Aurora’s End by Amie Kaufman and Jay Kristoff

Aurora's End Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 2 November 2021)

Series: Aurora Cycle – Book Three

Length: 493 pages

My Rating: 4.5 out of 5 stars

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The all-star team of Australian authors Amie Kaufman and Jay Kristoff present the third and final novel in their epic Aurora Cycle series, with the intense and clever young adult science fiction novel, Aurora’s End.

Over the last few years, I have been deeply enjoying the outstanding partnership of Amie Kaufman and Jay Kristoff.  Both Kaufman and Kristoff are accomplished authors, with several independent series to their name, such as Kristoff’s Lifel1k3 series (make sure to check out my review for the second book, Dev1at3).  However, I think that some of their strongest work has been together, as Kaufman and Kristoff have previously co-authored the acclaimed The Illuminae Files trilogy.  Their latest collaboration, The Aurora Cycle, has been a particularly amazing young adult science fiction series, and I have been really enjoying its cool story.

The Aurora Cycle novels are set in a far future when humans have expanded out into space and encountered a range of different alien species.  Peace between these species is kept by the Aurora Legion, an intergalactic collation of peacekeepers, made up of teenagers of various species (a slightly more hormonal Starfleet, slightly).  The series follows Squad 312, a group of misfits brought together thanks to the arrival of the mysterious Aurora O’Malley.  Auri is a girl out of time, who was awoken by the squad after centuries frozen in a colony ship and found herself gifted with dangerous psychic powers.  The first book in this series, Aurora Rising, introduced the squad and saw them thrust into the midst of a galactic conspiracy, as a race of plant-based aliens, the Ra’haam, who are plotting to assimilate all life, frame them as terrorists.  The second novel, Aurora Burning, expanded on the threats, the conspiracies, and the character drama, and ended with a massive cliffhanger, with all the surviving members of Squad 312 in great danger and the fate of the universe on the brink.

Following the terrible battle near Earth between the human and Syldrathi fleets, the planet-destroying superweapon was fired, but nothing turned out as expected.  Now, the various members of the galaxy’s last hope, Squad 312, have been flung throughout time.  Scarlett, Finian and Zila have been blasted back into the early days of Earth’s intergalactic travel, when there is no Aurora Legion, no friends, and a ticking clock of doom as the mysterious station they arrived at keeps blowing up.  Subsequently, Auri and Kal arrive years in the future, where the Ra’haam have won, and all hope seems lost.

Trapped in a time loop, Scarlet, Fin and Zila will initiate a desperate plan (again and again) with a new friend, but their mission may end up having unimaginable consequences.  While in the future, Auri and Kal are trapped with the only weapon that can end the Ra’haam threat, if they can get back to the present.  Forced to team up with the most dangerous being in existence, Kal’s genocidal father, Caersan, Auri and Kal embark on a dangerous mission through the Ra’haam controlled future with some unexpected help.

Back in the present, Squad 312’s leader, Tyler Jones, is also running out of time.  Still branded a fugitive by the entire galaxy, Tyler is the only person who knows that the Ra’haam are making their move to destabilise the various governments of the galaxy to start their invasion.  Forced to work alone and against the odds, Tyler needs to travel back to the one place he considers home, the highly secure Aurora Legion headquarters.  All three of these teams will need to survive impossible odds if they are to complete their missions and get back home.  But even if they succeed, can this ragtag team of teenagers really save the entire galaxy, or is the age of the plant-based parasite about to begin?

This was an outstanding novel from Kaufman and Kristoff that served as an excellent and captivating end to this impressive series.  Kaufman and Kristoff really went all out here with Aurora’s End, producing a complex and entertaining narrative that separates out the various characters and presents them with impossible temporal obstacles.  I deeply appreciate the clever narrative that the authors wove around these compelling characters, and it ended up being an exceptionally fun and enjoyable young adult science fiction book that I powered through in two days.

I absolutely loved the cool story of Aurora’s End, not only because it was really thrilling and fast-paced but because it was so ambitious.  I cannot think of another trilogy where, in the final entry, the authors decide to suddenly embark on massive time-travel adventure, with an intense narrative split across three vastly different time periods.  However, it works incredibly well, as Kaufman and Kristoff produced some epic and exciting storylines that remain mostly separate throughout the entirety of the book.  All three storylines are very distinctive, and all of them are pretty fun in their own unique way.  The storyline set hundreds of years in the past is an extremely entertaining event that sees three point-of-view characters trapped in a slowly devolving time-loop that ends every time one of them dies.  The characters are forced to work through an exploding, high-security station to find a way to travel back in time, with a substantial number of hilarious deaths and mistakes along the way.  The storyline in the present follows the Squad’s leader as he attempts to stop the entire alien invasion by infiltrating the most secure location in the entire galaxy without his squad.  Finally, you have the storyline in the future, which is an emotional and powerful post-apocalyptic narrative that sees Auri and Kal forced to contend not only with a hostile galaxy completely taken over by the Ra’haam but also with Kal’s insane and manipulative father.

I felt that all three of these storylines worked incredibly well, and each of them had their own appeal.  I honestly have a hard time faulting any of these distinct storylines, and it was one of those rare occasions in a split-storyline novel where there wasn’t a single character or timeline that I was a little less excited to read about.  If I had to choose a favourite, it would be the storyline set in the past, mainly because I loved the fun opportunities that only a time-loop story can present.  All three storylines were incredibly rich and compelling, and the authors did a good job of layering drama, excitement, character growth and humour through each of them.  While they were mostly separate from each other, the overlapping elements worked incredibly well, and the storylines ended up coming together perfectly towards the end.  The authors also do a good job wrapping up a lot of the unexplained story elements from the previous novels, with certain mysterious events and McGuffins finally revealed in their entirety.  This results in a big and epic finale where all the remaining characters are reunited to face the final threat of the Ra’haam.  It was extremely cool to see all the unique story threads finally come together.  I did think that the authors got a bit too meta-physical in the finale, especially when it came to dealing with the big-bad, but this didn’t really disrupt my overall enjoyment of the story.  I absolutely loved this wacky, clever, and well-planned out narrative, and I am still deeply impressed with how well the entire time-travel story worked.

