He Who Fights With Monsters: Outworlder by Travis Deverell (Shirtaloon)

Publisher: Michael Joseph (Trade Paperback – 7 July 2026, originally published 23 February 2021)

Series: He Who Fights With Monsters – Volume One

Length: 755 pages

My Rating: 4.5 out of 5 stars

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Looking for something to scratch your LitRPG itch?  Then dive into the acclaimed world of He Who Fights With Monsters, the first entry in an impressive series from Australian author Travis Deverell.

Fantasy fiction has a lot of interesting subgenres to it, with one of the more distinctive being the popular LitRPG genre, which throws ordinary humans into RPG settings.  This often results in some awesome narratives, where self-aware characters attempt to survive in fantasy worlds where the game system and its components are part of the setting.  While I so far haven’t read a ton of LitRPG books, it is a subgenre that I’m getting a lot more into recently, especially as there are a ton of awesome and often bonkers LitRPG books out there.  It’s thanks to this interest in the wider LitRPG genre that I made sure to pick up a copy of the first volume of Travis Deverell’s He Who Fights With Monsters, a long-running series that is considered a major recent addition to LitRPG fiction.

Travis Deverell is an Australian author who rose to prominence through writing on the Royal Road web novel site.  Also known as Shirtaloon, Deverell’s work on Royal Road formed into the He Who Fights With Monsters series, which has previously been released through independent publishing.  I was lucky enough to receive a review copy of the new trade paperback first volume of He Who Fights With Monsters released by Penguin Random House Australia (through their Michael Joseph imprint), I was quite intrigued by its fun sounding plot.  As such, I eagerly dived into this first book (titled in this release as Outworlder), and swiftly got drawn into this cool new series.

Plot Synopsis:

It’s not an easy career jump, going from retail assistant manager to interdimensional adventurer. Jason doesn’t have much of a choice, though, when he wakes up naked confused in a world of mystery and magic.

It wasn’t prophecy that brought him here. He wasn’t chosen. It was the wrong place, the wrong time and the very, very wrong guy. The wizard who summoned him by accident does not react well.

In short order, Jason will have to fight monsters, face cultists, escape cannibals and find some pants, preferably not in that order.

The good news? He has powers. The bad news? They’re kind of evil.

With no idea where he is or what he’s doing, he’s going to need friends, and fast, because in this world, power isn’t just about magic and monsters.

Jason will have to deal with politicians, noble houses and crime lords to survive. He’ll need to master his powers, evil or not, hopefully without becoming the worst monster of all.

Now that was a particularly epic and ultra-fun read.  I must admit that I didn’t quite know what to expect from He Who Fights With Monsters, but I honestly loved every second I spent with it.  There was something about this great first volume that quickly drew me in, and I soon got stuck powering through the novel’s wildly entertaining and compelling story.  A remarkably addictive read that serves as an outstanding introduction to the He Who Fights With Monsters series, I am so very glad I got a copy of this book.

The plot behind this first volume of He Who Fights With Monsters was extremely fun and awesome, and I was really impressed with how effectively Deverell dragged me into the action.  Starting off with a classic LitRPG set-up, with protagonist Jason Asano awaking in a strange fantasy land with no idea how he got there.  Equipped with a gaming interface and character abilities, Jason is soon forced to fight off monsters and cannibalistic cultists in a series of escalating misadventures while trying to figure out what is going on.  I quite liked this start to the story, although I felt it didn’t get going until Jason met up with several fellow adventures who, after some mutual saving and unlikely victories, agree to help Jason and teach him about this new world.

From this initial starting point, Deverell soon creates a rich and complex larger narrative and surrounding setting, and the reader gets an excellent crash-course in the magical system, how the world is set up, an explanation for how Jason is there.  With no other option, Jason accompanies his new friends on a journey to a nearby major city, and starts the process to become an adventurer, which includes taking on quests, fighting monsters and finding his own unique magical style.  The author keeps building in more world-building elements in this first half of the book, and you start to get a better idea of Jason’s personality, as well as hints about future threats.  The plot gets particularly interesting once Jason arrives at this volume’s central location of Greenstone, a major city where Jason endeavours to become a professional adventurer and soon gets in embroiled with a whole new range of supporting characters.

