Tag: Action Packed

Midnight Black by Mark Greaney

On By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller4 Comments

Publisher: Sphere/Audible (Audiobook – 18 February 2025)

Series: Gray Man – Book 14

Length: 15 hours and 51 minutes

My Rating: 5 out of 5 stars

Amazon

The always outstanding Mark Greaney provides another addictive and heart-pounding addition to his iconic Gray Man series with the incredible 2025 spy thriller, Midnight Black.

Ever since I started getting fully into the thriller genre, one of the main authors I check out each year is Mark Greaney, a veteran master of thriller fiction who has produced some incredible reads.  Some of his more entertaining books include his Josh Duffy series (Armored and Sentinel), as well as the fun military thriller Red Metal (cowritten with Hunter Ripley Rawlings IV).  However, his best-known body of work is the long-running Gray Man series, which was adapted into a Netflix movie of the same name.

The Gray Man series is an outstanding collection of spy thriller novels that follows elite assassin and black ops operative Court Gentry, better known by the titular moniker of the Gray Man, as he faces off against an array of deadly enemies while occasionally working for the CIA.  I have become a pretty major fan of the Gray Man series thanks to the author’s complex stories, gritty action sequences and damaged characters, and I have had a blast with books like The Gray Man, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020), Relentless (one of my favourite books and audiobooks of 2021), Sierra Six (one of my favourite books and audiobooks of 2022), Burner (one of my favourite books and audiobooks of 2023) and The Chaos Agent (one of my favourite books of 2024).  Due to how epic all these previous Gray Man entries have been, I couldn’t wait to get my hands on the next entry in the series, Midnight Black.  Providing an intense follow-up to a fantastic cliffhanger from the last book, Midnight Black was one of my most anticipated releases of 2025, and it really did not disappoint.

In the icy wilds of Mordovia, lies the brutal woman’s penal colony IK-2 Yavas.  A harsh work camp for the many political enemies of the current Russian regime, IK-2 Yavas is hell on earth for any women who have defied the state.  However, despite the prison holding many prominent criminals and politicians, their most valuable prisoner is former spy Zoya Zakharova.

Once a prominent Russian foreign intelligence agent, Zoya was forced to flee her position and eventually found herself working covertly for the CIA as a deniable asset.  However, after being captured by the Chinese and traded to the Russians, Zoya’s future is bleak as she is slowly worked to death.  Worse, a ruthless FSB operative is using Zoya as bait for the person most important left in her life, her lover Court Gentry, the Gray Man.  But, unknown to Zoya, the Gray Man is far closer than she realises.

Having spent months prowling the Eastern European countries, Gentry seeks a way to steal across the Russian border and save the woman he loves, no matter the cost.  Embarking on a risky entry plan with only minimal help from his old CIA contacts, Gentry is determined to find Zoya and kill anybody who gets in his way.  But with the entire Russian state security apparatus turned against him, can Gentry once again do the impossible and save Zoya, or will this be the final mission for the legendary Gray Man?

Mark Greaney continues to impress with his epic Gray Man series, as the 14th brilliant entry in the series, Midnight Black, was absolute fire.  Providing an intense and deeply addictive spy thriller narrative, Midnight Black hooked me from the very beginning and refused to let go until the final explosive confrontation.  Slick, emotionally charged and very clever, Midnight Black gets an easy five-star rating from me, and I had such an amazing time listening to it.

This proved to be an outstanding book to get through, as Midnight Black featured a compelling and cinematic narrative that had me hooked the entire way through.  Expertly following on from the emotional cliffhanger from the end of the previous book in the series, The Chaos Agent, Midnight Black starts several months later and sees a desperate Court Gentry doing anything he can to try to enter Russia, only to encounter setbacks he has to take care of in his usual destructive manner.  This works as an excellent introduction to Midnight Black’s plot, especially as it helps you appreciate the emotional stakes of the book, and you quickly become invested in the protagonist’s quest.  Greaney quickly expands the plot through several additional character perspectives, including recuring characters Zack Hightower and Zoya Zakharova, who have their own missions/problems, an intriguing new Russian rebel protagonist, and the perspective of some sinister Russian operatives, including the FSB agent pulling all the strings around Zoya’s imprisonment.  This serves as a great base for the rest of the story, and the author soon starts to feature some of the more complex and action-packed sequences in Midnight Black.

Starting with a well-layered extended shootout sequence in Europe, the second half of Midnight Black hits hard and keeps the reader deeply engaged.  Greaney continues to set out quite an impressive story, as Gentry enters Russia and proceeds to cause all manner of havoc, while his allies in Europe and the US throw together an audacious plan that really amps up the narrative.  Greaney keeps the plot constantly moving, taking the protagonists from one dangerous situation to the next, with compelling character moments and well-featured exposition that keeps everything going forward.  The author also throws in a ton of high-octane and memorable sequences, including a fun extended chase in Moscow involving a stolen train, which was so entertaining to behold.  Everything leads up to the big finale in the last third of the story, where the protagonist makes his play to free Zoya in very cinematic fashion.  There is a lot of intense anticipation involved in the leadup to this final part of Midnight Black, and it proves to be particularly captivating and exciting.  The conflict, high stakes and constant worry you have for the characters ensures you won’t be able to put this part of the book down, and I was so keen to see how everything came together.  Greaney wraps things up perfectly, and I liked the hopeful conclusion to Midnight Black, especially after some of the dark preceding books, and you come away satisfied, as well as excited to see where the series goes next.

I am always greatly impressed with how Greaney sets out his outstanding novels, and Midnight Black is a particularly strong example of this.  A fast-paced book with several interesting layers to it, Midnight Black drags you in with its powerful narrative and keeps you there with the well-set-out action, complex characters, and gritty realism.  Thanks to the blend of character arcs and alternating storylines, there is a lot going on in Midnight Black, and you are given a great mixture of ultra-exciting sequences of action and spy craft, intense personal moments of despair and hope, as well as a cool dive into real-world issues, such as the current war in Ukraine, that enhance the overall plot.  I particularly enjoyed the gritty realism loaded in the story, especially when it comes to looking at the current politics of Russia, and there was a particular dire tone to much of the plot that was well mirrored by several protagonist’s circumstances.

One of the writing techniques I always enjoy with the Gray Man novels is the author’s excellent use of alternating character perspectives, as the reader gets to see the narrative through a variety of different viewpoints.  While primary characters like Gentry, Hightower and Zakharova naturally get most of the focus, you also see events through the eyes of more minor protagonists, such as Gentry’s former CIA handler in the US, or a Russian rebel fighter launching attacks in Moscow, as well as from several of the book’s antagonists.  This provides a much more expansive narrative for readers, especially as you soon understand the compelling motivations of all the significant characters, as well as their often conflict plans and schemes.  I particularly enjoyed how well some of Midnight Black’s many action sequences become even more impressive when you get to see events through the eyes of all the participants in the event.  Seeing all the alternate sides of conflicts really helps to make the fight sequences stand out, and it is captivating to see the various moves and countermoves of all the characters involved.  I felt this worked particularly well in some of the book’s big firefights, such as one sequence out in the woods where Gentry and Hightower’s camp gets raided by a squad of hitters, and you really get drawn into the books brutal action thanks to this.

While Midnight Black can probably be read as a standalone novel, especially as Greaney does a good job recapping key events, I feel that this latest Gray Man novel is probably best enjoyed by those who have read the previous books in the series, especially the preceding entry, The Chaos Agent.  This is mainly because Greaney is following up on a major cliffhanger from the previous book, and a lot of the emotional weight of the plot is based around the protagonist trying to right this wrong and save the woman he loves.  Being invested in the relationship between Gentry and Zakharova, as well as appreciating the protagonist’s other character relationships, really helps to amp up the stakes of Midnight Black, and I know I was personally hooked on seeing how events played out.  While having this background does enhance the experience, I do think that new readers can easily come into the series here and still have an amazing time, especially once they get caught up in the intense plot.

I also need to once again compliment the compelling characters found within Midnight Black, as Greaney really went out of his way to create some intense character moments in this latest Gray Man novel.  A lot of this revolves around the protagonist, Court Gentry, who finds himself in emotional turmoil following the Russians imprisoning the woman he loves.  Unsure about her fate and desperate to enter Russia to rescue her, Gentry is a ghost of his former self, recklessly engaging in deadly actions without his former skill and tradecraft.  This uncharacteristic lack of planning from the main protagonist and the way he lets his emotions overwhelm him adds a compelling edge to the story, especially as it results in more carnage and close calls.

The rest of the cast are also well featured in Midnight Black, especially as Greaney brings back several old favourites in dire circumstances.  For example, Court’s love interest, Zoya Zakharova, ends up having a particularly powerful arc in Midnight Black, as she is imprisoned in a Russian work camp.  Slowly losing hope due to her surroundings, her imminent execution, and her worry for Court, Zoya’s scenes are often hard to read and really help to hammer home the dark stakes of the book.  Greaney also brings back fun recurring character Zack Hightower, who serves as a lighter point of view protagonist compared to Court and Zoya.  A veteran operator with a lot of history with the other protagonists, Zack was a great foil for Court’s moodier persona in Midnight Black, and I loved seeing them work together in this way.  Other characters of note include Court’s former CIA handler, Matthew Hanley, who works to provide outside help despite his own downward career trajectory, and Major Colonel Eriks Baronov, an FSB operative trying to use Zoya as bait for the Gray Man.  I really enjoyed how Hanley and Baronov provided interesting alternating tactical insights into the events of Midnight Black, which gave the novel a great global conflict feel at times.  All these characters and more helped to turn Midnight Black into something special, and I really enjoyed how complex and exciting the various character-driven storylines turned out to be.

As has become my habit with the Gray Man series in recent years, I ended up listening to Midnight Black on audiobook rather than reading a physical copy.  I find that the audiobook version of the Gray Man books, narrated by the always reliable Jay Snyder, are an excellent way to absorb Greaney’s fantastic stories, especially as the various action sequences and compelling showcases of spycraft are highlighted particularly well in this format.  For Midnight Black, I listened to this audiobook while on a holiday with a lot of flying/driving time, which not only kept me from getting bored on the bus/plane but which ensured that I absolutely powered through its near 16-hour run time.  It helped that many of the best sequences in the book, such as the epic firefight at the halfway point and the big chase through Moscow, were particularly impactful in this format, and Snyder did an excellent job voicing all the characters.  I particularly appreciated all the eastern European and Russian accents that Snyder attributed to the various characters, and he also did a good job capturing key parts of the protagonist’s personalities, especially Gentry’s weariness and desperation that were a key part of this book.  Due to this brilliant voice work, as well as my general love for the format, I would strongly recommend Midnight Black on audiobook, and I can guarantee it makes for great entertainment on long road trips.

Overall, Midnight Black was another outstanding and captivating new entry in the always impressive Gray Man series.  Author Mark Greaney did an amazing job continuing one of the very best spy thriller series out there, and I deeply enjoyed Midnight Black’s particularly intense and personal story.  Featuring some fantastic action, complex character arcs and some compelling insights into major contemporary events, Midnight Black was extremely addictive, and I cannot wait to see how Greaney continues the series in the future.

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The Devils by Joe Abercrombie

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books5 Comments

Publisher: Gollancz/Macmillan Audio (Audiobook – 13 May  2025)

Series: The Devils – Book One

Length: 25 hours and 7 minutes

My Rating: 5 out of 5 stars

Amazon

The master of grimdark fantasy fiction presents a bold and over-the-top new story with The Devils, an outstanding, addictive and highly entertaining read that you will not be able to turn away from.

Joe Abercrombie is an impressive and compelling author who has been wowing fantasy fiction authors with his complex reads for nearly 20 years.  While he has written some other cool books, like his Shattered Sea trilogy, Abercrombie is best known for his iconic First Law series of dark fantasy novels, that followed a group of highly damaged people as they tried to survive war, magic and politics in a messed-up fantasy world.  I really enjoyed the original First Law trilogy, and Abercrombie has cleverly expanded it out over the years, including with three standalone novels and his sequel Age of Madness trilogy.  The Age of Madness novels were ones that I particularly enjoyed reading, and A Little Hatred (one of my favourite books of 2019), The Trouble With Peace (one of my favourite books and audiobooks of 2020) and The Wisdom of Crowds (one of my favourite books and audiobooks of 2021), were very highly rated by me, and I could not get enough of this series.

Needless to say, I am a pretty big fan of Abercrombie’s novels, and I have been eagerly awaiting a new book from him since I finished The Wisdom of Crowds.  While I had hoped that we would be getting a new First Law novel, Abercrombie instead decided to present readers with something a little different with his new The Devils series.  Starting off with The Devils, this series is another clever dark fantasy series, set in an alternative, magic filled version of medieval Europe.  One of my most anticipated books of 2025, The Devils sounded so damn good, especially with its crazy plot and intriguing new setting.

The lands of Europe are in dire peril.  Between the constant wars, dangerous monsters, ruinous famines and deadly plagues, the various kingdoms of Europe are in poor condition, barely held together by the fractured church.  However, the real danger lies outside its borders, as the mysterious elves gather their power in the Holy Lands, preparing for another invasion of Europe that will surely lead to the destruction of all humanity.

In response to the growing threat of the elves, the church and its juvenile pope determine that a new ruler needs to be placed upon the Serpent Throne of Troy after its evil sorcerous empress dies.  With all four of the empress’s duplicitous and power-hungry sons unfit for the crown, the church surprisingly finds that their ideal candidate is a lowly street thief from the Holy City called Alex.  A ferrety sneak with no noble bearing or confidence, Alex is shocked to discover that she is really the long-lost Princess Alexia Pyrogennetos of Troy, destined to reunite the churches of Europe by claiming the throne.

Turning the reluctant and terrified Alex into a potential princess is one thing, but getting her to Troy is a far more difficult prospect, especially as her rival contenders to the throne are stalking Europe with their deadly, magically enhanced followers, determined to claim Troy for themselves.  To succeed in marching Alex through the European hellscape and placing her on the Serpent Throne, the church will need far more than prayers and the blessing of saints; they are going to need devils.  Luckily, such devils are close at hand. 

Deep within the Holy City lies the Chapel of Holy Expediency, which binds dangerous heretics and monsters and forces them to seek redemption through holy missions for the pope.  Led by the hapless Brother Diaz, the congregation of the Chapel of Holy Expediency is charged with getting Alex to Troy and placing her on the throne.  But can a terrified monk, an immortal knight, an arrogant necromancer, an invisible elf, a sarcastic vampire, an uncontrollable Viking werewolf and the most experienced woman in Europe succeed in making a street-rat an empress, or will their new mission only bring even more death and destruction to the continent? 

Joe Abercrombie once again shows why he is one of the very best authors of dark fantasy fiction with his captivating and deeply impressive new novel.  The Devils was an ultra-entertaining read that perfectly introduced the author’s intriguing setting and populated it with highly amusing characters and dark deeds.  Exciting, clever and loaded with over-the-top humour, The Devils was an absolute joy to listen to, and I loved every second I spent with it.  One of the most addictive novels of 2025 so far, The Devils gets a very-well deserved five-star rating from me, and readers are guaranteed an extra fun time with this crazy novel.

