Category: Throwback Thursday

Throwback Thursday – Ghost Story by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday5 Comments

Ghost Story Cover

Publisher: Penguin Audio (Audiobook – 4 August 2011)

Series: Dresden Files – Book 13

Length: 17 hours and 36 minutes

My Rating: 5 out of 5 stars

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So by this point in my explosion of Throwback Thursday articles I think I’ve made it pretty clear that I have been really enjoying the epic Dresden Files series lately.  This amazing series has so much going for it, and after listening to and reviewing Small Favour, Turncoat and Changes, I honestly had no choice but to dive into the 13th entry in the series, Ghost Story, especially as it continued on from a great cliffhanger at the end of Changes, and boy am I glad that I did.

Harry Dresden is dead.  Brutally and suddenly gunned down following his victory over the Red Court of vampires and his decision to sell his soul to Queen Mab, Dresden’s life is over, and his body is lost to the murky depths of Lake Michigan.  However, nothing is ever simple for Chicago’s only professional wizard and supernatural protector, and even his own death proves to be far too complicated for his own good.

Waking up in spiritual realm between life and death, Dresden is given an option to travel back to Chicago as ghost to clear up his irregular death.  If he manages to find out who killed him, he may save the lives of the friends he left behind, but if he fails, he will be wiped from existence completely.  Determined to save those he loved, Dresden elects to return home and finds himself back in his city, but in the six months he has been away, everything has changed.

Without his protection, Chicago has become a target of deadly dark powers wishing to capitalise on the destruction of the Red Court.  Worse, his allies have each been affected by his death, and their attempts to keep Chicago safe in his absence have led many of them upon a dark path.  Determined to save who he can, Dresden calls upon the services of ectomancer Mortimer Lindquist.  However, Mortimer is facing his own difficulties as a sinister force seeks to capture him using an army of dark spirits.  To help Mortimer and his friends, and to discover who has behind his death, Dresden will need to master his new ghostly abilities and face down some of the deadliest creatures stalking the afterlife of Chicago.  But even if he succeeds, is the remnants of Dresden’s soul ready for the dark truths and hidden secrets lurking just around the corner?

Well damn, the further I get in this series the more I appreciate just how good an author Jim Butcher is.  Ghost Story is another exceptional and epic Dresden Files book, and it might be one of the very best things he has ever written.  A dark and complex character-focused tale that places its protagonist is his most unique situation yet, Ghost Story has so much going for it, and I loved every second I spent reading it.

Ghost Story probably has one of the most unique and memorable narratives in the entire Dresden Files series, primarily because the protagonist and narrator is dead.  Cleverly following on from the intense cliffhanger of Changes, in which Dresden gets shot and killed in the final scene of the book, Ghost Story sees Dresden’s shade sent back to Chicago six months later to solve his own murder.  The initial scenes of Ghost Story are pretty interesting, and I quite liked how Butcher set up the scenario and reinforced it with the book’s first major action sequence at Mortimer Lindquist’s house, where the protagonist learns some of the rules about being a spirit and has his first encounter with the book’s antagonist.  The story really takes off when Dresden meets up with all his old friends and sees how much things have changed since his death.  The emotional damage his murder has caused is pretty damn moving, and the unintended consequences of his victory against the Red Court serve as a good set-up for some new long-running storylines.

The narrative from here continues at a brisk pace as Dresden attempts to simultaneously solve his murder, aid his lost apprentice, help a bunch of street kids being controlled by a minor sorcerer, and save Mortimer from a dangerous entity.  The last one proves to be the major storyline of the book, especially as it involves an old foe of Dresden’s, and the protagonist is forced to use all his limited ghost powers to save him.  This leads to several intense and distinctively dark set pieces, including a memorable storming of the beaches, an invisible ghost duel, and some major sacrifices.  The final confrontation of the book is very impressive, especially as it helps to reveal the full truth behind Dresden’s murder.  Butcher was really clever in setting this up big reveal, and I thought it was very fitting and complex, especially as it ties nicely to some events in Changes and hints at some great evils yet to come.  The scenes that follow are some of the best and most emotionally charged, as many of the characters get closure, and you get to see just how important Dresden is to his friends and family.  In some ways I kind of wish that Butcher ended series here, as there was a certain finality to some of the storylines that I really appreciated.  However, I’m also not upset that Butcher chose to continue the Dresden Files even further, and the inevitable scene returning Dresden to life was handled extremely well, setting up a whole new course for the protagonist.

I really liked how effectively Butcher wrote Ghost Story so that it had a different feel to most of the other Dresden Files books.  Thanks to the protagonist’s ghostly form, there is less traditional action and adventure, although Dresden compensates for this by bringing in a lot more world building and a lot of emotional character moments.  Thanks to the situation of the protagonist and the general gloomy atmosphere of the current setting, this is a much more subdued and grimmer Dresden Files novel than you might be used to.  Luckily, Butcher does try to break through this darker content with Dresden’s usual humour, which helped to lighten up some of the other characters in the book.  The usual investigative elements are still strongly represented here, especially as Dresden has to find his own killer, and I really enjoyed how the protagonist’s new limitations forced him to think about the case in new ways.  The main mystery is set up extremely well throughout this book, with clues hidden both in Ghost Story and Changes.  I particularly appreciated how the subtle absence or mention of a recurring character ended up being a clue, and it’s a brilliant bit of writing once you understand it.  Butcher really got the right blend of story elements here in Ghost Story, and I liked how he made the book a bit darker while still allowing established readers the sense of familiarity to keep them going.  These excellent writing decisions really enhanced the overall impact of the book, especially when combined with the exceptional character work and intriguing new fantasy elements.

Ghost Story is honestly one of the most significant entries in the entire Dresden Files series, not only because it resolves the cliffhanger from the previous novel but because it starts to change the status quo of the series’ wider world.  A lot of major ongoing storylines start in Ghost Story, and the six-month gap between Changes and Ghost Story also results in some intriguing changes to the main setting and supporting cast.  These changes are pretty jarring for established fans but are really clever, and I liked the darker picture of the world they painted.  Unlike most of the books in the Dresden Files series, Ghost Story really should not be read as a standalone novel or an entry into the series.  While Butcher does do his usual excellent recaps, there are just too many big story elements going on in Ghost Story for it to be an effective launchpad for new readers.  The emotional impact of the character interactions will also be reduced for those unfamiliar with the characters, and the big reveal at the end also loses a lot of punch if you haven’t read Changes.

One of the things that I really enjoyed about Ghost Story was the way in which Butcher worked some cool new fantasy elements into the story.  The spiritual world and the undead aren’t unfamiliar concepts to the series, especially with previous entries like Grave Peril and Dead Beat, but Ghost Story takes it in a whole new fascinating direction with Dresden’s death and return as a spirt.  This transformation forces Dresden to learn about spirits and ghosts extremely quickly, especially when he needs to utilise all his new abilities to save his friends.  This proves to be an excellent and complex inclusion, and Butcher does an amazing job of completely changing the abilities of his protagonist for an entire book.  The resultant changes and new talents are very cool, and I loved the dive into what ghosts are and how they can affect the world around them.  It also allows for some impressive scenes, and it was a lot of fun seeing pitched battles between ghostly magical practitioners while the mortals are completely unaware.  Throw in some intriguing new long-term baddies, the Fomor, and some new abilities for established characters, and Ghost Stories proves to be a book where Butcher was at his most inventive.

As with all the Dresden Files novels, one of the key highlights of Ghost Story is the excellent characters and the elaborate personal stories that Butcher weaves around them.  The characters arcs in Ghost Story are particularly poignant and moving, even compared to Butcher’s usual high emotional standard, as the lingering impacts of the protagonist’s death drive many of them to do things they would never expect.

Naturally, most of the focus returns to protagonist Harry Dresden, who experiences some major life changes after dying.  Despite losing his physical body, Dresden maintains much of his usual drive, humour and general disrespect for all the dangerous and scary creatures out there, and if there were ever a character who would excel as a nosey and noble ghost, it would be Dresden.  However, despite his outer façade of good cheer and comedic charm, Dresden is experiencing a great deal of emotional turmoil, because of both the events of the previous books and his regrets of leaving those close to him behind.  There are some brilliant examinations of the pure guilt he feels, especially around his destructive choices in Changes and their impact on his friends.  Despite all this, Dresden is still his usual bold and determined self, and I had an excellent time watching him come to terms with his spiritual nature and his new abilities.  Dresden had to be a lot more passive in this book, which honestly drove him a little crazy at times, and it was an interesting change of pace to see him so helpless.  Butcher also used this book to dive back into Dresden’s past, providing us with some intriguing looks at his early adventures, including his first traumatic apprenticeship, which has been mentioned but not fully explored until now.  I really enjoyed how Dresden was portrayed in this book, especially as Butcher wrote some particularly emotional and hard-hitting scenes for him, and this was one of his most unique adventures.  I look forward to seeing what happens to him next, especially as he comes to terms with certain new facts of his life in the rest of the series.

While Dresden does get a lot of compelling and emotionally rich development in Ghost Story, I really need to highlight how exceptionally well Butcher featured several of his key supporting characters in this novel.  Many of the characters the reader has grown to know and love throughout the course of this series really change in Ghost Story, especially as they have all had to spend six months dealing with the death of Dresden and the crazy world that developed in his absence.  There is some outstanding and brilliant development here as a result, and I really appreciated how effectively Butcher examined the impacts of grief, anger and guilt.

