Quick Review – The Wrong Man by Tim Ayliffe

Publisher: Simon & Schuster (Trade Paperback – 3 July 2024)

Series: John Bailey series – Book Five

Length: 335 pages

My Rating: 4.5 out of 5 stars

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From one of my favourite Australian crime fiction authors, Tim Ayliffe, comes the fantastic 2024 novel, The Wrong Man, which sees the author’s damaged protagonist investigate a dark new crime in Sydney.

For the last few years, I have become a major fan of Australian author Tim Ayliffe, who has been producing some excellent books as part of his John Bailey series.  Utilising his experience as a journalist, Ayliffe has pulled together a series of compelling and complex crime fiction novels as part of a series that follows his journalist protagonist, John Bailey, as he finds himself part of a series of dark crimes.  Many of these books, which include The Greater Good, State of Fear, The Enemy Within and Killer Traitor Spy, cleverly reference or utilise real-world elements that have been impacting Australia, such as terrorism, espionage and the rise of right-wing extremism, to enhance their narratives, and I have really enjoyed the captivating Australian stories that emerge.  The fifth book in this series, The Wrong Man, presents the reader with a cool new case as Ayliffe expands his series with an excellent new protagonist.

Plot Synopsis:

The fifth novel in the John Bailey thriller series. Bailey is trying to solve two murders, ten years apart – unfinished business from his former flame Sharon Dexter. But will it cost him his life?

When Sydney socialite Tottie Evans is found dead at a house in Palm Beach, Detective Holly Sutton is called in to investigate. She immediately suspects the boyfriend, a millionaire property developer and ex-mercenary soldier, who refuses to cooperate with police.

Across the city, old-school reporter John Bailey – still haunted by the death of his girlfriend, former cop Sharon Dexter – gets a call about a break-in. It leads to the unearthing of an old case file on a murder at the men-only Sydney Club that Dexter had been pursuing a decade earlier. Her notes reveal a link between that murder and the killing of Tottie Evans.

Suddenly, John Bailey and Holly Sutton have the same mission. And for Bailey, this is a chance to finish a job for the woman who saved his life.

The only problem: a serial killer is already serving a life sentence for the Sydney Club murder.


The Wrong Man
was a very impressive addition to the John Bailey series that sees the protagonist dragged into a series of dark murders.  Ayliffe pulls together an intense, compelling and character-focused narrative that makes great use of its protagonists to tell a layered and complex story of murder, secrets and redemption.

The plot of The Wrong Man is cleverly told from the perspective of three central characters, each of whom have their own unique contribution to the overarching story.  The central character is John Bailey, Ayliffe’s damaged series protagonist who has managed to rebuild his life after the trauma of the earlier books and now serves as a mostly balanced figure, determined to uncover the truth no matter what.  Forced to investigate two murders, including a recent slaying and an older killing that his dead former love interest solved, Bailey finds old pain coming to the surface again and must also face interference from one of his only friends, CIA spy Ronnie Johnson, who is trying to stop Bailey’s investigation into a prominent military contractor.  Bailey is backed up in this book by his current love interest, reporter Annie Brooks, whose own journalistic interest in the case is supported by her connection to one of the suspects.  The two of them prove to be an effective team, although I felt that the third central protagonist, Holly Sutton, was the one who stole the show.

Holly Sutton is a new police protagonist who is assigned to investigate the murders Bailey and Brooks are looking into.  Another highly damaged protagonist who has issues with debts and her own past, Sutton proves to be a jaded figure in the investigation.  This is enhanced by her realisation she has a dark connection to the case, especially when a cover-up she was inadvertently involved with forces her to keep key facts hidden from her boss.  This adds an additional element of secrecy to the plot, which works well alongside the complimentary storylines of the other protagonists.  Ayliffe presents a tight and exciting narrative for the entirety of The Wrong Man that goes in some intriguing directions.  I felt that the compelling mystery comes together extremely well, and the character-driven storylines are brought together in an exciting and high-stakes manner.  I felt that this was one of Ayliffe’s stronger stories, and I honestly powered through it in no time at all.

