Tag: Black Library

Quick Review – Warhammer 40,000: Witchbringer by Steven B Fischer

On By The Unseen LibraryIn Audiobook, Extended Universe, Quick Review, Science Fiction, Tie-in Novel, Warhammer2 Comments

Publisher: Black Library (Audiobook – 25 November 2022)

Series: Warhammer 40,000/Astra Militarum

Length: nine hours and 33 minutes

My Rating: 4.25 out of 5 Stars

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Fresh Warhammer 40,000 fiction author Steven B Fischer presents Witchbringer, a compelling and particularly intense novel that dives into the complex life of an Imperial sanctioned psyker.

I have been having a lot of fun with Warhammer 40,000 fiction this year, and one of the more interesting Warhammer books that I have recently enjoyed is the awesome debut novel from Steven B Fischer, Witchbringer.  I have been meaning to review Witchbringer for a while, especially as it had a fantastic plot synopsis behind it.  As I am currently in the middle of Fischer’s latest book, Broken Crusade, I thought that this was the perfect time to highlight Witchbringer on my blog, especially as it was a clever and memorable addition to the franchise.

Plot Synopsis:

An Astra Militarum Novel

Once a Cadian captain, Glavia Aerand’s psychic talents see her pressed into service in a new role, to fight and die as a sanctioned psyker.

READ IT BECAUSE
This story offers a rare glimpse into the mysterious process of becoming a sanctioned psyker in the service of the Golden Throne, and you’ll learn what that means for those who are found strong enough to serve.

THE STORY
Suffer not the witch to live, unless by their service they might earn redemption. This is the creed of the Scholastica Psykana, a brutal foundry in which those with psychic power might be taught to serve. On the eve of her sanctioning as a primaris psyker within these very halls, Glavia Aerand, former captain of the Cadian 900th Regiment, receives a startling premonition – one concerning her old unit, and a dangerous psychic artefact hidden on the planet where they are deployed.

After a reunion she never expected – or wanted – Aerand finds herself mired in a vicious campaign on the psychically active world of Visage, where the shallow seas and endless fogs are rumoured to swallow the souls of the dead. Haunted by growing suspicions of her new commander and the manifestations of the sinister relic, Aerand must trust in her new-found abilities to keep her former comrades alive, and confront an ancient threat that could consume Visage entirely.


Witchbringer proved to be an outstanding and particularly powerful Warhammer 40,000 novel that combines compelling insights into a unique class of human soldier with a great plot centred around damaged characters.

This cool Warhammer 40,000 book primarily focuses on Glavia Aerand, former soldier and newly sanctioned primaris psyker.  A trained and authorised witch who uses her unnatural powers to fight for the Imperium of Man, Aerand is an outcast amongst her fellow humans, who view her gifts as tainted and borderline heretical.  Starting off with a dark sequence in the Scholastica Pyskana, a gothic school aimed at training and controlling powerful psykers, the story soon moves on to the main plot when the protagonist receives a vision warning that her old regiment is in danger.  Journeying to Visage, a war-torn swamp world, Aerand finds her regiment in shambles, her former friends no longer trust her, and nobody capable of remembering the previous pysker lord assigned to them.  What follows is an exciting and intense narrative as Aerand simultaneously fights against the rebels and their native witches, while also trying to regain the trust of her comrades.  At the same time, Aerand must unravel both the dark conspiracy engulfing the planet and the secrets her commanders are hiding.

I felt that Fischer produced a compelling and exciting Warhammer 40,000 narrative that really dragged me with its intense storytelling.  The author got the right balance of unique grim Warhammer elements, complex character development, and dark intrigue, all of which melded well with the typical military fiction story fans of the franchise have come to expect.  Fischer does a brilliant job increasing the threat of his story, and the desolate swamp setting of Visage takes on a real life of its own, especially when it comes to grizzly fights against swamp witches and disturbed spirits.  At the same time, the focus on the protagonist’s isolation from her old comrades, who distrust her due to her tainted abilities, adds a great emotional heart to Witchbringer that cleverly works into the larger secrets of the main narrative.  Fischer does a great job bringing the dark plot of Witchbringer together for an exciting conclusion, and readers will appreciate the inevitable carnage that follows.  This is an overall impressive and well-written story that I had an amazing time listening to.

Witchbringer was an interesting addition to the Warhammer 40,000 canon, especially as it was part of the Astra Militarum series that seeks to follow adventures of the various human soldiers fighting in the bleak future.  As such, Fischer expertly explores the sanctioned psykers of the Astra Militarum, including their training, their unique role in combat, and the way that the common trooper views them.  While I do think that Fischer overpowered his protagonist, for the most part this proved to be very fascinating novel about sanctioned psykers, and I enjoyed how the author highlighted the protagonist’s human side.  As such this is a great read for established fans of the franchise, and I am sure most Warhammer 40,000 players and fiction readers will appreciate Fischer’s excellent debut to the genre.  Fischer also ensured that there was enough context and explanation of the more complex universe elements for newer readers to follow along and anyone can probably come in and enjoy Witchbringer, especially if they love a distinctive science fiction thriller.

As with most Warhammer fiction, I chose to enjoy Witchbringer on audiobook, which is easily the best way to appreciate the franchise.  The grim dark setting and intense action of any Warhammer 40,000 novel is deeply enhanced when read out to you and I love the array of talented narrators that work to bring these amazing stories to life.  In Witchbringer’s case, it was narrated by Amy Rockson, who is relatively new to the franchise.  Rockson had a pretty good take on the unique flow of a Warhammer 40,000 audiobook, and I felt she inhabited the various characters extremely well.  The more supernatural elements of Witchbringer’s plot really came to life when read out by Rockson, and I enjoyed how much passion she injected into the various fight scenes.  With a run time of around nine and a half hours, Witchbringer proved to be an easy audiobook to get through quickly, and I had a wonderful time listening to this amazing piece of Warhammer 40,000 fiction.

Overall, Warhammer 40,000: Witchbringer proved to be an amazing book, and I really enjoyed checking out Steven B Fischer’s debut novel.  Featuring a captivating tale of mystery, mayhem and moving character moments, Witchbringer was a great addition to the Warhammer 40,000 canon, and it proved hard not to become addicted to its impressive story.  This is a powerful and excellent read from an author who looks set to be a fantastic feature of the franchise’s fiction going forward.

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Warhammer 40,000: Lazarus: Enmity’s Edge by Gary Kloster

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer1 Comment

Publisher: Black Library (Audiobook – 9 March 2024)

Series: Warhammer 40,000

Length: 11 hours and 47 minutes

My Rating: 5 out of 5 stars

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Secrets, lies and devils from the past converge around the Dark Angels in this exceptional Warhammer 40,000 novel from Gary Kloster, Lazarus: Enmity’s Edge.

I have been on a real roll with Warhammer 40,000 fiction this year, as books like Da Big Dakka by Mike Brooks, Deathworlder by Victoria Hayward, Oaths of Damnation by Robbie MacNiven and Renegades: Lord of Excess by Rich McCormick have all proven to be exceptional additions the Warhammer canon.  But despite how awesome the above books and others have proven to be, I am still keen for more.  That is why I made sure to listen to a copy of the early 2024 novel, Lazarus: Enmity’s Edge by new-to-me author Gary Kloster.  An interesting entry that follows members of the iconic Dark Angels chapter, Lazarus: Enmity’s Edge was a book I nearly didn’t read this year, but I was sure glad that I did.

For over 10,000 years the Space Marines of the Dark Angels chapter have defended the Imperium of Man from all manner of insidious threats, all while keeping their own terrible secrets hidden.  Maintaining watch for fallen members of their order, the Dark Angels are forced to balance their Chapter’s need for secrecy and revenge with their solemn duty to keep humanity safe from the monsters and heretics stalking the stars.  But not every member of the Dark Angel’s inner circle believes that the battles of the past should impact the Chapter’s future.

Lazarus, Master of the Dark Angels Fifth Company, knows the burden that history can have on the soul.  The first Primaris Marine to hold rank within the chapter’s inner circle, Lazarus finds himself haunted by the battle that killed him and forced him to undergo the Rubicon surgery.  Determined to rid the universe of all psykers and the foul forces of Chaos behind them, Lazarus is a dedicated warrior, although one that questions the secrets that impact his ability to fulfill his duty.  That is why, when an ancient beacon located on the planet Reis is activated, the Supreme Grand Master of the Dark Angels, Azrael, summons Lazarus and his Fifth Company to fulfill an old debt of honour.

A thousand years before, the Imperial Knight world of Reis was nearly overwhelmed by a rampaging army of daemons, resulting in the destruction of the planet’s war machine guardians, and only through the intervention of the Dark Angels was Reis saved.  But now, after years of peace, Reis finds itself under attack from a new foe, one that may cause another daemonic incursion.  Determined to ensure the daemons stay in the warp, Lazarus arrives to assess the situation on Reis, but soon discover that not everything is as it seems.  The planet is a hotbed of sinister politics, ancient grudges, and long-buried secrets, all of which conspire to drag Reis closer to destruction.  Forced to navigate the planet’s complex history, Lazarus discovers a terrible enemy hiding deep within the planet’s jungles, one that, like Lazarus, refuses to die.  To save Reis and his brothers, Lazarus must uncover the true hidden past of the planet and understand the origin of the grudge that could turn the Dark Angels against the Imperium they are sworn to protect.

Wow, Warhammer 40,000 fiction is in peak form in 2024 as Gary Kloster deeply impressed me with Lazarus: Enmity’s Edge.  Featuring a particularly complex and captivating narrative that blended awesome action and great characters with a clever and well-written plot, Enmity’s Edge proved to be extremely addictive, and I found myself irreversibly hooked.  Exciting, intense and loaded with all manner of intrigue, Enmity’s Edge is one of the best Warhammer books of 2024 and gets a full five-star rating from me.

I must admit that when I first decided to check out Enmity’s Edge, I didn’t quite know what to expect.  Space Marine focused Warhammer 40,000 novels can sometimes be an overloaded, action slog colloquially known as “Bolter porn”, and I was initially slightly worried that was the direction Enmity’s Edge was going, especially as it started off with an intense war sequence against orks.  However, Kloster instead showcased a remarkably compelling and layered Warhammer 40,00 novel that made excellent use of its Dark Angel protagonists and a unique, secret-laden background setting.  The initial battle serves as a great introduction to the main protagonist, Lazarus, and his command staff, and you get a sense of his tactical skills, as well as his dislike of psykers and the secrets of his order.  This leads nicely to the more complex part of the book, as the reader is introduced to some interesting side characters, as well as the world of Reis, where Lazarus and his company are sent to.

Arriving on Reis, Lazarus discovers a unique world of secrets, lies and hidden history, with the populace attacked by a mysterious fungal infection that has taken over various host bodies.  Quickly diving into the fray to determine the full extent of the threat, the first half of the book sees the Dark Angels essentially taking on the zombies from The Last of Us with an intelligent malevolence behind them, and these unique antagonists prove an interesting alternative to the classic villains of the franchise.  From there the story devolves into an intriguing combination of sequences, as Lazarus attempts to uncover his true opponent, while also dealing with attacks on multiple fronts.  This leads to some compelling and occasionally brutal scenes, including a continued conflict inside an Adeptus Mechanicus base, as well as some other great sequences scattered throughout the planet.  The author spends some substantial time building up some impressive and moving character arcs, as various figures deal with the chaotic events in different ways.

The author does an excellent job building up a great hidden villain who the protagonist must uncover, and the secrets and mysterious surrounding the figure really adds to the intrigue of the story.  While the identity of some of the antagonists are a little predictable, the journey getting there is impressive, and I loved the setup to the answers that Kloster subtly hid through the earlier parts of the book, with the reliance on understanding the past to survive the future being a great recurring theme.  This leads up to a particularly intense and dark final third as the antagonist’s very long-term plot comes to dramatic fruition.  Kloster does a masterful job of building up tension and substantially upping the stakes in the leadup to this, and you find yourself deeply engaged as you wait to see how everything will unfold.  There are some brilliant moments here, including a ton of over-the-top action, some fantastic plot resolutions, and several particularly tragic moments as the protagonists face overwhelming foes.  The overall resolution is very clever and builds on some excellent prior story inclusions and character growth, that Kloster wraps up perfect.  The end result is an awesome, memorable and particularly enthralling standalone story, that really showcases just how cool and complex a Warhammer 40,000 story can be.

I really enjoyed how Enmity’s Edge came together, and I felt Kloster had a great writing style the ensured a powerful and intense story.  His entire complex narrative was a ton of fun from start to finish, and it proved to be well showcased through several compelling protagonist perspectives.  While there is a ton of awesome and intense action in this book, as is required for a Warhammer 40,000 novel (war is in the name for a reason), the focus on a more subtle threat ensured that Enmity’s Edge stood out from the pack.  I particularly appreciated how subtly Kloster set up a lot of key story elements early in the book and they all paid off extremely well, with a great theme on the lessons of the past recurring in an excellent way.  I also must highlight the great new setting of the planet Reis, which Kloster made fantastic use of.  The Warhammer 40,000 universe is home to a multitude of intriguing and unique worlds, but Reis really stood out to me thanks to Kloster’s vibrant descriptions and the clever way the planet’s complex history and disposition played into the narrative.  An Imperial Knight planet (a feudal world governed by mech pilots who take the whole knight thing way too seriously) that has fallen on hard times thanks to the destruction of the ruler’s battle suits, Reis is a hotbed of dark history, lingering secrets, and intense rivalries, covered with useful fungus.  Kloster perfectly introduces and then utilizes this planet throughout the narrative, and you find yourself getting really drawn into the revealed history, especially as it produces a particularly effective and dark antagonist.  These writing elements ensure that Kloster’s captivating narrative pops in the reader’s mind, and I was really impressed with how he presented this excellent Warhammer novel.