This excellent development can be particularly seen in the character of Karrin Murphey, who, after losing her position in the police and her potential romantic partner in Dresden, was forced into a dangerous war to keep Chicago safe from supernatural threats.  The resulting fights made her a lot more dangerous and unforgiving than we’ve previously seen, especially as she barely manages to keep her grief and anger contained.  The always fun Waldo Butters also grows up a lot for Ghost Story, especially now he is the holder of Bob the Skull.  Butters honestly becomes a better character with each appearance in the series, and it was great to see him being a more determined and bold figure here to try and live up to Dresden’s example.  I also really loved how well Butcher featured the character of Mortimer Lindquist in Ghost Story, as he had a sizeable role here.  A somewhat minor figure from several of the previous Dresden Files novels, Mortimer has been slowly growing into a better person with each appearance, something attributed to Dresden’s influence.  However, Ghost Story is the book were he finally shines, as you get some real insights into his abilities and heart.  While he might not be a traditional heroic figure, he does his best in this book, especially when it comes to helping the lost spirits of Chicago, and I really enjoyed how Butcher featured him, and his ghostly companions, in this novel.

While I loved all the work for the characters above, the most impactful and tragic character development revolves around the fascinating character of Molly Carpenter, Dresden’s wizard apprentice.  Molly has always been a potentially dangerous figure due to her talent for mental magic.  However, the loss of Dresden drives her off the deep end as her guilt and sorrow turn her into something a lot more dangerous and unhinged.  Molly ends up becoming the murderous, magical vigilante, the Rag Lady, to scare sinister creatures away from Chicago, and begins living on the streets, untrusted by her former friends.  This is such a powerful and surprising transformation from her previous appearances, although it’s not too surprising considering some of the darker things she’s done in the past.  Butcher does an exceptional job of diving into her grief, her growing power, and the reasons behind her actions, and it is very heartbreaking to see Molly go down such a dark path.  The full extent of her mental issues is a major part of the book’s plot, and I think that Molly had some of the best development in this whole emotionally charged novel.

As with all the other Dresden Files novels I enjoyed, I made sure to check out Ghost Story on audiobook, which frankly never fails to impress me.  Coming in with a runtime of just over 17 and a half hours, Ghost Story is one of the longer Dresden Files audiobooks, but you really don’t mind as Butcher packed so much awesome moments into this complex story.  Interestingly enough, Ghost Story is the only Dresden Files audiobook that has two separate versions to it, as actor John Glover provided the narration for the first version before James Marsters narrated a second edition a few years later.  While I did love John Glover in Smallville, I decided to listen to the Marsters version, mainly because I have gotten so used to him over the previous 12 Dresden Files audiobooks.  Marsters of course was exceptional here, and his particularly emotional and heartfelt performance in Ghost Story really highlights why he is one of my favourite audiobook narrators at the moment.  There is honestly no better way to enjoy a Dresden Files novel than by having it read out by James Marsters, and this format comes very highly recommended.

Overall, the fourth and final Dresden Files novel I review here today, Ghost Story, was an impressive and highly captivating read, especially when it comes to powerful characters and intriguing fantasy changes as Jim Butcher really showcased his writing skills here.  Exciting, emotionally charged and featuring a very different story than fans are used to, Ghost Story is one of the strongest books Butcher has ever written, and I was hooked the entire way through.  I honestly cannot express just how epic and awesome this series is at times, and I look forward to getting through the last few Dresden Files novels in the coming months.

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Throwback Thursday – Changes by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday9 Comments

Changes Cover

Publisher: Penguin Audio (Audiobook – 15 April 2010)

Series: Dresden Files – Book 12

Length: 15 hours and 26 minutes

My Rating: 5 out of 5 stars

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As promised in the previous posts for Small Favour and Turn Coat, this Throwback Thursday is a four-way special as I look at another epic entry in the exciting and fun Dresden Files series by Jim Butcher.  This review looks at the 12th entry in the series, Changes, which is one of the most intense and compelling books that Butcher has so far produced.

It is Harry Dresden’s darkest hour.  For years, Dresden has been Chicago’s only defence against the various mystical and monstrous threats that seek to destroy it.  His crusade to keep Chicago safe resulted in a deadly war between the White Council of wizards and the vampires of the Red Court, with Dresden firmly in the centre of the battle.  After years of fighting, the Red Court look set to launch their final killing blow, aimed directly at a weak spot Dresden was unaware he even had: his daughter.

Kept from him by his former lover, Susan Rodriguez, Dresden is shocked to discover that he has a child and that she has been kidnapped by a vengeful vampire noble.  Determined to get his daughter back no matter the cost, a reckless Dresden begins a new battle against the Red Court.  However, with the White Council unwilling to back him, Dresden has few options available to him as he is relentlessly hunted by agents of the Red King.

Injured, tired and desperate, Dresden will need all his most powerful allies to survive, but even the full might of Dresden’s most loyal friends isn’t enough to overwhelm the forces in front of them.  To succeed, Dresden may be forced to compromise everything he has ever believed in, especially if it brings him the tools and power he needs to save his daughter.  But the price demanded may be far more terrible than anything he could imagine.

Well damn, now this must be one of the most intense and powerful entries in this already outstanding series.  Butcher outdid himself with Changes as he wraps up several brilliant storylines while also taking his protagonist to the very edge in the worst ways possible.

Butcher provides a very powerful start to Changes, which places Harry in a dark position as he finds out that he has a daughter and that she has been kidnapped by Red Court vampires.  This expertly follows on from several long-running storylines around Dresden’s war with the Red Court (including those started Grave Peril and Death Masks), and it was really interesting to see an emotionally untethered Dresden trying to come to terms with having a child and the evils being done to them.  The first half of Changes is highly compelling, especially as Dresden faces attacks and obstacles he hasn’t seen before, with his office building getting blown up and increased interest from law enforcement in the city.  There are several great set pieces here, and Butcher quickly builds up the many threats surrounding Dresden as well as unprecedented stakes.

However, Butcher really saves the best for the second half of the book, as Dresden finds himself going down some dark roads to save his child.  After a particularly heartbreaking moment in the centre of the book, the weakened Dresden is forced to make a Faustian deal in one of Changes most powerful scenes.  However, this proves to be only the beginning as Dresden leads all his allies to the big final battle, which was something particularly impressive.  There are several outstanding fight sequences, including a magical pitched battle with everyone involved, and the ending sequence of the entire event is pretty dark.  There are losses, tragedies and massive changes featured here, and you really are left blown away by just how epic and brutal Butcher made everything.  However, that is only the beginning as, after a series of revelations and sacrifices, Butcher chooses to end Changes on a massive cliffhanger, one that is guaranteed to shock every Dresden Files fan and force them to dive right into the next book.

Changes is definitely one of the most impressive and expansive entries in the entire Dresden Files series, and it had me hooked the entire way through.  Thanks to the massive battles, intense and extremely epic action scenes, and the game-changing and emotionally charged moments where the protagonist is forced to make all the hard decisions, it honestly proves very hard to put Changes down and I loved how well Butcher wrapped up several long-running storylines while setting up key elements for some of the later novels.  This is one of the darker books in the Dresden Files series, although Butcher still manages to maintain a good amount of inherent humour and investigative focus.  I felt that the typical Dresden humour blended well with the more desperate and brutal parts of the book, especially as it helps to underline just how grim Changes becomes in places.  Unlike some of the previous books in the series, I would not recommend Changes as a place to start reading the Dresden Files books.  While Butcher provides his usual excellent recap of prior events throughout the book, there are way too many ongoing storylines and complex character moments featured here that you won’t get the full effect of unless you understand the full history of the protagonist and all he’s overcome.  This was honestly one of the better books in the entire series, especially with how much Butcher raised the stakes, and I love just how well the entire story came together.

Out of all the Dresden Files novels Changes has some of the best character moments in the entire series, mainly because of just how big events turned out to be.  Dresden, despite his attempts to keep his usual defiant humour intact, is emotionally wrecked time and time again in this book following the revelation that he has a daughter he didn’t know about.  Enraged, desperate and determined to not leave her alone like he was as a child, Dresden is forced into some very dark places to save her, and the resulting scenes where he sells his soul are very heartbreaking and emotionally charged.  A lot of these compromises come after he has been physically chopped away at throughout the book, and you can really understand why he is forced to make these decisions and just how much they cost him spiritually and morally to do so.  As such, Dresden spends a good chunk of this book unsure of whether he is making the right decisions, but he remains determined to do so all the same and would even go further if needed.  Despite this, Dresden still has the support of his friends, and it was great to see how they kept him grounded and certain that he was on the right path.  I particularly enjoyed the fun Lord of the Rings analogy that was revealed to him by his friends to show how they see him (he’s more of a Sam than a Gandalf), and Dresden’s concern that he might instead be a different, less heroic character from the series hits you right in the feels.  I may never forgive Butcher for how brutally and effectively he tugged at my heartstrings in Changes when it came to Dresden and this is probably one of the most substantial novels in the entire series when it comes to his character development.

Aside from Dresden, Changes features a great range of supporting characters, many of whom return to help the protagonist in his hour of need.  A lot of focus went into Susan Rodriguez, Dresden’s former lover and the secret mother of his child, who has struggled with her vampiric corruption since the third book.  While there is a certain amount of resentment towards her for her actions, you can completely understand why Susan might try to keep her daughter away from both herself and Dresden, which is honestly heartbreaking.  Butcher does a great job of featuring Susan again here after a lengthy absence, and I felt that he wrapped up her storyline and the relationship she had with Dresden really well.  Several other characters get a great showing in Changes, with Murphy becoming a literal Holy Knight for one particularly glorious sequence and Dresden’s apprentice Molly really showcasing her skills and her emotional vulnerability.  I also must mention one of my favourite characters, Dresden’s dog, Mouse, who continues to be one of the best figures in the series, especially here where he reveals more of his supernatural potential and his actual intelligence.  The scene where you can hear him talking is just hilarious, especially as Mouse has a very different view about his relationship with his human.  These characters and more really help to turn Changes into one of the most emotionally charged books in the entire Dresden Files series, and I loved seeing each and every one of them.

