Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

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Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder.  However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life.  Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her. 

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not.  Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker.  Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists.  However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath.  To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive.  But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra.  Doctor Aphra is an incredible and complex character who has only been recently added into the canon.  Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader.  Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in).  The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way.  It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn.  This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format.  This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival.  Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader.  This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends.  At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him.  This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book.  This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion.  All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring. 

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures.  The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets.  From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail.  Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of GamesDoctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of.  I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance. 

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics.  As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic.  I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring.  The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate.  While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics.  For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them.  While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times.  That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra.  Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons.  Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!).  Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm.  However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people. 

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist.  Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state.  While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative.  Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros.  While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot.  I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production.  However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character.  Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas.  Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book.  I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly.  Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets.  However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets.  This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure.  This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost.  These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda.  Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra.  I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains.  Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her.  Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice.  I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character.  Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions.  I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production.  You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan).  Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies.  Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room.  I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have.  I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel.  Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production.  The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears. 

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light.  Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist.  Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off.  I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics.  I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

Throwback Thursday: Star Wars: Vader Down

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Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Star Wars: Doctor Aphra: Volume 7: A Rogue’s End

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Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Doctor Aphra – Volume 7

Writer: Simon Spurrier

Artists: Caspar Wijngaard (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Elsa Charretier (Doctor Aphra Annual #3)

Colour Artists: Lee Loughridge (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Edgard Delgado and Jim Campbell (Doctor Aphra Annual #3)

Letters: VC’s Joe Caramagna (Doctor Aphra #37-40, Doctor Aphra Annual #3), Clayton Cowles (Star Wars: Empire Ascendant)

Length: 144 pages

My Rating: 5 out of 5 stars

So I just got through with watching the latest episode of Star Wars: The Clone Wars and it’s put me in a Star Wars mood (well, more of a Star Wars mood than usual), so I thought I would get a review together for the seventh and final volume of the excellent 2016 Doctor Aphra series, A Rogue’s End.

The Doctor Aphra series is an outstanding comic book series that I have been really getting into over the last couple of years. Spinning off from the 2015 Darth Vader comics, this series features a witty and unique protagonist in its titular space archaeologist, Doctor Aphra, who blasts around the universe bringing chaos and disorder in her wake. This has probably been one of my favourite comic book series of the last couple of years, and it is easily my top Star Wars comic at the moment. Unfortunately, this current run of Doctor Aphra has just come to an end, although a new Doctor Aphra series is just starting up with a different creative team. Writer Simon Spurrier and his artistic team produced an incredible and satisfying conclusion to their Doctor Aphra run with A Rogue’s End, the sensation final volume that follows on from the events of the excellent sixth volume, Unspeakable Rebel Superweapon, and is set just before the events of The Empire Strikes Back.

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After saving the Emperor’s life from an assassination plot, archaeologist, scam artist and all-around disaster zone Doctor Chelli Aphra thought that she would finally be safe. Instead she finds herself trapped in the one place she has been running from for years, in the clutches of the most dangerous person in the galaxy, Darth Vader. Vader desperately wants Aphra dead, as she knows his darkest secret, his obsession with Rebel pilot Luke Skywalker, and it is only a matter of time before he finds an excuse to kill her.

Trapped aboard Vader’s Star Destroyer with her young companion, Vulaada, Aphra’s only chance to survive is prove her usefulness and help Vader find the location of the new Rebel base. However, Aphra is nothing if not resourceful, constantly looking for a way to game the system and extend her life. An encounter with a mysterious figure in an ancient temple seems to offer her the best chance of survival, until she finds out that it is her Jedi-obsessed father, Korin Aphra, once again causing trouble.

With the fate of everyone she loves in the balance, Aphra begins to devise another elaborate plan. With the help and hindrance of her ex-girlfriend, Captain Magna Tolvan, and the murderous droids BT-1 and Triple Zero, Aphra sets out not only to fool the entire Empire but to finally bring her affiliation with Darth Vader to an end. Can Aphra pull off the greatest con of her career, or will all her lies and deceit finally bring her the grisly end she has been running from for years?