I have really appreciated the cool and enjoyable writing style that Kaufman and Kristoff utilised throughout the Aurora Cycle, and it worked incredibly well once again in this final book.  Just like with the previous novels, Aurora’s End is told utilising six split perspectives, with each of the surviving squad members going into the final book getting multiple chapters.  Not only do these multiple perspectives help to present a rich and complex character driven narrative but it also helps the reader to really get into the heads of the main characters.  Each part of the book told by a different character has its own unique feel to it, and you really get the sense of each of the characters’ personalities and experiences.  I also love the way in which Kaufman and Kristoff layer in the action and humour throughout the entire novel, with various fun scenes featured throughout.  The action scenes are very intense, and the authors do a great job of highlighting the crazy battles that each of the characters get involved in, whether it be massive space battles, deadly close-combat fights, or sneaky attempts to move through an exploding space station.  The authors also have a great sense of humour, with many fun jokes and observations that made me laugh multiple times, especially around the fun time-loop storyline.  This made Aurora’s End a very easy novel to get through, as the natural narration and fast-paced scenes ensures that readers can power through it quickly, and with little hassle at all.  Due to this being the final entry in a series, readers are encouraged to check out the first two Aurora Cycle novels first before reading Aurora’s End.  However, those readers tempted to start and finish he series here should still be able to enjoy the story as the authors have a very inclusive writing style, and the book also features a highly detailed “stuff you should know” section at the front (very useful for both new readers and those who need a quick refresher).

Just like the previous novels in this series, Aurora’s End is marketed as a young adult read, and I would strongly recommend it to this audience.  Younger readers will deeply appreciate the use of multiple complex teenage characters kicking ass and saving the world, and I think that the authors did a good job of capturing the teenage mindset in their various protagonists.  This was also quite a mature and positive read, with multiple examples of romantic relationships, complex issues, and great portrayals of LGBT+ relationships that will be appealing to the younger audience, especially as the authors do not try to talk down to their chosen readers.  Due to some of these mature elements, I would suggest that this is a more appropriate read for older teens, and this is a series I would have really enjoyed when I was first getting into fantasy and science fiction.  Despite its marketing towards the young adult audience, this is a series easily enjoyed by older readers, and I think that most science fiction fans will have a great time with this series, if they don’t have any objections to following teenage protagonists.  Overall, I think this book will appeal to a wide range of readers and is a particularly good series for teenagers looking for a fun adventure with relatable heroes.

The last thing I want to highlight abut Aurora’s End is the excellent characters featured throughout, especially protagonists Aurora, Tyler, Kal, Scarlett, Finian and Zila.  Over the course of the Aurora Cycle, the reader has had a wonderful time getting to know all the protagonists, all of whom have grown throughout the series, while also experiencing loss, heartbreak, betrayal, and devastating revelations.  I have deeply appreciated the impressive and realistic character growth featured within, and the authors have continued this throughout Aurora’s End, with some major character moments that helped to define all of them and shown how they have grown.  Unlike the previous novels that have focused on a couple of the characters a little more, there was a much more even spread amongst the characters, with each getting their moment in the light.  Indeed, thanks to the cool time travel elements, you get to see multiple versions of one protagonist, with an older version of this character becoming a supporting figure in one of the other storylines.  I deeply appreciated the various character arcs featured throughout this novel, and Kaufman and Kristoff go out of their way to make you run the full emotional gauntlet here.  These arcs include a more comedic one surrounding the sarcastic Finian and the perhaps oversexualised Scarlett as they explore their new relationship while the world continuously explodes around them.  At the same time, the socially awkward Zila has a more serious experience in the time-loop, even as she embarks on a doomed relationship with someone who lived hundreds of years before she was born.

The other three characters also have some major and moving character arcs, especially Aurora and Kal, who are trapped in a future where the Ra’haam won, and everything has been infected by them.  This is a particularly dark storyline, and these two protagonists go through a lot, especially as they keep witnessing all manner of death and destruction around them.  Their arc is further complicated by Caersan, Kal’s father, who has similar powers to Auri and used them to destroy Kal’s home planet.  This results in some major emotional moments, as Auri and Kal are forced to work with an unrepentant Caersan, while also trying to work out their own complex emotions.  Finally, I must highlight the great development at occurred with Tyler, the team’s leader, who, after spending two novels turning Squad 312 into the ultimate team and family, ends up by himself, forced to face literal ghosts from his past with none of his established support.  Tyler really suffers in this book, and you must feel sorry for everything he goes through, even if he does start a passionate, if exceedingly violent relationship with a warrior alien princess.  All of these character arcs are really impressive, and you will be moved by everything these fantastic heroes go through, especially as not all of them will come out of it in one piece.

With this fantastic final book, the team of Amie Kaufman and Jay Kristoff have brought their amazing Aurora Cycle series to an epic and impressive conclusion.  Aurora’s End was an outstanding novel that perfectly wrapped up this excellent trilogy with fun, flair, and exceptional action.  Featuring some amazing characters and a very clever time-travel based storyline, Aurora’s End was an incredibly fun novel that comes highly recommended.  I deeply enjoyed this epic novel, and I really hope that these two brilliant Australian authors team up again in the future for another compelling series.

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The Riviera House by Natasha Lester

The Riviera House Cover

Publisher: Hachette Australia (Trade Paperback – 1 September 2021)

Series: Standalone

Length: 452 pages

My Rating: 4.25 out of 5 stars

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Bestselling Australian author Natasha Lester returns with a powerful and intense historical drama that presents a multigenerational tale of love, loss, culture, and the horrors of the Nazi occupation of France, in The Riviera House.

Paris, 1939.  With the war about to start and fears of a Nazi invasion becoming more apparent, Éliane Dufort, a young art student who works part time at the Louvre, watches the staff store away the gallery’s most expensive artworks and begin to hide them throughout France.  Determined to survive the upcoming war, the last thing Éliane should have done was fall in love, however when she meets one of her brother’s friends, Xavier, she cannot help herself, and they soon begin a whirlwind romance.  However, with the Nazis right outside of Paris, Xavier leaves for England, breaking her heart.