As has been the recurring theme with the Dresden Files, I checked out Changes on audiobook, which was another epic listen.  Narrator James Marsters can do no wrong with this audiobook, and with a runtime of 15.5 hours, you will find yourself quite engrossed with this elaborate tale.  Thanks to Marsters’s exceptional narration, I absolutely powered through this audiobook, and I loved the sheer emotion and power he brought to the production.  The epic set pieces were particularly cool in this audiobook, and I loved how well the climatic battles came across in this format.  As a result, Changes is definitely best enjoyed as an audiobook and I cannot recommend this format enough.

Unsurprisingly, Changes also gets a five-star rating from me and it was honestly one of the most impressive Dresden Files novels that Butcher has written.  The powerful character work and brutal story had me hooked the entire way through, and it honestly has some of the most significant moments in the entire series.  In fact it was so good that it instantly made me start listening to yet another Dresden Files novel, Ghost Story (that cliffhanger at the end left me no choice), which I am also reviewing today.  This is an exceptional read that once again shows why Butcher is such an incredible author.

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Throwback Thursday – Turn Coat by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday4 Comments

Turn Coat Cover

Publisher: Penguin Audio (Audiobook – 7 April 2009)

Series: Dresden Files – Book 11

Length: 14 hours and 36 minutes

My Rating: 5 out of 5 stars

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It’s a Dresden Files multi-feature today! In addition to reviewing Small Favour, I also check out the 11th book in the series, Turn Coat.

As I mentioned in my other post tonight, I have been in a real Dresden Files mood recently.  Thanks to how much fun I had with Small Favour, I immediately started listening to the 11th entry in the series, Turn Coat, which was another excellent novel.  I managed to finish off Turn Coat in a couple of days, and it proved to be another amazing entry in the series, tying up several long-running storylines while diving into some of the unique relationships surrounding the protagonist.

Throughout his entire magical career, professional wizard Harry Dresden has been feared and despised by the White Council of Wizard after killing his crazed mentor with magic.  Despite his crime being in self-defence, Dresden was watched and harassed for most of his life by a Warden of the White Council tasked with slicing his head off if he showed any dark magical inclinations.  The man who so relentlessly watched him was the implacable Warden Morgan, who still suspects Dresden of dark magic to this day.  So when Morgan shows up wounded at Dresden’s apartment asking for help, Dresden is reluctant to provide it.

Morgan has been accused of betraying the White Council and murdering one of its most senior members.  Despite the long history of hatred, Dresden agrees to help him, fully aware that Morgan is incapable of committing the acts he is accused of.  But by sheltering Morgan, Dresden has made himself a target of the White Council, and the only way to survive is to identify the real murderer before Morgan is discovered.

Digging into the case, Dresden soon uncovers an insidious conspiracy that threatens the fragile stability of the White Council and the world of magic it governs.  Forced to face off against friends, mercenaries, rogue vampires and one of the most dangerous mystical creatures in existence, a skinwalker, Dresden finds himself walking a razor’s edge.  If he succeeds, he could start a civil war within the White Council, but if he fails, he will be executed alongside Morgan.  With danger all around, can Dresden survive both his enemies and his own complicated feelings for Morgan?

This was a very interesting and compelling entry in the Dresden Files series, and I had quite a bit of fun with it.  Unlike the preceding novel, Small Favour, Turn Coat has a bit of a slower pace to it, and there is more of a focus on conspiracy, mystery and character growth rather than full on action.  The story has a very strong start, especially as Butcher brings back one of the more complex supporting characters: Morgan.  A lot of the story revolves around the contentious history between Dresden and Morgan, and the powerful tension between them makes for some excellent moments in the story.  I liked the central premise of Dresden attempting to uncover a conspiracy at the heart of the White Council and it follows up several key storylines from the rest of the series.  The shadowy plot that emerges is very intriguing, and the mixture of players, as well as a particularly terrifying antagonist, really ensures that the story is highly compelling the entire way through.  Everything leads up to the big fight sequence at the end of the book quite nicely and it was fun to see the unusual array of Dresden’s allies face off against a dangerous and deadly force.  The following big reveal of who the real antagonist of the story is was also very well set up and quite clever, although I was able to figure out the culprit some time in advance.  Still, this really didn’t detract from the impact of the reveal and the subsequent tragic events really hit the reader hard.  Butcher ends Turn Coat on a troubled and tragic note, with more questions than answers, and I quite enjoyed the darker, less hopeful tone that emerged as a result.

Butcher applied his typical writing style to Turn Coat, which I greatly appreciated, especially as it makes jumping from book to book in the series easy when I’m in the mood for something familiar to escape into.  Thanks to Butcher’s great continued use of the first-person perspective, you get a complex and intense story in Turn Coat, especially as much of the narrative focussed on Dresden’s hunt for the traitor and his other personal issues.  The protagonist’s usual glib outlook on life helped to provide much of the book’s humour, which melded well with the compelling fantasy and investigation elements of the book.  Butcher made Turn Coat particularly dark in places, and the haunting depictions of certain creatures and the inherent tragedy of much of the plot helped Turn Coat really stand out.  I personally enjoyed how well Butcher expanded the lore surrounding the White Council and the subsequent magical politics and backstabbing that emerged was a fascinating inclusion.  As with most of the Dresden Files books, Turn Coat can be read as a standalone novel or a starting point to the larger series, although much of the enjoyment of this 11th book relies on the continuation of key storylines and character arcs from the previous novels.  However, Butcher does an outstanding job of rehashing key events and characters were needed, so it is very easy to follow along if you start here.

I once again need to highlight some of the amazing characters featured in Turn Coat, each of whom expertly enhance the overall story.  Obviously, Dresden gets most of focus in Turn Coat and he proves to be as entertaining and enraging as usual.  Dresden has quite a lot of emotional baggage to unpack here, especially when it comes to his past with Morgan, and their hostility and inability to agree on the White Council and the laws of magic makes for some excellent scenes.  That being said, it is clear that Dresden has grown a lot as a person and a mentor by this point in the series, and his ability to plan ahead and outthink his opponents is quite impressive.  Thanks to how the story unfolds, the intriguing and harsh character Morgan got quite a lot of focus and I was really glad to see more of him here in Turn Coat.  Morgan has only had a few appearances in the series and is usually treated as a secondary antagonist thanks to his hostile attitude towards Dresden.  Butcher spends much of Turn Coat unpacking Morgan’s personality, and you finally get to understand why he’s so strict and concerned about dark wizardry.  The scenes featuring both Dresden and Morgan are some of the best in the book, and I deeply appreciated how Butcher was able to both expand upon and wrap up their turbulent relationship here.

Aside from Dresden and Morgan, Turn Coat also features an outstanding and compelling supporting cast, each of whom adds a lot to the overall story.  Recurring characters Molly Carpenter and Thomas Raith each get a great focus in Turn Coat for different reasons, with Molly trying to deal with the inherent prejudice of the White Council against her and Dresden, while Thomas is tortured for a good part of the book and reverts to his baser instincts.  Dresden’s current love interest, Anastasia Luccio, also has a great outing in Turn Coat, and certain elements of her emotional state prove quite vital to the story in some clever and quite tragic ways.  Dresden’s giant dog, Mouse, who is always a scene stealer, has some fantastic moments in Turn Coat, especially when he proves to be the only intelligent adult in the room when it comes to Molly, Morgan and Luccio.  There are also some great scenes featuring small pixie Toot-Toot and wizard elder Listens-to-Wind, who are very entertaining and fun in their own ways.  Finally, I really need to highlight one of the more sinister figures of the book, the skinwalker (also known as a Naagloshii), a Native American spirit who bursts into the scene by driving Dresden insane with fear.  Butcher did an amazing job building them up as a mega shapeshifting threat quite early in the story, and their powerful abilities and dark nature really comes across throughout the entire story.  These characters and more each added so much to the story and I had an amazing time seeing all of them get even further developed by this talented author.

As with Small Favour and the other Dresden Files books I have enjoyed over the years, I chose to grab the audiobook version of Turn Coat, which is just the best way to enjoy this amazing novel.  Thanks to the narration of the always talented James Marsters, Turn Coat was a real joy to listen to, and I love how well Marsters dives into the various characters.  His fun takes on many of the figures, especially protagonist Harry Dresden, are just perfect, and you must appreciate how well he knows all of the cast at this point.  Marsters does a lot of fantastic voices in Turn Coat, although I particularly enjoyed the voice he used for new character Binder, who sounds an awful lot like a certain blonde vampire from Buffy the Vampire Slayer.  I absolutely powered through this outstanding audiobook, and despite its 14 and a half hour run time, I managed to listen to it in an enjoyable two days.  Easily to best way to enjoy a Dresden Files novel, you will not be disappointed by the Turn Coat audiobook.

As you can no doubt tell from the gushy review about, I had a lot of fun with Turn Coat, and it was an outstanding addition to one of the very best fantasy series out there.  Slick, emotionally rich and building on some amazing long-running storylines, Turn Coat had so much going for it that I honestly could not put it down.  Heck, thanks to how awesome both Turn Coat and Small Favour was, I listened to yet another Dresden Files book, Changes, which I am also featuring today.  This is such an epic series, and Turn Coat is another five-star read that I cannot recommend enough.

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Throwback Thursday – Small Favour by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday8 Comments

Small Favour Cover

Publisher: Penguin Audio (Audiobook – 1 April 2008)

Series: Dresden Files – Book Ten

Length: 13 hours and 49 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In a very special Throwback Thursday, I present reviews for four books in the legendary Dresden Files urban fantasy series by Jim Butcher starting with the 10th book in the series, Small Favour.

Over the last few years, I have been having an absolute blast getting through the outstanding and highly addictive Dresden Files urban fantasy series by Jim Butcher.  Following a maverick wizard as he investigates supernatural crimes in Chicago while also facing all manner of dark threats, the Dresden Files books are some of the best urban fantasy novels out there and I have had such a great time reading the rest of the series.  All the other Dresden Files novels I have read, including Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Knight, Battle Ground and The Law have gotten a full five-star rating from me and I have been very eager to continue this great long-running series.  As such, when I was travelling around and needed an audiobook I could listen to extremely easily, there was no better choice than the next Dresden Files book, Small Favour, which really did not disappoint.