While I did quite enjoy the first half of He Who Fights With Monsters, I think the second half was stronger as Deverell didn’t need to explain the key concepts of his world as much and instead was able to unleash Jason and his full personality onto the unsuspecting city.  Jason soon finds himself experiencing multiple challenges and threats as he joins the Adventurer’s Society and becomes a player in local politics.  At the same time, Deverell sets up several intriguing secondary storylines around the other supporting characters, which blend well with the main adventure.  There is some excellent progression in the protagonist’s abilities and insights in this second half of the book, and I found it quite amusing to try and deal with the various threats and influences of the city.  Several of the ongoing storylines set in Greenstone come together in impressive fashion towards the end of the novel, especially as there is an extended series of fights with a dangerous new threat.  The author throws in some last-minute tragedy, as well as some moments that hammer home the underlying issues of corruption and stupidity that Jason was fighting through most of the book.  I felt that this volume ended on an interesting and compelling note, and there are several open storylines left to explore in the next volume of the story.

I rather enjoyed the writing in He Who Fights With Monsters, although it was admittedly rough in places.  It was a little obvious that Deverell was writing for an online audience, which resulted in some interesting style choices, most of which you get used to as the book continues.  For example, I initially questioned the author’s choice of writing this story in the third person, as I felt that a first-person perspective would have been a better choice.  However, the author made this third-person perspective work, as it allowed him to set up several storylines outside of the Jason’s perspective, while also showcasing the supporting character’s view the protagonist.  This book also had a great flow to it, with lots of action, compelling worldbuilding, and some very entertaining sequences.

All this resulted in an excellent blend of excitement, intrigue and humour, which was honestly addictive enough to keep me coming back and power through the over 700 pages within this volume.  This very compelling writing allowed me to overlook a lot of the book’s initial roughness, although I cannot forgive the weird error that resulted in various sentences of the book having noticeably different spacing.  I’m not sure if this was an issue with the Penguin release of He Who Fights With Monsters, or it’s just been carried over from the online edition, but it kept taking me out of the story, especially as the first few times I thought it was a deliberate choice to attempt to show a character talking quickly.  Whatever it was, I hope it’s not in future volumes, as it looks quite amateurish next to the rest of the fantastic formatting and artwork.

On top of the exciting story, I felt that a major highlight of He Who Fights With Monsters was the compelling worldbuilding.  The author clearly put a lot of thought into this compelling new fantasy world, which serves as a mirror to ours, filled with monsters, adventurers and magic.  Many of these elements were quite clever in concept and utilisation, as Deverell did an outstanding job introducing all these ideas to the reader.  He Who Fights With Monsters’ magical system, which involves adventurers absorbing various essences and slowly unlocking abilities associated with them, was particularly clever and helped to standout.  This cool system allowed for the author to introduce to some interesting power combinations, especially for the protagonist, and you quickly get the hang of its peculiarities and enjoy all the possibilities around it.

I also was very impressed with how the author worked the LitRPG aspect of the book into the narrative, introducing a credible reason why the protagonist had a game interface into his head, and ensuring that his ability to accept quests, loot corpses and more, seemed quite natural in the context of the story.  This great use of the LitRPG concept, as well as making the setting a real world with real people rather than a video game, ensured that there were some real stakes to the story, and helped to turn it into a particularly captivating adventure.

