The Perfect Assassin by James Patterson and Brian Sitts

On January 10, 2023February 2, 2023 By The Unseen LibraryIn ThrillerLeave a comment

The Perfect Assassin Cover

Publisher: Century (Trade Paperback – 15 November 2022)

Series: Standalone/Book One

Length: 317 pages

My Rating: 4.25 out of 5 stars

The team of James Patterson and Brian Sitts present one of the most unique thrillers of 2022 with The Perfect Assassin, a sharp, exciting read that pays homage to a classic pulp hero.

Readers of this this blog will remember that I only started reading the works of the iconic and exceedingly productive James Patterson a couple of years ago and I have so far enjoyed several of his more interesting books. This includes Lost (co-written with James O. Born), 2 Sisters Detective Agency (co-written with Candice Fox), Blowback (co-written with Brendan DuBois) and one of my favourite books of 2022, Death of the Black Widow (co-written with J. D. Barker). I have had a great time with each of these cool reads, and when I heard the plot of one of Patterson’s latest books, The Perfect Assassin, I knew I had to read it. The Perfect Assassin is fifth collaboration between Patterson and fellow thriller author Brian Sitts and presents the reader with a really fun and intense story that had an intriguing connection to a classic adventure series from the past.

Dr Brandt Savage is an anthropology professor at the University of Chicago, leading a less-than ordinary life and often ignored by his colleagues and students. His only real plan in life is to disappear to some exotic locale on an upcoming research sabbatical. However, the sabbatical is going to become far more extreme than anything he imagined when he is kidnapped from the university campus and imprisoned inside an isolated and hidden warehouse.

Savage’s kidnapper is a beautiful and deadly killer, known only as Meed, who informs Savage that his life needs to change. Forcing him to undertake an intense and extended physical and mental training regimen, Meed begins to mould him into a completely new person, one who is stronger, smarter, and more dangerous than anything Savage could ever imagine. But even after six months of the most brutal training imaginable, Savage is far from ready for what is to come.

Meed is running from her own past and the dangerous people who turned her into a lethal killer. To survive, she needs Savage’s help, especially if she can use her training and conditioning to bring out the genetics of his legendary ancestor, the original Doc Savage. Savage is soon dragged into a new and terrifying world of killers, assassins and secret organisations, all of which are connected to his family’s terrible legacy. Forced to work with Meed, who has her own link to his family, Savage begins a new adventure worthy of his ancestor. But is he enough of a Savage to survive the experience?

This was a very fun and exciting novel from the team of Patterson and Sitts, and I am really glad I decided to read it. The two authors have come up with an awesome story for The Perfect Assassin, which blends a thrilling modern tales with some interesting connections to the classic Doc Savage pulp novels.

The Perfect Assassin’s story starts in a very cool and intense way when Brandt Savage is kidnapped by the mysterious Meed and finds himself being brutally trained to bring out his best self. The first half of the book sets up the entire novel very well, as it is split between chapters told from Savage’s perspective as he undergoes his training, and chapters from Meed’s perspective that either explore her childhood being raised in deadly assassin school or show her current missions against some of her former classmates. This results in quite the compelling narrative, especially as you begin to appreciate the contrasts between Meed’s past and her current actions with Savage. The authors introduce some big revelations about both primary characters and their ancestors that results in a complete change to the narrative format for the second half of the book, especially as there is a big focus on the protagonist’s connection to Doc Savage. There the narrative is firmly set in the present with the characters working together on a sped up and action-packed chase around the world that ended up with several big confrontations. Everything ends with a ton of action, and while the plot was wrapped up way too quick, you have so much fun getting there that you do not mind too much.

I felt that Patterson and Sitts’s writing style for The Perfect Assassin helped to enhance this awesome narrative, especially as everything was set up to compliment the fast-paced story. The author’s use of short, sharp chapters really moves the story along. At the same time, the blend of multiple perspectives, especially those shown from Meed’s childhood in the first half of the book, allows for them to efficiently tell a more complex tale, especially as it provides greater detail about Meed and her motivations in short and exciting order. Throw in a ton of action, some quick, but well received character development, and a good selection of sudden twists and revelations and you will be flying through this book in no time at all. I really appreciated the way that Patterson and Sitts set this book up and their style of writing, as well as the memorable narrative, made it very hard to put down, especially when you could keep seeing the end of the next chapter just around the corner every time you turned the page.

Easily one of the most interesting parts of this book is the fantastic connection that it bears to the classic pulp character of Doc Savage and associated media. Patterson and Sitts’s unique narrative serves as a multi-generational successor to the original novels, with the plot focussing on multiple aspects of the Doc Savage lore and characters. Not only are the main characters related to iconic Doc Savage figures, but the entire plot revolves around the consequences of Doc Savages origins, with aspects of it coming into play with the new Savage and his training, but also with the assassin school that Meed was raised in (which was such a cool setting btw). Now, I have to admit that I am not particularly familiar with the Doc Savage media (it is well before my time), but it was very clear that the authors loaded The Perfect Assassin with a ton of homages to the original books, with references to characters, settings, plot lines and other Doc Savage elements. At the same time, the authors seek to modernise the story to a degree, giving parts of the characters’ origins a darker and more morally ambiguous edge. These Doc Savage elements were made pretty accessible to new readers, and even those people who aren’t that familiar with the old-school character should be able to follow what is happening (a quick online search probably wouldn’t hurt though). Naturally, fans of the original pulp novels are going to have the most fun with this book, especially as they will be able to recognise all the references I missed. I did think that they might have slightly overdone some of the Doc Savage elements towards the end of the book, with a Doc Savage inspired speech and certain super-human abilities making the story way sillier than it needed to be. However, I ended up having a ton of fun with all these fantastic Doc Savage references in The Perfect Assassin, and I think quite a few readers will appreciate how Patterson and Sitts endeavoured to bring the one of the first superhuman characters into a whole new age.

Overall, The Perfect Assassin was one of the more unique and awesome thrillers of 2022 and I had an outstanding time getting through it. The great team of James Patterson and Brian Sitts produced a fantastic and compelling story that quickly draws you in and keeps you interested with its action, amazing developments, and distinctive relationship to a historic piece of action/adventure media. It will be great if Patterson and Sitts present some sequel to The Perfect Assassin in the future. If they do, I will be sure to grab a copy, especially if I am in the mood for some easy-to-read excitement.

Amazon Book Depository

Seventeen: Last Man Standing by John Brownlow

On October 30, 2022 By The Unseen LibraryIn Thriller2 Comments

Seventeen Cover

Publisher: Hodder & Stoughton (Trade Paperback – 26 July 2022)

Series: Standalone/Book One

Length: 409 pages

My Rating: 4.5. out of 5 stars

Amazon Book Depository

Acclaimed screenwriter John Brownlow presents one of the most entertaining and awesome debuts of 2022 with the compelling action thriller, Seventeen: Last Man Standing.

In the shadowy world of contract killers, assassins, and rogue operatives, the man at the top of the totem pole is simply known by a number. For over 100 years, these elite assassins have kept the world in order by committing kills for every government, no questions asked. Sixteen individuals have previously held the title as world’s greatest assassin during this time, and the current holder of the title is Seventeen. Feared by every killer around the world, Seventeen knows that his career can end at any moment, as it only takes one mistake for an ambitious assassin to take his place and become Eighteen.

After completing a mysterious job in Berlin, Seventeen finds himself at a crossroads, concerned about his future and considering his past. However, everything is put on hold when his handler gives him startling clues that hint that his predecessor, Sixteen, who had vanished without a trace, is still alive. The only way for Seventeen to keep his position in the assassination hierarchy is to kill the man who held the title before him, and if he refuses every assassin in the world will be on his back. Tracking Sixteen to a location in the middle of nowhere, South Dakota, Seventeen finds his target hidden in a fortress, and must try to find a way to kill the only assassin the world who might be better than him.

As he plans for what might be his greatest kill, Seventeen finds himself caught between all manner of complications. Not only is his target near perfectly protected, but he soon finds himself falling for a girl in the local town. Worse, it appears that his latest job may have been a setup, and now Seventeen finds himself one of the most wanted men in the world. Caught between his deadly predecessor and every assassin and government agency on the planet, can Seventeen once again prove that he’s the best in the world, or is someone about to take his title and become Eighteen?

Brownlow presents an exciting and captivating read with his debut novel, Seventeen (also titled Seventeen: Last Man Standing), which I had an amazing time reading. Featuring an action-packed and incredibly fast-paced story, I ended up powering through Seventeen in a bit over a day, and I had a fantastic time doing so.

I absolutely loved Seventeen’s outstanding narrative, which pits rival assassins against each other in an entertaining and impressive fight for survival. The story is primarily told from the perspective of Seventeen, who is recounting his adventures to the reader. Starting off with a brutal mass assassination, you quickly get a handle on the protagonist, his skills and his quirky style, as he commits several murders, before getting involved in another job. From there, he finds himself coerced into finally hunting down and killing his missing predecessor, Sixteen, to secure his reputation. Forced to find a way around Sixteen’s elaborate security, Seventeen starts to grow close to a woman in the local town, while also considering his future and the potential fallout from his last mission. At the same time, there are a ton of flashbacks to Seventeen’s tragic past, which show how he became a killer and his road to becoming the world’s top assassin. Seventeen’s eventual attempt on Sixteen leads to a massive confrontation, where nothing goes the way you think it will. There are some great confrontations in the second half of the book, and the fights between Sixteen and Seventeen are pretty damn epic. Throw in some dangerous outside interference and a massive conspiracy, and you are left with an excellent and powerful narrative that you really struggle to put down, even if it is very, very late at night.

Brownlow did a wonderful job setting his story out, and it was designed to keep your constant attention. I have already talked about how much I enjoyed the fast pace of this book, and there are literally no slow spots during this read as the protagonist is constantly recounting action, spycraft, fun interactions, character development or flashbacks to his tragic past, all of which proves to be extremely entertaining. The author makes excellent use of a substantial number of shorter chapters, which really helps with the pacing, as you are more likely to decide to keep reading for another chapter when it is only a few pages away. This, combined with the exceptionally written and highly detailed fight sequences, really keeps your eyes attached to the page. There are a ton of highly cinematic action scenes in this book, including shootouts, car chases, hand-to-hand fights, and even a bad encounter with a bear, which were very fun to read. I also loved the fantastic depictions of assassination tradecraft contained within this book, and Brownlow provides an intriguing look at the protagonist’s preparations, as well as the unique methods he uses to find his target. There are some very fun moments featuring the protagonist’s attempts to get close to Sixteen, and Brownlow writes a very entertaining story around death and assassination. All this action and quick-paced writing melds well with the author’s excellent sense of humour, and there a ton of great jokes, entertaining observations and unusual situations that add a good comedic edge to much of the book. These elements, as well as an outstanding central protagonist, really increased my enjoyment of the narrative, and I cannot emphasise enough how quickly I was able to fly through this book.

Finally, I rather enjoyed the fantastic characters contained within this book, as Brownlow writes an excellent story around them. Naturally, the attention is primarily on the titular Seventeen, who tells most of the story. Seventeen is a very enjoyable character to follow and I grew attached to him very quickly. As smooth and talented as any movie assassin or action hero you are likely to find, Brownlow adds in some interesting personality traits that worked really well. Not only does he have a brilliant sense of humour, which really comes across in the first-person writing style, but there is also a notable bit of weariness at the assassination lifestyle deep within him, which starts to drag at him as the book continues. Despite a successful life as a killer, he is starting to regret some of his more recent actions, and this change of mindset becomes a key part of his character arc, especially when other dangerous individuals start to sense it. Brownlow also comes up with a suitably tragic and compelling backstory for Seventeen, which is slowly revealed to the reader as the novel continues. This backstory was pretty deep and traumatic, and it helps you to bond even more with Seventeen, once you see all the terrible things that drove him into his current career, and these elements really help cement him as an amazing and flawed central protagonist. Additional characters I need to highlight include Sixteen, who serves as a fantastic foil to Seventeen, especially as he has the veteran instincts and a much more defined sense of cynicism, while also being haunted by the ghosts of his past. I also deeply enjoyed the female leads of Kat and Barb, who serve an interesting role in the book. While they are primarily used as damsels in distress for most of the book, Brownlow does add in some fantastic backstory and gives them each their own defining moments, which I enjoyed. Plus, both are the biggest critics of the two main assassins in this book, and their fun takes on their deadly rivalry are pretty entertaining. These characters, and more, add a great deal to the plot, and I enjoyed getting to know them here.

Overall, Seventeen was a pretty awesome novel that I had an epic time reading. John Brownlow’s outstanding debut had all the action, adventure and fun characters you could ask for, and I found Seventeen to be quite an addictive read. I look forward to seeing what this intriguing new author presents in the future, and I have a feeling that Brownlow is going to be an exciting voice in thriller fiction for years to come.

Amazon Book Depository

Warhammer 40,000: Assassinorum: Kingmaker by Robert Rath

On July 9, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer11 Comments

Publisher: Black Library (Audiobook – 2 April 2022)

Series: Warhammer 40,000

Length: 11 hours and 12 minutes

My Rating: 5 out of 5 hours

Amazon Book Depository

The most lethal assassins in the Warhammer 40,000 universe go face to face with a gigantic foe in the impressive and deeply thrilling Assassinorum: Kingmaker by amazing author Robert Rath.

I know I’ve said this before, but 2022 is turning out to be a fantastic year for Warhammer fiction. Thanks to my recent obsession with this franchise, I have been deeply enjoying all the new tie-in novels associated with this table-top game, as a bevy of talented authors seek to expand on the already massive lore. I have already had a lot of fun with books like Steel Tread, The Bookkeeper’s Skull, Day of Ascension, Kreig, Ghazghkull Thraka: Prophet of the Waagh!, Reign and The Vincula Insurgency, but I may have just finished one of the most purely entertaining and awesome new entries, Assassinorum: Kingmaker. Written by Robert Rath, who previously wrote the intriguing Necron focused book, The Infinite and The Divine, Assassinorum: Kingmaker had a very appealing story that instantly grabbed my attention and which ended up being an outstanding read.

In the 41^st millennium, a new generation of war has engulfed the Imperium of Man, as the forces of Chaos press mankind from all sides and the recently resurrected Roboute Guilliman leads his forces on a new crusade. Enemies attack the Imperium from all corners, often hidden in the shadows, and all the Emperor’s agents must work to find and eliminate them. The most deadly, effective and feared of these agents are the members of the Officio Assassinorum, elite modified assassins who kill all of the Emperor’s enemies without mercy or fear, and who many believe are merely myth.

When the mechanical warriors of the Knight World of Dominion fail in their duty, the Imperial overlords task Vindicare assassin, Absolom Raithe, to travel to the planet and kill Dominion’s High Monarch, Lucien Yavarius-Khau, and managed the succession of a suitable replacement. However, this will be no easy kill as the High Monarch has long ago bonded himself to his massive war machine, remaining permanently within its heavily armoured cockpit. To kill this near-invulnerable king, Raithe is forced to recruit a kill-team with variable talents, featuring the Callidus assassin Sycorax and the Vanus assassin Avaaris Koln.

