Dragon Mage by M. L. Spencer

Dragon Mage Cover

Publisher: Stoneguard Publications/Podium Audio (Audiobook – 19 December 2020)
Series: Rivenworld – Book One

Length: 27 hours and 18 minutes

My Rating: 5 out of 5 hours

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Prepare for an epic fantasy adventure with a great classic feel to it, as awesome author M. L. Spencer presents the massive and captivating fantasy novel, Dragon Mage.

Back in 2020, the fantasy book world was abuzz with talk about the compelling and impressive fantasy fiction epic, Dragon Mage by M. L. Spencer, who was already known for her Rhenwars Saga and Chaos Cycle books.  While I have not had the opportunity to read any of her previous works, Dragon Mage definitely caught my eye, especially with the very cool cover with the awesome art.  While I never got the chance to read this book when it was first released, I did grab an audiobook copy of it and have been looking for an opportunity to listen to it for some time.  When I found myself in the mood for some great high fantasy a few weeks ago, I decided it was finally time to listen to Dragon Mage, especially as a future Rivenworld book is apparently on the horizon, and boy did I have an outstanding time with it.

Aram Raythe is a simple lad from a small fishing village in the middle of nowhere.  A strange boy with a love of knots and an inability to understand people, Aram thinks that he will go through life alone and hopes for a quiet existence as a sailor.  However, Aram has a secret that he has never told anyone: he can see the colourful strands that make up the world, and he can manipulate them to do magic.

When a bard arrives at the village, seeking an apprentice, Aram uses his powers to help the only person who was ever nice to him, fellow teen Markus Galliar, get chosen; however, he is unprepared for the chaos that this action will unleash upon his life.  While the bard, who recognises his potential, attempts to take him to safety, Aram accidently unleashes his power to cause a rift in the world.  Soon the village is visited by an Exilari sorcerer, who captures Aram and Markus, seeking to drain Aram’s essence and use it to power his own magical abilities. 

Aram’s destiny lies not in the torturous extraction cellars of the Exilari but with an order of dragon riders from another world.  When fate drags him to them, Aram will find acceptance and friendship for the first time in his life, as well as the opportunity to fight against the Exilari, their dark allies in this new world, and the ancient monsters who control them.  But to do that, Aram will need to learn to tap into the massive power lying deep within him and figure out how to use it to become a true Champion, the most powerful beings in two worlds.  Can Aram become both a Champion and a dragon rider, and what role will Markus play in his turbulent life?

I am really regretting not reading this book when it first came out.  While it was a lengthy read, Dragon Mage proved to be an excellent and captivating high fantasy adventure, and it was exactly what I was in the mood for.  Featuring an elaborate and massive narrative, complete with unique fantasy elements and some exceptional characters, Dragon Mage was an outstanding book that gets a full five-star rating from me.

Spencer produced an extremely epic and complex narrative for Dragon Mage that I had a particularly awesome time getting through.  Now, I do have to admit that Dragon Mage has a pretty lengthy story and it takes a considerable amount of time and effort to get through it.  In addition, the narrative does get a bit slow in places, especially at the beginning, and there were a few points where I struggled to make progress.  However, if you set aside the time for it and make an effort to keep going, I guarantee that it is more than worth it, as it unfolds into an epic, multidimensional coming-of-age story that has a real classic fantasy vibe to it.  The impressive, self-contained tale within will keep you entertained and stick with you well after you have finished reading it.

The story itself starts off with an extended introduction to the main characters of Aram and Markus, which showcases their personalities, histories and views of the world, while also featuring their first meeting and the start of their friendship.  I struggled a little to get through this opening part of Dragon Mage, mainly because I did not initially connect with Aram and his distinctive personality.  However, once you get several chapters in, the excitement starts to increase, as you see the full potential of the protagonist, as well as the introduction of a brilliant antagonist, Sergan Parsigal, who really moves the narrative along.  He quickly captures the two protagonists, which leads to several brilliant scenes, including an awesome and exciting escape from monsters from outside of reality.  From there, the story evolves into more of a magical school narrative, which I naturally loved (see my recent list about favourite books with magical schools in them), although it doesn’t last too long, as Spencer throws in a pretty dark twist and a heartbreaking time skip.

Following this time skip, the story evolves again, with Markus and Aram separated for a while after Markus rescues Aram.  The two characters soon develop in different story arcs, with Aram spending time in a completely new world, which sees him finally starts to explore his full potential.  After some more chapters in a whole different magical school setting, the main characters converge again, with some great drama.  Without going into too much detail, the rest of Dragon Mage keeps building on the plot from the first half of the book, and the characters are thrown into a ton of deadly situations as they continue to grow and discover their destiny.  Spencer layers the rest of Dragon Mage with a great combination of adventure, war, character development, training, romance, friendship, conflict and tragedy, which comes together into an extremely powerful narrative.  There are some truly epic scenes throughout this second half of the book, and you really grow attached to all the major characters in the book, which Spencer will make you pay for in some dark sequences.  Some of the major appeal is watching the slow but steady growth of the protagonist as he evolves from being unconfident and isolated to a powerful hero, helped along by the friendships he forms with those close to him.  Everything ends with a massive pulse-pounding confrontation that will keep you on your toes and ensure you cannot put down this book as you wait to see how everything turns out.  Readers will come away from Dragon Mage extremely satisfied, and the author leaves open some intriguing storylines for the future, that I hope the author will continue. 

One of the things that I particularly appreciated about Dragon Mage was the elaborate and compelling fantasy elements that Spencer introduced.  Dragon Mage actually features two separate realities, which were previously joined before being separated into The World Above and The World Below during a historical cataclysm.  These worlds can still be journeyed through by breaches caused by magic users and much of the plot revolves around the characters trying to stop an evil plot to recombine the words in a new cataclysm.  The book starts off in The World Above, a typical medieval setting which is ruled over by a despotic empire controlled by an order of magicians known as the Exilari, who gain their power through draining the essence of anyone with magical potential.  The second half of the book is set in The World Below, which features a range of magical creatures, including dragons, magical horses, and other creatures.  The World Below is in the grip of deadly war between an evil demigod (one of several who rule both worlds) and an order of dragon riders, who serve as its primary protectors.  Spencer does a great job introducing both worlds throughout the course of Dragon Mage and while they might not be as heavily explored as if there was only one world, you get a good sense of how they different and the histories that surround them.  Both are very distinct in their own way and I had a lot of fun seeing both, especially as they provide a compelling contrast to each other as two halves of the same coin.  I really like the switch between worlds that occurred halfway through the book and having the focus change to the more magical World Below made for quite an enjoyable and exciting read. 

I was also a fan of the unique magical elements contained within Dragon Mage, which, as the name suggests, is big on magic and dragons.  The magic itself is quite interesting, if a little ethereal in its description, and there are a few different versions of it.  The primary form of magic is shown through Aram’s eyes and is tied into the strands of energy that make up the world.  These strands, which only a few people can see, can be manipulated and tied into knots by the magic user for various magical effects.  This is a very unique system, and it ties in well with Aram’s peculiarities, especially as he spends much of the early part of the book obsessed with knots without anyone understanding why.  This results in some awesome displays of magic, and I found Aram’s perception of the magic and how it works to be extremely fascinating.  Other forms of magic include Markus’ magical immunity, natural passive magic from other characters and items, as well as the magic of the Exilari, which they gain be stealing the essence from magic users like Aram.  The destructive Exilari make for exceptional villains in this book, especially as they bask in their stolen power in a very creepy way, and I deeply appreciated that Spencer spent the time to explore their organisation, especially as the protagonists spend time in their training facility.

Then of course, there are the dragons, which inhabit The World Below.  I always enjoy a good dragon focused story, and this one was pretty fun as Spencer goes for a sentient dragon that bonds with a rider.  While this has been done before, I think that Spencer altered it enough, especially as quite a lot of the book is dedicated to them and their place in the world.  The author spends a substantial time exploring the bond between human and dragon, and you get to see the entire process, from the initial training of the human recruits, the hatching of the dragons, their bonding, and then their eventual use in combat.  There are a huge number of dragon characters in this book, and you get to see inside many of their minds and their bonds, especially as Aram can communicate with all of them.  The bond itself is a deep and personal connection, and I loved the scenes that examine how lethally strong it is, with human or dragon rarely surviving the death of their partner.  Having the emotional connection to a dragon becomes a key aspect of several of the key characters and it was really moving to see characters who have lost a lot in their life find new companionship with a soul bonded dragon.  The subsequent scenes of dragon combat are extremely awesome, and I appreciated that Spencer introduced some equalisers to make sure that they didn’t come across as too overpowered.  I had a wonderful time with all the fantasy elements in this great book and Spencer made great use of all her unique or fun elements to enhance and tell a brilliant story.

On top of the elaborate narrative and compelling fantasy elements, I was also very impressed by the amazing characters that Spencer featured in Dragon Mage.  The story revolves around an outstanding cast of complex and damaged characters, each of whom brings their own light and pull to the book.  Spencer sets all of these characters up extremely well, and while it might take you a while to appreciate a couple of them, once you do, you become extremely invested in their story and want to find out what is going to happen to them next.

The most prominent character in Dragon Mage is the extremely unique character of Aram Raythe, and this book is primarily his story from childhood to adulthood.  Aram is a particularly fascinating choice for central protagonist; while he is shown to be a chosen one with great power, he also portrayed as socially inept and with many strange behaviours.  I believe that Spencer wrote Aram as an autistic character (or the fantasy equivalent), especially as he is usually described as a Savant.  I personally really enjoyed this, as you don’t see a lot of autistic characters in fiction, and it was a great twist on the classic chosen one story.  Aram has a very different viewpoint of the world, and once you understand him you find that he is one of the sweetest and nicest fantasy protagonists you are likely to find, and you really start to care.  Unfortunately, Spencer decides to punish you for caring for this character, as the author puts Aram through all manner of hell and torture which really ups the emotional impact of the story.  Not only does Aram already have a distinct lack of confidence and social issues, but he is also repeatedly tortured and is deeply traumatised for much of the book.  There is also a hidden history to his parentage and a ton of secrets that his mentors are keeping from him that will cause him further grief and impact his confidence.  Watching him overcome all of this is very moving, and it is nice to seem him find some friends and slowly build up his confidence.  Of course, there is still a lot of trauma coming for him, and you will continue to suffer as you watch him grow.  Personally, I deeply appreciated Aram’s powerful character arc and it was one of the most enjoyable and compelling things about Dragon Mage.  His entire character history and personality really set him apart from other fantasy protagonists and I appreciated the work that Spencer put into developing him and making him so appealing to the reader, especially as it pays off once he finally finds his confidence and starts to truly become a Champion.

While much of the narrative focuses on Aram, Dragon Mage is also the story of Markus Galliar, who befriends Aram early in the story and shares in many of his adventures as they become close.  Markus becomes fascinated by Aram and his unique view of the world, especially when Aram tries to help him escape his abusive father.  This friendship soon takes on new heights once Markus discovers Aram’s abilities and he starts to become his protector, a job helped by his own immunity to magic.  Constantly forced together, they form a strong bond which survives being captured by the Exilari and several other misadventures.  Despite being separated several times throughout the book, the two keep getting drawn back together and Spencer writes a great continuous narrative about their strong connection.  The two share a very heartwarming friendship throughout Dragon Mage, and I really appreciate the interesting dynamic they form which sees Markus act as both protector and social guide, even when Aram develops his immense power.  While this did have the potential to be a bit one-note, and indeed Spencer did feature way too many scenes of Markus worrying about Aram or waiting over his sick bed, I felt that the author featured a great balance with their relationship, which really pays off once Aram matures and becomes a better friend.  The author also ensures that Markus develops outside of his friendship with Aram, and he soon becomes his own man, forced to deal with the horrors of his past to survive.  Markus ends up being an extremely compelling and well-rounded protagonist and the author used him perfectly in combination with his unique central character.

Aside from Aram and Markus, I also really need to highlight two other excellent major characters in Esmir Revin and Sergan Parsigal.  Esmir is a former dragon rider and Warden to the last Champion, who died due to his failure.  Locked in his own despair and regret, as well as the distain of everyone around him, Esmir is given new life when he encounters Aram and Markus and begins training them to be Champion and Warden.  I really enjoyed Esmir as a character, especially as Spencer really captured his grief, regret, and self-loathing over his past mistakes.  Watching him become a gruff, but kind teacher, represented a great redemption arc in the book and I felt that he was a particularly complex and enjoyable supporting figure that the author did a great job with.

I was also really drawn to the character of Sergan Parsigal, who is one of the major villains of Dragon Mage.  The Exilari sorcerer who discovers and initially captures Aram and Markus, Sergan is an ambitious and powerful magic user who seeks to turn his discovery to his advantage.  Highly arrogant and malicious, Sergan cuts a distinctive and sinister figure throughout the story, even when he appears to be on the protagonist’s side, especially as he spends most of the book gobbling up magical essence to power his own spells.  I loved how Spencer portrayed him as both an adversary and a mentor to Aram and Markus at different points of the book and he ends up forming quite a complex relationship with the protagonists.  While at times Sergan is shown to be potentially thoughtful and caring, especially during an early conversation with Aram, he keeps reverting to his own selfish form, and he ended up being one of the best and most complex antagonists in this entire story.  I had a wonderful time with these brilliant characters and I’m barely scratching the surface, as Spencer featured a range of great supporting figures and villains throughout the novel, all of whom deeply enhanced this amazing narrative.

To check out this impressive fantasy read, I chose to grab Dragon Mage on audiobook, which is my go-to for massive pieces of fantasy fiction like this.  With a runtime of over 27 hours (currently the 13th longest audiobook I have ever listened to), the Dragon Mage audiobook represents a substantial time investment for audiobook fans, although I personally think it was worth it.  I tend the find that the audiobook format really enhances my appreciation of the elaborate words that authors create, but it also really brings me into the narrative.  This was definitely the case with Dragon Mage, as this format did an outstanding job enhancing the story and I loved hearing all the intense detail about Spencer’s new, unique world and its fantasy elements.  It also helped that they got an excellent narrator for Dragon Mage in the form of Ben Farrow, who did a remarkable job here.  Farrow is a deeply impressive narrator who perfectly brought this story to life and moved it along at a crisp pace.  Not only was he able to recount the massive amount of detail and lore that Spencer fit into the story, but Farrow also came up with a huge selection of fitting voices for all the characters in Dragon Mage.  Using a range of different tones and accents, Farrow dove into the cast, and I loved how he was able to capture each character’s essence with his voices.  For example, he perfectly showcases Aram’s hope and childlike wonder at the world, while also capturing his fear, uncertainty, and lack of confidence, especially after all the hell he goes through in the early chapters of the book.  Other characters are expertly portrayed as well, and I loved how Farrow showcased Markus’ determination, Esmir’s weariness, and even Sergan’s intense arrogance and distain for everyone else.  This outstanding voice work helped to turn the Dragon Mage audiobook into something very special, and I had an exceptional time listening to it.  I would strongly recommend the audiobook version for anyone interested in checking out Dragon Mage and you are in for an excellent and captivating time if you do.