In addition to being an outstanding read, I also felt that Enmity’s Edge was an excellent piece of Warhammer 40,000 fiction, and one that really emphasizes how clever and compelling a story in this canon can be.  Focusing on the Space Marine chapter, the Dark Angels, Kloster presents a gripping standalone narrative that makes great use of the franchise’s unique features and history without getting too bloated or lore heavy.  Thanks to how effectively the author covers these franchise inclusions, I felt that readers unfamiliar with Warhammer fiction could easily jump into Enmity’s Edge without too much pre-knowledge and still deeply enjoy the plot, especially as it really showcases how cool the iconic Space Marines can be.  More established Warhammer 40,000 fans will naturally get a lot more out of the story, especially as Kloster explored some particularly awesome aspects of the universe.  I personally loved how well he showcased the various squads featured within a specific Space Marines company, and it was fun to have a mixture of troop specializations and vehicles which reminded me of tabletop gameplay at times.  He also does an outstanding job showcasing the Dark Angels, who are one of the more popular Space Marine chapters for a reason.  This proved to be a very strong book for Dark Angels fans, and I appreciated how he veered away from the typical topics you’d expect for a Dark Angels novel (completely focused on the Fallen), and instead showed them facing a fresh foe with some excellent motivations to hate them.  As such, this is a highly recommend read for all Warhammer fans that might also attract a few new readers to the franchise.

One of Enmity’s Edge’s real strengths was the excellent batch of characters that Kloster set the narrative around.  This includes the titular protagonist, Lazarus, Master of the Dark Angels Fifth Company, who proves to be an intriguing central character.  A well-known tactician, secret holder, and one of the few commanding Primaris marines (an upgraded Space Marines) in the Chapter, Lazarus proves to be a great main figure for the plot.  While some Space Marine characters in fiction can be a little one-dimensional, I felt that Kloster did an excellent job turning Lazarus into a complex figure, haunted by his previous battles, concerned about the future of his chapter, and bitter about those friends he has lost to psykers.  There are some great scenes featuring Lazarus throughout Enmity’s Edge, especially as he showed a lot of humanity to a certain point-of-view character, and it was intriguing to see his tactical mind in action.  He also proves to be an excellent foil to the excellent main antagonist of the plot, and they had some compelling scenes together.

Aside from Lazarus, Enmity’s Edge featured a raft of notable support characters, including several major members of the Dark Angels Fifth Company.  I particularly enjoyed the imposing and unfailingly honorable figure of Ancient Jequn, the Fifth Company’s veteran standard bearer.  Jequn has a particularly tragic arc in this book, and I really grew attached to him and his resolve throughout the run of Enmity’s Edge.  Other enjoyable characters included members of Lazarus’s command squad, an Adeptus Mechanicus tech-priest whose technology reflects their obsession with birds, and the various key rulers of Reis.  The antagonists of Enmity’s Edge are also well set-up and utilized, and while I won’t got into too much detail of them here, they had some brilliant sequences, and really enhanced the overall narrative.

However, I felt that one of the best characters in Enmity’s Edge was Learned Ysentrud, an enhanced human of a type found only on Reis called a Wyrbuk, who finds themselves helping the Dark Angels.  Essentially a living repository of knowledge, Ysentrud becomes a key figure in the plot as she provides the Dark Angels with history and insights into Reis that allow them to uncover the plot’s big mystery.  Probably the book’s main point-of-view protagonist after Lazarus, Ysentrud had one of the more relatable character perspectives in Enmity’s Edge, as she finds herself surrounded by the demi-god figures of the Space Marines as they engage in combat.  Not only does Ysentrud’s perspective help to bring readers a little more into the plot, but I really enjoyed the compelling story arc Kloster wove around her as she attempted to find her courage and prove her worth to the Dark Angels.  Kloster’s entire arc around Ysentrud was really well written, and I felt that her complex personal narrative was a particularly strong part of the book.

Those familiar with this blog will be unsurprised that I chose to enjoy Enmity’s Edge on audiobook, which is how I primarily check out all my Warhammer content.  As with most Warhammer 40,000 books, Enmity’s Edge came across extremely well in this format, and you are in for a really good time listening to it.  Coming in with a runtime just short of 12 hours, listeners can get through Enmity’s Edge’s audiobook in no time at all, especially once you get caught up in its fantastic story.  The intense action, elaborate sequences and deep intrigue of the plot is perfectly enhanced by having it read out to you, and I loved hearing the elaborate descriptions of the setting and the unique characters within it.  I was also very impressed by narrator John Banks, who has lent his voice to several Warhammer audiobooks over the years.  Banks did a remarkable job diving into the various characters featured within Enmity’s Edge, and I also felt that his amazing voice lent a lot of gravitas to these figures.  While all the characters are given excellent and fitting voices, I particularly loved his take on the various Dark Angels characters featured throughout the plot.  He gives these genetically enhanced, ancient warriors the booming and commanding voices you would expect, and their emphatic declarations sound really cool here.  I absolutely powered through this excellent audiobook, and I would strongly recommend it as the very best way to enjoy Enmity’s Edge.

Lazarus: Enmity’s Edge by Gary Kloster was another excellent 2024 Warhammer 40,000 novel that I could not get enough of.  Featuring a complex and intense plot of betrayal, secrets and dark history, Enmity’s Edge grabs your attention early and ensures you can’t put it down as you rush towards the end.  One of the best Warhammer 40,000 novels of the year, Enmity’s Edge is a must read of all fans of the franchise, and I really loved its brilliant story.

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Warhammer 40,000: Lelith Hesperax: Queen of Knives by Mike Brooks

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer1 Comment

Publisher: Black Library (Audiobook – 27 July 2024)

Series: Warhammer 40,000

Length: 5 hours and 59 minutes

My Rating: 4.5 out of 5 stars

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One of the rising stars of Warhammer fiction, Mike Brooks, presents another exciting, character-focused narrative within the grimdark Warhammer 40,000 universe with awesome novel, Lelith Hesperax: Queen of Knives.

Those familiar with the franchise will know that Warhammer 40,000 fiction is on fire at the moment.  There are some very talented authors out there writing exciting and compelling adventures based on the game’s various factions, and readers are finding out just how fun and complex stories written in this universe can be.  Out of all the fantastic authors writing Warhammer fiction in recent years, one of the most impressive is Mike Brooks, who is shaping up to be one of the franchise’s big writers.  A talented fantasy and science fiction author, Brooks has been producing some excellent books in recent years that either focus on unique Warhammer 40,000 characters or one of the game’s non-human factions.  Books like Huron Blackheart: Master of the Maelstrom, The Lion: Son of the Forest (one of my favourite books and audiobooks of 2023), Brutal Kunnin, Warboss and Da Big Dakka (one of my favourite books and audiobooks from the first half of 2024), have been extremely epic, and I am always down for more stuff from Brooks as a result.  As such, I made sure to grab a copy of his other 2024 Warhammer 40,000 novel, Lelith Hesperax: Queen of Knives, which was another interesting and memorable addition to the canon.

In the far future, the fallen and capricious drukhari heal and hold back the grim prospect of death by inflicting pain on others.  The dark streets of their city, Commorragh, run red with blood as millions of prisoners are killed in their gladiatorial arenas to slake their citizens’ bloodlust and need for suffering.  To survive in this brutal city, a drukhari needs to be smart, deceitful or a natural killer, and no killer is more revered in Commorragh than Lelith Hesperax.

A legendary gladiator, Lelith Hesperax has long reigned as the Grand Succubus of the most powerful Wych Cult in Commorragh, her blades having carved through thousands of challengers, potential rivals and alien captives.  But after years of fighting for herself, Lelith has found a new cause to draw blood for.  Abandoning Commorragh, Lelith now fights against daemonic hordes alongside the nomadic cultists of the Ynnead, who seek a different way to survive as a species.  However, while she’s been away, new rivals strike at Lelith’s holdings back at Commorragh.

Warned by the mysterious Harlequins of a rising threat against her, Lelith returns to Commorragh to find that much has changed.  Her Cult of Strife is no longer feared or respected, and many of the city’s inhabitants openly plot against her and her followers.  Shocked at how far her status has fallen in her absence, Lelith knows that the only person capable of causing this much disruption to her empire is the undisputed ruler of Commorragh, Asdrubael Vect.  Forced to contend against the schemes of a master manipulator, Lelith believes that the only way to survive is to remind the city just how dangerous she is.  But with Vect’s web of manipulation surrounding her, can even Lelith cut herself free, especially when her opponent forces her to fight against the only person in Commorragh she doesn’t want to kill?

Mike Brooks continues to showcase just how good he is at bringing the various complex figures of the Warhammer 40,000 universe to life with this exciting new read.  Expertly capturing the legendary drukhari killer, Lelith Hesperax: Queen of Knives was an awesome and captivating read I had a lot of fun getting through.

This latest book from Brooks is a quick but very intense and well-written read that successfully gets into the head of an iconic drukhari character from the games.  Told exclusively from the perspective of the main character, Lelith Hesperax, Queen of Knives moves at an extremely fast pace; after a fast introduction to set up how much Lelith’s life has changed since leaving to work with the cultists of the Ynnead, you are thrust into the action when a bored Lelith is warned about a rising threat back in Commorragh.  This effectively brings the reader back to the main setting, which is for the best, as Commorragh is a particularly awesome location for any Warhammer 40,000 novel.  The protagonist is soon embroiled in a sinister array of intrigue, as it becomes clear that the undisputed leader of the drukhari, Asdrubael Vect, is working against her, and is using a figure from Lelith’s past, Morghana Nathrax, as his catspaw.

Forced on the backfoot in a fight for the first time in her life, Lelith attempts to find a way to counter the moves of her shadowy opponent, while also trying to avoid a fight with Morghana.  This results in some excellent action set pieces and moments of intrigue, as Lelith gets back to her dread drukhari roots.  The fight sequences surrounding the protagonists are sharp, exciting, and necessarily brutal, and I appreciated how well Brooks balanced the action with overlying intrigue and plotting.  The author also spends a good chunk of time diving into the protagonist’s personality and past, and a few well-placed flashbacks help to provide additional emotional attachment and show Lelith’s complicated relationship with Morghana.  Everything leads up to the inevitable confrontation, which goes in some very interesting and emotionally charged directions.  While I felt that Brooks could have added in another layer of intrigue to the protagonist’s final ploy to make the book really stand out, the conclusion of the book was generally pretty satisfying, and Queen of Knives turned out to be an excellent standalone read.

Due to the book being deliberately focused on one iconic protagonist, Queen of Knives does by necessity have a character-driven plot, which revolves around some fantastic figures.  Naturally the most prominent of these is the book’s sole perspective character, Lelith Hesperax, who proved to be quite an awesome protagonist to follow.  Brooks chooses to jump readers right into the midst of Lelith’s current adventure at the start of Queen of Knives rather than immediately focusing on her backstory, which I think worked from a narrative perspective, as it brought readers quickly into the plot.  There is a useful drip feed of information about her past and her nature as the book continues, enough that reader’s unfamiliar with the protagonist can easily enjoy Queen of Knives, while also allowing Brooks to control the audience’s understanding of the protagonist’s motivations and feelings.  Readers soon come to appreciate that Lelith is a complex figure, torn between her love of violence and glory and the new path of redemption she finds herself on with the cult of Ynnead.  As such, Queen of Knives proves to be a key chapter in Lelith’s story, as she returns to her old ways, only to discover a new side to her life and a potential romance.  I loved seeing Brooks’ examination of the protagonist’s various complex layers, and it made for quite a moving book as a result.

The main protagonist is well balanced by several great supporting characters, each of whom have their own unique impact on the narrative.  The two I really want to focus on include new character Morghana Nathrax, a figure from Lelith’s past who develops a real love-hate relationship with the protagonist.  Morghana’s well-balanced admiration and hatred of Lelith ensures that conflict is inevitable between them, even though Lelith wants to keep her alive, and Brooks writes quite a complex relationship between them.  However, my favourite supporting character is the main antagonist of Queen of Knives, the notorious ruler of Commorragh, Asdrubael Vect.  Vect is a particularly awesome figure in the Warhammer 40,000 canon, so it was cool to see him utilised here in Queen of Knives.  Even though Vect only appears in one sequence at the end of the novel, Brooks does an outstanding job building him up as a brilliantly devious figure, effortlessly manipulating all the drukhari in the city, including Lelith and her followers.  You really come to appreciate the fear that all Commorragh has for Vect as the book continues, and his one appearance ensures that you understand why he commands such fear.  I really loved how well Brooks built up these characters, and it made for some awesome reading as a result.