I absolutely loved the cool and highly entertaining story that Abercrombie came up with for The Devils, which was essentially a fun dark fantasy iteration of The Dirty Dozen/Suicide Squad narrative with some amazing monsters.  Providing a quick introduction to the key characters, the reader soon becomes highly invested in the narrative, as the memorable and very amusing protagonists begin their trek to Troy.  What follows is a classic travelling adventure story with some dark and comedic twists, as the protagonists encounter all manner of foes on the way to their destination, which they are forced to dispatch with ruthless efficiency.  While parts of this story start to become a tad formulaic, especially as the protagonists are intercepted multiple times by one of Princess Alexia’s cousins, with each encounter resulting in a deadly battle for survival against different occult forces, you are generally so entertained by the compelling characters, interesting interactions, and over-the-top action sequences, you don’t even really mind.  Abercrombie works to break up these encounters with some fun side quests, as well as altering the circumstances by having the characters occasionally split up into unlikely pairings, exploring the fun alternate medieval Europe that works as such an effective setting for this book.  This allows for some interesting changes of pace in the main quest narrative, while also allowing for some outrageous character moments as the reader gets to know the protagonists a little better.

Everything nicely leads up to the last third of The Devil, which sees the protagonists arrive at their destination against the odds.  Without going into much detail, things naturally go to hell, and everybody is forced to fight for their lives.  This chaotic series of events isn’t unexpected, as the reader is waiting for the other shoe to drop the entire book, but the who and the how of it makes for great reading.  Some excellent twists come to life here, often revealed in a fun meta way, and, while you see a couple of them coming, the entire ball of surprises and reveals make for quite an exciting end sequence.  These twists are well backed up by some of the grittiest action sequences in the entire book, and you are constantly on your feet waiting to see what happens next.  The entire novel ends on a tragic, if thoughtful note, especially when you’re left to consider who the true monsters of the story are.  An overall impressive narrative, that blends alternate history and classic adventure narrative threads with Abercrombie’s wild imagination to create something exceedingly entertaining and addictive.

The Devils was a very fun and well-written story as Abercrombie provides a very intense and hard-hitting tale, bound together by dark humour, over-the-top sequences, and complex characters.  Abercrombie once again showcases his skill at balancing multiple distinctive perspectives to tell an integrated and ongoing narrative, with the story cleverly bouncing between the viewpoint of several impressive protagonists.  The continued switches between the characters allows for a very elaborate narrative, and the reader is drawn into both the overarching plot and the more personal battles of the protagonists.  I liked how Abercrombie was able to tailor the descriptive narration of each of the perspective chapters to suit the character it was following, and each chapter has a slightly different tone as a result.  However, this is a very dark overall story, as the characters encounter outrageous scenarios of death and destruction, and the resulting carnage allows for some intense moments.  I will say that The Devils did feel a little sillier than some of Abercrombie’s previous novels, although the author uses this extra layer of ridiculous energy to full effect to tell an extremely addictive story.

As you would expect from Abercrombie, the intense action sequences are a highlight of The Devils, with the many brutal sequences coming to life thanks to the author’s great descriptive style.  There was a certain casualness to some of the fights, especially those featuring the plot’s more dangerous killers, and which was enhanced by the clever overall narration of the writing.  I loved how Abercrombie set out all his scenes, with a lot of subtle humour revolving around cynical description of events, especially as the author provides some ironic results and meta commentary.  This more subtle writing of events is counterbalanced by the over-the-top humour of the dialogue, especially when it comes to certain characters.  A lot of the dialogue gets downright filthy at times, with some very adult discussions coming out in outrageous fashion.  While this excessive crass language had the potential to distract from the story, I think that Abercrombie got the right balance, with the ridiculously rude dialogue fitting in well amongst the crazy events of the plot.  While the combination of ugly events, adult humour and cooky carnage isn’t going to be everyone, I think most fantasy fans are going to have a ton of fun with it, especially as it plays into Abercrombie’s grimdark style.  Throw in a clever alternative medieval Europe as the elaborate setting which will delight history buffs with the intricate differences, and The Devils was a very impressive read that perfectly plays the author’s strengths and talent for entertaining and dark fantasy fiction.

Fans of Abercrombie will know that the author specialises at making damaged and captivating characters to set his narratives around, and The Devils is no exception to this.  The author introduces an amazing cast of complex and memorable characters in The Devils, and I love the very impressive storylines that emerge around them.  This includes six separate perspective protagonists, two major supporting characters, and an array of interesting figures throughout Europe who play various roles in the outcome of the plot.  Abercrombie does an excellent job of introducing and utilising this complex cast, with all the major characters getting their chance to shine in some impressive ways.  While some of the characters in The Devils didn’t quite have the complexity of the protagonists from the First Law books, Abercrombie instead amps up the entertainment aspect of these figures, introducing several particularly hilarious, ridiculous and highly relatable monsters, each of whom added a great deal to the overall reading experience.

The first two characters I want to talk about are major perspective protagonists, Brother Diaz and the newly discovered princess, Alex.  Despite neither being members of the titular devils, both have major roles in this book and are shaped by their experiences with the monstrous pawns of the church.  Brother Diaz, a simple monk who is brought in to guide the devils, is initially shown to be a hapless and terrified figure, clearly out of his depth when it comes to the dangerous mission he has been entrusted with.  Abercrombie has a lot of fun showcasing him as a useless social climber at the start of the novel, and he initially has more of a comedic role in the plot.  However, as the story progresses, Diaz starts to gain a little confidence as he continues to survive, and you soon see flashes of the man he could be.  Despite falling to temptation (repeatedly), Diaz ends up being quite a stalwart figure in the book, and I loved some of the scenes where he got to show off his intelligence (including one particularly entertaining legal battle).  The way in which Abercrombie subtly added more and more depth to Diaz’s personality as the story continued was very impressive, and his growth as a character was a highlight of the book.  The author also ensured that Diaz was one of the more relatable characters in The Devils, especially as he continuously makes mistakes, finds himself shaken by his fears and failings, yet continues to try to do the right thing.

Much like Diaz, the other non-devil perspective protagonist, Alex, is also shown to be an imperfect figure who finds themselves thrust into events outside of their control.  Initially shown as a simple thief, Alex, or Princess Alexia Pyrogennetos, is ill prepared for the events before her, and is forced to rise to the occasion when she is declared long-lost royalty.  Mostly shown as the book’s damsel in distress, Alex is generally scared and lacking confidence, especially as she knows she is not the princess everyone wants her to be.  Like Diaz, Abercrombie writes Alex slowly rising to the occasion throughout course of The Devils’ plot, as she learns to fight back and become a leader.  I really liked following Alex’s journey in The Devils, and while the journey to the character finding her self-confidence is a long and bloody affair featuring some good twists, it ended up being a powerful part of the book’s overarching narrative.

Outside of Alex and Diaz, a lot of time is also spent following the other perspective members of The Devils, including Balthazar, Sunny and Vigga, who are a necromancer, an elf and a werewolf respectively.  These three characters are amazing, and I liked how well they played off each other and the rest of the cast with a great mixture of serious and more comedic elements.  For example, Balthazar (or to introduce him properly, Balthazar Sham Ivan Draxi), is a highly arrogant figure who chafes at being captured and controlled by the church.  Much of his story focuses on his many attempts to break the Papal binding compelling him to help Alex, while also dealing with the realisation that he is helpless against those he considers his lesser.  Much of the entertainment around Balthazar is his complete lack of self-awareness or humility, especially within his own mind, and while there are times when it appears that he is going to become a better person, he usually returns to his old personality when he hits a wall.  Sunny the elf, on the other hand, is a far more sensible character, who serves as the team’s shadow thanks to her ability to become invisible.  Despite her nice and helpful personality, Sunny is shown as an alien creature, incapable of understanding the humans who generally hate and fear her.  Imbued with a more subtle humour than her fellow devils, Sunny proves to be quite an interesting figure, especially when you examine her past and her dark experiences with humans.  Probably one of the more likeable and selfless figures in the book, Sunny’s arc adds a lot to the overall story, especially through her unlikely romance angle, and Abercrombie clearly had fun writing the various scenes where she traipses around invisible.

One of the more memorable cast members of The Devils is Vigga, a former Viking raider who was cursed as a werewolf and then captured by the church.  Crass, constantly controlled by her urges, incapable of self-restraint and particularly deadly, even when not a massive wolf, Vigga powers through the entirety of The Devils’ narrative, leaving a major impression whenever she appears.  Featuring some of the more visceral and entertaining perspectives of the book, which includes a combination of hungry sequences from her wolf mind and her more entertaining insights as a human with no impulse control and an inability to focus on anything, Vigga is responsible for a large part of The Devils’ chaotic and outrageous tone, and the book would not be anywhere near as fun without her.  However, as this is Abercrombie, there are quite a few darker moments in Vigga’s story, and you soon become absorbed with her attempts to pull together her fractured mind and control the monster within, especially when she gets close to her travelling companions.  The dark depression that occasionally befalls her because of her uncontrolled actions adds some major drama to certain tragic parts of The Devils’ plot, and Vigga comes away as one of the more sympathetic, if scary, characters in the book.

While the above perspective characters are all particularly impressive, my favourite was the team’s resident knight, Jakob of Thorn.  An old soldier cursed with immortality who has been fighting battles on behalf of the church and God for hundreds of years, Jakob is a tired and haggard figure bound by his many vows.  Suffering from the degradation of his body due to age and the many injuries inflicted on him, Jakob is weariness personified as he attempts to deal with his pain, and the guilt from his long history of death and service to the church.  Readers familiar with the author will know that Abercrombie specialises at writing tired old warriors who are sick of the death and destruction they cause, and Jakob of Thorn is one of his better ones (which is saying a lot).  I loved all of Jakob’s scenes, especially as he doggedly continues to fight despite his pain, often providing some of the book’s best quotes and insights.  Unsurprisingly, Abercrombie makes Jakob suffer a lot in this novel (what else would this sadistic author do with an immortal character?), and you learn a lot about his resolve and psyche as a result, especially as he knows he is the biggest monster of them all.  I really think that Jakob’s grittier and more self-aware perspective chapters helped to balance out the more outrageous character arcs in The Devils, and he was a perfect addition to this outstanding narrative.

The final two major characters I want to highlight are Baron Rikard, an ancient vampire, and Baptiste, a rogue hired to keep the devils in check, who seems to have experience with every profession possible in Europe.  Both these characters are excellent additions to the plot and manage to shine through, despite not being perspective characters.  Indeed, I felt that their role in the book was enhanced by the readers not having direct insights about their motivations or actions, and instead you get to enjoy the mystery surrounding them as you see them through the eyes of the other characters.  Baron Rikard, who serves as a fun, sarcastic figure who only helps when it suits him, proves to be a great inclusion in the plot, especially as his gentlemanly manners and demeaner makes him stand out amongst the other characters.  While a ridiculously charming figure (especially when he starts talking about dumplings), you are initially given the impression that Rikard is another trapped monster keen to escape his binding.  However, Abercrombie nicely turns this assumption on its head as the story continues, and I really enjoyed the character’s revealed motivation, especially as it shades all the character’s actions in a new light.

Baptiste, on the other hand, is a suave and entertaining figure whose impact on the book would be diminished if you got a deeper look at her thoughts, motivations or true history.  I particularly enjoyed how well Baptiste served as a foil to Balthazar, and they had a great back and forth that helped to define them both.  Throw in a range of other impressive supporting characters, including a barrage of outrageous or diabolical antagonists, and the cast of The Devils was something very special.  I cannot emphasise enough just how much fun all these characters were, and their moving and complex arcs and interactions really helped to give some powerful meat to The Devils’ entertaining narrative.  You really come away with some conflicted feelings for many of the protagonists, especially as none of your favourites have a truly happy ending, and it will be interesting to see what happens to the survivors in the future entries of the series.  A special shoutout as well to the fun artwork depicting several of these characters in The Devils paperback, especially as the artist really captures how the author wrote these colourful protagonists.

While I did receive a physical copy of The Devils, I ended up listening to this novel on audiobook, which was a fantastic choice.  Not only did the audiobook version allow for a fuller immersion in Abercrombie’s new fantasy universe and his crazy action sequences, but it also featured the superb voice of actor Steven Pacey.  Pacey, who is one of my favourite audiobook narrators, previously lent his voice to the audiobook versions of Abercrombie First Law novels, and he frankly does a perfect job of capturing the author’s unique tone and style.  Abercrombie’s complex writing, witty dialogue and excessive humour really come to the fore when read out by Pacey, and the narrator’s tone and cadence in The Devils always perfectly matched the intended mood of the scenes, no matter how dark or over-the-top they became.  Pacey also does some very entertaining and highly fitting voices for the key characters of The Devils, and it is amazing how well he captures all these outrageous figures.  All the defining character details, including the timid nature of Brother Diaz, the arrogance of Balthazar, the pain and weariness of Jakob, the wry amusement of Baron Rikard, the unearthly nature of Sunny and the sheer wildness of Vigga are all amazingly highlighted by Pacey’s various voices, and really come to love the characters the way that Pacey reads them out.  Thanks to Pacey’s brilliant acting and evident love for the content, this was an incredible listen, and I really cannot emphasise enough just how effectively he narrated this crazy story.  I flew through the books lengthy, 25-hour runtime due to this brilliant narration and epic narrative, and I honestly don’t believe that anyone but Steven Pacey could make Abercrombie’s amazing novels come to life in the same way.  An exceptional audiobook and one of the best things I have so far listened to in 2025.

With his trademark blend of chaos, fantastic humour and complex characters, Joe Abercrombie presents one of the very best books and audiobooks of 2025 with The Devils.  A unique and very entertaining fantasy adventure novel, The Devils pushed everything to 11 and beyond, ensuring that you couldn’t turn away.  An exceptional read from start to finish, I had so much fun with The Devils and I cannot wait to see how Abercrombie will continue this series in the future.

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Sunrise on the Reaping by Suzanne Collins

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Young Adult4 Comments

Publisher: Scholastic Audio (Audiobook – 18 March 2025)

Series: The Hunger Games – Book 0.5

Length: 12 hours and 48 minutes

My Rating: 5 out of 5 stars

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Acclaimed author Suzanne Collins presents the next epic and heartbreaking entry to her iconic Hunger Games series with the brilliant prequel, Sunrise on the Reaping.

Unless you’ve been living under a rock for the last few years, then you’ll probably be more than familiar with the Hunger Games series by Suzanne Collins, as well as the major film franchise that it spawned.  Set in a dystopian future where 24 teenagers are forced to fight to the death each year, the Hunger Games franchise is a very cool and inventive young adult series that expertly blends great characters, an overarching anti-authoritarian narrative and a ton of complex action with its excellent central concept.  I have been a massive fan of the Hunger Games since watching the first movie, which I went into blind and ended up deeply enjoying.  I have since read all the books, including Collins’s previous prequel, A Ballad of Songbirds and Serpents, all of which are extremely awesome and contain exceptional stories that cleverly add to the larger setting.

While I have enjoyed all the awesome Hunger Games books that Collins has so far written, there has always been one intriguing story from the universe that I always felt needed to be expanded on, that of the rascally old drunk mentor Haymitch Abernathy (played perfectly by Woody Harrelson in the films).  I especially have always wanted more detail about Haymitch’s own Hunger Games, which were briefly summarised in the second novel, Catching Fire.  Well, Collins has just granted one of my fondest literary wishes as her latest book captures just that with Sunrise on the Reaping.  Sunrise on the Reaping has been very high on my to-read list since it was first announced, and it was one of my most anticipated novels of 2025, as well as a much-anticipated film in late 2026.  I had a real blast listening to it, and boy did Collins take her story to all the dark places I wanted, and further beyond.

May the odds be ever in your favour!

As the dawn breaks on the 50th annual Hunger Games, few people have cause to celebrate, even young District 12 bootlegger Haymitch Abernathy, whose birthday unfortunately falls on Reaping Day each year.  Despite growing up in a totalitarian dictatorship, Haymitch believes that he has a good life, with friends, family and the love of his life.  However, he is unprepared for just how badly a single moment can change everything.