Overall, Dragon Mage was an amazing fantasy novel that really showcased M. L. Spencer’s skill as an author of epic fantasy.  Featuring a captivating narrative that follows great characters around an elaborate new fantasy world, Dragon Mage is exciting, moving and awesome in all the right ways.  I had an exceptional time reading this outstanding read and I look forward to seeing how Spencer will follow it up in the future.  Recommended reading for anybody looking from some classic fantasy fun.

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Call of Empire by Peter Watt

Call of Empire Cover

Publisher: Macmillan (Trade Paperback – 25 October 2022)

Series: The Colonial series – Book Five

Length: 368 pages

My Rating: 4.5 out of 5 stars

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Australia’s master of the historical adventure returns with another deeply exciting and highly intriguing character driven read that follows one historical family as they embark on war and adventure across the world, Call of Empire by Peter Watt.

Towards the end of each year, I always know that I am about to have my historical action and adventure quota filled as the new Peter Watt is coming out.  Watt has been a particularly enjoyable and compelling Australian author for years, producing intriguing historical fiction books with a focus on Australian history.  His works have so far included the long-running Frontier series and his compelling Papua trilogy, both of which contained some remarkable historical adventures.  However, I personally have been really getting into his currently body of work, The Colonial series, which I have had a wonderful time reading in recent years.

The Colonial series started of back in 2018 with The Queen’s Colonial, an intriguing read that followed young Australian Ian Steele in 1845 as he switched places with an English nobleman to take up his commission in a British regiment.  Becoming Captain Samuel Forbes, Steele found himself drawn into several of England’s deadly 19th century wars, while also forced to confront several dangers back in England as the real Samuel Forbes’ family sought to have him killed.  This fantastic series continued for two more books, The Queen’s Tiger and The Queen’s Captain, both of which were excellent reads.  Watt continued the series last year with The Colonial’s Son, which jumped ahead a couple of decades to follow the main character’s oldest son as he followed in his father’s footsteps and become a soldier in the Queen’s army.  I had a great deal of fun with these exciting books, and I was very happy when I received the next entry in the series, Call of Empire.

Starting in 1885, several years after the conclusion of The Colonial’s Son, Call of Empire sees protagonist Ian Steele finally living the quiet life in New South Wales, enjoying time with his family and friends, and expanding his business empire.  However, the British Empire is constantly finding itself in conflict across the globe, and soon the young New South Wales colony is called upon to send troops to assist the British campaign in Sudan.

Determined to serve the Empire once again, Ian’s oldest son, Josiah, takes a commission in the New South Wales army and journeys to Africa to fight the Sudanese forces for the British.  However, his decision will alienate him from the love of his life, Marian Curry, who is determined that he stop fighting in imperialistic wars.  At the same time, Ian’s younger son, Samuel, is learning the family business out in the Pacific with the family’s friend, Ling Lee.  However, Samuel and Lee are soon dragged into a dangerous plot to smuggle guns for the Chinese, as Lee’s obsession with freeing China from European control leads them into mortal danger.

Soon the entire Steele family finds themselves in deep trouble across the world, and only the most daring of actions will help them survive.  But as the Empire’s wars continue and the Steele family and their friends are drawn into even more conflicts, can even their legendary luck continue?  Death and tragedy awaits them all, and soon the Steele family will face a loss they never expected.

This was another fantastic and deeply exciting novel from Watt, who continues to dazzle with his fast-paced writing and impressive historical insights.  I loved the awesome story contained in Call of Empire, and I ended up powering through this book in less than a day.

Watt produces another exciting and ultra-fast paced story for Call of Empire that takes the reader on a wild and captivating journey through some interesting parts of late 19th century history.  Starting in 1885, Call of Empire primarily follows the three male members of the Steele family as they attempt to overcome the various challenges they face in their respective endeavours.  Watt tells a multi-layered, multi-generational, character driven story that follows multiple characters simultaneously as they engage in their own story.  This means that readers are often treated to a range of different storylines in the same chapter, having one character engaged in war, while another deals with issues at home, and at the same time a third finds themselves caught up in adventures at sea.  This makes for quite a complex read, although the range of storylines are well balanced and never oversaturate or confuse the story.  Indeed, Watt is a pretty clear and concise writer, and the reader is able to have a lot of fun with several of the storylines at the same time.  Watt features an outstanding range of storylines throughout Call of Empire, and I loved the blend of war, politics, exploration, business, romance, character development and legal concerns that were featured at various points throughout the 15 year long plot.  This reminded me a lot of the author’s previous Frontier novels, especially the focus on one big family, and I had a wonderful time seeing the elaborate narrative he wove around his characters.  Watt really takes this story in some interesting directions, and there are a few big surprises, as well as some tragedies that established readers of this series will be hit hard by.  This proved to be quite an addictive read, and I loved seeing his characters continue to traverse through life in their chaotic and adventurous ways.  The book ends at the start of the new century, and it looks like Watt will be taking his characters in World War I next time, which I am sure will be suitably traumatic.

Easily my favourite thing about this book was Watt’s excellent dive into the always eventful colonial history of Australia.  In particular, Watt examines several lesser-known wars and conflicts from the 19th century, with a particular focus on the role of New South Wales.  This starts early in the plot with one of the characters getting involved in the Suakin Expedition in Sudan, which was part of the larger Mahdist War.  This deployment saw a battalion of New South Wales soldiers travel to Sudan as part of the war effort and was the very first military force to be raised and deployed overseas by Australia.  While there wasn’t a lot of fighting involved with this campaign, I was deeply intrigued by the history and the politics behind it, and Watt did a wonderful job of exploring it in great detail throughout the book by inserting his characters.  Watt continued this trend throughout the rest of the book, which saw several of his characters involved in both the Boer War and the Boxer Rebellion in China.  Both conflicts had Australian soldiers involved, fighting on the side of the British, and Watt took exquisite care to explore what role the Australians played in them, and how they came to be involved in the conflict.

Out of all of them, I particularly enjoyed the captivating examination of the Boer War in Africa, which was one of the more deadly wars Australians fought in during the 19th century.  This war, and one of the character’s roles in it, dominated a good part of the book, and Watt did an amazing job of bringing different parts of the conflict to life.  The author really captured just how dark and bloody this war was, from snipers in the African bush, to the horrors inflicted on the Boer settlers.  However, Watt saves some of his best writing for the Battle of Elands River, a protracted battle that saw the Boers surround a force of Australians and their allies in a brutal siege for 13 days.  Naturally, one of the characters is right in the middle of this fight, and Watt really showcased the carnage and terror that the Australians would have felt being surrounded and bombarded.  I honestly didn’t know a great deal about some of these early Australian military conflicts, and it was absolutely fascinating to see them come to life in the hands of this talented author.  Having this great historical background really enhanced the overall quality of the novel, and I had a wonderful time diving back into these sometimes overlooked parts of Australian military history.

As I mentioned above, Call of Empire was a very character focused book that featured a range of fantastic point of view protagonists through whose eyes the story unfolded.  Watt features a great combination of characters, with a compelling mixture of younger figures who were the focus of The Colonial’s Son, and even a few characters from the first three Colonial books.  There was quite a range of different character storylines in Call of Empire, and you swiftly get drawn into the various unique adventures of each of the characters.  It was fascinating to see how the older characters had evolved since their original adventures, and I liked how Watt started focusing more on the next generation, including by expanding the role of the younger Steele son, Sam, who had an amazing outing here.  There is a great examination of the events that help to form these figures character, and it was fantastic to see them overcome so much adversity at various parts of their life.  I will say that some of the male Steele characters did tend to blend personality wise as the book proceeded, mostly as they are cut from the same adventurous cloth, but you still grow to like all of them, and you ended up getting touched when bad things happen to them.  There are some very interesting and powerful developments that hit the main characters in this book, and this ended up being a very key novel in the family history.  I had a wonderful time seeing the latest exploits of the Steele family, and with the next generation being introduced towards the end of the book, you know that they have even more adventures to come.

Peter Watt continues to showcase his talent as Australia’s premiere author of the Australian historical adventure with his latest Colonial novel, Call of Empire.  Bringing back several of his fantastic protagonists from the previous books, Watt crafts together another exciting read that dives into some intriguing parts of Australia’s military history.  Fast paced and full of awesome action, Call of Empire is another amazing read from Watt, and one that I had a lot of fun getting through.

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The Coward by Stephen Aryan

The Coward Cover

Publisher: Angry Robot (Audiobook – 28 April 2021)

Series: Quest for Heroes – Book One

Length: 14 hours and 50 minutes

My Rating: 4.5 out of 5 stars

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Prepare for a legendary quest with a complex and damaged hero as bestselling author Stephen Aryan presents the first book in his new fantasy duology, The Coward.

Aryan is an awesome fantasy author who has been writing some great books over the last few years.  Aryan debuted back in 2015 with Battlemage, the first book in The Age of Darkness trilogy, which focused on a brutal magical war.  After finishing this initial trilogy, Aryan released a sequel trilogy, the Age of Dread trilogy, which was set 10 years after the events of the first trilogy, which focused on the consequences of the first trilogy, especially the fear and prejudice its magical war brought on every mage in this fantasy world.  I ended up reading the second book in this trilogy, Magefall, and quite enjoyed its interesting story.  Unfortunately, I never got a chance to finish the trilogy off or go back and check out some of the earlier books, which I kind of regret.  But I did get the chance last year to read the first book in his new series, The Coward, the first instalment of the Quest for Heroes duology.

Everyone in the Five Kingdoms knows the legend of Kell Kressia, the most renowned hero in all the lands.  At the young age of 17, Kell volunteered to join a band of legendary warriors and heroes on their greatest quest ever: travelling to the far north and killing the Ice Lich to save the world.  Twelve men ventured to the north, and only Kell returned, having slain the Ice Lich, leaving the land’s greatest heroes behind in death.  Kell’s fame as a hero spread throughout the land thanks to song and story.  However, not everything you hear in stories is true.

Ten years later, Kell is living the simple life on his family’s farm, content with the peace and quiet and avoiding people where possible.  However, fate has a funny way of catching up with heroes, and when word reaches the kingdoms of further trouble in the north, Kell is called for once again.  A terrible evil is said to have taken root in the fortress of the Ice Lich, and their power threatens the entire world.

Taking up his famous sword and ready to revisit the dangers up north, Kell sets out.  However, Kell is carrying a dark and desperate secret: he is no true hero; instead he is just a lucky man broken by his experiences and with no intention of returning to hell.  However, caught up in his own legend, and with a new band of heroes forming around him, Kell has no choice but to once again venture forth, even if it means his death.  Everyone is convinced that Kell will once again save the world, but can the hero win when he doesn’t even believe in himself?

This was a fantastic and clever fantasy novel from Aryan that I had an excellent time reading.  Aryan came up with an outstanding story for The Coward, based on a complex protagonist forced to relive his worst experiences.  I deeply enjoyed this cool novel and I managed to power through its entertaining and compelling narrative in no time at all.

The Coward has an awesome and captivating plot that quickly draws the reader in and ensures that they are held captive by the compelling quest.  I was honestly a fan of this book the moment I read the first line: “Kell Kressia, slayer of the Ice Lich and saviour of the Five Kingdoms, tripped on a rake and fell into a pile of horse shit.”  This perfectly set the scene for the entire novel, and showcased Aryan’s fun and compelling take on classic fantasy quest heroes.  The story initially develops primarily around Kell and showcases his severe emotional damage, as well as the fact that the legendary events of the past are mostly false, no matter what the bards and histories say.  Quickly dragged back into the fray by an ambitious king, Kell is tasked with travelling back to the scene of his last adventure and killing whatever evil he discovers there.  Naturally Kell, having learnt his lesson the first time, graciously accepts the request, and then tries to run away the first chance he gets.  However, thanks to a starstruck young man following in his footsteps, Kell is trapped into the mission and decides the best way to survive is to recruit a new bunch of heroes, and soon pulls together a small, eclectic group of rogues and warriors to take up the quest.

Most of these events take place in the first half of the book, and you really get to grips with the central characters while also fully understanding Kell and his pain.  Interspersed with flashbacks to the true story of the original quest, Aryan does a wonderful job of painting the risks of the upcoming journey to the reader, and you know that some brutal events are in store for the protagonists in the future.  At the same time, there is an excellent subplot that shows political intrigue throughout the Five Kingdoms, as a nefarious church attempts to take control of the lands, while the kings use Kell and his quest as pawns in a great political game.  This results in some dangerous moments for the protagonists on their way to their destination, and I liked the compelling and thrilling change of pace the dive into court politics presented.

Everything leads up to the big trek up North that dominates the second half of the book.  What follows is a bleak and captivating series of events that ensures that Kell and his companions hit every single monster and deadly creature that the author could think off, including wraiths, cunning ice sharks and an aggressive herd of lethal arctic beasts.  These scenes are all written extremely well, and Aryan does an excellent job of showcasing the deadly stakes of the mission, and there is even a memorable, and frankly surprising, tragedy just before the final major sequence.  This sequence, which sees the heroes re-enter the Ice Lich’s fortress, is paced extremely well, and leads to a brutal and intense final confrontation with their enemy.  While I did think that Aryan was a little too mysterious when it came to who or what this antagonist was, they certainly left their mark on the story, and it was fascinating to see their impacts.  Aryan fits in a couple of concluding chapters to set up the characters for the next book, while also containing some interesting surprises that will come into play in the future.  The reader comes away from The Coward extremely satisfied, and I felt that this was a very well-crafted narrative that not only stands on its own, but which leaves the reader curious to find out what happens next.