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Well that was another damn impressive and deeply enjoyable Doctor Aphra comic. Spurrier, who has been working on this series since late 2017 (when he cowrote issue #14 with Kieron Gillen, one of the original creators of the character), brings this series to an epic and satisfying conclusion with another incredible group of stories. This seventh volume of the series contains issues #37-40 of the Doctor Aphra series, as well as the Doctor Aphra Annual #3 and material from Star Wars: Empire Ascendant #1. This whole volume was deeply captivating and I loved every second that I was reading through it, especially as it combines and excellent story with some fantastic artwork.

At the centre of this book is an exciting and clever story of survival, deceit and redemption. The four issues of the Doctor Aphra series (#37-40) contain an amazing storyline that follows the series protagonist as she attempts to get out of the most dangerous situation she has ever found herself in. Spurrier tackles these final four issues with the same style that he has employed for most his run, blending together a tale of deceit, double-crossing and survival in the Star Wars universe with humour, fantastic action and a deep analysis of the troubled and complex character that is Doctor Chelli Aphra. This results in an addictive overarching narrative that is not only incredibly entertaining, but which also gets quite moving and emotional at times, especially when Aphra encounters all the important people in her life, many of whom have been damaged in one way or another by her selfish actions. I have to say that I was particularly impressed with Aphra’s master plan in this comic, especially as it not only showed off her skills for deceit and manipulation but it was motivated by a genuine desire to help those she loved, which represents some significant series-wide character development for her. I also appreciated how the whole storyline has some major connections to the events of The Empire Strikes Back, and I liked how it was tied in more to the main plot of the movies.

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One of the other things that I really loved about this comic was the way that Spurrier wrapped up a ton of the storylines around some of the great supporting characters that have made this series such a treat. In particular, she manages to have some touching final meetings with her father, her ex-girlfriend, Tolvan, and her young sidekick, Vulaada, and this volume serves as a rather good conclusion to their various storylines (although I hope that they do appear in the future series). Her final meeting with Tolvan was pretty great, as the two have had a particularly chaotic and damaging love affair due to the actions of Aphra, and it was nice to see her finally prove Tolvan wrong and do the right thing for her. I also loved some of the scenes between Aphra and her father, and there is one incredible sequence where Aphra concisely recounts some of the adventures she has had throughout the series, and her father finally provides her with the advice and guidance that she has always sought from him. I really appreciated that Aphra finally gets some closure with these supporting characters, and in the three cases above she goes out of her way to protect them and bring them together to ensure that they have better lives. This is a major change in direction for Aphra, whose entire series has seen her repeatedly screw up and destroy the lives of everyone she meets, including those people close to her, something she is keenly self-aware of and deeply ashamed of. As a result, it was rather nice to see her finally step up and take responsibility for several people close to her, and to finally make what she sees as the right decision and leave them behind: “Love is letting go.” I also enjoyed the return of the two murder droids, BT-1 and Triple Zero, who have been highlights of both this series and the preceding Darth Vader series. I felt that both of them are rather well utilised in this story, and quite frankly you could not have wrapped this series up without them. It looks like both of them are going to be major features (in some form or another) of the next Doctor Aphra series, which should be fun.

Another character who Aphra gets a bit of closure within this volume is her oppressive employer, Darth Vader. Aphra and Vader have a complex and lengthy history together, dating back to the 2015 Darth Vader series where Vader forcibly recruited Aphra, and which ended with Vader believing that he had killed her, only for Aphra to trick him. Aphra has spent the subsequent run of her series constantly trying to stay off Vader’s radar, and continuously tricking him into believing that she is dead. However, after the events of Unspeakable Rebel Superweapon, she is firmly in his clutches and waiting to die. I really loved the whole interaction between Aphra and Vader in this volume, as for most of it Aphra is trying to trick or convince Vader to keep her alive, while Vader is looking for an excuse to kill her. This pretty much makes Aphra the most desperate we have ever seen her, as she is still rather traumatised from the events of Vader’s first attempt to kill her, and still gets an interesting array of nightmares about them. Despite this, Aphra is eventually able to turn the tables of Vader, thanks to her cunning, knowledge about the force, pieces she has gleaned from Vader’s past and technical ability. The way she is able to take him down is pretty impressive: “Don’t pick a fight with an archaeologist in a spooky old ruin. And don’t wage war against a tech criminal if you’re half a machine.” It makes for a great sequence, especially when she uses Vader’s own scary reputation against him. This scene also allows Aphra to have a memorable heart-to-heart with Vader, and she discusses the similarities the two of them share, mostly about how they are both living with a massive amount of regret. In the end, Aphra decides against killing Vader, saying, “I’m your biggest fan,” even though she knows that Vader will come after her in the future, even more determined to kill her. She actually has a rather poignant farewell with Vader, saying, “In a funny sort of way, you’re the best thing that ever happened to me,” which says a whole lot about Aphra’s messed up character, but is a fun and fitting reversal of how Vader ended their partnership in his series.