Selected as one of his district’s Hunger Games tributes, Haymitch suddenly finds himself torn away from everything he loves and must contemplate fighting for his life to survive in the Capitol’s arena.  However, this is no ordinary Hunger Games, it is the second Quarter Quell, and twice as many tributes have been taken from each of the districts, ensuring that his games will be the largest and most brutal battle ever seen.

Forced to compete alongside three other District 12 tributes, including one of his best friends, an oddsmaker whose family prospers by betting on the games, and the most stuck-up-girl in town, Haymitch knows that his chances of survival are slim.  However, something within Haymitch wants to fight back against both the Capitol and the controlling President Snow.  Finding unlikely allies, Haymitch seeks a way to make his impending death mean something and to strike a blow that the Capitol can’t ignore.  But can Haymitch survive long enough to make his stand, while still keeping true to his own loyalties and friendships? The fires of rebellion start to burn here, but Haymitch will soon find out that when flames start, people get burnt.

Well hot damn, that is how you do a prequel.  Suzanne Collins once again shows why she is the leading lady of dystopian young adult fiction, with the brilliant and powerful Sunrise on the Reaping.  A devastating prequel to her original Hunger Games trilogy that perfectly tells the haunting tale of Haymitch Abernathy, Sunrise on the Reaping was an exceptional novel that I can’t help but give a full five-star rating to.  This is a must-read for all fans of the Hunger Games series, but be warned: you won’t be prepared for how tragic the book gets.

I honestly have so much to say about the epic new story that Collins came up with for Sunrise on the Reaping, although I really don’t want to ruin anything for those who have yet to read it.  I will say that if you think you know the story from the summary in Catching Fire, then you are very, very wrong, as Collins twists everything you thought you knew about the 50th Hunger Games and Haymitch Abernathy, while breaking your heart in so many ways.

This dive into tragedy is very well established, and Collins does a brilliant job of initially setting the scene around young Haymitch and showing his early life, family and the other connections he has around District 12.  It doesn’t take long for Collins to turn the expected narrative on its head, thanks to a very clever bait-and-switch, and from that moment on, you really don’t know what to expect.  While much of Sunrise on the Reaping does follow the story beats you would expect from reading the previous books and from Catching Fire’s summary, Collins keeps cleverly turning or twisting them around, so that events like the Tributes parade, the pre-game training and the interviews go in some surprising and often even more traumatic directions.  At the same time, Haymitch has interesting interactions with an array of great supporting characters, many of whom will be very familiar to those who have read the previous Hunger Games books.  All this works to provide much more depth to a story that could have simply been about a massive teenage deathmatch, and which helps to drag you even more into the story, especially as it gives you some intriguing context about Haymitch’s upcoming actions.

Things get pretty crazy once the characters get into the games proper at around the halfway point, and Collins keeps this part of the story fast paced, as you watch Haymitch navigate the arena, surviving the fights and trying to enact his own plans.  This is the part of the book that really deviates from the previously shown version of these games, and I loved how much more detail and complexity Collins gives this latest batch of carnage as Haymitch tries to enact his own hidden goals alongside the previously known narrative.  This works to form quite a compelling plot, which I won’t talk about too much to avoid spoilers.  I will say that there are some truly devastating moments, and you cannot help but feel despair as you witness what really happened to Haymitch and his fellow tributes.  There are so many heartbreaking scenes scattered throughout this part of the book, as well as some great moments of rebellion and humanity, all of which keeps you hooked as you wait to see the brutal final moments of these games.  Collins does an amazing job wrapping everything up in a powerful way, although the conclusion is guaranteed to gut you.  While you know something bad is coming, the full enormity and devastation of the ending really does break you and ensures that will come away from Sunrise on the Reaping haunted and with a deeper appreciation of the rest of the series.

I deeply enjoyed how this epic novel came about, as Collins delivered a complex, powerful and distinctive character-driven read that has the right balance of moving character arcs, desperate survival, brutal tragedy and clever word building, all brought together by a series of shocking twists and heart-breaking reveals.  Once again told exclusively from the protagonist’s perspective, you witness events through the eyes of the young and rebellious Haymitch, which narrows the reader’s vision of the plot.  While I do hope that the film makers show some alternative perspectives like they did in the original Hunger Games films (i.e. what was happening in the control room), I think that this single-character perspective worked extremely well for the book, allowing the reader to get closer to the protagonist, appreciate his emotional reactions to the dark events unfurling around him, while also provide a great outsider perspective to the craziness of the Capitol and the arena.  Collins utilises this to tell a dark and haunting tale, and you are soon inundated with the many injustices Haymitch experiences that Haymitch experiences as he makes his may towards the inevitable Hunger Games.  I really appreciated how well Collins set out the various pivotal events of Sunrise on the Reaping, especially as there are some subtle hints about some of the big events cleverly scattered throughout both the early part of the book, as well as the brief synopsis of the games featured in Catching Fire.  I felt the author did an excellent job pacing everything out, and the reader is constantly on their toes as unexpected events hit the protagonist, and you never quite know what is going to happen next.

As with most of the books in this series, I found Sunrise on the Reaping to be a novel that will appeal to a wide range of readers, including both its intended young adult audience and older fans.  Thanks to the protagonist covering his adventure from start to finish, new readers can easily jump into the series here if they wanted to and not lose any of the book’s intensive impact.  Unsurprisingly, though, Sunrise on the Reaping is going to be best enjoyed by those readers who have enjoyed the rest of the Hunger Games books or movie adaptations.  Collins layers in a ton of references, cameos and hints at events to come, throughout the course of Sunrise on the Reaping’s plot, and eagle-eyed readers will have a lot of satisfaction picking up on them.  I personally loved some of the clever references to the previous prequel, A Ballad of Songbirds and Serpents, including one scene where President Snow utilises some of his knowledge gained from his sojourn to District 12 to rattle Haymitch.  I also quite liked the author’s depictions of the games 24 years before the events of the first novel, and it was interesting to see the similarities and differences between the events, especially after the more basic version that was showcased in A Ballad of Songbirds and Serpents.

One of the things that fans of the series will no doubt be interested in seeing is how the events of Sunrise on the Reaping are widely different to the summary included in Catching Fire.  While certain broad strokes of the event are the same as what Katniss and Peeta saw in the recording, most of what happened in the actual games and its lead-up is vastly different, with Collins showing some very surprising motivations and hidden events throughout the course of the book.  I found this to be extremely fascinating, mainly because it so cleverly invokes the overlapping theme of Sunrise on the Reaping: control of information as a powerful tool of authoritarian governments.  There are some very clever scenes where the Capitol edits and rewrites key events of the plot to suit their own propaganda, and it was fascinating to see tragedies, injustices and occasional flashes of kindness hidden away or completely erased to make Snow look good and Haymitch and the other tributes look like animals or noble patriots.  This allowed Collins to hide a very compelling early rebellion storyline amongst the events of the book, which puts the events of the main trilogy in a whole new light and makes you full reevaluate some of the supporting cast members.  Collins did this in a very clever manner which doesn’t devalue or contradict the events of the other Hunger Games novels but which allowed Sunrise on the Reaping to stand out as a major entry in the larger canon, with events that would resonate down the years.  I really cannot emphasise enough what an impressive act of long-term series writing this is, and you can tell that Collins put an exceptional amount of thought and planning into bringing this unique story to life.

This compelling read features an excellent and varied array of major and supporting characters, including a whole collection of major existing characters from the franchise, as well as several great new figures.  Collins wrapped some amazing storylines around these outstanding figures, and I was really impressed by how attached I grew to several of them, even though I knew what their eventual fate was likely to be.

Due to his role as the book’s main narrator and point-of-view character, most of Sunrise on the Reaping’s focus was around the young Haymitch Abernathy, and it was particularly fascinating to see a younger version of this iconic figure.  Initially shown to be a hopeful and confident teenager with ambitions of love and a future, you soon become quite attached to the young Haymitch due to his selflessness and his willingness to protect his friends and loved ones leading up to the games, as well as the inherent rebellious nature that makes him a target of the Capitol and Snow.  However, as the book continues and Haymitch experiences multiple tragedies, including a series of dark deaths, you witness his spirit start to break piece by piece.  While you had to know that Haymitch was going to have a hard time in this novel, especially after seeing the drunk and damaged figure from the original trilogy, it was still very heartbreaking to see every dark event that befalls him, especially while witnessing all his thoughts and emotions.  I really loved this deeper dive into Haymitch’s life, especially as you get to see why he had so little hope or resolve when you first met him in The Hunger Games, and this makes his entire story from the main trilogy even more impactful.  A truly amazing origin story for one of the best characters in the Hunger Games series.

Aside from Haymitch, Sunrise on the Reaping contains an outstanding array of supporting characters, many of whom Collins makes shine in the time that they appear.  This includes several great new figures, primarily those fellow tributes of Haymitch, whose story alongside the protagonist is highly impactful.  I’m not going to go into too much detail to avoid spoilers, but I felt that several of these new characters were extremely cool, and will no doubt become even larger than life on the big screen.  Highlights for me include Wyatt Callow, a young oddsmaker whose family business makes the other tributes distrust him; Louella McCoy, the youngest tribute from District 12, whose story is especially tragic; and Ampert Latier, a tribute with connections to a major character from the original trilogy.  Lenore Dove Baird, Haymitch’s love interest back home, is a very enthralling figure who has some potential connections to a major figure from A Ballad of Songbirds and Serpents, which allows for some very compelling and moving scenes.  Other interesting new figures included the cruel Capitol escort, Drusilla Sickle, and the reptile-obsessed stylist Magno Stift, while several other great characters step up in their own way.  However, it was the final District 12 tribute, Maysilee Donner, who really stole the show for me, and her fantastic wit and brutal barbs helped turn her into a major favourite of mine, especially when you realise that she isn’t as stuck up as people believe she is.

Collins wraps up this cast with several characters introduced in the original trilogy who have some memorable appearances here.  However, they aren’t just there to please the fans; Collins used them strategically to give a lot more depth to some of these recurring characters as you witness early key events in their personal history.  Many of these appearances helped to underscore why they are so willing to rebel or help Katniss, and I loved how well they were featured in the plot.  Special mention must go to a returning President Snow (the only character to appear in all five books), who was a spectacular antagonist in this latest Hunger Games book.  The author made sure to showcase Snow at his most cruel and vindictive during his scenes, and Collin’s use of him here was a pure masterclass of evil that you had to love.  I also need to highlight the fantastic deeper dive into Plutarch Heavensbee, whose motivations during the Catching Fire, are a little clearer after reading Sunrise on the Reaping, and it was awesome, if initially a little surprising, to see him so well utilised in this novel.

Overall, I think that the character work in Sunrise on the Reaping was quite exceptional, and I loved how well all these characters were featured in this book.  While the particularly large cast of supporting characters did mean that some tributes weren’t as well featured or explored as they could have been (this is also a side effect of there being twice as many tributes), the figures who were highlighted more than made up for this, and I loved the various complex and tragic story arcs that surrounded them.  I cannot wait to see how many of these characters come across in the upcoming Sunrise on the Reaping film, although based on the recent casting announcements, they are going to shine so brightly when they appear.

As with the rest of the books in the Hunger Games series, I chose to listen to Sunrise on the Reaping on audiobook, which is an exceptional way to absorb Collins’s dark and brutal tale.  Featuring a runtime of just under 13 hours, Sunrise on the Reaping has a decent length that I managed to move through quickly.  Thanks to some great narration and an excellent pace, the audiobook format did an outstanding job of enhancing many of the best elements of Sunrise on the Reaping, especially the central characters and the emotional depth of the protagonist.  The narrator of this audiobook, actor Jefferson White, was particularly effective, and I loved how he brought the story to life with his voice.  His take on many of the characters was pretty damn perfect, with his voice for the young Haymitch being particularly effective.  His young Haymitch, which was the default tone for much of the audiobook, was a great take on a younger Woody Harrelson, and I really felt that he captured the characters many nuances and emotions.  I also liked how White tried to sing out the various melodies that were so intrinsic to the plot of Sunrise on the Reaping, which ensured that they were a little more impactful.  This outstanding narration really helped to enhance my enjoyment of the books’ epic plot, and I honestly felt that this was the best way to enjoy this exceptional addition to the Hunger Games franchise.

I think the above five pages are more than enough to showcase just how much I loved Sunrise on the Reaping, which was such a brilliant addition to the Hunger Games series.  Suzanne Collins honestly outdid herself with this incredible prequel, and you will not be prepared for how complex and emotionally traumatising this outstanding novel is.  I honestly cannot not stop thinking about how Sunrise on the Reaping turned out and this is easily one of the better books (and audiobooks) I have so far enjoyed in 2025.

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Warhammer 40,000: The Emperor’s Finest by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer3 Comments

Publisher: Black Library (Audiobook – 7 December 2010)

Series: Ciaphas Cain – Book Seven

Length: 10 hours and 14 minutes

My Rating: 4.75 out of 5 stars

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Dive once again into the crazy adventures of the Warhammer 40,000 universe’s most undeserving hero, with the awesome Ciaphas Cain novel, The Emperor’s Finest by Sandy Mitchell.

I was recently in the mood for something familiar and fun to enjoy during a gap in my audiobook listening schedule, and the first thing that came to mind was another entry in the highly entertaining and addictive Ciaphas Cain series by Sandy Mitchell (a pseudonym of author Alex Stewart).  One of my favourite Warhammer 40,000 series, the Ciaphas Cain books chronicle the adventures of the dashing and doubtful hero of the Imperium of Man, Commissar Ciaphas Cain, a man who sensibly seeks to avoid the many, many terrifying dangers of the Warhammer 40,000 universe, but who constantly finds himself dragged into the deadliest of situations, often because of his vastly inflated legend.  I have had a wonderful time making my way through the series, with books like For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory, Duty Calls and Cain’s Last Stand, proving to be extremely compelling and highly entertaining.  As such, I knew well in advance of reading The Emperor’s Finest that I was going to have a brilliant time with it, and Mitchell did not disappoint.  The seventh entry in this outstanding series, The Emperor’s Finest, had an outrageous and fantastic plot behind it that throws you into the action right away.

A dangerous and terrible foe stalks several human worlds in the galaxy, and only one man is unlucky enough to face it: Commissar Ciaphas Cain.  Despite being relatively early in his illustrious career, Cain has already gained a reputation for heroics and bravery, a combination that conspires to get the Commissar into far more trouble than he wants.  However, one of his most dangerous adventures occurs when he is surrounded by the finest warriors humanity has to defend them.

Rescued from an exploding Necron ship, Cain finds himself in the care of Space Marines of the Reclaimers chapter and soon becomes their Imperial Guard liaison as part of a new campaign.  Assigned to supress a civil war on the important agricultural world of Viridia, the Reclaimers are keen to engage the enemy, and Cain finds himself reluctantly dragged in their wake, forced to once again play the rousing hero and bring the loyalists of Viridia into line.  However, as the Reclaimers begin their bloody work, it soon becomes apparent that the traitors of Viridia are far more deadly than expected, when a nefarious genestealer cult is revealed at the heart of the warring factions.

As the Space Marines engage the genestealers, the defenders of Viridia determine that they must have snuck into the system when a massive, drifting space hulk briefly appeared.  Determined to eradicate the source of this unholy threat to the Imperium, the Reclaimers lead an ambitious expedition into the warp to track down the space hulk and obtain its secrets, and Cain is naturally required to follow along.  With murderous genestealers and ravaging orks in front of him, and the far more terrifying threat of an ambitious husband-seeking noblewoman at his back, Cain and his trusty aide, Jurgen, are flung once again into the fray and must find a way to extricate themselves from the new dangers all around them.  But if anyone can survive the oncoming terrors of the space hulk, it’s the soon to be legend of the Imperium.