I deeply enjoyed the way that Aryan set this entire narrative up, and I felt that all the distinctive narrative threads fell into place extremely well.  Running at a swift and enjoyable pace, The Coward’s fantastic and elaborate story quickly drags you in, especially with its focus on a damaged protagonist and his new quest.  The author was extremely good at balancing deep and damaging character insights with a fast-paced action narrative, and you really had to feel for the protagonist as he revisited his trauma, while also selfishly encouraging him to keep going with the quest.  There is an excellent layer of dark humour over the entire story, and I liked how the action and adventure of the main storyline was well balanced by the alternate scenes of political intrigue that also set up the main villain of the second book.  I also deeply appreciated the captivating and clever dive into the dark side of an epic fantasy quest, and the traumatic memories of the events really shape the protagonist and the narrative in some excellent ways, while also proving to be an interesting and fun alternate perspective of classic fantasy novels.  Aryan features several fun allusions and homages to other iconic fantasy works in this book, and I appreciated his distinctive take on how a classic fantasy story adventure would really go.

I also quite enjoyed the fantastic and impressive new fantasy landscape that Aryan introduced in The Coward.  This first book is set in the Five Kingdoms, a collection of lands who are currently experiencing hardship, especially with a poor harvest and the increasing cold.  Despite the efforts of the authoritarian Church of the Shepherd to quash them, rumours abound that the Five Kingdoms are facing a threat from the north again, just like they did years before.  Aryan does a great job setting up the Five Kingdoms, and you swiftly get an idea of the many problems and conflicts befalling them, especially as their church is slowly increasing its influence and power, attempting to undermine its kings.  This proves rich ground for the early part of the narrative, and it was amazing to get introduced to this land.  I particularly loved the exploration of the myth of the protagonist throughout the lands, and the impact it had on the people, both in terms of morale and celebration, as well as politically.  Having multiple characters recite a famous in-universe retelling of the original quest was particularly fun, especially as the inconsistencies and blatant lies attached to them soon become extremely apparent.  The best setting in the entire book, however, was easily the North, were much of the second half of the book takes place.  Although it is similar to other famous fantasy winter landscapes, Aryan works to make his fairly distinctive, especially with the unique creatures and threats that lurk within.  The author really makes the landscape seem as brutal, barren and isolated as possible, and it is very intense to see the characters travel through it, particularly when Kell encounters remnants of the original quest, and is forced to relive his previous horrors again.  I had a lot of fun exploring Aryan’s intriguing world in this book and I look forward to seeing how it is expanded out in the sequel.

While I deeply enjoyed the narrative and had a great time exploring the new fantasy realm, easily the best thing about this book is the character work.  Aryan has done a real masterclass with some of the characters in The Coward, and you swiftly get attached to the main band of heroes, especially the protagonist Kell Kressia, all of whom are damaged or hiding something.  Watching them endure through terrible hardship and come together as a group is just wonderful, and I loved how attached I ended up feeling them as the novel progressed.

Most of the focus of the plot is directed to Kell Kressia, the titular coward.  Kell is a fantastic and memorable figure who draws you in with his unique story of woe.  The lone survivor of a legendary quest he undertook as a naïve teenager, Kell suffered a lot during the previous journey, and despite the renown and love lauded upon him, Kell ended up with nothing to show for his quest and has lived a simple life ever since.  In the current story, Kell has grown up significantly and is now content to be alone.  However, when he is sent on another quest, he attempts to flee, only to be dragged in against his will.  I really appreciated the development that Aryan put into Kell, especially as I figured that the twist would be that he’s a fraud.  However, despite the title, you realise that Kell isn’t really a coward; instead he is a deeply traumatised man who is now wise enough not to repeat the mistakes of his youth.  Rather than seeking battle, he tries to avoid it, but when he is forced to complete the quest, he reveals himself to be quite competent and able to lead his companions, even if he doesn’t want to.  I had an amazing time with Kell in this book, and you really sympathise with him once you find out the whole truth behind him.  I loved seeing how much he matured since the original quest, and the canny and realistic new hero is a very understandable figure as a result.  Aryan builds in a bit of closure for Kell in The Coward, especially as he comes to terms with the dark events from his past and finally starts to move on, but he does have to suffer some more tragedy along the way.  I also liked seeing him manipulate and utilise his status as a legendary hero throughout the book, even if he doesn’t believe it, and it was fun to see people who knew in the past underestimate him, not realising how much he’s grown up.  Kell is an excellent and impressive protagonist, and I can’t wait to see what Aryan puts him through next.

Another major character I need to highlight is Gerren, a young and idealistic teenager.  Following Kell’s example from the stories, Gerren finds Kell on his quest and stubbornly follows along, attempting to become a hero in his own right, despite Kell’s many attempts to get rid of him.  Realising that Kell doesn’t want to be there and means to run away, Gerren becomes quite angry and uses Kell’s own legend to trap him in the quest.  However, the further he travels with Kell and the heroes, the more he realises that Kell was right, and he soon regrets his decision.  I loved how Aryan used Gerren in The Coward, as the character essentially ends up being a younger version of Kell, making all the mistakes that his hero did, and becoming a dark mirror to him.  Watching Gerren mimic Kell’s life is pretty moving for all involved, and I loved seeing Kell’s reaction, especially as he tries to save Gerren from all the pain he suffered, which results in some amazing scenes.  Aside from being an emotional anchor on Kell, Gerren also goes through quite a lot of development in his storyline, as he grows from naïve kid to serious adventurer.  Watching his resentment to Kell grow and then fade when he realises what Kell was trying to protect him from is amazing, and you really wish that he would turn back at some point, not just for his sake but for Kell’s.  You also grow really attached to Gerren as the book goes on, and he served as an intriguing companion to the protagonist and really helped amp up the dramatic heft of Kell’s trauma.

Aside from Kell and Gerren, I really must highlight the rest of the fantastic band of heroes that travel with him, as Aryan brings together an eclectic and complex group, each of whom are there for very different reasons.  This includes the mysterious but entertaining bard Vahli, the hilarious pairing of Bronwyn and Malormir, two outrageous heroes with many a tale behind their deeds, and the monstrous but heroic non-human character of Willow.  Willow is probably the most intriguing out of these, as her entire species is something of a mystery, with a strange connection to the events of the plot.  Willow grows to be quite a significant figure as the book continues, and I am looking forward to seeing how the author expands on her in the future.  All these characters and more (the villainous Revenant Mother Britak was a fantastic secondary antagonist), were very impressive, and their unique and powerful adventure, as well as the many deep secrets in their past, help to turn The Coward into an exceptional character driven novel.

Like many great epic fantasy books, I would strongly recommend The Coward’s audiobook format.  Narrated by actor Matt Wycliffe, The Coward flows along at an excellent pace as an audiobook, and you really get caught up in the adventure and epic fight scenes out on the snow.  Wycliffe does some amazing and fitting voices for the various characters, and you really get caught up in their personalities and emotional depths through this narration.  With a run time of just under 15 hours, this is a slightly lengthy audiobook to get through, but I found myself powering through a very short amount of time thanks to the compelling story and characters.  A wonderful way to enjoy this amazing and clever novel.

Overall, The Coward by Stephen Aryan was one of the more captivating and intriguing fantasy novels of 2021 and it is one that is well worth checking out.  I loved elaborate narrative and impressive character work in this outstanding read, and readers will find themselves getting dragged into its compelling adventure tale.  I had an exceptional time with The Coward last year, and I really regret not reviewing it sooner.  I will hopefully read the next book in this duology, The Warrior, in the coming weeks, and I have no doubt it will be just as awesome as The Coward.

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Throwback Thursday: Warhammer: Vampireslayer by William King

Vampireslayer Cover 2

Publisher: Black Library (Audiobook – August 2021)

Series: Gotrek and Felix – Book Six

Length: 11 hours and 13 minutes

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday I continue my recent obsession with Warhammer Fantasy fiction by checking out another entry in the iconic Gotrek and Felix series by William King, Vampireslayer.

I have been on a real roll with looking at the cool fiction associated with the now defunct Warhammer Fantasy tabletop game over the last few weeks, including the fantastic novels Runefang and Van Horstman.  However, few Warhammer Fantasy books have grabbed my attention or interest more than the Gotrek and Felix series, which serves as one of the central pillars of Warhammer fiction.  The Gotrek and Felix books, which were originally written by William King, follow the titular characters, dwarf slayer Gotrek Gurnisson and his sworn human companion Felix Jaeger, as they journey around the Warhammer Fantasy realm, finding monsters to fight and kill, all in the hope of finding a worthy death for Gotrek.  This is an awesome and unbelievably exciting fantasy series that take the reader to some of the darkest parts of the Warhammer Fantasy world and sees them face off against all manner of crazy foes.

I have had an absolute blast getting through the Gotrek and Felix books over the last year, as there have been some cracking reads in there.  The previous books, Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer and Beastslayer, have all had their own unique charm, and all of them have been well written and compelling reads.  Vampireslayer is the sixth book in the series, and as the name suggests, it pits Gotrek, Felix and their allies against one of the most dangerous creatures in the Warhammer canon, an ancient and deadly vampire count.

Following their victory at the siege of Praag, Gotrek, Felix and their surviving allies, have finally been able to relax after a never-ending series of battles. However, the ever-restless Gotrek is still determined to find a worthy death to fulfil his suicidal oath, and Felix knows it is only a matter of time before they journey out to face the rising hordes of Chaos that are building around the realms of man.  But before Gotrek and Felix can head out, a new evil rears its head; one that is far more cunning and ancient than anything they have faced before.

After accepting a job from a wealthy Praag nobleman, Gotrek and Felix find themselves investigating a mysterious man who is attempting to steal one of their client’s treasured artifacts.  But the closer they look, the more apparent it becomes that their target is no ordinary man, but a powerful ancient vampire named Adolophus Krieger, who has been stalking the streets of Praag, feasting on the innocent.  Determined to slay this beast, Gotrek and Felix’s confrontation goes poorly, when the vampire outsmarts them, steals the artifact and takes their companion, Ulrika Magdova, hostage.

Determined to save Ulrika and get their revenge on their foe, Gotrek and Felix, as well as their allies, Snorri Nosebiter, Max Schreiber and Ulrika’s father, Ivan Straghov, pursue the vampire lord.  To kill Krieger, they will have to travel to one of the most dangerous places in the Old World, the haunted lands of Sylvania.  Controlled by the Vampire Counts for generations, Sylvania is a wicked place where the dead never rest, and dark creatures lurk around every corner.  Worse, their foe is powered by an ancient artefact forged by Nagash and has designs on becoming the supreme vampire ruler, leading them in a new war against the living.  With the odds stacked against them, Gotrek, Felix and their companions must dig deep if they are to kill Krieger, rescue Ulrika and save the world.  But after spending time trapped with the vampire, can Ulrika truly be saved?

King once again shows why his Gotrek and Felix books were the defining Warhammer Fantasy series with this epic and fast-paced read.  Vampireslayer is easily one of the stronger entries in the series and takes its distinctive protagonists on an intense and captivating adventure that I deeply enjoyed.

Vampireslayer had an amazing fantasy narrative, and I think this was one of King’s more impressive and enjoyable stories.  Taking off right after Beastslayer, the initial story sees Gotrek, Felix and their allies still at the city of Praag, planning out their next adventures.  They quickly find themselves dragged into another adventure when a distant relative of Ulrika reaches out to them for help with a mysterious threat.  This initial part of the book was rather interesting, and not only does it have some great follow-ups from the previous entry in the series but it also sets up the narrative and the current characters really well.  There is a fantastic cat-and-mouse game going on in the early stages of the novel, as the protagonists attempt to discern the new evil they are going up against, while their vampiric assailant, Adolophus Krieger, puts his plans into motion.  Following the first encounter between the heroes and the vampire, which is set up and executed to drive up anticipation for later interactions, Krieger escapes and the protagonists are forced into a deadly chase across the world.

The rest of the novel is primarily set in the dread realm of Sylvania, and sees the protagonists chase after the vampire and his kidnapped victim.  This second part of the book is filled with some fun and exciting classic horror elements as the protagonists go up against a variety of foes from the vampire count’s army.  There is a lot of great action, fantastic chases, and some substantial character development occurring during this part of the novel, as the author brings together many of the threads from earlier in Vampireslayer, while also introducing some intriguing new supporting characters.  King makes particularly good use of multiple character perspectives throughout this part of the book, and I loved seeing the conflicted thoughts of the main protagonists (minus Gotrek as usual), as well as the many plots of the villain and his new minion.  This all leads up to the big confrontation between the protagonists and their foe at the legendary Drakenhof Castle, as the heroes face off against an army of the undead and the vampire himself.  The action flows thick and fast here, and King pulls no punches, showing the brutal and dark nature of the Warhammer Fantasy universe.  I did think that the final confrontation was a bit rushed, with the anticipated battle against Krieger lasting only a short while, but it was pretty fun to see.  There are a couple of good tragic moments in this conclusion, as well as some interesting developments for some long-running supporting characters, and King brings everything to a good close as a result.

I think that one of the things that made this story particularly enjoyable was that it was a lot more focused than some of the other books in the series.  This was mainly because it was the first book since Skavenslayer not to feature a sub-story that focused on recurring villain, Grey Seer Thanquol.  While Thanquol’s perspective was good for Skavenslayer, its use in the following novels, while usually very fun and entertaining, seemed a bit unnecessary and often affected the pacing or stole the impact away from the book’s actually antagonists.  This became more and more apparent in Dragonslayer and Beastslayer, especially when Thanquol’s actions rarely had any impact on the main plot.  As such, not having a Thanquol focused side story in Vampireslayer was a bit of a blessing, and it really increased the impact of the remaining storylines.  It also ensured that the parts of the book told from Krieger’s perspective really pop, as he was the only villain you could focus on.  I had a brilliant time with this impressive story and it ended up being an excellent adventure to follow.

Vampireslayer proved to be a pretty awesome entry to the wider Warhammer Fantasy universe, and I loved the cool details and references that King added in.  Like most of the books in the Gotrek and Felix saga, Vampireslayer can be read as a standalone novel (probably more so than the last three books in the series), and very little pre-knowledge about the Warhammer Fantasy or the previous books in the series is required to enjoy this excellent book.  King does a great job of once again introducing the key elements, recurring characters, and wider evils of this universe, ensuring that new readers get the information they need without making it too repetitive or boring for established fans.