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This volume features some tremendous illustrations from a truly talented team of artists. I really enjoyed the artwork that was featured within this story, and I think that it did a fantastic job of conveying and enhancing the complex and enjoyable storylines that the writer came up with. There are a number of well-drawn and well-portrayed sequences throughout this volume, although I particularly liked the one that made up the majority of issue #40, which featured Aphra facing off against Vader in a ruin filled with traps. There was also a rather good extended conflict between Aphra and Tolvan throughout a Rebel Alliance a spaceship that the drawings helped make particularly fun and chaotic, and which also did a good job of showing off the anger and complex emotions that filled their relationship. Overall, there was some fantastic artwork in this volume, and I think that the artists did an excellent job bringing the great characters and excellent story to life.

Most of what I mentioned above takes place in issues #37-40 of the Doctor Aphra series, but this volume also contains two extra stories, the Doctor Aphra Annual #3 and the parts taken from Star Wars: Empire Ascendant #1. Both of these inclusions were also written by Spurrier and are really tied into the narrative contained within the main plot of the volume, and I felt that these two inclusions did a lot to enhance my overall enjoyment of A Rogue’s End.

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I did quite enjoy the fun story contained with the Doctor Aphra Annual #3, which focuses on some of the great supporting characters from the Doctor Aphra series. The self-contained story in this annual issue sees Aphra try to repay her debt to the monster hunters Winloss and Nokk, who previously saved her life, by providing them with information she is privy to while aboard Vader’s star destroyer. This information leads these two hunters to the Mos Eisley Cantina on Tatooine, where another former associate of Aphra, the Wookie bounty hunter Black Krrsantan, is in residence. This leads into a rather fun story which sees these characters and a rather slimy bartender go through all manner of trouble just for a measure of revenge. This was an excellent and compact story that contains a clever revenge plot, and it’s pretty damn hilarious. I liked how this annual followed the lead of the other stories in this volume by focusing on Aphra bringing together some of the side characters from the series, presenting the reader with a good conclusion to their association and storyline with Aphra. This story featured a different artistic team to the rest of the volume, resulting in a different and distinctive drawing style for the entire issue. I actually rather liked the style that this separate artistic team came up with, and I think that it fit the more humour-based storyline that that Spurrier came up with. Overall, this latest issue of the Doctor Aphra Annual made for an amazing entry in this volume, and I think that it worked extremely well with the other issues featured within it.

This volume also contained material from Star Wars: Empire Ascendant #1, which makes up a small story at the end of the book. This material focuses on the three people that Aphra saved throughout A Rogue’s End, Tolvan, her father and Vulaada. They are all on Hoth when the message that Aphra was composing in the final Doctor Aphra issue is received by the Rebel Alliance. This leads to a rather heartfelt and emotional scene in which the three of them discuss whether their lives where made better or worse by knowing Aphra, and whether she ever did anyone any good. Their musings are interrupted by one of the few other people in the Rebel Alliance who had any dealings with her, Luke Skywalker, who provides some information about a good deed she performed after the last time they saw her. I liked how Spurrier once again examine the chaotic and destructive personality of Aphra through the eyes of the people who knew her best, and it really matches the overall theme of the volume. I also liked the inclusion of Skywalker in this story, and it was a fun call back to the earlier volumes of the Star Wars (2015) series, which featured Aphra working with the main protagonists of the original trilogy. It was interesting to see Luke’s take on Aphra, and it is a bit of a crossover between the idealism of the main cast and the darker reality of the Star Wars universe that the cast of Doctor Aphra find themselves in. I had a good laugh at Tovan’s assessment of Luke as the farmboy who got bumped up to commander after one lucky shot, and I also loved their response to Luke’s glowing assessment of Aphra actually being a good person: “Should we tell him she also saved the Emperor’s life? Better not, nothing crueller than reality to a dreamer.” This short piece of material actually serves as a pretty good conclusion not only to the volume but to the Doctor Aphra series as a whole, and I think that its moving, character-driven storyline helped provide an emotional end to the entire series.

