Throwback Thursday: Usagi Yojimbo: Volume 5: Lone Goat and Kid by Stan Sakai

Usagi Yojimbo Lone Goat and Kid Cover

Publisher: Fantagraphics Books (Paperback – January 1992)

Series: Usagi Yojimbo – Book Five

Length: 142 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this latest Throwback Thursday I once again check out another early volume of the excellent Usagi Yojimbo series, which I have been reviewing over the last couple of weeks. For this review, I am looking at the fifth volume, Lone Goat and Kid. Lone Goat and Kid was first released in 1992 by Fantagraphics Books and contains issues #19-24 of the Usagi Yojimbo series.

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This fifth volume of Usagi Yojimbo once again sees series protagonist, the rabbit ronin Miyamoto Usagi, traverse a feudal Japanese landscape populated solely with anthropomorphised animals. This volume follows on right after the chaotic events of the fourth volume, The Dragon Bellow Conspiracy, and contains five new stories across six issues. This is an interesting entry in the series, particularly as it is the first volume to barely feature any of the previously introduced recurring characters aside from Usagi (a huge departure from the last volume, which contained a number of recurring characters coming together and teaming up). Instead, Sakai takes the time to introduce a bunch of new characters and scenarios across the volume’s five separate stories. Unsurprisingly, I really liked this fifth volume of Usagi Yojimbo, especially as Sakai manages come up with some fantastic and exceedingly enjoyable tales.

The first story featured within this volume is titled Frost & Fire, and it is a tragic story with undertones of forbidden love and class struggle. In this story, Usagi is hired by the cold and proper widow of a samurai to travel to the place of her husband’s death and retrieve his swords. Upon arriving at the small village where the samurai died, Usagi discovers that the swords are in the possession of the dead man’s lover, a poor peasant girl, who wishes to keep them as a remembrance of the man she loved. Unwilling to take the swords by force, Usagi leaves, but the peasant girl’s greedy brother has other plans for the swords.

This was a rather heartfelt first story for the volume, and it contains some great underlying elements to it. Much of the story revolves around a forbidden romance between a samurai and a peasant girl who wanted to be together but were unable to due to class differences. This was a rather intriguing central element for this story, and you can’t help but feel for the poor peasant girl, especially after meeting the samurai’s harsh and honourable widow in the opening pages. There is also examination of the evils of greed and avarice, as several of the side characters attempt to deceive and murder in order to get a quick payday. Luckily, their greed proves to be their undoing, as karma quickly strikes throughout the course of the story. There are some great scenes in this story, including one sequence where Usagi stares down the peasant girl when she refuses to give up the swords, “You know I can just take them from you”, before ultimately backing down and refusing to force her to give them up. I also liked a scene later in the book where the brother’s greed proves to be his undoing, as not only does Usagi appear behind him at one point like a vengeful spirit, but he is then ironically attacked by his “friends”, who are jealous of the wealth he achieved because of his bad actions, and whose mindset mirrors that of the brother. All of this makes for a great first entry for this volume, and I really enjoyed the amazing and captivating story that Sakai came up with.

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The next story is a rather unique entry called A Kite Story, which I have a particular love for. A Kite Story is actually broken up into four distinctive parts, each of which focuses on a different character participating in a famous kite festival. The first part, called The Kite Maker’s Story, follows a kite maker, Tatsusaburo, in the lead up to the festival. This part of the story contains no dialogue, but instead features a first-person narration from Tatsusaburo that overlays the drawings. This narration explains how he gathers the resources for his kites and the various processes he goes through to craft them together. It particularly focuses on the work he puts into creating an odako, a giant kite that he and a team of handlers hope to fly. The story then jumps to its second distinctive part, called The Gambler’s Tale, which follows the crook Hatsu and his gang of itinerant gamblers as they work the crowds gathering for the kite festival. This part starts off with some first-person narration from Hatsu and explores how he and his gang set up a rigged game of dice. This part ends its narration on the second page, when Usagi arrives on the scene and it becomes purely dialogue driven after that. Usagi, upon noticing the game, gets involved and is able to prove the gamblers are cheating (thanks to some fancy sword work), which sees not only the crooked gamblers run out of town but also those gamblers who were running fair games, and who are none too pleased with how they have been treated. This then moves to the third part of the story, called The Ronin’s Tale, which is nearly entirely dialogue driven, with only a small bit of narration at the front. Usagi deals with some of the players from the first two parts of the book, as he is unfairly blamed by the cheating gamblers in The Gambler’s Tale as the source of all the trouble to the honest gamblers. This sees Usagi have to make a rather quick and unconventional exit from the festival, which quickly breaks down into chaos. The story then concludes with a quick two-page final part, called The Kite Maker’s Tale II, which follows Tatsusaburo again and serves as an epilogue to the whole story.

I really liked A Kite Story, as Sakai did a really good job blending together a couple of distinctive narratives into one fantastic story. I particularly enjoyed the fascinating first part of this story and I always love it when Sakai uses his stories to explore certain unique Japanese cultural elements and industries. For this one, the author presents the reader with an amazing examination of the traditional kite-making process, and I loved seeing the process explained by the titular kite maker. This part of the story blends in surprisingly well with the other sections of A Kite Story, and I was impressed with how Sakai was able to turn these seeming separate and disparate tales into a complete narrative that is both entertaining and informative. Sakai also produces some amazing artwork in this story, from the giant kite to the visually impressive and detailed crowd scenes, and this is easily one of the more innovative stories that Sakai has come up with.

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The third story is the action-packed spectacular, Blood Wings, which Sakai tells over two issues. Late one night, Usagi is wandering along the road when he comes upon a dying peasant. The peasant’s last words are a mysterious warning about whatever killed him, “wings of blood”. Travelling to a nearby village, he finds a settlement living in terror, completely cut off from the outside world. They are being kept prisoner by a new and dangerous group of ninja, the Komori Ninja Clan, killer flying bats. The Komori Ninja were accidently discovered by the villagers as they prepared to ambush a shipment from a nearby goldmine and the ninja are now keeping them prisoner while they execute their attack. Knowing that the ninja will not leave the villagers alive as witnesses after the heist, Usagi attempts to break out and warn the goldmine, and when that fails, he leads the villagers in a spirited defence of their home.

Blood Wings was a fantastic and exciting story that serves as an excellent set piece for the middle of this volume. This third story is an impressive read that not only introduces a notable new group of antagonists, but it also contains some rather good action sequences. The Komori Ninja prove to be a great group of villains, and I really liked the character design that Sakai came up for them, as they fly around with sword blades attached to their wings, cutting through anyone and anything they encounter. The highlight of this story has to be the thrilling action sequences between Usagi and this new foe, who are able to outmatch the protagonist with their unique combat style. This all culminates in an extended battle sequence which sees a swordless Usagi defending the village with a force of farmers. This is probably the fastest-paced story in the volume, and Sakai comes up with an awesome narrative for it. This is also the entry in this volume that is most tied into the overarching Usagi Yojimbo world, as the Komori Ninja are revealed to be working for Lord Hikiji and are seeking to replace the Neko Ninja. This story also contains my favourite joke in the whole volume, as only Saki would have a guard yell out, “Holy flying furball! It’s Bats, man!” as the Komori Ninja descend.