As with his preceding narratives in the John Bailey series, Ayliffe cleverly utilises some real-life Australian issues and themes in The Wrong Man, which I always enjoy, and which I feel gives some extra realism and impact.  This includes some interesting references to current Pacific politics and alliances, with the protagonist’s ability to interrogate a potential suspect impacted by the CIA, who have a vested interest in the area.  Ayliffe also provides some examinations of police corruption in the story, with the long-term impacts of cover-ups, conspiracies and other darker elements of the police, such as sexism, having a compelling role in the plot.  Other compelling inclusions examine the roles and responsibility of journalists in modern society, as well as some interesting references to reality television stars.  I really felt these elements worked well alongside the crime fiction storyline, and Ayliffe expertly utilises and explores these in the plot.

Overall, The Wrong Man was a fantastic and powerful piece of Australian fiction that once again highlights Tim Ayliffe’s ability to tell a compelling and intense narrative.  Cleverly continuing the author’s series while also exploring cool new protagonists, The Wrong Man was an excellent and captivating read that I had an outstanding time getting through.

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The Housemate by Sarah Bailey

The Housemate Cover

Publisher: Allen & Unwin (Trade Paperback – 31 August 2021)

Series: Standalone

Length: 454 pages

My Rating: 5 out of 5 stars

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Impressive Australian author Sarah Bailey returns with The Housemate, an outstanding and intense murder mystery that takes a complex protagonist through a dark journey as they attempt to solve an infamous murder.

It was the crime that shocked all of Australia: one night, after a fractious party in the suburbs of Melbourne, three female housemates would become infamous for all the wrong reasons.  In the morning, one of the housemates is found brutally murdered, another is found covered in her blood, while the third goes missing and her body is never found.  Dubbed the Housemate Homicide, the unexplained murder, the mysterious disappearance, and the subsequent controversial court case has baffled and enthralled the country for years.  This includes Olive Groves, a journalist who got her first big break covering the murder and who then became obsessed with cracking the case.

Nine years later, the body of the missing housemate is found in a remote property in the Victorian countryside.  Despite dealing with her own dark personal issues, Olive is assigned to cover the story, and soon finds herself once again dragged into her deepest obsession.  Teamed up with millennial podcaster Cooper Ng, Olive begins to immerse herself in the details of the murder, reigniting her fiery obsession.

As Olive and Cooper work to uncover new details about the case and the three women at the heart of it, they start to make some startling discoveries.  None of the housemates were what they seemed, and all had dark and terrible secrets that have remained hidden for years.  What really happened to these three friends, and what secret was so terrible that they would kill to protect it?  Olive is about to discover that there is a dark conspiracy at work throughout this case, one whose roots may lay far closer to home than she ever imagined, and whose discovery may end up breaking her.

This was an incredible and extremely clever dark murder mystery from Sarah Bailey, who has previously produced some impressive and compelling pieces of Australian fiction.  The Housemate was pretty exceptional read and I quickly found myself getting really caught up in this remarkable and well-written piece of crime fiction.  The author weaved together a dark and compelling tale of betrayal, murder and tainted love, featuring an extremely damaged protagonist and multiple epic twists.

The Housemate has a pretty amazing and memorable murder mystery narrative that follows a reporter as she attempts to uncover the truth behind an infamous cold case.  Bailey does a great job setting up the plot of this book in the early pages, showing the protagonist’s involvement in reporting the initial discovery of the murder, before initiating a time skip nine years in the future.  Once there, the author spends a little time exploring how the protagonist’s life has changed in the intervening years, before swiftly starting the next stage of the mystery, with the discovery of a body out in the Victorian countryside that has connections to the murders.  The rest of the book flows by at a quick pace after this, as the reader gets stuck into the re-opened investigation.  Bailey starts the various twists flying early, and the reader is soon struck with a series of theories, leads, potential suspects and connected side characters, all of which add to the overall tapestry of the mystery, while also serving to keep you guessing about who is responsible for the murder, and that isn’t even mentioning the compelling flashbacks from the surviving housemate.

As the investigation continues, The Housemate’s story continues to get even more complex, as the personal life of the protagonist, Olive, gets dragged into the plot, especially as Olive is in a complex relationship with the widower of the primary police investigator of the original case.  This results in some extremely intense moments as Olive begins to suspect everyone, which has a major impact on her grip on reality.  I deeply appreciated the psychological thriller aspects that were worked in, as the reader starts to really question Olive’s grip on her sanity, and it helped to make the story even darker and more unpredictable.  Everything really kicks off in the final third of the novel, especially after the case becomes even more potentially convoluted and connected to a wider conspiracy.  There were some great reveals in this final third of the novel, and a pretty major and surprising event that really changes everything.  I found myself absolutely glued to this book in the final stages, as I couldn’t wait to see what happened.  While I did think that the author was a little too heavy handed when it came to suggesting that one particular character was the murderer, I thought the eventual reveal of who was behind everything was extremely clever.  The solution to the historic murder was very impressive, especially as some of the elements were set up extremely early in the novel and you didn’t even realise it.  I really loved the impressive way the case was wrapped up, although the end of the final confrontation was a tad too coincidental for my taste.  Still, it was a really great way to finish the novel, and I was well and truly hooked by this awesome and dark tale of murder.