With Xavier gone and most of her family killed by the Nazis as they tried to flee the city, Éliane vows to fight the invaders by any means necessary.  Her connection to the Louvre lands her a job working for the enemy in the vast warehouse the Nazis are using to store the artwork looted from France.  Working with the legendary Rose Valland, Éliane is tasked with recording every single piece of art that the Germans steal, as well as attempting to discover where they are being sent.  However, Éliane soon gains the unfortunate romantic attention of a powerful Nazi officer, while a returning Xavier, now a treacherous art expert working for Hermann Göring, threatens to destroy her cover.

Many years later, vintage fashion expert Remy Lang travels to the French Riviera and arrives at a beautiful house that was part of a mysterious inheritance from her unknown biological parents.  Hoping to escape from her intense grief at the loss of her husband and child, Remy soon becomes involved with a visiting family living at the neighbouring villa, including charming photographer Adam.  As she attempts to understand her feelings for Adam amidst her sorrow, Remy soon stumbles upon a shocking mystery when she chances upon a catalogue detailing artworks stolen from France during the war, which includes a painting that hung in her bedroom as a child.  Determined to get to the bottom of this mystery, Remy attempts to trace her past and the history of the unexplained painting.  But the story she uncovers is one of great tragedy and shocking revelations that will change everything Remy thought she knew about her past.

This was an outstanding and deeply impressive historical drama from Natasha Lester, who has previously written some great historical dramas, such as The Paris Secret and The French PhotographerThe Riviera House is a particularly compelling and intense novel that perfectly brings two separate timelines together into one moving narrative, while also focusing on two distinctive and complex groups of characters.  This results in a brilliant and moving read that is guaranteed to haunt you long after you finish reading.

Lester tells a deep and captivating tale in this novel that is moving, intense and very addictive to behold.  The author utilises a split timeline throughout The Riviera House, with one storyline set during World War II in Paris, while the other is based in the modern day and takes place in several locations, although primarily in the French Riviera.  The book jumps back and forth between these two timelines, with the speed of transition increasing the closer it gets to the conclusion.  Both storylines contain their own plot, characters, and interesting features, and they come together to form quite an intense overarching narrative.

The first storyline of The Riviera House is the World War II storyline, which follows the character of Éliane Dufort.  Éliane, after suffering several great losses because of the Nazi invasion, becomes embroiled with the French Resistance and soon gets a job working for the Nazis, assisting in their loot warehouse, and helping historical figure Rose Valland create her record of stolen works.  However, the story gets increasingly complicated as the book progresses, with Éliane torn between her remaining family, her love/hate relationship with the traitor Xavier, and her forced relationship with a powerful Nazi member who has fallen for her.  The entire story comes to a head in the closing days of the Nazi occupation, when Éliane is forced to risk everything dear to her, and soon encounters just how tragic the war is and how evil people can be, even those closest to you.

This part of The Riviera House is an amazing bit of historical fiction, exploring the history of the time while also featuring an emotional and moving tale of love, hope and courage.  I really connected with this half of the novel, due to the thrilling and intense story that shows a grim picture of the period and featuring some memorable moments.  The story of Éliane and her family is full of tragedy and suspense, and if you are looking for a happy read than you have come to the wrong place.  While I did see most of the major twists coming, I appreciated how this narrative came together, as well as the clever way it led into The Riviera House’s other timeline.  I also deeply enjoyed the unique historical aspects of this novel, particularly around the Nazis’ systematic looting of French art.  Lester really dove into this part of the war, providing a detailed account how the Germans stole the art, stored it, and eventually shipped it away as the war progressed.  This tale features several real-life historical figures who are worked into the plot extremely well and who add an extra layer of authenticity to the tale.  One of the most interesting historical figures is Rose Valland, the courageous art historian who risked everything to pull together a record of the looted artwork.  Valland, who has inspired characters in films such as The Train or The Monuments Men, was a fascinating character in this novel, and I liked how Lester tied Éliane’s story into that of Valland.  I felt that this examination of the Nazi art theft was both fascinating and cleverly utilised, and it helped to provide some extra power and intensity to the novel.

The other timeline in The Riviera House is based in modern times and follows Remy Lang, a fashion figure who is spending time in the French Riviera, trying to escape her grief over the tragic death of her husband and child, and soon meets some new people who help her move on.  This storyline was more of a pure dramatic tale and focuses on Remy’s grief, her new romance, and the friction brewing between the family she has just met.  I got quite attached to the potent emotional elements featured in this book, especially as Lester really focuses on the lingering impacts of grief, such as the guilt survivors feel when thinking about something new or considering moving on.  Add in quite a compelling mystery element to it, as Remy and her new friend Adam start investigating the connection that Remy had to the other story, such as her long-dead biological parents and several mysterious inheritances.  These connections to the storyline set in the past compliment the protagonist’s current issues and concerns extremely well, and it was really fascinating to see her work out how her life was shaped by the original protagonists many years before.

I ended up really liking both timelines within the novel, although I did prefer the storyline set in World War II due to its interesting historical research, complex characters riven by war, and terrible tragic moments.  I must admit that I am not usually the biggest fan of historical dramas that feature two separate timelines (it really is an overused device in historical dramas).  However, I think that it was utilised extremely well in The Riviera House, and the two separate storylines melded together into a fantastic overarching read.  I loved how Lester was able to provide subtle hints about the fate of the historical protagonists in the contemporary storylines, although the full revelations about them was often hidden and not revealed until later.  I also really appreciated finding out how the events of the World War II story led into the later plot, and the full truth about how everything occurred is not only great to behold in the historical storyline, but it also has some major impacts on the modern-day protagonist.  This really enhanced The Riviera House’s plot and the overall drama of the book, and it helped to produce an excellent overall narrative.