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The fourth story is an elaborate and compelling entry titled The Way of the Samurai. This story sees Usagi intervene when a gang of bandits (including a very cool-looking walrus samurai), attack a messenger, and is directed to seek out the magistrate of the local town. Arriving at the town, Usagi is amazed to discover that the magistrate is a famed former general Oyaneko, whose battles and tactics Usagi idolises. Staying in the general’s house for a night, he learns that Oyaneko was a loyal retainer to the land’s former lord but was cast aside when the lord’s brash young son came to power. Now regulated to the role as a simple administrator and slowly dying of a disease, Oyaneko is discontent with his life, and, after meeting an honourable and skilled Usagi, challenges him to a duel to the death, “The way of the Samurai is found in death”.

This fourth entry in the volume is a moving tale that the author uses to explore the complexity of the samurai code of duty, loyalty and service. I really liked the intricate story that Sakai weaved around the characters of Usagi and Oyaneko, and Oyaneko’s story is particularly tragic and fascinating. This entire story is set up really well, with Usagi encountering Oyankeo, the two gaining a mutual respect for the other, learning about Oyankeo’s past and motivations, before the emotionally charged duel at the end. Sakai did a fantastic job illustrating the stress and emotion surrounding this final duel with his epic drawings, and the end result was really touching. I think this is one of the best written stories in the entire volume, and it becomes quite an emotional ride for the reader in the end.

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That leaves us with the fifth and final story in this volume, which shares the same name as the overall volume, Lone Goat and Kid. This story focuses on the characters of Yagi and Gorogoro, the titular Lone Goat and Kid. Years ago, Yagi served the same lord as Oyaneko. However, when their old lord died, Yagi was falsely accused of a crime by the new lord’s corrupt advisors and forced out of his service. Yagi and his son Gorogoro now work as Lone Goat and Kid, assassins for hire who many believe now travel the road to hell. The two assassins are also constantly targeted by their former lords’ samurai and bounty hunters sent after them by the corrupt advisors who framed them. As part of their latest attempt to kill Yagi and Gorogoro, these advisors use a proxy to hire the Lone Goat and Kid to assassinate Usagi, who they believe may be able to defeat the infamous assassin. When they meet, Yagi and Usagi engage in a brutal fight to the death, with the corrupt lord’s forces waiting to ambush the winner.

This was another awesome story filled with epic duels, a massive battle sequence, some superb artwork featuring Japan’s exquisite landscape, and a fun narrative packed full of deceit and conspiracy. The titular Lone Goat and Kid are a rather cool adaptation of the iconic Japanese fiction duo, Lone Wolf and Cub. Lone Wolf and Cub was a manga series back in the 1970s that followed a samurai assassin and his child as they travel feudal Japan searching for vengeance. This series has inspired several movies and a television show, and many different pieces of fiction have paid homage to them over the years, from The Mandalorian to Bob’s Burgers. Heck, Rick and Morty literally just did an anime homage to them last week on YouTube. Sakai’s versions of the characters are rather good, and they become fun recurring characters within the Usagi Yojimbo series. I loved how Sakai came up with some fantastic and unique character designs for the two assassins, turning them into goats rather than wolves (which was a nice touch, especially as the name “kid” has that fun double meaning), and providing them with a different backstory. However, there are some excellent similarities, such as the father’s skill with the blade, the desire to take down conspirators who wronged them and the baby carriage the son travels in, equipped with all manner of hidden weapons and blades. The character of Yagi, the Lone Goat, is particularly intense, and is almost demonic in his attitudes and persona, while still maintaining a samurai’s sense of honour. I was also really impressed with the battle sequences that featured in the last half of this story, and I liked how Sakai went from an elaborate one-on-one duel, to a mass fight against multiple opponents. All of this leads to another excellent story in this volume, which I really enjoyed reading.

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This fifth volume of Usagi Yojimbo, Lone Goat and Kid, was another incredible and powerful addition to the series, and I think Stan Sakai did another amazing job with this volume. Featuring five fantastic stories that contained Sakai’s usual complex narratives, iconic artwork and compelling underlying themes, Lone Goat and Kid gets another five-star rating from me, and it is really worth checking out.

Throwback Thursday – Usagi Yojimbo – Vol 1: The Ronin by Stan Sakai

Usagi Yojimbo The Ronin Cover

Publisher: Fantagraphics Books (Paperback – 1987)

Series: Usagi Yojimbo – Book One

Length: 144 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

We are now less than two months until the next amazing volume of Stan Sakai’s long running Usagi Yojimbo comic series, Bunraku and Other Stories, is released, and I am getting excited. This new volume is set to feature several brand new Usagi Yojimbo stories (including an extended story about a haunted puppet drama), but it is apparently also going to feature a look back at the very first Usagi story as part of an 35th anniversary special. For that reason, I thought that this would be an excellent time to go back and review volume one of the Usagi Yojmbo series, The Ronin, to serve as a good base for the upcoming review.

Usagi Yojimbo is a unique comic book series that Stan Sakai started back in 1984. It focuses on the adventures of Miyamoto Usagi, an anthropomorphic rabbit samurai who lives in a version of feudal Japan (early Edo period) completely populated with other anthropomorphic animals. Usagi is a ronin, a masterless samurai, who wanders the land on a warrior’s pilgrimage, helping those he encounters and occasionally working as a yojimbo (bodyguard) for hire. Throughout his journey he encounters all manner of friends and foes, including a number of creatures from Japanese folklore, and finds himself constantly drawn into the political plots of the land. This series is written and drawn in a more western comic/cartoon style rather than the Japanese magna style. However, the Usagi Yojimbo series is strongly inspired by Japanese history and culture, featuring a huge range of accurate depictions of historical events and cultural icons. This series is currently collected in 33 volumes from several different publishers, with each volume containing a number of different issues from the series. These issues are usually standalone adventures, although a number of longer storylines are continued through several issues or volumes.