Sandy Mitchell continues to delightfully show just how ridiculous and entertaining the Warhammer 40,000 universe can be with this outstanding entry in his Ciaphas Cain series.  Featuring an intense plot loaded with some fantastic characters, The Emperor’s Finest takes Cain on a grand adventure filled with action, questionable heroics, and boundless fun.

As with the rest of the books in the Ciaphas Cain series, The Emperor’s Finest features a brilliant and highly entertaining story loaded with funny coincidences, complex characters and highly dangerous situations.  Following on from the immediate aftermath of the Ciaphas Cain short story, Echoes of the Tomb, the initial story sees Cain once again thrust into danger, this time supporting the Reclaimers’ attempts to wipe out a genestealer-led revolution on the planet of Viridia.  This first part of The Emperor’s Finest is a somewhat typical Ciaphas Cain narrative, with the reluctant Cain dragged into a dangerous situation thanks to his own inflated reputation.  This ensures a ton of excellent action and over-the-top scenarios, as Cain jumps from danger to danger, with many of his decisions to avoid trouble resulting in him finding an even worse scenario.  Mitchell enhances this fun by also forcing Cain to contend with supporting character, Mira DuPanya, whose entertaining exploits, foppish nature, aristocratic arrogance, and determination to stick with Cain leads to some great moments, including an unlikely romantic subplot with the protagonist.

While this was a great introduction, the plot focus of The Emperor’s Finest changes about a third of the way through into a space adventure, when the Reclaimers set out to find and cleanse the space hulk that initially corrupted Viridia, and Cain is dragged along.  This allows for some excellent space adventures, especially when Cain and the Space Marines burst out into ork space, resulting in a great boarding action sequence.  Mitchell really leans into some fun interpersonal clashes between the book’s three main characters here, especially as Cain and the always dependable Jurgen find themselves at their wits end with Mira, who continues to be a real highlight of the plot.  All this leads to the excellent final third of The Emperor’s Finest, which sees Cain and Jurgen trapped alone aboard the space hulk, facing off against genestealers and orks.  A frenetic and fast-paced extended sequence, the space hulk scenes feature some of the book’s best action, and it was fun to see Cain and Jurgen working as an effective team to achieve Cain’s goal of not dying.  Mitchell plunks in some really awesome, fast-paced sequences here, and the reader is left hanging on until the end as they wait to see how Cain escapes this time.  Everything wraps up with some final fun moments, with Cain once again coming out on top through happy accident, and I was thoroughly entertained with how the self-contained storylines around Mira came to an end.

Unsurprisingly, Mitchell continued to utilise the same writing style that made the rest of the Ciaphas Cain series so entertaining, with the main narrative primarily told in a journal format, written by an older Cain.  Filled with self-deprecating humour and his own narrow insights into events, the novel paints a rather compelling and frank picture of events, which Mitchell ensures is loaded with action, adventure, and a certain level of ridiculousness.  This main narration is cleverly interspersed with entertaining footnotes, commentary and in-universe texts provided by the account’s editor, Inquisitor Amberly Vail, which ensures that the story becomes even more cynical and humorous, abet with some excellent additional insights into the Warhammer 40,000 universe.  I personally found The Emperor’s Finest to be one of the funnier Ciaphas Cian novels, and I chuckled my way through several scenes, especially those where Cain’s greatest threat proves to be an ambitious and heavily armed love interest.  I really love Mitchell’s great writing style for these books, which are honestly some of the more light-hearted entries in the larger Warhammer 40,000 canon, and I felt that it helped to turn the already awesome action story of The Emperor’s Finest into a truly entertaining narrative.  While the overall general adventure narrative is relatively basic, especially after some of the preceding books that had a little more depth, this was still a great read, and those in the mood for comedy, action and amusing characters in the always grim dark Warhammer 40,000 universe are going to have fun with this seventh Ciaphas Cain book.

As with the rest of the series, The Emperor’s Finest works extremely well as a standalone novel, with no prior knowledge of the rest of the Ciaphas Cain series needed to enjoy this cool narrative.  Indeed, as The Emperor’s Finest is set relatively early in the character’s personal chronology, only a couple of the previous books are referenced or mentioned, although the short story, Echoes of the Tomb, set directly before the events of this novel, is discussed a few times.  As such, The Emperor’s Children could potentially be used as a good entry point into the larger series, especially as you get some great comedic moments and interactions in this book.  While The Emperor’s Finest does suffer from some repetition issues due to Mitchell reusing some phrases, descriptions and broad story arcs, I feel that there were enough unique elements in this book to make it stand out from the rest of the series.  This includes the inclusion of Space Marines characters for the first time in a Ciaphas Cain book, as well as the inclusion of some fun new supporting figures who add a lot of humour to the plot.  As such, I felt that The Emperor’s Finest was an outstanding addition to the overall series, and one that will appeal to both new readers and established fans of the series.

An always amazing highlight of the Ciaphas Cain novels are the great characters, and The Emperor’s Finest is an excellent example of this, featuring a fun cast of outrageous figures.  This includes protagonist and main point-of-view character, Commissar Ciaphas Cain, who is a particularly complex figure in the Warhammer 40,000 canon.  Always described by the protagonist himself as a coward and a false hero, Cain spends most of the book trying to come up with ways to avoid combat and survive the inevitable danger his reputation and own bad lack force him to participate in.  Written in a very cynical and self-deprecating manner, Mitchell always tries to emulate classic figures like Flashman or Blackadder with his depictions of Cain.  However, despite Cain’s own constant assurances that he is no hero, he often proves to be quite a skilled fighter and leader, routinely defeating the enemy through clever strategies or natural talents, and you soon figure out that the character is actually a good Commissar, even if he doesn’t believe it.  As such, Cain is a brilliantly contrary character, and it always fun to see him in action, especially in these earlier adventures where even he isn’t sure whether he’s brave or a hero.  Throw in the protagonist’s usual witty humour, sarcastic comments and overall cynical nature, which throws some entertaining shade on the entire Warhammer 40,000 universe, and Cain is a brilliant and surprisingly likeable central character that is so much fun to follow.

Aside from Cain, The Emperor’s Finest features some excellent supporting characters, including some recurring figures from the main series.  This includes Cain’s faithful aide Jurgen, a seemingly gormless and thoroughly unsanitary soldier, who is also an effective and lethal sidekick and in many ways is the true hero of the series.  While some elements of his nature are hidden due to this book being set early in the series’ timeline, Jurgen still has several moments to shine in The Emperor’s Finest, and I love how well he plays off Cian.  Another great recurring figure is Inquisitor Amberly Vail, who serves the essential role as the overarching narrator of the book as well as the person behind the footnotes.  Despite not physically appearing as a character in The Emperor’s Finest, Vail’s impact on the overarching book is undeniable, and I love hearing her commentary on Cain’s exploits while also calling out all his lies and mistakes.  Mitchell also features several stoic Space Marine characters, whose surly presence adds some interesting colour to proceedings, and whose apparently inability to see through Cain is quite amusing.

While Jurgen and Vail are great in their roles as always, I think that new character Mira DuPanya honestly stole the show in The Emperor’s Finest.  The spoiled daughter of Viridia’s governor, Mira is shown to be an early thorn in Cain’s side as she decides to accompany him into battle with her troops, despite being unqualified to lead anyone.  The early conflict between the two quickly turns into an unconventional romance, which Cain humorously regrets the entire way through, especially when Mira’s true intentions are revealed.  Mitchell honestly did a masterful job of portraying Mira in the most spoiled and foppish light, and for once Cain isn’t the most selfish character in the plot.  The hilarious interactions that occur between Mira and several of the recurring cast is often comedic gold, and I felt that this character’s presence alone helped to make The Emperor’s Finest one of the funnier books in the series.  An overall amazing cast of characters that I couldn’t get enough of.

I almost don’t need to say it at this point, but I of course checked out The Emperor’s Finest on audiobook, which frankly is the very best way to enjoy a Ciaphas Cain/Warhammer 40,000 novel.  Once again featuring an impressive cast of entertaining narrators, The Emperor’s Finest had a brisk run time of just over 10 hours, which I honestly flew through because I was having such a fun time with this audiobook.  The multiple narrators really help to capture the entertaining and crazy nature of the narrative, with Stephen Perring doing his usual exceptional job leading the narration.  His voice work in the main story, as told from Cain’s perspective, is very entertaining, and I love the extremely fitting voices that once again accompany the recurring protagonists of Cain and Jurgen, with Jurgen’s sticky tones being particularly fun.  Thanks to its compelling cast, Perring also had some additional interesting voices to feature in The Emperor’s Children, including a group of Space Marines, who Perring gives an appropriately intimidating and booming voice. However, Perring’s most entertaining, if ridiculous voice, belonged to Cain’s new love interest, Mira, upon whom Perring bestows a very grating and overly aristocratic voice, that really fits the spoiled princess persona the character had.  I honestly chuckled my way through some of the outrageous dialogue between the two, especially with Perring’s tones making them even more ridiculous.

In addition to Perring, the voice cast of The Emperor’s Finest also features the returning Penelope Rawlins, as well as additional narrators Andrew James Spooner and Helen McAlphine.  Rawlins once again does an amazing job voicing Inquisitor Vail’s notes on Cain’s account of this mission, and I loved the sarcastic yet informative tone that Rawlins has long attributed to this compelling figure.  Rawlins’s inclusions work perfectly alongside the main narration of Perring, and the way that her subtle and comedic comments are inserted into the flow of the story in this format is always extremely fun.  Throw in some excellent work from Spooner and McAlphine, who bring the contextual articles, interviews and exerts from in-universe texts to life in an amusing and striking fashion, and The Emperor’s Finest once again features some outstanding narration that really enhances Mitchell’s already awesome story.  I have so much love for how the Ciaphas Cain novels come across on audiobook, and The Emperor’s Finest once again shows why this is the very best way to enjoy this series.

Seven books in and the always fun Ciaphas Cain series remains one of the best Warhammer 40,000 series.  Sandy Mitchell did an outstanding job continuing the series with The Emperor’s Finest, which provides even more great action, fantastic comedy, and amazing character interactions.  An excellent and captivating read from start to finish, The Emperor’s Finest comes highly recommended, and I can’t wait to dive even further into the series when I get a chance.

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Four Ruined Realms by Mai Corland

On By The Unseen LibraryIn Audiobook, Fantasy13 Comments

Publisher: Recorded Books/Zaffe (Audiobook – 7 January 2025)

Series: The Broken Blades – Book Two

Length: 13 hours and 31 minutes

My Rating: 4.75 out of 5 stars

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One of the hottest fantasy sequels of 2025 is the impressive Four Ruined Realms by Mai Corland, that once again follows an entertaining band of killers and self-interested liars as they get drawn into dark events that threaten their entire world.

Last year I had the pleasure of reading the outstanding debut Five Broken Blades by Mai Corland.  The first book in Corland’s Broken Blades trilogy and one of my favourite debuts of 2024, Five Broken Blades was an impressive fantasy novel with some great Korean aesthetics that followed five deadly killers who are recruited to kill the king of Yusan and steal the magical crown that makes him invulnerable.  However, their planned assassination and heist becomes complicated by secrets, treachery and the fact that each member of the group had hidden motivations for being there.  Corland provided a pretty wonderful story for this first book, loaded with betrayals, lies and compelling character-driven perspective chapters, and I loved the great twist at the end that saw the protagonists captured and forced to engage in a new heist.  As such, I have been eagerly awaiting the sequel since last year, especially as I couldn’t wait to see how Four Ruined Realms resolved the awesome cliffhanger Corland left the first book on.

The group known as the Blades are five of the best killers, liars and thieves in the kingdom of Yusan.  Made up of a master spy, a beautiful poison-maiden, a murderous banished prince, a lethal thug and a mysterious thief, the Blades were hired to pull off an impossible task: kill Yusan’s God King Joon and steal his crown.  Each of the killers had a reason for becoming involved with the plot, as well as their own dark secrets that drove them onwards.  However, all of them underestimated Joon’s manipulations and greed, as the entire job was a ploy from the King to bring them together and evaluate their skills.

Captured and forced by bribes and threats to accept a new mission, the Blades now find themselves journeying to the neighbouring nation of Khitan, which has long resisted the armies of Yusan.  Ruled over by Joon’s vengeful sister, Quilimar, Khitan remains free thanks to the power of the Golden Ring of the Dragon Lord, one of five legendary magical treasures gifted to the ruling houses of the rival realms.  Determined to possess all the treasures, Joon gives the Blades one month to steal the ring and return it to him.  If they succeed, they will have everything they desire, but if they fail, then they and everyone they love will be killed.

Arriving in Khitan, the Blades find dangerous enemies all around, an impossible theft before them and their once cohesive group fractured thanks to their uncovered lies.  But even with their conflicting motivations and secrets out in the open, these killers can all agree on one thing: King Joon is their true enemy.  Determined to fight back, the Blades embark on a mission to gain an audience with Quilimar and find a way to use Khitan’s resources to defeat Joon.  However, there is a darker conspiracy at play within the borders of Khitan, and the Blades have once again underestimated the lengths their enemies will go to win.  Worse, each of the band still has secrets, and soon a new set of lies will tear them apart from within.

Four Ruined Realms was another exceptional fantasy novel from Corland that effortlessly drags you in with its fun action, compelling story, doomed romances and outstanding and damaged protagonists.  Perfectly telling a massive, multi-character narrative, Four Ruined Realms was a very worthy sequel to Five Broken Blades that proved very hard to put down.

Corland set forth another complex and emotionally charged narrative in Four Ruined Realms, and I loved how well she continued after the cool cliffhanger ending of the first book.  Taking place right in the aftermath of the betrayals and lies of Five Broken Blades, Four Ruined Realms begins just as the Blades arrive in Khitan and are forced to work together to survive and secure the prize, despite the complete lack of trust and the anger brought about by their revealed secrets.  Corland works a lot of great character development into these early chapters, as the book flits between the protagonists and showcases their respective mindsets.  There is a good blend of early planning, espionage, and personal issues, as the protagonists try to work together, while also maintaining additional secrets that they know will tear the group apart.  The first part of the book features some very fun sequences, especially when the male protagonists depart on an expedition for knowledge, while the girls attend a party that ends in turmoil.  At the same time, there are hints of a bigger conspiracy beneath the surface of the new realm they are in, and Corland provides some interesting clues that perfectly come into play later.

As Four Ruined Realms continues, Corland enhances the book by including more chapters from the perspective of returning protagonist Tiyung.  Tiyung, while a perspective character in Five Broken Blades, only had a relatively minor point-of-view role, so it was interesting to see him as more of an equal protagonist in the sequel.  His storyline of being stuck in a notorious prison back in Yusan proved to be particularly compelling, especially as he gets to interact with two of the book’s best supporting characters.  Tiyung’s storyline blends well with that of the main protagonists, and thanks to the simultaneous timeline, you get to see him react to the events occurring over in Khitan and find out secrets that have potential impacts on how the Blades succeed in their task.

The second half of the book primarily details the Blades’ attempts to learn more about Khitan and find a way to get an audience with its queen.  Their plans to achieve this see them once again split up into dramatic groupings, and you get some interesting adventures and interactions as a result, especially as all the powerful emotions come to the surface.  It also perfectly sets up the final massive sequence of Four Ruined Realms, which really delivered in both action and tragedy.  While I don’t want to spoil too much, readers will come away from this novel pretty heartbroken, and there are some very intense moments going on in the last third of the book.  Combined with a series of final reveals and twists, all of which are nicely foreshadowed by earlier subtle inclusions from the author, you come away from Four Ruined Realms both moved and extra excited to see how the series is going to come to an end.