Infiltrating the planet using returning Knight, Sir Linoleus Rakkan, who has been co-opted into their plans, the assassins arrive to find a world in turmoil. The planet’s two rival ruling houses are in constant battle with each other, and in the ensuing chaos, anti-Imperial sentiment is high, and the already invincible High Monarch is under heavy guard. Seeking to infiltrate the court of Dominion, the kill team begin to manoeuvre themselves into position, while manipulating the feuding knights around them. However, the assassins soon begin to realise that not everything is as it seems, and a dark secret lies at the heart of this noble planet. Can Raithe’s team achieve their goals, or are they destined to die at the hands of a dangerous foe with malicious plans for the entire Imperium?

Damn! Damn! Damn! What an over-the-top and extremely cool Warhammer 40,000 novel that I deeply, deeply loved. Robert Rath really went out of his way to make Kingmaker as awesome as possible, and the result is an extremely thrilling, electrifying and epic read, loaded with so many cool elements. This was honestly one of the best Warhammer novels I have had the pleasure of reading and I have very little choice but to give it a full-five star read.

I really, really loved the cool story in this book, which essentially boiled down to ultra-elite assassins attempting to kill the king of a planet of mecha, which is such an awesome idea. Despite this being a heavy concept to achieve, Rath managed to achieve it in spades, providing readers a fantastic and clever narrative that instantly grabs your attention. This book starts off extremely well, introducing the world of Dominion, the unique mission, and the four central characters of the three assassins, and their Knight patsy, and generally setting up all the key elements of Kingmaker to ensure some outstanding moments later. From there, the story turns into a bit of an espionage thriller, as the three assassins begin their infiltration of the court, impersonating the knight Rakkan, and coming to grips with the unique world they have arrived at. Rath provides an excellent balance of story elements in this first half of the novel, and the reader gets a fantastic mixture of character development, massive universe building, political intrigue, spy elements and some early mecha-action, all of which is a ton of fun and ensures that the reader is firmly addicted with this novel.

While I deeply enjoyed the excellent story elements contained with this first half of Kingmaker, it’s the second half that made me a major fan of this book, as Rath amps up the action, excitement and thrills in a massive way. Following a major, action-packed moment around the halfway mark that sees all the characters in their element, the protagonists soon have a new objective. This leads to several great sequences of entertaining mayhem and death as the protagonists attempt to manipulate local politics to their advantage. However, the fun doesn’t last much longer, as the book enters its final phase and big conclusion. While it initially appears that everything is going to plan, you just know it will end badly as there is still a lot of book left to go. However, you do not appreciate just how bad things have gotten for the protagonists until they are suddenly hit from every direction and hell reigns down all around them.

The story essentially devolves into all-out war for its last quarter, as the protagonists find themselves facing enemies all around, and all four main characters are forced go in some amazing directions at this point as they attempt to stymie the damage before them, with varying degrees of success. Rath really pulls out all the stops here, and the reader is dragged into non-stop action on every front, from a mass of deadly mecha fights, close combat against abominations in the bowels of an ancient castle, and an intense gun fight against overwhelming numbers. At the same time, there are a ton of big revelations occurring here as a lot of the storylines Rath has been patiently setting up throughout the rest of Kingmaker finally come to fruition. I honestly did not notice some of the clues that Rath set out in the earlier stages of the novel, but once you realise what he has done, it really becomes apparent how much detail and planning the author put into the story. Everything comes together extremely well at the very end, and Rath wraps up most of the storylines perfectly, leaving the reader very, very satisfied, with all their action needs firmly quenched. However, he also leaves a couple of storylines opened, which could potentially lead to some form of sequel in the future, which I would be very excited for. An, epic story with so much going for it!

Rath has a great and exciting writing style which I deeply enjoyed and which I found to really enhance the cool story. The author was able to successfully blend multiple key elements together into a very cohesive narrative which delivered the right combination of action, intrigue, character moments, world building, a little humour and more. This was a very fast-paced and exciting story, especially during some of the key moments at the centre and towards the end, and there was honestly not a single slow moment that made me even considering turning this book off. With the use of multiple character perspectives, particularly of the four main characters, the reader is gifted a massive overarching view of the key events occurring throughout the novel, and they are always right in the centre of the story. I particularly need to highlight the very impressive action sequences, as Rath had a real talent when it came to displaying violence and death, whether it be by the hands of the assassins, or via the multiple Knights featured throughout the book. There is a wonderful interchange between perspectives during some of the more impressive action sequences, with the reader is shown multiple angles of key events, which really helped to enhance how epic they were. I was really drawn to one sequence where you see a group of characters “talking” before it flashes over to another character quickly and efficiently killing everyone nearby. Elements like this really drew me into Kingmaker’s story and were a lot of fun to see in action.

Kingmaker proves to be a very impressive addition to the Warhammer 40,000 canon, especially as Rath ensures that the reader leaves with a healthy amount of knowledge about the universe, and several major factions within it. Ostensibly a standalone read (although there is room to expand out into an extended series), this is a book that will appeal to a wide range of Warhammer fans, especially as it focuses on two particularly unique and brilliant Imperial sub-factions, the dual use of which clash together perfectly to create an awesome narrative. As such, a little bit of pre-knowledge about the Warhammer 40,000 universe, its recent history and the various major groups are useful to help you enjoy this story fully. However, Rath did a great job of explaining a lot of these key universe elements throughout his story, and general science fiction fans should be able to pick up on the context easily enough. As such, Kingmaker has a pretty broad appeal, and I loved seeing the great ways he expanded and explored some crazy groups.

The first faction that Rath deeply explored in Kingmaker is the Officio Assassinorum, the Imperium’s elite, hidden network of ruthless trained killers, who most people believe are a myth. Trained, conditioned and modified to become the deadliest killers in the galaxy, the Officio Assassinorum are a pretty badass part of the Warhammer 40,000 universe, and there are only a few novels currently about them. However, Rath really goes to town exploring them, and as they come together as a Kill Team to take facilitate the plot’s main mission. Kingmaker features three different types of Imperial assassins from Officio Assassinorum temples, each of whom has their own unique skills, methods and technology. As such, you are given a great insight into three additional sub-factions, with the Vindicare, Callidus and Vanus temples all featured here. Rath really does a great job showcasing these different assassins throughout Kingmaker, and you come away with some major insights into how these assassins operate, what their skills are, and how they work or don’t work together. There is also a deep and intriguing examination of the inner minds of these assassins, and you get a good idea of their opinions on the events unfolding, as well as their general thoughts on being deadly killers in service to the Emperor. I really enjoyed the unique and compelling team-up of assassins featured in Kingmaker, and their technologically focussed attacks and elaborate methods worked well in contrast to the other major faction in this book, the Imperial Knights.

Imperial Knights are another great human sub-faction from the Warhammer 40,000 game, and one that I really didn’t know too much about before this novel. However, that changed really quickly as, despite Kingmaker being labelled as an Assassinorum novel, Rath spent just as much time, if not more, examining members of a Knight World. Knight Worlds in the Warhammer 40,000 universe are unique planets that have evolved into a feudal system equivalent to Earth’s medieval period, with peasants and other servants serving the noble houses who field Knights for war. I always love seeing the cool range of different societies, cultures and technology levels throughout the Warhammer universe, and the Knight Worlds are especially fun, as they have gone out of their way to stay as a feudal society, rather than become standard Imperial worlds. The contrast between the spoiled nobility and the poorer peasants in this futuristic context is just great, and I loved seeing so many Medieval elements being altered to fit into a degree of advanced technology, while still retaining a lot of traditional elements (e.g. footmen with laser rifles). However, rather than riding to battle on a horse, these knights are mounted in the Imperial Knight war machines, massive mecha that, while not as large as the god-sized Titans, are still impressive walking weapons. Rath has a lot of fun showcasing these Knights throughout Kingmaker, and you end up getting a good look at the unique machines, which are bounded to their pilot, and which contain the spirts of all their previous riders. The impressive Knight-on-Knight battles throughout the book are extremely good, no matter their context, and I particularly enjoyed the focused look at the war machines’ apparent sentience, as the riders are bombarded with the thoughts and voices of the previous riders.

Dominion also proves to be a great and complex setting for Kingmaker, and I loved all the unique politics and elaborate back stabbings it created. Featuring two rival houses, Stryder and Rau, as they battle for supremacy, Rath explores its rather elaborate and distinctive rulership and court as the assassin characters search for a weak spot. Dominion’s status as a somewhat independent planet in the Imperium was also pretty intriguing, and it was fascinating to see members of the planet arguing over whether they should serve themselves or help the Emperor. An overall deeply impressive examination of the Imperial Knights and their worlds, I deeply enjoyed how well Rath was able to work this faction into his complex narrative and it really highlighted his attention to detail and his love for the lore.

I also need to highlight the great characters featured within Kingmaker as Rath has created an excellent collection of enticing figures whose unique personal stories deeply enhanced the overall tale. This was a fantastic group of deep and complex characters, and their statuses within this universe ensured that they all had some unique experiences. Most of Kingmaker’s narrative is spread amongst the three members of the Assassinorum who represent a different Assassinorum Temple, and as such have very different viewpoints on the universe and the best way to operate as killers. This provides some compelling initial conflict amongst them as they try to work together, something none of them are really good at. However, they soon start to come together as a team as the novel continues, and they ended up playing off each other’s strengths and personalities to create an excellent, core group of protagonists.

The Assassinorum characters in Kingmaker are headlined by Absolom Raithe, the Vindicare assassin who has been appointed team leader. An infamous sniper, tactician, and resolute loner, Raithe struggles the most with working as a team, and his initial attempts at leadership aren’t that successful. The author adds in some additional issues for Raithe as the story continues, especially as he is forced to deal with an injury and taking on roles that are outside his comfort zone, producing some dangerous risks for the team. However, Raithe ends up growing a lot as a leader as the book continues, while his multiple sniper scenes contain some of the best action in the entire novels.

Apart from Raithe, there is also a lot of focus on Sycorax, a Callidus assassin who specialises in infiltration and whose enhanced abilities allow her to morph her shape. Due to her role impersonating Rakkan for most of the novel, Sycorax is one of the most significant characters in the book, and she ends up with some thrilling and intrigue laden sequences. Watching her take on multiple personalities throughout the novel is really cool, and it was captivating to watch her more elaborate methods strongly clash with Raithe’s more direct attempts throughout the book. Sycorax also provides the reader with some of the best and most intense insights into being an Imperial Knight pilot, as she is required to bond with Rakkan’s Knight Jester for much of the book. Seeing an outsider character interact with Jester’s mind, which contains the spirits of its previous riders, was extremely fascinating, and you get a good sense of the difficulties and insanities involved with piloting such a machine. In addition, the experiences and memories she obtained from the link impacted on Sycorax’s psyche and ensure that she gets some fantastic interactions with Rakkan, while also gaining a better understanding of the people and machines she is trying to manipulate.

The final assassin character in Kingmaker is Koln, a Vanus assassin with a skill in technology, data manipulation and analysis. Even though Koln tended to get the least focus of the assassin characters, I really grew to like this tech-focused assassin, especially after her awesome introduction at the start of the book. Koln proved to be an excellent third member of the Assassinorum team, balancing out the impulsive Raith and manipulative Sycorax well. Her ability to kill just by manipulating some data, providing an elaborate forgery, or by hacking into a device was really fun, and I really appreciated the examination of the lesser utilised Vanus assassins. Koln had some interesting story moments in Kingmaker, particularly towards the end of the novel, and it sounds like the author has some intriguing plans for her in the future.

I also need to highlight the character of Sir Linoleus Rakkan, a noble of Dominion who is co-opted into the plans to kill the high monarch and becomes a member of the assassin team. At the start of the book, he is introduced as an ambitious pilot attempting to raise his fortunes. However, after nearly being killed, he becomes a mercenary Freeblade, fighting against the forces of Chaos, before being kidnapped by the assassins. Initially a depressed prisoner who relies heavily on drink to mask his emotional pain and the issues surrounding his disabled legs, the assassins manage to convince him to help Sycorax impersonate him on Dominion and use his return to gain access to the court. Due to being a son of both the rival Stryder and Rau houses, Rakkan provides some great insights into both houses and the royal court, as well providing instruction on how to pilot a Knight. It was a lot of fun to see Rakkan’s reactions to many of the early events of the book, especially as he is forced to watch himself being impersonated, providing information to help them pull off the charade. While Rath could have left Rakkan as a useful, one-note character, he instead spent a good portion of the novel evolving Rakkan and ensuring that he ended up being a key part of the plot. Not only does he mature greatly after witnessing some of the key moments of the mission and Sycorax’s impersonation of him, but Rath also dives into his past and the connection he has to his father, a Dominion hero whose glorious death Rakkan continually witnesses due to his connection to Jester, which his father died in. This obsession with his family and the past eventually leads him to some big revelations in the present, and he ends up having some major and exciting moments in the last half of the novel. Rakkan ended up being one of the most complex and entertaining characters in Kingmaker, and I really appreciate the excellent way in which the author developed him.

Aside from these four main characters, Kingmaker is loaded with an excellent group of supporting characters, most of whom are members of the Dominion nobility. As I mentioned above, I had an amazing time seeing the diverse and contentious Knights of Dominion, especially as most of them are engaged in a brutal blood feud between the two ruling families. Several of these noble characters have some intriguing storylines throughout Kingmaker, with an interesting focus on the members of the Court, the king’s inner circle who are hiding some major and disturbing secrets. Of the rest of the noble characters, the best is probably Rakkan’s mother, the leader of the Stryder family, Baroness Hawthorn Astair-Rakkan, a domineering and ambitious woman who spends most of the novel trying to manipulate Rakkan for her own gain. Baroness Hawthorn had some excellent moments throughout the novel, and I especially loved her collection of hounds, each of whom are humorously named after famous Imperial commanders, just to show off her arrogance and disrespect to the Imperial Guards. Hawthorn’s story arc really changes towards the end of the book, and it will be interesting to see if we get some extra appearances from her in the future. The other major supporting character of Kingmaker is Gwynne, Rakkan’s loyal Sacristan (Jester’s mechanic, a low-level Tech Priest with some additional cultural restrictions). Gwynne serves as another ally to the main characters, and her knowledge of the Knights and their inner workings proves invaluable, as does her inquiring mind. The author weaves some subtle, but important, storylines around Gwynne in Kingmaker, and she ends up serving a key and impressive role. Overall, this was an excellent collection of characters, and I deeply enjoyed how well Rath used them throughout Kingmaker’s narrative.

Like many of the newer Warhammer novels I have been lucky enough to enjoy, I chose to check out Kingmaker on audiobook, which I found to be an awesome way to enjoy this book. Coming in with a run time of just over 11 hours, this was a decently long Warhammer novel, but I honestly flew through it in just a few days, especially once I got fully addicted to its impressive story. The audiobook format really helped me dive into the highly detailed setting and narrative, and I deeply appreciated how much more epic it made the action sequences. Having the intense and over-the-top fighting between the various mechanical Knights was an outstanding experience, and you got the full impact of every powerful strike. I also really enjoyed the excellent narration of veteran audiobook voice actor Gareth Armstrong, who has done a ton of other narration for the Warhammer franchise. Armstrong’s work in Kingmaker was very good, and I loved the great array of voices he features for the various characters, capturing the ethereal and strange nature of the assassin characters and the more robust, proud and arrogant nobles of Dominion. There was a great contrast between these two groups, and I loved how Armstrong succeeded in making every single character stand out on their own. An overall exceptional way to enjoy this wonderful Warhammer book, the Kingmaker audiobook is without a doubt the best way to enjoy this novel, and I deeply enjoyed every single second I spent listening to it.