One of the things that makes Vampireslayer standout a little more from some of the recent entries in the series is the move away from Chaos focused opponents and instead brings in a new faction from the universe in the form of a vampire and his undead hordes.  This is a fantastic change of pace, and I rather enjoyed seeing one of the more compelling factions from the game, even though I have bad memories of facing my brother’s Vampire Counts army.  King does a brilliant job diving into the lore and history of vampires and the general undead in the Warhammer universe, and the protagonists get a good crash course on them, which new readers will deeply appreciate.  I loved seeing a vampire antagonist in this novel, especially as it is one of the classic Vampire Counts types (a Von Carstein vampire).  This vampire has a lot of the classic European elements associated with Dracula, and it was fun to see the protagonist deal with this sort of creature, especially as Krieger takes the time to taunt them in a way they’ve never dealt with before.  King also adds in several of cool units from the Vampire Counts book, and it was pretty fun to see them in action in some brilliant fight scenes.  I also deeply enjoyed the dark setting of Sylvania, where much of the story takes place.  Sylvania, a Warhammer realm based deeply on Transylvania and ruled over by vampires, has always captured my imagination and it was fun to see it used in Vampireslayer.  You really get the sense of fear and despair surrounding the countryside, and all the locals, many of whom are just a step away from becoming some form of creature, are a depressing and scared group.  Watching the characters attempt to traverse this land was really entertaining, and I think all these awesome Warhammer Fantasy elements helped to make this great story even more impressive.

I also found some of the character work in Vampireslayer to be pretty intriguing, as King examines several great characters in this book.  The central two characters are naturally Gotrex and Felix, although not a great deal of character development went towards them in this book.  Gotrex is his usual gruff, murderous and unreadable self, who is essentially shown as an unkillable beast at this point, and you really don’t get much more from him, especially as Gotrex’s perspective is deliberately not shown.  Felix also doesn’t get much growth in this book, although he does serve as a primary narrator, recording and observing the events of the book.  Despite this lack of growth, Felix is a great everyman character to follow and it is really entertaining to see his quite reasonable reaction to facing off against the evils that gravitate towards Gotrek.

A large amount of focus went to the supporting characters of Max Schreiber and Ulrika Magdova, who have been major parts of the series since Daemonslayer.  The attention on both has been growing substantially through the last couple of books, especially in Beastslayer, and they had a massive presence in Vampireslayer.  Max, the team’s wizard, is pushed to the brink in this book after investigating a dangerous magical artefact and having his companion Ulrika kidnapped.  Max, who has always had a crush on Ulrika (it was pretty creepy at first, but better now), becomes obsessed with saving her before its too late, and this drives him to some extremes in this book.  Ulrika, on the other hand, must survive the evil attentions of the book’s villain, especially once the vampire takes an unhealthy obsession with her.  I must admit that I have always found Ulrika to be a fairly annoying character (which isn’t great when she’s usually the only female figure in the books), however, this was one of her best appearances as she goes through a physical, mental and magical wringer.  Her attempts to resist the vampire are extremely powerful and her eventual fall to darkness is one of the more compelling and best written parts of the book.  This was an excellent outing for both these supporting characters, and it actually serves as a wonderful final hurrah, as I know they don’t appear in many books in the future.

The final character from Vampireslayer that I need to talk about is the book’s primary antagonist, the titular vampire Adolophus Krieger.  Krieger, a centuries-old creature with connections to Vlad von Carstein, serves as a brilliant villain for this adventure novel, especially as King takes a substantial amount of time to dive into his history, personality and motivations.  Rebelling against his sire and attempting to become the next vampiric master of the Old World, Krieger is shown as a complex and intense being with some major issues.  Not only does he have to temper his intense ambition, but he also finds himself mentally deteriorating towards savagery and must constantly fight for control as his afterlife’s goals comes to fruition.  King does a great job capturing this compelling figure throughout the book, and I particularly enjoyed his introductory chapters where his temper and inability to suffer fools is shown with gruesome results.  Krieger has a brilliant presence throughout the novel, and he was a great villain opposite Gotrek and Felix with his gentlemanly airs (he has a great comeback to a line from Snorri Nosebiter).  I deeply enjoyed all the outstanding characters in Vampireslayer, and King did some superb work with them throughout this novel.

After reading paperback versions of Dragonslayer and Beastslayer, I’ve finally gotten back onto the Gotrek and Felix audiobooks with Vampireslayer, which was a lot of fun to listen to.  The audiobook format did an amazing job of capturing the dark tone and fast-paced action of this intense novel, and I felt that listening to Vampireslayer on audiobook really helped me appreciate a lot of the book’s more interesting details.  With a runtime of just over 11 hours, this is an easy audiobook to power through, and I personally managed to get through it in a few days.  This great audiobook was further enhanced by the excellent narration of Jonathan Keeble, who has narrated most of the other Gotrek and Felix audiobooks.  Keeble has an amazing voice for this sort of novel, and I loved the fantastic way he was able to move the story along at a brilliant pace while also enhancing the book’s horror and action elements.  I particularly loved the range of excellent voices he attributes to the various characters, many of which are carried over from his previous audiobook experiences.  All the characters get some distinctive and very fitting tones here, which I think worked extremely well.  Examples of some of the best voices include Felix, whose calm voice of reason, serves as the narrator’s base tone for most of the story; Gotrek, who is given a gruff and menacing voice that contains all the character’s barely restrained anger and regret; and even the new vampire character, Adolophus Krieger, who is gifted a French/European accent to match the classic vampire vibe that goes with the Vampire Counts characters in Warhammer, and the character’s likely origins as a Bretonnian Knight.  This expert voice work was extremely good and I had a brilliant time listening to this version of Vampireslayer.  As such, this format comes highly recommended and it is usually one of the best ways to enjoy a cool Warhammer novel.

Vampireslayer was another epic entry in the fantastic and ultra-fun Gotrek and Felix series by William King.  Bringing in a great new opponent who pushes the protagonists to new lows, this was an excellent adventure novel that shows some of the best parts of the Warhammer Fantasy world.  With a captivating and fast-paced narrative, this was one of the better entries in the series and I had an outstanding time getting through Vampireslayer.  An awesome read for all Warhammer and general fantasy fans, especially on audiobook.  I love this series so much!

Vampireslayer Cover

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Throwback Thursday – Warhammer: Runefang by C. L. Werner

Runefang Cover

Publisher: Black Library (Paperback – 24 June 2008)

Series: Warhammer Fantasy

Length: 413 pages

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I have a look at a classic Warhammer Fantasy adventure novel with the entertaining fantasy thrill ride, Runefang.

I have been reading an awful lot of Warhammer 40,000 novels lately, but deep down my heart will always belong to the Warhammer Fantasy franchise, as that was the game that I played back in the day.  Even though the Warhammer Fantasy game has ended (replaced by The Age of Sigmar), while it was going the Black Library invested a lot of time into creating some excellent novels in this setting, which I have also been enjoy recently.  This includes the awesome Broken Honour and some of the earlier entries in the iconic Gotrek and Felix series (including Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer and Beastslayer).  Even after reading these, I am still in the mood for more fun Warhammer Fantasy adventures and so I just read Runefang by established Warhammer fiction author C. L. Werner.  Werner, whose other writing credits include the Witch Hunter, Thanquol & Boneripper and The Black Plague series, came up with a compelling idea for this novel which I had a lot of fun getting through.

As civil war, discord and political instability rock the human realms of the Empire, a far greater threat marches upon it from the south.  A massive horde of undead creatures has been raised from the grave and is  cutting its way through the heavily populated province of Wissenland.  As the forces of Wissenland gather to fight, they are disheartened to find that these are not the typical shambling herd of undead horrors, but a well-organised, highly disciplined force of relentless fighters with dangerous magic backing them up.  Worse, the leader of this force is a true monster, the wight lord Zahaak, an ancient general of the legendary dark necromancer, Nagash, who has risen from his last defeat to finally achieve the victory he promised centuries before.

After several devastating slaughters, it becomes apparent that the undead force before them is unstoppable and the only way to defeat it is to kill the unkillable undead general.  In desperate need of anything that will save his realm, the Count of Wissenland and his advisors come up with an unlikely plan: recovering the Solland Runefang.  Lost years before when an orc raid destroyed the former province of Solland, the stolen Runefang, one of the legendary 12 swords signifying rulership of the Empire’s provinces, is rumoured to be the only weapon capable of killing Zahaak.

The task of finding the Runefang falls to Baron von Rabwald, who pulls together a small expedition of soldiers, knights and adventurers and leads them to the Runefang’s purported hiding place in the Worlds Edge Mountains.  However, this is no easy quest, and the chances of success are low, especially as the Worlds Edge Mountains are a notorious haunt for monsters, orcs and innumerable other dangers.  Worse, they are not the only group seeking the lost Runefang, and the fell magic of Zahaak is never far behind.  Can the expedition recover the Runefang before it is too late, or will Wissenland fall at the hands of its greatest foe from the past?

This was an outstanding and extremely exciting Warhammer Fantasy novel that I had a wonderful time reading.  C. L. Werner did an excellent job providing readers with an amazing fantasy adventure, and Runefang has a lot of great elements that will appeal to a wide range of readers.

At the heart of Runefang lies a captivating and highly enjoyable fantasy narrative that quickly drags the reader in with its impressive action, enjoyable characters, intriguing examination of the Warhammer world, and exciting adventure narrative.   Starting off with a fantastic introduction that sees the Wissenland army’s first disastrous attack against the undead horde, you are swiftly brought into the middle of the conflict as you witness the aftermath of the defeat, which also introduces several of the main characters.  Following some compelling exposition about the enemy they are facing, the story splits into two parts, with Baron von Rabwald leading most of the supporting cast off to find the lost Runefang, while the rest of the story focuses on the Count of Wissenland’s attempts to delay the undead army to give the adventurers time.  This split works really well, and seeing the disasters unfolding in Wissenland heightens the stakes of the expedition’s adventures and ensures that the reader is even more invested in its outcome.  The expedition storyline encounters multiple obstacles throughout their adventure, including monsters, traps, and orcs and goblins.  They are also forced to deal with a rival force of humans who are also hoping to claim the Runefang, untrustworthy mercenaries, as well as a traitor within their ranks who is helping the enemy.

This all translates into a very good and action-packed adventure, and I loved seeing all the epic events unfold through the eyes of the varied characters.  The story chugs along at a quick and exciting pace, with a good combination of action, dark moments and some fun, if grim, humour that I quite enjoyed.  Werner also ensures readers are in for a wild ride by not being sentimental when it comes to character survivability.  This became really apparent around halfway through Runefang when several key characters, many of whom had been built up in a big way for most of the narrative, were very suddenly killed off, and one of the supporting cast took the reigns as lead protagonist.  While this was a little surprising, I think it worked rather well, and it added to the suspense and drama of the tale, as the new protagonist is forced to make some big choices and deals to keep the quest alive.  Following this, the story keeps advancing at a great pace, with new foes and dangers appearing the closer the protagonists got to their goal.  This leads up to the epic final sequences of the expedition narrative, and it was fantastic to see the surviving protagonists go up against all the villains that had been chasing them in a big, extended confrontation, and Werner kept continuously hitting the reader with twists, surprises and dangers.  The reveal about the traitor in the ranks was pretty good, especially as Werner threw in an excellent red herring character (although by the time it is revealed, there were limited potential characters who it could be).  Everything comes together extremely well, with all the storylines and character arcs reaching their natural end, and I felt that it was an excellent, if rather bittersweet, conclusion.

I have to say that this was a particularly good and accessible entry in the wider Warhammer Fantasy canon, which is very well suited to this sort of immense and powerful story.  While Werner could have just phoned in Runefang with a generic adventure story set in the universe, he does a great dive into the lore.  This novel is set well before the events of most Warhammer Fantasy novels and takes place during the Age of the Three Emperors, where the Empire was split by a raging civil war.  As such, the province of Wissenland is on its own throughout the novel and must also deal with the substantial machinations of its neighbours as it fights to survive, which gives it a great additional edge of intrigue.  The author also spends a great deal of time focusing on the ruined province of Solland and the importance of its lost Runefang.  It was fascinating to see the ruins of Solland in Runefang, as it was still badly scarred by the orc invasion that destroyed it, and the impact of Wissenland’s absorption of it was quite interesting.  I also really appreciated the fantastic portrayal of the notorious Worlds Edge Mountains, the former realm of the dwarfs that is now controlled by orcs, bandits, and monsters.  The author did a really good job showing this to be a desolate and dangerous place, and he really did not disappoint when it came to featuring the variety of cool creatures and threats it contains, forcing the protagonists up against dangerous odds again and again.

Finally, I must highlight the author’s excellent use of the undead army in this book.  Rather than using the armies of the Vampire Counts or the Tomb Kings (which were the two undead factions at the time of Runefang’s release), Werner features a historic army of undead creatures who have risen after their defeat during the early days of the Empire to have their vengeance.  As such, they are a unique force of undead creatures, and I loved seeing them in action, particularly as you get some awesome reactions of terror from the human characters observing them.  Overall, I really loved the cool use of Warhammer Fantasy elements, history and settings in Runefang, and I felt that this was the sort of Warhammer novel that any fantasy fan could pick up and enjoy.

I also need to highlight all the impressive action featured throughout Runefang, and Werner has a clear talent for making fight scenes come to life in a big way.  There are so many battles throughout this book, and each of them is showcased to the reader in exquisite detail.  Whether it be a small skirmish, a one-on-one fight, a brawl against a giant monster, or a large pitched battle between armies, the author ensures that the reader gets the full sense of everything that his happening.  It was extremely cool to see all these fights unfold, and I was able to mentally see every sword swing, desperate charge and epic moment.  I liked how some of these fights emulated the battles from the table-top Warhammer Fantasy game, and you could really envision how they would have looked being played out on the board.  These action scenes combined well with the awesome and exciting story, and I think that they strongly enhanced my enjoyment of Runefang.