As with the first book in the series, Corland sets Four Ruined Realms out in a fantastic manner, and I deeply enjoyed how the complex narrative came across.  The use of six separate perspective characters was a major highlight as it allowed for a multi-layered narrative with a focus on character development and interactions.  The author did an outstanding job of balancing the different perspectives, with all the protagonists getting their chance to shine in their respective chapters, and even the increased use of Tiyung didn’t throw this out of whack.  Indeed, Tiyung’s chapters honestly pulled the other perspectives together into a tight and captivating overarching narrative, as the inclusion of an outsider character viewing events from afar increased the complexity of the plot.

The author makes full use of the book’s alternating viewpoints to insert a lot of great story elements into the plot, so there is a little something for everyone here.  The constant intrigue and danger that the protagonists found themselves in was well balanced by the author’s excellent worldbuilding, while the cool action scenes are guaranteed to get anyone’s blood pumping.  There are also multiple romance subplots that none of the protagonists are immune to.  While not a full-on romantasy novel, a good chunk of the book is focused on the complicated relationships that have formed between various protagonists, which will appeal to some readers, especially as the doomed nature of many of these romantic affairs leads to some excellent drama and heightened personal tensions.  While there were a few more romantic subplots than I typically enjoy in a fantasy novel, I felt that Corland got the right equilibrium here, with the focus on relationships and failed love enhanced the main fantasy intrigue elements of the plot rather than distracting from them.

Four Ruined Realms proved to be a very worthy sequel to Five Broken Blades, and I really enjoyed how effectively the author continued her elaborate storylines and continued to build up her great characters.  Corland uses this book to substantially expand the overarching setting of the series, including exploring a second realm and diving into the larger politics of the world.  The primary new setting, Khitan, worked extremely well as a background to the story, especially as its history and inherent intrigue played nicely into the chaotic mission of the protagonists and the plots surrounding it.  While I loved how the narrative continued in this sequel, readers should be warned that Four Ruined Realms isn’t necessary the best place to dive into the Broken Blades books, primarily because it is the second entry in a complex ongoing fantasy series.  While Corland does a great job of recapping the key events of the first book throughout Four Ruined Realms to make it accessible to newcomers, readers should really start at the start of the trilogy as it will give you the full emotional impact, especially when it comes to the character arcs.  Still, there is plenty for everyone to enjoy here, and I feel that Four Ruined Realms was a great book and sequel for readers new or returning.

As with the first book in this trilogy, the element that really ensures Four Ruined Realms stands out was its well-crafted main characters through whose eyes we see the narrative unfold.  Corland brings back all six protagonists from the first novel, made up of Royo, Sora, Euyn, Mikail, Aeri and Tiyung, and features them as equal parts of the plot.  After exploring their tragic backstories in Five Broken Blades, Corland spends this second novel diving into the drama and turmoil caused by the events of the first book, including the reveal of their darkest secrets and hidden motivations.  This brings out a lot of mistrust, antagonism and broken romances, which works to create quite a turbulent and entertaining plot.  I really appreciated how well each of these protagonists came through as a result, and it was fascinating to see their next set of secrets and hidden concerns, especially the deeper you get into their new mission.

Of the six, Royo, Mikail and Tiyung probably had the best arcs in Four Ruined Realms.  Royo continues to be the loveable, tough street thug with a past, and his more straightforward approach to life and honest need for redemption are quite refreshing amongst the rest of the schemers in the group.  Mikail, the dark spy master, proves to be the book’s ultimate badass, and his entertaining persona, complex backstory, and conflicted opinions about his love interest Euyn, ensure that he is one of the better perspectives in Four Ruined Realms, especially as he continues to mislead and lie to everyone.  Tiyung, as I mentioned above, gets much more of a chance to shine in this sequel, and his transformation from spoiled rich kid to starving prisoner ensures you get a better look at his character.  A genuinely good person, Tiyung continues to rise above his family legacy here, and his narrative of prison life and unexpected connections was a true highlight of the book.

The rest of the Four Ruined Realms protagonists also had some excellent moments, and I really appreciated their storylines.  Euyn, the fugitive prince of Yusan, has a troubled time in this sequel, primarily as he has the most paranoia and mistrust after the events of the first book.  This leads to a lot of conflict, and Euyn’s character growth from the first book starts to reverse in places as he seeks fights and alienates his allies.  However, Corland works this conflict into an excellent overarching narrative for Euyn, with its resolution being a key part of the plot.  I also felt that Sora, the beautiful and deadly poison-maiden, had a great arc in this sequel, especially as she loses her confidence and her killing edge, becoming the group’s conscience.  The final protagonist, Aeri, is my least favourite, although she ties the central cast together nicely.  The secret child of the main antagonist Joon and the group’s traitor in the first book, Aeri is the most mistrusted protagonist, despite being in the same boat as the rest of the Blades, and spends much of Four Ruined Realms trying to prove herself again.  While her storyline is really interesting and an essential part of the overall plot, I still didn’t connect with Aeri.  I’m not sure if this is because of how she is written, or because of the narrator assigned to Aeri’s chapters, but I feel that there is a huge disconnect between Aeri and the other protagonists which makes her not quite fit in, especially with her overly manic (and horny) personality.  Still, she does have some great moments in Four Ruined Realms, and it will be very interesting to see where Aeri and her doomed romance ends up.  Throw in an array of excellent supporting figures, including outstanding and ruthless antagonists, and this proves to be an amazing overall cast, whose layered roles and interactions helps to turn Four Ruined Realms into quite an exceptional read.

As with the first book in the series, I chose to listen to the audiobook version of Four Ruined Realms, especially after Five Broken Blades came across so epically on the format.  Unsurprisingly, the sequel was just as impressive on audiobook with Four Ruined Realms also featuring talented narrators, Greg Chun, Zion Jang, Roger Yeh, Donald Chang, Jaine Ye and Sophie Oda, each of whom voiced the chapters of a particular character.  These multiple narrators worked wonders to tell Four Ruined Realms’s elaborate character-driven story, and I loved how each of them inhabited the role of their respective protagonist.  All the narrators really impressed me in Four Ruined Realms and thanks to the even spread of chapters between characters, they all got a chance to shine.  There was a fantastic array of voices featured in each chapter, and we get to hear several differing tones for the same characters throughout the course of the audiobook.  I will admit that the narration for Aeri’s chapters still didn’t quite seem to fit the tone of the rest of the audiobook, but the other chapters more than made up for it, and I really enjoyed some of the elaborate and varied voices that emerged.  Featuring a 13-and-a-half-hour runtime, this was a quicker audiobook to get through than Five Broken Blades, and it ended up being a wonderful way to appreciate Corland’s fantastic story.  As such, this format comes very highly recommended for Four Ruined realms, and I am currently planning to finish this series off on audiobook.

With even more betrayals, secrets and tragedy, Four Ruined Realms was another exceptional novel from Mai Corland, who is really starting to impress me as an author.  An outstanding sequel to Five Broken Blades, Four Ruined Realms perfectly continues the trilogy’s captivating narrative, and you won’t be prepared for all the cool twists, turns and major moments.  A brilliant and moving fantasy novel with some dramatic character moments, Four Ruined Realms was such a good book and I’m so very glad I continued this fantastic series.  I cannot wait to see how this trilogy concludes, and luckily the final book, Three Shattered Souls, is out in July.

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A Death in Berlin by Simon Scarrow

On By The Unseen LibraryIn Historical Fiction, Murder Mystery3 Comments

Publisher: Headline (Trade Paperback – 11 March 2025)

Series: Berlin Wartime/Criminal Inspector Schenke Thriller – Book Three

Length: 385 pages

My Rating: 4.5 out of 5 stars

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One of the world’s leading historical fiction authors returns with another intriguing and captivating historical murder mystery with the outstanding read, A Death in Berlin.

I have made no bones about the fact that I am a major fan of historical fiction author Simon Scarrow, who has been diving into awesome scenarios from history for over 20 years.  While I probably know him best from his outstanding Eagles of the Empire Roman historical fiction series (see my review for the latest entry, Revenge of Rome), Scarrow has also written some other amazing series, including his current ongoing Berlin Wartime Thriller novels.  Set in Berlin towards the start of World War II, the series follows a studious and troubled police detective as he attempts to uphold justice in a city overrun with murderous Nazis.  The first two books in this series, Blackout and Dead of Night, were both very impressive, and I have been eagerly awaiting this third novel in the series, A Death in Berlin, for some time.

Berlin, May 1940.  As the German army prepares for its invasion of France and Western Europe, crime still roams the street of Berlin, and it falls to CI Horst Schenke and his investigative Kripo to keep order and maintain justice, a job made markedly harder by the dark policies of their Nazi overloads.  Despite his own dislike of the Nazi regime, which grows increasingly suspicious of him, Schenke is determined to do his job, especially when it comes to the criminals controlling the streets.

Assigned to find the source of forged ration coupons that are disrupting the war effort, Schenke and his team find themselves investigating a growing gang war when a prominent black-market operator is gunned down in the dead of night.  Convinced that the gangster’s murder is related to the forged coupons, Schenke leads the Kripo into investigating the criminal underworld that lies beneath Berlin.

However, this is no ordinary gang crime.  A dark series of events have led to the death of their victim, and the Kripo investigators soon uncover a dangerous conspiracy to profit from the war.  Worse, the gangster they are chasing are protected by powerful Nazi leaders, and Schenke must continue to walk a fine line in avoiding their attention.  But when his enemies uncover his deepest secret, can Schenke survive with his honour intact, or will he need to make a dark deal to get what he wants?

A Death in Berlin was another excellent novel from Scarrow, who cleverly combines exciting crime fiction elements with a compelling historical setting.  Clever, action-packed, and constantly moving, A Death in Berlin was an outstanding read, and I think this might be his best Berlin Wartime Thriller novel yet.

I really liked the cool story that Scarrow came up with for A Death in Berlin, especially as this latest novel features a complex narrative revolving around Berlin gangsters and crime wars.  Starting off fast and getting into the heart of the case, readers soon become invested in finding out who was behind the killing of the gang leader and what impact it is having on the larger criminal underworld of Berlin in the leadup to the invasion of France.  Thanks to an excellent early shootout, the stakes of the book become even higher, as the protagonist finds himself in the middle of a gang war, which he is forced to navigate to solve the main mystery of the book.  Scarrow also continues to focus on the complex life of protagonist CI Horst Schenke, who constantly finds himself coming to the attention of his Nazi superiors, despite his dislike of the party and his secret romance with Ruth, a Jewish woman hiding out in Berlin.

Following this great initial setup, Scarrow takes the plot of A Death in Berlin in some outstanding directions, especially as there is quite a compelling mystery here, with multiple potential suspects and motivations for the murder, many of which lead to other alternate crimes investing the Nazi controlled city.  Scarrow cleverly reveals the involved parties at key parts of the book, and while there aren’t too many surprises, it was very interesting to see how everything tied together.  The final third of the book is probably the best, as the protagonist finds himself trapped by his own secrets and is forced to make compromises to keep those important to him safe.  This leads to a massive and intense final confrontation, as the protagonist risks everything with some unlikely allies in a brilliant, action-packed set piece.  The final revelations revealed during this climax brought the entire story together nicely, and I really appreciated how the tight and complex mystery was resolved.  This was an overall fun and exciting narrative, and one that is quite easy to power through quickly, especially once you get caught up in the mystery.

Scarrow did an outstanding job pulling together A Death in Berlin, as the novel was a compelling and exciting read with a lot of awesome elements behind it.  The author successfully blends an excellent murder mystery storyline around the intriguing historical elements of his series, showcasing the potential hurdles a police detective needed to face during the Nazi regime.  At the same time, there is a fantastic emotional heart to A Death of Berlin, as the protagonist continues his ill-advised romance with Ruth, while also being forced to once again confront the dark side of the government he is wilfully working for.  I felt that Scarrow perfectly balanced these elements throughout A Death in Berlin, and there is a little something for everyone here, including a ton of amazing action and firefights, as the protagonist attempts to bring down a dangerous collection of emboldened criminal gangs.  As such, this is a very easy book to get into and follow, and while there are some references to the previous Berlin Wartime Thriller novels, for the most part A Death in Berlin acts as an accessible standalone novel, which allows for a wider audience.

For me, one of the more intriguing elements of A Death in Berlin was the author’s excellent examination of life in Berlin during the early days of World War II.  Scarrow has always done an amazing job showcasing the uncertainty, fear and underlying issues of Berlin in the early days of the war in this series, and I enjoyed how he further outlined the tension involved with the pre-invasion of France.  The overarching fear that certain members of the public have with the Nazi regime is still a key part of the plot, and while the protagonist isn’t as directly targeted by the Nazis as he was in previous books, he still has to play by their twisted rules, especially when invited to a party of the Nazi elite, where he meets some very high-level members.  However, it was the focus on the criminal element infesting Berlin during these years that I found to be particularly fascinating, as Scarrow explores the potential scams, nightspots and other enterprises that would have been run in early wartime.  While coupon forgeries have been mentioned in previous novels, it was fascinating to see the entire novel focussed on the control of this valuable wartime currency, and it resulted in some truly compelling scenes.  Despite this being a more crime-fiction novel than a book examining hidden Nazi plots or killers, the influence of the Nazi government still plays a big role in the murder investigation elements of the book, especially as the protagonist and his colleagues must worry about high-level party members protecting the criminals.  These elements proved to be an outstanding part of the book, and I really appreciated how well Scarrow worked it into the main plot of the book.

As with the rest of the series, Scarrow does some excellent character work in A Death in Berlin, bringing together a complex cast of characters to work the case, each of whom are dealing with their own issues associated with Nazi-controlled Germany.  The most prominent of these is the protagonist and main point-of-view character, CI Horst Schenke, a former race car driver turned police investigator.  While generally shown to be a studious and steadfast lawman, Schenke’s life has become even more complicated due to his growing dislike of the Nazis and his refusal to join the party, much to the displeasure of his superiors.  It is fascinating to see the seemingly strait-laced Schenke walking the line between doing the right thing and surviving the Nazis, especially as he has fallen in love with the fiery Ruth, a Jewish woman who has managed to stay hidden in Berlin after the first purges.  Many of Schenke’s more radical actions in this book are driven by his complicated relationship with Ruth, and you really grow attached to both characters, especially when their secret relationship causes great risk for them. 

Other great characters A Death in Berlin include Schenke’s main police backup, Sergeant Hauser and former Gestapo agent Liebwitz.  These two prove to be an excellent double act behind Schenke, as not only do the three form an effective crime fighting force, but they also showcase alternate viewpoints of Germany during this period.  Hauser is a former World War I soldier and family man, who is the classic everyman figure who supports the Nazi regime.  Despite this, he merely wants to support his country and has some doubts about the more extreme actions of Hitler.  Liebwitz is a more unusual figure, who honestly steals the show in some ways.  An exceedingly logical figure who has gravitated away from the Gestapo to be a police investigator, Liebwitz finds his life still bound by his Nazi training, despite the many flaws he sees in it, and he is well used as a compelling alternative point-of-view character.  However, as with the previous book, the influence of Schenke and the investigation of crimes that show the true evils of the Nazis are slowly changing Liebwitz’s way of thinking, and it will be fascinating to see where Scarrow takes his character arc in the future.  Throw in a series of entertaining and over-the-top Berlin criminals and the cast of A Death in Berlin is quite entertaining, and I really enjoyed how their complicated arcs impacted the overall narrative.