I also quickly wanted to highlight some of the cool and fascinating cultural elements that Lester slipped into her novel, particularly around art and fashion.  I already mentioned how much I enjoyed the interesting and in-depth examination of the Nazis’ looting and the plans to stop them, however, I also appreciated the way in which Lester examined the art itself, as well as the people who were fighting to protect it.  You really get a sense of the beauty and subtlety of the different artworks featured throughout the book, but more than that you also get to explore what makes people passionate for art.  This book contains several characters who appreciated the true value that this art had to themselves and the nation, so much so that they were willing to risk their lives for it.  This forms a major part of the historical storyline’s plot, and I think that Lester did a wonderful job exploring it.  In addition, the contemporary storyline features a compelling examination about the appeals of vintage fashion.  Lester, who has previously explored fashion in some of her past novels (for example, a major part of her previous novel, The Paris Secret, revolves around vintage gowns), did a good job explaining the current obsession with vintage fashion, as well as how people can make money off it.  While I usually care very little about any sort of clothing fashion, Lester’s descriptions proved to be very intriguing, and I found myself appreciating her obvious passion for the subject.  Both these cultural inclusions enhanced the story, especially as they were strongly related to the various protagonist’s motivations and obsessions, and I really appreciated they time that Lester took to feature them.

Overall, I felt that The Riviera House by Natasha Lester was an excellent and well-crafted historical drama with some powerful elements to it.  Lester did a wonderful job of crafting a compelling, multi-period storylines that combined historical and contemporary narratives into a single, moving tale.  I particularly enjoyed the cool focus on the Nazi occupation and art obsession, which resulted in a thrilling and very tragic tale.  The Riviera House is a highly recommended book and a must-read for all fans of historical drama.

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Quick Review – The Widow’s Follower by Anna Weatherly

The Widow's Follower

Publisher: Self-Published (Trade Paperback – 8 June 2021)

Series: Bermagui Mystery – Book Two

Length: 222 pages

My Rating: 4 out of 5 stars

Prepare for a quick and fun historical murder mystery with The Widow’s Follower, an excellent and compelling second novel from Canberran author Anna Weatherly.

Synopsis:

1919, Sydney.  No-one was shedding tears for the death of Roy Maguire, especially not his wife. She’d been hiding from him for the past five years and now she’d come back to reclaim her freedom. It should’ve been simple. So why was she finding herself the object of interest for half the criminals in Sydney? At first it was mystifying. Then it was terrifying.

This is the second novel involving May Williams, once the wife of Sydney crime figure Roy Maguire. This time May travels to Sydney where she finds that extricating herself from her abusive husband is a dangerous business, even when he’s dead.


The Widow’s Follower
is the second novel from Weatherly, following on from her 2018 debut, Death in the Year of Peace.  This series is a fantastic historical murder mystery series that follows a young woman in 1919 who takes the name May Williams and flees from Sydney to the small town of Bermagui to escape from her abusive, criminal husband.  The first book sets the scene for this series while also presenting a murder mystery as the protagonist attempts to uncover a killer in town.  This sequel is set right after the initial book and sees May return to Sydney after the death of her husband.

I really liked the interesting story contained within The Widow’s Follower, as it combines historical fiction elements with an interesting, gangster-filled mystery, as well as featuring some great character development.  Despite being relatively short for a novel, clocking in at just over 200 pages, Weatherly manages to achieve a lot in this book.  The Widow’s Follower primarily focuses on May being harassed by gangsters and criminals around Sydney as she attempts to settle her late husband’s affairs.  This gets complicated when it becomes apparent that before his death, her husband had stolen a great deal of money from his employers and managed to annoy all the big movers in town.  This forces May to investigate her husband’s last few days to find the money to save herself and her friends from these gangster’s ruthless attentions.  She also starts investigating the murder of her husband’s lover, a crime he was accused of before his death, as she cannot believe that even he could kill the father of his illegitimate child, whose welfare May also becomes concerned about.

This leads to an intriguing and extremely fast-paced story, as May is drawn into a twisted web of lies, manipulations and additional murders, while also trying to decide about her future.  There is an interesting blend of storylines contained within this novel, and I quite liked the exciting and dramatic directions that it went in, especially as May slowly gets closer to the truth.  May finds herself the target of several dangerous people from Sydney’s underbelly, each of whom is interested in her for all the wrong reasons.  At the same time, May’s friends back in Bermagui find themselves in danger, and this results in some compelling discussions about May’s future and whether she wants to stay in Sydney, where she has some chance at professional success, or return to the small town and pursue love.  These enjoyable storylines cleverly set up a massive twist about three quarters of the way through that I honestly did not see coming.  This cool twist changes everything about the novel, and I deeply appreciated how it was foreshadowed and the implications it has on the rest of the story.  The final part of the book is an intensely paced, as May finds herself in the middle of a dangerous conflict between some of the antagonists, while also reeling from some big revelations.  I really found myself glued to the final part of the book, especially as it contained some cool scenes, such as a multi-person chase throughout the streets of Sydney.  The book ends on a positive note, and it will be interesting to see where Weatherly takes the story next, especially as the protagonist’s storyline seems mostly fulfilled.

I also appreciated the cool setting of this novel, the historical city of Sydney in 1919.  Weatherly spends a significant amount of time exploring Sydney throughout the novel, and you end up getting a great sense of its size, layout and people during the early 20th century.  The author goes out of their way to try and emulate the historical version of this city, including by featuring clippings from real-life historical newspapers at the start of every chapter, a fun technique that I felt helped drag me into the moment.  Weatherly also spends time examining how recent world events had impacted the city, such as the recent Spanish Flu pandemic (very topical) and the slow return of Australian troops from the European battlefronts of World War I.  This fascinating setting added a lot to the authenticity and intrigue of The Widow’s Follower’s story, and it was really fun to explore this captivating historical locale.

Overall, I had a wonderful time with The Widow’s Follower, and I ended up reading pretty much the entire thing in one sitting.  Anna Weatherly came up with a clever and entertaining tale, and I had a great time getting to the bottom of the intense mystery that was featured within.  A fantastic and enjoyable piece of Australian historical fiction, this is a great book to check out and I look forward to seeing what this new author produces in the future.

