Warhammer 40,000: Deathworlder by Victoria Hayward

Warhammer 40,000 - Deathworlder Cover

Publisher: Black Library (Audiobook – 23 April 2024)

Series: Warhammer 40,000

Length: 11 hours and 1 minute

My Rating: 4.75 out of 5 stars

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Debuting author Victoria Hayward presents one of the year’s most compelling entries to the Warhammer 40,000 canon, with the outstanding and grim novel, Deathworlder.

I have made no bones about how much love I have for Warhammer 40,000 extended fiction, which honestly features some of the very best media tie-in novels currently being written.  One of the things I particularly love about Warhammer fiction is the sheer range of compelling and impressive authors that are adding to the lore and narrative of this universe.  While a good chunk of the novels come from grizzled veteran Warhammer authors, the Black Library has also been cleverly utilising a range of intriguing new writers to offer fresh stories to the franchise, and some of the best books in recent years have been an author’s very first novel.  In 2023 alone there were several outstanding Warhammer 40,000 novels from first time authors, including The King of the Spoil by Jonathan D. Beer, Creed: Ashes of Cadia by Jude Reid, and Longshot by Rob Young, all of which were among my favourite debuts of the year.

2024 also looks set to a be a good year for authors making their debut through Warhammer fiction, especially when it comes to Deathworlder, the very first novel by exciting new author Victoria Hayward.  Featuring a compelling and exciting plot, Deathworlder has been on my radar for a while, and I ended up grabbing Deathworlder on audiobook as soon as I could.

There are many dangerous foes and deadly enemies stalking the galaxy in the far future, but none are as insidious, destructive and terrifying as the alien menace, the tyranids.  Made up of innumerable biological lifeforms, the tyranids traverse the galaxy, devouring entire planets and adding it to their biomass.  Hundreds of former human planets have fallen to the hivefleets of the tyranids, and the next world to be consumed is the planet of Lazulai.

Once a magnificent planet of beauty and rich resources, Lazulai is currently on the brink of destruction.  The armies of humanity were unable to hold back the invading tyranid hordes, and now the planet has begun to change as it is devoured by the alien lifeforms covering its surface.  Only a few small pockets of resistance remain, including the 903rd Catachan Night Shrikes, who garrison one of the last fortresses still standing.  However, hope remains in the most unlikely of places.

Receiving intelligence about a mysterious piece of archeotech that may hold the key for saving the entire system, Major Wulf Khan is given one final mission to retrieve the technology.  Leading a small mixed squad, Major Khan must use all the innate Catachan skills of infiltration and survival in extreme environments to lead her soldiers through the alien jungles that have sprouted up in the wake of the tyranid advance.  However, while the Catachans might be the best jungle fighters humanity has to offer, they are facing off against an unstoppable foe, capable of adapting to the greatest of obstacles.  Can Khan and her Catachans prove they are the deadliest survivors in the galaxy or will the tyranid horde consume them alongside the last remnants of Lazulai?

Deathworlder was a particularly dark and intense Warhammer 40,000 novel that grabbed my attention from the very beginning.  Hayward came up with a wonderful story that expertly highlighted the opposing Warhammer factions while also making full use of some very strong character work to tell an emotionally charged narrative.

I really liked how Deathworlder’s story unfolded as it proved to be a gritty, character-driven tale of survival.  Starting off by expertly showing the end of the planet setting and the despair being felt by the various protagonists, the story quickly moves along into the main quest, with the Catachan protagonist, Major Wulf Khan, leading a small squad of troops out to recover valuable technology before the planet dies.  The story is primarily split between the perspectives of Khan and the Cadian Lieutenant Kaede Anditz, who joins the squad as a guide towards their final objective.  This leads to an intriguing first half of the book, as the eclectic squadron of protagonists begins their trek towards the objective.  There are some dark and grim moments here, especially as large chunks of the protagonist’s comrades get killed in the lead-up to their mission, and the reader is soon engulfed in the horrifying early stages of the destruction of the planet.

The second half of Deathworlder only gets darker, as the protagonists encounter more and more obstacles on their quest.  I really appreciated how Hayward focused on the alien and human monsters that the protagonists are forced to deal with, and the author ensures that emotions are constantly running hot as the characters encounter worse and worse things.  A particularly powerful moment splits the perspectives of the book even further, while also leading to some very dark experiences.  There are some excellent action set pieces, compelling character moments, and dark examinations of humanity on the edge, through this part of the book, and I honestly found it impossible to put Deathworlder down at times as a result.  Everything leads up to the final sequence as the protagonists encounter even darker surprises and revelations as they attempt to survive.  There are several exceedingly tense moments where you are constantly left wondering if any of the protagonists are going to make it, and I loved how desperate things got.  Hayward ends everything on an intriguing note, and readers will come away very moved by how this great narrative came together.

I felt that Hayward had a great dark tone for Deathworlder that really showcases just how deadly and hopeless parts of the Warhammer 40,000 universe can be.  The focus on characters who had already accepted that they were going to die, as well as the terrible changes that a loss in this universe can result in, gave a particularly intense edge to the book, which I felt made helped it really stand out.  Things get quite dark in Deathworlder, as Hayward really wanted to highlight the terrors of the tyranid, and I honestly got a major horror vibe at times, especially when it came to some particularly gruesome deaths (the field of stuck soldiers still makes me shudder).  While there is plenty of action, tragedy and lore dumps, I felt that the author’s decision to really focus on the book’s unique characters and camaraderie was very clever, and I became really invested due to the exceptional character work.  Deathworlder also proved to be a very strong addition to the Warhammer 40,000 franchise, and Hayward ensures that there is plenty of appeal for both established fans and new readers.  Indeed, I felt that Deathworlder would be a very good entry point into the larger fiction surrounding the Warhammer 40,000 franchise, especially as Hayward’s fresh writing shows just how complex a novel set in this grimdark universe can be.

While Deathworlder would be a good entry point for new readers, established Warhammer 40,000 fans will also get quite a lot out of this book, especially as Hayward expertly highlights two exceptional factions, the Catachans and the tyranids.

Essentially an army of Rambos, the Catachans have been a fan favourite regiment for ages and are always a great inclusion to any narrative.  I have read a few books around the Catachans, including Catachan Devil by Justin Woolley.  These novels, while fun, always tend to focus on the more stereotypical aspects of the Catachans: muscles, jungle craft and big knives.  However, Hayward takes a bit more of nuanced look at the Catachans in Deathworlder, showing them to be a complicated group of soldiers who fall back on the hard-talking jungle killer personas when the going gets tough.  While one very fun character does live up to the stereotype, primarily for comedic effect, for the most part the Catachans are shown as practical survivors, who in this book, are at the end of their tethers.  As such, you see a much more compelling side to the Catachans, and it was fascinating to see how complex the members of the regiment are, as well as how damaged they are by the constant fighting and slaughter.  The author’s use of alternative perspectives allows the readers to see the Catachans in various lights, both from within their own minds, and through the eyes of the Cadian Lieutenant Kaede Anditz, who grows to respect their culture and methods as the book continues.  I really appreciated this more realistic and grounded look at the Catachans in Deathworlder, and Hayward really showcased her ability to portray an iconic human regiment.

While the Catachans get a lot of the focus, you also really need to highlight the tyranids in Deathworlder, who serve as an outstanding antagonist.  While I have enjoyed a few great books where the tyranids were terrifying monsters, including Day of Ascension by Adrian Tchaikovsky, Leviathan by Darius Hinks and Duty Calls by Sandy Mitchell, Deathworlder might be one of the best portrayals of the tyranids that I have so far read.  That is primarily because Hayward’s story is set on a world already being devoured by the tyranids.  The resulting scenes of destruction, despair and digestion prove to be quite horrific, and few writers have really captured just how disturbing this scenario would be.  I felt the various scenes where the protagonists, who themselves are being slowly digested by falling spores, encounter the continuous horrors of the dying world, were so damn good.  The human experience with these horrors is a key part of Deathworlders appeal, and the despairing reactions from both the hardened soldier protagonists, as well as civilians they encounter along the way, really sells just how horrifying the situation truly is.  Even the more typical tyranid threat is well represented in Deathworlder.  The author really captures the fear associated with hordes of ravenous, chitinous aliens as they overrun simple soldiers.  While the tyranids are occasionally depowered by the protagonist’s plot armour, for the most part they are outstanding monsters, and the constant threat they could suddenly represent, proves to be a fantastic part of the novel.  As such, fans who love tyranids are in for a real treat with Deathworlder, and seldom are they a better monstrous villain than in this book.

I cannot write my review of Deathworlder without once again mentioning the impressive characters featured within this book.  Hayward excelled at introducing and exploring complex and damaged protagonists, and their very human, very determined actions, prove to be the true heart and soul of the narrative.  You go through a lot with these characters, and their overwhelming humanity in the face of continuous horrors and loss makes for a very powerful read.  There are some great characters here, including main protagonist Major Wulf Khan, a grizzled Catachan fighter who finds her desire to complete the mission constantly challenged by the losses of those around her.  Her trusted orderly, Sergeant Rutger Haruto, proves to be an excellent backup, especially as his constant curiosity and sensible nature helps to keep his commander in check.  Alternate point-of-view character Lieutenant Kaede Anditz is another excellent addition to the cast, and I think that his unique perspective of the Catachans he suddenly finds himself serving with ensured that their compelling portrayal in Deathworlder really came through.  Anditz is also going through a lot of trauma, especially after witnessing the slaughter of every Cadian soldier on Lazulai, and Hayward really ensures that his guilt and horror really shine through in his chapters.

While the characters above are great, my favourite was probably Trooper Falke Adair.  A muscled Catachan with a heavy flamer, Adair is essentially a walking Catachan stereotype, something she really acts up as the book continues.  Crass, disrespectful and always looking for a fight, Adair steals any scene she becomes a part of, and her over-the-top mannerisms and actions are very entertaining.  However, as the book continues, and characters, particularly Anditz, get closer to her, you see that much of her bravado is a front, and she proves to be one of the most complex figures in the entire novel.

I also must highlight the brilliant character of Lamya.  A Genestealer Cult propagandist, Lamya is captured at the start of the novel and dragged along by the squad for her knowledge.  An arrogant and slightly unhinged noble turned tyranid-worshipping stooge, Lamya plays off the other characters perfectly, and her distain for those around her is so much fun.  However, the more they traverse Lazulai, the more Lamya comes face to face with the horrors that her cult helped to bring to her planet.  Caught between her own beliefs and the horrors she witnesses, Lamya goes quite insane as the book continues, while also providing some of the most compelling perspective of events in the entire novel.  Throw in a scheming Tech Priest and a silent Catachan sniper, and this proves to be an outstanding cast of main characters that you really grow attached to as you watch their intense personal and physical journey.

Unsurprisingly, I chose to check out Deathworlder on audiobook, which is just the best way to enjoy a Warhammer novel.  This was very much the case with Deathworlder, and I loved how effectively and vividly the story came across as it was being read out to me.  The exciting action, captivating characters, and horrendous horrors of the narrative really came to life, especially when read out by talented narrator Gabrielle Nellis-Pain, whose work on The King of the Spoil audiobook last year was very fun.  Nellis-Pain did another outstanding job with Deathworlder, and I love how effectively she told Hayward’s elaborate story.  I particularly enjoyed the excellent voices she gifted to the various characters within Deathworlder, and she very effectively captured the cool protagonists in all their martial glory.  This was particularly true for the over-the-top Catachan protagonists, and you could really visualise the muscular characters as she narrated.  Nellis-Pain also ensured that appropriate alternate accents were given to characters from other human factions, such as the Cadians or the Adeptus Mechanicus, and I particularly enjoyed how well the narrator expressed the mechanical nature of the latter.  I honestly believe that this book wouldn’t have been as impactful if I had physically read it, and I strongly recommend the audiobook version as a result.  Coming in with a run time of 11 hours, Deathworlder was so much fun to listen to, and you can power through it in no time at all.