I felt that Queen of Knives was a great Warhammer 40,000 novel, especially as Brooks expertly explores and utilises so many cool lore elements throughout his story.  It proves to be a deeply compelling look at the iconic and always enticing drukhari faction.  The drukhari, or the dark eldar, as older fans may know them, are the Warhammer 40,000 universe’s resident space elf murder pirates, and have a long history in the game.  Despite that, there isn’t a lot of fiction out there about them, with Brooks’s other 2024 novel, Da Big Dakka, being the only recent book to strongly feature their perspective that I can recall, and even then, more focus was given to the ork characters in that book.  As such, it was a real pleasure to have a novel completely dedicated to the drukhari, and Brooks does an outstanding job diving into the faction’s culture, mentality and other vital lore elements.  This includes a fantastic look at the iconic dark city of Commorragh, one of the most dangerous places in the Warhammer 40,000 canon.  A noted seat of deceit, bloodshed and easy death, Commorragh did not disappoint as a background setting from Queen of Knives, and Brooks ensures it plays a key part in the story.  Throw in some other interesting, if relatively brief, looks at the other Aeldari sub-factions (particularly the Ynnari), and there is a lot of interesting lore here for Warhammer 40,000 fans to appreciate.  As such, Queen of Knives is probably best enjoyed by those who already have an established connection to the franchise, although thanks to Brooks’s excellent writing, a new reader could probably come in and enjoy Queen of Knives without too much context.

As with most things Warhammer that I enjoy, I made sure to grab a copy of Queen of Knives on audiobook, which proved to be as epic as always.  The fast-paced plot, intense action and unique characters of Queen of Knives unsurprisingly came across extremely well in the audiobook format, and I really got absorbed into the story as a result, especially when it came to the elaborate depictions of the sinister city of Commorragh.  Coming in with a runtime of six hours, Queen of Knives is a relatively short Warhammer audiobook to get through, and I managed to knock it off quickly once I got stuck into it.  I really enjoyed how Queen of Knives came together, and I particularly enjoyed the narrator Antonia Beamish.  Beamish, whose work I previously enjoyed on the Warhammer Horror audiobook Sepulturum, was really impressive with her narration of Queen of Knives, and I liked her take on the main protagonist.  You really get a sense of the predatory nature of the various drukhari characters that Beamish voices throughout this audiobook, and I felt that these figures were all given fitting and impressive voices.  This great voice work helped ensure that the audiobook was once again the best way to enjoy this excellent book, and you are guaranteed to have a lot of fun listening to Queen of Knives.

Overall, Lelith Hesperax: Queen of Knives was another amazing book from Mike Brooks, who once again showcases his ability to write complex Warhammer 40,000 fiction.  Combining a compelling and intrigue laden narrative with great character work and a particularly distinctive Warhammer 40,000 setting, Queen of Knives was so much fun, and I really powered through it.  A highly recommended read, I look forward to seeing what Brooks will write next.

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Warhammer 40,000: Double Eagle by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer16 Comments

Publisher: Black Library (Audiobook – 1 January 2004)

Series: Warhammer 40,000/Sabbat Worlds

Length: 10 hours and 16 minutes

My Rating: 5 out of 5 stars

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The master of Warhammer fiction, Dan Abnett, takes to the skies with the deeply addictive and ultra epic fighter pilot novel Double Eagle.

Readers familiar with this blog will know that I have been extremely damn obsessed with Warhammer fiction the last couple of years, having spent a substantial amount of time reading and reviewing numerous books from the franchise.  Of the many Warhammer fiction authors I have read during this period, one of the most impressive is the legendary Dan Abnett, who has written so many exceptional and powerful books around the franchise, including several series considered to be the seminal texts of the extended universe.  I have had a ton of fun with many of his books, including his brilliant Eisenhorn trilogy (Xenos, Malleus and Hereticus), and he has multiple entries in my current favourite Warhammer 40,000 books list.  However, his best-known series is the iconic Gaunt’s Ghosts books, which I am currently in the middle of reading.

The Gaunt’s Ghosts books are a beloved and key series of Warhammer 40,000 fiction that seeks to give readers a moving look at the lives of the frontline human soldier in this grimdark universe.  Set in an extended, multi-planet campaign, known as the Sabbat Worlds Crusade, the Gaunt’s Ghosts books follow a ragged regiment of soldiers as they attempt to survive the dark servants of Chaos coming for them.  I am having an exceptional time reading the Gaunt’s Ghosts series, and in 2024 alone I have read two particularly epic entries, Straight Silver and Sabbat Martyr.  However, before I dive any further into the series, I decided to read the spin-off novel, Double Eagle, which I have had on my to-read list for a while now.  Double Eagle was an interesting and unique novel that follows members of an airmen wing who were introduced in the fifth Gaunt’s Ghosts book, The Guns of Tanith.  Set after their mission with the Ghosts, Double Eagle follows these pilots, including a few characters from The Guns of Tanith, in a brutal new campaign.

War has engulfed the Sabbat World system as the forces of the Imperium of Man attempt to reclaim multiple worlds invaded by the forces of Chaos.  After years of fighting, the Imperium’s crusade has reached a tipping point, with victory or defeat for the entire campaign hanging on the results of a few key battles.  While the fighting is fierce throughout the system, nowhere is it more desperate than the beleaguered world of Enothis.

After failing to conquer the Chaos footholds on Enothis, the infantry and armoured forces of the Imperium are in full retreat, attempting to traverse miles of hostile terrain to return to safe territory, all while being harassed by relentless enemy aircraft.  With the fate of the planet in the balance, the commanders of the crusade deploy multiple squadrons of Imperial fighters and bombers to Enothis to turn the entire conflict into an air war.  If the Imperial pilots can hold back the advancing tides of Chaos and allow the ground forces to regroup the war for Enothis may be won.  But if the airmen fail, then Enothis and the entire Sabbat Worlds campaign is doomed.

Amongst the pilots sent to Enothis are the elite flyers of the Phantine Air Corps.  Veterans from the recent war to liberate their home planet of Phantine, the pilots of the Phantine Air Corps are determined to do their bit in this new conflict.  But the battle for Enothis will be unlike anything seen before, as thousands of Chaos aircraft descend on the planet, hoping to obliterate the defenders.  Severely outnumbered, can even the dogged Phantine pilots hold back the approaching tide of dark air machines before the planet is conquered, especially with an unnaturally skilled Chaos ace stalking the skies, determined to bring every opposing pilot down in flames?

Just when I think that Dan Abnett couldn’t impress me even more, I go and read Double Eagle.  A brilliant, intense, and exceptionally well-written novel that focuses on a particularly cool aspect of the Warhammer universe, Double Eagle blew me away with its great characters and elaborate air combat sequences.  I had an incredible time with Double Eagle, and it gets an easy five-star rating from me.

I deeply, deeply enjoyed Double Eagle, as Abnett took the brief of a Battle of Britain-inspired Warhammer 40,000 story and applied his usual impressively detailed style and powerful character-driven storytelling to produce an outstanding and addictive read.  Perfectly spinning off from the previous Gaunt’s Ghosts books and bringing the reader to another adventure in the expansive Sabbat World Crusades, Double Eagle has a brilliant narrative loaded with action that goes hard and fast for your feels and refuses to let go once it has you firmly in your grasp.

Double Eagle starts off quickly, getting the reader across the brutal new campaign and the importance of the aerial war that emerges, you are soon introduced to multiple characters and shown some initial awesome sequences with some explosive dogfights.  From there the story moves at a fast but smart pace, as you follow several distinctive and often overlapping character arcs throughout the length of the brutal campaign on Enothis.  You really get dragged into each major protagonist’s story as they attempt to survive the flying war.  There are some excellent battle scenes in this first half of the book and Abnett really shows how epic he can make a fighter pilot dogfight very early on.  The characters each experience some highs and lows in the first half of the book, and it doesn’t take you long to get attached the protagonists and their complex personal tales within the confines of the main story.

However, it is the second half of the book where everything comes together perfectly.  Each of the protagonists experience some version of personal loss or difficulty, and the impact of the war slowly drains them, taking them to some dark places.  Abnett sets up a brilliant underdog narrative around the protagonists, as the massive fleet of Chaos airships seek to crush them.  You can really see the parallels between this narrative and the Battle for Britain at this point, especially as the tired and severely outnumbered Phantine fighters and their local allies attempt to hold back the overwhelming and often Germanic-inspired forces coming for them.  Everything leads up to a massive final confrontation, as the protagonists engage in a series of brutal and drawn-out dogfights and aerial confrontations as we lead up to the finale.  While a couple of the character arcs leading up to this are a tad unsurprising, the way that Abnett writes them makes you love every second it.  The author brings everything to an epic close with continued and captivating action that honestly is impossible not to react to at times.  There are some very powerful moments at the closes, especially when some characters get everything they want, and you come away from Double Eagle wishing Abnett had made this book even longer.

Abnett once again masterfully crafts his compelling narrative together in such an effective way that I honestly just couldn’t stop listening to this book.  Making excellent use of multiple complex perspectives, you are swiftly drawn into the lives of several ordinary soldiers drafted into the deadly aerial war against a massive opposing fleet.  Featuring a range of complex characters arcs, Abnett expertly balances the character-driven plot between the various perspectives, while also featuring an epic war story that hits in all the right places.  Abnett’s use of quick-fire perspective changes works to create an excellent and fast-paced narrative, and it works especially well in some of the novel’s more intense sequences.  Speaking of action, you can’t talk about Double Eagle without discussing the amazing and epic aerial fight scenes and dogfights that make the book so damn distinctive.  Abnett did a remarkable job of harnessing the energy and feel of classic World War II fighter combat and bringing it into the Warhammer 40,000 universe.  Featuring many, many awesome sequences of aerial combat, Double Eagle really feels like you’re in a futuristic Battle for Britain as you witness fights between small groups of fighters fending off mass raids from Chaos forces, as well as sequences from the perspective of Imperial bombers.  The resulting dogfights between advanced fighter craft works so damn well in the context of the story, and you are treated to some truly epic sequences.  I was constantly enthralled by the brilliant aerial combat and flight sequences, and Abnett did an exceptional job expressing the intensities of flight, the ultra-fast pace nature of the combat, and the craziness of a massed aerial battle.  I could have honestly spent many, many more hours listening to Abnett’s descriptions of aerial combat, and there are so many excellent writing elements to this book that drag you in.

Double Eagle also proved to be an interesting and particularly strong Warhammer 40,000 novel that is really going to appeal to a wide range of readers.  Spinning off from the Gaunt’s Ghosts books, Double Eagle is tailor made for fans of the original series, although familiarity with the Gaunt’s Ghosts books isn’t necessary to enjoy this epic book.  While there are a few references, returning characters, and discussions about the overarching Sabbat Worlds Crusade, for the most part any reader can easily dive into Double Eagle and follow the story with no issues at all.  As with most tie-in books in the franchise, Double Eagle is best enjoyed by existing Warhammer fans, who will once again enjoy Abnett’s compelling insights into the canon.  I know that I really loved the exploration of Warhammer 40,000 air combat, and I loved how Abnett explored the physics, as well as the reasons why aerial fighters are still utilised in a universe where space travel exists.  However, I also felt that Double Eagle would serve as a pretty good entry point to any new readers interested in finding out why the Warhammer 40,000 universe is so damn cool.  Indeed, readers who are a fan of aerial focused military fiction or World War II fighter combat fiction can very easily jump into the new world here, as Abnett really presents a tale they would enjoy.  I need to read more Warhammer books from Abnett (I have several currently in my queue), and I currently very excited to read the recently announced sequel to Double Eagle, Interceptor City, which is set to be released later this year.

I found that the writing element that really brought Double Eagle together where the excellent characters at the heart and soul of the plot.  Focusing on several intriguing pilot characters, Abnett dove into the mindset of these flyers and did an amazing job capturing their love of the air and their desire to be the best.  However, as the book continues, you see a darker side to many of these characters, as the toil of war drags them down into their own mental hells.  While it did take me a little while to get across every protagonist, I eventually got drawn into the excellent character-focused storylines that Abnett set up in Double Eagle, and it was great to see the return of several characters introduced in The Guns of Tanith.  This includes the Phantine flight commander, Bree Jagdea, and the bombardier Oskar Viltry.  Jagdea proves to be a great centre for much of the plot, and her steady determination to keep her flight together and survive the various rigors of war, really strike a chord with the reader.  Viltry’s narrative is a little more complex, as the veteran pilot is suffering from trauma after being shot down and captured in The Guns of Tanith.  Certain about his own impending death, Viltry spends much of the book as a morose and depressed figure, until he finds someone worth living for.  Viltry’s storyline proves to be particularly heartfelt, especially as he has a relatively nice romance angle, and I felt that Abnett really captured his trauma and desire for a better life.

Aside from Jagdea and Viltry, Double Eagle also features several other impressive perspective characters who really bring the narrative together.  This includes young Phantine pilot, Vander Marquall, who serves as a major protagonist.  A rookie pilot fighting in his first campaign, Marquall has a massive desire to prove himself.  His obsession with becoming an ace and being respected becomes an overwhelming part of his character, and you find yourself occasionally disliking him, while also simultaneously cheering him on.  Thanks to his interactions with the other characters, Marquall gets some much-needed perspective at times (that scene with his mechanic at the end was brilliant), and I felt he had one of the most complex, dark and relatable storylines in the entire book.  Abnett rounds out the characters with local pilots August Kaminsky, a wounded veteran no longer allowed to fly, and Enric Darrow, a rookie without a plane after getting shot down in the opening scenes by the novel’s big bad.  While parts of Kaminsky and Darrow’s storylines are a little predictable, you really get invested in their various battles, especially as Abnett produces some interesting character moments and interactions for them.  I especially loved the hilarious exchanges between Kaminsky and Jagdea during one fun sequence, and Darrow proves to be a very likeable and determined young character to get behind.  These main characters, plus an excellent supporting cast, were great to follow in Double Eagle, and it will be awesome to continue at least one survivor’s story in the upcoming sequel.