I think it is fair to say that I deeply enjoyed Assassinorum: Kingmaker. Robert Rath crafted together a brilliant and exceptionally entertaining Warhammer 40,000 novel that was loaded with action, fun and great characters. Featuring lethal assassins facing down massive Imperial Knights, Kingmaker has a little bit of everything, including political intrigue, impressive use of Warhammer elements, and some fantastic war sequences towards the end. Easily one of the most impressive and captivating Warhammer novels of 2022, Kingmaker is a must-read for all fans of the franchise, and you are guaranteed to have an incredible time with this epic book.

Amazon Book Depository

Three Assassins by Kotaro Isaka

On April 13, 2022August 13, 2022 By The Unseen LibraryIn English Translation, Thriller1 Comment

Publisher: Harvill Secker (Trade Paperback – 14 April 2022)

English Translation: Sam Malissa

Series: Standalone

Length: 254 pages

My Rating: 4.5 out of 5 stars

Amazon Book Depository

Legendary Japanese author Kotaro Isaka brings us another fast-paced, intriguing and unique thriller with the English release of Three Assassins.

Last year I was lucky enough to receive a copy of the first English translation of Kotaro Isaka’s 2010 novel, Maria Bītoru (Maria Beatle), which was released in the Western world as Bullet Train ahead of a movie adaptation of the same name. I had a lot of fun with this impressive novel which set several distinctive and crazy assassins against each other aboard a speeding bullet train. Now, with the Bullet Train film only a couple of months away, an English version of another of Isaka’s novels, the 2004 novel Gurasuhoppā (Grasshopper) has just been released. This novel, translated by Sam Malissa and released under the title Three Assassins, presents another intense and clever thriller read that was incredibly fun to read.

Suzuki is a former schoolteacher who has joined the notorious Tokyo criminal gang, Fräulein, to get revenge for his dead wife by killing the murderous son of the gang’s leader. However, his revenge mission goes downhill when, moments before his flimsy cover is blown, his target falls onto the road and is run over by a van. With the shocked gang watching on, Suzuki is sent to chase after someone he sees fleeing the scene, who the gang believes killed the leader’s son.

Convinced the man responsible is the elusive assassin known as the Pusher, Suzuki’s Fräulein contact demands that he reveal the location of the person he followed. However, Suzuki is uncertain about whether the man is actually responsible or just a random passer-by, especially when he meets the man’s young family. But with the gang determined for revenge, Suzuki must decide whether to pass on the information or attempt to flee for his life. Worse, his actions have attracted the attention of other notorious assassins, each of whom have their own reasons for hunting down the Pusher.

The Whale is deadly and forlorn soul who can convince anyone to kill themselves just by talking to them, while Cicada is a talkative and deadly knife expert. The Whale wants revenge on the Pusher for his part in a prior death, while Cicada is determined to make his own rep by killing this notorious assassin. Both are determined to find Suzuki and have him lead them to the Pusher by any means necessary. Can Suzuki survive the barrage of killers, gangsters and monsters being unleased upon him, or will he be forced to compromise his principles and morals to survive?

This was an awesome and exciting novel from Isaka that proved to be extremely fun to read. Written in Isaka’s distinctive style, and featuring some unique twists, turns and characters, Three Assassins is an entertaining read that I powered through in a day and which is really worth checking out.

Three Assassins has a brilliant fast-paced story to it that readers will swiftly become addicted to. Written in a distinctive style that emphasises odd character traits and relies heavily on intriguing anecdotes, you are quickly introduced to three captivating point of view characters: Suzuki, the Whale and Cicada. All three have unique and compelling storylines: Suzuki is thrust into survival mode as he hunts for the elusive Pusher, the Whale is involved in political assassinations before being forced to turn on his employer, while the wildcard Cicada balances his killing desires with frustrations with his overbearing boss. These storylines soon start to come together when the Whale and Cicada learn about Suzuki’s situation and his apparent connection with the infamous Pusher, and both try to get their hands on Suzuki before the gang does. However, nothing is as it seems, and all three must battle with their own demons (literally in the case of the Whale), while also trying to outsmart each other and some of the other unique people populating the streets of this version of Tokyo.

All three separate character-driven storylines come together perfectly as the story progresses, and you will love seeing these amazing characters interact as each reaches their own unique destiny. There are several fantastic and impressive confrontations towards the later part of the book, as well as some great twists, the best of which will leave you reeling and completely change how you viewed the first three quarters of the novel. While I saw a couple of twists coming, I was pleasantly surprised by several of the reveals, revelations and story turns that occurred, and there are some fantastic moments scattered throughout this book. I loved how fast-paced Three Assassins turned out to be and there is honestly not a single slow moment to be found as you get through it. That, combined with its shorter length, will encourage readers to power through it in a very short amount of time, and you will not be disappointed when you see what happens with this entertaining and amusing story.

Like Bullet Train, Three Assassins is a standalone novel that requires no familiarity with any of Isaka’s previous novels to appreciate the clever story or intense action. It does however have some interesting connections to Bullet Train that fans will really appreciate. Three Assassins is noticeably written in a similar style to Bullet Train, with a familiar plot focused on multiple unusual Tokyo assassins, as well as certain unique types of characterisations, interactions and writing flow. These similarities are intentional as the original Japanese version of Three Assassins, Grasshopper came out several years before Maria Beetle. This means that Three Assassins is actually a precursor to Bullet Train, hence the stylistic similarities. As such, Three Assassins features a couple of characters who would end up having minor roles in Bullet Train, such as the Pusher, who has a few short point-of-view chapters as the character Morning Glory in Bullet Train, and the assassin duo known as the Hornet. I have to admit that when I read Bullet Train, I did wonder about why these characters were featured, as some relevant context appeared to be missing. However, after reading Three Assassins I see that they were there as a reference to this preceding novel and you actually get to understand their role in Bullet Train a little better after reading this book. I really liked the cool connections this novel had to Bullet Train, and it is really worthwhile checking Three Assassins out alongside it. While I do think that I preferred Bullet Train a little more than Three Assassins, as its story was stronger and the characters a little more entertaining, Three Assassins really stands on its own and proves to be an excellent read.

Isaka clearly had a lot of fun with the awesome characters contained within Three Assassins, as this book features an eclectic mix of unusual and entertaining figures who make Tokyo’s underworld seem like a weird and deadly place to explore. This novel is primarily anchored by its three main point-of-view characters, each of whom is a particularly complex and unique being that will quickly drag the reader in with their intriguing stories or antics. This includes central character Suzuki, the former teacher turned attempted gangster, who is initially involved with this plot for revenge, and who has done some dark things in order to get there. However, when the target of his revenge is killed and Suzuki seems to find the life of the Pusher and his family in his hands, he starts to have a real crisis of conscience and must determine what he really wants to do. Watching him attempt to weigh up the lives of the family he encounters versus some hostages Fräulein potentially has is extremely intense and results in some major examinations of his conscience. Suzuki also serves the role of the unenlightened character for most of the book as he is mostly ignorant of the various assassins and outrageous characters running around out there. As such, he serves as a good introductory character for many of these unique world elements, and it was very entertaining to see him interact with some of the other characters for the first time without a clue about who or what they are.

The Whale and Cicada are both complex and weird figures for very different reasons. The Whale is a highly unusual assassin who specialises in arranging deaths to look like suicides. A large man with an unnatural aura, the Whale is “blessed” with a near supernatural ability to talk people into killing themselves. This is a pretty unique and cool character trait which Isaka does a wonderful job portraying throughout Three Assassins. Watching this character slowly and calmly talk various characters into killing themselves results in some naturally dark scenes, but they are a great part of the book and really add something to the distinctive feel of the book. At the same time, Isaka tries to humanise the Whale to a degree by showing him to be haunted by the ghosts of everyone he has killed. These ghosts routinely appear before him, airing their grievances with him while also blotting out his ability to see other people or things. This serves to be an intriguing handicap for this otherwise unstoppable figure, and it proved fascinating to see this merciless killer face some substantial reservations about his work and slowly start to rethink his life and choices. The Whale easily has some of the most complicated and intriguing scenes in the entire novel and it proves extremely fascinating to see his entire arc unfold.

Cicada, on the other hand, is a somewhat less complex figure who serves as the book’s comic relief. A skilled knifeman who lacks empathy, Cicada has earned a reputation as a man who can take on the unpleasant jobs and is often hired to kill women and children. However, Cicada finds himself in a very hostile working relationship with his boss and handler, Iwanishi, who treats him poorly. This toxic relationship becomes the imperative for Cicada to engage in the hunt for the Pusher, as a form of finding his own independence, although nothing goes to plan. Cicada is an excellent and enjoyable character, and you will quickly find yourself getting attached to the quick-talking killer, even when he does some terrible things. The most physically gifted of all the characters, Cicada is often dragged into some of the book’s best fight scenes, and it was exciting to see his knife skills in action. Thanks to his unique humour and continual banter, Cicada proves to be a great counterpoint to the book’s darker or more emotionally distressed characters like Suzuki and the Whale, and I think that his inclusion really helped to balance out the tone of the book. All three characters and their chapters play off each other extremely well, and they help to form a captivating and amusing overall story.

Three Assassins was another awesome read from Kotaro Isaka that takes readers on a wild and exciting journey to Japan’s outrageous underworld of assassins. Filled with quirky characters, surprising turns and intense action, this is a fantastic novel and you will swiftly get addicted to its entertaining and captivating story. A must read for fans of this legendary Japanese author, especially in advance of the upcoming Bullet Train film, Three Assassins comes highly recommended and is really worth checking out.

Amazon Book Depository

Throwback Thursday: Usagi Yojimbo: Volume 12: Grasscutter by Stan Sakai

On February 26, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday3 Comments

Publisher: Dark Horse Books (Paperback – 1999)

Series: Usagi Yojimbo – Book 12

Length: 255 pages

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday I return to my very favourite comic book as I look at the 12^th volume in the epic Usagi Yojimbo series by Stan Sakai, Grasscutter.

It has been a little while since I covered one of these Usagi Yojimbo volumes in a Throwback Thursday article. I had a bit of trouble getting this specific volume, which kind of put everything on pause. Despite my belief that I had a whole collection of the Usagi Yojimbo comics, it turns out I was missing the 12^th volume and I honestly have no idea how I could have misplaced my copy (or did I ever really own it? Who knows?). To fix this oversight, I recently ordered a second-hand copy from Amazon and managed to get it shipped down here from America. Now that I finally have a full collection, I can get back to reviewing this entire epic series, which is proving to be so much fun.

A quick refresh about this series before we start: the Usagi Yojimbo comics are the incredible work of legendary comic author and artist Stan Sakai, who has been working on this series for nearly 40 years. Made up of a ton of amazing volumes, the comic is set in an alternate version of feudal Japan populated by anthropomorphic animals. The series follows the rabbit ronin Miyamoto Usagi, a wandering bodyguard and adventurer who gets involved in all manner of troubles as he faces off against criminals, bandits, ninja, monsters, psychopaths and ambitious lords. Combining brilliant stories with complex characters, cool action, elaborate scenarios and outstanding artwork, this series is an absolute masterpiece and it is one that I have adored for years.

The 12^th volume of this series is Grasscutter, which serves as a particularly major entry in the entire Usagi Yojimbo line. Containing issues #13-22 of the Dark Horse Comics run, this volume unusually contains a single story, rather than the multiple shorter, episodic tales typical of this series. Bringing together several intriguing story threads from previous comics and reuniting several of the more distinctive supporting characters, Sakai tells his most ambitious tale, and the results is absolute magic.

Following a destructive war centuries ago between two rival houses, the nation of Japan is now firmly controlled by the shogun and his court, while the emperor rules only as a symbolic figure, detached from the politics of the realm. While many are content to live within the shogun’s peace, there are some who seek power and prestige through the return of the imperial family to true power. But with the full might of the military and the samurai behind him, only one thing could possibly inspire the people to revolt against the shogun: the legendary heaven-forged sword, Kusanagi the Grasscutter.

However, this divine sword was lost generations ago in the battle that saw the Imperial family overthrown, and it now rests at the bottom of a watery strait, impossible to recover. Undeterred by the odds against them, a small contingent of rebellious lords have initiated a conspiracy to overthrow the shogun by any means necessary. Calling upon the powers of a mysterious witch, the conspirators hope to obtain the sword through sorcerous means. While they succeed in freeing Grasscutter from its watery tomb, fate ensures that the sword ends up in the mostly unlikely of hands, that of the wandering samurai Miyamoto Usagi.

Unsure what to do with the legendary sword, Usagi soon finds himself pursued by the forces of the conspirators and must fight with everything he has to keep it out of their hands. But the events of this conflict spread far beyond Usagi, and soon everyone he knows is in danger as the conspirators attempt to kill his friends Tomoe and Lord Noriyuki to stop them bringing Grasscutter to the shogun. At the same time, the bounty hunter Gen and the rogue swordswoman Inazuma as drawn from their own scuffles into the greater battle for Grasscutter, especially when they encounter the feared demon-spearman Jei. Can Usagi and his friends survive the overwhelming forces arrayed against them, or will the nation be thrown into war once again with the resurgence of the Grasscutter?

Wow, just wow! This is such an impressive comic that is so very epic in scope, storytelling and major character moments. Sakai has done a brilliant job with this cool volume, and I loved the brilliant narrative he cooked up for Grasscutter, especially as it ties into so many major moments from the previous volumes. Filled with intense action, brilliant set pieces and some beautiful art, Grasscutter is an incredible volume that, unsurprisingly, gets a full five-star rating from me.

I loved the incredible story that Sakai has featured in Grasscutter, especially as, in a departure from the series’ usual style of short stories, this volume features one massive and complex story. This change in story length works extremely well and ensures that this volume stands out as a major entity in this epic series. Sakai sets his narrative up carefully, with the initial issues of the comic dedicated to explaining the importance of the sword Grasscutter and how it was lost during a deadly civil war. After establishing the significance of this weapon, the main narrative quickly gets into full swing, continuing one of the storylines from the previous volume, Seasons, and showing the members of the Conspiracy of Eight working to summon the sword from the bottom of the strait using possessed crabs (it makes sense in context). As this is occurring, several other intriguing storylines are set up and you are soon following Usagi as he does his usual wandering routine, as well as other great side characters like Gen, Inazuma, Tomeo and Lord Noriyuki, as well as the deadly villain Jei. Having all these characters caught up in these events makes for quite an interesting and elaborate tale, with each of them getting their own distinctive storyline that slowly merges with the others. For example, Usagi finds himself in a desperate battle against the forces of the conspirators, Gen attempts to hunt down Inazuma for the big bounty on her head, only to run afoul of bandits and police, Tomoe attempts to save Lord Noriyuki from a treacherous ambush only to run into a far more dangerous foe, while Jei finds himself drawn towards the power of the divine sword.