Harry Dresden, Chicago’s only professional wizard and protector against the supernatural, has been enjoying a period of rare peace and productivity in his chaotic life.  But nothing ever lasts forever, and soon Dresden finds himself thrust into a dark battle between dangerous old enemies with the fate of the world at stake.

Thanks to a debt from his reckless youth, Dresden owes three favours to Queen Mab, manipulative monarch of the Winter Court of the fae, who seeks to turn Dresden into her greatest weapon.  Her latest favour sees Dresden drawn into a surprising conflict surrounding his old rival, Chicago crime boss John Marcone.  Marcone has been kidnapped by another deadly foe of Dresden’s, the Denarians, fallen angels who are determined to turn Marcone into a new host for one of their brethren.

Strongarmed by Mab, Dresden reluctantly agrees to help save Marcone from his fate and begins a new search for his foe throughout Chicago.  However, his acceptance not only forces him up against the Denarians and their twisted leader, Nicodemus, but also puts him in the sights of Mab’s rival, the Queen of the Summer Court, who sends her deadliest servants to kill him.  Caught between two unstoppable mystical forces can Dresden and his allies survive their deadliest battle yet, especially when Nicodemus’s full destructive plot is unleashed?

Unsurprisingly I loved Small Favour, which is easily one of the better Dresden File books in this already excellent series.  Combining a fast-paced story with elaborate world building, amazing action sequences and great characters, Small Favours masterfully builds on so many of the previous books and proves to be a highly addictive read that gets another five-star rating from me.

Butcher came up with an extremely amazing story for this 10th entry in the series, and I deeply enjoyed the elaborate and complex narrative that emerged.  Once again told solely through the troubled eyes of protagonist Harry Dresden, Small Favour sees the protagonist immediately under attack again as he is dragged into a deadly series of confrontations.  Thanks to a long-running story arc surrounding his relationship with the Winter Court, Dresden is forced to save his least favourite person in the world while also contending with the deadly Summer Court and his old enemies the Denarians.  Butcher does a great job of setting up this compelling scenario, and the early action scenes where Dresden faces down gun-wielding fairies really gets you caught up in the excitement.  Thanks to the inclusion of several excellent supporting characters, as well as some of Butcher’s best antagonists, the story moves along at a cracking pace, and there are two excellent, elaborate and bloody set pieces near the centre that really caught my attention, including a dark supernatural brawl at a train station, and a parley turned war at an aquarian, both of which are very well set out and which consistently raise the stakes again and again.

After the big twist in the middle of the book, where the antagonist’s full plot is revealed, the last third of Small Favour has a desperate and dark feel to it as Dresden and his allies attempt to save the day, while also dealing with darker concerns surrounding the protagonist.  There are several interesting reveals here, as well as good closure to several long-running storylines surrounding the attempted corruption of Dresden.  Everything leads up perfectly to the big final confrontation where Dresden and his allies face off against all manner of foes in his usual flippant and creative way.  There are some great moments here, including tragedies, sacrifices, intriguing confrontations, tricks, and Dresden finally getting his own against a superior foe.  I was one the edge of my seat the entire way through this massive confrontation and it was everything I hoped it would be and more.  The reader comes away from this part of the book very satisfied, if a little traumatised by certain heartbreaking moments, and Butcher really pulls together a great ending for Small Favour.

One of the things that I really like about the Dresden Files books is that Butcher has an effective and distinctive style that will be instantly recognisable to anyone reading one of his novels.  This style, which focuses on the first-person perspective of the protagonist, really brings out the best of the story and you are always guaranteed a great blend of action, adventure, comedy, mystery and impressive character moments while Butcher constantly builds up his extended universe around the story.  Small Favour is a great example of this as Butcher pulls out all the stops to make his excellent story even more enjoyable.  The action is fast-paced and powerful, the world according to Harry Dresden is both dark and hopeful, and the humour is continuous and hilarious as the main character constantly seeks to make light of all the terrible things he encounters.  I particularly enjoyed how well several of the major action pieces came together (the dark scene in the subway station is just amazing), and I loved the undercurrent of suspicion and dread that surrounded many of the scenes and this book can get quite bleak at times.  I also need to highlight a very clever bit of writing that Butcher worked into the story where certain typical elements of Dresden’s usual magical practice are missing, hinting at some darker elements behind his actions.  These writing elements and more really help to turn Small Favour into an excellent read and I had such a great time getting through it.

Like most of the books in the Dresden Files series, Small Favour can easily be read as a standalone read and Butcher does a great job recapping key events from the prior novels that are necessary to the main story.  However, the further you get into the series the more certain characters and storylines keep recurring, so dedicated fans of the series are probably going to get the most out of reading this novel.  Small Favour also proves to be an intriguing overall novel in the wider series, especially as Butcher introduces some key story elements and settings, as well as masterfully expanding on several characters from the previous novels.  There is a certain sense of a bigger evil starting to stir here (something that is explored a lot more in the next couple of books) and there are some very cool developments here as a result.  However, this is one of the easier books to start the Dresden Files series on then some others later in the series, although I will always recommend starting at the beginning to get the full impact of Butcher’s masterful work.

One of the true highlights of the Dresden Files series has to be the excellent characters featured within it.  Butcher builds up a complex and powerful cast in each novel, including several recurring characters, and it is always a real joy to see how they develop and grow with each book.  Of course, most of the focus is on the wise-cracking wizard protagonist and narrator Harry Dresden, who is such a fantastic character to focus on.  Witty, loyal, highly perceptive and utterly disrespectful of every evil creature he encounters, Dresden is an outstanding protagonist to set this series around, especially as Butcher always effectively dives into his deeper psyche.  Despite his comedic and irreverent exterior, which is responsible for most of the book’s humour, Dresden is a deeply troubled and damaged figure, having been forced to deal with so much pain and suffering throughout the series, all of which leaves a mark on him.  Small Favour really dives into his past trauma, especially when it comes to looking at certain dark influences that he only recently threw off, and Butcher manages to put some real unease around Dresden motivations and actions as a result.  I also liked seeing the continued growth of Dresden’s magical abilities, and the fun story around Dresden being forced to save one of his rivals is quite entertaining at times.  This works wonderfully along Butcher’s typical excellent portrayal of Dresden to tell a brilliant character-driven story ,and I really enjoyed some of the complex development that occurred around the protagonist as a result.

In addition to Dresden, Butcher did an excellent job utilising an extended cast of supporting characters and villains in Small Favour, and I really enjoyed how the author was able to weave them into his elaborate tale.  Many of Butcher’s best recurring characters make an appearance here, although I think the best in this book was Michael Carpenter, the calm and redemptive Knight of the Cross who serves as a voice of reason to Dresden’s more reactive desires.  Butcher has made great use of Michael in several of the previous novels, although this is probably one of his best, especially as he is forced to deal with both Dresden’s erratic behaviour and the return of his mortal enemies.  This leads nicely into the main antagonists of the story, Nicodemus and the Denarians, who are some of the more insidious foes in the series.  The Denarians have had one major appearance in the past and Butcher nicely expands on them here in Small Favour, diving into their motivations, introducing new members, and showcasing just how sinister, manipulative and destructive they can be.  The physical, mental and moral threat they represent to both the protagonists and the world are really well built up, and I loved the complex plan that Butcher attributed to them.  Throw in the assassins of the Summer Court, the Gruffs (based on the Three Billy Goats Gruff), who get bigger and more deadly with each appearance, and this was an excellent group of characters who really enhanced and already great story.

As with all the other Dresden Files books I have enjoyed so far, I chose to listen to Small Favour on audiobook.  This once again proved to be an outstanding choice, as the audiobooks are so damn good.  This is primarily because of narrator James Marsters, who is perfect for this series.  Marsters, who is one of my favourite audiobook narrators at the moment, does such a great job when reading these books out, and I love how enthusiastically he dives into the story and the characters.  Each of the figures in Small Favour is given a perfectly fitting voice, and I have so much love for how well he encapsulates protagonist Harry Dresden and his unique personality.  Marsters clearly has a lot of fun narrating these amazing books, and it proves near impossible to stop listening to his work as he narrates this cool series.  Coming in at just under 14 hours, this was an easy audiobook to get through quickly, and I cannot recommend this format enough to anyone interested in checking it out.

Jim Butcher does it again as his 10th Dresden Files book, Small Favour, proves to be another epic read.  Featuring a clever and compelling plot, loaded with emotion, action and complex characters, Small Favour was an addictive read from start to finish which I really could not stop enjoying.  I can think of no higher praise for this book than to say that the second I finished Small Favour, I immediately dove into the next book in the series, Turn Coat, because I wanted more Dresden Files goodness, and I ended up continuing and reading four Dresden Files books in a row.

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Throwback Thursday – Mr Mercedes by Stephen King

On By The Unseen LibraryIn Five-Star Books, Thriller, Throwback Thursday16 Comments

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

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Throwback Thursday – Justice League: The Flashpoint Paradox

On By The Unseen LibraryIn Animation, Comics/Manga, Extended Universe, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

The Flashpoint Paradox Poster

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 18 / DC Animated Movie Universe – Film One

Director: Jay Oliva

Writer: Jim Krieg (Based on the comic by Geoff Johns and Andy Kubert)

Producer: James Tucker

Length: 81 minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday, I dive into a pretty damn awesome DC Comics animated film that is highly relevant at the moment with the awesome Justice League: The Flashpoint Paradox.

Like many comic book fans in the world, I went out last weekend for the epic new film offering, The Flash, which ended up being pretty damn good.  The film had a lot of great elements to it, including the return of Michael Keaton as Batman, the introduction of a great new Supergirl, and a fantastic examination of the Flash mythos.  I was also very happy to see a fresh new take on the iconic Flashpoint comic, and it will be interesting to see how that impacts any upcoming live action DC films.  While I liked what they did with the Flashpoint story, I don’t think that The Flash was the absolute best adaptation of the Flashpoint comic; instead that honour goes the focus of this article, the 2013 animated film, Justice League: The Flashpoint Paradox.