Simon Scarrow continues his outstanding Berlin Wartime Thriller series in a massive way with the captivating and impressive novel, A Death in Berlin.  Combining a great crime fiction narrative with a clever historical background setting, A Death of Berlin proved quite addictive, and I had an incredible time getting through it.

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Warhammer 40,000: Interceptor City by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer8 Comments

Publisher: Black Library (Audiobook – 22 February 2025)

Series: Sabbat World Crusades/Warhammer 40,000

Length: 15 hours and 35 minutes

My Rating: 5 out of 5 stars

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Take to the skies once more as legendary Warhammer 40,000 author Dan Abnett presents another ambitious and rip-roaring novel of dogfights and explosive characters in the incredible novel, Interceptor City.

Dan Abnett is an author who I have mentioned multiple times in this blog, primarily because he is one of the best and most prolific writers of Warhammer fiction.  Abnett’s impressive work is a substantial pillar of the extended Warhammer 40,000 universe, especially with his entries in the Horus Heresy range, as well as his own various unique series, several of which are amongst some of my very favourite pieces of Warhammer 40,000 fiction.  This includes his outstanding Eisenhorn novels (Xenos, Malleus and Hereticus), his long-running Gaunt’s Ghosts books (First and Only, Ghostmaker, Necropolis, Honour Guard, The Guns of Tanith, Straight Silver and Sabbat Martyr), as well as gripping standalone titles like Titanicus. However, one of his very best books is the exceptional Double Eagle, for which Abnett has just released a sequel.

Double Eagle was an incredible novel first released in 2004 that sought to add a new, unique vantage point to the author’s Sabbat Worlds Crusade, the massive, multi-planet war served as a background the Gaunt’s Ghosts books.  Double Eagle followed members of a regiment of fighter pilots as they sought to control the skies above the Sabbat Worlds.  An intense, beautifully written, character-driven novel, Double Eagle got an easy five-star rating from me thanks to its outstanding and epic dogfights and examples of fighter-on-fighter combat.  Double Eagle was easily one of the best Warhammer books I have ever read, and I was very excited to find out that Abnett was finally releasing a sequel.

The Emperor protects, the Aeronautica remembers!

It has been more than 20 years since the battle to save Enothis and the Sabbat Worlds Crusade continues to rage, with millions of soldiers from the Imperium of Man fighting and dying to claim the planets from the arch-enemies grasp.  For some the crusade seems like a distant event, but for those on the scarred planet of Lysander, war is a daily occurrence, especially as the air forces of Chaos constantly seek to destroy the Imperial defenders with massive bomber flights.  The latest front of this campaign is the ruined hive city of Vesperus, which the enemy is using as cover to launch bombing attacks where the Imperials least expect it.  In response, the fighter pilots of the Aeronautica Imperialis have been ordered to secure the destroyed spires and massive building and turn Vesperus into a city of interceptors.

Into this precarious warzone flies former famed fighter pilot Bree Jagdea.  No longer the heroic ace who led her squadron to victory on Enothis, Jagdea now only pilots cargo haulers, determined to stay out the fighting.  However, an encounter with an old comrade leads her back into danger when she agrees to help the war effort by driving a needed replacement fighter to the Circus 66 squadron, currently serving in the ruins of Vesperus.  Planning to leave immediately after dropping off her precious cargo, Jagdea instead finds herself conscripted to join the ranks of the squadron as they face overwhelming odds against massed opposition from the forces of Chaos.

With no way out of the fight, Jagdea must once again contend against opponents in the sky if she wants survive and escape this new hellish posting.  However, this is not the air combat she is familiar with, instead the fighting in Vesperus is a cramped and deadly affair as their fighter aircraft must fight amongst the devastated and towering buildings of the Hive, where even the slightest error could result in death.  Forced to adapt to the new urban conditions Jagdea attempts to bring out her former skills and talent to survive the enemy all around her.  But with mysterious deaths haunting the squadron and the addictive thrill of danger once again luring her in, can Jagdea once again become a hero, or will she finally face her fate in the sky?

Well damn, now that’s how you do a sequel!  Dan Abnett continues to showcase why he is one of the very best authors of Warhammer fiction with the exceptional Interceptor City.  A particularly intense and captivating read that brings back one of Abnett’s best protagonists, Interceptor City was everything I hoped it would be, and more, as this novel simply blew me away.  One of my new favourite Warhammer 40,000 novels, Interceptor City gets a very easy five-star rating from, and I love the unique direction Abnett took this long-awaited sequel.

I have so much love for the narrative in Interceptor City, especially as Abnett decided to provide something very special for this sequel.  Abnett could have produced another open-skied flying story set right after the events of Double Eagle, and this probably would have been good enough to keep most Warhammer fans happy.  Instead, the author decided to raise the stakes in a big way by producing a deep and intense character-driven novel that brings back and focusses solely on a traumatised and retired version of his previous novel’s protagonist 20 years after the events of the first book, and places them into an impossible combat situation amongst suffocating spires and devastated city blocks to produce some outstanding action.

Told exclusively from the point of view of protagonist Bree Jagdea, Interceptor City went in some very interesting directions that bring the reader quickly into the fray.  Effectively setting up the unique situation on Lysander and Jagdea’s current emotional state, the story soon introduces some of the key supporting characters, before bringing Jagdea to the thick of the fighting in the devastated hive city of Vesperus.  Forced by circumstances to once again fly in combat, Jagdea finds herself in a new craft alongside an insane group of pilots trying to survive against impossible odds.  This results in the powerful main body of the plot as the traumatised Jagdea attempts to survive in an array of lethal fights amongst the massive, destroyed buildings of the Vesperus hive.

Abnett works in some incredible aerial sequences throughout Interceptor City, and you really become absorbed in the elaborate flying duels amongst the ruined buildings.  There is a great character-driven story here as Jagdea remembers her old instincts and slowly adapts to the new flying conditions she is forced to fight in.  At the same time as the brilliant action sequences, Jagdea also gets to know the other eccentric members of her new squadron, and there are some amazing character moments as she tries to understand their desperation, insanity and unique methods, while also trying to improve the survival rate of the less experienced pilots.  The flying scenes get more intense as the plot continues, especially as Jagdea regains her confidence, and you begin to understand more of the squadron’s madnesses.  There are some truly impressive story moments here, including a harrowing survival sequences and multiple complex aerial fights, that are cleverly worked together into one coherent and compelling plot.  Thanks to a great subplot, the later part of the book has a darker edge of mystery that requires to protagonist to try and understand the deeper motivations of the supporting cast.  While the solution of this mystery is somewhat obvious, it proves to be very well set up, and Abnett utilises it to masterfully increase the novel’s tension and stakes.  Interceptor City ends on a dark but fun note, as Abnett bucks against the expected final confrontation and allows the protagonist to end events on her own terms in a very over-the-top fashion.  This proved to be an extremely addictive narrative that really dives into the heart of the protagonist and provides some powerful and action-packed moments.

I loved this amazing Warhammer 40,000 novel, and I felt that Abnett presented it in such an impressive way.  Cleverly settling in as a standalone novel amongst the author’s other Sabbat World Crusade books, Interceptor City features a somewhat different style from Double Eagle, which works to make this sequel stand out on its own.  Rather than the extensive, multiple viewpoints that Double Eagle featured, Interceptor City is told exclusively from the perspective of the damaged protagonist Bree Jagdea.  While this does mean that you don’t get the full-picture war story that made Double Eagle cool, it allowed Abnett to really dive into his impressive protagonist’s story and showcase her personality and emotional state.  This ensured that this sequel was a particularly powerful and complex read, especially as Jagdea is a shadow of her former self after burning out as a pilot and crashing at her peak.  Now back into the cockpit, Jagdea is forced to come to terms with her own fears and doubt, as well as try the legacy of her past actions.  Abnett did an exceptional dive into Jagdea’s mind throughout Interceptor City, and he utilised the sole viewpoint to really explore her fears, hopes and the reasons behind her retirement.  This proved to be quite exceptional, and while readers are advised to read Double Eagle first to see this protagonist at her flying peak, new readers can easily dive into Interceptor City and appreciate its powerful emotional heart.  Throw in an over-the-top cast of eccentric pilots and killers with some additional complex and fascinating stories that the protagonist gets to know and trust, and Interceptor City has an impressive amount of character work that I found really fascinating.  Abnett layers this was a very grimdark tone, which allows the reader to full appreciate the desperate situation the protagonists are, and readers come away with an intense and impressive appreciation for the story.

While the great writing and the impressive focus on the protagonist’s mind ensures Interceptor City had an amazing story, the true highlight of this book is the outstanding depictions of aerial combat.  Abnett somehow managed to exceed his various impressive aerial sequences from Double Eagle in this sequel, and the resulting scenes of fighter-on-fight combat were so damn impressive, especially as the author describes them in exceptional detail.  The change of scenery from open skies to cramped urban flight conditions was extremely smart, and it ensured that Interceptor City’s flight scenes really stood out.  While the protagonist isn’t facing the overwhelming numbers of enemy fighters she encountered in Double Eagle, she is now forced to deal with small groups of skilled pilots amongst the wreckage of Vesperus, flying at impossible speed where even the slightest mistake could lead to death.  This results in some extremely nerve-wracking and claustrophobic sequences, as the protagonist tries to simultaneously fight and survive the dangerous environment she is flying through.  These fight sequences were so damn cool, and I loved how Abnett slowly improved the protagonist’s performance with each flight to reflect her growing confidence and mastery of the new location.  It is honestly impossible to stop reading Interceptor City during any of these sequences, especially the massive high-stakes ones at the end, and I frankly could not believe how Abnett made the dogfights and flying scenes even more epic in this outstanding sequel.

As is my preference with all things Warhammer, I chose to check out Interceptor City on audiobook rather than seeking out a physical copy.  Warhammer audiobooks are so damn good, and I love how well the elaborate and dangerous Warhammer 40,000 setting comes across when it is read out by a skilled narrator.  Abnett’s Warhammer 40,000 novels are a great example of this, as his compelling character and intense, tailored action really comes across on audiobook, especially in the hands of one of my favourite narrators Toby Longworth.  Longworth, who has lent his voice to most of Abnett’s books, really understands the best way to present the author’s fantastic narratives, and I love his cool take on all his Warhammer novels.  This was particularly true with Interceptor City, as Longworth did a masterful job bringing this complex tale to life, moving the main plot along at a quick pace and ensuring the action sequences were as epic as possible.  The passionate way he reads out the complex dogfights is just brilliant, and I found myself getting more and more drawn into these scenes as Longworth effortlessly vocalises every turn of the fighter and every lethal explosion in a tense and powerful manner.  You really got a sense of the protagonist’s desperation and the claustrophobic flying conditions she experienced thanks to this narration, and I was honestly on the edge of my seat for some of these outstanding sequences.  Throw in Longworth’s great array of compelling voices, which perfectly match the character they are assigned to, unique space accents and all, and the full impact of this amazing Warhammer 40,000 novel really comes out in the audiobook format.  Coming in with a run time of 15 and a half hours, Interceptor City is an epic audiobook to get drawn into, and I powered through this format in no time at all.  I actually wished it was a longer audiobook, it was that much fun, and as such I cannot recommend this format enough.

Dan Abnett was once again on fire with this exceptional and impossibly impressive Warhammer 40,000 novel.  A worthy sequel with its own incredible narrative, Interceptor City was a blast from start to finish and I had such a great time getting through this ambitious read.  Powerful, exciting, and loaded with some of the best Warhammer action sequences you are likely to read, Interceptor City comes highly recommended, and this might be one of my new favourite books.  I cannot wait to see what awesome Warhammer 40,000 novel Abnett writes next, and I hope we don’t have to wait another 20 years to see a new aerial adventure from this amazing author.

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Usagi Yojimbo: Volume 15: Grasscutter II- Journey to Atsuta Shrine by Stan Sakai

On By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday1 Comment

Publisher: Dark Horse Comics (Paperback – 1 February 2002)

Series: Usagi Yojimbo – Volume 15

Length: 184 pages

My Rating: 5 out of 5 stars

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The classic adventures of Usagi Yojimbo continue as I look back at the 15th brilliant volume, Grasscutter II – Journey to Atsuta Shrine, one of Stan Sakai’s more ambitious and powerful comics, which sees the protagonist and his friends caught up in the tides of fate and history.

Ever since I read the recently released 40th volume of Stan Sakai’s iconic Usagi Yojimbo comic series, The Crow, I have been in a major Usagi Yojimbo mood, so I decided to go back and continue reviewing the older volumes of this classic comic, which follows a rabbit ronin in a version of Feudal Japan populated with anthropomorphised animals.  I reviewed the first 14th volumes during COVID lockdown, and had a lot of fun doing so, especially as Usagi Yojimbo is one of my favourite comic series.  I have been meaning to restart reviewing the older comics for a while, and I’m not going to throw away this sudden surge of creative energy, so this is the perfect time to bring out my review for the 15th volume in the series, Grasscutter II.

Grasscutter II is one of Sakai’s most impressive comics in the series.  Featuring issues #39-45 of the first Dark Horse Comics run on the Usagi Yojimbo series, Grasscutter II serves as the gripping sequel and conclusion to the intense and pivotal story contained in the 12th volume, Grasscutter.  This previous volume saw Usagi and his friends become embroiled in the recovery of the legendary sword Kusanagi and the foiling of a major plot to rebel against the Shogun.  A dark and compelling entry in the series, Grasscutter featured an amazing story with major implications for the Usagi Yojimbo series.  This was such a key volume, and it is interesting to see how Sakai follows it up here, especially as he needed to make Grasscutter II’s story in just as epic, if not more impressive.

Following dark events of magic and death, few people are aware that the legendary Imperial sword Kusanagi has been recovered from the sea.  Forged by the gods and wielded as a symbol of Imperial authority for generations, Kusanagi, or the Grasscutter sword has the potential to reshape the power structure of Japan, as whoever holds it could rally all the country to their cause, bringing war and destruction to a currently peaceful nation. 

Hidden at a small temple, the sword is currently guarded by the honourable samurai Miyamoto Usagi, the irrepressible bounty hunter Gen, and the head priest Sanshobo.  However, the three know that they cannot keep the sword hidden for long, with dangerous foes seeking to uncover its secrets.  The only place that the sword will be truly safe and out of the hands of those who would use it for political gain is the sacred shrine of Atsuta, where a replica of the sword currently rests.

Embarking on a noble quest, Usagi, Gen and Sanshobo hope to sneak the sword to the shrine before anyone knows they have it.  However, the road to safety is long, and it soon becomes apparent that dangerous foes know exactly what they are carrying.  Pursued by two rival ninja clans who will stop at nothing to possess the sword as fuel for their own dark ambitions, Usagi and his comrades will need to fight tooth and nail to survive and keep the sword out of their hands.  But with old friends and new bitter rivals revealing themselves, can even Usagi and his skilled companions avoid the tragedy that stalks them?

Grasscutter II was an epic and captivating classic entry in one of the best ongoing comic series.  Serving as an effective follow up to the bloody events of Grasscutter, Grasscutter II blended together a ton of outstanding action with some great character moments to create a memorable and beautifully drawn addition to the series that gets a very easy five-star rating from me.