All these storylines come together extremely well as the story proceeds, often in some explosive and action-packed ways. Usagi, in his pursuit of the sword, finds himself once again teaming up with Gen, only to run right into Jei when he is at his most dangerous. Meanwhile the intense storyline surrounding Tomeo and Noriyuki has some large set pieces as the two attempt to escape the army chasing after them. While mostly separate, these two storylines complement each other nicely, especially as the ambush on Tomeo and Noriyuki is due to the conspirators searching for Grasscutter, and it serves as a dramatic side adventure to the main story. There are some amazing moments here, and I was particularly impressed with the storyline that saw Noriyuki come face to face with his father’s worse enemy in a complicated manner. The big finale involves the final fight between Usagi and his mortal enemy, Jei, which sees some absolute carnage. The subsequent damage and the impossible consequences will leave you reeling, and this entire story concludes perfectly, not only bringing the impressive narrative around Grasscutter to a satisfactory end, but also setting up some additional interesting storylines and character arcs. This entire volume is just so damn epic, and I really appreciate the way in which Sakai journeys back to many of his previous storylines and utilises elements from them here, although it does mean that Grasscutter isn’t a great entry for first-time readers to check out. The great combination of action, character development and intriguing world-building elements is just exceptional, and this entire comic is brilliant from start to finish.

One of the main things that I always love about the Usagi Yojimbo comics is Sakai’s use of intriguing elements from Japanese culture and history to compliment his excellent original storytelling. This is particularly true in Grasscutter as Sakai utilises some of the most iconic parts of Japanese mythology and history as the basis for much of the plot, particularly around the legendary sword Kusanagi-no-Tsurugi (Grasscutter or Grass-Cutting Sword). Sakai, who has clearly done a ton of research here, produces an amazing interpretation of the origins of the sword, going all the way back to the Japanese creation myth and showcasing the origins of the Kami and their many descendants. He then goes into the history of the sword, showing its discovery of the sword, the events that resulted in the name change to Grasscutter, before going all the way to the Japanese Civil War (the Genpei War), that saw the rise of the shogunate and the decline of imperial authority. This ends with a brilliant showcase of the massive and destructive naval battle between the two factions which led to the death of the young emperor and the loss of the sword. The loss of the sword, as recounted in The Tale of the Heike, becomes a key part of this narrative, and it is so fascinating to see its sudden return be used as a major story element. Readers unfamiliar with Japanese history or mythology get a brilliant understanding of these cultural elements at the start of the book, and this allows the rest of the story to flow perfectly. I deeply enjoyed how Sakai brought all these cool moments to life (even if he does simplify it in places for narrative reasons), and it ended up being an exquisite and clever start to the book. Throw in a very detailed and fascinating notes section at the back from Sakai, explaining his research and how it influenced his story, and you have some exceedingly cool historical elements that are expertly utilised to create an epic Japanese tale.

While I had a lot of fun with the story, action and Japanese cultural elements, one of the main highlights of Grasscutter is the substantial character work that occurs within. Due to its length and scope, Grasscutter serves as a major part of the Usagi Yojimbo series and as such, it features many of the best supporting characters from the previous volumes. All these characters get some substantial storylines in this book, either as protagonists or villains, and it was extremely fascinating to see what happened to some of them. Sakai melds the unique character storylines together into one cohesive and powerful narrative which does an excellent job exploring each of the characters and giving them key moments in their storylines.

Unsurprisingly, much of the story focuses on the character of Usagi, who serves as the main protagonist of the story. Thanks to his usual luck, Usagi winds up finding the blade immediately after it emerges from the water and is soon thrust into the midst of the conflict surrounding it. This immediately puts him in a major dilemma as he is uncertain what to do with the sword, as all the sides who would claim it (the shogun, the emperor, even some of his own friends) would all use it for their own benefit and the nation would likely suffer as a result. As such he fights incredibly hard to hold onto the blade for everyone’s good, and this forces him into some increasingly desperate battles. Usagi gets pretty beat up and exhausted throughout this entire ordeal, and his final match with Jei pushes him to the limit and strikes him at his very core. While he doesn’t get a major amount of development in this story, he still served as a great centre for the plot and it is always fun to follow along on one of his adventures.

You can’t have a major Usagi story without his friend, Murakami Gennosuke (Gen) showing up and trying to get paid. The rhino bounty hunter has an excellent story which starts when he unsuccessfully tries to claim a bounty on some dead criminals he discovers in the woods. This almost immediately backfires on him and forces him to deal with all manner of corrupt cops and murderous bandits as he attempts to make a little money. His misadventures lead him to face off against Inazuma, the deadly swordswomen who Usagi encountered in the 10^th volume, The Brink of Life and Death. Inazuma, a former innocent girl turned sinister killer, is still being pursued by assassins and bounty hunters who want the massive price on her head. Naturally Gen decides to chase after her, and this results in a pretty brutal fight between the two, which really showcases just how dangerous Inazuma can be. The subsequent storylines are also fascinating as Gen gets dragged into the fight for Grasscutter by Usagi and Inazuma goes deep into her own soul when she encounters Jei. This results in some extremely dark moments for both characters, and it was captivating to see what happened to them throughout the volume. The final reveals about Inazuma and her future are very grim, and it sets up some excellent storylines in the future.

There are also some brilliant storylines going on around the characters of Tomeo and Lord Noriyuki. While primarily separate from Usagi and his adventures, Tomeo and Noriyuki find themselves under attack and are pursued throughout the land by murderous assassins and samurai (much like in their first appearance in Volume 1: The Ronin). Their dangerous journey becomes even more perilous when they run into a familiar face, General Ikeda, the character so perfectly featured in the short story The Patience of the Spider from the previous volume. Ikeda is a great character in that he is a former general who, after failing to kill Noriyuki’s father in a revolt, has spent the last several years living as a peasant, a simple life he became content with. However, when he suddenly finds the son of his mortal enemy in his house, he must choose whether to take up the old grudge or forge a new path for himself. Watching the internal struggle that occurs within Kieda is pretty awesome, and his interactions with the suspicious Tomeo and Noriyuki are just wonderful. I deeply enjoyed how this story unfolded, and it was some of the best character work in the entire volume, not to mention the most action-packed.

The final major character I really to talk about is the infamous Blade of the Gods, Jei. First appearing in the third volume, The Wanderer’s Road, the crazed killer Jei has been one of the best villains in this series, constantly following Usagi and trying to kill him (another good story was in the sixth volume, Circles). Jei and Usagi finally come face to face again in Grasscutter when Jei recovers the sword and attempts to use it for his own dark purposes. Sakai really goes out of his way to make Jei appear as a deadly badass in this comic, with his first appearance shows him killing an entire detachment of samurai by himself. His subsequent wanderings see him interact with several other side characters for the first time in the series, and their reactions to his weird aura and power are brilliant. I loved how the dark Jei is perfectly offset by his companion, the young, innocent girl Keiko, who is the only person Jei cares about and will not hurt. They have some great moments in this comic, and it is fascinating and troubling to see the interactions between them. However, Jei’s big moment in Grasscutter is his rematch with Usagi, which has been brewing for ages. Watching these bitter enemies face each other again is pretty fantastic, and you get some amazing moments during their duel. The conclusion of their fight is very clever and really alters your opinion about both Jei and Usagi, while also seeming to confirm Jei’s supernatural background. Watching the pure fear and shock on the usually unflappable Usagi when he encounters the many mysteries of Jei is so awesome, and Jei continues to shine as a brilliant antagonist in this volume. His intriguing final fate will leave you shocked and surprised as a new version of the character emerges. All this character work and more really helps to turn this outstanding comic into a true masterpiece, and I have so much love for Sakai’s ability to create such amazing and iconic figures.

The final thing that I want to highlight is the impressive artwork contained within Grasscutter. As with all the Usagi Yojimbo volumes, all the art of this comic has been drawn exclusively by Sakai, which is exceedingly impressive. His drawing skills are amazing on multiple levels as he portrays such complex adventures with a simple yet beautiful style which I have so much love for. As with most Usagi Yojimbo comics, Grasscutter is filled with stunning drawings, from amazing landscape shots that show off the beauty of the Japanese wilderness, to close-up shots of the deadly battle sequences. There are some amazing scenes throughout this book, although I personally really enjoyed the fantastic and powerful renderings of key moments of Japanese history and mythology that were featured in the volume’s first two issues. Everything from the formation of the lands to the events that gave Grasscutter its name is very cool, and Sakai expertly imparts his own style into these intriguing spiritual stories. The massive battle that ended the civil war is shown in some exquisite detail here, and I loved how he showcased this elaborate and deadly naval fight. Of course, you cannot forget the brilliant final duel between Usagi and Jei, which was such a highlight of the story. Sakai goes out of his way to make this fight as epic and as brutal as possible, and you get a real sense of both participants skill and determination to win. The mystical aftermath of their fight looks extremely awesome as well, and I loved all the intriguing and unique detail Sakai featured here, including the spooky alterations that happened to one of the characters. Another brilliant artistic outing from Sakai that perfectly supported his incredible storytelling and character work and is some must see drawing.

As you can no doubt tell from the glowing descriptions above, I deeply enjoyed this 12^th volume of the Usagi Yojimbo series. Stan Sakai was in excellent form when he created the powerful and exciting Grasscutter, which features one of the author’s most impressive and extensive stories. Featuring all his best characters, his great love of Japanese culture, as well as some impressive artwork, Grasscutter shines as an outstanding entry in this brilliant series, and it is one that cannot recommend enough.

Amazon

Mind Bullet by Jeremy Robinson

On December 16, 2021August 20, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller10 Comments

Publisher: Podium Audio (Audiobook – 23 November 2021)

Series: Standalone/Infinite Timeline

Length: 11 hours and 42 minutes

My Rating: 5 out of 5 stars

Amazon Book Depository

The deliciously twisted mind of bestselling science fiction thriller author Jeremy Robinson returns with another epic and over-the-top adventure, Mind Bullet, a fantastic and captivating read.

Robinson is an outstanding author whose work I first checked out earlier this year. Known for his Nemesis Saga and Chess Team series, Robinson is currently working on a collection of partially connected standalone novels, all of which are set within the same extended universe and which are leading up to some massive crossover novels. I was lucky enough to read one of Robinson’s other 2021 releases earlier this year, The Dark, which was a captivating and deeply entertaining read with a bonkers story to it. I had a wonderful time with The Dark, which got a full five-star rating from me, and it made me an instant fan of this cool writer. As such, I was extremely intrigued when I saw that he had another novel coming out this year. This book, Mind Bullet, was another unique and fascinating read from Robinson with a killer plot to it that I just had to pick up and check out.

In the world of high-level international assassination, Jonas is something of a legend. Raised by two honourable killers, Jonas had set out on his own, taking on the most dangerous and difficult of jobs and succeeding in some extremely flashy ways. Despite the ostentatious techniques used in some of his kills, Jonas has managed to stay out of the limelight and out of sight from conventional law enforcement due to fact that none of his targets ever shows any signs of violence. That is because Jonas has a secret: he has telekinesis and can blow a small hole into people’s brains merely by concentrating on them, an unexplained ability he calls Mind Bullet.

However, despite all his success and the accompanying wealth, Jonas is unhappy and depressed. Alone except for his sarcastic and possibly psychotic AI, Bubbles, Jonas is still grieving the loss of his dead parents, convinced that someone killed them and got away with it. As his depression and loneliness results in Jonas taking more and more dangerous jobs, Bubbles decides to intervene for his own good. Playing matchmaker, Bubbles determines that Madee, a local Thai food delivery woman and part-time thief, would be perfect for him. After an awkward first meeting where Madee attempts to rob him, the two loners start to hit it off. However, true love is about to get interrupted by the worst kind of gate crasher, the assassin group known as the Shrieking Ninja.

Angered by one of Madee’s burglaries, the Shrieking Ninjas attempt to break into Jonas’s house and kill them both. Barely escaping from the Shrieking Ninjas’ mysterious and powerful master, Jonas goes on the run with Madee, hoping to find a way to get them off their trail for good. However, the disastrous and very public encounter at his house has raised unwelcome attention and Jonas is shocked to find that a $10 million bounty has been placed on his head. A mysterious organisation is determined to capture Jonas by any means necessary, and every elite assassin and hitman in America is willing to collect. Pursued by a legion of outrageous killers, Jonas, Madee and Bubbles find themselves thrust into the midst of a dark and deadly conspiracy that lies in the heart of Jonas’s past and the secrets behind his lethal abilities. Can this unusual group survive the onslaught headed their way, or will they be buried by a legion of lethal killers with their own unique abilities?

Wow, just wow, this novel was the absolute definition of fun. Robinson did another amazing job with Mind Bullet, producing an intense and exciting novel that is wildly addictive and incredibly entertaining. Featuring a brilliant, fast-paced story, Mind Bullet had me hooked from the very second I started listening to it, and I ended up powering through it in a few short days. An outstanding and compelling read, this novel also got a five-star rating from me.

Mind Bullet has an awesome and deeply entertaining narrative that is extremely easy to read and even easier to get addicted to. Robinson starts off strong with an audacious assassination involving an airborne car, an unethical AI, psychic powers and a parachute, which serves as the perfect introduction to Jonas and his assistant, Bubbles. From there the story quickly evolves, with Jonas meeting the mysterious Madee while being forced to defend her from the outrageous Shrieking Ninjas (that name says it all). Following that encounter, Jonas and Madee are forced to contend with continued attacks from even more unusual and deadly assassins, each of whom steal the scene they’re in, either by their unique methods or dangerous powers not unlike Jonas’s. The protagonists are thrust into deadly situation after deadly situation, picking up new friends as progressively more dangerous foes attack with devastating effect. This amazing and compelling narrative contains the right blend of forward action and intriguing backstory, as the attacks awaken memories from Jonas’s past, which he also seeks to explore. After a series of interesting reveals after the halfway point of the book, the protagonists are thrust into their most dangerous situation yet when they encounter the book’s big bads, in an epic and twisty confrontation that brings everything together and ensures everything is out on the table. All this leads up to an explosive conclusion that wraps up the story and the character arcs exceedingly well, while also leaving the door open for appearances in future Robinson books.

This entire story was extremely intense and addictive from the very beginning, and I had an outstanding time getting through it, and loved every single development, explosive encounter, and fantastically weird new character. Despite its myriad elements, the entire narrative came together extremely well, and the readers are left feeling extremely satisfied, especially as this is a mostly self-contained story. I felt that Robinson’s use of single first-person perspective to tell the whole story worked extremely well, especially as the point-of-view character was particularly entertaining and enjoyable. Like most of Robinson’s stories, Mind Bullet’s narrative contained a great combination of humour, action, character growth and sheer insanity, which helps to produce a deeply entertaining and compelling plot that grabs the reader’s attention and holds on tight. While substantially less dark in tone and character development than Robinson’s prior book, The Dark, Mind Bullet has serious moments which contrast extremely well with the inherent silliness to produce an overall epic read. I honestly loved every second of this story, and there are some brilliant scenes featured throughout it, from massive and elaborate fight scenes, brutal psychic brawls both in reality and the mental plain, as well as several simpler scenes that deal with the characters and show their growth as people.

