter comes up with some terrific fantasy based motives, plots and suspects for the reader to enjoy, and this helps create an intriguing and entertaining overall narrative.  The protagonist’s hunt for the artefacts, the “grail” and the “tyrant”, leads to a greater insight into this universe’s magical and religious roots, and turn into some intriguing pieces of this universe’s lore.  In addition, the protagonist’s curiosity about her Weyrd ancestors leads to her finding out some fascinating facts about their history, as well as a detailed bit of fictional mythology from Slatter.  This focus on the family she is descended from also hints at these characters being involved in future additions of this series, and will no doubt prove to be excellent antagonists.  Overall, the book’s fantasy elements are highly enjoyable and add sufficient wonder and enhancement to an already outstanding book.

Restoration is mostly set within the Australian city of Brisbane and its local environs.  Slatter, a Brisbane local, has created a detailed and personal depiction of her city and it serves as a fun location for this book’s plot.  People familiar with Brisbane will appreciate the descriptions of city and enjoy the concept of a hidden and chaotic fantasy world lying just below its surface.  Special note should be given about the inclusion of the University of Queensland, Slatter’s alma mater, as a setting within the book, and it is always fascinating to see a location that the author is familiar with and passionate about.

Slatter has continued to use the humour-laden tone of writing that was such a standout of the first two books in the Verity Fassbinder series.  The protagonist is a remarkable character who does not care who she annoys or who gets in her way as she tries to achieve her goals.  This nonconformist attitude and general disregard for the rules for the Weyrd Council has a great way of getting the reader to support her, and as a result she has always been a very likable main character.  The jokes and humour that inhabit the narrative as she encounters a range of strange and dangerous situations help lighten the tone of the dark investigations she is involved with.  Things get serious towards the end, especially when the protagonist’s family gets involved and this helps raise the stakes in the readers mind, although some humour is still involved.  Audiences will love the sass and humorous observations that inhabit this whole book, and it fits in well with the overarching urban fantasy crime narrative that Slatter has cultivated.

Restoration is another superb read from Angela Slatter and an outstanding addition to one of the best fantasy crime series in the world today.  The books in this series are up there with The Dresden Files and the Peter Grant series, and are fantastic examples of this combination of genres.  The third book in this Australian series makes full use of its elaborate mystery, intriguing fantasy elements, exciting Brisbane setting and distinctive humour to create an extraordinary read that comes highly recommended.

My Rating:

Five Stars

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