With her very first novel, Deathworlder, debuting author Victoria Hayward shows she is a writing force to be a reckoned with, especially when it comes to Warhammer fiction.  Deathworlder was an outstanding Warhammer 40,000 novel that features a truly dark and intense narrative, loaded with great characters and compelling depictions of Warhammer universe.  An exceptional read from start to finish, I cannot talk this novel up enough, and I am really intrigued to see how Hayward follows up her amazing debut.

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Quick Review – Alien Clay by Adrian Tchaikovsky

Alien Clay Cover

Publisher: Tor (Audiobook – 28 March 2024)

Series: Standalone

Length: 13 hours and 55 minutes

My Rating: 4.5 out of 5 stars

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Adrian Tchaikovsky continues to dominate the science fiction genre with his intriguing new novel, Alien Clay, an awesome read that blends high-concept science with a fantastic and insightful look at human nature.

Chronic overachiever Adrian Tchaikovsky is an author who is swiftly becoming one of my favourite science fiction and fantasy writers.  A master of complex and highly inventive fiction, Tchaikovsky has deeply impressed me in recent years with some of his outstanding works, including Day of Ascension (one of my favourite Warhammer 40,000 novels), the novella Ogres, City of Last Chances (one of my favourite audiobooks of 2023) and House of Open Wounds (one of my favourite books of 2023).  Due to how awesome these recent books have been, I have been keeping a close eye on Tchaikovsky’s upcoming releases, and I was pleasantly surprised to find out that he had four books coming out in 2024, including three science fiction reads and a cool fantasy release.  The first out this year is the fantastic novel, Alien Clay, which saw a group of convicts deal with unnatural issues inside and outside their prison complex on a hostile alien world.

Plot Synopsis:

They travelled into the unknown and left themselves behind . . .

On the distant world of Kiln lie the ruins of an alien civilization. It’s the greatest discovery in humanity’s spacefaring history – yet who were its builders and where did they go?

Professor Arton Daghdev had always wanted to study alien life up close. Then his wishes become a reality in the worst way. His political activism sees him exiled from Earth to Kiln’s extrasolar labour camp. There, he’s condemned to work under an alien sky until he dies.

Kiln boasts a ravenous, chaotic ecosystem like nothing seen on Earth. The monstrous alien life interacts in surprising, sometimes shocking ways with the human body, so Arton will risk death on a daily basis. However, the camp’s oppressive regime might just kill him first. If Arton can somehow escape both fates, the world of Kiln holds a wondrous, terrible secret. It will redefine life and intelligence as he knows it, and might just set him free . . .


Alien Clay
was another awesome and complex read from Tchaikovsky that combined his trademark love of high-concept science fiction, with cynical examinations of human nature and society.  Set in a dark future where a tyrannical government places intense doctrinal limitations on scientific study, Alien Clay is told from the perspective of Professor Arton Daghdev, an ecologist who has been exiled to the Kiln labour camp in dramatic fashion due to his radical scientific and political thoughts.  Initially employed as a lab assistant researching the highly unusual biology and apparent extinct intelligent life on Kiln, Arton walks the thin line between rebel and survivor.  However, his actions soon lead to him to be forced to explore the planet’s surface, and the changes wrought by the alien biology outside will have a profound effect on everyone left on Kiln.

This proved to be another excellent standalone novel from Tchaikovsky, and you must appreciate his ability to craft another unique setting and set up a compelling narrative within it.  The alien planet the narrative is set around is loaded with unusual biological life that bonds with both itself and the human invaders in a very memorable manner, and I loved how weird things got at times.  Tchaikovsky blends the story of the protagonist attempting to survive on the planet, with an intriguing focus around political ideology, revolution, and scientific freedom of the future human society.  As such, Alien Clay turns into a mixture of science fiction adventure and a political dystopian thriller, as the protagonist is forced to navigate both to survive.  These elements are explored in immense detail by the author, and I loved how effortlessly he brings the unique future to life while also layering in some subtle critiques and observations about our own current society and where it is possibly going.

Tchaikovsky did a great job of showcasing all the unique features of Alien Clay through the eyes and mind of his protagonist, who is the position to understand all the science, politics, and social elements of the setting.  Loaded with a tragic and complex backstory, Arton proves to be a compelling and relatable protagonist to follow.  Forced to overcome the enforced conflicts of his society, the shock at being trapped on an alien world, his stymied scientific curiosity, and so many more setbacks, Arton attempts to find solace in the groundbreaking biology of Kiln.  However, when his plans for Kiln go out the window, thanks to the fantastically villainous warden of the prison camp, Arton and a group of other entertaining and compelling prisoners find out just how alive Kiln can be.  Tchaikovsky does an excellent job of combining various story elements, including the adventures on Kiln, Arton’s personal rebellious history, and all manner of scientific weirdness, into a single cohesive narrative, and the resulting explosive plot goes in some very interesting directions.  The author keeps the tension and intrigue up for as long as he can, including through cleverly skipping a key part of the story and only featuring it later through flashbacks.  The ending of the book is very Tchaikovsky and makes excellent use of his scientific and social observations and messaging.

I ended up listening to the audiobook version of Alien Clay, which proved to be a very enjoyable and interesting experience.  The audiobook, which had a run time of just under 14 hours, did a great job of telling Tchaikovsky’s complex story, and I appreciated how the story was presented in this format.  The unique and intriguing ideas from Tchaikovsky, both scientific and political in nature, really come across more effectively in this format, and I felt that I understood the many nuanced themes and messages that Tchaikovsky was trying to impart with his story a little better.  I also really enjoyed the narration featured in the Alien Clay as narrator Ben Allen proved to be an excellent addition to the production.  Allen did an amazing job capturing the complex figures with Alien Clay, and his compelling tones really helped to convey all the weird science and alien creatures that the protagonist encountered, as well as the intense personal issues surrounding the protagonist and his companions.  I honestly really enjoyed the Alien Clay audiobook, and I felt that this was a really great way to enjoy this compelling story.  There is also a fun interview between Allen and Tchaikovsky at the end, that will definitely appeal to fans of the author.

Overall, Alien Clay was a clever and unique science fiction novel that I had a fantastic time listening to.  Blending Adrian Tchaikovsky’s brilliant imagination and ability to tell a compelling and complex story, Alien Clay had me hooked the entire way through, and I loved how inventive and scientifically crazy the story got at times.  I am hoping to get to Tchaikovsky’s second novel of the year, Service Model, soon, and I have no doubt it is also going to be an outstanding read.

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Alien Clay Cover 2

The Chaos Agent by Mark Greaney

The Chaos Agent Cover

Publisher: Sphere/Audible (Audiobook – 20 February 2024)

Series: Gray Man – Book 13

Length: 17 hours and 34 minutes

My Rating: 5 out of 5 stars

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One of the leading authors of the spy thriller genre, Mark Greaney, returns with another epic entry in his iconic Gray Man series, The Chaos Agent.

Readers of this blog will know that I am a massive fan of thriller author Mark Greaney, who has been wowing the world with his elaborate and exciting stories for years.  Ever since I started reading thrillers, Greaney has been a major figure in my yearly reading schedule, with books like Armored and Red Metal (cowritten with Hunter Ripley Rawlings IV), ensuring that he became a must-read author for me.  However, his most iconic body of work is his Gray Man series, which follows legendary former CIA agent and assassin Court Gentry, known as the Gray Man, as he engages in carnage across the world.  This series, which people may be familiar with thanks to the Netflix adaptation, is so damn good, and I really love the elaborate and intense stories that emerge.  This includes the impressive first novel The Gray Man, as well as later books like Mission CriticalOne Minute Out (one of my favourite books and audiobooks of 2020), Relentless (one of my favourite books and audiobooks of 2021) and Sierra Six (one of my favourite books and audiobooks of 2022) and Burner (one of my favourite books and audiobooks of 2023).  Naturally, I grabbed Greaney’s latest novel, The Chaos Agent, the first chance I could, and it proved to be another amazing read.

Across the world, elite scientists are being murdered in a series of elaborate and well-coordinated assassinations.  The killers are well equipped, well prepared, and seem capable of striking across multiple countries.  The only connection between the killings is the area of expertise the victims are known for, as someone is targeting the world’s leading experts in artificial intelligence and robotics.

As the killings continue, it appears that only two major assassins aren’t involved in the plot, the Gray Man, Court Gentry, and his lover Zoya Zakharova.  Hiding out in Central America after their last mission once again forced them to become fugitives, Court and Zoya are seeking the quiet life together after all their years apart.  But an assassin’s work is never done, and soon an old family friend of Zoya’s seeks them out, hoping that they can help identify the individuals behind the attack.  Initially reluctant to get involved, Court and Zoya soon find themselves targeted by association, and must flee an army of dangerous killers and mysterious advanced combat drones.

Forced to find out who is hunting them, Court and Zoya soon discover that the killings are linked to a deadly proposed artificial intelligence weapon that could change everything about modern warfare.  To discover what’s truly going on, the two former agents and their allies need to investigate the one survivor of the ongoing assassinations.  But with their target now protected by an old friend of theirs, Zack Hightower, in an isolated fortress, Court and Zoya will need to use all their connections and luck to find the truth before it’s too late?

The Chaos Agent was another excellent novel from Greaney, who continues to highlight why he is one of the world’s leading spy thriller writers.  This latest Gray Man novel ended up being a lot of fun, especially as Greaney goes a little overboard with the plot, and I deeply enjoyed the resulting adventure.

Greaney came out of the bag with something very exciting in The Chaos Agent, which is mainly down to how over-the-top and crazy the main narrative ended up being.  This story starts off relatively low-key, with a couple of random killings, and an update on the lives of the protagonist, Court Gentry, and his partner Zoya Zakharova.  Naturally, it doesn’t take long for Gentry and Zakharova to get dragged into the action, and this starts an intense fugitive arc for them, as they find themselves being hunted by various killers across central America.  At the same time, the other supporting characters of the book are investigating the worldwide plot around the assassination of various AI experts.  This results in a compelling investigation angle that continues for a large portion of The Chaos Agent, and it was fun to not completely know the identity of the book’s antagonist until towards the end.  This first half of The Chaos Agent definitely got my attention, and the compelling action, intense mystery, and intriguing characters help to draw the reader in.

The second half of The Chaos Agent is where things start to get particularly interesting, as Greaney amps up the story and throws it into overdrive.  In particular, the antagonists get even more crazy, which is well shown in an intense action sequence involving Gentry and Zakharova in contact’s house in Central America.  These additional opponents give The Chaos Agent a real science fiction edge to them, and it was a gloriously over-the-top inclusion that I really loved.  The various character storylines soon come together after that, as all the characters end up in Cuba investigating who is truly behind everything and why.  There are some cool sequences here, including complex and intricate multi-perspective operations as various players manoeuvre around each other to achieve their goals.  This all leads up nicely to the big extended finale, where all hell breaks loose as Greaney sets up a massive firefight with various sides thrown into the mix.  The action here is intense, with the carnage flying thick and fast, and with so many perils coming for the protagonists.  It all ends on a pretty big cliffhanger that will play nicely into the next book in the series, especially as two major supporting characters find their situation drastically changed due to their decisions.