It is interesting to note that this book is part of Robinson’s wider Infinite Timeline, a collection of mostly unconnected novels set in the same overarching universe. Robinson is currently making a play to combine the plots and characters of these standalone novels, and several upcoming novels will feature multiple characters from across the canon. As such, Mind Bullet contains multiple references to Robinson’s prior works, mainly Tribe and The Dark, which are part of the same loosely connected storyline (the books of which are are going to have their first crossover in 2022’s Khaos). There is also a surprising appearance from some of the protagonists of Robinson’s other books, which hints at the bigger crossover later in the series in Singularity (this universe’s version of Avengers: Endgame). While readers can easily enjoy Mind Bullet without any knowledge of Robinson’s prior books, a couple of scenes and references might be a bit weird without context, especially as a few characters are briefly parachuted (or teleported) in. Still, readers should be able to follow what is going on without too much difficulty, especially as Robinson does provide some explanation or interesting reaction from the protagonist, and hopefully these appearances will encourage them to check out some of the author’s other books. I personally really enjoyed these inclusions, and it was fun to see how Robinson is getting more and more blatant with the connections between the various novels. I am really looking forward to seeing how this entire series comes together, and I really need to go back and read some of Robinson’s other books before this happens.

One of the things that Robinson truly excels at as an author is his ability to produce some complex and relatable characters. This is particularly true in Mind Bullet, which features a fantastic cast of compelling and relatable protagonists and antagonists with intriguing plot threads that the reader will quickly get invested in.

The most prominent character of this novel is the point-of-view protagonist, Jonas, the dangerous assassin with a heart of gold. In many ways, Jonas was a pretty typical protagonist for Robinson, a confident and fun-loving figure who cracks a ton of jokes and has their own unique style and a liking for obscure pop culture. I had a lot of fun following the adventure through Jonas’s eyes, especially as his hilarious view of all the outrageous stuff occurring around him and his constant quips kept me in stiches for most of the novel. Despite this entertaining outer facade, once you dig deeper Jonas proves to be a lot more complex and emotionally damaged. The character is chronically depressed and bored, especially after the mysterious car crash that killed his parents, and at the start of the book he has a substantial subconscious death wish. The character evolves for the better as the novel progresses, especially as he starts to make some connections with the various side-characters. These friendships and deeper relationships really change him for the better, although they also uncover a range of secrets from the past. I loved the dive into the character’s psychic abilities, especially as he goes through a trial-by-fire against a range of powerful foes, each of whom is deadlier than the last. It was also cool and intriguing to explore his hidden, traumatic past, which the author does extremely well through several clever flashback sequences. The eventual reveal of who or what Jonas really is was done very well, and it will be interesting to see how the author expands on that in some of the future books.

My other favourite character in Mind Bullet was probably the sassy and potentially crazy artificial intelligence, Bubbles. Bubbles, whose origins and capabilities are also unknown, is Jonas’s assistant and best friend, whose personality is growing based on her interactions with Jonas. Thanks to the unique experiences she has gained living alongside a quipping assassin, Bubbles has developed quite a sarcastic and entertaining personality, and nearly every interaction with Bubbles results in an inappropriate joke or shocking comment which is pretty hilarious. Like Jonas, Bubbles also develops a bit throughout the novel, and it was fascinating to see the author’s viewpoint about nature vs nurture when it comes to this character’s personality and emotions. Despite being an AI, Bubbles is quite a caring being, even if she has developed some homicidal tendencies (especially towards ducks), and I appreciated the unique bond she forms first with Jonas, and then with some of the characters in the book. Bubble’s meddling in Jonas’s life to keep him alive is particularly sweet, even if she tries to cover it with analytics, and it ended up being one of the major character threads of this book. An outstanding and brilliant AI character who you will fall in love with!

Aside from Jonas and Bubbles, there are some other amazing characters throughout Mind Bullet. Madee is another sassy and strong-willed female character (most of Robinson’s characters are sassy and sarcastic), whose break-in to Jonas’s house triggers all the events of the book. Madee is another fun character, and I really loved the entertaining romance that bloomed between her and Jonas, despite their awkward, computer assisted meeting. Robinson plays it pretty smart with Madee, and I loved some of the great twists surrounding her, even if by the final reveal it is apparent there is more going on with her. Jonas also bands together with a group of other complex and entertaining characters, most of whom get pulled into his orbit as the world explodes around him. While I did think the inclusion of several attractive female characters helping Jonas did appear a little harem-like, each of them proves to be a valuable member of the team, and I liked some of the fun character arcs surrounding them. I also really need to highlight the fun collection of killers that come after the protagonists throughout Mind Bullet, especially as Robinson went out of his way to produce some wild and truly ridiculous figures here, including incompetent Neo Nazis, stereotypical gun-toting Texans, and foul-mouthed murderous nuns. There are also a group of dangerous psychic killers, each of whom has their own unique history with Jonas, and whose compelling range of powers results in some dramatic action sequences when they try to fight the protagonists. I had an outstanding time getting to know all these brilliant characters, and the sheer range of captivating figures really helps to make Mind Bullet stand out.

When Mind Bullet came out I absolutely had to grab this book in audiobook format. This is because Mind Bullet was narrated by the incredibly talented R. C. Bray, who is one of my all-time favourite audiobook narrators (check out his narration of Michael Mammay’s Planetside, Spaceside and Colonyside). Bray, who has narrated most of Robinson’s works, did another incredible job here, lending his fantastic and powerful voice to this wild and entertaining book. Bray really gets Robinson’s fantastic protagonists and writing style, and he was soon moving this brilliant novel along and an ultra-fast pace, ensuring that listeners power through its 11 hour and 42 minute runtime in a very short order. Bray really dives into the characters of the book, and I loved how he brought Jonas to life, ensuring that the reader gets the full sense of his humour, unique worldview and deeper inner struggles. The rest of the character are also portrayed perfectly as well, especially Bubbles, and I loved the cool and amusing voices that he provides to each of them. Bray obviously has a lot of fun here with this book, and the fantastic voices he uses for some of the more unique moments and characters are extremely entertaining and memorable. I especially loved the ultra-serious and dramatic voice that he used for the formal name-drooping introduction of each major character’s names or codenames (which appear in the printed version in massive bold print). I really appreciated this fun and entertaining take on the audiobook narration, and you will fall in love with Bray’s brilliant voice and entertaining style if you check out the audiobook version of this novel.

Overall, Mind Bullet is another epic and incredible read from the exceptional Jeremy Robinson. Robinson’s latest book is crazy in all the right ways, and readers will deeply enjoy the wild and unpredictable ride that the characters go on. Featuring an amazing group of characters, some fantastic humour, and some massive memorable scenes, Mind Bullet is an outstanding novel that I had an awesome time getting through. Highly recommended to anyone looking for something fun, especially in its audiobook format, you need to check this book out!

Amazon Book Depository

Throwback Thursday – Batman: Under the Red Hood

On August 20, 2021 By The Unseen LibraryIn Animation, Comics/Manga, Five-Star Books, Superhero, Throwback Thursday1 Comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film Eight

Director: Brandon Vietti

Writer: Judd Winick

Producers: Bruce Timm and Bobbie Page

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this latest Throwback Thursday, I am going to keep following a recent trend of looking at animated movies and review Batman: Under the Red Hood.

Ever since I reviewed Justice League Dark: Apokolips War last year, I have been focusing a little more on one of my favourite forms of entertainment, animated films based on comic books. Not only did I have a great time listing my favourite comic book based animated films and television shows, but I have also done some cool reviews for Batman: Soul of the Dragon and Batman: Assault on Arkham. After I got some positive responses to my review for Assault on Arkham last week, I thought I would use this Throwback Thursday to highlight the incredibly awesome Batman: Under the Red Hood, which is probably my absolute favourite DC Comics inspired animated film.

Released in 2010, Under the Red Hood was an early entry in the DC Animated Originals Movies range, and it remains one of the best that they have ever done. Directed by Brandon Vietti and written by Judd Winick, this film is an adaptation of the iconic Batman comics storyline Under the Hood, which was also written by Winick. Not only does this film contain an excellent story that does an amazing job capturing the original comic but it also features an all-star voice cast and some excellent animation, resulting in a dark and exciting film that is also rich in emotion and tragedy.

Years ago, Batman suffered the greatest defeat in his entire crime-fighting career when the Joker did the unthinkable by brutally killing his sidekick, Jason Todd, the second Robin. Despite this terrible loss, Batman left the Joker alive and continued his non-lethal mission for justice, fighting from the shadows to save Gotham City from its criminal element.

In the present, Gotham is controlled by the ruthless crime boss, Black Mask, who has managed to take over the entire criminal underworld. But a new player in town, the mysterious Red Hood, is making moves to disrupt Black Mask’s interests and take control of the city. With some incredible skills, brilliant manoeuvring and intense violence, Red Hood soon becomes a major thorn in Black Mask’s side, taking parts of the city from him. At the same time, Red Hood has placed himself right in the path of Batman and his former sidekick, Nightwing, determined to test his abilities against those of the Dark Knight.

As Batman attempts to stop the latest wave of violence sweeping the city, he notices something disturbingly familiar about the Red Hood. His skills and training are too familiar, and even more shocking, he knows that Batman is Bruce Wayne. With Black Mask on the warpath, the mysterious Ra’s al Ghul watching from the shadows, and the Joker always a menacing presence in Arkham, Batman gets closer to finding out the terrible truth about who Red Hood truly is. But is he prepared for the darkness and tragedy he will find under the hood, or will the ghosts of his past finally push Batman over the edge?

Under the Red Hood is a dramatic, exciting, and overall tragic animated feature, which is brought together beautifully to produce an epic and powerful film, anchored by an exceptional narrative. The film starts in a very dark place, with a malicious and hilarious Joker brutally killing Robin just before Batman can save him. This perfectly sets the tone for the entire film, as the story advances to modern times and shows a new brutal crime war between the Black Mask and newcomer the Red Hood. At the same time, Batman becomes embroiled in their war, when he interrupts a ploy by the Red Hood to steal an Amazo superweapon. This leads to an action-packed middle section of the film, as Batman and Nightwing attempt to capture Red Hood, who is also dealing with assassins sent by Black Mask. After several impressive fight sequences, Batman learns the shocking truth about Red Hood’s identity (which is as a tad obvious, even for those unfamiliar with the comics), resulting in some extreme drama, as Batman is forced to confront the dangerous ghosts of his past. As Batman attempts to come to terms with his discovery, Red Hood forces his opponents to make some dramatic moves, which work into his plans. What follows is a fantastically powerful and intense final act, as Batman confronts Red Hood and finds out the tragic and touching reasons behind his motivations. What follows is emotional blow after emotional blow, as Batman, Red Hood and the Joker have their final confrontation. The aftermath of this is absolutely heartbreaking and will leave you breathless and utterly moved: “This doesn’t change anything; this doesn’t change anything at all!” This is an epic and exceptional narrative that I have so much love for.

Under the Red Hood serves as an exceptional adaptation of the Under the Hood Batman comic storyline, although as the film and the comic share the same writer, that’s pretty understandable. This film does a great job fitting all the key points of the comic into its 75-minute runtime, and you get the full enjoyable story, as well as some useful backstory, especially around Jason Todd’s death. This is mostly a pretty straight adaption, although there are a few noticeable changes designed to make the movie flow a little better. I think these changes work extremely well, and Winick adds several great new scenes into this film that make for a different and, in some ways, better experience than the comic source material. This is mainly because the Under the Hood comic was set amid several other ongoing Batman storylines, as well as the major crossover event, Infinite Crisis, which impacted Under the Hood’s overall narrative. As it would have been too confusing to include some of these elements in the film, their removal resulted in a few notable changes. While this did result in a few fun parts from the comics being removed, such as having the opponents in the Batman/Red Hood team-up fight change from members of the Secret Society of Supervillains, such as Captain Nazi and Count Vertigo, to a group of mechanised martial artists (it’s still a great fight though), some of the other changes worked really well. I loved the alterations to the Joker’s story, as it was clever to have the Red Hood orchestrate Joker’s release to kidnap him. It also results in some amazing scenes, including that great cell scene with Black Mask, and the fantastic scene with the truck on the bridge.

One disadvantage that I felt the film version had was that the big reveal over Red Hood’s identity is a lot less impactful. When the Under the Hood comic first came out, it was a major revelation and there were some great surprise elements to it. However, by the time the film came out, every comic fan knew who Red Hood really was, so that really cut down on the surprise factor of the reveal. In addition, even if you were unfamiliar with the Under the Hood comic, the Jason Todd death scene at the start of the film ensured that most viewers would be easily able to figure out this twist as soon as the mysterious Red Hood appeared. This was kind of unavoidable though, as the rest of the film wouldn’t have made sense without the establishing scene. I did think that the reason behind Robin’s resurrection was handled a lot better in the film. The original story, in which he is brought back to life due to Superboy-Prime punching a dimensional barrier, never really worked for me, so having it purely be the result of a Lazarus Pit resurrection was a lot neater and simpler (well, as simple as a magical resurrection pit can be). Overall, I think that Under the Red Hood proved to be a really good adaption of the original comic, and in many ways I felt that in enhanced the source material while also compensating for the changed canons.

I am always deeply impressed by the fantastic and well-crafted animation of Under the Red Hood. This entire film features a constant stream of beautiful and amazing sequences that are an absolute joy to behold. The action is seamless throughout, and the creative team make sure to feature several sequences that show off the various skills of the main characters, while also bringing some iconic scenes from the comics to life. I really must call out the two excellent extended chase sequences, as Red Hood flees from Batman and Nightwing. These scenes are full of excitement and major moments, and the fantastic running sequences, equipped with all the players using their various gadgets and tricks, are so cool, and they are just animated perfectly. However, these chase scenes pale in comparison to some of the epic fight sequences featured throughout the film. While I do deeply enjoy the Amazo fight sequences at the start of the film, which expertly highlights the way Batman and Nightwing work together as a team, the best ones are the two fights involving Batman and Red Hood. The first of these, which sees the two former partners team up against the anime-inspired team of assassins, the Fearsome Hand of Four, is so deeply cool, especially as the amazingly drawn martial arts techniques are beautifully paired with the over-the-top gadgets (one guy gets thrown through the air with explosives several times). The animators save the best for last, with a brutal brawl between Batman and Red Hood near the end of the film. This impressive and dramatic fight sequence is teased throughout the entire film, and when it goes down it does not disappoint. The two heroes go to war with each other, each of them bringing lethal fighting abilities and an entire arsenal of toys and gadgets against each other for some incredible action. The fight goes from the alley where the two first met, to the rooftops, all the way to a dilapidated apartment bathroom, where bodies are brutally thrown through fixtures and walls. There is so much intensity in this sequence, and the animators outdid themselves bringing this major and spectacular fight to the screen. You will be so impressed by this terrific animation.

You cannot talk about Under the Red Hood without out mentioning the incredible collection of characters and the outstanding voice cast that perfectly portrayed each of them. Unsurprisingly for a Batman film, the cast is anchored by the Dark Knight himself, who is voiced by the talented Bruce Greenwood. This is a great portrayal of Batman and the writer really captured the complexities of the veteran version of this superhero. This Batman has been fighting crime for a very long time, and has been struck by tragedy after tragedy, especially the death of Jason Todd. This comes into play throughout the film, and there are some major emotional moments, especially in the final climatic scene with the Red Hood. Watching this film, it is impossible not to see Batman as a tragic figure, always destined to experience heartbreak and trauma as the result of his relentless crusade. I did love the amazing animation featured around Batman’s various fight scenes, and it contrasts nicely with some of the other characters, such as Red Hood, with more of a focus on his experience and placing the right move at the right time. I also really enjoyed Bruce Greenwood’s portrayal of Batman, who brings a gruff and determined depiction of the character which really works. Greenwood delivers several great dialogue sequences which show the depth and complexity of this iconic character, and I had a fantastic time following him in this film.