The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

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Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

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She Who Became the Sun by Shelley Parker-Chan

She Who Became the Sun Cover

Publisher: Mantle (Trade Paperback – 27 July 2021)

Series: The Radiant Emperor – Book One

Length: 414 pages

My Rating: 4.5 out of 5 stars

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Intriguing new Australian author Shelley Parker-Chan presents one of the most unique debuts of 2021 with the awesome She Who Became the Sun, a powerful historical read with a compelling twist.

In 1345 AD China languishes under the rule of the Yuan dynasty, descendants of the Mongolian invaders who have taken control and punished the southern Chinese citizens.  As famine and banditry stalk the land, the fate of the country will be decided by the most unlikely of people.  In a small village in the south, a seer predicts the future for two siblings.  For the favoured son, the seer sees greatness and unlimited potential, while for the daughter he sees nothing in her future at all.

When a bandit raid wipes out the village, only the daughter is left alive as her brother succumbs to his grief and despair.  Determined not to die an insignificant death and prove the seer right, the daughter plans the impossible.  Stealing the identity of her dead brother, she attempts to cheat fate and take her brother’s destiny for herself.  But how far can the newly named Zhu Chongba truly go, even with a fake identity and a stolen fate?

Travelling to a nearby monastery, Zhu impresses the Abbot and is soon accepted as a novice.  Growing up amongst the monks, Zhu finds a purpose for the first time.  But when a rampaging general destroys the monastery, Zhu is forced to find a new path that sets her against the emperor and the entire Yuan dynasty.  Joining with the Red Turban rebellion, Zhu manages to prove herself and soon leads her forces to several crucial victories.  But the eye of an old rival is upon Zhu, and not even this brilliant monk will be able to emerge unscathed.  The path to China’s future begins here, and soon the fate of the entire country will fall on the poor second daughter, destined to become the nation’s first female emperor.

This was a really compelling debut from Shelley Parker-Chan, who produced an epic and unique historical tale of war, destiny, identity and fate.  Serving as the first book in Parker-Chan’s The Radiant Emperor series, She Who Became the Sun was one of the most anticipated new releases for 2021, and I had an incredible time reading it, especially once I got caught up in its fantastic story.

She Who Became the Sun has an awesome and powerful narrative that proves to be extremely addictive.  The book first shows the protagonist as an unnamed daughter, destined for nothing until she adopts the identity of her brother, Zhu, and grows into a confident and capable young adult at a nearby monastery.  The first quarter of the book is primarily told from the perspective of Zhu and serves as a rather good introduction to the character and the overarching setting.  However, the story shifts dramatically after the eunuch General Ouyang, who serves under a noble family of the Yuan dynasty, burns down the monastery and leaves Zhu a medicant monk.  Determined to gain the destiny her brother was promised, Zhu joins with the rebel movement known as the Red Turbans.  The story then focuses on several interesting storylines, including Zhu’s ascent to commander in the Red Turbans, the volatile internal politics of the rebels, as well as troubles facing the wider Yuan dynasty.  The story adds in two additional point-of-view characters a quarter of the way through, with a particular focus on General Ouyang.  Ouygang is engaging in his own plot against the Yuan, and his fate soon becomes intertwined with that of Zhu.  This results in a pretty epic tale, especially as the various story threads tie together perfectly and produce an interesting and addictive overall narrative.  This leads up to an intense and fantastic conclusion that shows how much the protagonist has changed and how determined they are to see their destiny.  It also does an excellent job setting up the future novels in this series, and I have to say that I am pretty excited to see where Parker-Chan takes this tale next.

I was deeply impressed by the cool setting of She Who Became the Sun, especially as Parker-Chan worked in some excellent and compelling historical elements.  The novel is set in 14th century China during the Yuan dynasty and features an interesting retelling of the life of famed emperor Zhu Yuanzhang, founder of the Ming dynasty.  While there are a few major changes, like Zhu being a woman in disguise, She Who Became the Sun captures several key aspects of this figure’s early life, such as their peasant upbringing, their training as a monk, and their rise to power through the Red Turbans.  I really enjoyed the great examination of China during this period, and Parker-Chan does an excellent job of capturing the tyrannical rule of the Mongol invaders, the famines and crisis their ineffective rule caused, as well as the rebellion that rose to oppose them.  The author also makes sure to include several key historical figures, such as Zhu’s major supporters, and it proved to be a fun re-imagining of their relationship with the future emperor.  While this is primarily a historical fiction novel, Parker-Chan includes a lot of other interesting elements that alter the feel of She Who Became the Sun.  For example, there are several mystical features, such as some key individuals who can summon an aurora of visible light to show they have the divine right to rule.  Zhu also has the ability to see ghosts and finds herself haunted and at times damaged by malevolent spirits, angry at her decision to steal another person’s destiny.  These supernatural elements give She Who Became the Sun an intriguing and unique feel, and I really love it when authors subtly work in some subtle alternate genre inclusions into their work.

I also must mention the excellent inclusion of major LGBT+ elements into this book, especially around central character Zhu Chongba.  Zhu spends the entirety of the novel in the role of her late brother, pretending to be a man so she can rule and lead.  This was a really fascinating and distinctive choice by Parker-Chan, and one that makes She Who Became the Sun really stand out.  While there are some understandable comparisons to Disney’s Mulan, Parker-Chan instead frames it as a choice made from a desire to survive and to be more than what her sex would usually allow her to be in this period, especially under Yuan control.  Zhu spends most of the novel trying to hide her birth gender from everyone around her, allowing her to continue to achieve her.  While a few characters find out, Zhu is able to ensure their secrecy, which leads to some fascinating scenes.  I particularly love the interactions between Zhu and female characters who discover her secret, and the understanding that flows through these scenes is extremely powerful.  Other LGBT+ elements are later added to the story, especially around Zhu’s marriage to her wife Ma, and I really appreciated the clever and compelling way that it was worked into the plot.