I deeply enjoyed how this cool novel unfolded, and Greaney utilises his trademark writing style to great effect with this excellent story.  The high-intensity action, fast-paced plot, and intriguing overarching storyline came together wonderfully, and it proves very hard not to get drawn into The Chaos Agent as a result.  I particularly love how Greaney so effortlessly jumps between different character perspectives throughout the course of the book, which allows for a more complex and enhanced story.  These quickfire changes in perspective also work extremely well in some of the book’s more intense sequences, especially as seeing the various participants continuously react to other character’s actions, allows for some outstanding scenes.  Good examples of this include a sequence in the Cuban docks where Gentry and a rival assassin move around each other trying to simultaneously protect or kill their target.  These scenes, and more, are true highlights of this book, and I love how well they were able to incorporate the particularly eccentric inclusions that Greaney featured within The Chaos Agent.

As with most of the books in the Gray Man series, The Chaos Agent can easily be read as a standalone novel.  Greaney does a good job of recapping any the relevant key events from the prior novels where needed so new readers can enjoy this book without knowing anything about the rest of the series.  That being said, established Gray Man readers will probably get a little more out of The Chaos Agent, especially when it comes to seeing how the various character relationships unfold.  It also helps that this proved to be a particularly memorable entry in the series.  Not only does Greaney go all out with his very inventive and exciting story, but there is a great combination of story elements there that everyone can enjoy.  The intense action pairs well with a deep dive into modern technology elements, and Greaney pulls together an intriguing mystery about who is behind everything, rather than showing the antagonist from the get-go.  While some of the twists around the true antagonist are a little predictable, Greaney played them out well, and they worked into the massive status quo changes at the end of the book.  I will admit that I did find some of Greaney’s writing, including the dialogue, to be a little robotic at times in The Chaos Agent, which is kind of ironic when you consider the story focus.  The way some parts of the writing or dialogue came together just didn’t feel right to me at times, and that slightly decreased my enjoyment of the book.  Still, the awesome story more than made up for it, and I felt this was an awesome addition to the overall series, especially as the epic ending has got me extremely excited for the next book.

One of the things that I really enjoyed about The Chaos Agent was Greaney’s intriguing look at the future of AI and how it could be utilised in the military and intelligence fields.  Greaney clearly did some research on the subject, and several characters spend significant time lecturing about the potential advantages and dangers of AI weaponry.  I found this to be utterly fascinating, and this ends up being quite a key part of the book, especially once the protagonists find themselves beset by advanced drones and other distinctive weaponry.  As I mentioned above, Greaney uses this AI concept to make The Chaos Agent a little more science fiction than his previous novels.  While I won’t go into too much detail here, as frankly it is best experienced in the context of the story, some of these elements were very outrageous, and it made the story quite fun with some unique action.  While it was very over-the-top, Greaney did paint everything with a film of realism, and I came away from The Chaos Agent with a healthy respect and fear for the potential future of AI in the military, especially as Greaney is probably right and someone will use it to kill the rest of us.

Aside from the complex writing and cool AI elements, The Chaos Agent’s story is also enhanced by a great cast of characters who are cleverly showcased throughout the plot.  This includes protagonist Court Gentry and his partner Zoya Zakharova, who were reunited in the last book.  Gentry and Zakharova form an effective team as the main protagonists of The Chaos Agent, and it was fun to see them in action again.  However, Greaney also adds in an element of dissention, especially as neither really has the ability to trust other people, and they are both concerned about their potential future.  Their combined storyline goes in some interesting directions, and the final twist of the book ensures that their relationship will be a big part of the next entry in the series.  Greaney also brings back fun recurring character Zack Hightower, who worked with Gentry and Zakharova in the past.  Hightower is always great value for money, and he had an interesting run in The Chaos Agent as he’s hired as security for a tech billionaire being targeted.  Hightower ends up being an integral part of the book, and it was great to see him working with Gentry and Zakharova again, especially as his new job leads to some dark moments for him.  Throw in an excellent supporting cast, which includes some recurring faces and some new intriguing antagonists, and this ended up being an excellent book that makes fantastic use of its characters.

I have always found that the best way to enjoy one of the Gray Man novels is to listen to it in its audiobook format, which really enhances the story.  This is once again true for The Chaos Agent, which turned out to be such an epic listen.  The audiobook format, which has a substantial runtime of 17 and a half hours, proved to be a lot of fun, and I deeply appreciated how well it enhanced Greaney’s already fun story and writing style.  The constant movement between perspective characters, especially in the action sequences, comes across really well, and the intense fights feel so much more real and impactful when they are read out.  It helps that The Chaos Agent was once again narrated by Jay Snyder, who has voiced all the other Gray Man novels.  Snyder has a great vocal range that really lends itself to a spy thriller novel like The Chaos Agent, and all the over-the-top tough characters are captured extremely well in this audiobook, with Snyder expertly bringing back recurring voices from the previous Gray Man audiobooks.  The rest of the extended cast also get appropriate and fitting tones, and you can see Snyder is really trying to get the voices to match the characters.  This includes accents, as Snyder tries to capture many of the ethnicities captured within The Chaos Agent’s story, including a pretty good attempt at the New Zealand accent.  As such, I really found myself getting drawn into The Chaos Agent’s story while listening to it, and while Snyder can also be a tad robotic at times, this audiobook format was a pretty exceptional way to enjoy this amazing book.

Overall, The Chaos Agent was another excellent addition to one of the very best spy thriller series currently running.  Mark Greaney always goes all out with his amazing Gray Man novels, and The Chaos Agent is one of his most intense and gripping reads yet.  Clever, compelling, and featuring some particularly fun story features, The Chaos Agent is an excellent read that gets another five-star rating from me.

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Hill 112 by Adrian Goldsworthy

Hill 112 Cover

Publisher: Head of Zeus (ebook – 23 May 2024)

Series: Standalone/Book One

Length: 495 pages

My Rating: 4.75 out of 5 stars

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Prepare to dive headfirst into the deadliest of struggles as acclaimed historical fiction author Adrian Goldsworthy provides a captivating look at the Normandy invasions with his epic novel, Hill 112.

Adrian Goldsworthy is an impressive historical fiction author who has been producing some great novels as of late.  A respected historian, Goldsworthy made the jump back to fiction in 2011 when he started his Napoleonic Wars series.  I had the great pleasure of reading the first few books in the series, including True Solider Gentlemen and Beat the Drums Slowly, and Goldsworthy prove to be an outstanding author who would focus his stories on intriguing historical elements.  His Napoleonic Wars series ended up featuring six novels before he dove into Roman historical fiction in 2017 with his Roman Britain series.  Starting with Vindolanda and also featuring six novels, the Roman Britain series sounds very awesome, and it is one I need to check out in the future.  Due to how much I enjoyed some of Goldsworthy’s previous books, I made sure to grab a copy of his latest release, Hill 112, which provides a compelling examination of the bloody invasion of Normandy during World War II.

June 6th, 1944.  After years of enduring the Nazi onslaught, the Allies are finally ready to begin their campaign to invade occupied France.  But to liberate France and free all of Europe, the Allies first must make a perilous landing and brave the full force of the German army waiting for them.  The destination for their fateful landing: Normandy!

As the Allies begin their invasion, three young soldiers, former classmates from south Wales, are amongst the troops landing in Normandy.  The charismatic James must put his previous experience as cricket captain into practice by leading a troop of Sherman tanks into fray.  The athletic Mark is forced to prove himself as the young officer in charge of a platoon of infantrymen, while Bill, the group’s resident firebrand, finds himself in the middle of the fighting as he serves as a private soldier.  However, none of these young men are truly prepared for the carnage to come.

The battle-hardened German army is determined to push the Allies back into the sea, and soon both sides find themselves caught up in a brutal battle for survival.  Into the middle of this, James, Mark and Bill find their courage and luck tested like never before as they finally experience the horrors of war and the seemingly unbeatable Germans.  Their fates, and that of the entire Allied war effort, will be decided in one of the most brutal fights of the Normandy campaign, the battle for Hill 112.

Goldsworthy brings together one of his heaviest and moving novels yet with the incredible Hill 112.  A gritty and realistic war story that seeks to capture the experiences of young soldiers during Normandy, Hill 112 was a fantastic and moving novel that drags readers right into the heart of the fighting.

Hill 112 has a great story to it that, while simple in concept, hits the reader hard and provides a powerful look into the realities of war.  Told from the perspective of three young soldiers as they experience their first taste of combat, Hill 112 is a very moving war novel that is hard to look away from at times.  Starting with the first day of the Normandy landings, you initially follow James, who leads the charge with his tank unit, while Mark and Bill wait back in England for their deployment to the front.  While this did make James’s chapters a lot more interesting and exciting than the others’ at the start of the book, I liked how Goldsworthy chose to start the remaining two characters off back in England.  Not only was historically realistic, but it allowed you to get to know these two protagonists and other supporting characters before the fighting, while also building up the tension, especially when you compared their experiences with what James was going through on the front.

It doesn’t take long for Mark and Bill to make it over to Normandy, and from there the reader becomes enmeshed in seeing all three protagonists facing the tough campaign in Europe.  There is a lot of action and a ton of tragedy in this part of the book, and it was fascinating to see them slowly adjust to the new normal of battle, as they experience the true horrors of war.  Goldsworthy continued to keep the three protagonists separated for most of the story, which allows each of them to grow, while also showcasing several different fronts at the same time.  Their storylines start to converge as the book continues, especially when they find themselves at the foot of the tactically significant Hill 112.  The last third of the book is essentially all out fighting as the three protagonists attempt to survive the desperate battle for the hill.  The carnage flies thick and fast in this part of the book, and you are constantly on edge as the three characters fight on, while also trying to understand the necessity and impacts of war.  I was deeply captivated for this entire part of Hill 112, and I couldn’t stop reading as I waited to see the fates of all three characters.  Goldsworthy did not disappoint, as the ending to this book was extremely shocking and powerful, and you come away wondering about the sacrifices, experiences and emotions of those involved in the fighting.  This was a such a great character-driven war story, and I came away very impressed with how it all unfolded.

I deeply enjoyed the compelling and powerful story that Goldsworthy created for Hill 112 that hits all the right notes for the reader.  Goldsworthy made the clever choice to provide the reader with a more insular look at the invasion, as the viewpoint is limited to the lower-ranked protagonists, more concerned with their own battles, rather than a look at the large war going on around them.  This proved to be an excellent choice of focus, and I deeply appreciated the way in which Goldsworthy was able to get into the mindset of the young soldiers fighting this war.  The constant switching between the three main protagonists allowed for a complex and intriguing story, as they experienced different battles while coming to terms with the fighting in their own ways.  Goldsworthy has a real talent for showing the chaos of war, and you are thrown into innumerable skirmishes, firefights and large-scale battles, all of which is captured in its full destructive glory.  You can honestly feel the bullets flying and the shells landing as you pour through Hill 112, and the constant conflict, danger and excellent portrayal of the fighting ensures that readers have a very hard time pulling their attention away from this amazing book.

Goldsworthy clearly did an exceptional amount of research for Hill 112 as this book is loaded with historical detail as the author meticulously covers key events of this initial invasion.  While the main regiments featured in Hill 112 are fictitious, Goldsworthy bases them on actual participants of the fighting, and you get incredibly detailed depictions of the early days of the Normandy campaign for the English and Canadian forces.  This includes events that followed from the initial landings on Normandy all the way to the conclusion of the fighting around the titular Hill 112, a key historical battle.  Readers get a very compelling and intensive look at how the campaign unfolded, and it was interesting to see how hotly contested this initial fighting in France was, especially as most modern war movies/television series usually show swift victory the moment the allies are off the beaches.  The battle of Hill 112 was naturally a compelling part of the book which the author covers in heavy detail, noting the movement of all the relevant units and the various attacks.  I got so engrossed in Goldsworthy’s recounting of this battle, and readers are left haunted and amazed that so much death occurred for a simple hill in the countryside.