This 15th volume of the Usagi Yojimbo series has a very gripping and intense storyline that seeks to combine Japanese history and mythology with the author’s action-packed style.  Starting with a beautifully drawn prologue that gives some interesting historical and mythological context to the sacred shrine of Atsuta, Sakai quickly moves into the main story, with Usagi, Gen and Sanshobo starting their journey to the shrine after being forced to protect the sword in the previous volume, Demon Mask.  At the same time, two rival bands of ninja, the Komori ninja and Neko ninja, discover that the existence of the sword and move quickly to intercept the companions, hoping to claim it for their own conflicting reasons.  The Neko ninja, led by Chizu, who has a complicated history with Usagi, catch up to the protagonists around the same time as the Komori ninja, leading to a wild three-way brawl.  Forced to work together, Chizu joins Usagi and his friends to recover the sword, which raises some interesting conflicts and issues, especially as Chizu has very different plans for the Kusanagi sword.

The second half of Grasscutter II is epic the entire way through, as Sakai continues to feature impressive action, while also allowing several character arcs to develop and conclude in tragic ways.  This includes the companions meeting up with the excellent supporting character Ikeda, who had such a great redemption arc in the previous Grasscutter volume.  Following some initial betrayal from Chizu, Usagi, Gen and Sanshobo follow her and enter battle with the Komori ninja, which ends in a dark moment of honour and loyalty from another interesting supporting figure.  While this initially seems to wrap up the main story, a fun twist ensures that Grasscutter II enters a fantastic concluding arc that sees that protagonists enter one last battle before achieving their goal.  This big battle is one of the most brutal and intense in the entire volume, and results in the book’s final tragic moment, which proves to be a fitting end to one amazing figure.  Loaded with powerful emotion, sacrifice and grief, this ending to Grasscutter II wraps up the entire story perfectly and ensures you are hooked all the way to the final blow.

This was another great volume from Sakai that successfully pushes the overall narrative of the series onwards and results in some intriguing changes to the comics, both in this book and the future.  As with all of Sakai’s work, Grasscutter II features a great combination of action, intrigue, character work and beautiful art that comes together perfectly to create an exceptional comic that is impossible not to finish in one sitting.  There are some truly great moments in Grasscutter II that help to make it stand out amongst Sakai’s other outstanding work, including the cool battle sequences.  The various scenes that feature the protagonists caught between two different schools of ninja were the best, and Sakai had fun showcasing the scary fighting ability of the blade-winged Komori ninja, as well as the established tricks of the Neko ninja.  This fantastic clash of styles allowed for some brilliant sequences, which were so damn epic to see unfold.  While I had a lot of fun with Grasscutter II, I must say that it probably isn’t the best volume of Usagi Yojimbo to start the comic on.  While Sakai does a good job revisiting some of the key plotlines and characters, you probably should read the previous Grasscutter volume to fully appreciate the plot, as well as some of the other earlier volumes to understand some of the character arcs.  Still, this is a very impressive Usagi Yojimbo entry, and a key read for established fans of the series who will have an exceptional time with Grasscutter II.

While fans will probably enjoy Grasscutter II’s exceptional action the most, I personally thought that it was some of the great character work in this volume that helped to make it particularly good.  Thanks to the volume featuring one extended storyline, Sakai takes his time to set up some outstanding character moments that work perfectly alongside the complex narrative and cool artwork.  While Usagi and Gen are their usual fun selves (there opposing views on honour, duty and what is right is always fun), I thought it was several returning supporting characters who really stole the show in Grasscutter II, especially as Sakai wove some great storylines around each of them.  This includes the former samurai turned monk Sanshobo, who has been an excellent recurring figure since his introduction in the series’ 10th volume, The Brink of Life and Death.  Not only does he mesh well with Usagi and Gen, acting as a voice of reason between the two strong-willed characters, but Sakai also brings one of his main character arcs full circle when he encounters his former lord.  Sanshobo has some great moments in Grasscutter II, especially his grief at the end, and I liked how Sakai utilised him as part of the main trio.

Another impressive character in Grasscutter II is Ikeda, who Sakai has built up as a wonderful figure.  Introduced in the moving story, The Patience of the Spider (contained in the 11th volume, Seasons) and expanded on in the first Grasscutter story, Ikeda is a former lord and general who learned to enjoy the quiet life of a peasant after his defeat.  Reunited by chance here with his former retainer Sanshobo, Ikeda proves to be an interesting addition to the cast.  Not only do his insights into the Neko ninja, who he greatly distrusts due to his history with them, result in a key plot point, but he is also once again tempted to achieve power, something he decides against in a great continuation of his storyline.  However, it is in the final sequence where Ikeda’s full character is revealed, where he serves as a willing rearguard to the companions to ensure the Neko ninja don’t get the Grasscutter sword.  His big battle sequence is very well portrayed, especially with how Sakai features his old war wound, and his final scene is one of the most badass inclusions in any Usagi Yojimbo comic.  An extremely well-written and complex character who is used to his full potential in this last appearance.

The final characters I want to mention are the various members of the Neko ninja who appear in this volume, primarily as antagonists.  Long-time opponents of Usagi, the Neko ninja represent the more classic ninja styles in the Usagi Yojimbo universe and prove to be great foils to the protagonist’s samurai style.  This includes their leader, Chizu, who has a long and complicated history with Usagi.  Simultaneously serving as both an alternate protagonist, antagonist and potential love interest to Usagi, Chizu has a lot of storylines in Grasscutter II, which Sakai makes full use of.  Forced to hunt for the Grasscutter sword against her better judgement, Chizu desires nothing more than to throw the sword back into the ocean to keep it out of anyone’s hands, and will betray anyone, including Usagi for that goal.  This results in some intriguing personal issues amongst the protagonists, especially as Usagi tries to see the best in her, while Gen forms an instant, mutual dislike of her.  Chizu’s inner conflicts become a key part of the plot, and her appearance here will have major impacts for her storyline going forward, especially when it comes to her ambitious number two, Kagemaru, who has been angling for power for several volumes now.  Kagemaru proves to be a ruthless alternate antagonist in Grasscutter II, and I liked how well Sakai set him up as both a physical and political threat going forward.  The final Neko ninja character I should mention is Saru, a former member of the clan betrayed by Kagemaru in the previous volume.  Seeking revenge on Chizu, who Saru believes was behind the betrayal, Saru stalks Chizu for much of the volume, resulting in some excellent sequences of ninja-on-ninja violence.  A compelling figure, Saru ends up redeeming herself in a particularly moving sequence and makes an impact despite her relatively short appearance.  These great ninja characters, and indeed the entire case of Grasscutter II, deeply enhanced the impact of the comic’s narrative, and I had an outstanding time seeing their arcs unfold.

As with all the Usagi Yojimbo comics I review, I must highlight the outstanding artwork that is such a brilliant feature of Grasscutter II.  Featuring Sakai’s classic pre-colour style of drawing, Grasscutter II’s art is very visually impactful, and I loved the fantastic black-and-white panels that cleanly show the complex actions and characters.  Every panel is extremely striking, and I love how effectively Sakai showcases everything in such detail, including the actions of his many characters.  I am always impressed with how well Sakai implies movement and activity with his drawings, and you really get the flow the scene from his panels.  I particularly appreciate how well the intense fight sequences come across in Grasscutter II, especially as there are so many scenes of carnage that occur within this volume.  The various battles, which usually involve a range of ninja, are so well drawn, and I loved the complex array of combat that flitters along the pages.  Some of these scenes are quite elaborate, and I loved seeing all the multiple black-clad figures moving around the established cast, especially in some of the bigger fight sequences.

In addition to great fights, Sakai does a great job capturing the emotive nature of his cast with his fantastic drawings of the major characters.  The intense reactions of many of his characters help to make the scene pop, and I love how well Sakai showcases the emotional range that the story elicits.  Highlights include the final face of one badass warrior while the grief of another usually calm figure really hammers home the seriousness of the moment.  All this amazing action and great character drawings is perfectly supported by Sakai’s trademark drawings of the picturesque Japanese landscapes, towns and temples that serve as an amazing backdrop to the main story.  Sakai has some real talent of showcasing Feudal Japan with his artwork, and you can often feel the world through which the characters are trapsing.  I particularly appreciated Sakai’s portrayals of a wild oceans beneath a ragged cliff, which was a setting for several of the volume’s more visually powerful panels.  The harsh waves striking around the combatants was especially impactful, and you could almost feel the wave’s strength as the characters fight at their edge.  Throw in Sakai’s interesting take on a classic Japanese legend at the very start of the volume in the prologue and Grasscutter II’s art comes together in a truly perfect manner, especially as this volume features some of the artist’s most ambitious fight sequences.

Based on my rambling paragraphs above, I think it is safe to say that I had an amazing time reading the 15th Usagi Yojimbo volume, Grasscutter II.  Featuring the exceptional storytelling and artwork of the legendary Stan Sakai, Grasscutter II achieves so much with its ambitious plot, long-term, character driven storytelling, and amazing sequences of combat and chaos.  A brilliant, classic addition to a truly incredible comic series, Grasscutter II comes highly recommend, and I had such a great time getting through it yet again.

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Usagi Yojimbo: Volume 40: The Crow by Stan Sakai

On By The Unseen LibraryIn Comics/Manga, Five-Star Books7 Comments

Publisher: Dark Horse Comics (Paperback – 21 January 2025)

Series: Usagi Yojimbo – Volume 40

Length: 152 pages

My Rating: 5 out of 5 stars

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Stan Sakai’s iconic Usagi Yojimbo comic series powers through to its 40th volume, with the compelling and action-packed collection, The Crow, which proves to be another intense and impressive read.

Readers of this blog will know that I have a lot of love for the amazing Usagi Yojimbo series by Stan Sakai, which has remained one of my favourite comic series for years.  Following a rabbit ronin in an alternate version of Feudal Japan populated by anthropomorphic animals, the Usagi Yojimbo series combines cool art and great characters with a fantastic Japanese samurai aesthetic to create a particularly awesome comic series.  I love the various elaborate stories and scenarios that Sakai comes up with for the Usagi Yojimbo comics, and it is a real highlight of my reading year to check out the new Usagi Yojimbo volume.

This latest volume, The Crow, is the 40th collected volume of the long-running Usagi Yojimbo comic and contains issues #275 to #279 of the series.  This is the second volume of the current Dark Horse Comics run of Usagi Yojimbo, which started last year with volume 39, Ice and Snow (one of my favourite books of 2024), and continues some of the ongoing storylines from the other recent volumes.  This volume is once again written and drawn by Sakai, with Hi-Fi Colour Design colouring in Sakai’s illustrations.  The Crow was another interesting addition to the series I was really looking forward to, as it follows Usagi and his unlikely companions into deadly danger.

Following their encounter in the mountains with the murderous Jei, Miyamoto Usagi and his cousin, Yamamoto Yukichi, have finally escaped the freezing north of Japan and have journeyed to warmer climes.  However, just because they are out of the ice and snow doesn’t mean they have escaped trouble.

Closing in on the nearest town, Usagi and Yukichi come across a man being attacked by four ruffians.  Interceding in the fight and driving the attackers off, Usagi and Yukichi initially believe that the man they rescued was a merchant being robbed.  However, when they arrive at their destination, they find the place overrun by disreputable bounty hunters on the hunt for a big reward, including Usagi’s old companions Gen and Stray Dog.  Once again conned into paying for lunch, Usagi and Yukichi are shocked to discover that the focus of the bounty hunters’ attention is the person they saved, a dangerous bandit warlord known as Jimmu due to his crow companion.

Despite their intentions to avoid the hunt for Jimmu, the two rabbit ronin find themselves dragged into the fight by the deadly mercenary Inuyoshi, another acquaintance of Usagi who is also seeking Jimmu’s bounty.  Initially forced into conflict with Inuyoshi, Usagi and his friends soon find themselves unlikely allies of Inuyoshi’s bounty hunter band, as they must work together to take down Jimmu and his massive bandit army.  But with skilled warriors on both sides, and no mercy on the horizon, will Usagi and his associates survive unscathed?

The Crow was another exceptional comic from Sakai, who continues his Usagi Yojimbo series with masterful style.  Featuring one major story that pitted the protagonists against an array of deadly warriors, The Crow had me hooked from the very beginning, and I finished the entire volume within an hour of getting my hands on it.  An outstanding comic with great art and some brilliant character arcs, The Crow unsurprisingly gets a full five-star rating from me and was so damn good.

I felt that The Crow had a particularly strong story behind it, as Sakai continues his recent trend of featuring a single multi-issue story in the volume, rather than a series of smaller short stories like in many of his earlier volumes.  This allowed the author to produce a complex, interwoven narrative that features several intriguing character-focused storylines.  Featuring the old classic start, with Usagi and Yukichi rescuing a traveller from assailants, you are drawn into familiar Usagi Yojimbo ground of bandits and bounty hunters, as the rabbit samurai encounter two of Usagi’s oldest companions, the money-focused Gen and Stray Dog.  This allows for some excellent early story tension, as the naïve and highly honourable Yukichi clashes with the morally flexible and cynical bounty hunters, especially when they discover that the traveller Yukichi helped was the notorious bandit chief Jimmu.  Sakai quickly moves the story into its central arc, when Yukichi is kidnapped by returning figure Inuyoshi, who seeks to keep Usagi, Gen and Stray Dog out of his hunt for Jimmu.

This kidnapping arc proved to be quite interesting, especially as the formerly honourable Inuyoshi verbally clashes with Yukichi and is forced to find his honour in the face of betrayals within his own gang of bounty hunters.  I really enjoyed some of the compelling interactions between some of the cast in the central part of the story, and Sakai cleverly works events so that Usagi and his friends can find and rescue Yukichi.  This central part of the story also features some great action sequences, especially a brutal, multi-page ambush by Jimmu who robs a merchant convoy.  The revelation about the true size of Jimmu’s bandit army inevitably results in Usagi’s group teaming up with Inuyoshi to find and defeat Jimmu, which results in a massive battle that takes up most of the final quarter of the volume.  This battle was everything you could hope for, and Sakai is in fine form with his drawings as he portrays the various fights.  The final duels between bounty hunters and Jimmu have some outstanding and memorable moments, and Sakai ensures there is some powerful tragedy that will live with a certain protagonist.  Sakai ensures that all the key character-driven story arcs are well wrapped up, and there are some touching moments that perfectly define some of the major protagonist’s personalities or struggles in this volume, which I felt made The Crow really stand out.  A very impressive overall story from Sakai, that shows just how interesting and intense his writing can be, even when he returns to his well-trodden tales of bandits and bounty hunters.

One of the things that I felt Sakai did particularly well in The Crow was to feature an array of great characters, whose combined arcs come together extremely well in the context of the larger story.  There is an awesome collection of characters in this volume, including old favourites, returning one-shot figures, and some intriguing new characters who proved to be excellent additions to the overall story.  Sakai does an excellent job balancing a number of these character storylines within the course of The Crow’s four issues, and there are some moving and compelling moments as a result.

A lot of the volume focuses on the three longer-term recurring members of the cast, Gen, Stray Dog and Usagi himself, who are the veteran presence in The Crow.  While they are featured quite prominently, Sakai doesn’t provide a massive amount of development for them, as they mostly fall into the same routines as they previously have, with Gen being the money-fixated conman, Stray Dog being the seemingly selfish and unfriendly killer, while Usagi is his usual honourable self.  I did like how Sakai once again painted Usagi more as a mature and world-weary figure, especially when compared to Yukichi, and it was interesting to see how much more realistic he is here than in some of his earlier encounters with Gen and Stray Dog.  Sakai also has fun once again featuring the dichotomy of Stray Dog, whose selfish outer-shell is cleverly balanced by his actual charitable actions, which are used to great effect for a secondary character towards the end of the volume.  Finally, Gen was his usual self, although considering how fun that is, I was happy with the result.