Another very interesting part of the He Who Fights With Monsters are the characters, especially the protagonist Jason Asano, who I had heard in advance was a bit of a divisive figure for readers.  I initially didn’t see any issues with Jason, who at first seemed to be a typical fish-out-of-water fantasy protagonist whose lack of knowledge about what is going on allowed readers to learn about the world and magic system at the same pace.  Even after the initial parts of the book, Jason seemed liked an entertaining main character, with a quirky sense of humour and insights into the fantasy world born from gamer experience.

However, once you get to the part of the story set in Greenstone, I began to understand why some readers didn’t like him, as Deverell starts to showcase his ability to read people and manipulate them.  Despite being framed as a good guy, there is a certain arrogance behind how he interacts with a lot of characters, including being quite dismissive of well-established aspects of the new world he finds himself in.  Jason also came across as kind of conceited when it came to dealing with the inherent inequalities of the fantasy world.  While in a lot of cases this was justified, especially when dealing with incompetent or corrupt adventurers and nobles, it honestly came across as a little preachy at times.  Still, this slightly annoying character trait wasn’t enough to reduce my enjoyment of He Who Fights With Monsters, and I quite enjoyed seeing Jason develop as an adventurer.  While there is a certain amount of plot armour in how quickly he advances, I felt that Deverell hit the right mark in Jason’s development in this first book and ensured that it filled the bounds of a typical progressive fantasy book.  I especially liked the character build that Deverall gifted Jason, turning him into a shadowy affliction specialist with various evil-themed powers.  Watching Jason attempt to balance his pleasant nature with the scary abilities he needs to work with was a key part of the character’s arc in this first volume, and I think it was a compelling and memorable bit of character development.  I’m very curious to see Jason evolves as the series continues, and must highlight how fun it is to have an Australian character in a big fantasy series.

I do quickly want to mention the larger cast of this first He Who Fights With Monsters book, as Deverell introduces a large group of supporting characters throughout the novel.  While most of these characters are very overshadowed by Jason and his antics, there are still some entertaining or complex figures here, whose own personal storylines work into the large plot of the novel.  I quite enjoyed seeing some of their relevant storylines, and it also ensured the reader got several outsider perspectives of Jason and his actions, which helped to highlight just how weird the protagonist seems to the inhabitants of this new fantasy world.  Many of these characters were quite likeable, and I rather got attached to Jason’s initial party in this world, Rufus, Farrah and Gary (the three of whom get a short story at the end of this volume).  While there is no major named antagonist in this first book, Deverell introduces some fun secondary villains who serve as a good initial opponent for Jason alongside the multitude of monsters he faces, especially as he is forced to deal with politics, intrigue and criminal networks.  All these characters, and more, added a lot to the larger story, and the resulting interactions produced some great moments.

With a highly entertaining blend of action, complex world building and a certain chaotic energy, the first volume of Travis Deverell’s He Who Fights With Monsters proved to be an exceptional hit that I couldn’t stop thinking about.  Featuring an outstanding LitRPG adventure set around a compelling protagonist, He Who Fights With Monsters was really something special, and I really couldn’t stop reading it at times.  I’m definitely planning to keep reading this series now that I’ve powered through the first volume, and I cannot wait to see what crazy antics and moments happen in the rest of the series.

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The 22 Murders of Madison May by Max Barry

The 22 Murders of Madison May Cover

Publisher: Hachette Australia (Trade Paperback – 30 June 2021)

Series: Standalone

Length: 322 pages

My Rating: 4.5 out of 5 stars

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From the unique mind of leading Australian science fiction author Max Barry comes the fantastic and very clever alternate universe thriller, The 22 Murders of Madison May.

Madison May has been murdered and she has no idea why!

Madison, a young real-estate agent suddenly finds herself on the wrong side of a knife wielding client with zero regard for keeping his identity hidden from the police.  His final act before killing her is to profess his undying love to her.  However, Madison has never seen her murderer before in her life, at least, not in this life.