The author really did not spare any detail when it comes to the fighting, and you get a comprehensive vision of the potential experiences of the participants in these battles.  Goldsworthy really dives into every single aspect of the solider experience, and you come away with insights into the conditions, equipment, training and attitudes of the troops, all of which greatly adds to the gritty realism of the story.  This is particularly true in the battle scenes, and it was very compelling to see how the soldiers would have fought, as well as other factors that came into play, such as the Allies’ overwhelming artillery.  I especially enjoyed the many scenes that focused on vehicular combat as one of the protagonists spends most of the book inside a Sherman tank, fighting against German armoured units.  The sequences in the tank are always a high-strung affair, and Goldsworthy expertly captures the cramped conditions, fast-paced fighting, and constant peril that the British crews experienced.  The author further increases the authenticity of the book by having his protagonists experience various incidents that were recorded to have happened during these invasions.  The author cleverly retells these events to feature his characters, and the various experiences, some of which are quite hellish, add a lot of intensity to the book.  Goldsworthy really pulls no punches when it comes to showcasing the experiences of Allied soldiers in Hill 112, and it proves hard not to deeply appreciate his ability to utilise a massive amount of historical detail to tell a good story.

I must also highlight the intriguing characters featured within Hill 112 who added a lot to the impact of the book.  The three main characters, James, Mark and Bill, are all quite intriguing in their own way, and I appreciated how they ran the gambit of young people who would have joined the war effort after leaving school.  Goldsworthy ensures that each of these main characters have a compelling backstory which contrasts in a moving way to their current experiences, and it was moving to see them grow up throughout the course of the horrendous ordeals they find themselves in.  These three main characters are also accompanied by a huge supporting cast of fellow soldiers, officers, tank crews and other figures, each of whom travel with the protagonists to engage in the fighting.  Many of these supporting characters are exclusive to the chapters told from the perspective of a particular protagonist, allowing for unique interactions, and Goldsworthy often provides relevant backstories for these supporting characters as well.  This cast of additional characters gets quite extensive as the book continues, which can make remembering everyone a little hard at times.  However, that proves to be a short-term problem at best, as the supporting players usually doesn’t last too long in the fighting.  This proved to be an excellent and intense character-driven novel, and I really appreciated how well Goldsworthy captured the experiences of these young soldiers in war.

Adrian Goldsworthy once again brings the past back to haunt his readers in the outstanding and moving novel, Hill 112.  A highly detailed and impressive war novel, Hill 112 does an incredible job capturing the experiences of young soldiers in the Normandy campaign and you will quickly become absorbed in the resulting story.  Highly recommended, especially for those fans of military history, Hill 112 was such an amazing read.

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Nero by Conn Iggulden

Nero Cover

Publisher: Michael Joseph (Trade Paperback – 28 May 2024)

Series: Nero – Book One

Length: 396 pages

My Rating: 4.5 out of 5 stars

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One of the absolute best authors of historical fiction in the world today, Conn Iggulden, returns with an exciting new series as he examines the life of Rome’s most infamous Emperor, Nero.

Conn Iggulden is a historical fiction author that I have a lot of respect for, especially as consistently presents intense and compelling reads that focus on some of the most interesting people and conflicts of the historical world.  Starting off over 20 years ago with his iconic Emperor series, which covered the complete life of Julius Caesar, Iggulden has moved through various historical periods and locations with his works.  This includes his impressive Conqueror series, which followed the life and legacy of Genghis Khan, his outstanding War of the Roses books, the fantastic standalone novel The Falcon of Sparta, and his clever Athenian series, made up of The Gates of Athens and Protector.  All these series have been really impressive, effectively balancing historical detail with exciting storytelling, and Iggulden is a favourite author of mine as a result.  Due this I have been really excited for his latest novel, Nero, which provides an intriguing look at the events that led to the ascension of the titular Emperor.

Rome, AD 37.  The greatest city in the world is in turmoil.  The decrepit and vengeful Emperor Tiberius has returned to Rome after a lengthy absence, and his first act is to order the strangulation of the man he left in charge.  As a flurry of sanctioned killings and destruction begins to reign down upon Rome, a young boy is born who is destined to burn everything around him.

Born Lucius Domitius Ahenobarbus, the boy is the son of a former champion charioteer of noble lineage, and Agrippina, the great-granddaughter of the Emperor Augustus.  With family ties reaching all the way back to original emperors, Lucius is already considered an eventual claimant to the Roman throne.  However, there are many within Rome who want power and influence for themselves and care little for the hopes and ambitions of a noblewoman and her young son.

With dark clouds on Rome’s horizon, Agrippina soon discovers that the greatest threat comes from closer to home than she realises in the form of her brother, Caligula.  Banished and robbed of everything, including her young son, Agrippina finds herself at the mercy of those around her.  However, Agrippina does not intend to be powerless forever, and when fate intervenes, she finds herself with the opportunity to influence the very heart of Roman politics.  Can Agrippina ensure the rise of her young son, the boy who will eventually be known as Nero, and will Rome ever be the same again?

This was an intriguing and gripping novel from Iggulden, who continues to show why he is one of the most consistent and entertaining authors of historical fiction.  Nero is a fascinating and thrilling read that cleverly examines the early life of the future emperor from those around him and proves very hard to put down.

Nero contains a typical Iggulden narrative, in which he focuses on a historical figure and follows them from birth to their eventual rise to power.  In Nero’s case, this book is clearly the first part of a larger series as it is dedicated to examining the childhood of the future emperor and the many events that lead to him to the throne.  As such, the focus of this novel is more on his parents, and the various other dangerous Roman figures who were around at this time.  Starting in the latter days of Tiberius’s reign, the author parallels Nero’s birth with the start of Tiberius’s purges in Rome, while also showcasing his troubled parents, including his mother Agrippina, who is essentially the main character here.  This proves to be an interesting start to the book, especially as you get a good look at many of the key figures the story is going to focus on, while also showcasing just how crazy stories recounting the history of Rome can get.

The author quickly moves the story along to the reign of Caligula, which drags the protagonists closer into the limelight due to Agrippina being the new emperor’s sister.  Naturally, it doesn’t take long for affairs to devolve into chaos, and there are some major changes that really impact the lives of the principal cast.  The second half of the book features a decent time skip which brings certain figures back into prominence and allows Agrippina to focus on her ambitions.  Iggulden does a great job showcasing Agrippina’s change of heart and new desire for power, and I liked the intrigue, political machinations and manipulations that were at the heart of this second half of Nero.  Everything leads up to an interesting conclusion, as Iggulden adds in some exciting military action, which contrasts nicely to the political and personal struggles of the first half of the plot.  The book ends on a solid note that ensures readers will come back to the series in the future, especially as the story of Nero is only just beginning.  This proved to be a very intriguing story, and I enjoyed how Iggulden showcased the many infamous historical events and wove a great, character-driven story around them.

Nero had a great tone that was a combination of character driven plot, over-the-top Roman antics and intriguing history, which I really enjoyed.  Loaded with a fast-paced and brutal story, you quickly get absorbed into the many political intrigues and dysfunctional relationships that lie at the heart of the plot, and Iggulden did an outstanding job flipping the perspective around a range of compelling historical figures and showcasing their unique views on intriguing events and the future emperor.  The story is constantly sharp and compelling, I liked how intense events got, especially as Iggulden ensured that certain dark moments of history are shown in all their glory.  I deeply enjoyed the author’s depictions of Roman history, and his take on events really stood out compared to some other series I have read set in the same period.  The chaotic nature of the antagonists, the mood of the city, and the general insanity of the times were all very impressive, and they formed a great background to the outrageous plot.  Iggulden has such a knack for displaying Roman history (as evidenced by his first epic series) and he really makes the ancient city, and iconic figures stand out for all readers.  While he does appear to take a few liberties with the historical record for storytelling purposes (honestly, what historical fictions author doesn’t ?), many of the most iconic moments of the time were captured perfectly, and he constantly ensured that the mood of the city was examined in detail.  I deeply enjoyed this fantastic and captivating historical tale, and Nero proved to be a highly addictive book to check out.

I want to also highlight some of the amazing characters featured in Nero, especially as most of them proved to be awesome takes on major historical figures.  As I mentioned before, the character of Nero himself doesn’t get a lot of time as a perspective figure in this first novel, mainly because he is quite young for most of the plot, although he does get a few intriguing moments in the second half of the book.  Instead, most of the book was dedicated to showing the formative events of his youth, as well as how he ended up in the position to eventually become emperor.  I felt that this was a smart decision on Iggulden’s behalf, and I really enjoyed seeing this in-depth examination of Nero’s history, especially as most Roman historical fiction series tend to include him as an overexaggerated villain rather than a product of the crazy times he grew up in.  I look forward to seeing how he evolves in future books, and it will be interesting to see how Iggulden utilises him as a major perspective character.

With Nero growing into the role, the character who probably gets the most focus is Agrippina the Younger, Nero’s mother and future empress.  Due to the way the plot plays out, Iggulden spends a lot of time exploring this controversial figure, and I rather enjoyed seeing the in-depth examination of the events that preceded her marriage to Claudius.  You get a very complex picture of Agrippina here, including the many tragedies surrounding her family, the violent marriage that resulted in Nero, and the terrible treatment by her brother Caligula.  Iggulden does an excellent job showcasing how these events impacted Agrippina’s personality, and you can see how and why she becomes more ruthless and determined to be the one in control.  While she does a lot of despicable things, Iggulden almost makes her a sympathetic character, although certain dark events stop you from ever truly loving her.  I deeply enjoyed the author’s portrayal of Agrippina in Nero, and she proved to be a compelling and intriguing force.

Other characters of note include Nero’s father, Gnaeus Domitius Ahenobarbus, a violent drunken former famous charioteer who Iggulden showcases in a manner similar to a modern-day angry failed sports star trying to relive their glory days.  Constantly enraged that the world has left him behind and caught up in events beyond his control, Gnaeus cuts a dark and brooding figure that proves very hard to love.  Despite this, Gnaeus was a very intriguing addition to the plot, and his fraught interactions with Agrippina left a mark that resulted in some intriguing plot points.  I must also mention the great depictions of the three emperors who preceded Nero, Tiberius, Caligula and Claudius.  All three of these emperors are notorious, and Iggulden went out of his way to show their many eccentricities and issues, as well as the impacts that they had on the Roman empire.  I always love seeing authors depict the unique events these figures were responsible for, and Iggulden did not disappoint.  As such, they all end up being major and memorable figures in Nero, which proved to be quite important, as their actions and reigns will no doubt be referenced and compared to Nero in the rest of the series.  Throw in a great collection of other fantastic historical figures, and Nero had a great cast that really brought some amazing monsters from history to life.

Conn Iggulden continues to showcase why he is one of the top authors of historical fiction.  Nero was an outstanding book that masterfully showcases the early life of the infamous emperor with a wildly entertaining story.  Exciting, dramatic and very over-the-top, Nero was an incredible read that I deeply enjoyed.  I look forward to seeing how Iggulden brings this series together in the future, and I am already very excited for the inevitable sequel.