Another major character is the character of Jason Todd/Red Hood (I would add a spoiler alert, but after all these years it’s kind of redundant), voiced by Jensen Ackles. The Red Hood featured in this film is an amazing and outstanding version of the character, and you run the entire emotional gambit with him. I loved the fantastic and clever introduction of the character, where he manages to take over a large criminal organisation with just a bag and a machine gun. This evolves into a very fun game of cat and mouse between Red Hood and Batman, while he also works to take over from Black Mask. The eventual reveal about Red Hood works extremely well: “You haven’t lost your touch, Bruce,” and I loved the various chase scenes between the two, as well as their joint fight sequence against the Fearsome Hand of Four. All this perfectly leads up to the great final confrontation with Batman, with a big elaborate fight scene and that extremely dramatic sequence opposite Batman. Ackles adds some real cockiness to the character, and his various interactions with the supporting characters are pretty funny and really fun. However, it is his sequences with Batman that are the best, as Ackles adds all the appropriate drama of a murdered child when encountering his former mentor. The revelation of Red Hood’s motive is deeply captivating, and the entire scene where he, Batman and the Joker are reunited is so very tense and powerful. You also have to love how the final scene in the film features the younger version of Robin on his first night of crime-fighting, as his innocence and childlike joy at being a hero stands in such contrast to his eventual fate: “This is the best day of my life.” This is an outstanding portrayal of one of the most complex characters in the DC canon.

I also really must highlight the incredible version of the Joker that is featured in this film, who is voiced by the always entertaining John DiMaggio. This is a great interpretation of the Joker, and you get to see just how vicious and ruthless he can be. I love how the writers and actor did a great job capturing his insane mentality when it comes to the Batman, especially as his greatest ambition is to drive Batman insane enough to kill him. I was honestly surprised at how awesome John DiMaggio was in this role, especially as the purely evil Joker is very different from the comedic characters he is best known for portraying. However, he brings some very excellent menace to this character, and while there are a lot of humorous undertones to his actions, the sheer insanity and joy he has at other people’s suffering is more than evident. Joker has some incredible scenes throughout this movie, which DiMaggio really enhances with his unique take on the character. The opening sequence in which he beats Jason Todd half to death with a crowbar is pretty dark, despite the constant jokes, and his later confrontation with Batman in Arkham really captures his overall insanity. However, his best sequences occur later in the film. The first of these is the cell scene with Black Mask, where he accepts a job offer in the most boss way possible (never hand the Joker a cup of any variety). The follow sequence on the bridge, where he attempts to draw the Red Hood out with a truck, some guys and some gasoline is really great, especially when it is revealed that the Black Mask is also amongst his hostages. However, DiMaggio shines best in the final sequence where Batman and Red Hood finally have their dramatic showdown with the Joker in the middle. The Joker revels in all the drama and emotion in the room, especially when Red Hood attempts to force Batman to kill Joker: “This is turning out even better than I hoped!” The final bit of the confrontation where Joker, realising that Red Hood’s bomb will kill them all, joyfully attempts stop Batman, “This is perfect…. I’m the only one who’s going to get what they want tonight,” really captures the character’s chaotic mentality and is a great conclusion to his story arc.

The other major character in the film is Nightwing, former Robin Dick Grayson, who is portrayed by the legendary Neil Patrick Harris. Mostly featured in the first half of the film, Nightwing serves as the traditional sidekick role, bringing a lighter comedic role to the dynamic duo and playing off the ultra-serious Batman perfectly. I loved the fantastic coordination in the action sequences between these two, and the animators do an outstanding job showing how their fighting styles complement each other and they instantly know what the other one is doing. Harris’s voice work is great, hyping up the characters comedic, banter-laden fight style, and while it didn’t fit as well as some other versions of Nightwing I have seen, this was still a pretty epic bit of casting.

Aside from these above four main characters, I deeply appreciated Jason Issacs and Wade Williams as Ra’s al Ghul and Black Mask respectfully. Issacs does an outstanding job bringing the enigmatic and ruthless al Ghul to life, and it was great to see the respect and personal code this version of the character has, especially once his actions result in Jason Todd’s death. Williams’s unhinged version of Black Mask is also incredibly good, and I loved the ultra-anger he brings to the role, especially as he slowly becomes more and more targeted by Red Hood and Batman. His reactions to the crazy antics of the other characters is pretty fun, and you’ve got to love the look on his face when he sees Red Hood targeting him with a giant rocket launcher. I also want to call out Kelly Hu as Black Mask’s assistant, Ms Li, a gender-swapped version of the assistant character in the comic. Ms Li serves a pretty cool counterpart to Black Mask and is a constant calm presence in his chaotic administration, barely batting an eye at any of his angry or violent outbursts. These great supporting characters compliment the main cast perfectly, and I felt the film’s entire collection of characters and actors helped to turn Under the Red Hood into something incredibly special.

While there have been some incredible DC animated movies out there, none have eclipsed the exceptional and awesome Batman: Under the Red Hood. Featuring an impressive adaption of an iconic and cool comic story arc, this amazing film contains a fantastic narrative loaded with action, excitement, and intensity, as the characters engage in a dramatic and tragic battle. With a perfect voice cast and some outstanding animation, Under the Red Hood is a must-watch animated film that I have seen and deeply enjoyed so many times. An easy five-star watch that is highly recommended; if you love Batman, you need to see this film.

Throwback Thursday – Skavenslayer by William King

On July 16, 2021March 10, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Fantasy, Short Stories, Throwback Thursday, Tie-in Novel, Warhammer20 Comments

Skavenslayer Cover

Publisher: Black Library (Audiobook – December 1999)

Series: Gotrek and Felix – Book Two

Length: 10 hours and 30 minutes

My rating: 4.5 out of 5 stars

Amazon Book Depository

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. The adventures of my two favourite Warhammer Fantasy protagonists, Gotrek and Felix, continues, with the second incredible and extremely fun entry in their series, Skavenslayer.

After their previous escapades throughout the Empire and beyond, wandering adventurer, outlaw, and writer Felix Jaeger is still reluctantly following the Dwarf Slayer Gotrek Gurnisson on his quest to find a glorious death. After travelling to the Imperial city of Nuln, the two heroes attempt to make some money to support their travels. However, danger is always around the corner, as the heroes find themselves thrust into the middle of a vast conspiracy when they take on a menial job. The chittering and evil hordes of the Skaven are amassing beneath Nuln, determined to conquer the city by any means necessary. Led by a dangerous and ambitious leader, the rat-men have several sinister plots to kill all the humans above and appropriate their city and technology for their own glorious purposes. The only chance the city has to survive this chaos appears to be Gotrek and Felix, who are constantly dragged into the middle of the Skavens’ plots, thanks to fate, Skaven pettiness or terrible bad luck (both Felix’s and the Skaven’s). Can the two heroes save Nuln from the Skaven hordes, or will Gotrek finally find the death he always seeks?

Wow, this is such a fun and entertaining series. Skavenslayer is the second entry in the Gotrek and Felix series, which follows the two titular heroes as they journey throughout the Warhammer Fantasy world, battling all manner of monsters, demons and creatures. After enjoying some of the excellent Warhammer 40,000 fiction out there (Deathwatch: Shadowbreaker and Kal Jerico: Sinner’s Bounty), I recently dove into the first Gotrek and Felix novel, Trollslayer, which contained several exciting and compelling short stories. I loved the fantastic mixture of action, world-building and fun characters featured within Trollslayer, and within a couple of weeks I had started listening to Skavenslayer. Skavenslayer proved to be another excellent novel, and I honestly think it was a slightly stronger novel than Trollslayer, thanks to its much more connected plot. This was an outstanding read that has many amazing elements to it.

Skavenslayer contains an outstanding and deeply addictive narrative that follows Gotrek and Felix as they attempt to stop the Skaven plot to destroy the city of Nuln. Skavenslayer is made up of several short stories linked together by Felix’s journal entries. Unlike the previous novel, all six stories and the epilogue are linked, forming one continuous narrative and resulting in a tighter and more comprehensive read.

Skavenslayer’s first short story is Skaven’s Claw, which sees Gotrek and Felix employed as sewerjacks, guards who patrol the vast catacombs underneath Nuln. On patrol, they chance upon a clandestine meeting between a Skaven and a human noble, placing Gotrek and Felix in the middle of a conspiracy involving the head of Nuln’s secret police. Skaven’s Claw is an excellent first story that does a wonderful job establishing most of Skavenslayer’s plot details and introducing several key characters, including recurring antagonist Grey Seer Thanquol. I loved the combination of action, world building and intrigue that was contained within Skaven’s Claw, and it results in an awesome, fast-paced story. The Nuln sewers prove to be a claustrophobic and memorable setting for most of the battles. I also enjoyed the use of secondary antagonist Fritz von Halstadt, a fanatical human who has been manipulated by the Skaven, as his story arc was very well established and quite compelling. This is an awesome entry that gets Skavenslayer off to an impressive start.

Next up we have Gutter Runners, which sees the Clan Eshin assassin, Chang Squik, lead a group of Skaven Gutter Runners on a mission to kill Gotrek and Felix at the inn where they are working as bouncers. This was a quick and action-packed story which proved to be a lot of compelling fun. The action is swift and deadly, as the protagonists are attacked on multiple fronts, and there are several great battle scenes throughout. This is a fun story that you can easily power through in one short sitting, and I felt that it did a great job keeping the reader’s attention after the fantastic introductory story.

The third entry is the fantastic and funny Night Raid, which focuses on the members of Clan Skyre, the insane Skaven engineers and weapon designers. The leader of the Clan Skyre contingent, Heskit One-Eye, plans a raid on the Nuln College of Engineering to appropriate the latest human weapons and technology and obtain glory. However, the jealous Grey Seer Thanquol organises a significant roadblock in the form of Gotrek and Felix. This is another outstanding entry in the novel, and I consider it to be the most comedic and entertaining of the bunch. Not only do you get to see amazing examples of Skaven backstabbing and betrayal but you also have an extremely funny and exciting sequence at the college, where all hell breaks loose when a Skaven gets stuck in a Steam Tank. This story also serves as an excellent introduction to the various Skaven side-characters, and a lot of elements from Night Raid have major impacts on the rest of Skavenslayer’s story.

Up next, we have the disgusting and captivating story, Plague Monks of Pestilens. In this story, a brewing plague strikes quick with deadly consequences. However, this is no ordinary plague; it is a deadly concoction dreamt up by the demented plague monks of Clan Pestilens, led by the terrible Vilebroth Null. Warned again by Thanquol, Gotrek and Felix attempt to stop the plague monks before it is too late. Plague Monks of Pestilens is an amazing middle story that is pretty memorable. Rather than the pure hack-and-slash narrative of the previous story, King works in an interesting mystery element, as Felix tries to work out where the plague monks are attacking from. Once battle is joined, you are in for a dangerous and gruesome fight, especially as the author goes into full horror mode when describing the grotesque plague monks and their malformed, diseased bodies. This is an extremely intense and disturbing story which really enhances Skavenslayer’s overall narrative and gives it the more serious edge it needed.

The penultimate story of Skavenslayer is Beasts of Moulder, which sees Gotrek and Felix attempt to stop the master mutators of Clan Moulder, led by Izak Grottle, try to unleash their latest creation. This was a decent addition, although if I am being honest, it was probably the weakest entry in the entire book. Not only are the stakes a little lower, but it repeats the pattern of the previous two entries. I did quite enjoy the scene where Felix visits the palace, especially as everyone there assumes he is some sort of master monster hunter, but the rest of the story fell a little flat, especially the Elissa subplot. Still, it fits into Skavenslayer’s narrative well and does a good job setting up the final story.

The last entry in Skavenslayer is the major concluding storyline, The Battle of Nuln. In this story, both the citizens of Nuln and the Skaven army hiding beneath the streets have been afflicted by plague and famine. In order to achieve victory, Thanquol leads a daring raid on the Countess’s palace during a ball, while the rest of the Skaven army attacks the city. With Gotrek and Felix stuck in the middle of several Skaven plots, can they save the city before it is overwhelmed by rats, disease and vile Skaven magic? The Battle of Nuln is an incredible and captivating entry that serves as the action-packed conclusion to the entire book. King brings together all his fantastic storylines, and the readers are rewarded with an intense and extended war sequence, as the full wrath of the Skaven force is unleashed. I deeply enjoyed this final story, and it did an outstanding job of providing satisfying, if occasionally lethal, conclusions to all the character arcs and storylines. There is so much action going on in The Battle of Nuln, and I loved seeing the consequences of all the previous short stories finally come to the fore for both sides in the war. An excellent and exciting conclusion that will put you in the mood for even more Gotrek and Felix.

I had an outstanding time getting through each of the short stories above, and not only are they fantastic reads on their own but together they form an impressive and intense overarching narrative. King did a wonderful job crafting together all six stories, and I felt that the use of a single location and overarching antagonists worked extremely well, especially once you are introduced to the four iconic Skaven clans. While some of the middle stories do suffer from plot repetition, this is still a great book which is extremely fun to read. King ensures each story has a great combination of action, character development and humour, and each of the stories can easily be read on their own without a lot of context from the others. This is also a very good Warhammer Fantasy novel, and readers only need minimal prior knowledge of the franchise, especially as King provides a great amount of detail and self-contained lore. I felt that it came together perfectly, and readers are in for an exceptional time when they check this novel out.

One of the more entertaining and fun parts of this novel was King’s use of the Skaven as the villains of the story. The giant rat-men known as Skaven are chaotic beings who, thanks to their spiteful nature, massive ambitions and weird array of abilities, weapons, magic and fighting techniques, are one of the most entertaining and recognisable races in the Warhammer Fantasy canon. I think that King did a particularly good job bringing the Skaven to life in Skavenslayer, and they proved to be a very intriguing and memorable group of antagonists. Not only does the author showcase several unique Skaven clans (each of them is covered in a short story), but he also captures the Skavens’ treacherous nature, speech pattern and insane pettiness. While the Skaven have an elaborate plan, their own paranoia and self-serving mindset gets in the way of its success, and it is wonderful to see the various backstabbing, betrayals and plots that occur throughout the course of the book. Despite this, they still prove to be a dangerous group of enemies, and they manage to hit the protagonists and the rest of the humans in Nuln in a big way. I really enjoyed the way that King utilised the Skaven throughout this novel, especially as their duplicitous or cowardly actions are the catalyst for most of the book’s humour, and Skavenslayer is a fantastic and detailed introduction to this impressive Warhammer Fantasy faction. That being said, there are only so many times you can hear a scared Skaven getting ready to “squirt the musk of fear”, and some different wording might have been better.