Before we talk about the film, I should give a little background about the Flashpoint comic.  Flashpoint was a major 2011 comic event, written by Geoff Johns, whose work I have deeply enjoyed in comics like Rogues’ Revenge and Teen Titans, and pencilled by Andy Kubert.  Flashpoint was a compelling alternate timeline story that ended up resetting the main DC Universe in a big way.  While I honestly have very little love for the resulting changes it caused (I will never forgive DC for The New 52), the Flashpoint comic itself is pretty good, featuring some unique and stunning ideas within it.

Flashpoint has been adapted a few times in recent years, including in several seasons of The Flash television series, and the current The Flash film takes a lot from it.  While these other adaptations are pretty good, I think that The Flashpoint Paradox did the most with it, mainly because it sticks a lot closer to the source material and provides a very gritty animated film with a brilliant cast behind it.  Directed by veteran animated film director Jay Oliva (who has directed several of my favourite animated comic book films) and written by Jim Krieg, The Flashpoint Paradox is pretty damn awesome film and it is one that I have rewatched multiple times over the years.

Barry Allen is the Flash, founding member of the Justice League, the fastest man alive and the greatest hero Central City has ever known.  However, despite all he has done and everyone he has saved, Barry still cannot shake the trauma of his mother’s murder, a tragedy that has haunted him since his childhood.  After defeating several of his greatest foes, including his archenemy, the Reverse-Flash Eobard Thawne, Barry awakens to find himself in a new world, one where his mother is still alive and the Flash never existed.  Despite the joy he feels about his mother, this new world is no paradise, instead it is on the brink of ruin.  The Atlanteans, under the command of Aquaman, and the Amazons, led by Wonder Woman, are at war, and their relentless battling and disdain for humanity, has seen the destruction of much of Europe and the death of hundreds of millions of people.

Determined to find out what is happening and to stop the war between the Atlanteans and the Amazons before it destroys the world, Barry seeks out the one man who he thinks can help him, Batman.  However, the Batman he encounters is far different from the one he knows and has very little desire to save the world.  Worse, it soon becomes apparent that the changes to the world have been caused by Thawne, whose obsession with destroying the Flash could lead to unbelievable destruction.  To save the day, Barry needs to find a way to regain his powers and unite the scattered heroes of this reality.  But with all-out war in front of him, and his own trauma catching up behind, can the Flash stop Thawne before it’s too late?  And even if he succeeds, is he truly ready for the revelations that await him?

The Flashpoint Paradox was a pretty epic film that I have a lot of love for, especially as it blends a compelling story with great aesthetics, slick animation and a brilliant cast to produce something pretty damn awesome and a lot of fun to check out.

The creative team behind The Flashpoint Paradox did an outstanding job bringing this film together and one of the main reasons it works is the fantastic and intense story behind it.  The film itself is an exceptional adaptation of the original Flashpoint comic and much of it is a close and deliberate match to the source material.  That being said, it’s not a straight adaption as they needed to make it more accessible and take the story out of the main comic universe.  The film starts off with an exceptional sequence where the Flash faces off against the Rogues and the Reverse-Flash, who ambush him at the Flash Museum.  This scene, which sees a series of bombs threaten Flash and Central City, manages to achieve a lot of essential story points, including introducing Flash, showcasing his bitter rivalry with the self-destructive Thawne, and presenting the established version of the various Justice League characters who will later appear in the alternate timeline.  It’s also a very entertaining scene in several great ways, not only because the banter between Flash and Thawne is pretty brutal, but because it shows each member of the Justice League in action as they disarm a bomb in their own unique way.  This great intro really sets up the rest of the film, especially thanks to the clever references to Barry’s mothers’ death, and while it does make it a little more obvious whose ultimately responsible for events, it was a pretty damn epic start.

The middle part of the film is where the meat of the story is developed, as Barry arrives in the alternate universe and attempts to find out what is going on.  This part of the film resembles the source material the closest as they are pretty much doing a straight adaptation of the Flashpoint comic at this point.  However, they manage to really show off the grim reality of this new timeline very effectively in a short amount of time, and you really get to appreciate just how murderous the Amazons and the Atlanteans are, as well as how dark a world without the Justice League can be.  The creative team tell a very impactful story in this part of the film, and you must love the powerful interactions between Barry and the new Batman, as well as the emotional impacts of Barry realising just how much his universe has changed.  Everything is well capped off by the infiltration into the lab holding Superman, which is honestly way darker than what they did in the recent Flash film, especially with the horrifying aesthetics around the captured Superman.  At the same time, the growing sense of doom in the world is intensifying as the two superhuman armies prepare for war in London, and the tension is well and truly ratcheted up before the final phase of the film.

Everything leads up perfectly to the final act of The Flashpoint Paradox, which frankly is the best and most impactful part of this entire exceptional film.  The final third of the film is essentially an all-out war sequence, as the various characters descend into a three-way battle in the ruins of London, with the Atlanteans, the Amazons, and the human resistance, which includes the protagonists, fighting to kill as many enemies as possible.  This sequence is dominated by several excessively brutal fights between the heroes, and so many characters end up dead in some pretty horrible ways.  Not only are these action scenes highly polished and exciting, but they are also emotionally powerful, as the various character arcs and elements come full circle.  The best scenes are probably shared between Barry and Thawne, as they fight through the battle, debating what has happened to the world.  There are some outstanding revelations here, especially if you aren’t familiar with the source material or the other Flashpoint adaptations, and the moment when Barry figures out what truly happened is just heartbreaking, especially with Thawne’s taunting.  There is so much dramatic tension floating around, especially as Barry witnesses the full onslaught of the battle in front of him, and everything tilts on the edge of destruction.  The final brutal moments of this fight are so damn epic, and it leads up to some painful farewells and some tough decisions from Barry that will shake him forever.  This built-up emotion remains to the very end of the movie, especially as Flash manages to get closure for himself and others, and I really appreciated just how well the film ended.

On top of the epic plot and amazing concluding third, I also need to really highlight the impressive animation, stylistic choices, and fantastic musical score that accompanied it.  The animation in particular is awesome, and I loved the brilliant and iconic character designs that it depicted, especially as there is a mixture of classic character depictions, and the alternate versions that appeared in the Flashpoint universe.  The grim nature of the Flashpoint timeline serves as a powerful backdrop to the plot of The Flashpoint Paradox, and it was fantastic to see the DC universe in an even darker and more desperate light.  The best animation is naturally saved for the multiple impressive fight sequences scattered throughout the film, especially in the big war sequence at the end, and the brutality and sheer ferocity of the fights and battles are quite distinctive.  The animators honestly show no hesitation in showing blood, gore, death and even brains throughout this film, and it is even more brutal than The Flash film or the original comics, as there is barely a second in the final war where someone isn’t dying in some dramatic fashion.  There is some outstanding attention to detail during these various battles, whether it be a brutal fight in the sky, an intense duel between Cyborg and Aquaman in the middle of a warzone, or a high-speed fight through the midst of over combatants, and these are expertly portrayed and guaranteed to keep your interest with its high concept impact.  The cool time travel sequences are also a great highlight, and the clever animation around them really dial up the intensity of the film, especially during certain seminal scenes.  I’m also a big fan of the way that the major characters are presented throughout this film, and I appreciated how their designs change at various points of the film depending on which timeline is being watched.  The alternate costumes or depictions are well contrasted by the classic costumes shown at the start of the film, and I also love the subsequent subtle changes that appear at the end of the film to represent the further changes that have been created.

I also must talk about the fantastic use of music throughout this film, which works perfectly in concert with the animated sequences.  There are some great orchestral scores and tunes that are featured throughout the film, often in the most impact scenes, and I really liked how well they were used to enhance emotion or drama in a very powerful way.  Some of the very best scenes, including several particularly tense or pivotal sequences at the end come across as so much better thanks to the music that was overscoring it, and this really drew me further into the plot.  Combined this great music with the excellent graphics and The Flashpoint Paradox turns out to be an exceptional watch that I cannot get away from.

While the adapted plot and amazing stylistic choices help to turn this film into something special, I cannot walk away from this review without talking about the incredible cast of actors who bring this elaborate story to life.  The Flashpoint Paradox features a pretty hefty and impressive group of voice actors who each dive into their respective characters and bring forth some of the more iconic figures from the DC universe, as well as their alternate versions, in some pretty epic ways.  There is a great combination of classic character depictions, as well as the more nuanced and, in many cases, evil versions from the alternate timeline, that are featured in The Flashpoint Paradox, and the creative team brilliantly balanced the two throughout the plot.

At the centre of The Flashpoint Paradox is the Barry Allen version of the Flash, who embarks upon one of the most important missions of his life.  Expertly voiced by Justin Chambers (of Grey’s Anatomy fame), this version of the Flash is much more closely related to the classic comic portrayals (rather than Ezra Miller’s quirky version) and is an experienced and competent crime fighter.  Despite being one of the more stable superheroes out there, Barry is still haunted by the murder of his mother and his failure to save her.  Chambers really dives into this role and perfectly voices the full emotional spectrum out of Barry, showing all the deep inner pain, as well as his inherent hope, all of which really comes out throughout the film.  There are so many powerful scenes featuring Barry in the film, from his initial confusion over the new timeline, the emotional meeting with his mother, the despair at how the world turned out, and his absolute shocked resignation at who is responsible.  I also felt that the writers did an outstanding job of capturing the entire personality, key history and mythos of the Flash within this film, and you really understand his decisions and how he interacts with the other heroes.  I particularly loved his shock and pain at seeing what his friends have become in this alternate timeline, and it is so damn compelling.  Honestly, there are so many powerful moments here and I have a whole new level of respect for Chambers thanks to this film as he honestly was just magical here.