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Devil’s Kitchen by Candice Fox

Devil's Kitchen Cover

Publisher: Bantam Australia (Trade Paperback – 26 March 2024)

Series: Standalone/Book One

Length: 480 pages

My Rating: 4.75 out of 5 stars

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One of Australia’s very best thriller authors continues her hellacious 2024 with the outstanding and epic read, Devil’s Kitchen.

Candice Fox is a very impressive author who has been doing an amazing job representing Australian authors on the international stage with her epic thrillers.  Starting off with some intriguing outback thrillers, including her Archer and Bennett series and Crimson Lake books (the latter of which have been adapted into the Australian television series Troppo), it didn’t take long for Fox to gain worldwide appeal, especially once she started collaborating with James Patterson.  Fox with Patterson has written several amazing reads, including the Detective Harriet Blue series, The Inn, 2 Sisters Detective Agency, and Fox’s other 2024 read, The Murder Inn.  Fox has also been writing some amazing standalone thrillers in recent years, including Gathering Dark, The Chase and Fire with Fire.  I have had an amazing time with these outstanding books, and they usually end up being some of the top books by an Australian author each year.  However, Fox’s latest novel, Devil’s Kitchen, might be her best thriller yet.

Everyone knows firefighters are heroes, and in the FDNY, no team is more daring or brave than the members of Engine 99.  For years this tightknit band of firefighters has stood against the worst blazes New York has to offer, working together to save lives and keep the city safe.  However, beneath this heroic façade, the four members of Engine 99 harbour a dark secret: they are ruthless and successful thieves.

Utilising their knowledge of fire to create opportunities and destroy evidence, the Engine 99 crew have pulled off several impressive heists and stolen millions of dollars.  With their loyalty, skills and ability to work within the system, the team seems unbeatable.  However, that changes when the family of one member of the team, Ben, goes missing.  Convinced that someone else on the Engine 99 crew had something to do with their disappearance, Ben attempts to make a deal with the law to save them.  However, Ben is unprepared for the carnage his actions will bring down.

Andrea ‘Andy’ Nearland is a professional undercover operative with a dangerous past.  She has spent years learning to get close to people to learn their darkest secrets and will do anything to bring her targets to justice.  Joining the team after obtaining intensive firefighting training, Andy begins the arduous task of gaining the rest of the team’s trust with Ben’s reluctant help.  However, getting through the web of secrecy surrounding the rest of Engine 99 and finding out what happened to Ben’s family will be difficult, especially as the team plots their most ambitious heist yet.  With tensions running higher than ever and her obsessive employer trying to drag her out, can Andy find out all of Engine 99’s dark secrets before it’s too late, or will her tangled web of lies and emotional connections bring her down?

This was a particularly epic book from Fox that I couldn’t put down.  Featuring an ambitious and powerful narrative that pushes the boundaries of relationships, loyalty and doing the right thing, Devil’s Kitchen had me hooked the entire way through, and this was truly an outstanding read.

I really cannot emphasise enough what a great story Devil’s Kitchen had, and this ended up being a dark and compelling thriller.  Featuring a gripping prelude that ensures you get drawn into the story, Devil’s Kitchen is quickly split between the perspectives of main characters Andy and Ben, as Andy begins her infiltration of the Engine 99 crew after Ben contacts the authorities about his crew’s criminal actions.  Joining as a new member with a romantic connection to Ben, Andy attempts to gain their trust, while the crew begins planning a new heist with destructive potential.  What follows is an intriguing game of cat and mouse as Andy uses her skills at infiltration to try and find out all their secrets, even the ones that Ben doesn’t want her to know, all while the rest of the crew battle their suspicions about her motivations.

The plot goes in some intriguing directions as Devil’s Kitchen continues, as all the team’s dark secrets and Andy’s troubled past come to light.  Andy proves to be a very smooth operator as she gets closer to finding out the truth, while Ben is a complex and haunted figure, desperate to save those he cares about, while also hoping to keep his worst secrets to himself.  I loved the many layers of deception, personal struggle and compelling personalities contained within the story, as the protagonists attempt to discover what happened to Ben’s missing family and how it ties into his heist work.  At the same time, Andy and Ben get closer, and Andy is forced to deal with her overprotective employer and former lover, whose jealousy and concern about the situation causes more trouble for her.  The last third of the story is particularly epic, as the truth in all its forms gets out, and everyone is thrown into some desperate directions.  Fox pulls together some excellent twists and turns here, and all the big reveals were suitably shocking and intense.  This was probably one of Fox’s best conclusions, and all the elaborate story threads come together perfectly, ensuring that the reader comes away satisfied with the various solutions to the book’s big mysteries.  At the same time, there are some dark and shocking moments, and I honestly did not expect how tragic Fox would make her conclusion.

I have a lot of love for how Fox brought her story together, and this proved to be a very well-written book.  The intense back and forth between the two perspective protagonists presents the reader with a dramatic and complex read, especially as both have hidden motivations and desires.  In many ways this is almost a psychological thriller, especially as Fox does an outstanding job diving into why Andy desires connections in every identity she takes on, while Ben is caught between his intense loyalty to the crew and his desires to save his loved ones.  This balance of thriller storyline and character arcs really works, and I ended up invested in both Andy and Ben’s unique storylines, even if that threatened to lead to tragedy.  Fox keeps up a fantastic and fast pace for this novel, and I honestly couldn’t put Devil’s Kitchen down at times, I was so engrossed in seeing the next dark turn or compelling character moment.

I have mentioned Andy and Ben a few times, and they really were the tortured heart and soul of the team.  Fox portrayed Ben as an outstandingly complex figure, and you really get invested in his motivations for both staying quiet and trying to end his crew’s heist careers.  Ben is forced to experience some major moral dilemmas in Devil’s Kitchen, and despite his criminal focus, you can’t help but feel bad for him.  While I enjoyed Ben’s chapters and story arc, I found Andy to be the more compelling character and I loved the idea of a master infiltrator who can go undercover and get close to people.  Fox does an excellent job of expanding out her motivations and insights while ensuring that the reader will be interested in finding out more about her past.  These gradually reveal some intriguing details into why she is so good at taking up new identities and her dangerous habit of getting too close to her targets becomes a recurring theme.  I found Andy’s clever perspective to be some of the best parts of Devil’s Kitchen, and her various techniques for getting closer to her targets were extremely clever.  I think there is a lot of potential in an extended series focused on Andy (or whatever her name will be in the future), especially as there are some open doors when it comes to her past.

Aside from Andy and Ben, I have to highlight the three antagonists of the story, the other members of Engine 99.  Made up of a damaged veteran firefighter, an unhinged fixer, and a young trainee with a gambling problem, they, along with Ben, have become a tightknit group, loyal only to each other and dedicated to earning a sufficient retirement.  Due to the story requiring Andy to get closer to them and learn their secrets, you get drawn into their tangled relationships and connections, especially as the secret to what happen to Ben’s family, as well as their latest plot, lies in uncovering that.  I really enjoyed getting to know these three additional figures, especially as you get drawn into their dark motivations and outlooks on life.  They prove to be suitably complex and intriguing antagonists for the story, and it was fascinating to see how Andy and Ben navigate their interactions with them.

Overall, I felt that Devil’s Kitchen was a pretty amazing novel from Candice Fox, and it was one of her most impressive thrillers so far.  Featuring a particularly intense, character-driven storyline focused on lies, deception and misdirection, Devil’s Kitchen had me hooked from the very beginning and I could not rest until I uncovered every single clever twist and outrageous reveal.  An exceptional read from one of Australia’s best authors, I cannot wait to see more from Fox, especially as she has yet another book coming out later this year.

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Warhammer 40,000: Cain’s Last Stand by Sandy Mitchell

Cain's Last Stand Cover

Publisher: Black Library (Audiobook – 1 January 2008)

Series: Ciaphas Cain – Book Six

Length: 10 hours and 30 minutes

My Rating: 4.75 out of 5 stars

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I’ve been on a real roll with the amazing Ciaphas Cain series by Sandy Mitchell (a pseudonym of Alex Stewart) lately, which is easily one of the funniest Warhammer 40,000 series out there.  Amazing books like For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory and Duty Calls have all proved to be highly entertaining, and I like the author’s take on a less heroic figure in the martyr-filled grimdark Warhammer 40,000 universe.  As such, when in need of a particularly fun read, I made the very easy choice to power through another entry in this classic series last week with the sixth book, Cain’s Last Stand.  This was an unsurprisingly awesome book, and I loved the intriguing story that emerged.

Commissar Ciaphas Cain, legendary hero of the Imperium and self-professed fraudulent coward, has done the near impossible and survived decades of brutal service in the Imperial Guard.  Now effectively retired from active duty, Cain has returned to the planet of Perlia, which he helped save from an ork invasion early in his career, and now spends his time teaching Commissar cadets at the planet’s Schola Progenium.  However, the battle is never truly over for Cain, and soon dark forces begin to descend once again.

Half a galaxy away, Abaddon the Despoiler has launched his 13th Black Crusade, determined to invade the Imperium of Man.  While most of the fighting occurs around the fortress world of Cadia, a splinter fleet has broken off and is heading deep into the Imperium, defeating several forces sent to stop it.  When it becomes apparent that this fleet is heading directly for Perlia, Cain is once again forced into action, especially as he knows exactly what they are coming for.

An ancient alien device of devastating power lies hidden on Perlia, one capable of reshaping reality itself, and Cain is one of the few people who knows it’s there.  With no means of escape available and the fate of the galaxy in the balance, Cain is forced to lead the defence of Perlia against the oncoming Chaos tide.  With only a ramshackle army of local soldiers, militia and students from the Schola under his command, the defence of the planet looks grim, especially when faced with a charismatic Chaos lord and his fanatically loyal soldiers.  Worse, a far greater evil has its eyes on Perlia, one that Cain fears above all else.  Can the legendary hero of the Imperium pull out one last impossible victory before he rides off into the sunset, or has Cain finally met his match at the site of his greatest triumph?

Mitchell continues to bring joy to the dark Warhammer 40,000 universe with this epic sixth entry, which I had so much fun with.  Cain’s Last Stand was an excellent read, and I loved the cool and elaborate story that emerged.

I think Cain’s Last Stand might be one of my favourite stories that Mitchell has so far used for the Ciaphas Cain series, especially because it differs from the standard narrative patterns of the series, while also cleverly tying together some intriguing ongoing storylines.  Set further into the future than any of the previous books, you get to see a nearly retired Cain in action, as the series finally ties itself into the events of the 13th Black Crusade (the original version of it, not the darker recent retcon).  I liked how Mitchell takes the reader back to the setting of the fourth book, Death or Glory, and the initial scenes of Cain as a reluctant but capable teacher, were very fun.  The switch from Tyranids to Chaos as the main threat is handled extremely well, and I liked the continued niggle that even worse enemies are lurking around.  The subsequent reveal that the reason behind the invasion is due to the ancient artefact first hinted at in Death or Glory and then expanded on in Duty Calls was great, and Mitchell does an excellent job of tying the various ongoing storylines together.

The second half of Cain’s Last Stand proves to be a very fun planetary invasion arc, especially as Cain works to rally an unusual array of defenders, including untrained militia, under strength garrison forces, and his own students.  The forces of Chaos prove to be excellent foes for this story, and I liked the much more insidious nature of the threat that emerged, especially as there was a slow build to the reveal.  After plenty of action, clever ploys, some touching tragedy, and so much misdirection from the protagonist, the story eventually heads to the inevitable last stand, which cleverly mirrors a similar event from Death or Glory.  Mitchell does a great job of building up anticipation for this event, and it doesn’t disappoint as there are some excellent action sequences and fun revelations that occurred.  I particularly enjoyed the big bluff that leads to the death of a certain enemy, especially as it was a classic Cain antic.  The final reveal about the actual big bad of the story was well handled, and it leaves this storyline open for the future, which I am very excited for.  An overall excellent addition to the series that builds on the prior novels while offering existing fans something new to enjoy.