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The seventh volume of the amazing Doctor Aphra series, A Rogue’s End, is another extremely entertaining and complex Star Wars story which I deeply enjoyed. Writer Simon Spurrier and his talented artistic team once again take the reader on another exciting and powerful adventure that not only serves as a great story in its own right but which also provides fans of Doctor Aphra with a meaningful and rewarding conclusion to the entire series. This volume gets a full five stars from me, and I would strongly recommend this volume, and indeed the entire series it concludes, to anyone looking for an outstanding and fresh Star Wars adventure.

Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

Doctor Aphra Unspeakable Rebel Superweapon

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

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Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

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As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

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Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

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I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

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Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!

Throwback Thursday – Star Wars: Darth Vader: Volume 1 – Vader

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Publisher: Marvel COmics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 20 October 2015

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I check out the fun and exciting first volume of the Darth Vader comic book series, Vader, which features the destructive adventures of the Star Wars trilogy’s greatest villain, Darth Vader, and presents a new story for Disney’s extended universe.

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When I previously reviewed two volumes of the Darth Vader: Dark Lord of the Sith comic book series (Legacy’s End and The Burning Seas), I mentioned how much I love the classic Star Wars movie villain Darth Vader. This current series is pretty epic and does an amazing job of telling the story of Darth Vader’s early adventures following the fall of the Jedi and the rise of the Empire. However, another Darth Vader series, helmed by writer Kieron Gillen and artist Salvador Larroca, commenced in 2015 off the heels of the Star Wars comic book series.

This first volume of this Darth Vader series is set after the events of A New Hope and deals with the fallout of the destruction of the Death Star. It is also deeply connected with the Marvel 2015 Star Wars comic series that started around the same time, especially the first volume of this series, Skywalker Strikes. Issue #1 of the Darth Vader comic, for example, starts just after the events that occurred in first three issues featured in the Skywalker Strikes, and both Star Wars #6 and Darth Vader #6, which close out each series’ respective first volume, end at the exact same moment of time.

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For nearly 20 years, Darth Vader has been the most feared being in the Empire, loyally serving under the Emperor as his most effective enforcer and most trusted subordinate. However, recent failures have damaged his relationship with his master. The destruction of the Death Star on his watch has left the Empire vulnerable, and his failure to stop the recent Rebel assault on Cymoon (as seen in Star Wars issues #1- #3) has made them look weak. The Emperor, displeased with his apprentice’s failures, has placed Grand General Tagge in command of Vader and is keeping secrets that could prove deadly to him. At the same time, Vader finds himself intrigued by the young, unnamed Rebel who is responsible for the destruction of the Death Star, especially after their encounter on Cymoon, where he discovered that his old master, Obi-Wan Kenobi, gifted the boy the lightsabre Vader once wielded as Anakin Skywalker.

Concerned with the events occurring around him, Vader decides it is time to start operating outside of the Emperor’s orders. Not only does he send the bounty hunter Bobba Fett to capture the mysterious Rebel pilot and bring him directly to Vader; he also recruits the rogue archaeologist, Doctor Aphra, as his agent. Using Aphra’s knowledge and contacts and the two murderous droids she has assembled, Vader amasses the resources needed to investigate the Emperor’s hidden agenda. However, his investigation reveals that the Emperor has commissioned research into a series of deadly individuals meant to take Vader’s place at the Emperor’s side. As he attempts to deal with this new competition, Vader finds himself rocked by another revelation: the pilot who destroyed the Death Star is named Skywalker!

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Darth Vader: Volume 1: Vader features issues #1-6 of this series, and features the writing of Kieron Gillian and the artistic talents of Salvador Larroca. Gillian and Larroca are veteran comic book talents with a variety of different titles under their belts, although both are probably best known for their work with Marvel Comics. The two of them have formed an effective creative team in the last few years, as they have worked together on a number of Star Wars comic book titles, including all 25 issues of this Darth Vader series. The two have also produced the last 30 or so issues of the amazing Star Wars series, creating several of the series best moments, and have worked together on the entertaining Doctor Aphra title, which follows the adventures of the popular character, Doctor Aphra, who is introduced in this volume of Darth Vader. I think at this point I actually have a copy of every Star Wars comic this pair have created together, and it is almost guaranteed that I will feature more of their work in the future.