On top of the Flash, I really need to highlight two figures from the new timeline who perfectly mesh with the main character and show off just how dark events are.  The most prominent of these is easily this universes Batman, who was voiced by another Grey’s Anatomy alumni, Kevin McKidd.  Rather than being an older version of Bruce Wayne, this version of Batman is his father Thomas Wayne, who took on the cowl after Bruce was killed in Crime Alley and Martha became this universe’s Joker.  McKidd goes full on growly here for Batman, and the result is a grizzled, violent, and very murderous Dark Knight who has given up on the world in many ways.  I loved this fantastic and clever take on Batman in The Flashpoint Paradox, and it is so damn epic to watch Barry attempt to work with this very different Batman.  The shared connection of knowing Bruce gives these characters a powerful emotional bond, and McKidd kills it in several emotionally charged scenes, showcasing this Batman’s hidden heart.

I also have a lot of love for the cool version of Cyborg that appears in The Flashpoint Paradox, and honestly this is probably the grimmest and most powerful portrayal you are likely to see.  Voiced by a young Michael B. Jordan, this Cyborg is the only real superhero left in America and has been modded out into a massive tank figure who runs national security.  Out of all the figures in the film, Cyborg has the most impressive change in characterisation between timelines, especially as he goes from teenage figure to actual adult, and this is one of the first animated films that really showed what he could offer the wider DC universe.  Jordan provides a pretty good and slightly robotic voice for Cyborg here, and I loved how he was portrayed as a level-headed peacemaker, trying to save the world.  While still a little naive and idealistic, he really lives up to all the hype surrounding him in his initial introductions, especially during the final bloody battle scenes.  He honestly goes full out in this war, and it was so damn cool to see just how dangerous he could be.

While the more heroic (or anti-heroic for Batman) characters above were great, this film would be nothing without its villains.  The most prominent of these is easily Flash’s archnemesis Eobard Thawne, better known as the Reverse Flash.  Voiced by the very talented C. Thomas Howell, Thawne is a brilliant and powerful figure in The Flashpoint Paradox, mainly because he has such a tangible hatred for Barry and his legacy.  While he is the main villain of the story, he only appears in a few short scenes, but Howell makes each and every one of them count.  The sheer contempt and bile that drips from every sentence is so important for the performance, and you quickly understand just how much he wants to destroy him, even if that means losing his own life.  Thawne’s best sequence occurs at the end of the film when he finally appears to mock Barry and reveal everything that has been done.  The joy, satisfaction and mocking appreciation for Barry is just perfect, and he has such a great villain monologue here.  Howell has one of the strongest performances in The Flashpoint Paradox and I deeply appreciated how he brought such a fun and compelling villain to life.

In addition to Thawne, The Flashpoint Paradox features two other outstanding and particularly unique antagonists in the form of militarised and anti-human versions of Aquaman and Wonder Woman.  Both characters have been twisted by a failed romance and the hatred that followed Wonder Woman’s slaying of Aquaman’s wife, and they are now brutally engaged in war to kill each other and the rest of the world.  I loved these darker and more murderous forms of these iconic characters, especially after they are shown in their more heroic guises at the start of the film, and their complex war is a destructive backdrop to the intense narrative.  Like Reverse-Flash, both are consumed by hatred, and they are willing to destroy the world rather than lose.  Despite that, there is still an obvious, if twisted, love between them, which makes their fight even more tragic.  I loved how both characters are portrayed, although I especially like how badass they make Aquaman here, especially as this was released in the pre-Jason Momoa days when Aquaman was still a bit of a joke.  Watching him destroy everyone in The Flashpoint Paradox really sets him up as a massive threat, and I deeply appreciated this fantastic change to the character.  I also loved the great casting behind these characters as well.  Aquaman is portrayed by legendary actor Cary Elwes, who honestly disappears into the role, providing a much more gruff and commanding voice than I have heard in his previous works.  The voice of Wonder Woman is provided by veteran voice actor Vanessa Marshall (Hera Syndulla from Star Wars Rebels), who is reprising the role she previously portrayed in Justice League: Crisis on Two Earths.  Both actors really get these iconic characters down perfectly, especially in their darker moments, and I loved how well they were utilised in the film, especially as they enhance the emotional power and looming threat of the narrative.

On top of the great performances above, I also must commend the use of several excellent supporting actors in smaller roles who did an outstanding job.  I as particularly happy that several actors who had previously voiced certain characters in other films and shows revisited their roles here, including some big names.  The most noticeable of these is the late great Kevin Conroy, who does an exceptional (as always) job of voicing the Bruce Wayne Batman at the beginning and end of the story.  Conway has several amazing scenes, including a particularly emotional sequence at the end that will have you in tears.  Other performers include Nathan Fillion providing a cocky voice to the Hal Jordan Green Lantern, Dana Delany once again voicing Lois Lane after voicing her the DC Animated Universe (Superman: The Animated Series, Justice League and Justice League Unlimited), and Ron Perlman revisiting his epic Teen Titans performance as Deathstroke for a short scene.  Other notable actors and characters include Danny Huston doing a quick dash as General Sam Lane and Dee Bradley Baker (the voice of all the clones in Star Wars animation, as well as several hundred other credits) doing a fantastic Etrigan the Demon.  However, my favourite of these side characters is Danny Jacobs’s portrayal of the Wildstorm Comics character Grifter.  Grifter is a brutally effective figure in the final third of the film, and he has some outstanding interactions with other characters like Batman.  This cast, and more, all add so much to the film with their brilliantly portrayed characters, and I am still blown away by the calibre of the cast that was brought together here.

I think it is pretty obvious from the lengthy rant above that I have a lot of love for Justice League: The Flashpoint Paradox, and it is one of those animated films that I have watched so many times.  Thanks to its amazing cast, fantastically adapted story, intense animation and general darker vibe, The Flashpoint Paradox is a pretty spectacular animated film, and I honestly think it has the best execution of the Flashpoint comic.  It also has an awesome legacy, especially as it sets up the DC Animated Movie Universe and has impacts that range all the way to the final film, Justice League Dark: Apokolips War.  As such, I really must give this film a full five-star rating and it is a must-watch for all comic fans, especially those who like their animation a little more adult and emotionally charged.

White Night by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday7 Comments

White Night Cover

Publisher: Penguin Audio (Audiobook – 3 April 2007)

Series: Dresden Files – Book Nine

Length: 14 hours and 12 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday post, I continue to explore the epic Dresden Files series by Jim Butcher, with the exceptional White Night.

Readers of this blog will have noticed that my last few Throwback Thursday posts have been all about the amazing Dresden Files by Jim Butcher.  One of the most impressive and recognisable urban fantasy series in the world today, the Dresden Files are brilliant novels that follow Harry Dresden, a wizard and magical protector of humanity, as he faces off against all manner of unique supernatural foes and mysteries in modern day Chicago.  This series features so many incredible books, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites and Battle Ground, as well as the novella The Law, all of which are five-star reads.  I have been reading this series on and off since 2020, and I recently got back into it, managing to finish off two more books, Dead Beat and Proven Guilty in recent weeks.  These outstanding novels were also pretty exceptional, and I was in such a Dresden Files mood I ended up also listening to ninth book in the series, White Night, which turned out to be a pretty awesome decision.

Harry Dresden, wizard, private investigator, and now Warden for the White Council, is Chicago’s only defence against a range of supernatural threats lurking around its exterior.  However, due to his growing power, the extended war between the White Council and the Red Court vampires, and his new position as a Warden, a lethal magical law enforcer, the ordinary magical users of Chicago have grown to fear him and no longer consider him one of their own.  As such, Dresden is shocked to discover that several lesser practitioners in the city have either died in apparent suicides or simply disappeared.

Investigating the crimes, he discovers several mysterious messages that hint at a serial killer stalking female magic users in the city, one who seems to be taunting Dresden directly.  Diving into the city’s hidden magical underbelly, Dresden soon finds a group of minor witches living in fear, all of whom are convinced that Dresden has something to do with their comrade’s deaths.  Attempting to gain their trust, Dresden tries to find the truth, only to discover that all the evidence points towards his secret half-brother, the vampire Thomas Raith.

Unwilling to believe that his brother has become a murdering monster, Dresden dives deeper, only to discover a far more sinister plot lying beneath the surface.  The vampires of the White Court are on the hunt, and their malevolent schemes are expanding to capture all of Chicago, including Dresden and his friends, in their web.  Working with a range of allies, including wizards, gangsters and an old flame, can Dresden untangle the web and stop the White Court before every human magic user on the planet becomes the ultimate prey?

Damn, it really is proving impossible for me to have a bad time with one of the Dresden Files books.  The ninth novel in this series by Butcher, White Night, was another incredible addition and one that I absolutely inhaled in only a few short days.  Featuring a brilliant and well-written story loaded with the series’ great characters, White Night is an amazing and captivating read that gets another easy five-star rating from me.

Butcher has come up with a pretty epic story for White Night, and it was one that had me hooked the entire way through.  The narrative starts off in familiar ground for a Dresden Files novel, with Dresden helping the Chicago police with a suspicious death that might have magical implications.  Butcher draws the reader in at first by presenting them with a juicy and compelling case, that of a serial killer stalking minor magical practitioners in Chicago and leaving taunting messages or Dresden to find.  This story gets even more intriguing when it turns out that many witnesses or the victims’ friends consider Dresden to be the main suspect, not only because of circumstantial evidence, but because his damaged reputation.  Despite this, Dresden keeps trying to investigate, only to come across evidence that suggests his half-brother, Thomas, a White Court vampire, might be behind some of the crimes.  He also encounters his first love, Elaine, who has been hired by a local group of witches for protection, and who Dresden teams up with again to solve the case.