It should come as no surprise to anyone that I ended up listening to Double Eagle on audiobook, as there is frankly no better way to enjoy an epic Warhammer 40,000 novel.  While I always gush about how much I enjoy a Warhammer audiobook, I frankly really need to emphasise just how impressive and exceptional Double Eagle was in this format.  The many, many aerial combat sequences come across so damn well when they are read out to you, and I loved how easily it was to visualise the fast-paced and exceptional flight scenes.  You really get lost in the battles when you listen to them, and I was frankly buzzing the entire time I was listening to Double Eagle.  Part of the reason this audiobook was so damn good was the inclusion of one of my favourite audiobook narrators Toby Longworth.  Longworth has lent his voice to most of Abnett’s Warhammer 40,000 novels in recent years, and frankly the two are a match made in heaven.  The story comes across so effectively in Longworth’s voice, and he really makes every scene, especially the exciting action sequences, that little more epic.  I also really love the fantastic and compelling voices he uses for the various characters.  While a couple of character voices sounded the same as those Longworth used in the Gaunt’s Ghosts audiobooks, I felt that they perfectly fit every figure they were assigned to, and you really get drawn into the matching character arcs as a result.  Frankly this audiobook was perfect, and I had so much fun listening to it.  With a run time of just over 10 hours, the Double Eagle audiobook is very easy to power through, and that is exactly what I did.

With an elaborate, powerful and addictive story about glorious battles in the sky, Double Eagle was a particularly epic Warhammer 40,000 novel that proves impossible not to fall in love with.  Another exceptional novel from Dan Abnett, who once again shows why he is one of the best authors of Warhammer fiction, Double Eagle had me hooked from the very first chapter, and I honestly couldn’t stop reading it until the very end.  This book comes very highly recommended, and I cannot wait to read the sequel later this year.

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Warhammer 40,000: Daemonbreaker by Jude Reid

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer3 Comments

Publisher: Black Library (Audiobook – 24 August 2024)

Series: Warhammer 40,000

Length: 7 hours and 27 minutes

My Rating: 4.25 out of 5 stars

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Gird yourself in faith, fury and fire, as fantastic author Jude Reid presents her latest Warhammer 40,000 novel, Daemonbreaker, which follows a complex figure as she blazes forth into the darkness of the Warhammer 40,000 universe.

After having a wonderful time with Warhammer 40,000 novels like Deathworlder by Victoria Hayward, Lord of Excess by Rich McCormick, Siege of Vraks by Steven Lyons and Oaths of Damnation by Robbie MacNiven, there was no way I was going to stop loving this franchise this year, so I eagerly dove into the cool new audiobook, Daemonbreaker by Jude Reid.  Reid, who really impressed me last year with Creed: Ashes of Cadia (one of my favourite debuts of 2023), presents an intriguing and dark novel that follows members of the Adepta Sororitas, the Warhammer 40,000’s resident nuns-with-guns.

On the battlefields of faith and fury, few warriors in the Imperium of Man can match the battle prowess of Celestian Sacresant Aveline of the Order of the Sacred Rose.  A deadly sister of the Adepta Sororitas, devoted to killing the mutants, witches, heretics and daemons that oppose the Emperor, Aveline is always eager for greater combat, and soon finds the ultimate opportunity she has been waiting for, defending the fortress world of Cadia from the ravening forces of Chaos as they embark on their 13th Black Crusade.

However, before Aveline can join her sisters in the massive battle for Cadia, she has been assigned final sacred duty.  Sent to Orrison VIII, a minor shrine world in the Cadia Gate system, Aveline is tasked with securing the desert world for the Emperor and scouring the forces of Chaos from its surface.

Desperate to find glory on Cadia, Aveline chafes at the slow speed of the mission on Orrison VIII, especially as their primary target, a deranged Chaos sorcerer, is content with playing a slow game of cat-and-mouse with her.  However, when Aveline finally gets her chance to face the enemy, she finds herself confronting a dark foe who knows her name and has a sinister scheme to destroy her and her sisters through her own arrogance.  If Aveline is unable to stop the dark Chaos forces before her, a deadly foe will be unleashed upon Holy Terra that could destroy the heart of humanity as it faces its darkest moment.

Daemonbreaker was a fantastic and compelling Warhammer 40,000 novel that expertly features an iconic faction and looks at the faith and emotions lying beneath their militant surface.  Jude Reid continues to impress with this cool novel and I had an excellent time getting through the intense and exciting story, which seeks to bring to life the figure of Celestian Sacresant Aveline who recently got her own model in the game.

I must admit, before diving too far into this review, that I sometimes found it a little hard to connect with Daemonbreaker at times, primarily because I’ve never been a massive fan of the Adepta Sororitas as a faction.  They’re honestly a little too one-note for me at times, and I never been especially drawn to their fiction as a result.  However, I felt that Reid was able to lift her narrative above some of the inherent limitations of this faction throughout the course of the book.  It helped that Daemonbreaker was a relatively shorter Warhammer 40,000 novel, so Reid sped up the plot, which in turn kept the reader from getting bogged down.  The resulting story is exciting and intriguing, as author quickly sets up the primary plot of the hunt for Chaos on Orrison VIII, while some initial compelling action set pieces help grab the reader’s attention.

The main narrative moves at a quick pace, with the protagonist leading her force into several encounters out in the desert while battling her own emotional turmoil and disappointment.  However, everything in the story changes around the halfway point of Daemonbreaker, when the author decides to throw the entire status-quo of the book on its head.  Thanks to a combination of the protagonist’s mistake and a major Warhammer 40,000 universe event, everything gets substantially more desperate for the protagonists, and Reid goes a little nuclear stacking the odds against them.  While there are a few gaps in the storytelling, the second half of Daemonbreaker is extremely fun and exciting, as the protagonists face impossible odds and encounter the very worst the universe has to offer.  There is a ton of tragedy and some horrifying moments as the reader races towards the end of the book, and it proves harder and harder to put it down as you near the conclusion.  Reid loads up some big final battles that showcase just how grim things can get in this universe, before the expected miracle brings things to a close.  Readers come away from Daemonbreaker feeling pretty satisfied with how things come to an end, although I did feel that part of the plot was a bit thin in places.

Reid has a great handle on writing Warhammer 40,000 fiction, and this is on display again in Daemonbreaker.  There is a notable cutdown in the exposition and Reid brings the reader right into the action and carnage which made it an easier book to get through, especially considering the faction focus.  The various action sequences come across as gritty and powerful, and you can feel the raw emotions of the protagonists as they encounter their dark opponents and the dreadful things they need to overcome.  Reid ensured that this was a concise and well-contained narrative through her use of two point-of-view characters, and I appreciated the excellent alternating perspectives.  Both protagonists were very well written, with the main story around Celestian Sacresant Aveline being the most prominent.  A deadly, if arrogant, sister of the Emperor, Aveline finds her devotion challenged by her own selfish desires and issues, which leads to dark things in the middle of the book.  While I didn’t always connect with Aveline as a character, I felt that Reid wrote a rather good redemption arc around her, and she becomes a lot more likeable and relatable in the second half of the book, especially as she comes to recognise her hubris and flaws.  Recognising these things allows her to fully appreciate her fellow sisters and leads her into the right place for the final arc of the plot to unfold.

Aveline is well balanced by the second perspective character, Novitate Gwineth, a young, keen and determined figure, whose eagerness to become a member of the Adepta Sororitas is drawn from her impending doom.  Reid writes an interesting and unique Warhammer storyline around Gwineth having haemophilia, which ensures that her days on the battlefield and in life are limited.  Wishing to die as a full sister, Gwineth’s keenness becomes a key part of the plot, and I loved seeing her grow into the role she wishes, especially as her innocence and determination are a driver for the rest of the cast.  The rest of the characters within Daemonbreaker are also very fun, if sparingly used.  I do perhaps wish that the author had added in additional perspective, preferably from a villain’s point of view, as I feel that would have enhanced the narrative to a degree, especially to provide some missing plot answers or explain the motivation and plans of the antagonists.  However, for the most part, this was a very well-written story with some intriguing protagonists, and one that I had an excellent time getting through.

The author has really gotten the hang of showcasing the grim and intriguing Warhammer 40,000 universe, and I loved some of the directions and figures that she featured within Daemonbreaker.  I especially felt that Reid does an excellent job examining Adepta Sororitas faction, the Sisters of Battle, within the book.  The various different units and figures of the faction are dropped into the plot fairly seamlessly, and even someone unfamiliar with the Adepta Sororitas unit types can easily appreciate their role in the plot.  I must also once again emphasise that Reid was able to overcome my disinterest in the classic Adepta Sororitas depictions with her clever narrative and compelling writing.  While this was a great Warhammer 40,000 novel, I feel that Daemonbreaker is perhaps a book best left to established Warhammer fans, as Reid does feature some heavy lore elements, and Adepta Sororitas players will probably get the most out of it.  Still, a new reader can easily come along and have a lot of fun with Daemonbreaker, as Reid’s story gets quite intense, personal and brutal.  You may have to ignore the fact that Daemonbreaker mainly written to promote a new model released in the tabletop game, but if you can get past that, this is a book well worth checking out.

Naturally, I ended up grabbing Daemonbreaker on audiobook, as this format is the absolute best way to enjoy a Warhammer book.  I really cannot emphasise how much more epic a Warhammer 40,000 tale comes across when it is read out to you, and I always have so much more fun listening to it.  This is particularly true when it comes to all the epic action, and I felt that the carnage in Daemonbreaker was very strongly enhanced by the audiobook format, with listeners also able to appreciate the compelling characters and intriguing lore while it’s being read out to you.  With a runtime of around seven and a half hours, this is a relatively short audiobook, and one that listeners can really power through, especially when they get caught up in the action and compelling character arcs.

One of the big highlights of this audiobook for me was the fact it was narrated by the appropriately named Faith Alabi, who really dives into the complex Adeptus Sororitas characters with her voice.  Each of the key protagonists is given their own unique voice, and I liked how well Alabi expressed their holy rage, and personal issues.  Alabi’s excellent voice work is cleverly supported by some fun additional audio enhancements, which I thought was a fun way to express some unique elements of the Warhammer 40,000 canon.  For example, the cybernetic figures, such as members of the Adeptus Mechanicus, have a noticeable robotic voice modulation that really tries to capture their machine nature, while communication occurring over vox-casters (radios), are filled with static and sound effects to emulate how the voices would sound in real life.  In addition, certain audio effects give dark and otherworldly voices to the antagonists, such as a particularly booming tone that makes the dialogue of a Chaos sorcerer antagonist that more impactful, or freaky vocal effects that make a major daemon seem even more powerful.  These audio effects work extremely well alongside Alabi’s narration, and I really appreciate the effort the producers made to drag listeners further into the story.  As such, those who decide to check out Daemonbreaker on audiobook are in for a very fun treat and this is such an awesome way to enjoy this fantastic addition to the Warhammer 40,000 canon.

Daemonbreaker was another amazing Warhammer 40,000 outing from Jude Reid, and one I was very glad I checked out.  The author effectively brings the main character to life in this book while also showcasing a compelling and intense Warhammer narrative of sacrifice, tragedy and holy war.  As such, Daemonbreaker is an excellent read for all fans of Warhammer 40,000 fiction, and I cannot wait to see what Reid takes on in the future.

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Warhammer 40,000: Oaths of Damnation by Robbie MacNiven

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer3 Comments

Publisher: Black Library (Audiobook – 24 August 2024)

Series: Warhammer 40,000

Length: 10 hours and 57 minutes

My Rating: 4.5 out of 5 stars

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Prepare to follow the most damned heroes in the Warhammer 40,000 canon in the impressive and intense new novel from Robbie MacNiven, Oaths of Damnation.

Recurring readers of this blog will know that I am constantly in the mood for fun and exciting Warhammer 40,000 action, which is why I listened to the awesome new book, Oaths of Damnation, the moment I could.  Written by new-to-me veteran Warhammer author Robbie MacNiven, a man with a lot of experience writing about complex Space Marines, Oaths of Damnation was one of the more intriguing Warhammer 40,000 books of 2024, and I really loved the opportunity to check out the infamous Exorcists Space Marines Chapter.

In the far, war-torn future, the Imperium of Man is under constant attack from the forces of the Chaos gods and their deadly daemon servants.  Few within the Imperium, even amongst the legendary Space Marines of the Adeptus Astartes, can fight against the daemons of Chaos on an equal footing, but there is one Space Marines Chapter, the Exorcists, that takes the battle to them in the most unorthodox and heretical of ways.

The Exorcists are an elite and secretive Chapter of Space Marines who make the ultimate sacrifice to fight the forces of Chaos.  Willingly accepting daemonic possession as part of their initiation, prospective Exorcists need to banish the daemon within themselves to join the Chapter.  Those who succeed become fierce warriors who are now resistant to the corruption of Chaos at the cost of their own fractured souls.  However, those that fail suffer a fate worse than death as they become Broken Ones, living prisons for the daemons summoned and expelled by the rest of the Chapter.  Few in the Imperium know the sacrifices that this Chapter makes to fight the enemy; if it were to become common knowledge, all the Exorcists would be put to the flame as heretics.

As such, when a dark conspiracy sees a Broken One containing a powerful daemon, the Red Marshal, escape from the Exorcists custody, the Chapter sends a unit of its elite Hexbreakers to hunt it down before their secrets are exposed.  Led by the dogged Almoner-Lieutenant Daggan Zaidu and powerful psyker Codicier Torrin Vey, the Exorcists strike force journeys to Fidem IV, a planet littered with ancient battlefields, to hunt down the Broken One and destroy the daemons within.