I have been meaning to go back and review the first volume Usagi Yojimbo for a while now. The Usagi Yojimbo series is easily one of my favourite comic book series of all time, as Stan Sakai has created a truly epic and compelling series. While on paper a series following a rabbit samurai in a version of feudal Japan populated by other anthropomorphic animals does sound a bit ridiculous, these comics are anything but. Through a combination of outstanding storylines, complex characters, intense action, great uses of humour and an intriguing and compelling look at Japanese history and culture, Sakai has created a comic series that is extremely endearing and captivating. I have been a massive fan of this series for years, having started reading it when I was in high school (thank goodness for my surprisingly well-stocked public library) after I first saw the character in the 2003 Teenage Mutant Ninja Turtles animated series. I have previously reviewed the last two volumes of Usagi Yojimbo on my blog already (Volume 32: Mysteries and Volume 33: The Hidden), with Mysteries actually being the very first comic I ever reviewed. Both of these previous volumes received a five-star rating from me, which I have also awarded to this first volume.

Unlike the rest of the collected volumes, The Ronin doesn’t actually contain any issues from the Usagi Yojimbo series. Instead, it contains several earlier Usagi stories which were part of other publications, such as Albedo Anthropomorphics, Critters, Doomsday Squad and Usagi Yojimbo: Summer Special. All of these were collected together for the first time in 1987 into this volume (I have the 2007 reprint), and appear in chronological order. The Ronin contains 10 separate chapters of various lengths, each with their own story. These include:

  • The Goblin of Adachigahara: the very first story to feature Usagi, and the one that the upcoming Bunraku and Other Stories is going to revisit. This initial story features Usagi returning to the area near the battlefield of Adachigahara, where he lost his lord, Mifune, in a battle, forcing him to become a ronin. Seeking shelter in the hut of an old lady, he recounts his story of the battle to his host, including the betrayal of one his lord’s generals which cost them the battle. Later, Usagi battles a flesh-eating goblin, revealed to be not only the treacherous general but also the husband of his elderly host, and manages to defeat him, sparing the old lady who was going to allow him to be eaten. This was an excellent introduction to Usagi, as you got some vital information about his history, his status and his skill as a warrior. You also got a great look at his moral character, as he chooses to spare a woman who would have let him be eaten, and instead instructs her to perform funeral rights on the man who cost him everything.
  • Lone Rabbit and Child: this second story involves Usagi getting involved in the politics of the nation, as he comes to the aid of a young lord, Noriyuki, and his retainer the swordswoman Tomoe Ame. Noriyuki and Tomoe are being hunted by the agents of the evil lord Hikiji, who was also responsible for the death of Usagi’s previous lord years ago (it is later revealed he also killed Usagi’s father). Usagi agrees to escort them to safety, and they must contend with mercenaries, assassins and ninja on their quest. This is an amazing second outing, which expands on the world the series is set in, continues to show off Usagi’s skill, and sets up Hikiji as the main antagonist of the series (even if you see very little of him later on).
  • The Confession: This story follows on directly from the events of Lone Rabbit and Child, and features Usagi in the possession of a vital letter implicating Lord Hikiji in the attempt to kill Noriyuki. Usagi is ambushed by the Neko Ninja, who seek to reclaim the letter, leading to a prolonged and desperate fight in the woods. This proved to be an awesome follow-up to the previous story, which continued to highlight Usagi’s skills in combat and Sakai’s ability to drawn excellent, high-stakes fight scenes. It also showed just how nefarious an opponent Hikiji and his advisor Counsellor Hebi (a big terrifying snake) can be.
  • Bounty Hunter: Usagi is hired as a Yojimbo by the bounty hunter Gennosuke as he attempts to claim his latest bounty, the leaders of a local gang. Engaging the gang in a fight at a temple, Usagi and Gen are an effective team, eventually getting their targets, although their partnership ends on an interesting note. This was an entertaining story that served as a perfect introduction to a great character. Usagi and Gen have amazing chemistry together and Gen is an awesome side character. This is also one of the first stories to feature some more humour in the story, especially in the end, which turns out to fit in well with the overall feel of the series.
  • Horse Thief: Sakai features a lot more humour when Usagi, after interfering in a robbery by a gang of bandits, takes one of the bandit’s horses. He attempts to sell the horse in town, only to discover that it was stolen from the local magistrate, who chases him into the woods. Usagi’s problems only escalate from there, when he and his pursuers run into the bandits, prompting a massive battle in which Usagi is everyone’s enemy. The story has a great ending, steeped in irony which leaves Usagi and the reader laughing hysterically. I loved the author’s use of coincidence and bad fortune in this story, and it was fantastic to watch Usagi go from one bad situation to the next.
  • Village of Fear: This is a bit more of a horror story, as Usagi comes across a village held captive by a fearsome monster. This horror is compounded when it is revealed that the monster is a shapeshifter who has taken the form of one of the villagers. This was a relatively brief story, but it is set up and executed very well, with several great character moments, and there is even time for a quick Gone with the Wind
  • A Quiet Meal: This is another of the more humorous stories in the volume, which features Usagi trying to have a quiet meal in an inn. Unfortunately, a gang of rough gamblers are causing trouble, throwing the other patrons out and trying their luck with Usagi. Usagi quickly shows them the error of the ways with some extremely fancy sword work, which causes them to flee in terror. The most noticeable feature of this entry is the fact that Usagi doesn’t speak once during the entire issue (he’s trying to have a quiet meal), and it’s up to his body language and the other characters to tell the story. This works extremely well and really helps to uplift the overall humour of the story. The way in which he sees off the ruffians is absolutely fantastic, and their absolute fear and disbelief at his skill, “this one’s been filleted”, is just great.
  • Blind Swords-Pig: This is a somewhat sadder and more dramatic story which features Usagi encountering and quickly befriending the blind pig, Zato Ino, who is seeking a peaceful place to settle down. Ino, however, is an extremely skilled warrior and wanted outlaw. Constantly hunted for his bounty, he relies on his sword skills and his ability to ‘see’ with his sense of smell. When Usagi finds out his true identity, the two engage is a fierce duel in which Ino loses his nose, truly becoming blind. This is one of the best stories in the whole of The Ronin, mainly because of the complex character that is Ino. He has a true desire for a peaceful life, but his past ensures that this can never happen, as even friendly characters like Usagi turn against him. This has turned him into a somewhat bitter creature, quick to hate those he meets “and what I hate, I kill!”, and the events of this first story help turn him into something even more angry, especially when it comes to Usagi.
  • Homecoming: This story sees Usagi return to the village of his childhood, but his return is not a peaceful one, as his village is under attack by the Mogura Ninja. Usagi must work with his childhood rival, Kenichi, to save the village; however, there is much enmity between Usagi and Kenichi, mainly because Kenichi married Mariko, the love of Usagi’s life. The two rivals must move past their differences, especially when Kenichi and Mariko’s son, Jotaro, is kidnapped by the Mogura Ninja. This was another exceptional entry in the volume, as it blends together tight action sequences with a deeper dive into Usagi’s past, including his complex and dramatic history with Kenichi and Mariko. The final pages of this issue are just heartbreaking, as it is revealed that Usagi and Mariko both kept the mementos they gave each other as young lovers, and they are both clearly in love with each other, even though they can never be together. I also really liked the Mogura Ninja in this book, especially as moles apparently make effective and deadly ninja.
  • Bounty Hunter II: This final story sees the return of Gen, who once again convinces Usagi to work with him to collect another bounty. Gen of course manages to complicate the job, and his actions backfire on Usagi, resulting in him getting into a major scrape. Despite Usagi’s understandable rage towards Gen, the two are able to part amicably, although Usage gets a small measure of appropriate revenge at the end of the story. I think that Sakai really hit his stride with the Usagi/Gen friendship in this second story, and the two of them play off each other extremely well. I really loved the end of this story, and it definitely got a big laugh out of me.