While these three long-running figures were well utilised, I felt that Sakai did his work with two more recent, returning additions to the Usagi Yojimbo universe with Yamamoto Yukichi and the mercenary Inuyoshi.  Yukichi, Usagi’s cousin introduced in volume 36: Tengu War!, has proven to be an interesting traveling companion for the protagonist, especially as he is very similar to a younger Usagi.  His naivety and unbending belief in honour without compromise is on full display in this volume, especially in his first interaction with Gen and Stray Dog, and it is interesting to compare him to the now more flexible Usagi.  Inuyoshi on the other hand is an intriguing figure who was introduced in the story The Sword of Narukami in the series’ 27th volume, A Town Called Hell.  A formerly honourable samurai betrayed by his lord’s heir, Inuyoshi has become a much more deadly and disreputable figure since his last encounter with Usagi.  I really liked how Sakai devolved Inuyoshi since his last appearance, both in his art and personality, as while he still maintains some of his honour, he has become even more ruthless, going so far as to capture Yukichi to keep Usagi and his companions away.  These two characters are in a way antithesis of each other, with one strictly holding onto samurai ideals while the other has abandoned them and is now more interested in money and survival.  The two play off each other extremely well, despite some major fractious moments, and I liked how they both gain something from the experience, with Yukichi getting a lesson in the real world, while Inuyoshi remembers some of his old honour.  Inuyoshi’s appearance here also perfectly wraps up some of the open storylines from The Sword of Narukami, and I appreciated that Sakai finally provided some closure for a one-off tale from several years ago.

Aside from these great major characters, Sakai rounds out the cast of The Crow with some additional fun figures who each add some fantastic elements to the comic.  The volume’s main antagonist, Jimmu, proves to be a ruthless and competent outlaw leader, and I liked how his crow companion gave him a distinctive edge and allowed for some intriguing and well-drawn battle scenes.  The street urchin, Isamu, was a great mischievous figure who reminded me of a young, but brave, version of the recurring Snitch character.  Isamu has some fantastic interactions with some of the main characters, and it wouldn’t surprise me if we see more of him in the future.  Finally, Sakai has fun including a comedic merchant duo who get caught up in one of Jimmu’s raids.  Their entertaining banter during several scenes had me chuckling, especially when their newly discovered brotherhood is ruined by some ill-matched confessions, and they provided an excellent bit of humour amongst the darker story elements.  These great characters all filled their roles perfectly, and I deeply enjoyed how effectively Sakai utilised them in this fantastic narrative.

As with all the Usagi Yojimbo comics, I really need to highlight Sakai’s exceptional artwork featured within The Crow.  Sakai does another remarkable artistic job in this latest volume, and the comics are just gorgeous as he effortlessly brings his elaborate stories and characters to life with his amazing drawings.  All the characters are lovingly drawn, and their resultant actions, especially the cool battle sequences, are so intense and expressive.  I was particularly impressed with Sakai’s portrayal of rival samurai Inuyoshi, who had previously appeared once some years ago.  It was absolutely fascinating to see how Sakai’s drawing style has changed in the intervening years (I had a look at A Town Called Hell after reading The Crow), as Inuyoshi has so much more detail and depth in this appearance.  His scarred and somewhat more deranged appearance perfectly matched his darker personality, and I really think that he looked even more impressive in colour, which has only been a recurring feature since volume 34, Bunraku and Other Stories. 

These excellent character drawings are only matched by Sakai’s superb landscape drawings, which provide beautiful and powerful pictures of the story’s background setting.  These background drawings, whether they be depictions of historic Japanese towns or of the shaded natural forests, come across extremely well, and you really feel yourself becoming immersed in the setting as a result.  I must once again mention the awesome action scenes scattered throughout The Crow.  Sakai is a master of drawing epic sword clashes in his comic style, and you can feel every thrust and cut that the various samurai characters make.  Highlights for me this time included two massive group battle sequences that each have their own fantastic moments, cool duels against the bandit leader and his bird companion, and a somewhat graphic but very well-drawn decapitation panel which was both epic and gnarly.  This art once again perfectly enhances and compliments Sakai’s outstanding writing, and I love how even after 40 Usagi Yojimbo volumes, Sakai is still producing such masterful and moving pictures.

Stan Sakai continues to impress and wow me with his outstanding Usagi Yojimbo comic series.  This latest volume, The Crow, was another captivating comic, loaded with striking drawings, intense action, and some excellent samurai characters.  I felt that The Crow was a particularly strong entry in this always incredible series, and I am so very glad we were gifted a volume this early in the year.  I am hoping that we will get another volume later in 2025, but until then, do yourself a favour and make sure to check out the first exceptional 40 volumes of one of the best ongoing comic series.

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Nemesis by Gregg Hurwitz

On By The Unseen LibraryIn Five-Star Books, Thriller7 Comments

Publisher: Michael Joseph (Trade Paperback – 18 February 2025)

Series: Orphan X – Book 10

Length: 493 pages

My Rating: 5 out of 5 stars

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One of my favourite thriller authors, Gregg Hurwitz, returns with a powerful and particularly addictive new entry in his Orphan X series with the emotionally charged and pulse-pounding read, Nemesis.

Gregg Hurwitz is an author I have had a wonderful time enjoying over the last few years, primarily thanks to his exceptional Orphan X books.  Following former government assassin Evan Smoak, formerly known as Orphan X, this compelling thriller series explores Smoak’s vigilante actions as the Nowhere Man, a source of lethal justice for those who can’t get help anywhere else.  I started reading these books several years ago with the amazing fourth entry, Out of the Dark, which saw the protagonist go to war with a corrupt US President, and I have been hooked ever since, grabbing every subsequent entry in the series.  This includes the outstanding novels Into the Fire, Prodigal Son, Dark Horse, The Last Orphan and Lone Wolf, each of which did an intriguing job of continuing the series while also exploring Hurwitz’s complex protagonist and his unlikely family.  I really enjoyed all these books, and I have been eagerly awaiting the 10th novel, Nemesis, for a while now, especially as it promised to follow on from the intriguing cliff-hanger at the end of Lone Wolf.

No greater friend.  No worse enemy.

Evan Smoak, the Nowhere Man, has spent years taking on impossible vigilante missions, while also keeping his former government owners at bay.  No matter how hard the mission, Smoak always succeeds, in no small part to the group of loyal friends who have his back.  But Evan is about to discover the sad truth that it’s those closest to you that can cause you the most pain.

After foiling a lethal assassin with a penchant for taking out innocent bystanders, Evan is disturbed to discover that the assassin’s weapons were sourced from his trusted comrade and armourer, Tommy Stojack.  Shocked and determined to get answers, an emotionally compromised Evan finds himself unwilling to forgive Tommy for his lapse in moral code, and the two strong-willed warriors soon find themselves at odds.  When Evan’s next attempt to talk sees him ambushed by a flurry of thugs and shooters, he decides that it’s time to go to war, even if that means killing his best friend.

However, Tommy has his own problems to deal with.  Receiving a call for help from the son of an old war buddy, Tommy travels to a dying American town, filled with anger, corruption and racial tension.  Attempting to honour his debts, Tommy finds himself mentoring a group of neglected and angry young men whose uninformed actions have led to tragedy.  However, Tommy’s seemingly simple mission soon turns deadly when Evan arrives in town and takes issue with the actions of those under Tommy’s protection.  Thrown into opposite moral paths and plagued by assassins, local troubles and their own substantial personal issues, Evan and Tommy find themselves in conflict, with everyone around them caught in the crossfire.

Hurwitz continues to shine as one of the premier authors of thriller fiction with this particularly intense and complex entry in his Orphan X series.  Featuring a compelling plot loaded with action and captivating character moments, Nemesis was an addictive read that hits the reader hard and never gives them a chance to recover.  This was probably one of my favourite Orphan X books so far, and thanks to Hurwitz’s brilliant writing, I have very little choice but to give Nemesis a full five-star rating.

I was really impressed with the plot for Nemesis, which honestly went in some compelling directions that I didn’t expect, but which provides great closure and intense character moments, while also loaded up with the series’ trademark action.  Following on from Lone Wolf, Nemesis sees a preoccupied protagonist, Evan Smoak, distracted and distressed by the revelations that his best friend and armourer Tommy Stojack supplied weapons to a deadly assassin who killed multiple innocent people in the previous book.  Forced by his moral code into a confrontation, Evan finds himself in conflict with a stubborn and unapologetic Tommy.  However, what starts as a major disagreement between friends turns into a full-on war, when the two find themselves on different sides of an ethical fence, while also fending off assassins and killers after Tommy.

Hurwitz paced this narrative out extremely well, with a great intro and an early action set piece that worked to showcase the protagonist’s emotional instability.  The initial confrontation between Evan and Tommy sparks up the intensity of the plot, and the reader becomes engaged in seeing how the conflict between them will continue, especially after the second sequence forces Evan to fight for his life.  The author then takes the book in a very interesting direction, as Tommy journeys to a small town in heartland America to help the son of an old comrade and finds himself mentoring a group of young want-to-be militia members who have gotten into trouble.  Hurwitz spends a lot of time focusing on Tommy’s attempts to guide the group and trying to gently resolve the dark things they have done.

While this journey to middle-America initially seemed an odd choice for plot progression, Hurwitz utilises it perfectly to showcase Tommy’s character and the differences in approach and personality between him and Evan.  Conflict inevitably emerges when Evan arrives and attempts to solve matters in a black-and-white manner, forcing Tommy to intervene.  This provides even greater emotional turmoil, and I loved how well the author set it out.  You find yourself getting really drawn into the nuanced situation that emerges, and I loved seeing the alternating methods and personalities of the two protagonists.  After an impressive action sequence where Evan and Tommy come together one time to face off against a scary group of assassins, Hurwitz sets up the book’s final confrontations, which are loaded with some brilliant moments that pushes both main characters to the edge.  I deeply enjoyed how Hurwitz resolved the entire situation, and you are on the edge of your seat the entire time, which results in a particularly addictive read.  I honestly was very satisfied with this book, right up to the final twist, which was impactful and clever, but for which I may never forgive Hurwitz.  This was easily one of Hurwitz’s best narratives, and I really appreciated the complex, character-driven thriller storyline he envisioned for this latest Orphan X book.

Hurwitz did an exceptional job bringing Nemesis’s complex and captivating narrative together, and I honestly feel that this is some of his best writing.  Featuring a fantastic continuation of the ongoing series, Nemesis had the perfect blend of action, intrigue and character-focused drama, which allowed for quite an addictive read.  The various action sequences scattered throughout the book are intense, brutal and very-well put together, and I loved how they showcase the various moods of the protagonist, as we go from his usual smooth sequences to more frenetic fights when he is emotionally compromised.  While these typical thriller elements are a lot of fun, it is the focus on the characters and the intense emotions between them that makes Nemesis particularly impressive.  Hurwitz sometimes struggles with the balance between action and character development, but I felt that this one was perfect, especially as he featured an array of damaged figures, including two former best friends in deep conflict.  While I do think that Nemesis could have gone without another manufactured conflict between Evan and his ward, Joey, for the most part it was exceptional to see the various character interactions and dives into the protagonist’s psyche that emerged.  This blended extremely well with the overarching thriller narrative and the fantastic action of the plot, and resulted in a particularly powerful read that, while more emotionally charged than most thrillers, worked extremely well in the context of this series.  I really appreciated how carefully Hurwitz set out these elements in Nemesis, and there is really something for everyone here including some thought-provoking discussions, awesome action scenes, and some major emotional moments that will hit you hard and really stick with you.

As with most books in the Orphan X series, Nemesis can be read as a standalone novel, as Hurwitz does an excellent job of recapping key events, elements and characters from the previous novels for new readers.  I personally felt that to get the full emotional impact of Nemesis, readers really need to have read some of the previous books in the series first.  Not only does the cause of the key conflict of Nemesis occur in the previous novel, Lone Wolf, but seeing just how close the emotionally shuttered Evan is with Tommy ensures you understand the emotional stakes of Nemesis and how far apart these two former friends have gotten.  However, if you decide to make Nemesis your first entry in the Orphan X series, you’ll still be in for an amazing treat, and I feel that Hurwitz features enough context and recaps to allow any reader to enjoy Nemesis.  This honestly was a very impressive book in the Orphan X series, and it will be very interesting to see where Hurwitz goes with this next.  The author has set up some big emotional hurdles for the next novel, and I look forward to seeing how his protagonist overcomes them.

As I have mentioned a few times above, I felt that Hurwitz’s character work was the element that made Nemesis particularly exceptional.  Not only does Hurwitz cleverly build on a range of existing character storylines and developments from the previous book but he also introduces several compelling one-off characters whose interactions with the main cast make for some impressively powerful moments.  Naturally a lot of the development is reserved for series protagonist Evan Smoak, the former government assassin turned vigilante.  Evan has always been an exceptionally complex character due to his unusual upbringing, lack of emotional awareness and OCD, and many books have dealt with his inability to deal with other people in his life.  Hurwitz does an excellent job revisiting that here in Nemesis as Evan faces another emotional hurdle when he is forced to come into conflict with his one true friend.  The emotional stress this puts him under turns him into a bit more of a deranged and careless creature.  The fantastic emotional range showed by Evan in Nemesis was fascinating, and Hurwitz writes some great story moments around his anger, poor judgement and strict moral code.  Few Orphan X books have pushed the protagonist in more ways than Nemesis, and I honestly felt every emotional bruise that occurred in this book, including the final one that is going to have some major repercussions for the protagonist.

Aside from Evan, the main character of Nemesis was the protagonist’s former friend turned opposing figure, Tommy Stojack.  Tommy, the gruff and cantankerous old soldier, has always been one of the more entertaining characters in the Orphan X books, and it has always been fun to see the unlikely friendship between him and Evan.  Given a much larger role in Nemesis, Tommy serves as a secondary protagonist and major point of view character, which really suits him.  I deeply enjoyed seeing more of Tommy’s perspective, especially as it is starkly different to Evans.  His interactions with many of the supporting characters of Nemesis really help to showcase his personality and mindset, especially when he takes on a stern mentor role for several younger characters.  However, it is the intense and strained relationship with Evan that is the major highlight of this book, as Hurwitz provides a compelling deep dive into their friendship.  Thanks to both characters pride and belief that they are right, the two face off several times in this book, proving that friends really make the worse enemies.  I really appreciate how well Hurwitz used Tommy in Nemesis, and the emotionally charged circumstances that surround his inclusion help to deeply enhance this book.

Aside from Evan and Tommy, there is a very fun and intriguing supporting cast in Nemesis who add to the story in some compelling ways.  Evan’s ward, Joey Morales, is her usual fun, rebel self, and while I think some of her conflicts with Evan are a little unnecessary, I liked her continued coming-of-age storylines, as well as a fun scene she has with Orphan V.  I felt that the highlight of the supporting characters was a small group of rebellious, angry young men who Tommy chooses to look out for.  Although they’re a hard group of characters to initially like, Hurwitz provides some fascinating context to their actions as the story continues.  I really appreciate the intelligent social commentary that Hurwitz featured around these characters, and you end up feeling a little sorry for them, despite what they have done.  Throw in some great villains, including four related assassins who are honestly quite freaky in their appearances, and this was an outstanding cast of characters, whose complex and captivating personal stories and interactions ensure that Nemesis is a particularly powerful read.

The always impressive Gregg Hurwitz continues his Orphan X series in incredible manner with Nemesis.  An exception and memorable entry in this always fun series, Nemesis had a brilliant and emotionally charged narrative behind it, loaded with amazing character moments.  Guaranteed to hook you with its fun action and complex character dynamics, Nemesis was so damn good, and I am still not over all of Hurwitz’s excellent, and brutal, twists.

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