The final thing I want to talk about is characters, as Runefang features an excellent and massive cast of distinctive protagonists and villains.  Now, I am not going to go into too much detail about character arcs or development here, as to do so might ruin which key characters are killed off early.  However, I have to say that I was really impressed with the awesome way that Werner introduced each of the major figures in the book.  As such, you quickly grow to like many of the figures in Runefang, especially as Werner goes out of his way to feature a unique and often damaged group of protagonists to fit the story around.  I will say that I deeply enjoyed the Baron’s notorious and scarred champion, Kessler, who has some great moments; the dwarf Skanir, who serves as cantankerous guide; and the fantastic duo of the halfling Theodo Hobshollow and his ogre sidekick, Ghrum, who were an excellent and entertaining comic relief team.  There are also some really good villains in this novel, including the bandits who are also after the Runefang (featuring a brilliantly despicable leader and an entertaining pair of cowards), and an extremely dangerous orc warlord, Uhrghul Skullcracker.  Uhrghul was a particularly fun character, and I liked both his philosophical insights about being an orc leader as well as his effective way of questioning human prisoners (eating my legs in front of me probably would get me to talk).  I did think that the main villain of Runefang Zahaak was a tad underdeveloped, even if he was shown to be an epic badass with major historical cred to his name.  However, this might have been a deliberate choice by Werner to highlight the uncomplicated nature and motivations of the undead compared to the more insidious, evil, or animalistic plots of the humans and orc villains.  I had an amazing time following these characters, just try not to get too attached to any of them.

Filled with fantastic action, a compelling adventure storyline, fun characters and great use of the Warhammer Fantasy setting, Runefang was an outstanding novel from C. L. Werner that I had an amazing time reading.  Werner really went out of his way to create the most impressive and exhilarating fantasy adventure he could, and the result is really worth checking out.  A highly recommended Warhammer fantasy novel that you are guaranteed to have fun with.

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Master of Furies by Raymond E. Feist

Master of Furies Cover

Publisher: Harper Voyager (Hardcover – 5 July 2022)

Series: The Firemane Saga – Book Three

Length: 515 pages

My Rating: 4.5 out of 5 stars

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One of the leading authors of fantasy fiction, Raymond E. Feist, brings his Firemane Saga to an end in a big way with the impressive and deeply entertaining Master of Furies.

I was recently in the mood for some classic high fantasy awesomeness, and few people do high fantasy better than one of my all-time favourite authors, Raymond E. Feist.  I have been a massive Feist fan for years, ever since I stumbled upon his epic Riftwar Cycle in my youth.  Made up of around 30 connected novels in a massive, multi-world universe, including his epic debut, Magician, and the fantastic Empire trilogy (co-written with Janny Wurts), the Riftwar Cycle contains so many fantastic stories and it remains one of the seminal pieces of fantasy fiction out there.  Feist appeared to finish the Riftwar Cycle off in 2013 and after a break he started working on a different fantasy series, the Firemane Saga.

Set in a new fantasy world, the Firemane Saga followed several great protagonists as they found themselves dragged into a series of conflicts that threaten to tear their continent apart.  This series started in 2018 with King of Ashes, an excellent book that served as a brilliant introduction to the setting, story and characters.  This series was continued in 2020 with Queen of Storms, which continued the various character-based storylines, expanding on some existing elements while also throwing in a ton of new enemies and some surprising changes.  This second novel included a pretty fantastic twist halfway through, as one of the major settings of the series was completely destroyed and various supporting characters were killed off.  I have been eager to see how this series would continue and I was pretty excited when I saw that the third and final book in the series, Master of Furies, was set for release this year (it was one of my most anticipated releases for the first half of the year).  I ended up grabbing this book the day it came out and I swiftly got drawn into its fun and action-packed story.

War and death have come to the Barony of Marquensas after unknown raiders from across the seas arrived and laid waste to everything before them.  Their most savage action saw them destroy the town of Beran’s Hill, which resulted in the death of Gwen, Declan Smith’s beloved wife.  Now determined to get revenge, Declan has become a soldier and allied with Baron Daylon Dumarch, whose family was also killed in the raid.  As the Baron gathers a new army around him, Declan travels to the desolate far south of Tembria to recover rare materials that will allow him to forge the best weapons and armour for them.

At the same time, Hava, former spy for the shadow nation of Coaltachin, has drawn first blood against the mysterious forces attacking her friends.  After capturing the enemy ship, Queen of Storms, Hava has become a notorious pirate captain, raiding ships from across the waves to find out who or what is threatening Marquensas.  Her investigations will eventually lead her to the hidden continent of Nytanny, where a powerful group holds sway of a vast population of warring nations.

As Hava, Declan and Baron Daylon prepare their forces to fight whatever lies within Nytanny, the fate of the world may rest in someone else’s hands.  Hava’s husband, Hatushaly, the last living member of the Ithrace royal family, has finally discovered his legacy as a legendary Firemane.  Under tutelage on the hidden island Sanctuary, Hatushaly works to hone his destructive magical abilities.  But as his powers grow, Hatushaly will find himself thrust into events beyond his control.  A new darkness is rising within his world and Hatushaly will need all the help he can find to stop it.

This was another awesome book from Feist that I felt was a great end to the excellent Firemane Saga.  This third and final book takes the character-driven story in some fantastic directions, and I think that Master of Furies was one of Feist’s better recent novels.

I had an outstanding time getting through Master of Furies’ clever and compelling narrative and I really enjoyed the elaborate and exciting third part of the series.  Now, I must admit that I initially had a bit of a hard time getting back into this book, mainly because it had been two years since Queen of Storms’ release and I had forgotten some of the story details from the preceding novels.  I probably should have done a bit of a reread of the series before starting Master of Furies, and this is one of those cases where interested readers should really check out the first two novels first. Master of Furies immediately dives back into the plot lines from the last book, and while a lot of elements are recapped, it does help to remember how the series has unfolded.

Master of Furies is told from multiple character perspectives as all the protagonists from the first two novels are featured here.  There is a good mixture of different storylines throughout the novel, including the mystical training of Hatushaly, the adventures of Declan in a hostile desert, political intrigues occurring with Marquensas, and Hava’s nautical and espionage activities as she sails from location to location, attempting to find out who they are actually fighting.  All of those storylines are spread out evenly through the book and they played off each other well, coming together into an exciting and expansive narrative.  I particularly liked Declan’s storyline, not only because it was a very good example of a classic fantasy adventure but it also expertly showcased the character’s grief and anger after the events of Queen of Storms.  I liked the balance between action, world-building and character development contained in each chapter, and this book had an amazing flow to it.  The action scenes are particularly well written, and Feist features multiple epic battles and fights that really get the reader’s adrenalin pumping.  The resulting story is very well paced out and there are no slow spots in the story at all.  Each of the separate stories start coming together a lot more towards the centre of Master of Furies as Feist starts to prepare for the big conclusion.

While I was initially worried that Feist was going to rush the conclusion too much (I had some doubts with 150 pages to go, as there seemed to be too much that needed to get wrapped up), this ended up coming together really well.  The established character arcs ended on an awesome (if slightly predictable) note and most of the open storylines are resolved in a satisfying manner.  It was great to see some of the fun characters you have grown to like over the course of the trilogy finally get what they deserve, while others start new adventures that will lead to some interesting storylines in the future.  Feist also works to set up some interesting storylines for the future and it is pretty clear that he has intentions to produce some form of sequel trilogy or series in the future.  An overall strong and exciting story, I absolutely powered through this book and I was extremely entertained and happy the entire way through.

There was some interesting world-building in Master of Furies that I quite enjoyed as Feist sought to expand on his already established new fantasy realm.  Not only did Feist take one of his main characters to the previously unseen harsh deserts at the lower part of the main continent of Tembria, but we also got our first real look at the rival continent of Nytanny, where most of the antagonists originate.  I found both areas to be fascinating and detailed as Feist does a great job of building up both settings in this novel, ensuring that the reader gets an idea of geography, culture and history.  I had a great time exploring both, and the fantastic landscapes of south Tembria were particularly cool, especially as one of the main protagonists spends half the book facing off against every enemy and threat he can find there.  I did think that the focus on Nytanny came too late in the trilogy, as Feist has deliberately kept this continent and its people obscured from the reader and the main characters.  While this did enhance the mystery surrounding their actions, it did mean that their sudden reveal in this book felt a tad forced and you did not care as much about who they were or savoured the eventual counterattack against them by the protagonists.  Likewise, some of the political situations in the rest of Tembria that were featured in the earlier books, such as the impacts of the corrupt Church of the One and the politics of the other kingdoms of Tembria, are somewhat ignored here in favour of focusing on the characters in Marquensas.  While I do not think this took away from the narrative too much, it might have made for a more elaborate and complete universe if more of these missing elements had been explored in more detail (I reckon Feist could have turned this into a four-book series to properly set up this world).  Still, I really enjoyed the rest of the world-building and the change in the settings in this book, particularly surrounding the impacts of the massive raids from Queen of Storms which have devastated not only the Barony of Marquensas but also the various other kingdoms and lands featured in the book.  I really hope that we get to see a lot more of this world in Feist’s future novels as I really want to see how it progresses and changes as it faces more dangers.

For the final thing I wish to discuss about this novel, I think I’m going to have to put a Spoiler Warning into effect as some of the details I’m about to discuss are significant and one of the more surprising things about Master of Furies.

This feature was the intriguing connection that Master of Furies, and by extension the entire Firemane Saga, has with Feist’s established Riftwar Cycle.  I was pleasantly surprised when, seemingly out of nowhere, one of the most entertaining characters from the Riftwar Cycle suddenly appeared in the narrative and started helping Hatushaly learn how to control his magic, revealing that this new world is set in the same joint universe as Feist’s previous series.  While I really should not have been too surprised, (multiple alternate fantasy worlds are a staple of Feist’s writing), I honestly did not see this coming.  In hindsight there were some subtle hints in some of the previous books, but I did not realise to what extent the author intended to bring everything together.  Feist really goes to town on the connections in this third book, and soon several additional Riftwar Cycle characters appear, referring all the existing books.  It soon became very clear at the end of Master of Furies that the author was intending to substantially combine the Firemane Saga with the Riftwar Cycle, especially when an established malevolent presence was discovered on this new world.  The book ends on a very interesting note, with the main characters of this series meeting with two of the biggest characters from the Riftwar Cycle, and it looks like Feist’s next trilogy is going to combine these two universes together in even more substantial ways.

Now, bringing the Firemane Saga into the larger Riftwar Cycle is a bit of a double-edged sword for Feist, although it is one that I personally enjoyed.  I loved the surprise at seeing some of these favourite characters come across each other, and every single new connection or reference brought a thrill for me, Feist nerd that I am.  However, I know that some readers are going to be disappointed, especially as people who were hoping for something new from Feist suddenly got thrown back into the author’s established universe and characters.  This connection also means that those readers unfamiliar with the entire Riftwar Cycle might get a little lost here, especially if they do not fully realise the significance of events or characters.  While Feist does a good job of highlighting who these characters are and why readers should care, I can see some people getting confused about what is going on.  As such, I can understand if some readers are frustrated, but I think it was a great choice by Feist and I loved seeing the author bringing everything together.  If nothing else, this is probably going to inspire me to do a big Feist re-read at some point in the future, especially if all his previous novels are going to come into play in his next series (can I read all the Riftwar Cycle novels before Feist’s next book? I don’t know, but I’m willing to try).

Spoiler Warning End

Raymond E. Feist continues to shine as one of my absolute favourite fantasy authors with the outstanding third and final entry in his awesome Firemane Saga, Master of Furies.  Containing an epic and deeply entertaining narrative that cleverly concludes this fun trilogy, Master of Furies has an excellent blend of story, setting and characters, as well as some cool connections to some of Feist’s more iconic works.  While there were a few issues with how this book came together, I honestly had a fantastic time reading Master of Furies as I was so wrapped up in its outstanding story.  Overall, this book comes highly recommended, especially for those established fans of Feist’s work.

Master of Furies Cover 2

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The Burning Road by Harry Sidebottom

The Burning Road Cover

Publisher: Zaffre (Trade Paperback – 5 January 2022)

Series: Standalone/Warrior of Rome

Length: 344 pages

My Rating: 4.75 out of 5 stars

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One of my favourite historical fiction authors, Harry Sidebottom, returns with another epic and intense historical adventure, The Burning Road, a fun-filled, action-packed thriller.

There are some amazing historical fiction authors out there now who focus on Roman history to create some excellent and compelling novels.  However, one of the best is the extremely talented Harry Sidebottom, a historian turned author who has been producing some awesome and unique reads.  I have been a major fan of Sidebottom ever since reading his debut novel, Fire in the East (an exceptional siege novel) back in 2008.  I really enjoyed his Warrior of Rome (which followed a Germanic Roman soldier, Ballista) and Throne of the Caesars series, both of which contained some exceptional historical elements.  Sidebottom has also had a lot of success recently with some standalone novels, especially his last three books, which cleverly combined his historical knowledge with elements from thriller subgenres.  This included his 2018 release, The Last Hour, which brought back Ballista and set him on a 24-esque romp through ancient Rome; The Lost Ten, which was reminiscent of special forces thrillers; and The Return, a dark and complex murder mystery that had interesting Scandi noir overtones.  I deeply enjoyed all these previous novels, and I was very excited when I received a copy of Sidebottom’s latest book, The Burning Road, a couple of weeks ago.

Sicily, 265 AD.  Throughout the strategic volcanic island, a call of freedom has been heard as a charismatic slave starts to rally his fellow enslaved workers.  The various estates and towns are in a state of uproar as vicious slaves and captured barbarian warriors rise up to kill their masters.  As the revolution gains strength and results in greater bloodshed, the fate of the island may rest in the hands of a legendary warrior, Marcus Clodius Ballista.

After years of fighting for corrupt emperors and battling deadly Roman politics, Ballista is finally free from his responsibilities, determined to enter retirement.  Whilst travelling with his eldest son, Marcus, to his estates on Sicily, their ship hits a terrible storm, forcing it aground on the west coast of the island.  Barely surviving the rough surf and destructive storm, Ballista and Marcus are soon thrust into even greater danger when a band of armed slaves mercilessly kills the other shipwrecked survivors.

Barely escaping the rampaging slaves, Ballista leads his son inland, hoping to discover what chaos has befallen Sicily.  They soon discover that the entire island is in revolution, with any non-slave at risk at being killed or brutalised.  Determined to keep his son alive and rescue his family on the other side of the island, Ballista and Marcus attempt to cross the entirety of Sicily on foot.  Constantly harassed by marauding bands of former slaves, the two Romans must find a way to survive and reach their family before it is too late.  But can the old veteran and rash youth work together to survive and save all of Sicily, or will one of Rome’s greatest warriors finally be finished off by rampaging slaves?