Overall, I felt that this volume contained a perfect blend of stories, and I really liked how Sakai jumped between action-based stories, to comedies and then to more dramatic tales, which helped produce a range of different emotional reactions. I did appreciate that the different issues also featured a range of different opponents and story basis, allowing the reader to understand that this series is going to focus on everything including banditry, ninja attacks, political intrigue and even the supernatural. I also think that the stories in The Ronin contained the right amount of character background for Usagi, providing enough for the reader to understand his motivations, while not being too overwhelming. This great blend of storylines and character arcs works extremely well together, and it makes for one heck of a complete volume.

The Ronin serves as an excellent introduction to this series, and I would strongly recommend that anyone interested in Usagi Yojimbo start with this volume. The stories within do a wonderful job of setting up the alternate version of historical Japan that this entire series takes place in. I absolutely love the combination of vibrant animal characters with feudal Japanese settings, and it works really well as the backdrop for an action series, especially with the political uncertainty and mass of unemployed samurai that accompanied the early years of shogunate rule. That being said, it is never quite explained why certain animals (horses and small dogs) are non-sentient, or why there are packs of dinosaur-like lizards (tokage) roaming the wilderness, although I kind of like the mystery. This volume also contains fantastic introductions for so many characters who are vital to the series, such as Gen, Tomoe, Mariko and more, and you get great insights into their characters, which are built up with each appearance they make. A lot of key character arcs or storylines start in the stories featured within this volume, and as each volume of Usagi Yojimbo is sequential, readers of the series are best served starting with this first volume. Luckily, The Ronin is a really good first entry in the series, and it is definitely worth checking out.

One of the most charming things about the Usagi Yojimbo series is the way in which Sakai sneaks so many different historical and cultural references into his stories. Most of the characters are either inspired by a real-life historical figure or a fictional character from Japanese or western culture. For example, Usagi himself is based on one of the most famed samurai of all time, Miyamoto Musashi, who is often credited with creating the two-sword fighting technique that Usagi utilises in the series, while Tomoe Ame is based on famed female samurai Tomoe Gozen. Other characters however are based on Japanese movie characters, such as Zato Ino who is a clearly a pig version of Zatoichi, the blind swordsman protagonist of a series of popular Japanese movies and televisions shows. Gen is based on the character that Toshiro Mifune portrayed in samurai films such as Yojimbo (which was later adapted into A Fistful of Dollars), and Usagi’s former lord Mifune gets his name from the actor. Other references include the title of the second story in this volume, Lone Rabbit and Kid which is a references to the manga series Lone Wolf and Cub (Sakai later creates the characters of Lone Goat and Kid as another homage to this series) and the fact that this series is partially named after the Yojimbo film. Two separate stories in this volume also reference Sakai’s previous work on the Groo the Wanderer comic, with Groo even briefly appearing in Lone Rabbit and Kid, sharing a fun stare down with Usagi. I had a great time with all these references (although I admit I had to look up a couple), and some of them are really clever. They add a lot of fun to this series and they are a real treat for readers, especially those already familiar with Japanese history, film or culture.

I am a big fan of Sakai’s art style, and each issue of Usagi Yojimbo is an absolute joy to view. Not only does he produce some outstanding action sequences with his drawings, many of which do an awesome job of depicting the samurai battle style, but he also creates some fantastic characters and breathtaking landscape scenes. Nearly every issue shows some inspiring and beautiful depiction of the Japanese countryside or a historical town, and the sheer amount of detail that he throws into his various scenes is just incredible. It’s also fun to see the various animals that can be turned into samurai, as everything from bulls, rabbits, crocodiles, rhinos, monkeys, pandas, cats and dogs appear in this first volume alone. For this first volume, however, the artwork is understandably a little inconsistent, mainly because Sakai had only just started drawing these characters. The various character designs are a little rough in places, especially if you are familiar with his later work, as Sakai is clearly experimenting with how he wants to depict these characters. A few of the action sequences are also a tad different from the later entries in this series, which can be a little jarring in places, but still really cool. Overall, though, most of the art in this book is pretty incredible, and it is fun seeking Sakai get into his groove with each new story. Sakai does an amazing job conveying emotion, action and intent through his drawings in this volume, and it turns out wonderfully. If I had to pick my favourite bit of art in this entire volume, it would be a scene in A Quiet Meal, where Usagi swings his sword around the head of a ruffian who is bothering him. While it first it appears that Usagi had done nothing, you slowly realise that the flies that Sakai had been subtly drawing around this character’s head before that point, are gone. The facial reactions of the various thugs when they realise what happened to the flies are just hilarious, and I absolutely loved it.

This first volume of the Usagi Yojimbo series, The Ronin, is an amazing and spectacular read, which I have a lot of love for. Not only does it serve as an excellent introduction to the Usagi Yojimbo series, but it contains some captivating storylines, impressive artwork and a heck of a lot of fun. Needless to say, The Ronin gets a full five stars from me, and I cannot recommend this volume and the Usagi Yojimbo series enough. Reading this first volume actually got me re-reading the entire series again, and I have already made it up to volume 17. In my book, all of them are five star reads, and you can probably expect some more reviews of them in some future instalments of Throwback Thursday. Stay tuned to see my review of the next volume of this epic series, which I already know I am going to love.

The Russian by Ben Coes

The Russian Cover

Publisher: Macmillan Audio (Audiobook – 30 July 2019)

Series: Rob Tacoma – Book One

Lenght: 9 hours and 20 minutes

My Rating: 4 out of 5 stars

Thriller author Ben Coes returns to the world of his Dewey Andreas series with The Russian, the first book in spinoff series which sets the CIA against the Russian mafia in a violent conflagration.