Another impressive aspect of this outstanding book I want to highlight is the great use of characters.  This novel featured some amazing point-of-view characters whose journeys become the focus of She Who Became the Sun.  The main character is Zhu, the woman destined to become Emperor, who spends most of the book trying to live up to the legacy she believes she deserves.  I really liked the compelling character growth featured as her personality changes throughout the course of the book.  Initially meek and barely able to keep her secret, Zhu develops her cunning and her skills of manipulation to become a major figure in the monastery and the Red Turbans.  I loved the depiction of her rise to power, including that fun scene where she manages to win a battle with a prayer, and it was really entertaining to see her use the mild-mannered, humble monk routine to fool the people around her.  Having grown up with nothing, Zhu is more resilient against setbacks than some of the other characters and is able to overcome major hardships.  While Zhu spends most of the book as a good person, the desires for power and a great destiny eventually grows within her, encouraging her to do some evil things to win.  I really liked this subtle shift in personality as the novel continued, and the way that her character arc in this novel ends was really surprising and intense.

The other major character I really want to talk about is Ouyang, a general serving the powerful noble Lord Esen-Temur, son of the Prince of Henan.  Ouyang has a complex past, the son of a family declared traitor by the Emperor and the Prince of Henan, his entire family was killed, while Ouyang was made a eunuch.  Eventually able to work his way up from slave to general, Ouyang is initially portrayed as a petty, vicious, and vindictive figure, especially as he destroys the monastery that Zhu was living in.  However, as the novel progresses, you get to see how much Ouyang has suffered throughout his life, even though he is the best friend of Lord Esen-Temur.  Due to his status as a eunuch, there are some really interesting parallels between Ouyang and Zhu, especially as neither of these outsiders is comfortable in their body.  However, despite their similarities, they form a bitter rivalry, although occasionally working towards the same goals.  I really enjoyed Ouyang’s storyline, especially as it provided an intriguing alternative to the scenes focusing on the Red Turbans, providing the reader with a look at the politics of the Yuan dynasty and the fractious family dynamics surrounding Lord Esen-Temur.  It also leads to an excellent storyline where Ouyang slowly gets his long-awaited revenge and makes some moves to obtain even more power and control.  Ouyang served as an excellent antagonist for the novel, and his dark and brooding perspectives of life and the Yuan dynasty really enhanced She Who Became the Sun’s overall narrative.

Overall, I deeply enjoyed the unique and intricate book that was She Who Became the Sun, and it turned out to be an outstanding read.  Australian author Shelley Parker-Chan did an exceptional job with this impressive debut novel, and I loved the brilliant and epic historical tale she wove, especially as it contained some complex and intriguing characters.  This book comes highly recommended by me, and it is easily one of the best debuts I have so far read in 2021.

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The Councillor by E. J. Beaton

The Councillor Cover

Publisher: Daw Books (Hardcover – 20 July 2021)

Series: The Councillor – Book One

Length: 442 pages

My Rating: 4.5 out of 5 stars

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Australian author E. J. Beaton presents an excellent and compelling fantasy debut with The Councillor, an outstanding and impressive read.

Elira is a country still recovering from a fractious war a generation ago spurred on by the tyrannical magic-wielding White Queen.  The heroic Sarelin Brey, known as the Iron Queen, defeated the White Queen and led the subsequent hunt for the elementals, powerful magical users, who were forced into hiding.  Now, Elira once again stands on the brink of ruin when a mysterious assassin manages to kill the Iron Queen, an act that threatens to split and destroy the entire nation.

The queen’s last act before her death was to name her loyal companion, the palace scholar Lysande Prior, Councillor.  As Councillor, it is Lysande’s duty to choose the next ruler of Elira from the four city rulers and to ensure a peaceful transition of power.  As the city rulers arrive at the palace, Lysande is convinced that one of them may have orchestrated the Iron Queen’s murder.  Using her position as Councillor and the upcoming decisions around Elira’s future to her advantage, Lysande begins to investigate each of the city rulers to find who is responsible for her friend’s death.

As the investigation continues, Lysande soon learns much about the city rulers, including the secrets that they harbour.  Forced to balance her investigation with her responsibilities to the people, Lysande begins to revel in the power that she has been granted, even as her problematic addiction to a magical narcotic threatens her self-control.  However, the closer she gets to the truth, the more Lysande begins to understand that there is a dark threat rising, one that could overwhelm Elira for good.  The White Queen is returning, and this time there is no mighty Iron Queen to stop her, only a brilliant scholar with a bright vision for her nation.

The Councillor was an impressive debut fantasy novel from Beaton, who combines some intriguing characters with a powerful fantasy narrative laden with political intrigue, espionage and one character’s personal journey from scholar to ruler.

Beaton utilises a pretty awesome story in The Councillor, and it is one that I quickly became quite addicted to.  Told exclusively from the point-of-view of protagonist Lysande, the novel has a powerful start with one of the major characters killed off, leaving Lysande and the entire nation in chaos, especially as it appears that a notorious magical villain has returned years after her famous defeat.  From there the protagonist attempts to identify the agent responsible for her friend’s death, believing it to be one of the four arriving nobles vying for the throne.  This results in a compelling storyline where Lysande investigates the secrets of the city rulers, while also becoming increasingly involved in the politics of the realm after being unexpectedly placed in a position of power.  As The Councillor progresses, it evolves into a very captivating piece of political intrigue as Lysande and the city rulers tour the country, attempting to rule together, initiate plans to stop the growing influence of the White Queen, while also attempting to achieve their own goals.  There are some great misdirects and red herrings featured throughout this part of the book, as Beaton attempts to disguise who the antagonist is and what the agendas of the various other politicians are.  This all leads up to a big and explosive conclusion where the traitor is revealed and several great storylines come together, resulting in some awesome action and clever political storylines.  While I was able to guess who the traitor was in advance, Beaton did a great job setting them up, and I did find the methods of the antagonist very surprising, especially the fun super-weapon that was hinted at throughout the book.  The final scenes wrap up the entire narrative extremely well and do a great job setting up the next novel in the series.  I look forward to seeing where the narrative goes from here and I think that the series has some amazing potential.