I started getting into the 2015 Darth Vader series late last year after I was blown away by the Darth Vader: Dark Lord of the Sith comics. I am extremely happy that I decided to check out the 2015 Darth Vader series, because I absolutely loved this first volume of the series, Vader, and had an amazing time reading it. Not only was this one of the first comic book volumes in the new Star Wars canon that showed what an absolute badass Darth Vader is but it features a captivating story, some major Star Wars moments, incredible artwork and iconic new characters.

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This first volume of Darth Vader contains some epic sequences that really highlight how awesome and destructive the character of Vader really is. I loved the opening scene in particular, which features Vader having a covert meeting with Jabba the Hutt at Jabba’s palace on Tatooine. This meeting is in some ways very similar to the meeting Luke has with Jabba at the start of Return of the Jedi, with Vader entering alone to stand before Jabba in his audience chamber. However, some key alterations really show how different Vader’s style is compared to his son’s. Rather than attempting to negotiate like a Jedi, Vader slaughters his way in, deliberately avoids standing on Jabba’s hidden trap door, kills every minion that Jabba ambushes him with and then proceeds to force choke Jabba until he gets his way. It makes for one hell of an introduction to the series, and does an incredibly successful job of setting up Vader as a major badass. This first issue #1 also has a great ending, showing Vader nonchalantly having a conversation over a smoking pile of Tusken Raiders that he spent the day killing. This is a nice call-back to his past as Anakin Skywalker and it also shows how much more causal he now is around death and destruction, especially as he leaves simply saying, “All my present business is concluded.”

I also liked how this volume showed a completely different side to Vader’s relationship with the Emperor. The series is set in some unique circumstances, as it occurs right after the destruction of the Death Star, and the Emperor’s displeasure at Vader for allowing it to happen is vast. Vader in turn is suspicious of the Emperor’s secrets, and actively starts working behind the Emperor’s back for the first time. The sequences featuring Vader assembling his own private resources and working against the benefits of the Empire are quite fascinating, and results in some interesting missions. I also really liked the part of the book when Vader and the Emperor eventually find out each other’s secrets, especially as it results in an interesting discussion. While the Emperor is actually impressed with Vader showing initiative and working outside the system, Vader is outraged that the Emperor has been creating abominations to replace him for the last 20 years. The Emperor reveals that he has been disappointed with Vader ever since he was defeated at the end of Revenge of the Sith, and that he needs to prove himself worthy of the Emperor again.

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While all the above scenes are pretty awesome, the best part of this volume is the incredible conclusion of the volume in issue #6. Vader, already enraged after his talk with the Emperor, finds out that the young Jedi he encountered is named Skywalker. The building anger within Vader as he finds out is palpable as he flashes back to the events of Revenge of the Sith and realises that the Emperor lied to him; he did not actually kill Padmé before she gave birth to their child. The switch between Vader’s reaction in the present and the scenes from the past is done perfectly, building up the tension around Vader and making for some amazing pages. The scene then continues with Vader calling up the Emperor to confront him, in a nice continuation of the storyline I mentioned above. However, rather than revealing that he knows the Emperor lied to him all those years ago, he instead keeps it secret and indicates he understands his place with the Emperor. The final pages reveal Vader staring off into space and stating, “I have a son. He will be mine. It will all be mine”, referring to the Empire and the galaxy with the last part. There is so much in this scene to love. Not only do we actually get to see the moment where Vader finds out Luke is his son, a major moment in Star Wars history that ties together parts of the prequel series with the original trilogy, but we also get a look into Vader’s mind when he finds out the truth after all these years. This whole sequence is just incredible and has to be one of my favourite moments in this entire series. It also cleverly matches the end of the first volume of the related Star Wars comic book series and actually expands on that original comic for fans who were curious about it.