Since the break-up of the Soviet Union, some of the most dangerous and ruthless criminals from Russia emigrated to the United States in order to take advantage of the unique opportunities available there. This led to the creation of the Russian mafia, a group whose capacity for violence, murder and collateral damage knows no bounds. The Russian mafia are now the most effective and feared criminal organisation in the world, and conventional law enforcement seems unable to stop them. However, after elements of the Russian mafia organise the brutal assassination of two prominent American politicians, the President of the United States has had enough. Utilising a top-secret piece of legislation, the President authorises the CIA to run a small kill team on US soil. Their mission: kill those responsible for the assassinations while also taking down the Russian mafia by any means necessary.

Tasked with pulling together an elite two-man kill team to undertake this dangerous mission, the director of the CIA knows that his first recruit needs to be Rob Tacoma. Tacoma is one of the best killers the CIA ever produced, an operative without peer who is able to think on his feet and adapt to any situation. Tacoma is the perfect man for this dangerous and secretive job, especially as he already bears a hefty grudge against the Russian. However, this assignment begins poorly when Tacoma finds his new partner murdered by mafia hitmen before he even officially joins the team. The Russians already know what his mission is, and with his identity exposed, Tacoma is now being hunted by the entire Russian mafia. Can even this legendary CIA operative survive against a criminal army without rules, conscious or limits?

The Russian is the first book in the new Rob Tacoma series of thriller books. The Rob Tacoma books are a spinoff of Coes’s Dewey Andreas series, which ran between 2010 and 2018, featuring eight novels. Rob Tacoma was a popular supporting character in the Dewey Andreas books, and it’s interesting to see him getting his own adventures. I have had my eye on The Russian for a little while now due to its awesome-sounding plot, and I really wanted to read it last year when it first came out but I didn’t get a chance. As a result, when I was in the mood for an exciting thriller, The Russian was at the top of my list of books to check out. I ended up really enjoying The Russian as it has a fun, fast-paced story with a lot of action that I was able to power through in a very short period of time.

This new book from Coes features a rather intriguing plot idea of a CIA agent, and by extension the CIA, going to war with an organised crime group, the Russian mafia. I really loved this concept and I think that Coes did a wonderful job expanding it out into a thrilling and enjoyable story. The start of the book is set out perfectly, with the event that shows off the notoriety of the Russian mafia and prompts the President to set the CIA on them, presenting the reader with a pretty compelling start to the book. I appreciated the author taking the time to explore how the CIA were allowed to operate on US soil, and the explanation for this was a really cool plot element. I also loved the quick jump into the next part of the book, which saw Tacoma fall headfirst into trouble when the Russians find out who he and his partner are and send hitmen after him. From there you have a great, fast-paced story, as Tacoma works his way up the food chain of the Russian mafia to the very top. Coes does a fantastic job introducing the Russian mafia and setting them up as major antagonists. Not only does he examine the history of the mafia but he also explores the background of several of the major antagonists in the book, presenting them as real threats.

Among the highlights of this book were the awesome action sequences that Coes inserts throughout the story. In his attempts to take down the Russians, Tacoma engages in a number of gun fights and covert infiltrations to find and kill his targets. Each of these is a lot of fun to see unfold, and there are some really impressive sequences throughout this book. My personal highlight was an extended sequence in an airport, where Tacoma, in the midst of a busy crowd of civilians, must take down a team of assassins who are gunning for him. There were also several great and brutal scenes involving close-combat fighting, including some knockdown brawls between competing Russian gangsters, which of course Tacoma eventually gets caught right in the middle of. Needless to say, there is plenty in this book to keep those action junkies happy, and it I found it to be an enjoyable part of the book. However, readers should be warned that there are several gruesome torture scenes in this novel, which are probably not everyone’s cup of tea.

I felt that The Russian was an excellent introduction into a new major series for Coes, and I liked how he was able to change the direction of his antagonists away from more usual spy thriller targets and towards organised crime. While the author is moving in a new story direction, The Russian is strongly associated with the Dewey Andreas universe. There are a ton of references to the events that occurred in the previous books, and a number of characters from this original series are included, such as the titular Dewey Andreas. Coes does a great job of introducing all the relevant character backgrounds and previous plot events that the reader needs to know, and absolutely no knowledge of these prior books is required to enjoy The Russian. Still, fans of the original Dewey Andreas books will no doubt enjoy seeing how the universe has progressed, especially as The Russian includes a range of different characters from the previous book.

While I did really enjoy the story that Coes pulled together in The Russian, I did find that it was occasionally let down by elements of the author’s writing style. In my opinion, a bunch of plot points were repeated unnecessarily throughout the book and there were several inconsistencies in the book’s timing and characters that stood out to me. In addition, I had issues with some parts of the dialogue, which I found to be a bit unnatural in places. The above issues occasionally broke up the flow of the story for me and they were a bit discordant. However, I still really enjoyed this book, and I felt that the amazing and action-packed story really overcame some of these technical issues. That said, I did find that some of the book’s major twists were a tad easy to predict, especially the last one, which was tied into the background of Tacoma’s character and revisited several times by a bunch of different characters.

I ended up listening to the audiobook version of The Russian, which was narrated by Ari Fliakos, who has previously narrated one of the books in the Dewey Andreas series. The Russian is a relatively short audiobook which ran for 9 hours and 20 minutes. I quite liked the audiobook format of this novel, especially as it allowed me to get through the book really quickly. Fliakos is a pretty good narrator, and he was able to produce a number of excellent voices for the characters, giving many of them passable Russian accents. I did think that listening to The Russian on audiobook made several of the dialogue issues I discussed above stand out a little more, but overall this was a fantastic format on which to enjoy this book.

Overall, The Russian by Ben Coes is a fun and exciting read that I had an amazing time listening to. Coes has done a wonderful job spinning this book off from his previous series, and I really enjoyed the compelling and action-packed story that he came up with. At this point in time, I am planning to read the next book in the Rob Tacoma series when it comes out, and I am looking forward to seeing where this compelling series goes next.

Catwoman: Soulstealer by Sarah J. Maas

Catwoman Soulstealer Cover.jpg

Publishers: Penguin Random House

                        Penguin Random House Audio

Publication Date – 7 August 2018

 

One of DC Comics’ most iconic and badass female antiheroes is re-imagined in this bold new novel from young adult fiction bestseller Sarah J. Maas.

Selina Kyle is a rough street kid growing up in the slums of Gotham City.  She looks after her sister while scraping a living as a gang member and pit fighter.  When her luck finally runs out, her potential is seen by the mysterious Talia al Ghul who saves her and recruited into the League of Assassins.

Two years later, Selina has returned to Gotham City with a plan to turn the city on its head as Catwoman, the master thief and criminal mastermind.  Using the alias of the spoiled socialite Holly Vanderhees, Selina has returned at an ideal time; Batman is not in the city, away on a vital mission, and he has left his protégé Batwing behind to safeguard the city.  Initiating a series of high-profile thefts, Selina soon has the attention of Batwing and GCPD, especially when she starts teaming up with her new BFFs Poison Ivy and Harley Quinn to wreak havoc around the city.