Wow, now this was a fun and intense novel from Sidebottom, who once again highlights his skill as a particularly inventive author of Roman historical fiction.  I deeply enjoyed The Burning Road, especially as Sidebottom once again combines compelling historical elements with an impressive and action-packed thriller storyline.

I had a lot of fun with the incredible and extremely fast-paced narrative that Sidebottom featured in The Burning Road.  While it took me a little while to get into this book (mainly because I couldn’t find any reading time), once I started, I honestly couldn’t stop, and I ended up powering through The Burning Road in less than a day.  The Burning Road has a brilliant story that pits Sidebottom’s best protagonist, Ballista, and his teenage son right in the middle of an intense slave revolt on Sicily.  Sidebottom sets this all up perfectly, with a quick prologue to establish that the slave revolt has occurred, before focusing entirely on Ballista and Marcus, who are shipwrecked off the coast of the island.  At first, the scenario reminded me of another historical fiction novel, The Gladiator by Simon Scarrow, which featured slaves revolting on Crete.  However, Sidebottom takes this in a very different direction, with a dark and non-stop story that sees the protagonist forced to navigate across the island, encountering all manner of odd characters and a ton of enemies.  The first two-thirds of the book see the protagonists on their own, walking a hellish volcanic landscape filled with murderous slaves, which was so damn cool.  Sidebottom was clearly trying to emulate some post-apocalyptic thrillers here, and there is even a scene that is a brilliant homage to The Road.  This makes for some intense and bloody sequences, and you will find yourself glued to the pages as you wait to see what danger they will encounter next.  The final third of the book sees Sidebottom return to his original writing element as Ballista is drafted into leading the defence of a besieged city.  This leads to an amazing and unique set of siege sequences, as Ballista and a small force of civilians attempt to hold back an overwhelming army of enraged slaves, which leads to a bloody and satisfying conclusion.  I loved this brilliant combination of story elements, especially the brutal walk across Sicily, and it makes for one heck of a story.

One of the best things about The Burning Road was the compelling central characters, especially as Sidebottom used it to tell a touching an enjoyable father-son story.  The first of these is Ballista, the protagonist of the Warrior of Rome series, who returns for another gruelling adventure.  As a former Germanic prince turned Roman soldier, siege expert and noble, Ballista is an old hand at danger and once again rises to the challenge even with his advancing age.  However, this time Ballista is forced to undertake his battled filled journey with his young teenage son, Marcus (also called Isangrim).  Setting Ballista and Marcus up as the main point of view characters, Sidebottom tells a fascinating tale that not only follows their desperate journey but which dives into their relationship and personality.  Due to Ballista’s military career, these two aren’t particularly close, with Marcus slightly resenting his barbarian father.  However, over the course of the book the two slowly grow closer as they face constant ordeal.  Sidebottom paces this growth in their relationship perfectly and you soon get really invested in seeing how much they begin to trust and rely on each other.  I enjoyed seeing this paternal side of Ballista, which enhanced his already complex character, and Marcus grows to become an enjoyable companion, especially as he begins to realise everything his father has done for him and how he has tried to prepare him.  This great father-son relationship becomes a major part of the book’s plot, and it put me in mind of some other similar adventures such as The Road, or even the recent God of War game (I may have imagined Ballista speaking in Christopher Judge’s voice).  This was a brilliant and powerful heart to the entire book, and it will be fascinating to see how much Marcus is featured in any of Sidebottom’s future novels.

I was also very impressed with the interesting historical detail that Sidebottom featured throughout The Burning Road.  The author has clearly done a ton of research on the various subjects contained within and there is a comprehensive reference section at the back, including a history book written by Sidebottom himself.  As such there is an amazing sense of authenticity to the setting and figures featured within The Burning Road which really helps to drag the reader into the story.  This period of Roman history has always been a rich ground for Sidebottom’s novels, and it was fascinating to see some more detail about the politics of the time.  I loved all the awesome detail about Sicily, which proves to be an exceptional and fascinating background setting for the story.  Sidebottom, who has visited Sicily many times, does a great job of filling in the historical blanks around the island and he portrays it as it would have appeared during Roman times.  All this impressive attention to environmental detail results in some cool romps through forests, mountains and ancient towns, and I think that the author really captured the historical soul of this island.  One of the big historical elements that Sidebottom invests a lot of time exploring is slavery during the Roman era.  The author includes a fascinating examination of how slaves are treated during this period, as well as some of the philosophical thought surrounding the entire process, both from the masters and the slaves.  The subsequent slave revolt really helps to highlight the Romans’ reliance on a large population of slaves to maintain their society and having the outsider Ballista explore this provided an interesting alternate perspective to the practice.  I also deeply appreciate the desperation and anger that the various slave characters had, which helped to turn them into a sympathetic enemy, even if you want the protagonists to survive more.  All this really added a lot to the overall story, and I look forward to seeing which area or historical period Sidebottom will explore next.

The Burning Road was another exceptional and epic read from Harry Sidebottom, who continues to flourish as one of the most inventive and exciting authors of historical fiction out there.  This latest novel features an intense and unique historical fiction tale chock full of action, character growth and some fascinating bits of period detail.  I had an absolute blast getting through this amazing novel, and The Burning Road comes very highly recommended as a result.

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Throwback Thursday – Warhammer: Dragonslayer by William King

Dragonslayer Cover Combined

Publisher: Black Library (Paperback – November 2020)

Series: Gotrek and Felix – Book Four

Length: 271 pages

My Rating: 4.5 out of 5 stars

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For this week’s Throwback Thursday I check out another volume in the incredibly entertaining Gotrek and Felix Warhammer Fantasy series, Dragonslayer, by William King.

I have been having fun over the last year checking out several cool Warhammer 40,000 and Warhammer Fantasy tie-in novels, especially as all of them place great stories inside their respective elaborate extended universes.  Some of the most exciting and compelling of these Warhammer books have been part of the Gotrek and Felix series, which follows a doomed dwarven Slayer and his human companion as they face all manner of monsters and evils across the Warhammer Fantasy landscape.  I have so far had a lot of fun reading the first three books in this series, Trollslayer, Skavenslayer and Daemonslayer, all of which were some of the best pre-2021 releases I read this year.  I recently grabbed a couple more Gotrek and Felix novels second-hand, and I had a great time quickly reading the next entry in the series over the Christmas break, Dragonslayer, another fun and enjoyable read that has an action-packed narrative to it.

After their daring exploits in the Chaos Wastes, dwarf Slayer Gotrek Gurnisson and his rememberer, Felix Jaeger, return to the lands of Kislev in triumph, having rescued the survivors of a lost dwarven stronghold.  However, their victory is short lived, as danger begins to assail them the moment they return in the form of the skaven forces of their arch-enemy Grey Seer Thanquol.  Worse, their voyage has revealed a giant horde of Chaos warriors advancing towards the lands of Kislev, determined to bring destruction and death to all before them.

To warn the people of Kislev, Gotrek, Felix, and their companions travel by dwarf airship towards the capital.  However, their voyage is disrupted by an unnatural storm and an attack from a legendary dragon determined to rip them asunder.  Barely escaping with their lives, the adventurers find themselves stuck in the World’s Edge Mountains and forced to pull into the Slayer Keep of Karak Kadrin.  There they discover that the dragon that attacked them, Skjalandir, has been terrifying the mountains for months.  Determined to finally meet his mighty doom, Gotrek and his fellow Slayers head out to destroy the beast, accompanied by a reluctant Felix and their Kislev allies.  Beset on all sides by ravening orcs, desperate bandits, and a massive dragon of immense destructive potential, can even the legendary team of Gotrek and Felix survive, or will Gotrek finally find his longed-for death at the hands of the mightiest beast in the realm?

This was another very fun and intense novel from King, who once again provides the reader with an exciting and compelling dive into the Warhammer Fantasy universe.  Dragonslayer was a very good entry in the long-running Gotrek and Felix series, and I deeply enjoyed its cool and fast-paced narrative that sees the protagonists fight all manner of foes and dangers.  Filled with impressive monsters, a hilarious sense of humour and all manner of action, Dragonslayer was a fantastic read that I powered through in a few short days.

Just like all previous Gotrek and Felix novels, Dragonslayer starts off fast and never really slows down, as the various characters are thrust into one dangerous situation after another all the way up to the last page.  The first quarter of the book is firmly focussed on continuing the antagonist-centric storyline from Daemonslayer, with Grey Seer Thanquol’s planned attack from the last book finally coming to fruition.  This opening scene is pretty fun, even if it does feel a little disconnected from the following narrative, and I loved seeing more of enjoyable antagonist Thanquol.  Following this enjoyable first encounter, the protagonists head off on a new quest which is quickly detoured by an encounter with a dragon.  The dragon’s first big appearance is pretty devastating, and I loved how much of a threat this monster is made out to be, especially as the protagonists don’t come out unscathed.  The next section of the book is mostly devoted to character development and world building, as the protagonists prepare for their next adventure and gain some interesting new companions.  At the same time, Thanquol engages in another mostly unconnected storyline that sees him encounter and set up the dangerous Chaos horde that will be the major threat of the next novel.  The final third of the novel is primarily dedicated to the protagonist’s quest towards the dragon’s lair, where they encounter not only the beast but various other foes as well.  This leads up to some amazing battle sequences, the highlights of which include the deadly confrontation with the wounded and mutated dragon, and a fun full-on war scene between two forces determined to kill each other and the protagonists.  The book had an entertaining and exciting conclusion with a fun lead-in to the next novel, and I had a fantastic time getting through this brilliant and excellent read.

King has a great easy-to-read style that I really connect with in the Gotrek and Felix novels, which ensures that all fantasy fans can easily enjoy it, especially with the fast-paced narrative and crazy action scenes.  I like the author’s use of multiple character perspectives to tell a rich and impressive adventure story, and you get some fun alternate viewpoints and storylines as a result.  This is particularly apparent in the action sequences, as you see the various participants of the battle as they encounter the same foes or other narrators, and results in a much fuller and bloodier picture.  The action scenes themselves are great, filled with compelling fights that really get the blood pumping as the protagonists face off against a variety of foes.  While a couple of fights were a little shorter than I would have liked, King more than makes up for it with some of the big encounters, especially against the dragon.  I loved the two major dragon scenes, and King crafts some excellent and hard-hitting fight sequences against it, loaded with character deaths and intense brutality.  I also loved one fun final battle sequence that read like a pitched battle from the Warhammer Fantasy universe, Goblin Fanatics and Doom Diver catapults included.

Like most of the previous Gotrek and Felix books, Dragonslayer is pretty accessible to new readers, and there is no major requirement to check out any of the previous novels first, especially as King’s books tend to repeat certain elements from the preceding entries.  As such, unfamiliar readers can easily jump in here, although the Thanquol attack at the start of the books does come a little out of nowhere if you haven’t read Daemonslayer.  I would say that Dragonslayer did feel like a bit of a bridging novel in places, especially as it continued several plot points from Daemonslayer while also taking the time to set up a potentially bigger evil in the next book, but I still had a lot of fun with it.  I still really believe that the Gotrek and Felix novels are an excellent place for new Warhammer fans to start out, especially as they mostly read like classic fantasy novels rather than intense tie-in reads.  The readers get some great details about the extended Warhammer Fantasy universe here, and King expertly introduces several key locations while also featuring some of the more recognisable factions.  I really appreciate how King makes sure to reintroduce all these races in each of his novels, and it ensures that new readers can appreciate what is going on and why certain factions are acting the way they do.  This ended up being a particularly strong Gotrek and Felix entry, and I cannot wait to see what happens in this universe next.

Dragonslayer has a rather interesting cast headlined by the two central characters, Gotrek and Felix, who have another great adventure here.  Gotrek is his usual gruff self in this novel, and you don’t get a lot of development surrounding him in Dragonslayer, especially as King never shows his perspective, no doubt to highlight his secret past and the aura of unbreakable strength and confidence he gives off.  Felix, on the other hand, gets most of the plot’s attention, and it was fun to see him continue to grow as a character.  While he still has certain understandable apprehensions about the quests he follows Gotrek on, Felix has grown into quite a capable adventurer over the last few books, and it was fun to see him accompany his friend into near-certain death once again.  I enjoyed the intriguing storyline around his magical sword which was quietly introduced in the first book and which reaches its full potential here as a dragon-slaying item.  I also enjoyed the compelling examinations of Felix’s personality and resolve, especially when it comes to the oath he swore to Gotrex, as he is forced to make some big decisions here when faced with an alternate future.

Dragonslayer also features a fun supporting cast, including several intriguing characters from Daemonslayer who get an extended role here.  This includes Felix’s love interest (and the only significant female character), the Kislev noblewoman Ulrika, who ends up accompanying the main protagonists on their latest adventure.  Ulrika is an interesting character who I have mixed feelings about during the book.  While I did like how King featured a strong and complex female character (something lacking from some of his previous novels), I honestly could not stand the terrible romance that she has with Felix.  The two of them continuously bounce from being madly in love to hating each other over petty things, and it ends up getting annoyingly repetitive.  This terrible relationship made me hate Ulrika a little as the book progressed, and I kind of wanted her to get eaten by the dragon (in my defence, it would have made for a good dramatic moment).

Another character who got an expanded role in this book was the human wizard Max Schreiber, who becomes quite an intriguing addition to the plot.  Max becomes a key part of the team in this book, and his insight into magic and the wider events of the Warhammer Fantasy universe are great additions to the plot, helping to expand the reader’s knowledge.  At the same time, Max also comes across as a bit of a creeper due to his unrequited love of Ulrika, which causes him to do some stupid things.  You honestly start to worry that Max is going to do something sinister as the story continues, and I have no doubt that will become a major plot point in the future.

I also must quickly mention the mad dwarf engineer Malakai, who goes on a fun mission of vengeance here in this book to fight the dragon who crashed his beloved airship.  Malakai, who speaks with a Scottish brogue just to make him seem even wilder, is a deeply entertaining figure in this book, combining a Slayer’s death wish with a love of advanced weaponry.  It was so much fun to see this insane character advancing on his foes with explosives and giant guns, and I am still laughing about his cart-loaded gatling gun.