I really appreciated the investigative focus for the first third of the book, and it really reminded me of some of the more classic Dresden Files adventures that started the series off.  This initial investigation soon leads the protagonists into a pretty massive confrontation, and I loved how deadly and destructive things got around halfway through.  Butcher also works in a rather good flashback sequence at this point, which lends itself well to explaining the protagonist’s mental state and providing some excellent context to his recent actions.  As the story continues, Butcher starts to layer out and fully explore the major mystery of White Night in some fantastic ways.  Not only is one of the killers exposed after some fun revelations, but a massive, elaborate conspiracy is also revealed that places Dresden and his allies in a major predicament.  This leads up to an extended confrontation sequence in the last third of the book where Butcher really cuts loose and provides the reader with all the action and intense scenes that they can handle.  Not only is their a beautifully written duel sequence that was pretty cool to see, but Butcher than provides a massive battle sequence that had so much going for it.  There are explosions, betrayals, carnage and sacrifices here, and it is an impressive extended sequences that was near impossible to put down, especially as Butcher loads in epic surprise after epic surprise.  The entire sequence comes together perfectly, and I had so much fun with it, especially as it opens up some cool storylines for the future.  It also serves as a great conclusion to the narrative, and I was really impressed at the ongoing storylines that were either wrapped up or strengthen.  Everything comes together really well and it honestly left me wanting even more Dresden Files.

Butcher once again backs up his amazing story with some outstanding writing that always works to drag the reader write into the middle of the plot.  Featuring a great first-person perspective from Dresden that showcases his unique view of events, as well as his own deep personal concerns, Butcher moves White Night along at a swift pace, ensuring that every scene has something deeply interesting or exciting to keep the reader’s attention.  I really appreciated the great blend of elements within White Night, as Butcher cleverly balances action, adventure, humour, character growth and dark moments, which, along with the investigation elements, ensures that there is a little something for everyone in this book.  I particularly enjoyed some of the elaborate and intense major action sequences in White Night, especially that epic one at the end, and it was cool how massive and deadly some of them got.  Just like most of the previous Dresden Files novels, White Night can be read as a standalone urban fantasy adventure, as Butcher makes sure to recap and reference and relevant prior event, character or storyline so new readers can easily follow along and still have fun.  However, as this is a key novel in the series which concludes or continues several long-running storylines and character arcs, White Night is best enjoyed by those who have checked out the earlier Dresden Files books, especially as the emotional elements of some revelations or actions are greatly enhanced by continuous reading.  I always have so much fun with Butcher’s style in this series, and I felt that White Night was particularly well served by the author’s ability to tell an amazing story.

I have a lot of love for the cool fantasy setting that the Dresden Files utilises as the combination of modern-day Chicago and classic fantasy monsters and magic is always makes for an excellent story.  There are so many excellent elements to this fantasy society that Butcher has dreamed up over the years, and at this point in the series the lore and history of magic and its various factions is very well established.  Despite this, Butcher always finds intriguing new elements to dive into each book, which is something I really appreciate.  In White Night, he takes the time to look at the less powerful magic users in this society, the ones that don’t have enough magic to bother the White Council or interact with Dresden.  These somewhat marginalised magic users have created their own societies and communities as a result, and it was really interesting to see Dresden interact with them, especially as, due to his position as a Warden, they all fear what he represents, which is a fun reversal of how Dresden was persecuted at the start of the series.  I really loved seeing magic through the eyes of the little guy, and Butcher works them into the story in a very intriguing way.

The book also features quite a few White Court vampires, who feed on emotion and mental energy rather than blood.  The White Court are always a rather distinctive inclusion in any Dresden Files novel, and of course there is the requisite extremely beautiful women and focus on lust that are a key part of the White Court vampires.  However, several of the other factions of vampires are finally introduced here, those that induce and feed off fear and despair.  This adds a rather darker angle to parts of the book, especially when these abilities are unleashed at full blast, and it was interesting to see how badly it can be weaponised.  The accompanying vampiric schemes and backstabbing plans are also very fun, and Butcher manages to weave several elaborate ruses and plots into the narrative with some effective results.  These fantasy elements, and more, really help to create a distinctive and captivating read, and I cannot get enough of Butcher’s ability to come up with and utilise the inventive elements.

As always, the characters contained within White Night were pretty damn amazing, and I felt that their complex and powerful character arcs added so much value and intensity to the plot.  The focus is once again on protagonist and point-of-view character, Harry Dresden, who finds himself under all manner of immense pressure in White Night, which blows up around him in some big ways.  Not only is he dealing with the dual responsibilities of having an apprentice and being the magical law in Chicago, but he also has some major family issues and a tone of intense mental trauma that has been building up over the last few books.  A lot of this comes to a head in White Night, and Dresden actually comes across as a lot more angry and frustrated than he has in previous novels, especially after experiencing more losses and seeing some dreadful things.  Butcher writes some compelling and complex storylines around Dresden’s many emotional concerns in White Night, and it proves very intriguing and powerful to see him try to work through them, especially as he is in denial about several of the more prominent concerns.  The author does an amazing job exploring Dresden’s inner psyche here, and you come away feeling closer to him as a result.  White Night is actually a pretty significant book for Dresden’s character growth, especially as several long-running storylines about his mental state finish up here, and this ends up being a pretty satisfying read as a result, especially if you like how he was portrayed in the previous few novels.  Despite, or perhaps because of, his many issues, Dresden still brings his typical humour and complete disregard for decorum or his opponents to the table in White Night, and his fun comments and witty observations are responsible for most of the book’s comedy and entertainment.  As such, Dresden remains a pretty impressive and likeable central character, and I cannot wait to see what future adventures and pain he has coming to him in the future.

White Night also features a great supporting cast of friends and antagonists to liven up the plot in some awesome ways.  While most of the focus of the story is on Dresden, you see a lot of these characters and there are some fantastic and complex storylines written around them.  The most prominent of these characters in White Night is probably Dresden’s half-brother Thomas Raith, who has been a major figure for the last few books.  Due to his banishment from his vampire family, Thomas has been somewhat adrift in recent books, and it was clear that he had been keeping secrets from Dresden for various reasons.  Most of his secrets are finally revealed here in White Night and it was interesting to see what resulted.  Some of them are quite intriguing, some are pretty funny, and it was nice to finally get some answers, especially as it helped to strengthen the relationship between the two brothers.  Other great characters in White Night include Dresden’s former lover, Elaine, who has managed to bounce back since her last appearance and is trying to become more like Dresden by helping people; Dresden’s dog, Mouse, who is such a fun supernatural canine character; and the fallen angel in Dresden’s head Lasciel, who has some of the most emotionally powerful scenes in the book.  However, my favourite supporting character in White Night is probably Chicago gangster John Marcone, a mortal crime lord who dips his toes in supernatural affairs and often serves as an antagonist/uneasy ally of Dresden.  Marcone is always very fun in these books, especially as he and Dresden play off each other perfectly, and he is the perfect foil to the hot-headed protagonist.  His appearance in White Night is particularly good, as you get a deeper look at his true character, and realise he isn’t as evil as he appears.  Despite that, he still proves to be rather ruthless and Butcher writes some amazing and compelling scenes around him.  These characters and more add so much to the power and impact of White Night’s story, and I love how captivating and complex Butcher makes them.

I can’t talk about a Dresden Files novel without once again raving about its audiobook format.  I love, love, love the Dresden Files audiobooks, and there is honestly no substitute to listening to these amazing stories, especially when all the audiobooks feature the incredible vocal talents of actor James Marsters.  Marsters, who is one of my favourite audiobook narrators thanks to this series, is so damn talented, and his take on the Dresden Files books is very special.  This proves to be the case again in White Night, as Marsters utilises all his intensity and passion to bring this epic story to life.  His grip on all the major characters in White Night is pretty damn amazing, and I love how he manages to expertly portray all the characters, ensuring that the reader fully understands their personalities, emotions and inner thoughts when Marsters speaks in their voice.  This is particularly true for protagonist Harry Dresden, a character that Marsters has always done an incredible job voicing, and I deeply appreciated how the narrator was able to capture his full emotional turmoil in this fantastic audiobook.  This brilliant narration, as well as the great story it follows, ensures that White Night was another exceptional listen, and I had an outstanding time getting through this audiobook.  Coming in at just over 14 hours, White Night was slightly shorter than some of the other Dresden Files audiobooks out there, but it still takes a little bit to get through it.  However, it is well worth the time investment, and I cannot recommend White Night on audiobook enough.

Just like every Dresden Files novel I have read, White Night is an exceptional and captivating read that I had an absolute blast getting through.  Jim Butcher’s novels always drag me in with their brilliant storytelling, complex scenarios and fantastic characters, and White Night is one of his more intense and exciting inclusions in the series.  A highly recommended read and an outstanding addition to the series.  I will be reading more Dresden Files novels as soon as I can.

Amazon

Proven Guilty by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday6 Comments

Proven Guilty Cover

Publisher: Penguin Audio (Audiobook – 1 February 2006)

Series: Dresden Files – Book Eight

Length: 16 hours and 16 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I dive into another awesome entry in the exceptional Dresden Files series by Jim Butcher with Proven Guilty.

I have been having an outstanding time reading Butcher’s iconic and fantastic Dresden Files books over the last couple of years.  One of the absolute best urban fantasy series ever written, the Dresden Files follows titular wizard and supernatural protector, Harry Dresden, as he investigates a series of crimes and magical conspiracies in Chicago.  I got into these books back in 2020 and have been slowly getting through the series from the start, with most of the entries getting five-star reviews from me as I go.  This includes the outstanding novels, Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat and Battle Ground, as well as the novella The Law.  I had so much fun reading the previous novels that I just had to dive into the eighth book this week with Proven Guilty, which proved to be another amazing read.

A year after officially becoming a Warden for the White Council of Wizards, Harry Dresden is chafing under his new role, especially the part that forces him to punish young practitioners with no real knowledge of the magic they wield.  However, he must put aside his concerns when he is warned about black magic being used in Chicago, forcing him to start a new investigation into the city’s magical underbelly.