I really enjoyed the cool and memorable fantasy world that Beaton introduced in her first novel, and it serves as a great setting for the awesome story.  The nation of Elira is broken up into several distinctive political and climate zones, based around a city state, resulting in fascinating group of different and proud people.  I loved the fun blend of cultures featured within this nation, especially as it results in some compelling and entertaining cultural and political clashes.  There is a great focus on the history of Elira, especially as it relates to the previous war against the White Queen, with the scholar protagonist attempts to uncover the full truth behind the past to determine the country’s future.  There are also a ton of LGBT+ elements associated with the setting, which I really appreciated and which helped to make the setting even richer.  Add to that several hostile nations surrounding Elira, a rampaging magical queen full of vengeance, and a covert network of independent magical users with their own agenda, and you have a fantastic combination of groups and political ideals, which helps to makes the compelling narrative even more exciting.  This all proves to be pretty damn awesome, especially as Beaton does a wonderful job describing the rich and vibrant countryside of her setting, allowing the reader to have an outstanding time exploring this new nation.  I really enjoyed this captivating setting and I look forward to seeing how the author expands it in her next novel.

Easily the best thing about The Councillor are the complex and intense characters featured throughout the story.  This includes main protagonist Lysande, who is forced to endure quite a lot of growth and betrayal during the story.  Beaton weaves a powerful and intense narrative around Lysande, an orphan who was chosen to become the Iron Queen’s companion and who grew into a brilliant scholar and thinker.  After the queen’s death, Lysande is forced to become both a ruler and politician, and she finds herself excelling in the role, especially as it allows her to use her skills as a scholar and researcher to her advantage.  Due to Lysande being the point-of-view protagonist, Beaton takes a lot of time exploring her personality, feelings, and history, and it does not take long for the reader to become attached to her, especially as she finds herself in a dangerous and complex personal and political situation.  It proved to be extremely compelling to see Lysade take the political stage for the first time, and I loved the way she adapted to the intrigue and deceit, especially once she started to revel in it.  It was pretty cool to see a scholar attempt to take the throne, resulting in a very different hero from what most fantasy fans would expect.  I also enjoyed the way that the author ensured that Lysande is a bit of a flawed protagonist, especially as she is controlled by her addiction to Chimera Scale, a magical narcotic that gives her energy and different insights to the world.  This growing reliance on Chimera Scale impacts her severely throughout the novel, especially as it covers up some deeper secrets about her, which come to fore later in the novel.  An overall exceptional main character, I am very intrigued about where this story will take Lysande next.

Aside from Lysande, The Councillor features a fantastic collection of supporting characters, each of whom add a lot the story.  The main four supporting characters are the city rulers who arrive in court to put their cases for being the next monarch.  Beaton spends a bit of time building up each character, and it proves quite enjoyable learning their flaws, personalities and secrets, especially as any of them could potentially be villainous.  The most prominent of these city rulers is the mysterious and manipulative Luca Fontaine, a dangerous bastard son who became city ruler after killing his family.  Presented as a dark figure with a love of intrigue, espionage and advanced politics, Fontaine has some outstanding back and forth with Lysande, which were extremely enthralling and compelling, and Fontaine swiftly becomes one of the more entertaining and likeable characters in the novel.  I did think that Beaton could have toned down Fontain’s manipulative side just a little, especially as it made him too obvious a suspect for being the traitor, however, I don’t think this had too much of a negative impact on the narrative.  Aside from the city rulers, the book has some interesting focus on Lysande’s advisors and guards, each of whom hep her in their own unique way.  I particularly enjoyed Lysande’s new maid, Litany, especially once her real purpose in the court is revealed.  This great supporting cast proves to be a lot of fun to follow, and I really appreciated the time and detail that the author put into setting them up.

Overall, I found The Councillor to be an outstanding and deeply entertaining fantasy read with a really addictive and compelling narrative.  Australian author E. J. Beaton did an excellent job with her first book, and this is a must read for anyone who loves a fantasy tale laden with clever political intrigue.  A highly recommend fantasy debut, I cannot wait to see where Beaton takes this series next.

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The Enemy Within by Tim Ayliffe

The Enemy Within Cover

Publisher: Simon & Schuster (Trade Paperback – 28 July 2021)

Series: John Bailey – Book Three

Length: 353 pages

My Rating: 4.5 out of 5 stars

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One of Australia’s fastest rising crime fiction authors, Tim Ayliffe, returns with another impressive and brilliantly relevant novel, The Enemy Within.

Ayliffe is a great author whose work I have been really enjoying over the last couple of years as he sets some fantastic stories around contemporary Australian subjects.  Debuting in 2018, this journalist wrote a compelling and intriguing first novel with The Greater Good, which looked at political corruption and the growing influence of China in Australia.  He followed it up in 2019 with State of Fear, which looked at Islamic terrorism and featured a dramatic and impactful story.  Now Ayliffe checks out the complete opposite end of the political spectrum in The Enemy Within, which features a look at growing right-wing radicals.

As the smoke from devastating January 2020 bushfires covers Sydney, investigative reporter John Bailey is covering a far more dangerous threat in the suburbs.  Barely recovered from the traumatic events that took the love of his life from him, Bailey is now working for a news magazine.  His first story will cover the re-emergence of right-wing nationalists and white supremacist groups in Australia.  Attending one of their meetings, where a controversial American social media star whose entrance into the country has gained much political opposition and protest, Bailey attempts to gain the pulse of this movement, only to face violence and an anti-media mentality from the crowd.

Working on his story, Bailey has no idea of the chaos that is about to rain down on his life.  After he meets with an old contact and informant, Bailey’s house is raided by the Australian Federal Police.  The police are investigating him for a story he ran back while he was a war correspondent that highlighted the alleged war crimes Australian soldiers committed in the Middle East.  Armed with a warrant granting them access to his phone, computer and all his files, the police tear through Bailey’s life and throw him in gaol for attempting to impede their search.

With the entire nation’s media covering his plight, Bailey is released from prison and soon discovers that someone orchestrated the police raid to delete evidence from the rally.  Attempting to investigate further, Bailey is shocked when his contact ends up dead in mysterious circumstances and the police fail to investigate.  With Sydney on the verge of a race war, Bailey continues his investigation and soon uncovers proof about a dangerous conspiracy that aims to shake the very foundations of Australian life.  With only his old friend CIA agent Ronnie Johnson as backup, Bailey attempts to stop this plot before it is too late.  But with a seemingly untouchable enemy targeting him from the shadows, has Bailey finally met an opponent even more determined than he is?