While there is a great focus on recurring characters, King also spend some time introducing several interesting new characters.  The best of these are the four new dwarf Slayer characters, Steg, Bjorni Bjornisson, Ulli Ullisson and Grimme, who accompany the protagonists on their quest to slay the dragon.  All four Slayers have diverse personalities, backgrounds and fun quirks that make them interesting in their own way.  King ends up doing a lot with these four characters in the 100 or so pages that they end up being featured, and there are some great story arcs drawn around them.  I quite enjoyed the compelling narrative around Ulli, a young dwarf forced to become a Slayer for his cowardice, especially as it had a good resolution.  I also must highlight Bjorni’s constant lewd stories and declarations, which add so many laughs to the book, especially as he makes some outrageous claims about his romantic conquests.  I did think he could have done a little more with the intriguing and incredibly taciturn Grimme, but overall these four characters were great additions to the plot and I look forward to seeing some of them again in the future.

The final characters I need to point out are the extremely amusing antagonist team of Grey Seer Thanquol and his minion Lurk Snitchtongue, two skaven characters who serve as secondary antagonists for Dragonslayer.  Thanquol and Lurk are really amusing characters who perfectly encapsulate the snivelling and duplicitous skaven race, with their constant talk of betrayal, self-gain and incompetence.  It is always so much fun seeing the two of them at it, and every one of their scenes is chock full of hilarious statements and continuous thoughts of treachery.  King adds in a very fun change to the dynamic between these two characters in Dragonslayer, with the previously small and deferential Lurk having been mutated into a massive beast, which gives him increased confidence.  This makes him strongly consider killing Thanquol several times throughout the book, and the two are constantly eyeing each other off.  This proves to be a hilarious addition to the plot, and I loved seeing Thanquol on the back foot with his minion after two books of pushing him around.  While they are not the most dangerous of villains at this point, they do make for an intriguing alternate viewpoint, especially as their storylines are mostly separate from that of the protagonists.  While they are a tad detached from the main narrative, their encounters and experiences add to the general tapestry of the series and help to set up the villains of the next Gotrek and Felix book.

With Dragonslayer by William King, the Gotrek and Felix books continue to impress me as one of the all-time best and most enjoyable Warhammer tie-in series.  I had an amazing time getting through this cool book, especially as it features all the best aspects of the series, including tons of fun action, great characters, and major Warhammer Fantasy settings.  Readers are guaranteed to have a blast with this book, and I loved every single second of danger, combat and dragon fighting Dragonslayer contained.  A fun and fantastic read, I look forward to checking out the rest of the books in this series, especially the fifth entry, Beastslayer.

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Cytonic by Brandon Sanderson

Cytonic Cover

Publisher: Gollancz (Audiobook – 23 November 2021)

Series: Skyward – Book Three

Length: 14 hours and 28 minutes

My Rating: 5 out of 5 stars

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One of the best authors of fantasy and science fiction in the world today continues his incredible and brilliant Skyward young adult science fiction series, with the third epic instalment, Cytonic.

This was another incredible book from the amazingly talented Brandon Sanderson, who I would say is one of the top authors in the world today.  Debuting back in 2005, Sanderson has written many brilliant and complex fantasy and science fiction novels and was personally selected to finish off Robert Jordan’s iconic The Wheel of Time series.  Sanderson has since written a great collection of books, most of which have been part of his interconnected Cosmere universe.  This includes his groundbreaking The Stormlight Archive series, which started in 2010 with The Way of Kings, as well as his bestselling Mistborn series.  While the extremely prolific Sanderson is constantly adding to his Cosmere novels, he has also been working on several other series, such as his Skyward books.

The Skyward series are an excellent young adult science fiction series that follows the character of Spensa Nightshade, a misfit who rose to become a fighter pilot to defend her planet from alien invaders.  Made up of Skyward and Starsight, this great series has proven to be truly fantastic, and these first two novels were amongst the best books of 2018 and 2019 respectfully.  The first book detailed Spensa’s training as a pilot, which saw her save her planet and discover that her people were intentionally trapped on their planet in a penal colony.  The second book, Starsight, followed Spensa as she infiltrated the alien capital in disguise to discover what the aliens wanted, and what plans they had for her planet.  However, after being betrayed, Spensa learns that the Superiority government want to use the mysterious interdimensional beings known as the Delvers as weapons against the humans.  This third book in the series, Cytonic, follows on immediately after the events of Starsight and continues Spensa’s adventure, showing what happened to her after she dove into a Superiority interdimensional portal at the end of the second book.  Sanderson also released several novellas around the same time as Cytonic, including Sunreach, Redawn and Evershore, which add context to the universe and focus on some of the side characters from the previous novels.

Following her dive into the mysterious portal in the middle of Starsight to escape the Superiority, Defiant Defence Force pilot and amateur spy, Spensa Nightshade, finds herself in all manner of trouble when she arrives in the realm known as the Nowhere.  The Nowhere is a unnatural and chaotic dimension outside our universe that hosts the Delvers, destructive creatures that are being manipulated by the Superiority into destroying humanity, especially the psychically empowered beings known as Cytonics, such as herself.

Determined to find out more about both the Delvers and her own Cytonic abilities, Spensa remains in the Nowhere to find the clues that will uncover the history behind her own power and that of her enemies.  However, the Nowhere is a weird and mysterious place, made up of floating fragments of multiple planets and filled with all manner of creatures, alien pirates and Superiority forces.  Worse, the very nature of the Nowhere slowly changes the people within it, draining their memories and making them forget everything important to them.

Alone except for her unhinged ship AI, M-Bot, and a forgetful intergalactic explorer, Spensa begins her quest.  As Spensa hunts down fragments from the past, she soon finds herself under attack from the Delvers, who are desperate to destroy her and the threat she poses to their entire race.  With mysterious monsters, dangerous physics and hostile aliens closing in on her, Spensa is thrust into the great adventure she always wanted.  However, the closer she gets to the truth about herself and the delvers, the more she begins to realise just how high the cost of knowledge and power can be.

This was an exceptional and addictive read from Sanderson, who once again takes the reader on a complex and powerful ride.  Cytonic was an excellent continuation of the unique story started in Skyward and then expanded on in Starsight, and I love the powerful journey contained in this novel.  Featuring a brilliant combination of a clever narrative, a unique new setting and some amazingly entertaining characters, this was an exceptional read that gets a full five-star rating from me.

I deeply enjoyed this incredible narrative, especially as it continues the cool plot from the previous two novels.  One of the best things about this series is the amazing amount of variance in storylines, with the first book reading like a flight academy story (teenage Top Gun), while the second book was an espionage book set in the heart of alien territory.  This third book turned out to be a wild and epic adventure novel, which places the protagonist in a unique and dangerous new setting and requires her to complete a great quest to save her friends and escape.  This great change of tone really made for a compelling read, and I loved the inventive pivots featured in this book.

Cytonic starts right after the events of Starsight, quickly resolving the cliffhanger from the second book, while also placing Spensa immediately in danger yet again.  Once the new main character, Chet, is introduced, Cytonic’s story quickly sets the protagonist on her mission, travelling to one location after another to learn the past of the universe and her enemies.  There are some brilliant sequences set throughout this part of the book, as Spensa gets to grips with the strange new dimension she has found herself in, while also enjoying the cool adventure she is having.  Around halfway through the book, several key new characters are introduced, as Spensa is forced to join an alien pirate gang to advance any further into the Nowhere.  What follows are some brilliant character moments as Spensa starts to find her place in this dimension, while also worrying about her friends back home.  After some intense and exciting space fighter fights, Spensa and her companions eventually get towards the end run of the book, learning everything they came to while trying to escape the Delvers.  The final major sequence of the book is loaded up with an intense amount of action, drama and major twists, as everything you think you know is changed around, and some big events occur that will rock you right in the feels.  This was a brilliant and extremely fast-paced narrative, with the protagonists never sitting still for long as they encounter danger and adversity around every corner.  Despite the intense pace, Sanderson also works a lot of character development and emotional encounters throughout the book, and you get an extremely well-balanced story that is very easy to get addicted to.

I deeply enjoyed Sanderson’s excellent writing style which helped to make Cytonic particularly accessible and fun to read.  Told exclusively from the perspective of Spensa, the reader gets a detailed and upfront examination of all the events occurring in front of her in addition to her own hilarious observations and reactions.  I find that the Skyward novels have a very different tone from some of Sanderson’s other works, and I appreciate the cool and perfect combination of intense science fiction elements, with compelling character development, impressive action sequences and outrageous and exciting humour that was featured in Cytonic.  The various fighter combat sequences are particularly good, and while they aren’t as plentiful as some of the other Skyward novels, there are still some exciting and elaborately written scenes that pit Spensa against other pilots or entities in high-stakes combat.  I will say that Cytonic does, at times, seem like a bridging novel in the series, setting up events for the big finale and sidelining several supporting characters.  However, I still really liked this great read, and I had an amazing amount of fun with its clever adventure framing.

Before starting Cytonic I was a little worried about how easy it was going to be for me to follow, especially as it had been nearly two years since I read Starsight, and I might have forgotten a lot of detail.  I was also concerned because I did not have a chance to read any of the novellas that Sanderson released around Cytonic, which some readers claimed were vital to the plot.  I personally felt that I was able to read this book without a refresher as Sanderson ensured that certain key details were summarised within the text extremely well, and I was swiftly able to remember anything that might have slipped my mind.  I also found that my enjoyment didn’t suffer from having not read any of the novellas, mainly because it was such a Spensa focused story.  The novellas detailed events that occurred back on Detritus and the Superiority during Spensa’s absence, and they only have minor impacts on the plot.  As such, readers can manage without them, although I think I will read them soon to find out what else has been happening in the wider universe.  One of the other things that I really appreciated about Cytonic is that it is extremely appealing to a wide range of readers.  While it is marketed as a young adult novel to teenagers, I honestly think that readers of most age ranges can really enjoy this book.  Older readers will deeply appreciate the complex characters and intriguing science fiction elements, while younger fans will love the cool action and hilarious humour.  Combined, this makes for an awesome read that I would strongly recommend to anyone interested in a great science fiction read.

I really must rave about the fantastic setting and universe building contained within Cytonic.  Sanderson really went all out expanding the Skyward universe in this latest novel, and the reader gets a ton of information as key elements from the previous novels are finally explained in full, such as Cytonics and the Delvers.  While readers may occasionally feel overwhelmed by all the new inclusions and background information that Sanderson shoved into this novel, I personally found it really fascinating and I appreciated having several questions answered.  There are some great scientific and character elements built into who and what Cytonics, Delvers, and the Nowhere are, and I think they were woven into the exciting plot extremely well.  Established elements from the previous two novels are also reintroduced expertly throughout Cytonic, and it was great to get some updates on the history, disputes and characters that were such a cool feature of the first two novels.  I particularly loved the fun reimagining of key parts of human culture that have been warped by years of retellings and misunderstandings.  Spensa’s love of stories ensures that several of these are featured throughout Cytonic, and it was always amusing to hear distorted version of well-known movies and books, such as Spensa’s epic and hilarious retelling of The Lion King.

I also need to gush about the incredible new setting of the Nowhere, which serves as the primary location for the entire narrative.  The Nowhere is a weird and haunting dimension outside of real space that is filled with all manner of wonder and danger.  Revolving around a faux-star containing Delvers, the rest of the Nowhere contains a ton of floating fragments of land and soil, containing all manner of elements from the planets they originated from.  This makes for a brilliant and shifting landscape which was really fun to explore and even more cool to fly over.  However, the real brilliance of this setting lies in the impact it has on the characters’ minds.  People stuck in the Nowhere, which includes pirates, miners, outcasts and anyone the Superiority wants to get rid of, are slowly having their memories, personality and sense of time sucked away by the weird space, with only certain figments of reality slowing the process down.  This naturally has some substantial impacts on the plot and the characters, with Spensa constantly trying to hold on to what is important to her.  This exceptionally clever and inventive setting is a great backdrop to this amazing narrative, and it was extremely cool to see Spensa and her friends try to navigate and overcome the various elements of the Nowhere.  Sanderson is a true master of creating unique and captivating universes, and I cannot wait to see what happens in this one next.

There is no way that you cannot talk about one of Sanderson’s novels without highlighting the many exceptional and complex characters featured within.  Cytonic, and the Skyward series in general, is a perfect example of this, as the readers are treated to a range of unique and entertaining protagonists, each of whom add an incredible amount to the overall story.  Due to the events of the plot, there is a much more limited range of characters in this novel, although the three main characters more than make up for it with their bold personalities and captivating backstories.

The most prominent of theses is point-of-view character and main protagonist Spensa Nightshade.  Spensa is a great character who has gone through an amazing amount during the trilogy, transforming to loner weirdo child who was reviled as the daughter of a traitor, to a heroic pilot, then to a daring spy.  In this third book, she becomes a wilderness adventurer on a quest to save her people, which plays perfectly to her personality, which has been warped by her youth of listening to wild stories.  As such, Spensa has a great time in this book, and it is deeply entertaining to see her adventure around and become a space pirate.  While there are a lot of fun moments with Spensa, Sanderson also takes the time to once again dive into her personality, showing how much she has grown since the start of the first book, as well as the unique relationships she has formed.  Spensa is faced with some hard choices in this book as she attempts to return home, and there is an impressive examination of her damaged psyche, especially surrounding all the responsibilities that have been thrust upon her.  This makes for a complex and compelling portrayal in this novel, and while you may laugh at Spensa’s antics you know that there is a lot going on within her head.  There are some interesting developments around Spensa in this book, particularly when it comes to her Cytonic powers, and it will be fascinating to see how she further develops in the next novel.

I also deeply enjoyed the character of M-Bot, the silly and distracted artificial intelligence who Spensa discovered in a crashed ship in the first book.  After being disassembled by the Superiority in Starsight, M-Bot now flies around in a tiny cleaning drone and finds himself going through some big changes.  In particular, he has gained full sapiency in this book, and he immediately goes on an emotional bender, trying to understand the complex feelings he is now experiencing, while also dealing with his sense of betrayal after Spensa abandoned him in the previous book.  This dive into sentience adds some really entertaining layers to M-Bot in Cytonic, and he is even more amusing and charming than before, which I didn’t think was possible.  Readers will swiftly fall in love with M-Bot again, and it was so much fun following him around, especially as he continues to develop his unique friendship with Spensa.  M-Bot has some amazing moments and ridiculous dialogue in this book, and you will not be prepared for everything that occurs with him.