Another highlight of this book is its complex characters. The most notable and prominent of these are titular protagonists, Gotrek and Felix, and it is still incredibly fun to see the unusual partnership of a doomed Dwarf Slayer and a former wealthy poet turned notorious adventurer. Due to his position as the book’s main point of view character, much of Skavenslayer’s focus lies on Felix. While there are still hints at his somewhat cowardly past, especially as he seems apprehensive before every single fight, Felix has become a much more fearless and dangerous being in this book, and he leads the way in several battles throughout Skavenslayer, proving himself a fantastic hero. There are some interesting character moments for Felix throughout this book, especially as he encounters his brother, Otto, the first member of his family to reach out to him since his banishment. There are some great comparisons between the wealthy Otto and the more adventurous Felix in Skavenslayer, and it was intriguing to see what Felix might have turned into if he was not bound to Gotrek. I also liked how Felix developed more into his role as the sane straight man to Gotrek, and his dry humour really adds a lot of comedy to the books. Overall, Skavenslayer is quite a strong outing for Felix, and he proves to be an outstanding central character.

Aside from Felix, the other main character is Gotrek, the mad, death-hungry Dwarf Slayer, who is constantly denied his desired doom in glorious combat due to his own unnatural skill. Gotrek is his usual crude and disrespectful self throughout Skavenslayer, and it is an absolute joy to see him in battle, even if his portrayed as way too overpowered. While he is a great character, Gotrek was underutilised in Skavenslayer, and he was mainly just a supporting player in the Felix-based stories, only appearing when there is a need for fighting. Still, it was great to see him, and he does get a lot more attention in the next novel.

While Gotrek was a bit overlooked, King does a wonderful compromise by introducing an exceptional primary antagonist in the form of Grey Seer Thanquol, a powerful Skaven sorcerer who goes on to be a major recurring figure within the Gotrek and Felix novels and the wider Warhammer Fantasy universe. Thanquol is an impressively entertaining character who represents the absolute best (or worst, depending on your point of view) of Skaven society. He is insanely ambitious, arrogant, power-hungry and dangerous, and rose to power thanks to an unfortunate “accident” involving his predecessor, a loaded crossbow and an exploding donkey. Due to his ambition and an unwillingness to share any glory, Thanquol spends just as much time plotting against his equally aspiring subordinates as he does attempting to conquer Nuln or kill Gotrek and Felix. Indeed, several conflicts with the Skaven are due to Thanquol himself informing the protagonists about his rival’s plots, often through some hilarious letters which are clearly written by a Skaven (despite Thanquol’s own belief that they are masterful forgeries). The sheer overconfidence, deluded self-belief and inability to take responsibility for his failings make Thanquol a particularly nasty antagonist, however, it is just so entertaining to see him strive and then fail, that you end up wanting him to live and succeed against his Skaven opponents. Thanquol proves to be an excellent antagonist, and I really enjoyed seeing his alternative point-of-view which highlights the Skaven plans. King really outdid himself coming up with this villainous rat-man, and he is one of the best things about Skavenslayer and the overall Gotrek and Felix series.

King has also filled Skavenslayer with an interesting collection of side characters who add a lot to the plot. The author does a good job of introducing these major side characters throughout the various stories, and he manages to build them up and flesh out their personalities in a short amount of time. There are great human supporting characters, such as Heinz and Doctor Drexler, and several fun and amusing Skaven. The majority of these Skaven characters are leading members of the main clans who not only serve as secondary antagonists for the novel, but who are also cast as rivals to Thanquol’s rise to power. I had a fantastic time seeing each of these Skaven characters in all their treacherous, self-serving glory, although my favourite had to be the aptly named Lurk Snitchtongue, who is a very fun and cowardly character.

If I had to make one major criticism, it would be about the complete lack of any decent female supporting characters. While you can forgive some older fantasy books for their lack of gender diversity, it is a painfully obvious problem in Skavenslayer. There are literally only two female characters of note within the novel, and both are badly written. The first is Felix’s romantic partner, Elissa, who quickly becomes a major burden to the story by forming conflicts with Felix. Their romance is thankfully over before the end of the book, and you cannot feel anything but relief as she leaves. The other character is the ruler of Nuln, Countess Emmanuelle, who gets only a couple of lines at the end of the novel. While her one scene does shine her in a good light, the rest of the novel hints that she is a vapid, lustful and incompetent ruler. The underuse of female characters is probably going to be a major feature of Gotrek and Felix series in the future (for example, Daemonslayer only has one female character), however, I really hope that any who feature are written a lot better than the ones featured in Skavenslayer.

Just like I did with Trollslayer before it, I chose to listen to Skavenslayer on audiobook rather than grab a physical copy of the book. I have a lot of love for the Warhammer Fantasy audiobooks, especially as they always perfectly capture the excitement, grim horror and elaborate fantasy of this franchise. Skavenslayer was another great example of this, and I had a wonderful and thrilling time listening to this amazing novel in this format. Much of the reason for this was the excellent narration by Jonathan Keeble, a brilliant narrator who has lent his voice to most of the Gotrek and Felix novels. Keeble has an outstanding voice for dark fantasy stories such as this, and I loved the grim tone he gives to several of the characters, particularly Gotrek, as well as the sheer excitement that infects his tone whenever there is a fight sequence or dangerous scene. Keeble also a lot of fun voicing the various Skaven characters, and he expertly mimics their high-pitched, whiney tones, which helps highlight their fickle and cowardly nature. This excellent voice work helps turn the Skavenslayer audiobook into an absolute treat to listen to, and with a runtime of only 10 and a half hours, listeners will power through this in no time at all.

William King’s second Gotrek and Felix novel, Skavenslayer, was another outstanding and wildly enjoyable novel that I had an incredible time listening to. Featuring a compelling connected narrative filled with intense action and fun villains, this is an amazing fantasy tale that is perfect for all Warhammer Fantasy fans. I can think of no higher compliment for this book than to reveal that the moment I finished Skavenslayer, I immediately grabbed the next novel in the series, Daemonslayer, which proved to be just as much fun.

Skavenslayer 2

Amazon Book Depository

The Two-Faced Queen by Nick Martell

On June 6, 2021February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books16 Comments

Publisher: Gollancz (Audiobook – 25 March 2021)

Series: The Legacy of the Mercenary Kings – Book Two

Length: 20 hours and 6 minutes

My Rating: 5 out of 5 stars

Amazon Book Depository

Following his epic 2020 debut, one of the fastest rising stars in fantasy fiction, Nick Martell, returns with the second entry in his The Legacy of the Mercenary Kings series, The Two-Faced Queen.

Last year I was lucky enough to listen to a copy of Martell’s incredible first novel, The Kingdom of Liars. The Kingdom of Liars was a gripping and impressive fantasy read set in Hollow, a crumbling city surrounded by an army of rebels, which followed the misadventures of the infamous Michael Kingman. Michael is the scion of the legendary Kingman family, a noble clan of heroes and leaders who have guided Hollow for generations, serving as both supporters to the royal family and a check on their power. However, the legacy of the Kingman family has been severely tarnished in recent years as Michael’s father was executed for the murder of the heir to the throne. With their family disenfranchised, Michael grew up as an outcast in his own city, acting out against authority. This changed when a chance encounter allowed him to investigate who was responsible for his family’s downfall and the death of the prince of Hollow. While he was eventually able to discover the true murderer, his investigation also resulted in the King’s suicide, which subsequently saw him tried for regicide and sentenced to death. The end of the book saw him manage to escape his execution, while also setting up several of the storylines for future entries in the series. I deeply enjoyed the cool story of this first entry in The Legacy of the Mercenary Kings, and The Kingdom of Liars ended up being one of my favourite novels, audiobooks and debuts of 2020. As a result, The Two-Faced Queen was one of my most anticipated reads of 2021.

Michael Kingman is a dead man walking. Still accused of killing the King of Hollow, Michael is now under the protection of the Orbus mercenary company, serving as an apprentice under the mysterious mercenary Dark. However, even with Orbus’s protection, everyone in Hollow still wants to either kill him or use him for their own dark ends. The deadliest of these is the one person Michael is sworn to protect above all others, the heir to the throne, Princess Serena. After spending years away, a vengeful Serena has returned to claim her throne and end Michael’s life. Wielding great power, a lethal attitude and holding the keys to Michael’s heart, nothing will stand in the way of her wrath.

To restore his family’s position, save his home and convince Serena of his innocence, Michael needs to unravel the various conspiracies that have encircled Hollow and uncover the true motivations of the various power players in the city. However, to succeed, Michael is forced to go up against a magnitude of foes, from the Corrupt Prince, the unhinged Rebel Emperor besieging the city, enraged royal guards, conspiring nobles, a scheming immortal, an insane serial killer, dangerous assassins and his former foster father, the man responsible for all his family’s ills.

But the more Michael attempts to understand Hollow’s hidden past and the dangerous plots surrounding his city, the more it becomes apparent that his is a mere pawn in a very dangerous game. Immortals, monsters and mercenaries are all present in Hollow, and each of them has their own nefarious designs for Michael and his family. Can he save everyone he loves before it is too late or has the Kingman family finally breathed its last? Michael’s rise to become a Mercenary King continues, but who will truly wield power when the dust settles?

Now that was one hell of a sequel! Martell absolutely crushed this second entry in this outstanding and exceptional fantasy series, producing a five-star novel that is extremely compelling, intense and so damn exciting. I was absolutely enthralled with this book the moment I started listening to it and I loved every second. The Two-Faced Queen is easily one of the best books I have read in 2021 and I think that any other fantasy novel coming out this year is going to be extremely hard-pressed to outdo it.

Martell has come up with a pretty incredible and intense narrative for The Two-Faced Queen, one that proves to be extremely addictive and insanely good. Starting shortly after the events of The Kingdom of Liars, this novel starts fast and hard, with Michael following up on a number of storylines and revelations from the previous novel. There is already so much going on right from the start of the novel, as the protagonist finds himself surrounded by enemies and conspiracies, both old and new. While several secrets were revealed at the end of the first novel, there is still so much that Michael needs to understand. However, as he attempts to learn these additional secrets, he must also try to avoid the deadly attentions of his beloved princess, end the rebellion plaguing the city, restore his family, defy a dangerous immortal, and make up with his betrayed friends. While this is already a substantial amount of story, Martell keeps adding to it, as Michael also soon encounters a deadly assassin with a contract on him, and a deranged and unnatural serial killer.

While this may seem like too many story elements for one novel, it actually works extremely well, and the reader quickly becomes engrossed in Michael’s various adventures throughout the city. I loved the inclusion of the serial killer storyline, as not only does it add some fantastic mystery elements, but it also proves to be a gateway to some intriguing world building, revealing more of the dark, immortal forces manipulating events from the shadows. This storyline also results in several epic action scenes that place the protagonist and his friends in mortal danger from some unusual foes. I had an outstanding time getting through this complex and well-constructed narrative, especially as every single scene has an intriguing revelation, intense character development or subtle clue to the future of the series. Several key mysteries and secrets from the first novel are answered, partially or wholly, in this novel, although many more are introduced. This really helps to keep the reader’s attention focused on The Two-Faced Queen’s plot, and I am not exaggerating when I talk about how addictive the secret-ridden narrative proves to be. Readers are hammered with large amounts of lore and history in places, so I would recommend reading the first novel in the series, The Kingdom of Liars, before reading this book, although binge-reading this series is hardly a chore. Overall, The Two-Faced Queen’s narrative is epic story writing at its best, and readers will love this terrific tale.

I absolutely must highlight the awesome and well-developed characters featured within The Two-Faced Queen. The most prominent is series protagonist Michael Kingman. Michael is an intriguing and distinctive figure through whose eyes most of the plot unfolds. I have to admit that Michael was not my most favourite character in the first book, mostly because of his impetuous nature and selfish behaviour at times. However, it was revealed that the reason for some of his annoying behaviour was due to some magic affecting his memories and personality. As a result, Michael’s behaviour is substantially changed in The Two-Faced Queen and he comes across as a more considerate figure in this book. He still has quite a few flashes of recklessness and stubbornness, but many of the rougher edges from the first novel are worn away here. Still, a lot of people call Michael out for his crap in this book, including his friends and family, and it was great to see him finally heed their words. There was also some additional exploration of how Michael deals with the legacy of being a Kingman; he is forced to live up to some big expectations. There is a rather good scene where Michael is exploring the crypt of his ancestors with some of his friends, describing why some of them are famous and others are considered failures because they never achieved anything remarkable but just lived a normal life. Seeing this, Michael’s friends, both of whom have been some of his greatest critics, start to understand just how much pressure he is under. I really appreciated the way in which Martell continues to develop his protagonist, and it will be very fascinating to see how Michael’s story continues in the future novels.

Aside from Michael, there is an impressive collection of interesting supporting characters, each of whom have some fascinating storylines, as well as secrets or details from their past which helps to move the story along. They also have their own motivations and plans to shape Hollow and the rest of the world to their advantage, which results in additional plots and conspiracies that the protagonists have to overcome. The most prominent supporting character is probably Serena, the titular Two-Faced Queen. Serena is Michael’s childhood friend and the royal he was sworn to, meaning that he was always destined to be her protector, advisor, and conscience. However, after the death of her brother and Michael’s family were declared traitors, their relationship effectively ended. Now returned, Serena is determined to destroy Michael for the apparent murder of her father, even if it leads to her own ruin. The novel starts up with Michael visiting Serena only to find that she has hand-dug a grave for him, showing her resolve for killing him. This forces Michael to attempt to change her mind, which is no easy prospect, and results in great calamity. Naturally, these two characters share thorny romantic feelings for each other, which complicates Michael’s plans to stay alive, as Serena is a major blind spot in his defences. Their entire joint character arc in this novel is extremely good, and I really appreciated the author’s take on their complex relationship.

Another key character is Dark, Michael’s mercenary master, who, aside from having his own mysterious past and motivations, is the son of Michael’s nemesis, Angelo Shade. Due to Michael and Dark working together closely, the protagonist learns several of Dark’s secrets, especially those related to his troubled childhood and his encounters with the Heartbreaker serial killer. While you don’t learn everything about Dark’s past in this novel (Martell is the master of dolling out just enough character detail to keep you interested, while also keeping plenty back for future novels), you do find out quite a lot, and what is revealed is extremely memorable. Dark has a real dark side to him, no pun intended, and while Michael initially believes that Dark is his ally, he is soon faced with the possibility that he might have placed all his trust in a monster. This results in a very interesting mentor/student relationship between the two, filled with much conflict and mistrust. I really enjoyed learning more about Dark in The Two-Faced Queen, and it will be fascinating to see how the rest of his story unfolds in the future.