Mitchell continues to utilise the fantastic writing style that has made the other Ciaphas Cain books so much fun, and I love how it cleverly enhances the narrative of Cain’s Last Stand.  As always, the cool journal format, equipped with entertaining footnotes and in-universe texts from Inquisitor Amberley Vail, ensures that you get a frank and cynical look at events in the Warhammer 40,000 universe, and I love the inherent humour that results.  The various action scenes are exciting and fast-paced, and the constant commentary of complaints and annoyance that emerges from the protagonist are very entertaining.  This action and compelling humour are well offset by some of the darker elements of the plot, including some genuinely tragic moments, and you get thrown around the emotional ringer as a result.  This mixture of elements helped to create a much more impactful and complex read, and I appreciated some occasional seriousness to go with the impressive humour.

As with most books in the Ciaphas Cain series, Cain’s Last Stand can be read as a standalone read, especially as the author does a good job of rehashing relevant events from the prior novels.  However, for the full experience, especially when it comes to some fascinating storylines, reading the last two books would be good, and I really enjoyed how the author kept bringing the story back to these prior adventures.  While there was once again some repetition between books as Mitchell reutilises his favourite lines, I felt that the more original story and important connections to previous books ensured that Cain’s Last Stand stood out and got away from some of these minor issues.  An excellently written book that will appeal to both new readers and established fans of the series.

As always, I must give a callout to the outstanding characters featured in Cain’s Last Stand.  This of course includes Commissar Ciaphas Cain, the main protagonist and narrator, whose harrowing adventures we continue to follow.  I’ve talked a lot about the exciting dichotomy of Cain throughout my previous reviews, especially as he can be considered both a hero and a coward, and I loved seeing that occur again in Cain’s Last Stand.  Cain continues to be both a self-serving cad and a peerless commander, and it always fun to see himself plot to survive while discounting his own accomplishments.  His adventures in this book are particularly fun, and the inclusion of the protagonist as a teacher trying to get his methodology of command to Commissar cadets was a great choice from Mitchell and plays nicely on some of his offhand comments in previous books.  This, as well as the return to a planet important to his mythos, ensures that Cain has a lot to think about in Cain’s Last Stand, and I really enjoyed the way his past adventures keep coming back to haunt him.  This was a powerful adventure for Cain, and I always enjoy seeing the protagonist debate his own legacy whilst doing his trademark daring deeds.

The supporting cast for Cain’s Last Stand was also very good, and it provided an interesting mixed of established characters, returning figures, and raft of great new comrades.  This includes Inquisitor Amberley Vail, whose role as the overarching narrator of the book, as well as the person behind the footnotes, ensures that her fun influence is felt the entire way through.  Cain’s faithful bagman, Jurgen, was also a welcome inclusion, and his loyal service and fun interactions with Cain were as great as always.  Jurgen once again showed why he is the true MVP of the Ciaphas Cain series, and you have to love the entertaining contrast between his Baldrick-esque appearance and his impressive abilities.  Other great characters include a favourite character from Death or Glory, an interesting array of fellow teachers from Cain’s Schola Progenium, and other unique comrades for the protagonist.  I particularly enjoyed the class of Commissar cadets who are being instructed by Cain, and it was fun to see the range of different personalities they had.  Throw in a smarmy Chaos warlord whose charisma and influence outweighed his abilities and stature, and you had a great cast for Cain’s Last Stand, and I had a lot of fun seeing Cain interact with them.

I once again had an outstanding time with the audiobook format of this book, and frankly there is no better way to enjoy a Ciaphas Cain novel.  Thanks to the epic and well-cast multiple narrators, readers get an amazing experience when they listen to Cain’s Last Stand, especially as it helps to really capture the crazy nature of the plot.  The main narrators are Stephen Perring and Penelope Rawlins, who voice Cain’s perspective and Inquisitor Vail’s notes respectfully.  Perring once again does an incredible job voicing the main cast of the story, especially Cain and Jurgen, while Rawlins has a lot of fun including her character’s informative, if often sarcastic, comments throughout the plot.  These two main narrators complement each other extremely well, and I always have an awesome time listening to them.  The audiobook also features the talents of additional narrators Richard Reed, John Banks and Phillipe Bosher, each of whom voice fun in-universe texts and pieces of propaganda to liven up the main plot and provide some amusing context for the main story.  I have so much love for how these narrators bring the story together and this proved to be another impressive audiobook to listen to, especially as its great style really fit the fantastic story Mitchell came up with.  With a run time of 10 hours and 30 minutes, this is a very easy audiobook to get through quickly, and I managed to finish it off in no time at all.

Cain’s Last Stand was another amazing entry in the Ciaphas Cain series by Sandy Mitchell, and I have so much love for this entertaining and fun Warhammer 40,000 series.  This sixth book was a particularly impressive entry in the series, and I loved the complex story that emerged, especially as it brings together several previous adventures from Mitchell’s outstanding protagonist.  A clever, exciting and overall funny book that I could not get enough of, Cain’s Last Stand comes highly recommended and I look forward to continuing this series in the future.

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Quick Review – The Winter Palace by Paul Morgan

The Winter Palace Cover

Publisher: Penguin Books (Trade Paperback – 26 March 2024)

Series: Standalone

Length: 329 pages

My page: 4.25 out of 5 stars

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Compelling Australian author Paul Morgan presents an intense and intriguing historical drama that examines the tragic lives of a Polish husband and wife who find themselves torn apart by war and circumstance in The Winter Palace.

Plot Synopsis:

If he had died, I would know it in my heart.

In 1939, Anton, a captain in the Polish army, says goodbye to his wife, Elisabeth. He is leaving to defend their homeland against the invasion by Nazi Germany and Russia. They make a vow that – whatever happens, however much time passes – they’ll meet again at the Winter Palace, their stately home in the Polish countryside.

The winds of war draw them far apart. Anton is captured and sent to Siberia as a POW. He eventually joins a lost army that battles through snowstorms and scorching deserts in Central Asia to find freedom. Anton survives, driven by his determination to join Elisabeth again. She, meanwhile, is forced to be the ‘mistress’ of a Nazi officer before escaping to join the Polish resistance.

As the war ends, Anton and Elisabeth are at the opposite ends of the world. Anton is in Australia. Elisabeth is in Poland, awaiting his return for months and then years. Will they ever meet again at the Winter Palace?

From 1930s Europe to present-day Australia, this is a sweeping story of love that cannot be broken by time, distance, war or even death.

Morgan came up with a powerful and captivating tale in The Winter Palace which really hits hard.  Following Anton, a Polish military captain, and his wife Elisabeth, The Winter Palace features a well-planned-out split protagonist storyline that shows their respective dark journeys during the destructive chaos of World War II.

Both character-focused storylines are interesting and dark in their own ways, especially as the two protagonists go through hell and back as part of their respective war stories.  Anton’s plot follows the fate of the Polish soldiers who were captured during the joint Nazi and Soviet Invasion.  In Anton’s case, he experiences being a Soviet POW, a reluctant Soviet soldier fighting the Nazis, and then a member of the Allies when the Soviets send their freed Polish soldiers to Palestine.  Elisabeth’s story is more Poland focused, as she is forced to become a Nazi ‘mistress’ before escaping and finding purpose, first as a nurse, and then as a member of the Polish resistance.  Both storylines go in some very compelling directions, as the protagonists experience major traumas, tragedies and struggles, all while the two characters are convinced that they will never see their spouse again.

I honestly have a hard time saying which of these two storylines was my favourite, as both hit you in different ways.  Anton’s was possibly the more interesting to me as a fan of military history, and I found his constant struggle to survive the direct imprisonments he experienced to be both moving and intense.  There are some very direct tragedies in Anton’s experiences, including a particularly dark moment in the first half of the book, and I really found the story of the captured Polish soldiers to be extremely fascinating.  However, the other half the book that focuses on Elisabeth is just as dark, if not even more traumatic, especially as the protagonist experiences evil she can’t fight back against, at least not at first.  Watching her overcome her constant oppression and pull together a satisfying life that allows her to help people on many fronts was particularly inspiring, and I really enjoyed how her arc came together.

While these storylines are separate for the entirety of the plot, I felt that Morgan did a good job playing them off each other. The corresponding tragedies, the near misses in finding out each other’s fates, and the decisions they make as a result are all moving and captivating, and you are constantly enthralled to see if or how they will get back together.  I think that the ending Morgan left the book on was particularly moving, and it fit the overarching themes of the tragedy of war and not knowing about those left behind.  I also appreciated how Morgan didn’t overuse the trope of Australian descendants finding out the wartime secrets of their parents or grandparents.  Instead, readers were given a simple but highly effective connection to the present that ended the story on a thoughtful and peaceful note that was a great conclusion to such an intense story.

I really must emphasise how impressed and intrigued I was by some of the historical elements captured in The Winter Palace.  Morgan does an amazing job of showcasing various alterative experiences suffered by the Polish, from the initial invasion all the way up to the end of the war.  This includes a great rundown of how many citizens, especially women, were abused in Poland as the troops rolled in, which ensured a dark aura around the potential homecoming many characters were hoping for.  However, I found the historical details of the Polish soldiers and civilians captured in the opening days of the invasion to be the most interesting.  Watching the various hardships and journeys that these individuals had to go through during the war, including being POWs, having to fight alongside their former captors against the Nazis when they found themselves on the same side as the Soviets, and the transfer of their army to the Middle East to serve with the Allies on the Western front was extremely fascinating and it was an part of history you don’t see often in fiction.  These historical details from Morgan where some of my favourite parts of the book, and I deeply appreciated the compelling story he told around them.

Overall, The Winter Palace by Paul Morgan was an outstanding and compelling historical drama that really grabbed my attention.  Powerful, unflinching and focusing on a complex and dark period of our history, this was an emotionally charged and excellent read that is really worth checking out.

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Warhammer 40,000: Duty Calls by Sandy Mitchell

Duty Calls Cover

Publisher: Black Library (Audiobook – 22 May 2007)

Series: Ciaphas Cain – Book Five

Length: 9 hours and 37 minutes

My Rating: 4.5 out of 5 stars

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One of the most entertaining authors of Warhammer fiction, Sandy Mitchell, continues to shine with the fifth book in his excellent Ciaphas Cain series, Duty Calls.

I doubt anyone is too surprised to hear that I broke a recent lull of reading by resuming the Ciaphas Cain series.  The Ciaphas Cain books, written by Sandy Mitchell (the alternate penname of author Alex Stewart), are an outstanding series that aims to bring a little humour to the crazy and dark battles of the gothic Warhammer 40,000 universe.  I have deeply enjoyed the first four books in this series, For the Emperor, Caves of Ice, The Traitor’s Hand and Death or Glory, and this honestly is one of the very best Warhammer 40,000 series out there.

Commissar Ciaphas Cain, hero of the Imperium and self-confessed self-serving coward, continues his exciting and deadly adventures when a new dark threat rises to destroy humanity.  After his last harrowing adventure with the Valhallan 597th, Cain is keen for a less deadly experience, and his new deployment to help crack down on civil unrest on the planet of Periremunda seems to be the ticket.  However, nothing is ever simple when Cain is involved.