But as the Exorcists battle across the planet looking for their prey, it soon becomes clear that members of the Word Bearers traitor Space Marines Legion are on Fidern IV, seeking the Broken One for their own sinister purposes.  Worse, a dangerous connection exists between Zaidu and the Red Marshal, one that could endanger the entire mission.  Can the Hexbreakers succeed and hunt down the Broken One before it is too late, or will their Chapter’s darkest secret be unleashed upon the entire Imperium in a wave of blood?

Oaths of Damnation was a particularly intriguing and intense Warhammer 40,000 novel that really showcased MacNiven’s skill as an author.  Featuring a detailed look at a particularly cool faction in the Warhammer 40,000 canon, Oaths of Damnation was an excellent and exciting read that constantly grabbed my attention and refused to let go.

I really enjoyed the fantastic narrative contained within Oaths of Damnation, especially as MacNiven was able to produce a book that allowed him to tell his own distinctive story while also expertly highlighting the Exorcists Chapter.  Oaths of Damnation’s story starts off strong, with a look at the Broken One’s bloody escape from the Exorcists’ custody, which effectively sets up the Red Marshal as a deadly antagonist.  The following story moves at a quick pace as. With only a minimal amount of exposition and introduction, the protagonists set forth to Fidern IV to find the escaped Broken One, only to encounter opposition from the desperate daemon and the Word Bearers.

What follows is a series of intense and well-written battle sequences as the Exorcists pursue their target across the planet and fight against the various forces of Chaos.  MacNiven ensures a compelling story structure, as the protagonists face determined opposition, brutal fights and unexpected setbacks on the way to victory.  The author also spends time diving into the psyche of several key characters, which adds some intriguing intensity of the plot, especially as many find themselves distracted or conflicted by the mission.  MacNiven anchors the end of story on two massive action set-pieces that push the Exorcists to the limit and force them to face their internal and external daemons.  I liked some of the fun, if not unexpected, twists that MacNiven threw in in the lead up to the final battle, and the constant prophetic hints about dark events to come really enhanced the intensity of the plot towards the end.  The final confrontation is particularly impactful and moving, especially as there are some major sacrifices being made and all manner of carnage to behold.  I really appreciated the dark ending that MacNiven left the story on, and no-one should come into Oaths of Damnation looking for a happy ending.

MacNiven did an outstanding job capturing the dark and grim nature of the Warhammer 40,000 universe with his writing, and I felt that this was an extremely strong read overall.  While there are some complex lore events contained within, for the most part Oaths of Damnations was an accessible novel, even for those readers unfamiliar with the canon (although some basic Warhammer 40,000 knowledge would be helpful).  The author does an excellent job exploring the plot through the perspective of multiple complex characters, which resulted in a very compelling read, as many of the protagonists are forced to continually overcome their literal inner daemons.  I felt that this focus on damaged characters, as well as the intriguing examination of some unique Warhammer lore, helped Oaths of Damnation escape the ‘bolter porn’ label that many Space Marine novels are painted with.  That being said, Oaths of Damnation does have some particularly striking action sequences that fans of Warhammer 40,000 battles will really enjoy.  MacNiven clearly has a gift for showcasing Space Marines in all their martial glory with his writing, and you really get a sense of their power, intensity, and sheer destructive capability.  I also deeply enjoyed how he richly depicted their fighting capability and style, and the way in which he detailed the impacts of the bolt shells, the durability of the power armour, and the strength of their attacks, was honestly some of the best representations of Space Marines in combat I have ever seen.  I really cannot emphasise how impactful MacNiven’s writing style was, and Oaths of Damnation is a great book for all Warhammer fans, especially those buzzing for some Adeptus Astartes action after playing Space Marine 2.

A major highlight of this book for Warhammer 40,000 fans is the inclusion of the very cool Space Marines Chapter, the Exorcists.  A band of secretive and hidden Space Marines who willingly allow themselves to be possessed so they can learn to fight daemons better is an awesome concept, and MacNiven did an outstanding job showcasing this to the readers of Oaths of Damnation.  With only minimal lore dumps at the start of the novel, MacNiven ensures that the reader gets a sufficient and intriguing idea of who the Exorcists are and how they become lethal daemon fighters, and it proves fascinating to dive deeper and deeper into their Chapter as the book continues.  Not only is there is a great focus on how and why they damn themselves, but I also really appreciated the comprehensive way in which MacNiven tried to explore the other side effects of becoming an Exorcists, as well as the unique culture that they share.  The concept of the lingering bond that each Exorcist holds with their Never-brother, the daemon that possessed them, so much so that they still hear fragments of their voices and gain personality traits or combat abilities reminiscent of their former possessor, was particularly cool, and the author does an excellent job of showcasing it.  MacNiven also expertly covers the concept of the Orison Cults, social and ceremonial cults of the Exorcists dedicated to specific rituals and combat styles, and which serve a vital part in the larger Exorcists culture.  It was fascinating to see the ways that the now practically soulless Exorcists try to retain their humanity throughout their day to day lives, and how they replace the holes in their being with ritual and false comradery.  This combination of Exorcists’ lore, and MacNiven’s compelling dive into the deeper motivations and minds of its members, made for outstanding reading and it fun to see this complex and damaged Chapter in action.

I also have a lot of love for the compelling main characters featured within Oaths of Damnation.  While Space Marine characters in Warhammer fiction can sometimes be a little dull, the main two protagonists of this book, Almoner-Lieutenant Daggan Zaidu and Codicier Torrin Vey, each has a complex background and connection to the target that ensures that the reader is drawn into their story.  Zaidu’s is particularly fun, as Zaidu feels substantial guilt and anger at the damage caused by the Red Marshal, as it was the daemon that formerly possessed him.  Determined to end the connection between them once and for all, Zaidu lets his recklessness control him in many parts of the book, and it was deeply compelling to see how obsessed he became.  Vey on the other hand is a veteran Space Marines librarian, who stands as the beacon of knowledge to the group.  The man responsible for Zaidu’s possession by the Red Marshal, Vey bears a lot of guilt within himself, and he works hard to keep Zaidu safe from his own anger, impatience and desperation to kill his Never-brother.  Vey and Zaidu play off each other perfectly throughout Oaths of Damnation with their troubled mentor/mentee relationship, and MacNiven makes sure to hit all the right emotional notes to get the reader involved in their tales of personal woe.

In addition to Zaidu and Vey, MacNiven provides some fantastic alternative perspectives from several other members of the Exorcists who journey to Fidem IV.  As with the main two characters, each of these Exorcists are deeply troubled and damaged because of their former daemonic possession, and each then battles with the side-effects of the process, as well as the lingering taint of their Never-brothers.  This ensures that Oaths of Damnation has a rather dour tone to it at times, but seeing these damaged, yet highly determined and loyal Space Marines in battle is powerful and really drags the reader in.  The Exorcist characters are well balanced by a raft of compelling and distinctive villains, including a darkly charismatic Dark Apostle with great ambitions and a weary veteran Word Bearer who has started to question his role in the universe.  However, the most important villain is the fallen daemon known as the Red Marshal, who hungers for freedom and a return to power.  You get several intriguing trips into the Red Marshal’s mind, and I enjoyed seeing his boiling rage and determination to regain his god’s dark favour.  These great characters really helped elevate Oaths of Damnation’s plot, and I enjoyed seeing all their respective narratives unfold.

As usual, I ended up grabbing this cool Warhammer 40,000 novel on audiobook, which is my preferred way to enjoy books from this franchise.  While all Warhammer audiobooks are great, I felt that Oaths of Damnation came across particularly well in this format, and you really got dragged into the action and excitement as it was read out to you.  I personally found myself absorbing the complex lore surrounding the Exorcists a little better while listening to it, which helped with the overall impact of the story.  Oaths of Damnation also strongly benefited from the excellent narration of Charles Armstrong.  Armstrong, who previously impressed me with his narration of the Warhammer Crime audiobook, Bloodlines by Chris Wraight, did another excellent job in Oaths of Damnation as he expertly showcased the elaborate story with his voice.  I particularly enjoyed his compelling take on the various characters featured within the novel, especially the main protagonists, and he really captured their dark inner feeling and dedication in multiple scenes.  This proved to be an epic audiobook, and, with a runtime of just under 11 hours, it is one that dedicated listeners can get through fairly quickly.  I personally would recommend this format as the best way to enjoy Oaths of Damnation, or indeed any Warhammer 40,000 novel.

Oaths of Damnation was a particularly strong and exciting piece of Warhammer 40,000 fiction that I had an incredible time getting through.  Robbie MacNiven has produced another gripping and intriguing read that cleverly dives into the complex lives of a unique Space Marines chapter, and I loved every second of it.  An intense, dark and action-packed read, Oaths of Damnation really expresses the grimdark nature of the Warhammer 40,000 universe and you’ll have a very hard time escaping once you get sucked in.

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Warhammer 40,000: Siege of Vraks by Steve Lyons

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer5 Comments

Publisher: Black Library (Audiobook – 22 June 2024)

Series: Warhammer 40,000

Length: 9 hours and 48 minutes

My Rating: 4.5 out of 5 stars

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The always impressive Steve Lyons once again dives into the wars of the legendary Death Korps of Krieg with this epic new novel that shows just how massive a Warhammer 40,000 campaign can be with the ultra-exciting and intense Siege of Vraks.

I have been having a ton of fun with Warhammer 40,000 fiction this year, as complex books like Da Big Dakka by Mike Brooks, Deathworlder by Victoria Hayward and Lord of Excess by Rich McCormick have greatly impressed me.  However, few have had the scale or pure brutality of the amazing new release, Siege of Vraks by Steve Lyons.  The third standalone book by Lyons that focuses on the Death Korps of Krieg (see my reviews for Dead Men Walking and Krieg), Siege of Vraks brings to life a massive event from the Warhammer 40,000 canon (as featured in several game books), with the long-running siege of the planet of Vraks.

In the far future, humanity has been forced to fight on many brutal battlefields, but none are as infamous as the slaughter that occurred on the planet Vraks.  Once a vital armoury world used to supply regiments throughout the Imperium of Man, Vraks has become tainted by humanity’s greatest enemy.  Thanks to a corrupted cardinal, the entirety of Vraks’s population has fallen under the sway of the Chaos Gods and have risen in rebellion against the rest of the Imperium, believing themselves to be fighting in the god Emperor’s name.

Desperate to reclaim the vital world, the Imperium has no choice but to send in a massive besieging invasion force to purge the traitors.  Only a completely relentless force has a chance of success on the bloody fields of Vraks, and to that end the stoic soldiers of the Death Korps of Krieg have been chosen to lead the attack.  Experts at sieges, fanatically stubborn, and desperate to wipe away the stain of their planet’s historical betrayal, the soldiers of Krieg are prepared to destroy their enemy no matter the cost.

However, even with the implacable Krieg soldiers leading the assault, Vraks is no simple planet to conquer.  Its massive central fortress is impregnable, and the entire population of planet has been mobilised to fight against the Krieg, equipped with the massive arsenal of weapons previously held in Vraks’s armoury.  To defeat their enemy, the Krieg will need to spend years and millions of soldiers to slowly approach and wear down Vraks’s fortresses.  But with the constant battle drawing the attention of other malign Chaos forces to Vraks, can even the massed forces of the Krieg win this impossible siege, or will these fearless soldiers finally face an army even their devotion and dedication to duty is unable to overcome?

Siege of Vraks was another particularly strong Warhammer 40,000 novel from Lyons, who excels at diving into the grimdark core of Warhammer fiction.  Filled with an insane amount of action, Siege of Vraks proves to be an intense and addictive siege novel that cleverly explores a well-established lore event and presents it in an outstanding and moving way to the reader.

The story of Siege of Vraks is one of action, sacrifice and self-discovery, as it recounts the events of the titular siege in its own compelling way.  Starting off with a quick prelude that covers the events that led up to the conflict, the main story starts a few years into the war and then goes all the way to the very conclusion of the siege which occurs after years of brutal fighting.  Rather than having one concise narrative thread, Siege of Vraks is instead made up of a series of connected storylines set around key events of the war.  Each of the initial chapters features a new central character caught up in a different battle and scenario of the war, and often focuses on them fighting in dangerous or impossible situations.  While these initial chapters are often linked by the inclusion of recurring character Confessor Ignea Tenaxus or by showing different sides to the same battle, for the most part they are unconnected and some of their messages and themes remain self-contained within the chapter.  However, as the book continues, a few point-of-view characters return for another chapter, often years removed from their last appearance.  These characters, especially Colonel Tyborc, will then continue their storylines from the previous appearances, which often play into the larger events of the overall siege in some interesting ways.  While I imagine the slightly disjointed way that Lyons tried to capture the siege might not be for everyone, especially those who would prefer seeing every event from one character’s eyes, I thought that it was extremely clever and fit into the unique mindset of the Krieg regiment.