The other major character of this book is new protagonist Chet Starfinder, a human Cytonic explorer who lives in the Nowhere and decides to help Spensa achieve her goals and escape back to her universe.  Chet is an eccentric being who combines aspects of all the famous literary explorers into his personality, thanks to his love of stories and his inability to remember life outside of the Nowhere.  Readers will enjoy getting to know Chet, and it was fascinating to see the cool dynamic that grows between him and Spensa as they take on a fun partnership to traverse the Nowhere.  Sanderson opens some big questions surrounding who Chet is at the start of Cytonic, and it was a lot of fun finding out who exactly he was and what his motivations for helping Spensa are.  I deeply enjoyed Chet’s unique and compelling storyline and he proved to be a brilliant addition to the novel.

Aside from these main three characters, Cytonic also features an interesting supporting cast.  Most of these characters are new, with characters from the preceding novels barely featured here (they appear in the accompanying novellas).  These new characters are the trapped inhabitants of the Nowhere who find Spensa and become part of her journey.  These include the Broadsiders, an alien pirate band who Spensa joins and swiftly grows close to thanks to their inclusive nature and love of great pilots.  It was fascinating to see Spensa, who has had to fight for inclusion her entire life, gain some more friends, even though she knows she can’t stay with them.  There are some great figures amongst this bunch, and I loved some of the unique alien features they had.  Sanderson reintroduced one of the best characters from the Starsight in the book, who proves to be quite an entertaining and lovable inclusion, even if they are experiencing some memory issues.  Some of the main series antagonists have minor appearances in this book, plotting from afar and setting some evil plans in motion.  While it would have been interesting to see more about them, especially as they were only introduced in the prior novel, I think keeping them mostly apart from Spensa worked in the context of the unique plot that Sanderson was trying to develop.  I also deeply enjoyed the strange creatures known as the Delvers.  The Delvers are dangerous and powerful interdimensional beings who exist on a whole other form of reality and consciousness.  Sanderson does a fantastic job exploring what exactly these beings are, and you get a real sense of their dangerous emotions and outlook on life.  I really appreciated the author’s clever use of these seemingly less than humourous monsters as the antagonists of this book, and it proved to be a welcome addition to the plot.  Every character in this book is extremely awesome, and readers will have an exceptional time exploring their complex personalities as the plot unfolds.

While I did receive a physical copy of this book, I chose to enjoy the audiobook version of Cytonic instead to fit it into my reading schedule.  This proved to be an extremely wise decision as the audiobook was a fantastic way to check Cytonic out, something I had previously found when listening to Skyward.  There are actually two versions of the Cytonic audiobook available, but I chose to listen to the Sophie Aldred version, as she was the narrator who I listened to previously.  This version of Cytonic had a run time of just under 14 and a half hours, making it a relatively quick audiobook to get through, especially once I got incredibly hooked on the story.  I really enjoyed listening to Cytonic and I found that the audiobook version helped my appreciation of both the new setting of the Nowhere and the various cool space fighter sequences featured throughout.  Aldred is an outstanding narrator, and I had an exceptional time with the various voices she featured throughout Cytonic.  She hits the character of Spensa perfectly, fully capturing her daring and adventurous personality, and enhancing all her many quirks.  I also loved the cool voice she used for M-Bot, including the fun accent, which fully showed of his computer origin, as well as the many unusual behavioural quirks that have developed within him.  This great narration deeply enhanced this already cool novel and I had a wonderful time listening to this incredible audiobook.

With the third entry in the epic Skyward series, Cytonic, acclaimed author Brandon Sanderson continues to shine as one of the absolute best modern fantasy and science fiction writers out there.  Cytonic is another captivating and impressive young adult science fiction read that perfectly continues the outstanding narrative from the previously Skyward novels.  Featuring some incredible characters, an intense and moving narrative, and a bold and inventive new setting, Cytonic is an exceptionally awesome read that you will get addicted to.  I had a fantastic time with this novel and I cannot wait to see how Sanderson wraps up this series in the future.

Cytonic Cover 2

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Starlight Enclave by R. A. Salvatore

Starlight Enclave Cover

Publisher: HarperAudio (Audiobook – 3 August 2021)

Series: The Way of the Drow – Book One

Length: 14 hours and 49 minutes

My Rating: 4.5 out of 5 stars

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The icon of the fantasy world, R. A. Salvatore, returns with a new adventure set in the world of his acclaimed Drizzt Do’Urden novels, with Starlight Enclave, the first book in The Way of the Drow trilogy.

Salvatore is an absolute legend amongst fantasy writers, having been an impressive leading figure for over 30 years with a massive catalogue of more than 60 novels.  I have long been a fan of Salvatore, who has written some of my absolute favourite fantasy novels over the years.  While he has written several great series, the author is still best known for his iconic, long-running Drizzt Do’Urden novels, which are set within the shared Forgotten Realms universe.  Salvatore has had a particularly busy couple of years, simultaneously writing two separate series, including The Coven trilogy (Child of a Mad GodReckoning of a Fallen God and Song of a Risen God), as well as the three books in the Drizzt focused Generations series (TimelessBoundless and Relentless).  All six of these recent novels have been pretty incredible, with Song of a Risen God and Boundless being amongst some of my favourite audiobooks of 2019 and 2020 respectfully.  As a result, I was pretty excited when I saw that Salvatore had another Drizzt Do’Urden novel coming out and I made sure to grab a copy of Starlight Enclave as soon as I could.

Two years after the miraculous end to the Drow siege of Gauntlgrym, peace reigns throughout the Forgotten Realms.  However, while some revel in the hard-won tranquillity, others worry about the future.  Despite having cemented his rule over the pirate city of Luskan, the Drow rogue Jarlaxle is deeply troubled by the difficulties plaguing his people.  Despite the apparent magical miracle that showed her as a false gold, the demonic Spider Queen Loth is still worshiped in the dark Drow city of Menzoberranzan, and civil war appears likely as the powerful Drow houses battle for the city’s soul.

Determined that Loth be thrown down once and for all, Jarlaxle looks for every advantage and weapon he can get his hands on.  One of his more ambitious plans leads him to arm his closest friend, the recently resurrected Zaknafein Do’Urden, with two mighty swords of power, including the notorious blade Khazid’hea, better known as Cutter.  With a sly and dark intelligence of its own, Khazid’hea has corrupted many wielders over the years, and its last master, the half-Drow Doum’wielle, may prove to be the missing piece in Jarlaxle’s latest master plan.  Unfortunately, Doum’wielle was lost years before, thrown through a magical portal to the far north, and to find her Jarlaxle will need to embark on another dangerous quest.

Gathering three mighty companions in Zaknafein, the human priestess Cattie-brie and the former assassin Artemis Entreri, Jarlaxle leads them to the extreme far north, a place few have travelled.  However, they are unprepared for just how dangerous this northern land can be, with new foes and mysterious phenomenon they have no idea about.  But there are far great surprises waiting in store for them, ones that could change the very fabric of the world and alter the course of the upcoming Drow civil war.

Starlight Enclave is another compelling and fun fantasy novel from Salvatore who continues to expand and polish his iconic characters and settings with another great adventure narrative.  This latest book contains a fantastic story that not only takes the series back to its bold adventurous roots, but which also sets up a great new trilogy that will no doubt be some of my favourite books of the next couple of years.

This new book contains a distinctive and powerful narrative that starts off a couple of years after the events of the previous novel, Relentless.  The story starts off by setting the scene for a substantial amount of the plot while also recapping some key events of the previous novels in this very long-running series.  It took me a little while to initially get into this book, but once the story got to a fantastic and intense sea battle around 50 pages in, I was pretty hooked.  From there, the story diverts into two distinctive paths, the first following Jarlaxle and his companions as they venture out into the north, while a second following main series protagonist Drizzt Do’Urden, as he takes his daughter Brie to meet his martial arts master, Grand Master Kane.  While initially pretty evenly split, the Jarlaxle adventure storyline quickly becomes the dominant narrative thread, with Drizzt’s storyline stopping about halfway through.  I personally was fine with this; by this point, I was really enjoying the unique and cool tale being told around the four adventurers as they discover new lands and great dangers in the far north.  This second half of the novel is very intriguing, and Salvatore ensures that there is a great blend of action, character development and world building.  Just like with most of Salvatore’s novels, the fight scenes within Starlight Enclave are a thing of beauty and the author does an amazing job bringing the various fantasy battles to life, so much so the reader feels like they are in the room with them.  The narrative eventually ends a bit of a cliffhanger that places most of the characters in mortal peril and which serves as a pretty cool conclusion to this great tale.  I had a wonderful time getting through this story, and I am very intrigued to see how the narrative continues in the rest of the trilogy.

Due to Starlight Enclave being part of the long running Drizzt Do’Urden series, there is a bit of a question about how easy it is for new readers to enjoy this latest book.  I will admit that there might be some difficulties for those unfamiliar with the series.  Salvatore has built up quite a lot of background lore in the last 30+ years, and large amount of this comes into play throughout the book as there are a substantial number of references to previous adventures and characters.  In addition, new readers might not be familiar with Salvatore’s writing style, which is very similar to how he wrote the original novels back in the 1980s, and as a result, they have a more classic fantasy adventure feel to them.  As someone familiar with the previous adventures (although I could use a refresher) and the author’s style, I managed to get into this novel quite well, although I could potentially see new readers having a bit of a harder time breaking into them.  Salvatore does take the time to explain the relevant bits of lore, and readers that pay attention should be able to follow the story without any substantial problems.  I do think that, at this point, most of Salvatore’s novels are probably best read by his long-term fans, but newer readers will probably find something that they enjoy within them.

Unlike the previous trilogy of novels, which was set in more established settings, Starlight Enclave takes the reader on a big adventure into some brand-new areas of this massive fantasy world.  Most of the story takes place in the far, far in the north of the planet, where very few southerners have ventured.  This is a pretty unforgiving land of ice and snow, which proves a real challenge to survive in.  Salvatore does a really good job bringing this snowy landscape to life, and it proves to be an excellent and treacherous setting for the story, especially as the protagonists soon discover that their magic does not work the same way as it does in the south, severely weakening them.  Salvatore also does some major world-building in this book, as he introduces some big new civilisations and opponents.  While I won’t go into too much detail about them here, I will say that it is a pretty major new inclusion, and it is clearly one that is going to have some significant impacts on the Drizzt Do’Urden series going forward.  Some of the new major locations and races are extremely cool and Salvatore has successfully introduced some great and intriguing new entries into this wider world.  I look forward to seeing how these elements are expanded in the future novels, and I have a feeling they are going to produce a few great surprises down the line.

You can’t talk about one of Salvatore’s novels without mentioning the fun and compelling characters.  Starlight Enclave is a great example of this, as it includes a fantastic range of characters, with both intriguing new characters to beloved long-running figures from the overarching series.  Over the last couple of Drizzt Do’Urden novels, Salvatore has noticeably moved away from some of his classic protagonists and has started to focus on the unique combination of the Drow characters of Jarlaxle and Zaknafein.  I quite like these two great characters, especially the constantly manipulative and canny Jarlaxle, and together they form a fantastic pairing who play off each other’s personalities perfectly.  The inclusion of other main characters, Cattie-brie and Artemis Entreri rounds out the main quartet nicely and presents a great group of veteran adventurers who are each looking for something very different, whether it be hope, redemption or the long-lost joy of adventure.  Long-term fans of Salvatore’s books may be a little disappointed that some major characters, such as Regis and Wulfgar, are overlooked in this novel, but I was personally more than happy with the four main characters Starlight Enclave ended up focusing on.

The other character who got a bit of attention in Starlight Enclave is the overarching series’ main protagonist, Drizzt Do’Urden, who is the focus of the book’s secondary storyline.  Like some of the other major characters, Drizzt has not been as heavily featured in the last few books as Salvatore experiments with different protagonists.  This is still true in Starlight Enclave, with less than a quarter of the book given over to Drizzt’s adventure.  Drizzt still shines as a character, especially as he is going through quite a lot.  Drizzt is facing a bit of a crisis of faith and self-identity, brought on by his unique experiences in the previous trilogy when he ascended to a higher plain of existence to escape a deadly foe.  Brought back by the love of his family, Drizzt still isn’t all there, and it is quite fascinating to see the more distracted and spiritual version of the character.  Due to this development, Drizzt’s scenes tend to be quite philosophical in nature rather than action orientated, and there are several detailed discussions and debates about religion and the morality of the Drow.  While not as exciting, Drizzt’s scenes are pretty interesting and form a great counterpoint to the other storyline.  Salavatore is clearly building to something big here surrounding Drizzt, and I feel like there are going to be some other major changes around him in the coming novels.  Still, it was nice to see a somewhat more peaceful Drizzt in this book, and after all these years, I had a smile to see him as a father rather than a warrior.

To enjoy this cool novel, I ended up grabbing the audiobook version of Starlight Enclave, which was narrated by Victor Bevine.  This audiobook has a pretty decent runtime of just under 15 hours, which I was able to get through in around a week.  I really enjoyed this version of the book, and I felt that it helped me get more entrenched in the landscapes and detailed fantasy world that Salvatore produced.  Bevine, who has narrated a substantial number of Salvatore’s previous novels, does another great job here, and it was great to once again here his take on the various characters, especially as there is a bit of continuity from the previous audiobooks I have enjoyed.  Bevine does a good job portraying each of the characters contained within Starlight Enclave, and I like the fun accents he does for the various races, especially the dwarves, who get some fun Scottish tones.  Bevine ensures that this audiobook moves along at a fast and exciting pace, and I always enjoy hearing his narration of these exciting and compelling adventures.

In the amazing Starlight Enclave, the iconic R. A. Salvatore continues to expand his impressive and long-running Drizzt Do’Urden series with another bold adventure novel.  This great novel does an awesome job setting up the cool new The Way of the Drow trilogy with a unique and exciting story and some compelling world-building.  I had a wonderful time getting through Starlight Enclave and it is an excellent read, especially for those established fans of the author who will no doubt love to see another classic fantasy tale.  An overall outstanding book, I am extremely excited to see how the rest of this new series unfolds.

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