Upon arriving on Periremunda, Cain quickly finds his life in danger as a series of assassination attempts are made against him.  Realising that his assailants are genestealers, the deadly scouts of the Tyranid swarm, Cain begins to understand the true danger Periremunda is in, as the genstealers herald the approach a Hive Fleet.  But unstoppable hordes of alien creatures are the least of Cain’s worries as he is reunited with his old flame, Inquisitor Amberley Vail.

Ostensibly on Periremunda to help the Imperial Guard stave off the Tyranid invasion, it soon becomes apparent that Vail is there for a darker reason.  Something incredibly important has been hidden on the planet that has the potential to change the entire Imperium.  Forced to assist Vail, Cain and his trusty aide, Jurgen, find themselves thrust into the deadly intricacies of a battle between hidden underground factions.  But with hungry Tyranids all around, deadly assassins gunning for Cain and a mysterious Chaos cult causing mischief, can Cain survive his deadliest encounter yet?

Duty Calls was an awesome addition to the Ciaphas Cain series that builds on several of the prior adventures, while also testing the protagonist in some fun new ways.  I loved the interesting story contained with Duty Calls, and this was one of Mitchell’s stronger additions to the series.

This fifth Ciaphas Cain novel had a great story behind it, although I am sure that prior readers will be familiar with the overall thrust of the narrative, with the seemingly cowardly Cain arriving on a new planet to face one threat, only to discover a much more dangerous enemy hiding beneath the surface that he is forced to reluctantly face and defeat, once again accidentally proving that he is a hero.  While Mitchell does try to break this story premise up throughout the series, this is a recurring story format, which can get a little too repetitive.  However, I think that Duty Calls stands on its own feet and Mitchell does a good job distinguishing it from the previous entries in the series.  The initial hidden threat of genestealers transforms into a massive Tyranid invasion, and it proved intriguing to see the protagonist face off against the ravening alien forces.  Tyranids are easily one of the best antagonists in the entire Warhammer 40,000 canon, and while they lose a little of their fighting ability in the face of Cain’s plot armour, they proved to be a great threat in Duty Calls.

While Mitchell could have probably left Duty Calls as simply a military novel, the inclusion of major recurring character Inquisitor Amberley Vail ensures that Cain is thrust into a much more subtle form of danger alongside the Tyranid invasion.  Caught between warring factions of the Inquisition and Adeptus Mechanicus, Cain is used as a pawn in the resulting shadow war, and there are some great scenes as Cain dodges assassination attempts, hidden Chaos cults, and other unseen dangers, all while trying to work out what the elaborate conspiracy is.  Novels that focus on the plots and conspiracies of Inquisitors are always very cool in the Warhammer 40,000 universe (see my reviews for Xenos, Malleus and Hereticus by Dan Abnett), and Mitchell fits Cain into this intrigue laden story arc extremely well.  It helped that there was some excellent set-up for this in the previous novel, and it was good to get a continuation here.  The resulting combination of storylines comes together really well, and Duty Calls has a really impressive and addictive narrative that will appeal to all fans of Warhammer 40,000 fiction.

As with the previous Ciaphas Cain novels, Mitchell does a great job of balancing the various elements of Duty Calls perfectly.  While primarily a military focused science fiction read, Duty Calls also has some great elements of intrigue and espionage, which ensures extra levels of excitement and danger.  However, I feel that the best part of Duty Calls is the inherent humour that Mitchell produces, which is a real rarity in Warhammer fiction.  Most of this is due to the hilarious and cynical narration of the main character, who pulls no punches when it comes to describing how ridiculous events are and the fact that he’s caught in the middle of them.  Extra humour is also built in due to the contained chronicle format that Mitchell has set the series out in, with the protagonist’s journal entries enhanced by extra documentation, descriptions, references and notes from Cain’s associate, Inquisitor Vail.  Vail’s sarcastic take on Cain’s description of events throughout these extra notes is a lot of fun, and the additional in-universe texts and broadcasts seek to showcase just how ridiculous humanity and the Imperium has gotten in the war-torn future, with over-the-top bits of propaganda and biased historical documents.  All this adds to quite a funny book, and this built-in comedy pairs remarkably well with the more serious parts of Duty Call’s narrative to create a truly addictive and fun read.

I felt that Duty Calls was a strong entry in the Ciaphas Cain series, especially as it builds nicely off the events of the preceding novel, Death or Glory.  Due to the series looking at different time periods of Cain’s career, Duty Calls is set between the second and third books, although it makes a lot of references to the first novel, and the events of Death or Glory, which took place many years before.  While the jumps around the timeline are a little confusing, Mitchell makes it work, and I liked seeing the return of several recurring characters, as well as a continuation of some mysterious storylines from the previous book.  Despite these connections, Duty Calls also works quite well as a standalone novel, and new readers can jump into the series here without too many issues.  Indeed, Duty Calls is a good introduction to both the Tyranids and the Warhammer 40,000 universe, and the Ciaphas Cain books are very much engineered for new Warhammer fans.  I will say that after reading several Ciaphas Cain books in a row, Mitchell’s proclivity for repeating elements from his other novels is a bit more obvious, and you do get a little weary of hearing the same phrases, descriptions and character depictions again and again.  Still, Mitchell ensures that Duty Calls is a particularly entertaining read, so its easy to really get stuck into it, and I deeply enjoyed seeing this unique series continue.

As always, I must mention the great characters featured within Duty Calls.  The most prominent of these is series protagonist Ciaphas Cain, who might be one of the more complex and debated figures in the Warhammer 40,000 canon.  Shown by his own admission to be a coward and a false hero, Cain spends most of the book trying to come up with ways to avoid combat and surviving the inevitable battles that his reputation and own bad luck force him to participate in.  His memoirs are filled with cynical allusions to the methods he utilises to survive, and you can see that Mitchell is trying to emulate classic characters like Flashman or Blackadder.  However, despite the character’s constant assurances that he is no hero, you see time and time again that there is far more to Cain, as he routinely defeats the enemy, often thanks to his own caution, survival instincts and ability to inspire his fellow troops.  I love how you are constantly rooting for Cain, despite his attempts to weasel out of trouble, and his self-deprecation about his actions really makes you feel for him, especially as its apparent that he is just one filled with self-doubt after not being an over-the-top martyr like the other heroes in the Warhammer 40,000 universe.  At the same time, Cain also provides a lot of the book’s humour, as you are bombarded with his fun comments and cynical attitude about everyone he encounters.  As such, I really appreciate Cain as a central character in this series, and it is always so much fun to follow him throughout his adventures.

Aside from Cain, there is an interesting array of characters featured in Duty Calls who I had a lot of fun with.  Many of them are recurring from the previous novels, and it was good to see various familiar faces again.  This includes Cain’s faithful aide, Jurgen, who Mitchell portrays in a manner like Baldrick from Blackadder, due to his apparent gormless attitude and poor personal hygiene.  However, in many ways Jurgen is just as much a hero as Cain, often being the one to save the day with his skills and big gun, and he forms a great team with Cain, especially as his Commissar is usually the one drawing the enemy’s attention from his aide’s attacks.  I also really enjoyed seeing the return of Inquisitor Amberley Vail, both as a character in Cain’s adventures and the person publishing his memoirs.  Vail proves to be the perfect foil to Cain for many reasons, and I like how she’s the only person who can effectively manipulate Cain and doesn’t fall for his lies and schemes.  Vail constantly calls out Cain, both in person and through the footnotes she amends to his chronicles, and I love how she has his number, while also clearly caring for Cain as a partner.  Duty Calls really shows just how dangerous Vail can be though, especially as she gets into the fight and makes some tough decisions.  Other interesting characters include several familiar soldiers from the Valhallan 597th, the outrageous members of Vail’s inquisitorial retinue, and a several intriguing antagonists who prove to be great and over-the-top opponents to the sensible Cain.  All these characters added a lot to the impact of the book, and I cannot wait to see how they fit into Cain’s adventures again in the future.

Readers who have seen my previous Ciaphas Cain reviews know that the only way I am going to enjoy this series is through its audiobook format.  All Warhammer novels make awesome audiobooks, but the Ciaphas Cain audiobooks are something particularly special thanks to the use of multiple narrators.  Duty Calls features six separate narrators who add a great deal to the production thanks to their fantastic voices and entertaining takes on the characters and universe.  Most of this narration is done by the superbly talented Stephen Perring, who lends his voice to all the chapters told from Cain’s perspective.  As such, he covers most of the first-person action and adventures of the main character, and his take on the complex Cain and his colleagues is exceptional.  The way he captures the various aspects of Cain’s character through his voice work is impressive, and you really get a sense of the multiple layers surrounding his motivations.  Perring also does a really good job of capturing the other intriguing characters Cain interacts with, including his aid Jurgen, and the eclectic members of the Inquisition that crosses his path.

After Perring, the most prominent narrator is Penelope Rawlins, who provides narrations for the various inclusions written by Inquisitor Vail.  As such, Rawlin’s voice is constantly interjected into the audiobook at various points as she reads out the footnotes, context pages, and personal remarks from Vail, as she attempts to make Cain’s story more readable.  Rawlins has really perfected her Vail voice over the course of the series, and it is always great to have the playful, informative, and often gently exasperated tones of a chronicling Inquisitor come through the plot.  There is also some good contrast between Perring and Rawlins, especially as both voice the character of Vail throughout Duty Calls, and they serve as a winning main team.

The other four narrators, Emma Gregory, Richard Reed, Tara Rawson and Andrew James Spooner are also very fun, even if they are used a little sparingly.  These four narrators’ voice extracts from various in-universe texts, chronicles and new casts that Inquisitor Vail has added to Cain’s manuscripts to give them more context.  These talented narrators go all out in voicing these intriguing and often over-the-top inclusions, and I love the humorous spin their excellent narration adds to them as a result.  Gregory is particularly noteworthy, especially as she once again voices the ridiculously patriotic memoirs of an officer fighting alongside Cain, but all these extra narrators do such a great job.  This excellent and entertaining combination of voice actors and audiobook narrators turns Duty Calls into a real treat to listen to, and I honestly cannot recommend this format enough to anyone interested in checking out the Ciaphas Cain series.

I continue to fall further in love with the Ciaphas Cain series as Sandy Mitchell produces another amazing and fun story in Duty Calls.  Loaded with action, humour, and a particularly complex protagonist, Duty Calls had everything I’ve come to expect from the Ciaphas Cain series, and I deeply enjoyed how Mitchell continues to showcase the Warhammer 40,000 universe in his own distinctive way.  I can think of no better way to highlight just how much of a great time I had with Duty Calls than to reveal that I automatically started listening to the sequel Cain’s Last Stand, the moment I finished it.  Highly recommended to all Warhammer fans and new readers wanting some fun science fiction adventures.

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Crucible of Chaos by Sebastien de Castell

Crucible of Chaos Cover

Publisher: Jo Fletcher Books (Audiobook – 7 December 2023)

Series: Court of Shadows – Book 0.5

Length: 12 hours and 32 minutes

My Rating: 5 out of 5 stars

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In the mood for a witty, intense and highly unusual murder mystery?  Make sure to grab Crucible of Chaos, an outstanding and impressive novel from Sebastien de Castell, which serves as a prelude to his Court of Shadows series.

Earlier this year I was very lucky to receive the first book in Sebastien de Castell’s Court of Shadows series, Play of Shadows.  Set in the author’s Greatcoats universe, Play of Shadows was a truly epic and outstanding read that saw an unlucky actor with unusual gifts attempt to unravel a dark conspiracy inflicting his city.  I deeply enjoyed Play of Shadows, which was one of the best books I have read so far in 2024, and I was intrigued to check out more from de Castell, an author who had previously impressed me with his hilarious standalone novel, The Malevolent Seven.  While de Castell has several great series to his name, the book that caught my eye the most was the late 2023 release, Crucible of Chaos, which apparently served as a prelude to the other Court of Shadows novels.  Curious to see how this prequel would turn out, I grabbed the audiobook version of Crucible of Chaos and started listening to it, and boy was I glad that I did.