When word of Madison’s death reaches the desk of the Daily News, it falls to rising reporter Felicity Staples to follow up.  Despite a dislike for murder cases, Felicity soon finds herself wrapped up in investigating the brutal killing of the beautiful Madison May, especially as some unusual designs have been carved into the walls.  However, things take a turn for the strange when Felicity sees the suspected murderer at the subway in a dangerous confrontation with another fugitive from justice.  Moments after seeing them, Felicity can only watch in surprise as they vanish before her eyes and her universe is turned upside down.

Returning to her apartment, Felicity notices several minor changes to her life.  Her boyfriend suddenly knows how to cook, one of her cats is missing, and no-one at work remembers anything about her story or Madison May.  As strange events keep occurring, Felicity is soon forced to face the fact that she has been transported to an alternate dimension.  Reeling from the revelation, Felicity is even more stunned when a slightly different Madison May turns up murdered, the victim of the same killer.  Chasing after the mysterious people hovering around the case, Felicity discovers that a dangerous stalker is moving from dimension to dimension, determined to find the perfect Madison May to fall in love with, and killing any version he doesn’t like.  Can Felicity stop the killer before he takes out another version of Madison May, or will her forays into interdimensional travel have consequences she could never imagine?

Wow, this was a very fun and captivating read that I really enjoyed.  The 22 Murders of Madison May is the latest novel from Australian Max Barry, an author of several intriguing science fiction novels, including Providence, Jennifer Government, and Machine Man.  This was the first novel of Barry’s that I have had the opportunity to read, and I am very glad that I did, as Barry has created an outstanding and fun science fiction thriller that makes great use of some cool alternate dimension travel to produce an exquisite and awesome story.

Barry has come up with an extremely exciting and compelling narrative for this fantastic novel, which makes excellent use of its unique science fiction hook.  The novel starts off with the brutal murder of the first Madison May, which leads to the involvement of protagonist Felicity.  It does not take long for Felicity to get dragged into an alternate universe after encountering the killer and a fugitive engaged in a fight.  Forced to deal with the unusual differences in her life and the revelations of what has happened to her, Felicity attempts to save the lives of several different Madison Mays, while also avoiding the attentions of a group of interdimensional travellers who jealously guard their secrets.  What follows is a series of thrilling scenes where Felicity and her ally, Hugo, jump from alternate universe to alternate universe trying to stop the killer, with varying degrees of success.  This all eventually leads up to a fantastic and impressive conclusion where Felicity is forced to make some major, life-altering decisions, while also facing off against the monster she’s been chasing.  This proved to be an extremely captivating and fascinating novel, which honestly takes no time at all to get hooked on.  I loved the brilliant blend of psychological thriller and compelling science fiction elements, which seamlessly work together to produce an outstanding and memorable standalone story.  I powered through this book in a couple of days, and I deeply enjoyed every second I spent reading this intense and cleverly written story.

I have to say that I deeply appreciated the fascinating concept of alternate dimensions and interdimensional travel that Barry features.  Not only does the author do a good job explaining the science and philosophy behind this science fiction feature, but he also ensures that it works to full effect within the narrative.  In this book, dimensional travellers move from one reality to the next, taking over the lives of the version of themselves living in that dimension.  This results in the travelling characters awakening in a world with slight deviations from the last one they visited.  Barry features several separate dimensions within The 22 Murders of Madison May, and it was always quite fascinating to see the slight differences that occur, good and bad.  This is most prominently shown through the eyes of protagonist Felicity, who ends up visiting several alternate realities, some of which severely shake her.  However, you likewise get to see several different versions of the titular murder victim, Madison May, which results in a fascinating examination of how decisions and missed opportunities can impact your life.  It was also cool to see the various ways in which the alternate dimension travel could be manipulated, most noticeably by the book’s antagonist.  This vicious killer was constantly manipulating events to find a version of Madison May that would love him the same way that he loved her, and it was both creepy and intriguing the way in which Barry combined an alternate reality story with a tale of a fanatic serial killer.  It was very interesting to see the way the villain was able to change the course of his dimensional travels to suit his needs, such as by framing one of his pursuers for murder, and then ensuring that they only travelled to dimensions where they were locked up in prison.  I felt that Barry did a great job introducing and utilising this cool concept, and it really worked to create an epic and powerful narrative.