While Batwing searches the city for this mysterious new villain, his alter ego, Luke Fox, encounters his mysterious new neighbour, Holly, and the two find themselves drawn to each other as their alter-egos battle in the night.  While Selina is able to outfox Batwing, a far more destructive force is about to be unleased upon Gotham.  Catwoman stole something from the League of Assassins and now a cadre of their most lethal assassins are descending on the city.  Will Selina be able to survive their deadly attentions, what is Catwoman’s plan, and who will be left standing in the aftermath?

This is the third book in the DC Icons series, a series of young adult books that provide re-imagined origin stories for younger versions of DC’s most iconic characters outside of the other established DC universes.  Featuring a range of different authors, the first book in the series, Wonder Woman: Warbringer, focused on Wonder Woman before she left Themyscira to become a hero, while the second book, Batman: Nightwalker, followed a teenage Bruce Wayne as he attempts to stop a series of murders in Gotham City.  A fourth book in the DC Icons series, Superman: Dawnbreaker, is currently set to be released in March 2019 and will follow a young Clark Kent as he investigates strange happenings in Smallville.

Soulstealer is the first of these DC Icons books that I have read, and I was quite impressed with the new and unique Catwoman story that it contained, as well as the cool new versions of several DC characters, including Poison Ivy, Harley Quinn and Batwing.  I listened to this book in its audiobook format, read by Julia Whelan.  I quite enjoyed having the story narrated to me, especially as it only took around 10 hours to get through.  While I initially had misgivings about whether I would like this series, after reading and loving Soulstealer I will definitely be getting a copy of Dawnbreaker when it is released next year, and Warbringer and Nightwalker will both be appearing future versions of my Throwback Thursdays reviews.

The author of Soulstealer, Sarah J. Maas, is one of the biggest names in modern young adult fiction, having written two best-selling young adult series in the last six years.  Her long-running Throne of Glass series finished earlier this year, and she has also created the A Court of Thorns and Roses series.  Soulstealer is the first Sarah J. Maas book that I have had the pleasure of reading, but after really enjoying the intricate story and fantastic characters within the novel I am keen to see what her fantasy books are like.  As a result, her Throne of Glass series is high on my list of books to check out in the future, especially after seeing just how awesome the artwork is on some of those covers and collected box sets.

Maas has installed a fantastic and clever story into her debut DC novel, and I really enjoyed how she re-imagined the origins of prominent comic book character.  Soulstealer contains a younger version of Catwoman, introducing her as a teenager gang member and focusing on her initial life of crime.  After the introductory paragraph, the story jumps ahead two years to Selina’s return to Gotham and her initial adventures as Catwoman, while also featuring several flashbacks to her training with the League of Assassins.  This main story is then told from two separate point-of-view characters, Selena and Batwing, and shows the characters in both their costumed adventures and as the people behind the masks in their civilian identities.  Soulstealer has a tight and intricate storyline that contains the perfect balance of comic book action, relationships, backstory, references and variations to comic lore, as well as a number of heists and intricate plots.  I loved Catwoman’s overall plan, as she engages in a play to take over Gotham while really nursing an ulterior motive that pits her against the League of Assassins.  I loved the slow reveal of this complex and insane plan, as well as the lengths she goes to bring her plan to pass, including making some dangerous partnerships.

One of the most interesting and significant changes that Maas makes to Catwoman’s origin story in this novel is the fact that she never meets or associates with Batman.  In nearly every previous iteration of Catwoman, her story has always been intertwined with Batman’s, as the two were usually each other’s main love interest, either as Batman and Catwoman or Bruce Wayne and Selina Kyle.  However, in Soulstealer, Catwoman is substantially younger than Batman, who starts his crusade years before she is trained by the League of Assassins.  In addition, Batman is not present in Gotham when she returns to the city and throughout the book the two characters have no interactions at all.  Instead, Catwoman’s main love interest is the Luke Fox version of Batwing, who has been defending Gotham in Batman’s absence.  This results in a similar romance plot to some of the classic Batman and Catwoman storylines, where the two characters meet and start to fall in love with each other in both of their personas, despite their apparently different personalities.  This is a fun little romance that does get serious at times, as the two characters are mirrored by their personal traumas and backstories, such as a Selina’s life on the streets and with the League, versus Luke’s PTSD as a result of his time as a marine.  There are also some great moments when the two characters face off against each other, and some of the book’s best laugh-out-loud moments came when Catwoman messes with either Batwing or Luke, sometimes at the same time.  To my mind, the funniest scene in the book had to be when Batwing, after getting injured and rescued by Catwoman, awakens half-naked in a darkened room, only to find out that he is actually in Commissioner Gordon’s spare bedroom.  The moment Luke walks out to find Gordon and his family staring at them was pretty darn funny, especially when Batwing attempted to play it off nonchalantly while silently cursing Catwoman.

One of the elements of Soulstealer that I really appreciated was the references and re-imagined versions of several DC comics characters that appeared throughout the novel.  A huge range of DC characters, many tied into the Batman comics, appear throughout the book in a number of different capacities.  The characters that appear range from the iconic to the obscure and are enough to delight both hardcore comic fans and those with a more casual knowledge of these comics.  Several major Batman characters appear throughout the story; I will refrain from mentioning the full roster of characters to cut down on spoilers, although there is one appearance that was particularly awesome.  While a number of these characters have key or interesting differences between their mainstream comic book counterparts, it is clear that Maas has a real understanding and appreciation for the lore behind these characters.  It is also incredibly fascinating to see how Maas changes these characters for the purposes of her story, and the subtle tweaks that are made to accommodate this different universe.

Of all these additional characters, two of the best and significant inclusions are fellow supervillains Poison Ivy and Harley Quinn, who team up with Catwoman to bring a little chaos to Gotham.  In the comic universe, these three supervillains occasionally form a team known as the Gotham City Sirens, and it was great to see them together in this book.  Like Catwoman, both Poison Ivy and Harley Quinn are quite young and have slightly altered origin stories which somewhat mirror the new origin story of Catwoman.  However, some of the key elements that made these characters so great in their comic book origins remain alive in these book adaptations of the characters and which work extremely well with Maas’s fantastic Soulstealer storyline.  For example, in this story, Harley is still obsessed with the Joker, no matter how much it impacts her relationship with the others, and there are a lot of discussions between Catwoman and Ivy about the roots of her obsession and insanity.  There is also a very clear and acknowledged romantic connection between Ivy and Harley that adds a really interesting element to the story, especially as Harley’s insanity stands in the way of the more serious relationship Ivy desires.  The inclusion of these characters adds in a defining friendship for a main character who has never had the option of friends before, and it’s also a lot of fun seeing these three characters work together, especially as they have such diverse skill sets and range of attitudes.  Overall, I really loved the fact that Maas included Poison Ivy and Harley Quinn as key characters in her novel, and it was a lot of fun to see her version of these young villains banding together for the first time and forming an outstanding partnership.