Travelling duellist and scholar Estevar Borros is a Greatcoat, one of the king’s legendary sword-fighting magistrates.  However, even amongst the unusual ranks of the Greatcoats, Estevar is peculiar, not just for his girth, but because of skills in deductive reasoning and his obsession with investigating the supernatural.  Known as the King’s Crucible, Estevar has travelled the lands of Tristia, seeking out unusual occurrences and trying to determine whether their cause is natural or supernatural.  However, even this renowned investigator of supernatural is unprepared for the chaos awaiting him in Tristia’s most holy site.

Summoned by his old acquaintance Abbot Venia, Estevar travels to Isola Sombra, an isolated island abbey considered the religious heart of Tristia.  According to Venia’s letter, the monks of the abbey are starting to fracture into factions following the recent murder of the gods, each with their own ideas of who the nation should worship in the future.  A frightened Venia needs Estevar, in his position as a magistrate and an authority on the supernatural, to arbitrate the debate and to help keep the fighting monks in line.

Despite his better judgement, Estevar, already suffering from a wound after a failed duel, agrees to travel to Isola Sombra, but what he finds there will chill him to his very soul.  Arriving amid a brutal storm, Estevar finds that the monks have fallen into madness, and now three factions are at war on the island, desperate to claim it for their own.  Worse, the abbot has been murdered, and evidence of dark magic lingers throughout the abbey.

Determined find a reasonable explanation for the insanity infesting Isola Sombra, Estevar begins his investigation, hoping to find the source of the chaos rippling across the island.  Alone except for a mysterious girl and his trusty mule, a wounded Estevar needs to face off against three very dangerous groups of monks, each of whom have deadly intentions for the interfering Greatcoat.  Worse, there are far more dangerous things awaiting the inhabitants of Isola Sombra, even if Estevar doesn’t believe in them.  Can the justice-loving Estevar stop the insanity of Isola Sombra with his deduction, sword and courtroom etiquette before it’s too late, or has the King’s Crucible finally found a mystery to insane for even him?

Wow, what an amazing and compelling novel.  Crucible of Chaos was another outstanding book from de Castell, and one that really grabbed my attention from the very beginning.  Containing an elaborate story, great writing, amazing characters, and so much more, Crucible of Chaos was a joy to read from start to finish, and one that I have little choice but to give a full five-star rating.

De Castell came up with an impressive novel that sets a classic detective story into The Three Musketeer inspired Greatcoats universe.  Readers are quickly introduced to two of the main characters, Estevar Borros and his trusty steed, as the dejected pair arrive at Isola Sombra to investigate a religious feud enveloping the island and its abbey.  While that is an interesting premise for a story, de Castell raises the stakes by introducing murder, mysterious mysticism, fearful locals, unnatural storms, and three warring factions of monks, which Estevar needs to unravel to get his beloved justice.  What follows is a complex and highly entertaining murder investigation as Estevar, with the help of a mysterious girl, begins to interrogate key members of the remaining monks to find out what they know and how their fighting and the resulting murder came about.  This proves to be quite addictive, and I found myself getting really drawn into this excellent mystery and the unique fantasy elements surrounding it.

The story takes a very interesting turn around halfway through as Estevar gets some dramatic proof that the events on Isola Sombra are more supernatural than he thought they would be.  This leads the protagonist into some dark places as he tries to fully understand everything that is happening, and who is ultimately responsible for the crimes committed.  De Castell cleverly lays out some intriguing revelations, as well as some tragic secrets that are cleverly hinted at by false memory and lies, and I had so much fun following all the breadcrumbs.  Everything leads up to several great confrontations, as Estevar first deals with some political intrigue that ties Crucible of Chaos into the rest of the series, before once again facing the strange powers haunting the island.  There are some inspiring moments here, especially as strange bedfellows fight together against the darkness, before the protagonist initiates a unique trial to reveal the whole truth.  The solution to the mystery is very clever, and I was really impressed with how de Castell pulled the whole thing together.  The conclusion really goes over-the-top as justice meets religion in some dark ways, and you will come away very impressed and satisfied with the dark, yet hopeful, story that emerged.

I love the tone that de Castell set out for Crucible of Chaos, mainly because there are so many elements that he managed to fit into his story.  The blend of mystery, character development, and unique fantasy inclusions from his pre-existing universe is extremely awesome, and I loved how the author managed to create such an elaborate and focused story.  The investigation element of Crucible of Chaos was the book’s true heart, and I have a lot of respect for the complex series of crimes that emerged, especially as de Castell managed to incorporate religious conspiracies, political intrigues and supernatural occurrences into the mystery’s solution.  There are so many moments of desperation, despair, and dark hope contained within this book, and the reader is constantly left feeling either intrigued by the mystery or shocked by the revelations that emerged.  It helped that de Castell’s characters are all so vibrant and entertaining, and there is a captivating humour that runs through the book that proves hard not to enjoy.  This whole novel comes together with a great pace that never lets up, and I honestly could not stop listening to Crucible of Chaos at times, especially when all seemed dire, or the protagonist was on the hunt for justice.

As I mentioned above, I came to Crucible of Chaos after reading Play of Shadow, so I was interested in seeing how it would fit into both the Court of Shadows series and the Greatcoats universe.  While there are obvious connections to both, for the most part Crucible of Chaos is more of a standalone novel than anything else, as the plot is primarily focused on the intense mystery the protagonist finds himself trapped in.  While there are a lot of strong references to previous Greatcoats novels, de Castell does an outstanding job of rehashing these events in a thorough and sensible manner, allowing the readers to get all the necessary context that they need.  Readers also do not need to get this book first to enjoy the next book in the series, Play of Shadows, which was reassuring in hindsight, and I kind of like how independent the two books are from each other.  The only real connection lies in a couple of revelations towards the end of Crucible of Chaos that hint at dark deeds on the horizon and a shadowy hand manipulating events from afar.  As such, Crucible of Chaos is a very accessible book for new readers and serves as a great introduction to the various series associated with it.

I will say that Crucible of Chaos did provide some interesting insights into the nation of Tristia, which serves as the primary setting for the Greatcoats series.  There are substantial examinations of the nation’s history, the backstory from the prior books, and other worldbuilding that de Castell has previously come up with, and I found this to be quite fascinating.  The often fractured and duellist obsessed nation of Tristia is an amazing background for this story, and I enjoyed the multiple discussions about the role of the Greatcoats as magistrates and keepers of the king’s peace, especially as the protagonist is quite passionate about the ideals of justice they represent.  However, a lot of Crucible of Chaos’ focus lies around the religion of the world, as the gods of Tristia become a major aspect of the plot.  Indeed, key events of the original Greatcoats series become vitally important here as the protagonist needs to consider the impact that the previous murder of the gods has had on the current religious institutions.  I really liked the constant contrasts between the philosophies of human justice and religious practice that becomes recurring theme in Crucible of Chaos, and I rather enjoyed seeing both unique elements of this landscape.

While I loved the story and the dive into the Greatcoats universe, the absolute best part of Crucible of Chaos were the exceptional characters that de Castell set his narrative around.  Each of them was complex and endearing in their own fun way, and I really enjoyed the powerful storylines that the author wrote around them.  The most prominent of these is protagonist and point-of-view character Estevar Borros.  A member of the king’s Greatcoats, Estevar was a very distinctive protagonist, mainly because he didn’t fit the typical fantasy protagonist mould that most readers would be familiar with.  A rather girthy and older duellist, Estevar is nonetheless a formidable warrior, often able to overcome younger or more in shape opponents through skill and trickery.  However, for this adventure, Estevar recently lost a duel due to his own arrogance and is forced to investigate the events on Isola Sombra while wounded and exhausted, and with his tools and authority missing.  I deeply appreciated the multiple handicaps that de Castell placed on his protagonist, especially as it enhanced the intensity of the plot, and it was compelling to see Estevar deal not only with his wounds but his own dark temperament, while trying to solve the case.  Despite his disadvantages, Estevar proves to be a capable investigator, and his deductive ability, which results in him being shown as a supernatural obsessed cross between Sherlock Holmes and Porthos.  I deeply enjoyed how determined and curious Estevar was throughout the plot, and he was a fun character to follow as he keeps up a genial and pleasant demeaner for most of the book, with some fun cracks of humour.  However, we do see some great flashes of emotion from Estevar at key moments, especially when he realises just how deranged the crime he is investigating is.  I was a huge fan of Estevar from the opening pages, and he is a protagonist I would love to see again in the future.

Aside from Estevar, de Castell features several other exceptional characters that you have a fantastic time following.  This includes the mysterious young female lead, Caeda, who serves as Estevar’s impromptu assistant during the investigation, determined to help find the truth on the island.  Shown initially as an energetic and enthusiastic figure, Caeda plays well off Estevar, and I liked the entertaining partnership they formed, even if Caeda is keeping secrets, which eventually leads to some tragic revelations.  However, the character you are most likely to fall in love with is Estevar’s mule, Imperious.  Much more than a stubborn mule, Imperious is the bravest, most rambunctious and expressive character in the entire novel, and de Castell has a lot of fun throwing him into the story in entertaining ways.  A dangerous and near unstoppable figure, Imperious stole every scene he was in, and you honestly end up caring for this heroic mule more than any other character in the book.  Throw in a cadre of mad monks, including an obsessive inquisitor, a wannabe general, and a lecherous sorcerer lord, and the cast of Crucible of Chaos proves to be really fun and intriguing to follow.

While I was tempted to grab a physical copy of Crucible of Chaos, I ended up getting the audiobook version instead, which proved to be an epic format to enjoy the book in.  Coming in with a runtime of 12 and a half hours, this was a moderately long audiobook, but it was one I managed to power through in less than a week due to how caught up I got in the story.  I found that the audiobook format really helped me to enjoy the complex narrative that de Castell came up with, and having it read out helped me to appreciate the depictions of the dark abbey and the elaborate mystery that much more.  It helped that Crucible of Chaos was narrated by one of my favourite audiobook narrators, Joe Jameson, whose work I enjoyed so much in the Legacy of the Mercenary Kings audiobooks (The Kingdom of Liars, The Two-Faced Queen and The Voyage of the Forgotten).  Jameson has a great voice for fantasy fiction, and I loved how he brings the elaborate story of Crucible of Chaos to life with his recitation.  The narrator had some great voices for the various characters, and while a few are similar to those he used in other audiobooks his other works, they all expertly fit the character they were assigned to perfectly.  I particularly enjoyed the distinctive and overly accented voice that Jameson gave to the main character, Estevar Borros, which perfectly fit his foreign origins, as well as his personality and physical attributes.  This booming, cheerful, yet penetrating voice, really captured the protagonist, and I could always envision this amazing character whenever Jameson spoke.  This, and other great voices, really helped to turn the Crucible of Chaos audiobook into something really special, and I cannot recommend this format enough to someone interested in this book.

Overall, Crucible of Chaos proved to be a remarkable and highly impressive novel from Sebastien de Castell that I had such an outstanding time reading.  Combining a unique story with great characters and compelling elements from the Greatcoats universe, Crucible of Chaos was a truly epic novel that I could not get enough off.  I look forward to seeing what other intriguing adventures occur in the rest of the Court of Shadows books, and this is swiftly becoming one of my favourite ongoing fantasy series.

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