The rest of the book takes places over a series of years as Lyons attempts to capture the entire epic and lengthy sieges.  The author includes multiple time skips here to showcase the dragging length of the battle, often interspersed with useful context inclusions that provide an overview of the carnage.  These time skips move the story along at a sensible pace and the reader is never lost, especially when it comes to the key recurring characters. While Lyons is primarily showing the carnage of war from the perspective of the fighter on the ground, you get a good understanding of just how big the scope of the fighting is, and really get drawn into the over-the-top action.  The loosely connected character arcs continue in the second half of Siege of Vraks, and there are some complex stories being featured here.  I particularly enjoyed the fascinating standalone chapter that followed the interrogation of a local inhabitant of Vraks after he defected and pretended to be a member of a Krieg regiment.  While other chapters featuring recurring character Colonel Tyborc provides some unique insights into the mindset of a Krieg soldier and what being a hero means to them.  All these chapters are loaded with some intense action, intriguing discussions, or shocking occurrences, as the horrors of war, and even darker things, take their toll on the Krieg soldiers.  Everything leads up to the conclusion of the siege, with final battles, deadly confrontations, and despair in the aftermath, leaving plenty for the reader to get drawn into.  This ended up being a particularly epic narrative which I personally really enjoyed.

As I mentioned above, Lyons features a more fractured narrative structure in Siege of Vraks that shows detailed snapshots of key parts of the larger war and the lives of certain protagonists.  Considering that the overall siege lasts many, many years and features a lot of smaller, pointless battles, this is honestly the best way of doing it, and I think that Lyons’s choice provided the best view of this conflict, while also taking the time to explore multiple characters and storylines.  The resulting book has an interesting flow to it, as you are introduced to new dark scenarios and figures in peril, and forced to watch them participate in a pointless, unrelenting conflict.  While some may not connect with the way in which Lyons dived the book between characters and time periods, I really appreciated the way it was told, and other readers’ dislike will be well bridged by the book’s awesome action.  There are so many impressive battle sequences featured throughout Siege of Vraks, and you see the Krieg soldiers and their allies face off against all manner of opposing forces, from corrupted civilians to daemons and traitor Space Marines.  All these scenes are particularly epic, as Lyons succeeds in showcasing the elaborate big battles of the franchise, and you really get drawn into the resulting carnage.  There is a palpable desperation in many of these sequences, as the Krieg soldiers face off against terrible odds, and Lyons also adds in a bit of horror in places, as Warhammer 40,000 zombies, disgusting daemons, and even more terrors enter the fray.

Due to all this cool action, Siege of Vraks is a highly accessible read to those readers unfamiliar to Warhammer fiction, and any general fans of science fiction and military fiction can have fun with the over-the-top battles featured in the book.  Indeed, I personally felt that Siege of Vraks was one of the few of the franchise novels that really captured the epic scope of a Warhammer 40,000 war, as this book captures a literal world-spanning conflict with millions upon millions of casualties.  Lyons really takes the time to explore just how devastating a full-on war in the franchise can be, and I appreciated seeing the extent of this slaughter here, compared to other Warhammer books that focus primarily on one regiment or relatively small-scale conflicts.  As such, long-term Warhammer fans will also get a lot out of Siege of Vraks, especially as Lyons really does a good job of capturing this event, which has been discussed in some of the games books for ages and showing it to the reader from the soldier’s perspective.  However, the thing that will appeal most to established Warhammer 40,000 readers, is Lyons’ portrayal of the awesome Krieg soldiers.

Due to their dour background, German World War I aesthetic, and the utter devotion to death and duty, the Krieg are a particularly popular faction in the Warhammer 40,000 games and extended fiction, and Lyons is the undisputed author of them.  His previous books have all explored different aspects of the faction, with Krieg looking at their history and the events that made them, while Dead Men Walking showed them as near-soulless automaton, especially through the eyes of the desperate civilians they were there to save.  In Siege of Vraks, Lyons goes a slightly different way and presents a more nuanced and complex portrayal  that fans of his previous works will really appreciate.  For the first time, Lyons features several Krieg perspective characters, and you are given some intriguing insights into their mind, which proves to be highly fascinating.  While on the surface they are dedicated and fanatical fighters, you do see some threads of humanity in several of the characters, such as ambition, fear and uncertainty.  I liked how Lyon tries to humanise the Krieg soldiers in places, especially around main character Colonel Tyborc who struggles with the notion of being a hero when all he wants is to fight the war and redeem his planet.  Tyborc’s arc proves to be particularly compelling in places, especially as his experiences cause him to doubt the war they are fighting in, and lead to an infamous showing of fear.  Despite this attempt at showcasing humanity, Lyons is clear that the Krieg have their own unique drive and take on human nature, such as when one Krieg character sends his older Commissar on a suicide mission because he believes its more merciful than letting him retire.  As such, there are some complex depictions of the Krieg here in Siege of Vrak, which serve as an interesting comparison to some of the author’s previous novels, and I felt that Lyons’ dive between different Krieg characters produced a very complex read.

Unsurprisingly to anyone who has read one of my Warhammer 40,000 reviews, I chose to enjoy Siege of Vraks in its audiobook format.  I have waxed poetic many times about how awesome I find Warhammer audiobooks to be, and this proved to be the case again with Siege of Vraks.  The many intense and over-the-top battles really come across in an epic way when read to you, and I personally find that I can envision the action much more effectively this way.  I also find that the complex character interactions and personal developments that Lyons loads up into the story are expertly captured by this format, and I believe that I got a lot more out of the audiobook than reading a physical copy.  It helped that excellent narrator Timothy Watson returned for Siege of Vraks.  Watson has previously really impressed me with Lyons’ previous audiobooks, as well as in The Lion: Son of the Forest by Mike Brooks, and it was great to see him continue to add his own spin these Krieg-focused books.  Watson is very effective at conveying the excessive violence and intensity of the Warhammer universe with his narration, and you really get drawn into the action as a result.  I also really love the Germanic accents that Watson attributes to the various Krieg characters, especially as it fits into their faction aesthetic.  While the various Krieg characters all sound a little similar (which does fit into their potential clone background), the narrator does a good job differentiating between these characters, and you are never in doubt about who is talking.  This excellent narration really helped to drag me into the Siege of Vraks audiobook, and I honestly flew through its near 10 hour long run.  There is honestly no better way to enjoy Siege of Vraks then on audiobook, and you are going to have a great time doing so.

Overall, Steve Lyons’s Siege of Vraks was a particularly epic and intense piece of Warhammer 40,000 fiction, that is going to appeal to a lot of different readers.  Loaded with massive and over-the-top action sequences, Siege of Vraks had me hooked from the very beginning, especially as the author once again expertly showcases the iconic Death Korps of Krieg.  This was such a great read, and all fans of Warhammer fiction and excessively massive science fiction battles, are in for an amazing treat with Siege of Vraks.

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Warhammer 40,000: Renegades: Lord of Excess by Rich McCormick

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer10 Comments

Publisher: Black Library (Audiobook – 6 April 2024)

Series: Warhammer 40,000: Renegades – Book Two

Length: 14 hours and 17 minutes

My Rating: 5 out of 5 stars

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Prepare to break the bounds of sensation, desire and treachery in the amazing Warhammer 40,000 novel, Lord of Excess by Rich McCormick, the second book in the fantastic Renegades series.

I have been having a great time with the huge variety of unique and elaborate Warhammer 40,000 books coming out in recent years, and it is always fun to see the impressive reads the franchise is producing.  One of the things I particularly enjoy about the Warhammer 40,000 fiction machine is the way in which it gives new authors the chance to shine, with several talented authors writing their very first book as part of the Warhammer canon.  I have already talked about one particularly good Warhammer 40,000 debut this year with Deathworlder by Victoria Hayward, but another incredible first novel I had the great pleasure of reading was Lord of Excess by new author Rich McCormick.

Lord of Excess was an exceptional book that was released as part of the loosely connected Renegades series that looks at a different band of traitor Space Marines as they make their dark way through the universe.  For example, the first Renegades book, Harrowmaster by Mike Brooks, looked at the nefarious Alpha Legion, and I am sure that future entries will dive into the other traitor legions with some fun stories.  Lord of Excess is the second Renegades book, and it provides the reader with an outstanding and unique story focussed on the ultimate beings of excess, the Emperor’s Children.

At the dawn of the Imperium, the Emperor’s Children were the master of mankind’s most loyal and revered Space Marine Legions, dedicated to the fight for humanity while seeking perfection in all things.  However, during the tumultuous events of the Horus Heresy, the Emperor’s Children followed their Primarch into treachery, and turned against their Emperor, falling into the service of the ruinous powers of Chaos.

Now, millennia later, the Emperor’s Children are a twisted remnant of their former glory.  Scattered into smaller warbands, the Emperor’s Children now only seek pleasure and sensation in hedonistic service to the Chaos God Slaanesh, the lord of obsession and excess.  One such band is the feared and infamous group known as the Adored.  Lead by the tainted Space Marine Xantine, the Adored has ravaged the galaxy for centuries, taking slaves and bringing untold torment, but Xantine has never found what he truly desires, until now.

Suddenly dropped out of the Warp, the Adored find themselves in orbit about the isolated planet of Serrine.  A wealthy and corrupt planet of the Imperium, Serrine has been long cut off from the rest of humanity due to corrupted currents of the Warp.  Sensing the opportunity to carve out a place for himself, Xantine decides to take control of Serrine, and turn it into the perfect society, dedicated to loving him.  However, making true perfection is an impossible task, and Xantine soon finds his rule challenged by both the population of Serrine and those closest to him.  Worse, there are darker forces at work within the bowels of Serrine, and soon the world will be engulfed in perfect destruction.

Lord of Excess was an exceptional and impressive Warhammer 40,000 novel that achieved so very much for the reader.  Featuring a complex and compelling tale of betrayal, deceit and corruption, loaded with fun characters and larger-than-life personalities, Lord of Excess was an entertaining and elaborate read from the very start, and I could not get enough of it.

I really loved the story contained with Lord of Excess, and I find it hard to believe that this was McCormick’s very first novel.  The plot of Lord of Excess is an elaborate and continuous tale of woe and failed ambition as it charts main character, Xantine of the Emperor’s Children, as he attempts to bring perfection to the world of Serrine.  Starting off by introducing Xantine and his renegade Space Marines, you are soon shown the world of Serrine, an isolated and mismanaged Hiveworld with plenty of its own problems, including an uprising from a genestealer cult.  Taking advantage of these chaotic events, an obsessive Xantine leads his mostly apathetic Emperor’s Children to the planet’s surface, telling the locals they are there to save them.  This proves to be an intriguing start, as the reader is shown a battle between two very different group of villains, which is essentially the equivalent of the cenobites from Hellraiser facing off against xenomorphs from Alien (with both sides using a lot of purple).  This fight against the genestealers is a fun first part of the book, and I honestly thought that McCormick was going to stretch that conflict out for the entirety of Lord of Excess.  However, the author instead chooses to cleverly end this conflict about a third of the way through the book, and the rest of the novel goes in some very interesting directions.

Following this introduction, Lord of Excess than goes through a series of time skips, as you follow the unlucky course of Serrine under the “benevolent” rule of the Emperor’s Children.  Each new version of Serrine you see is somehow worse the previous version, and it proves extremely entertaining to watch the inherent downsides of the protagonist’s twisted version of perfection.  The plot cleverly rotates between the machinations of Xantine and his Adored as they fight over the course of their warband, and several intriguing human inhabitants of Serrine, whose reaction to the fate of their planet varies across the emotional spectrum.  The plot goes in some very interesting and entertaining directions, as Xantine finds himself continuously beset by betrayal, mostly of his own making, while many others are driven to extreme lengths by Xantine’s actions, and other malign foes hiding beneath Serrine’s surface.  Things continuously get darker and darker as the plot continues, leading up to a brutal and amusing conclusion.  I loved the various elaborate twists and captivating revelations that McCormick cleverly worked into the plot, and his accompanying character work really helps to sell it.  The book ends on a fantastic note, with devilish and deserved endings for many members of the cast, and the ultimate fates of everyone really reminds you that Lord of Excess is a grimdark book focussing on deranged villains.

McCormick really showcased his effective and powerful writing style in Lord of Excess, and I loved the elaborate and multifaceted book that he ended up creating.  The fantastic story has so many deep elements to it, and it transcends the typical action-focused Warhammer fiction by providing nuanced portrayals of society, human nature, and the impossible search for perfection.  That’s not to say that there isn’t action in Lord of Excess, as McCormick loads the book with multiple over-the-top and entertaining fight sequences that prove hard not to love.  However, he also balances these battles with intriguing character work, long-running elaborate story elements, and complex depictions of intriguing Warhammer features.  The way in which the author cleverly shifts the narrative around several fantastic characters works to create a fun and layered story with many moving parts to it.  I also love how descriptive and visual McCormick got at times.  The author clearly had fun describing the many excesses and mutations of the Adored, and you really got a clear and vivid sense of the twisted nature of the beings involved.  This ended up being such an outstanding read, and McCormick did such a great job bringing his elaborate story to life in the absolute best way.

I felt that Lord of Excess was a pretty awesome Warhammer 40,000 novel, that will really appeal to a varied audience.  Established Warhammer fans will love the fantastic depictions of the Emperor’s Children featured within this book, and I love how well McCormick captured the complexities of these renegade Space Marines and the depths to which they have sunk.  While he doesn’t do a full deep dive into the history of the Emperor’s Children, McCormick provides some detailed flashbacks into their past, that Warhammer readers will appreciate, which also providing some good context for new readers.  While this book did spend a lot of time examining the Emperor’s Children, it also featured its own unique and clever narrative, which really utilised the grimdark nature of the wider Warhammer setting to its advantage.  Readers are gifted by a truly complex and intense read, and I felt that Lord of Excess is an amazing example of just how good a Warhammer 40,000 novel can be.  This would be a pretty good entry point for new readers keen to check out the elaborate Warhammer 40,000 fictional universe, especially as you can get an amazing sense of the overall cruel, deadly and often ironic nature of this fantastic overarching setting.