Rather than read a physical copy of this book, I grabbed the audiobook copy of Soulstealer and listened to that instead.  The audiobook is narrated by Julia Whelan, who does an amazing job capturing the essence of the book’s main character, Catwoman/Selina Kyle.  When focused on Catwoman’s point of view, the listener gets a real sense of the character’s emotions and attitude, and the voices that Whelan assigns to the other main female characters, Ivy, Harley and Talia, are fairly distinctive and fit well with the character.  I thought that the voice that the narrator used for the book’s other point-of-view character, Batwing/Luke Fox, was very serviceable and conveyed the character well enough.  However, I was a tad disappointed that the narrator did not do too much with several of the other iconic Batman characters in the story, such as Alfred, Batman or Commissioner Gordon, especially as these major characters have all been portrayed by amazing actors or voice actors in the past.  Still, the audiobook version is a great way to enjoy this story and it certainly helped me power through this novel quickly without forcing me to skip over any of its important elements.

Catwoman: Soulstealer is an excellent young adult superhero novel from acclaimed author Sarah J. Maas.  This book is a fantastic standalone novel that re-imagines an iconic DC comic book character.  No great previous insight into Catwoman or the DC universe is required, and those with even a glancing knowledge of the comic book characters will be able to enjoy this novel to its full potential.  This serves as a very good young adult novel that will hopefully draw in a younger generation of readers into this established universe, and I appreciated Maas’s casual inclusions of a number of LGBT+ elements.  Soulstealer comes highly recommended and it has certainly sparked my interest in checking out all the other books in the DC Icons range.

My Rating:

Four and a half stars

Red War by Kyle Mills (based on the series by Vince Flynn)

Red War Cover.png

Publisher: Simon & Schuster

Publication Date – 25 September 2018

 

From the minds of two outstanding thriller writers comes Red War, the latest book in the iconic Mitch Rapp spy series.  This newest addition is an exhilarating and action-packed espionage novel that incorporates a captivating look at modern global politics into its exciting and enjoyable narrative.

For years, Russian president Maxim Krupin has ruled his country with an iron fist, and even recent setbacks to his ambitious plans in the Middle East have not lessened his power or influence.  However, Krupin is about to encounter an opponent even he may not be able to overcome: cancer.  With an inoperable brain tumour impacting his actions, the once calculating and selectively destructive strongman begins openly targeting all his enemies and opponents in order to retain his power and to distract attention away from his illness.

The Americans, especially the CIA, are alarmed and surprised by the Russian president’s sudden and unpredictable moves.  Uncertain of the motivations behind them, the CIA assign legendary covert operative Mitch Rapp to investigate and counter Krupin’s more aggressive moves, including the attempted assassination of Krupin’s former problem solver, Grisha Azarov.  When Rapp and the CIA uncover proof about Krupin’s medical condition, they begin to realise just how desperate and dangerous their opponent is.  With Russian troops massing on the border of Europe, it appears Krupin may even be willing to start a war with the West in order to maintain his position.  With World War III just around the corner, Rapp is given an impossible task: infiltrate Russia and assassinate the man many consider to be the most powerful person in the world.  Will Rapp and his allies succeed in this dangerous mission, or will their actions lead the world to the very brink of a nuclear war?

This is the 17th book in the Mitch Rapp series, which began in 1999 with the first book, Transfer of Power, which was written by Vince Flynn as a follow-up to his 1997 debut, Term Limit, which is set in the same universe as the Mitch Rapp books.  Following Flynn’s death in 2013, the series was continued by fellow thriller writer Kyle Mills, who has written 17 books since 1997, including the last three Mitch Rapp novels.  The Mitch Rapp books are a fast-paced and action-packed series that focuses on American espionage, and often features the titular character’s brutal war on Islamic terrorists.  Some who are unfamiliar with the books may have seen the film adaption of Flynn’s 2010 prequel novel, American Assassin, which was released in 2017, featuring Dylan O’Brien of Teen Wolf and The Maze Runner fame, as well as Batman himself, Michael Keaton.

In this latest book, Mills continues the series trend of providing the reader with eventful and compelling adventures.  Red War is chock full of action and combat as the protagonists attempt to counter the Russian president, the president’s personal assassin and the whole Russian army.  Readers will find plenty to keep them entertained, from small tactical skirmishes around the world between American and Russian covert forces, to large-scale battles and wars, with some devastating results.  While the main protagonist, Mitch Rapp, is starting to get a little old, he is still the same killing machine he has always been, and he powers through the vast majority of his opponents.  However, some of the other characters he encounters are the cream of the Russian army and have been enhanced by a combination of extreme training and performance-enhancing drugs.  This results in some very hectic shoot-outs and fight sequences, although there is very little doubt that Rapp will succeed.  A lot of these fights are tactical in nature as Rapp seeks to outsmart larger or more formidable forces he finds himself up against, resulting in some scenes with slower pacing that are used to create a more intense, but equally exciting, action sequence.  In addition, there are some fairly outrageous sequences throughout the book that readers will really enjoy.  For example, in a later part of the book Rapp suddenly finds himself leading an unusual army against his opponents, and a scene earlier in the book he decides to utilise a rocket-propelled grenade launcher in a fight after he starts “getting sick of these drugged-up, thirtysomething terminators whom Krupin was churning out”.

Mills has also made sure to include detailed examinations of the various intelligence-gathering and espionage techniques that his characters employ, as well as several scenes exploring the opposing nations planning and tactical sessions.  It is always fun to read about fictional tactical and intelligence meetings, especially in novels like Red War, when you see both these discussions from both sides of the conflict in order to focus on the various moves and countermoves each opposing side utilises.  In Red War, the motivation behind the Russian president’s actions is revealed to the reader within the first few pages of the book; however, all the American characters, and even some of the Russian characters, have no idea why he has escalated his campaign against his opponents.  It is very captivating to watch the various actions Krupin takes to not only stay in power, but also hide his illness from his own people.  As the book progresses and this becomes harder for him to manage, it is interesting to see the Americans begin to put the pieces together and see how well their theory fits into place.  Both the American and Russian characters do a lot of espionage and counterespionage moves throughout the novel as the Americans attempt to uncover the Russian leader’s unpredictable next move, while Krupin and his agents attempts to take out his various rivals while also frustrating the Americans.  The descriptions of these espionage moves and techniques feel very realistic, and there is enough going on to keep any lover of spy fiction very happy.