Other intriguing characters in this novel include Michael’s best friend Trey, who is attempting to forge his own path and take down both the nobles and the rebels, even if this leads him into conflict with Michael. Trey has a fantastic arc as dangerous antihero in this book, taking control of the city’s criminal element in order to protect its citizens. While a lot of his hostility towards Michael has ended, Trey and the protagonist still have a strained relationship, although Trey does go out of his way to help his friend. Despite their friendship, it is clear that there is a major schism between the two planned in the future, which no doubt will result in all manner of pain and regret. The ruthless immortal Charles Domet is still a firm favourite of mine, and it was fun to see his attempts to manipulate Michael, especially as Michael is now well aware of his true nature. There are some interesting hints to Domet’s past in this novel, and he is clearly working up to something big. The ambitious social climber Naomi also returns, although now she is suffering from a bad drug addiction which makes her even more entertaining, especially as she decides to torment Michael through embarrassment. I also quite liked the expanded use of the chronicler, Symon. Symon, who is determined to record and analyse every secret of Michael and his family, has taken to stalking them by living at the Kingman family home, and it is always entertaining to see his take on the events occurring before him. He ends up actually narrating several interludes in The Two-Faced Queen, which are laid out as parts of his in-novel chronicles as part of a very clever and amusing supplement to the main story. Symon really endeared himself to me in this novel, especially after his insulting descriptions of Michael in his proposed history book, and I deeply appreciated his increased presence.

I honestly could go on and on about the various characters featured within this novel; indeed, I have only just scratched the surface of the support cast in the paragraphs above. However, it is more than clear that Martell does an excellent job in introducing and developing complex characters, and I loved the detailed and intriguing depictions of them throughout the novel. Nearly every character featured within The Two-Faced Queen gets at least one big moment, and there are plenty of revelations and compelling backstories that are really cool to uncover. I will say that you should probably not get too attached to the characters; however, I am very much looking forward to seeing what happens to each of the survivors, especially as Martell has set up some deeply captivating and powerful character arcs around them.

In addition to the fantastic story and amazing character work, Martell has also invested a lot of time in expanding his enthralling fantasy world. The first entry in The Legacy of the Mercenary Kings did a great job setting up the key elements of Hollow, such as the noble families, the people of the city and the various problems they faced. This unique setting of a besieged city filled with scheming nobles and set on a world where pieces of a shattered moon fall to the ground was so cool, and The Two-Faced Queen continues to expand on these previous elements, while also adding to the history and geography of the city and its surrounding nations. Not only do you learn of several outside nations and locations but you also get to see how the key characters of this novel, or their ancestors, have impacted them, as well as the various dangers these realms represent. However, some of the most substantial world-building revolves around some of the unusual creatures residing in this world, including a range of dangerous and destructive immortal creatures. In the previous novel we only encountered one immortal (that we knew of), whose plots and schemes were a major part of the book’s plot. This second novel, in contrast, is loaded with many more immortals, each of whom has their own unique abilities and plans for the world. Martell introduces the lore around these immortals extremely well, and their various traits and schemes are worked into the plot extremely well. It sounds like we are going to encounter a whole raft of intriguing and monstrous immortals in the future of this series, and I am very much looking forward to seeing what happens there. The next book also looks like it will be set in a whole new location, and I will be extremely intrigued to see how that impacts the narrative.

One particular bit of world-building that I really enjoyed was the excellent expansions of Martell’s unique magical system. The main magic of Hollow is known as Fabrication, which allows its users certain control over certain elements or phenomena at the cost of their own memories. This is a really cool magical system, and Martell uses it to great effect throughout his novels, ensuring that there is all manner of destruction and manipulation throughout the narrative. The Two-Faced Queen features multiple new Fabrication types, as Martell introduces unique Fabrications throughout the story, including several that even the protagonists have never heard of. Examples include a particularly dangerous telekinetic Fabrication, which forces everyone to their knees (perfect for its user), while I was also very impressed with the disturbing blood Fabrication that one of the supporting characters pulled out. In addition, Martell also introduces some different forms of magic from some of the other countries in his fantasy world. While you only get to see one or two of these new magical abilities, they are still fun to see and they stand as an intriguing counterpoint to the already established magical abilities. It looks like Martell is setting up some sort of mystery around the origins of all these different powers and it should prove pretty interesting to see how that turns out.

Martell also does an incredible job fitting the downsides of this magical Fabrication into the plot, as several characters experience memory loss, which affects their plans, reactions and relationships. This is most obvious in Michael; as narrator, he loses several days of his life, resulting in him being unaware of plans he puts into motion or certain secrets that he learnt in these missing days. Because the reader does not see these missing pieces of time either, this adds an extra amount of mystery and uncertainty into the narrative, as you try to work out both what is being deliberately hidden from Michael and what he has simply forgotten. These bigger lapses in memory are a fantastic part of The Two-Faced Queen’s narrative, and it helps to make the flow of this book unique and compelling. However, you also have to appreciate some of the smaller examples of memory loss throughout the book, some of which are quite heartbreaking in nature as the characters forget elements of their friends and families without realising it. There is one extremely poignant scene in which Michael confesses to forgetting something very important to him, with the reader only then realises that a certain normal-sounding character description was evidence of memory loss all along. Some of these subtle details are really impressive, and I deeply enjoyed seeing the hurtful side effects of this magical system.

To enjoy this awesome book, I ended up grabbing its audiobook format, mainly because I had such a great time listening to the first novel. There were actually two audiobook versions of The Two-Faced Queen, and I ended up grabbing the Joe Jameson narrated version. Jameson is a fantastic audiobook narrator who has previously lent his voice to amazing fantasy novels like King of Assassins by RJ Barker. I loved his narration for The Kingdom of Liars last year and I was really keen to continue to listen to him in this sequel. Jameson has a great voice for this complex fantasy read, and you swiftly become enthralled by the way he narrates the events occurring, as well as the fantastic voices he comes up with for his characters. All the characters are given a unique voice in a variety of different accents, and each of them really helps to capture the character’s emotions and personality perfectly, whether it is the constant confusion and hurt in Michael, the raging anger of Serena, the cold menace of Dark or the calculating and manipulative voice of Charles Domet. All this voice work is perfect and spot on and I really appreciated the effort that Martell put into this book. Despite its runtime of 20 hours, I got through this audiobook in no time at all and I honestly wished it was a lot longer by the end. This was another outstanding audiobook, and this format comes highly recommended to anyone interested in this fantastic novel.

With this epic and captivating second novel, Nick Martell has cemented his position as one of the best new fantasy authors out there. The Two-Faced Queen was absolutely incredible, and I loved the complex and addictive story, set in a unique fantasy world. There are just so many cool elements to this awesome novel and it really does not take long for the reader to become hooked on every single mystery, secret and hidden past that Martell features within this great read. I cannot wait to see what happens next in this series, but it is already perfectly clear that The Legacy of the Mercenary King books are going to be one of the defining fantasy series of the next few years.

Amazon Book Depository

Bullet Train by Kōtarō Isaka

On April 5, 2021August 13, 2022 By The Unseen LibraryIn English Translation, Thriller11 Comments

Publisher: Harvill Secker (Trade Paperback – 16 March 2021)

English translation by Sam Malissa

Series: Standalone

Length: 415 pages

My rating: 4.5 out of 5 stars

Amazon Book Depository

Thriller is a genre that I have only really started reading in the last couple of years and it is swiftly growing to become one of the top types of novels I tend to check out. While most of the thrillers I read are somewhat mainstream and from authors I have read before, I occasionally branch out and check out something from an unfamiliar author if it has an unusual-sounding plot synopsis which really grabs my attention. One of the most recent of these was Bullet Train by bestselling Japanese author Kōtarō Isaka, which I was lucky enough to receive a copy of a little while ago. Bullet Train, which is the first English translation of Isaka’s 2010 standalone novel, Maria Bītoru (Maria Beetle), is a unique and clever thriller which follows five very unusual killers who find themselves aboard the same ill-fated train ride.

On a seemingly normal day, a bullet train is setting out from Tokyo, making its regular trip to Morioka, with several stops planned along the way. As the train leaves, everything appears quiet, except for the fact that five dangerous killers are on-board, each of them with a very different mission in mind. The youngest killer, Satoshi, looks like an innocent schoolboy, but in reality his is a psychotic master manipulator, easily able to get people to do what he wants. His latest victim was Kimura’s young son, who is now in a coma after being thrown off a building. Kimura, a former hitter turned alcoholic, has tracked Satoshi to the train and intends to kill the youth in revenge. However, when Kimura underestimates his opponent, he soon finds himself in the middle of a dangerous game of survival, as he and Satoshi encounter some of the other passengers on board.

Nanao, the self-proclaimed ‘unluckiest assassin in the world’, has a relatively simple retrieval job that requires him to spend only a few minutes on the train. However, when his unnatural bad luck conspires to keep him trapped aboard, he is forced into a desperate battle for survival. At the same time, the lethal and unconventional assassin partners, Tangerine and Lemon, are also travelling to Morioka, until an untimely death puts them in the crosshairs of a notorious crime lord. When a suitcase full of money also disappears, all five killers are forced to show their hands, beginning a desperate battle aboard the moving train. However, as things get serious, the killers begin to wonder why all of them are aboard the same train and who is really pulling their strings. As the bullet train pulls closer to its destination, betrayals, manipulations and secrets are revealed, and not everyone will survive to reach the last station.

Now this was an extremely awesome and deeply impressive novel that I am so very glad I decided to check out. This translated novel from Isaka, an author who has written a massive collection of mystery and thriller novels over the last 20 years, including several that have been adapted into films, was a clever, fast-paced thrill ride that follows several awesome and captivating assassin characters. This resulted in an epic and compelling read which proved to be extremely addictive and is one of the most entertaining books that I have read this year.

I absolutely loved Bullet Train’s slick and clever story that quickly dives between the book’s various characters. Split between the five central killer protagonists, as well as a few intriguing supporting characters, Bullet Train has a particularly intricate narrative that is heavy on the twists, rapid turns and unique moments. Isaka does an exceptional job setting the scene and introducing each of the great characters, and the reader is soon engrossed in seeing how the story and individual character arcs play out. It does not take long for all five main characters to find themselves involved in some surprising and dangerous situations, which they must work to extricate themselves from. As each character attempts to deal with their own problems, be they a dead client, stolen money, blackmail or being suddenly forced to deal with a dead body, their various storylines soon begin to intersect. The way in which the individual storylines come together works extremely well and it proves to be extremely entertaining to see to the vibrant and distinctive personalities of each of the protagonists clash against each other when they meet. Their intriguing interactions include some intense action sequences, clever manipulations and even some amusing confrontations that include anything from philosophical debates to discussions about a certain children’s show. At the same time, the characters are also forced to contend with several additional complicating factors, including other killers aboard the train, seemingly oblivious onlookers, secrets from the past and a dangerous long-reaching plot. All of this leads to an epic and clever conclusion that sees several protagonists die and a number of clever twists come to fruition. I honestly did not see some of these cool twists coming and I ended up on the edge of my seat waiting to see what would happen next and which of the characters were going to survive the whole thing. I ended up being really impressed with this cool book and I really enjoyed this thrilling and compelling read.

While Bullet Train’s narrative itself is extremely cool, the true highlight of this epic book is the five killer main characters of the story. All of these main characters are a lot of fun and the author has imbued them with some excellent and memorable traits and personalities. All five characters add so much to the story in their own right, but their real strength is the way in which they interact with each other. The way in which these unique protagonists play off each other is just perfect and it was great to see them get the measure of each other and fully understand just whom they are dealing with. You really get invested in each of these five characters fates and it is rather interesting to see who survives until the end and who comes out on top.

The first two major characters featured within the book are the interesting combination of vengeful former hitman Yuichi Kimura and teenage manipulator Satoshi Oji. Kimura is a recovering alcoholic who is hunting Satoshi due to the teen’s role in Kimura’s son getting pushed off a roof and ending up in hospital. However, his attempts at revenge are quickly thwarted by Satoshi, whose nickname “the Prince” tells you pretty much all you need to know about the kid. Using threats towards his comatose son, the Prince manipulates Kimura into helping him investigate the strange events occurring on the train, and the two quickly find themselves in the middle of the dangerous situations, with Kimura attempting to find a way to save his son while the Prince attempts to work the situation to his own advantage. Both fantastic killers are well-written and compelling characters who add a significant amount to the tale. You really get invested in Kimura’s struggle to save his son and overcome his own inner demons, while Satoshi serves as a particularly unlikeable villain, who you really want to suffer, even if he is a teenager. Isaka also throws in a few intriguing flashbacks which highlight how the rivalry between the two started, and which helps to dive into both insecurities and fears. Both end up having fantastic story arcs within this book, and I really enjoyed the complex web that the author wove around the two.

Another of the main characters is Nanao, a young professional killer with a conscience who has only recently entered into the game. Nanao is an absolute sweetheart whose most defining characteristic is his abysmal bad luck, which plagues him throughout the course of the book. It proves rather amusing to see all the dramatic and amusing setbacks that happen to Nanao during Bullet Train, and it quickly becomes apparent that he is actually cursed, a fact that he faces with particular sadness and a certain amount of fatalism. You cannot help but feel for Nanao as the book progresses, and there is something about his general unhappiness with the situation that draws the reader to him. Thankfully, he is also a particularly skilled operative, especially in dangerous situations, which gives him a fighting chance against his opponents, and the times when this resourcefulness appears are pretty awesome. I personally felt that Nanao’s story arc was one of the best in all of Bullet Train and I really loved seeing the other side of the characters’ unluckiness eventually come into play, even if the protagonists never realised just what happened to him.

The final two killers featured within Bullet Train are the memorable partnership of Tangerine and Lemon. Despite their similar appearance which makes many people believe that they are twins, Tangerine and Lemon are very different people, both with unique personalities that clash with one and other. While Tangerine is the well-organised professional with a love for classic literature, Lemon is the wild card, a seemingly flaky and eccentric killer with an unnatural appreciation for the children’s show Thomas and Friends. This makes for a very entertaining odd-couple pairing, as the two characters, who at times appear not to even like or understand each other, need to sort through the chaotic situation about the train. While Tangerine is an enjoyable character who serves as a good straight man to some of the more outrageous personalities aboard, I definitely enjoyed Lemon way more. Lemon is a wildly entertaining and captivating character whose unique viewpoint on life, which is inspired by Thomas and Friends, is both childlike and clever at the same time. I really enjoyed seeing some of Lemon’s reactions and solutions to the problems he encounters, especially as he mainly draws on lessons from the characters in Thomas in Friends, when it comes to judging people (you really do not want to be a mean old Diesel). This leads to some great scenes, especially as he can see through manipulations that have tricked some of the other characters. It was also great to see the full breadth of the friendship between Tangerine and Lemon become clear as the book continued, especially as it leads to one of the best scenes in the entire book. Each of these character arcs ended up being truly spectacular and I had an outstanding time seeing each of their unique tales unfold.

Bullet Train by Kōtarō Isaka was an epic and immensely captivating read that comes highly recommended. I deeply enjoyed the unique and exciting tale told within it, loaded as it was with all manner of cool twists and surprise reveals, and I cannot emphasise how awesome the main five characters were. This was a superb read and I will have to keep an eye out for English translations of any of Isaka’s other books. I am also quite excited for the upcoming film adaption of this book, also titled Bullet Train. I assume that this English translation novel is the result of the major Hollywood adaption of Maria Bītoru that is currently in production, and which looks set to feature an impressive array of actors including Brad Pitt, Joey King, Aaron Taylor-Johnson, Zazie Beets, Lady Gaga and Sandra Bullock. While I am a little uncertain about why a film set on a bullet train in Japan is going to feature a primarily American cast, this looks set to be a fun movie, especially if it lives up to this impressive and clever novel.

Amazon Book Depository

Make sure to also check out my review for the connected Kotaro Isaka novel, Three Assassins, here.