Easily the key strengths of Lord of Excess were the elaborate, distinctive and damaged characters that McCormick centred his story around.  There are some brilliant characters featured in this book, from ancient traitor Space Marines lost in their own obsessions, to the normal inhabitants of Serrine, whose lives are irrevocably turned upside down by the arrival of the Adored.  These elaborate character arcs are very intriguing, and McCormick expertly features them throughout his story, ensuring that the reader becomes intrigued by the fates of these various figures.  The most prominent character is the Adored leader, Xantine.  An ambitious and twisted being, Xantine finds himself drawn to the world of Serrine and sees it as an opportunity to create a perfect world, much like the previous planets the Emperor’s Children called home.  Xantine proves to be an intriguing central figure for the book, especially as you get drawn into his obsession and the disdain of his followers for his vision.  Thanks to the machinations of the daemon S’janth, who shares Xantine’s body, you get some fascinating insights into this character’s mind, and you soon appreciate the depths of his determination to be perfect, which stems from his daddy issues and dark personal history.  I loved seeing how the events of the book were driven with this figures love of perfection, and Xantine proved to be an excellent dark heart to this entire story.

In addition to Xantine, Lord of Excess features several other great characters, all of whom are damaged in fantastic and intriguing ways.  This includes the various members of the Adored, each of whom has their own unique obsessions and focuses.  McCormick really had fun when it came to these corrupted figures, and there are some delightfully over-the-top characters as a result.  These other members of the Adored often come into conflict with Xantine, primarily due to their incompatible obsessions, and I loved the barbed interactions that followed, especially as Xantine both loves and hates his fellow renegades.  While several of these characters stood out, the best one was probably Vavisk.  Vavisk, a Noise Marine, is obsessed with finding the perfect sound, and often finds himself lost in his horrifying music.  However, Vavisk is also Xantine’s closest friend, and the unique bond of brotherhood between these two figures, proves to be a key part of the book, especially as the potential for it to break is always there.

Other major characters include several inhabitants of Serrine who attempt to survive the actions of Xantine.  Due to a creation myth, many people on Serrine initially see Xantine as a destined saviour, and the eventual revelation of his true nature leads to much heartache for them.  These characters provide an outstanding alternative perspective to that of Xantine and the other Adored, and I loved seeing the various reactions to the evil that came to their planet.  Key figures include the young man Arqat, whose rage at the injustices performed against him drives him to some dark places.  The mysterious Cecily founds salvation and escape thanks to the patronage of Xantine, although her loyalty costs her deeply.  While the foppish noble Pierod, seeks to take advantage of the arrival of the Adored, which has blistering ups and downs for him.  I really enjoyed these three human characters, and their unique storylines, some of which were nearly as extensive as Xantine’s, helped to turn Lord of Excess into a particularly brilliant read as you get drawn into their various tales of woe and opportunity.  While Pierod’s story was probably the most entertaining, due to his naked ambition and greed, you honestly connect to all three of them, and it proves fascinating to see where their encounters with the Adored takes them.  McCormick writes some grim and fitting fates for all three of them, and the other humans of Serrine, and seeing the journey they take to get there, is so damn entertaining.

As with most Warhammer 40,000 novels I enjoy, I ended up grabbing Lord of Excess on audiobook, which is just the best way to appreciate a piece of Warhammer fiction.  Coming in with a runtime of over 14 hours, the Lord of Excess audiobook is a decent length, but one you can get through quickly once you become caught up in the outstanding plot.  I love how well this format highlighted the epic narrative featured with Lord of Excess, and you get a real sense of the plot’s chaotic delights, unnatural horrors, and devilish figures when they are read out to you.  It helped that the Lord of Excess audiobook was helmed by one of the very best Warhammer 40,000 narrators, Richard Reed.  Reed has been killing it in recent years with his work in Warhammer 40,000 fiction, including The Infinite and the Divine by Robert Rath, Ruin and Reign by Nate Crowley and Grim Repast by Marc Collins, all of which were greatly enhanced by his impressive voice work.  His work in Lord of Excess is particularly awesome, as he once again produces an impressive range of unique voices to fit the big personalities of the plot.  This includes multiple mutated and utterly corrupted Space Marines, and Reed provides very fitting voices for them, as well as the unlucky humans caught up in their machinations.  The over-the-top story comes out so much better because of Reed’s compelling narration, and I love how effectively he captured the various insane figures.  This amazing voice work turned the Lord of Excess audiobook into something very special, and I had an exceptional time getting through it.

Lord of Excess by Rich McCormick is an absolutely brilliant and amazing piece of Warhammer 40,000 fiction that I could not get enough of.  Expertly combining elaborate elements of the Warhammer 40,000 canon with a complex narrative and darkly damaged characters, Lord of Excess was so much fun to read, and it proves impossible not to get caught up in this epic debut.  This might be one of the smartest and most compelling pieces of Warhammer 40,000 fiction release so far in 2024.  A truly outstanding Warhammer 40,000 book from a particularly amazing new author, Lord of Excess comes very highly recommended, and Rich McCormick is an author with big things in his future.

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Warhammer 40,000: Deathworlder by Victoria Hayward

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer9 Comments

Warhammer 40,000 - Deathworlder Cover

Publisher: Black Library (Audiobook – 23 April 2024)

Series: Warhammer 40,000

Length: 11 hours and 1 minute

My Rating: 4.75 out of 5 stars

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Debuting author Victoria Hayward presents one of the year’s most compelling entries to the Warhammer 40,000 canon, with the outstanding and grim novel, Deathworlder.

I have made no bones about how much love I have for Warhammer 40,000 extended fiction, which honestly features some of the very best media tie-in novels currently being written.  One of the things I particularly love about Warhammer fiction is the sheer range of compelling and impressive authors that are adding to the lore and narrative of this universe.  While a good chunk of the novels come from grizzled veteran Warhammer authors, the Black Library has also been cleverly utilising a range of intriguing new writers to offer fresh stories to the franchise, and some of the best books in recent years have been an author’s very first novel.  In 2023 alone there were several outstanding Warhammer 40,000 novels from first time authors, including The King of the Spoil by Jonathan D. Beer, Creed: Ashes of Cadia by Jude Reid, and Longshot by Rob Young, all of which were among my favourite debuts of the year.

2024 also looks set to a be a good year for authors making their debut through Warhammer fiction, especially when it comes to Deathworlder, the very first novel by exciting new author Victoria Hayward.  Featuring a compelling and exciting plot, Deathworlder has been on my radar for a while, and I ended up grabbing Deathworlder on audiobook as soon as I could.

There are many dangerous foes and deadly enemies stalking the galaxy in the far future, but none are as insidious, destructive and terrifying as the alien menace, the tyranids.  Made up of innumerable biological lifeforms, the tyranids traverse the galaxy, devouring entire planets and adding it to their biomass.  Hundreds of former human planets have fallen to the hivefleets of the tyranids, and the next world to be consumed is the planet of Lazulai.

Once a magnificent planet of beauty and rich resources, Lazulai is currently on the brink of destruction.  The armies of humanity were unable to hold back the invading tyranid hordes, and now the planet has begun to change as it is devoured by the alien lifeforms covering its surface.  Only a few small pockets of resistance remain, including the 903rd Catachan Night Shrikes, who garrison one of the last fortresses still standing.  However, hope remains in the most unlikely of places.

Receiving intelligence about a mysterious piece of archeotech that may hold the key for saving the entire system, Major Wulf Khan is given one final mission to retrieve the technology.  Leading a small mixed squad, Major Khan must use all the innate Catachan skills of infiltration and survival in extreme environments to lead her soldiers through the alien jungles that have sprouted up in the wake of the tyranid advance.  However, while the Catachans might be the best jungle fighters humanity has to offer, they are facing off against an unstoppable foe, capable of adapting to the greatest of obstacles.  Can Khan and her Catachans prove they are the deadliest survivors in the galaxy or will the tyranid horde consume them alongside the last remnants of Lazulai?

Deathworlder was a particularly dark and intense Warhammer 40,000 novel that grabbed my attention from the very beginning.  Hayward came up with a wonderful story that expertly highlighted the opposing Warhammer factions while also making full use of some very strong character work to tell an emotionally charged narrative.

I really liked how Deathworlder’s story unfolded as it proved to be a gritty, character-driven tale of survival.  Starting off by expertly showing the end of the planet setting and the despair being felt by the various protagonists, the story quickly moves along into the main quest, with the Catachan protagonist, Major Wulf Khan, leading a small squad of troops out to recover valuable technology before the planet dies.  The story is primarily split between the perspectives of Khan and the Cadian Lieutenant Kaede Anditz, who joins the squad as a guide towards their final objective.  This leads to an intriguing first half of the book, as the eclectic squadron of protagonists begins their trek towards the objective.  There are some dark and grim moments here, especially as large chunks of the protagonist’s comrades get killed in the lead-up to their mission, and the reader is soon engulfed in the horrifying early stages of the destruction of the planet.

The second half of Deathworlder only gets darker, as the protagonists encounter more and more obstacles on their quest.  I really appreciated how Hayward focused on the alien and human monsters that the protagonists are forced to deal with, and the author ensures that emotions are constantly running hot as the characters encounter worse and worse things.  A particularly powerful moment splits the perspectives of the book even further, while also leading to some very dark experiences.  There are some excellent action set pieces, compelling character moments, and dark examinations of humanity on the edge, through this part of the book, and I honestly found it impossible to put Deathworlder down at times as a result.  Everything leads up to the final sequence as the protagonists encounter even darker surprises and revelations as they attempt to survive.  There are several exceedingly tense moments where you are constantly left wondering if any of the protagonists are going to make it, and I loved how desperate things got.  Hayward ends everything on an intriguing note, and readers will come away very moved by how this great narrative came together.

I felt that Hayward had a great dark tone for Deathworlder that really showcases just how deadly and hopeless parts of the Warhammer 40,000 universe can be.  The focus on characters who had already accepted that they were going to die, as well as the terrible changes that a loss in this universe can result in, gave a particularly intense edge to the book, which I felt made helped it really stand out.  Things get quite dark in Deathworlder, as Hayward really wanted to highlight the terrors of the tyranid, and I honestly got a major horror vibe at times, especially when it came to some particularly gruesome deaths (the field of stuck soldiers still makes me shudder).  While there is plenty of action, tragedy and lore dumps, I felt that the author’s decision to really focus on the book’s unique characters and camaraderie was very clever, and I became really invested due to the exceptional character work.  Deathworlder also proved to be a very strong addition to the Warhammer 40,000 franchise, and Hayward ensures that there is plenty of appeal for both established fans and new readers.  Indeed, I felt that Deathworlder would be a very good entry point into the larger fiction surrounding the Warhammer 40,000 franchise, especially as Hayward’s fresh writing shows just how complex a novel set in this grimdark universe can be.

While Deathworlder would be a good entry point for new readers, established Warhammer 40,000 fans will also get quite a lot out of this book, especially as Hayward expertly highlights two exceptional factions, the Catachans and the tyranids.

Essentially an army of Rambos, the Catachans have been a fan favourite regiment for ages and are always a great inclusion to any narrative.  I have read a few books around the Catachans, including Catachan Devil by Justin Woolley.  These novels, while fun, always tend to focus on the more stereotypical aspects of the Catachans: muscles, jungle craft and big knives.  However, Hayward takes a bit more of nuanced look at the Catachans in Deathworlder, showing them to be a complicated group of soldiers who fall back on the hard-talking jungle killer personas when the going gets tough.  While one very fun character does live up to the stereotype, primarily for comedic effect, for the most part the Catachans are shown as practical survivors, who in this book, are at the end of their tethers.  As such, you see a much more compelling side to the Catachans, and it was fascinating to see how complex the members of the regiment are, as well as how damaged they are by the constant fighting and slaughter.  The author’s use of alternative perspectives allows the readers to see the Catachans in various lights, both from within their own minds, and through the eyes of the Cadian Lieutenant Kaede Anditz, who grows to respect their culture and methods as the book continues.  I really appreciated this more realistic and grounded look at the Catachans in Deathworlder, and Hayward really showcased her ability to portray an iconic human regiment.

While the Catachans get a lot of the focus, you also really need to highlight the tyranids in Deathworlder, who serve as an outstanding antagonist.  While I have enjoyed a few great books where the tyranids were terrifying monsters, including Day of Ascension by Adrian Tchaikovsky, Leviathan by Darius Hinks and Duty Calls by Sandy Mitchell, Deathworlder might be one of the best portrayals of the tyranids that I have so far read.  That is primarily because Hayward’s story is set on a world already being devoured by the tyranids.  The resulting scenes of destruction, despair and digestion prove to be quite horrific, and few writers have really captured just how disturbing this scenario would be.  I felt the various scenes where the protagonists, who themselves are being slowly digested by falling spores, encounter the continuous horrors of the dying world, were so damn good.  The human experience with these horrors is a key part of Deathworlders appeal, and the despairing reactions from both the hardened soldier protagonists, as well as civilians they encounter along the way, really sells just how horrifying the situation truly is.  Even the more typical tyranid threat is well represented in Deathworlder.  The author really captures the fear associated with hordes of ravenous, chitinous aliens as they overrun simple soldiers.  While the tyranids are occasionally depowered by the protagonist’s plot armour, for the most part they are outstanding monsters, and the constant threat they could suddenly represent, proves to be a fantastic part of the novel.  As such, fans who love tyranids are in for a real treat with Deathworlder, and seldom are they a better monstrous villain than in this book.