One of the most compelling and notable things about Red War is the way that it brushes on current politics and uses many recent real-world events in its story, by either referencing them or attributing them to the book’s fictional characters.  One of the main antagonists, the Russian president Krupin, is an athletic and powerful strongman that is clearly supposed to be a fictional version of Vladimir Putin, with several similar character attributes, including a propensity to use staged hunting propaganda shots out in the snow to promote his rugged, masculine image.  Many of Krupin’s actions and decisions throughout the book match those of Putin, down to the character revealing he utilises social media to influence international politics.  As a result, while the book focuses on a fictional antagonist, the reader is left thinking about what would happen if something similar were to happen to Putin or another world leader, and how other nations would respond.  The American and Russian characters discuss geopolitics throughout the book as they make their plots and plans, and many of the events they discuss have happened in the real world.  This allows the readers, especially those familiar with current world affairs, to enjoy a much more realistic read, especially when the characters look at real world events to justify their actions or responses.  These real-world inclusions help to turn Red War into a much more intriguing read for the readers that does an amazing job capturing its audience’s attention and interest.

Despite being the 17th book in the Mitch Rapp series, Red War is a very approachable book that is very easy for readers unfamiliar with the series to enjoy.  A perfect read for those who are intrigued by a fun and exciting plot concept, Red War delivers all the action and espionage you could possibly want, with some incredibly fascinating insights and references to modern global politics.  Mills has once again forged an incredible story from Vince Flynn’s original thriller universe, and fans of this series will not be disappointed by this latest offering.

My Rating:

Four and a half stars

King of Ashes by Raymond E. Feist

King of Ashes Cover

Publisher: Harper Voyager

Australian Publication Date – 5 April 2018

World Publication Date – 8 May 2018

 

For over 30 years, one of the most reliable cornerstones of fantasy fiction has been the books of Raymond E. Feist.  Starting with the 1982 fantasy classic, Magician, Feist has produced 30 books, all set in the worlds of Midkemia and Kelewan, as part of his long running Riftwar CycleKing of Ashes is the first book Feist has written since he ended the Riftwar Cycle in 2013.  It is also the start of The Firemane Saga, a new series which is set in a completely different universe to the Riftwar Cycle and introduces the reader to an exciting new story.

The continent of Garn was once home to five kingdoms, the greatest of which was the Kingdom of Ithrace.  Ruled by the red-haired Firemanes, Ithrace was known for its culture and creativity.  However, following a great betrayal, Ithrace was destroyed and its king executed.  In order to avoid any retribution, the power-hungry King of Sandura ordered the deaths of every member of the Ithrace royal family, and not even their legendary affinity for fire could save them.

Now, 17 years later, war is returning to Garn.  Ancient pacts of peace are failing, and the four kingdoms are out of balance.  As the kingdoms and the independent baronies prepare for a new conflict, rumours of a hidden heir to Ithrace’s throne begin to surface.

In the previously peaceful Covenant Lands, Declan, a young and talented blacksmith, is forced to flee slavers raiding his village.  Carrying the rare knowledge of crafting the legendary jewel-steel, Declan flees to the Barony of Marquensas, where he hopes to create a new life for himself.

Meanwhile, in the feared and hidden island nation of Coaltachin, three youths, Donte, Hava and Hatu, are being trained in the way of the Quelli Nascosti assassins, learning how to spy, steal and kill.  All three of the young agents are eager to explore the world outside of their island home, but they quickly find themselves under attack.  The mysterious group of assailants seem to have been trained in a similar way to the assassins of Coaltachin.  Whoever these attackers are, they are unafraid of the young assassins and have a particular interest in capturing Hatu, an orphan with red hair and a fiery temper.  As events transpire, these young people find themselves in the heart of events that will transform Garn forever.

Feist delivers a fantastic and absorbing read that once again illustrates why he is one of the preeminent writers of fantasy fiction in the world today.  His latest book is a classic fantasy tale set within another unique and memorable universe and is one of the most thrilling and addictive releases so far this year.

King of Ashes is the first book in a brand new trilogy that has definite potential to expand out into another long-running series.  As a result, Feist presented this book as a set up for the rest of the series, rather than a stand-alone book.  Substantial time was spent establishing the characters, world and overall story, and introducing elements to be further explored in future instalments of the series.  While some questions are answered towards the end of the book, a number of mysteries still remain.  King of Ashes proved very hard to put down—an impressive feat, considering it was 545 pages long in the hardcover edition.

Feist has done a lot of work building up this new fantasy location, producing some amazing settings and locations.  The characters venture to large cities, small towns, fortified keeps, grasslands, forests and various islands.  There are also several scenes set on the ocean, which allow for some intricate sequences involving ships and naval combat.  It also appears that, despite how far many of the characters travel, they have only just brushed the surface of the continent mapped out in the front of the book.  This area of land appears to be less than half of the entire continent of Garn, which indicates wider adventures in future books.  There were also some brief mentions of other continents existing on this new world, which may be a possible indication of plans to expand this series past its initial trilogy.

While Feist introduces a number of new kingdoms and peoples throughout his story, many readers will really enjoy his inclusion of the Quelli Nascosti assassins on the island nation of Coaltachin.  In the story, the nation of Coaltachin, also known as the Invisible Nation, is ruled by the Quelli Nascosti assassins, who work throughout the continent as assassins, spies and informants.  Feist spends a significant amount of time focusing on this group of assassins, displaying various aspects of their society, operations, influence throughout Garn and varied training techniques.  As a result, they are the most fleshed-out group of characters within King of Ashes and are a definite highlight of the book.  Readers will really enjoy the significant focus Feist puts on this group, as this results in a number of high-intensity scenes with covert activities and exciting action.

Feist tells most of the story through three prominent characters, Declan, Hava and Hatu.  All three of these characters have fascinating and unique accounts to follow, although all of them could be considered to be coming-of-age stories.  Hava and Hatu are both members of the Quelli Nascosti, and it is through their eyes that we see most of the secretive nation and their actions.  Hatu is involved in action throughout the continent, encountering mysterious foes and discovering his hidden destiny, while Hava’s story focuses on more specialised training and a secret side mission.  Declan’s story is a classic fantasy story of a young man trying to find his way in life while overcoming destructive elements.  There are some more classic fight scenes in this storyline, and some very detailed descriptions of blacksmithing.  Each of these storylines is extremely enjoyable to read and provides different insights into this exhilarating new fantasy universe.

King of Ashes is the latest book from fantasy legend Raymond E. Feist and represents an outstanding start to a fantastic new series.  Featuring multiple coming-of-age stories, this is a pure fantasy tale set within an intriguing and detailed new universe.  This is mandatory reading for fans of Feist’s previous work and comes highly recommended for all fans of the fantasy genre.  I cannot wait for the next book in this series.

My Rating:

Five Stars