This was an awesome and captivating novel from Ayliffe who once again produces an intense, character-driven narrative.  Set around some very relevant and controversial topics, The Enemy Within is a powerful and exciting novel that takes the reader on a compelling ride.  I had a fantastic time reading this clever book and I loved the fascinating examinations of one of the more insidious threats facing Australia.

Set in the blistering, smoke covered streets of early 2020 Sydney, this story starts with protagonist John Bailey engaged in a controversial story about the rising far-right wing.  After a predictably violent confrontation, the narrative takes off like a shot, with the protagonist investigating a series of concerning events, including several murders, racial attacks, and a re-opened investigation into an old story of his that sees the AFP raid his house.  Each of these separate investigative threads are drawn together as the book progresses, and the reader is treated to an impressive and deadly conspiracy with several clever allusions to real-world issues and events.  This was a very exciting and captivating novel to get through, and I found myself reading it extremely quickly, nearly finishing it off in a day.  The story leads up to an awesome and intense conclusion, where Bailey uncovers the entire scope of the plot and races to stop it.  While the identity of some of the participants is very clear since the character’s introductions, their full plan, methods, and reach are more hidden and it was great to see the protagonist uncover them all, especially as several were cleverly hidden in innocuous moments earlier in the novel.  There is even an excellent twist towards the end of the book that reveals a well-hidden antagonist, which I particularly enjoyed as it was so skilfully inserted into the story.  I ended having an excellent time getting through this amazing narrative, and this might be one of the best stories that Ayliffe has so far written.

One of the things that I have always enjoyed about the John Bailey novels is the way in which so much of the amazing story was tied to how extremely damaged the titular protagonist is.  John Bailey is a veteran reporter whose previous life as a war correspondent has left him extremely broken, especially after being tortured by a dangerous terrorist leader.  This eventually led to him becoming an alcoholic, which ruined his career and separated him from his family.  However, since the start of the series, Bailey has shown some real character growth, although this is usually accompanied by some traumatic events or tragic moments.  In The Enemy Within, as Bailey is still recovering from the loss of his lover at the end of State of Fear.  Despite making some strides to recover, Bailey is still reeling from the loss, and this becomes a major aspect of his character in this latest book.  This is especially true as Ayliffe does an outstanding job of highlighting the grieving process and showing Bailey’s feelings of despair.  It was really moving to see Bailey in this novel, and I was glad to see him continue to recover from all the bad events of his life, including stopping drinking and getting a dog.  However, Bailey still has an unerring knack to annoy the subjects of his stories, and he ends up getting into all sorts of danger.  It was great to see him getting to the root of this story by any means necessary, and I continued to appreciate his impressive development.

I also love the way that the each of Ayliffe’s novels feature some fascinating contemporary issues facing Australia or the wider world.  In The Enemy Within, the main issue is the rise of Australian right-wing and white supremacist groups in recent years.  Like in the rest of the world, these groups have been becoming a bit more prominent recently in Australia, and Ayliffe does an excellent job analysing this issue throughout his novel.  The author does a deep examination of the movement as the story progresses, and the reader is given a good insight into their concerns, motivations, and the reasons why the movement has been gaining progress in recent years.  There are some clever parallels between the events or people portrayed in the novel and real life, which was interesting to see.  Examples of this include the government allowing controversial right-wing figures into the country despite protests, and the reactions of certain right-wing media groups.  I liked how Ayliffe once again featured the character of Keith Roberts, a right-wing commentator who is a pastiche of several Australian radio personalities.  It was also quite fascinating to see how the concerns and motivations of the right-wing groups were extremely like some of the Islamic terrorists featured in State of Fear, with both groups feeling disconnected from and attacked by mainstream Australian society.  Not only is this extremely fascinating and thought-provoking but it also serves as an amazing basis for Ayliffe’s narrative.  The author does a fantastic job of wrapping his thrilling story around some of these elements, and it makes the overall narrative extremely relevant.

I also must highlight another significant contemporary inclusion that was featured in The Enemy Within, and that was the Australian Federal Police’s raids on Bailey’s house.  This police raid is a direct reference to a series of controversial raids that occurred on several media organisations, including ABC News (who Ayliffe works for), in relation to articles they published.  Ayliffe uses these real-life examples to really punch up what happens within The Enemy Within, and he produces some realistic scenes that were comparable to this.  The subject of the articles that prompt the raids are also very similar and feature another topic that is quite controversial in Australia in the moment, that of alleged war-crimes by Australian soldiers fighting in the Middle East.  Just like with the other divisive topics featured in this novel, Ayliffe did a fantastic job re-imagining these events in his novel, and it produces some excellent inclusions that will particularly resonate with an Australian audience.  I deeply appreciated the way in which he was able to work these events into his story, and I think that it made The Enemy Within a much more compelling and distinctive read.

I have to say that I also really loved the author’s use of setting in The Enemy Within.  This latest book is set in early 2020, when Sydney was surrounded by some of the worst bushfires in Australian history and the entire city was covered in smoke for months.  Ayliffe does an excellent job portraying these terrible conditions, no doubt drawn from his own personal experiences, and the reader gets a good idea of how difficult life was under those conditions (it certainly brought me back to that time, although we didn’t have it quite as bad down in Canberra).  Ayliffe uses this unique setting to full effect throughout the book and it provides some fitting atmosphere for the narrative, especially as the landscape reflects the simmering tensions flaring up within the city.  This was one of the more distinctive features of The Enemy Within, and I really appreciated the way the author used it to enhance his great story.  I also quite enjoyed the throwaway references to COVID-19, with none of the characters particularly concerned about it considering everything else that was happening, and I have no doubt that Ayliffe’s next novel will make great use of the pandemic in some way.

With his latest novel, The Enemy Within, Tim Ayliffe continues to showcase why he is one of the best new writers of Australian crime fiction.  The Enemy Within had an awesome and incredible story that perfectly brings in amazing contemporary Australian issues and settings, which are expertly worked into a thrilling novel.  I had an outstanding time reading this fantastic read and it comes highly recommended.

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