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While the focus on Darth Vader is amazing, this volume also features the introduction of several outstanding new characters in the Star Wars canon, Doctor Aphra and her droids. Dr Aphra is an awesome character, as she is essentially an anti-Indiana Jones living in the Star Wars universe. Aphra recovers valuable (and often extremely dangerous) artefacts from across the galaxy, either for her own use or to sell for a profit. However, in this first volume, Aphra is forced into Vader’s employ and must help him obtain the means to act outside the Emperor’s notice. Aphra story arc in the first volume is pretty darn compelling. While Aphra is willing to help Vader, and even thinks of it as a cool opportunity, she is under no illusions about the fact that Vader will kill her at some point in the future and is a constant mess of emotions as a result. There is a fantastic scene in this volume where Aphra makes it clear to Vader that she knows he is eventually going to kill her and begs him to show some mercy when the time comes and use his lightsabre rather than worse methods, such as chucking her out of an airlock (this actually comes into play later in quite a clever way). I also liked that the creative team really played up the Indian Jones aspects of her character at times, such as her introductory sequence, where she is forced to escape a series of booby traps, including a spherical droid, similar to the boulder sequence in Raiders of the Lost Ark. Humour like that really makes Aphra an excellent addition to this volume, and I love how the creative team are able to get some dark moments out of her relationship with Darth Vader.

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In addition to Aphra, we are introduced to her droids 0-0-0 (Triple Zero) and BT-1, who are fun parodies of C-3PO and R2-D2. Like C-3PO and R2-D2, Triple Zero and BT-1 are a protocol droid and astromech duo, but with a few key differences. Triple Zero has been programmed with a number of languages and human protocols, but he has also been programmed for torture and is equipped with a number of syringes and other torture implements. BT-1, on the other hand, is actually a lethal assassin droid disguised as an astromech in order to appear harmless, and is loaded with multiple weapons, including a massive cannon and a flamethrower. Both of them had been decommissioned by the Empire for being too dangerous (which tells you a lot), but are brought back online by Aphra and Vader. These two droids are an extremely fun duo, acting a lot like the iconic C-3PO and R2-D2, except with a complete disregard for human life and a desire for as much destruction and death as possible. The discussion the two have in this first volume about killing the various creatures they come into contact with are very funny: “Hahaha! You are on fire and also dead.” I also found it amusing that, even though they are remorseless killers, the two droids get along better than C-3PO and R2-D2 ever did, with Triple Zero actually complimenting BT-1 and appreciating everything he does, especially all the murder. These two are an extremely entertaining couple of characters, and it was fun to see them parody the classic Star Wars droids in such a clever way.

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I loved the artwork in this volume, and some of the cool details that were included in the various scenes added so much to the story. For example, the fantastic closing sequence where Vader finds out his son is still alive is superbly enhanced by the cracks that appear on all the glass around Vader as he comes to his realisations. This looks so cool and really highlights how angry he is feeling. The art also showcases all the awesome action contained within this book, especially when it comes to all the destruction Vader and his cohorts unleash to achieve their goals. There are so many explosions and so much destruction laced throughout the book, and the artists who contributed to this first volume make them look pretty darn spectacular. I also loved the close-up action when Vader gets to work with the force and his lightsabre. The artists do an impressive job showcasing all the destruction he is capable of, and the reader is constantly reminded of that amazing Darth Vader scene at the end of Rogue One. The artists also do an amazing job conveying character emotion through the subtleties of their facial expressions. You get a real idea of what the characters are feeling thanks to the artwork, whether it is Doctor Aphra’s fear whenever she has to deal with a pissed of Vader, or the constant anger Vader is feeling throughout this volume. I am particularly impressed with how they were able to compensate for the helmet Vader is always wearing in order to show off Vader’s various emotions. Subtle things like the tilt or shape of the mask and the character’s body language seemed to speak volumes at times, and I think that they captured Vader’s emotions perfectly every time. Vader featured some very clever and very impressive artwork, which not only stand on its own, but which enhances the book’s story substantially.

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The first volume of the 2015 Darth Vader series was an outstanding example of Star Wars fiction which really modernises one of the most iconic Star Wars characters of all times. Darth Vader is masterfully reborn here as a being of pure destruction, as this first volume places him in some extremely compelling situations. I loved where the story went in this first volume, and the creative team have come up with some amazing scenarios and several excellent new characters who are so unique and creative they manage to escape Vader’s sizeable shadow. Overall, this first volume did a fantastic job setting the stage for the rest of the series, and I had an incredible time reading this comic.