I cannot write my review of Deathworlder without once again mentioning the impressive characters featured within this book.  Hayward excelled at introducing and exploring complex and damaged protagonists, and their very human, very determined actions, prove to be the true heart and soul of the narrative.  You go through a lot with these characters, and their overwhelming humanity in the face of continuous horrors and loss makes for a very powerful read.  There are some great characters here, including main protagonist Major Wulf Khan, a grizzled Catachan fighter who finds her desire to complete the mission constantly challenged by the losses of those around her.  Her trusted orderly, Sergeant Rutger Haruto, proves to be an excellent backup, especially as his constant curiosity and sensible nature helps to keep his commander in check.  Alternate point-of-view character Lieutenant Kaede Anditz is another excellent addition to the cast, and I think that his unique perspective of the Catachans he suddenly finds himself serving with ensured that their compelling portrayal in Deathworlder really came through.  Anditz is also going through a lot of trauma, especially after witnessing the slaughter of every Cadian soldier on Lazulai, and Hayward really ensures that his guilt and horror really shine through in his chapters.

While the characters above are great, my favourite was probably Trooper Falke Adair.  A muscled Catachan with a heavy flamer, Adair is essentially a walking Catachan stereotype, something she really acts up as the book continues.  Crass, disrespectful and always looking for a fight, Adair steals any scene she becomes a part of, and her over-the-top mannerisms and actions are very entertaining.  However, as the book continues, and characters, particularly Anditz, get closer to her, you see that much of her bravado is a front, and she proves to be one of the most complex figures in the entire novel.

I also must highlight the brilliant character of Lamya.  A Genestealer Cult propagandist, Lamya is captured at the start of the novel and dragged along by the squad for her knowledge.  An arrogant and slightly unhinged noble turned tyranid-worshipping stooge, Lamya plays off the other characters perfectly, and her distain for those around her is so much fun.  However, the more they traverse Lazulai, the more Lamya comes face to face with the horrors that her cult helped to bring to her planet.  Caught between her own beliefs and the horrors she witnesses, Lamya goes quite insane as the book continues, while also providing some of the most compelling perspective of events in the entire novel.  Throw in a scheming Tech Priest and a silent Catachan sniper, and this proves to be an outstanding cast of main characters that you really grow attached to as you watch their intense personal and physical journey.

Unsurprisingly, I chose to check out Deathworlder on audiobook, which is just the best way to enjoy a Warhammer novel.  This was very much the case with Deathworlder, and I loved how effectively and vividly the story came across as it was being read out to me.  The exciting action, captivating characters, and horrendous horrors of the narrative really came to life, especially when read out by talented narrator Gabrielle Nellis-Pain, whose work on The King of the Spoil audiobook last year was very fun.  Nellis-Pain did another outstanding job with Deathworlder, and I love how effectively she told Hayward’s elaborate story.  I particularly enjoyed the excellent voices she gifted to the various characters within Deathworlder, and she very effectively captured the cool protagonists in all their martial glory.  This was particularly true for the over-the-top Catachan protagonists, and you could really visualise the muscular characters as she narrated.  Nellis-Pain also ensured that appropriate alternate accents were given to characters from other human factions, such as the Cadians or the Adeptus Mechanicus, and I particularly enjoyed how well the narrator expressed the mechanical nature of the latter.  I honestly believe that this book wouldn’t have been as impactful if I had physically read it, and I strongly recommend the audiobook version as a result.  Coming in with a run time of 11 hours, Deathworlder was so much fun to listen to, and you can power through it in no time at all.

With her very first novel, Deathworlder, debuting author Victoria Hayward shows she is a writing force to be a reckoned with, especially when it comes to Warhammer fiction.  Deathworlder was an outstanding Warhammer 40,000 novel that features a truly dark and intense narrative, loaded with great characters and compelling depictions of Warhammer universe.  An exceptional read from start to finish, I cannot talk this novel up enough, and I am really intrigued to see how Hayward follows up her amazing debut.

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Warhammer 40,000: Cain’s Last Stand by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Cain's Last Stand Cover

Publisher: Black Library (Audiobook – 1 January 2008)

Series: Ciaphas Cain – Book Six

Length: 10 hours and 30 minutes

My Rating: 4.75 out of 5 stars

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I’ve been on a real roll with the amazing Ciaphas Cain series by Sandy Mitchell (a pseudonym of Alex Stewart) lately, which is easily one of the funniest Warhammer 40,000 series out there.  Amazing books like For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory and Duty Calls have all proved to be highly entertaining, and I like the author’s take on a less heroic figure in the martyr-filled grimdark Warhammer 40,000 universe.  As such, when in need of a particularly fun read, I made the very easy choice to power through another entry in this classic series last week with the sixth book, Cain’s Last Stand.  This was an unsurprisingly awesome book, and I loved the intriguing story that emerged.

Commissar Ciaphas Cain, legendary hero of the Imperium and self-professed fraudulent coward, has done the near impossible and survived decades of brutal service in the Imperial Guard.  Now effectively retired from active duty, Cain has returned to the planet of Perlia, which he helped save from an ork invasion early in his career, and now spends his time teaching Commissar cadets at the planet’s Schola Progenium.  However, the battle is never truly over for Cain, and soon dark forces begin to descend once again.

Half a galaxy away, Abaddon the Despoiler has launched his 13th Black Crusade, determined to invade the Imperium of Man.  While most of the fighting occurs around the fortress world of Cadia, a splinter fleet has broken off and is heading deep into the Imperium, defeating several forces sent to stop it.  When it becomes apparent that this fleet is heading directly for Perlia, Cain is once again forced into action, especially as he knows exactly what they are coming for.

An ancient alien device of devastating power lies hidden on Perlia, one capable of reshaping reality itself, and Cain is one of the few people who knows it’s there.  With no means of escape available and the fate of the galaxy in the balance, Cain is forced to lead the defence of Perlia against the oncoming Chaos tide.  With only a ramshackle army of local soldiers, militia and students from the Schola under his command, the defence of the planet looks grim, especially when faced with a charismatic Chaos lord and his fanatically loyal soldiers.  Worse, a far greater evil has its eyes on Perlia, one that Cain fears above all else.  Can the legendary hero of the Imperium pull out one last impossible victory before he rides off into the sunset, or has Cain finally met his match at the site of his greatest triumph?

Mitchell continues to bring joy to the dark Warhammer 40,000 universe with this epic sixth entry, which I had so much fun with.  Cain’s Last Stand was an excellent read, and I loved the cool and elaborate story that emerged.

I think Cain’s Last Stand might be one of my favourite stories that Mitchell has so far used for the Ciaphas Cain series, especially because it differs from the standard narrative patterns of the series, while also cleverly tying together some intriguing ongoing storylines.  Set further into the future than any of the previous books, you get to see a nearly retired Cain in action, as the series finally ties itself into the events of the 13th Black Crusade (the original version of it, not the darker recent retcon).  I liked how Mitchell takes the reader back to the setting of the fourth book, Death or Glory, and the initial scenes of Cain as a reluctant but capable teacher, were very fun.  The switch from Tyranids to Chaos as the main threat is handled extremely well, and I liked the continued niggle that even worse enemies are lurking around.  The subsequent reveal that the reason behind the invasion is due to the ancient artefact first hinted at in Death or Glory and then expanded on in Duty Calls was great, and Mitchell does an excellent job of tying the various ongoing storylines together.

The second half of Cain’s Last Stand proves to be a very fun planetary invasion arc, especially as Cain works to rally an unusual array of defenders, including untrained militia, under strength garrison forces, and his own students.  The forces of Chaos prove to be excellent foes for this story, and I liked the much more insidious nature of the threat that emerged, especially as there was a slow build to the reveal.  After plenty of action, clever ploys, some touching tragedy, and so much misdirection from the protagonist, the story eventually heads to the inevitable last stand, which cleverly mirrors a similar event from Death or Glory.  Mitchell does a great job of building up anticipation for this event, and it doesn’t disappoint as there are some excellent action sequences and fun revelations that occurred.  I particularly enjoyed the big bluff that leads to the death of a certain enemy, especially as it was a classic Cain antic.  The final reveal about the actual big bad of the story was well handled, and it leaves this storyline open for the future, which I am very excited for.  An overall excellent addition to the series that builds on the prior novels while offering existing fans something new to enjoy.

Mitchell continues to utilise the fantastic writing style that has made the other Ciaphas Cain books so much fun, and I love how it cleverly enhances the narrative of Cain’s Last Stand.  As always, the cool journal format, equipped with entertaining footnotes and in-universe texts from Inquisitor Amberley Vail, ensures that you get a frank and cynical look at events in the Warhammer 40,000 universe, and I love the inherent humour that results.  The various action scenes are exciting and fast-paced, and the constant commentary of complaints and annoyance that emerges from the protagonist are very entertaining.  This action and compelling humour are well offset by some of the darker elements of the plot, including some genuinely tragic moments, and you get thrown around the emotional ringer as a result.  This mixture of elements helped to create a much more impactful and complex read, and I appreciated some occasional seriousness to go with the impressive humour.

As with most books in the Ciaphas Cain series, Cain’s Last Stand can be read as a standalone read, especially as the author does a good job of rehashing relevant events from the prior novels.  However, for the full experience, especially when it comes to some fascinating storylines, reading the last two books would be good, and I really enjoyed how the author kept bringing the story back to these prior adventures.  While there was once again some repetition between books as Mitchell reutilises his favourite lines, I felt that the more original story and important connections to previous books ensured that Cain’s Last Stand stood out and got away from some of these minor issues.  An excellently written book that will appeal to both new readers and established fans of the series.

As always, I must give a callout to the outstanding characters featured in Cain’s Last Stand.  This of course includes Commissar Ciaphas Cain, the main protagonist and narrator, whose harrowing adventures we continue to follow.  I’ve talked a lot about the exciting dichotomy of Cain throughout my previous reviews, especially as he can be considered both a hero and a coward, and I loved seeing that occur again in Cain’s Last Stand.  Cain continues to be both a self-serving cad and a peerless commander, and it always fun to see himself plot to survive while discounting his own accomplishments.  His adventures in this book are particularly fun, and the inclusion of the protagonist as a teacher trying to get his methodology of command to Commissar cadets was a great choice from Mitchell and plays nicely on some of his offhand comments in previous books.  This, as well as the return to a planet important to his mythos, ensures that Cain has a lot to think about in Cain’s Last Stand, and I really enjoyed the way his past adventures keep coming back to haunt him.  This was a powerful adventure for Cain, and I always enjoy seeing the protagonist debate his own legacy whilst doing his trademark daring deeds.

The supporting cast for Cain’s Last Stand was also very good, and it provided an interesting mixed of established characters, returning figures, and raft of great new comrades.  This includes Inquisitor Amberley Vail, whose role as the overarching narrator of the book, as well as the person behind the footnotes, ensures that her fun influence is felt the entire way through.  Cain’s faithful bagman, Jurgen, was also a welcome inclusion, and his loyal service and fun interactions with Cain were as great as always.  Jurgen once again showed why he is the true MVP of the Ciaphas Cain series, and you have to love the entertaining contrast between his Baldrick-esque appearance and his impressive abilities.  Other great characters include a favourite character from Death or Glory, an interesting array of fellow teachers from Cain’s Schola Progenium, and other unique comrades for the protagonist.  I particularly enjoyed the class of Commissar cadets who are being instructed by Cain, and it was fun to see the range of different personalities they had.  Throw in a smarmy Chaos warlord whose charisma and influence outweighed his abilities and stature, and you had a great cast for Cain’s Last Stand, and I had a lot of fun seeing Cain interact with them.

I once again had an outstanding time with the audiobook format of this book, and frankly there is no better way to enjoy a Ciaphas Cain novel.  Thanks to the epic and well-cast multiple narrators, readers get an amazing experience when they listen to Cain’s Last Stand, especially as it helps to really capture the crazy nature of the plot.  The main narrators are Stephen Perring and Penelope Rawlins, who voice Cain’s perspective and Inquisitor Vail’s notes respectfully.  Perring once again does an incredible job voicing the main cast of the story, especially Cain and Jurgen, while Rawlins has a lot of fun including her character’s informative, if often sarcastic, comments throughout the plot.  These two main narrators complement each other extremely well, and I always have an awesome time listening to them.  The audiobook also features the talents of additional narrators Richard Reed, John Banks and Phillipe Bosher, each of whom voice fun in-universe texts and pieces of propaganda to liven up the main plot and provide some amusing context for the main story.  I have so much love for how these narrators bring the story together and this proved to be another impressive audiobook to listen to, especially as its great style really fit the fantastic story Mitchell came up with.  With a run time of 10 hours and 30 minutes, this is a very easy audiobook to get through quickly, and I managed to finish it off in no time at all.

Cain’s Last Stand was another amazing entry in the Ciaphas Cain series by Sandy Mitchell, and I have so much love for this entertaining and fun Warhammer 40,000 series.  This sixth book was a particularly impressive entry in the series, and I loved the complex story that emerged, especially as it brings together several previous adventures from Mitchell’s outstanding protagonist.  A clever, exciting and overall funny book that I could not get enough of, Cain’s Last Stand comes highly recommended and I look forward to continuing this series in the future.

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