You can’t talk about The Housemate without mentioning the author’s great characters, especially protagonist, Olive Groves (a fun name).  Olive is a complex and damaged woman, who has been obsessed with the novel’s central case ever since she saw the suspected killer and the various family members emerging from the house during the initial media coverage.  Years later, Olive now has a complex life, as she is living with the controlling widower of the cop who was originally investigating the crimes, something she is immensely guilty and conflicted about.  Her already fragile mental state is put at risk when she starts working on the latest developments in the Housemate Homicides case, which reawakens her long-dormant obsession.  This obsession drives her to investigate the case by any means and takes her to some dark spaces as she tries to get into the head of the three housemates and figure out what happened to them.  Olive slowly goes downhill as the novel progresses thanks to a combination of stress, obsession, anger, and multiple personal reasons, such as the actions of her emotionally abusive partner and her own massive guilt for sleeping with him while his wife was still alive.  Olive has a big breakdown towards the end of the novel, especially after a major surprise event, and it was fascinating to see such a dramatic and powerful burst of emotion.  This compelling personal crisis is perfectly worked into the plot of the book, and it really helped to enhance the main murder mystery storyline, especially as you become really concerned for Olive’s mental and physical safety.  I appreciated the way in which Bailey wrapped up Olive’s character arc by the end of the novel, and I cannot emphasise what an impressive bit of character work Bailey did around her.

Aside from Olive, there is a great collection of complex side characters throughout the novel, each of whom play a vital role in the case.  The main one is Cooper Ng, the socially shy tech expert and social media whiz who is assigned to help Olive investigate, with the two required to develop a new podcast for their paper.  Cooper is a fun and energetic figure who stands as the complete opposite to Olive’s gruffer and irritable personality.  Cooper and Olive make for an interesting partnership throughout the book, and it was fun to see them combine their vastly different skills and experiences.  The author also spends a bit of time examining each of the three housemates who were at the centre of the book’s mystery.  It initially appears that all three were bright and optimistic students when the fateful night occurred.  However, as the book progresses you begin to see that they are a lot more complex than that, with all three involved in something dodgy.  Seeing how they were driven to the events that occurred the night of the killing is pretty fascinating, and I really appreciated the dark and intense storyline that Bailey weaved around them.  All these characters, and more, added a lot to the story, and I loved the fantastic and realistic interactions that occurred within.

The final thing that I wanted to highlight about The Housemate was its interesting examination of Australian journalism.  I have always rather liked journalist protagonists in fiction, due to their less formal way of investigating crimes, and this worked very well in the context of The Housemate, with Olive employing some interesting methods to get answers.  The focus on obtaining information for a story rather than attempting to bring someone to justice is very compelling and I loved seeing the protagonists setting up stories and podcasts.  I also quite enjoyed the interesting examination of the evolving form of journalism that was represented by the two main characters, Olive and Cooper.  Olive is the more old-school reporter, who just wants to do good journalism without resorting to popular gimmicks.  Cooper, on the other hand, is the flash new kid, focusing on social media and podcasting, which he sees as the future of journalism.  This fun comparison between reporting styles formed an interesting basis for their partnership, especially as they are brought together to do a podcast on the murders, and I felt that this was a great inclusion to an already exciting and entertaining narrative.

The Housemate by Sarah Bailey was an exceptional and captivating read that I had an outstanding time reading.  Featuring a dark and thrilling mystery storyline, this Australian murder mystery was incredibly addictive, especially once you get caught up in the unique investigation and complex personal life of the protagonist.  I really enjoyed seeing this fantastic story come together, and I was really impressed with how Bailey tied her brilliant mystery together.  Easily one of the best pieces of Australian fiction I have read all year, The Housemate gets a full five-star rating from me and is a very highly recommended read.

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