The author has also come up with some fun and complex characters in The 22 Murders of Madison May, who are enhanced by the fact that you get a very detailed and compelling snapshot into various versions of their lives.  The main character is Felicity Staples, a bold and clever reporter who finds her entire life upside down.  Felicity initially lives an ordinary life, with a boyfriend and two cats, while hunting for political corruption.  However, the events of this story really mess her around, as she is bounced around slightly different versions of her life.  These various involuntary jumps really have an impact on her, especially as she experiences both positive and negative changes which make her question her choices and relationships.  At the same time, she becomes obsessed with saving Madison May and stopping the killer, so much so that she constantly throws her life in danger.  The combination of these choices and the changing realities proves to be quite wearing on her, especially as she is forced to make some major sacrifices in her own life to try and save Madison’s.  This makes for quite a strong and likeable protagonist, and I deeply enjoyed seeing her intense and tragic narrative unfold completely.

I also really enjoyed supporting character Madison May.  The Madison Mays are essentially nobodies who have the very classic backstory of being a struggling actress who moved the big city and is dealing with a terrible boyfriend.  However, in one reality she was given her big break and appeared in a film in a small role.  However, this big break was a double-edged sword, as it gained the attention of a stalker, who, upon failing to meet her in his world, travelled between dimensions and started hunting her down.  Throughout the course of the book, you see multiple versions of Madison May, each of whom has a slightly different life, whether she is still struggling as an actress, on the cusp of a big break, or has given up acting altogether.  The author does a really good job of quickly and concisely setting up each of these new versions of Madison May, and you quickly get a feel for who the character is and the choices that change her.  Because she is not travelling through alternate dimensions, it is always fascinating to see the different interactions she has with her killer, as well as the reactions to the strange events occurring around her.  As a result, you get a fairly detailed examination of this character’s life, and it proves very hard not to like her and hope that she is able to overcome the latest attempts on her life.

The final character I want to focus on is the novel’s main antagonist and the killer of Madison May, Clayton Hors.  Clayton is a compelling and intense villain who starts his journey as an obsessed fan who falls in love with Madison May after seeing her in a movie in his reality and starts stalking her, eventually getting caught.  While this would usually be the end of the story, Clayton was able to obtain an item that allowed him to travel through dimensions, so he started stalking Madison in every reality he can find, assessing each version to find the perfect match to the one he fell in love with, and then attempting to make them love him in return.  This is some deeply disturbing antagonist creation here, and I really appreciate the way in which Barry amps up a dangerous and obsessed sociopath by giving them the ability to stalk their victims across the dimensions.  There are so many elements to this character which turn them into quite a memorable villain, from his unwavering determination to get what he wants, his short and violent temper, an inability to be satisfied with the girls he finds, and an obsession that can withstand constant dimensional travel.  I particularly found the descriptions of his arms, which are scarred and cracked by the various bite marks of Madison May from across the dimensions, to be a horrific masterstroke from Barry, and it was very disturbing to see versions of Madison May who attempt to bite down on his arm in self-defence to find that their teeth already match the indentations there.  Clayton was an outstanding and disturbing villain, and he really helped turn this excellent science fiction thriller into something very special and dark.

The 22 Murders of Madison May is a brilliant and distinctive science fiction thriller that I had an amazing time reading.  Australian author Max Barry has written an exceptionally clever story that perfectly combines a disturbing tale of murder and obsession, with an adventure in interdimensional travel.  I loved this awesome story, and I will have to make sure I check out some more of Max Barry’s novels in the future because I had a fantastic time getting through The 22 Murders of Madison May.  A highly recommended read.

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