His investigations soon lead him to a seemingly normal horror movie convention where mysterious and sinister events are taking place.  Brought in by one of the convention’s staff, Molly Carpenter, the daughter of holy knight Michael Carpenter, Dresden soon finds himself attempting to stem a series of supernatural attacks against innocent humans.  The dangerous perpetrators all appear in the form of classic horror movie monsters, and their deadly attacks soon leaves a trail of mayhem across the convention.  Forced to circumnavigate the police and other dangers waiting for him, Dresden works to hold back the dark supernatural tide, only to discover dangerous secrets that shock him to his core.

Working with his faithful dog, his vampiric half-brother, a cop with her own problems, and the most dangerous mother on the planet, Dresden attempts to right all the wrongs in front of him.  But to succeed, he’ll need to confront the forces of the Nevernever, a rogue White Court Vampire, dangerous creatures forged from fear, and even the White Council itself.  Can Dresden succeed or will his actions lead to even more suffering for those he cares about the most?

Butcher keeps his epic Dresden Files going in an amazing way with this eighth book, and I had an outstanding time reading Proven Guilty.  Featuring an elaborate plot that effortless combines mystery and supernatural elements in modern day Chicago, while also serving as a key entry in the wider Dresden Files, Proven Guilty is a powerful and deeply captivating read that I had a great time listening to.  I have so much love for this fantastic series, and Proven Guilty got another five-star rating from me as a result.

Proven Guilty has an outstanding story to it which sees the protagonist go up against a cohort of deadly enemies, some of which are disguised as horror movies creatures.  I will admit that the start of the book was a tad slow, and I honestly thought that this was going to be more of a filler novel than anything else.  However, it soon develops into an excellent story that loads up a cool mystery with some exciting encounters, deep emotional moments, strong character development, and the continuation or creation of several major storylines for the entire series.  A conflicted Dresden is dragged into everything when Molly Carpenter requests his help, and he soon finds himself looking into the mysterious events at the horror convention.  The main story goes in some very interesting directions, and I liked the great combination of investigation and fantasy elements as it continued, while several compelling side stories see Dresden facing even more danger and mystery.  Several of these storylines came together quite nicely as the book continued, and Dresden soon identifies the main perpetrator of the threat, as well as other forces taking advantage of their actions.  The impact of the big reveal of who was responsible wasn’t as significant for me, as I’d had that spoiled in advance, but it was still well crafted, especially the motivations behind it.  However, the real meat of the story revolves around darker designs as unknown forces manipulate Dresden and his allies to do their bidding.  This results in some very impressive scenes, including a massive magic battle in the Fae realm, and I loved how everything came together while also leaving some big mysteries open for later in the series.  I also really enjoyed the complex wrap-up chapters, which saw Dresden go up against the White Council in some very intense scenes, as well as providing some excellent emotional resolutions that I deeply appreciated.  Everything comes together perfectly, and this proves to be a fantastic new addition to already impressive series.

Butcher applies his usual excellent writing style to Proven Guilty, which always works well to convey his complex narratives.  Like the rest of the series, Proven Guilty moves at a swift pace, quickly taking readers from one intriguing scene to the next, all of which is great in its own particular way, whether it be character interactions, plot developments, or lore downloads.  At the same time, readers are treated to a great blend of fantasy elements, emotional moments, and a compelling investigation storyline, all of which is overlayed with a fun and signature bout of humour and snark, often directed from the protagonist.  You really get drawn into Proven Guilty as a result, and I always love Butcher’s approach to the urban fantasy style, especially as both his unique fantasy world and the cool investigative story arcs work so well together.  Like the rest of the Dresden Files books, Proven Guilty can be read as a standalone novel, although Butcher is juggling a few ongoing storylines and character arcs that had been built up in the previous entries.  While the author always does a good job of recapping key events and reintroducing key characters, I really do feel that at this point in the series readers need to have enjoyed some of the previous books to get the full emotional and story impact Butcher is conveying.  I do really need to critique one part of Butcher’s writing style for Grave Peril though, particularly how he oversexualised a teenage female character.  The Dresden Files have always featured over-the-top descriptions of women, and while Butcher has gotten better about them as the series continues, he backslid here in Proven Guilty when it came to this character.  While I do get what he was trying to do from a literary perspective, i.e. showing the vulnerability and confusion of teenagers, and how they act out a result, it honestly felt really icky to me, and I think the book would have been better off without it.  Apart from that though, Proven Guilty is very well written, and I had a wonderful time getting through it.

I always really enjoy how well Butcher manages to utilise cool and complex fantasy elements into his narratives and Proven Guilty has some outstanding examples of this.  Thanks to Dresden’s promotion to Warden in the last book, he is now a very prominent member of the White Council, and this provides him some bigger insights into the council and its members.  This results in some great political scenes, as well as a deeper dive into the council’s law enforcement wing, which exists to hunt down and punish magic users who break the laws of magic.  I found this to be pretty interesting and compelling, especially as the council’s determination to enforce the laws leads to some dark moments in the plot, and I liked the clever comparisons between them and the Chicago PD.  The case also sees a return of the Fae Summer and Winter Courts, both of which have been featured heavily in the past, and Butcher has a lot of fun revisiting both and expanding the lore surrounding them.  One of the most pivotal moments of the plot sees Dresden and his allies invading one of the most significant locations of the Winter Court, and I loved the carnage that resulted.  As always, the various scenes of magical battle and encounters are a great highlight of Proven Guilty, and Butcher has a real talent for making the featured spells feel intense and spectacular.  I also rather enjoyed the use of a horror convention (SplatterCon!!!) as a major background for the plot, especially as it allowed for a menagerie of movie monsters to emerge and attack the convention goers.  There were a ton of fun homages here as a result, and it was very entertaining to see Dresden face off against several iconic monsters in some great scenes.  These fantasy elements merge with the rest of the plot extremely well, and it was fun to see Dresden dive through the worst parts of his world to save the day.

One of the major highlights of all the Dresden Files novels in the fantastic cohort of characters that Butcher features and Proven Guilty is no exception to this as the author has utilised another fantastic group of figures, each of whom brings something emotional or compelling to the plot.  The most prominent of these is naturally series protagonist Harry Dresden, who serves as the book’s main voice.  Cocky, confident, emotionally damaged and highly conflicted, Dresden makes a great focal character and I have deeply enjoyed seeing his personal journey throughout this series.  While still responsible for most of the book’s humour thanks to his jokes and fun observations about the other characters and all things magic, Dresden is decidedly a little more serious in Proven Guilty, especially as he is still recovering from some of the traumas of the previous books, including his injuries, his possession by a fallen angel, emotional conflicts with those closest to him, and the guilt over being forced to kill two people in his previous adventure.  This provides a noticeable change to Dresden in this book, and I felt that Butcher did a wonderful job showcasing this in several emotionally charged confrontations and scenes.  At the same time, Dresden is also dealing with his misapprehensions for working for the White Council as a Warden, especially as he is having trouble believing in all their rules.  This leads him into even greater conflict as the book continues, especially when he finds out who is truly responsible for the latest evils he uncovers.  All these personal issues and traumas help to provide a deep emotional layer to the plot, and it was one that Butcher masterfully addressed, providing some compelling and satisfying resolutions to several of them.  I particularly liked how Dresden’s story is coming full circle in some ways, and it will be interesting to see how that plays out in the future.

Aside from Dresden, there are a ton of other great characters featured through Proven Guilty who add their own flavour to the plot.  This includes an excellent range of new figures and well-established supporting characters, and I liked the mixture of storylines and character arcs that emerged.  Dresden’s usual allies, Karrin Murphy and Thomas Raith are very well utilised again here, both as supporting characters for Dresden’s adventures, and as individuals with considerable personal and professional issues to deal with.  Molly Carpenter, a minor figure from the previous novels, returns in a big way here and serves as an intriguing new addition to the plot.  While I have some major concerns about Molly’s portrayal at times, her storyline had some great depth and it will be interesting to see how that develops in the future.  This use of Molly also allowed a great focus on her mother Charity, another minor character from the previous novels, who gets a fantastic showing in Proven Guilty, especially as she shows herself to be an absolute badass.  Throw in Harry’s giant dog Mouse, who is one of my favourite characters in this series now, and differing voices of Dresden’s two supernatural advisors, Bob and Lasciel, the angel and demon on his magical shoulder (both literally and figuratively), and you have a pretty outstanding cast here, and one that I always have a great time following.

As always with one of the Dresden Files novels I really need to highlight the exceptional and awesome audiobook versions which are my favourite way to enjoy this amazing books.  The format really lends itself to the intense action, fast-paced storytelling and great characters contained within Proven Guilty, and I really found myself powering through this great audiobook in no time at all.  With a run time of over 16 hours, this is one of the longer Dresden Files audiobooks, but I still managed to knock it off in a few days, as I never got sick of listening to it.  The main reason for this is the outstanding narration of actor James Marsters, who has lent his powerful voice to the entire Dresden Files series.  Marsters effortlessly dives into the story each time, and he brings some real gravitas and feeling to the plot and characters.  The various voices he produces does each member of the complex cast great justice and I love how well he portrays their feelings, interactions, and personalities.  This is mostly easily seen in main character Harry Dresden, who is suffering from a lot of different abuses by this point in the series.  Marsters really does such a great job showcasing his various emotional and personal issues and I am always so impressed with how the narrator just gets this complicated character and brings that out with his voice.  This great performance does so much to enhance the experience of listening to Proven Guilty on audiobook and I cannot recommend this format enough to people interested in checking out this cool Dresden Files entry.

Unsurprisingly, I had an outstanding time with Proven Guilty and it proved to be an excellent continuation of Jim Butcher’s epic Dresden Files series.  Featuring another brilliant story, some fantastic character growth, and even more magic and mayhem, Proven Guilty was a ton of fun to get through, and I have so much love for this series.  Indeed, I had such an incredible time with Proven Guilty that I have already started listening to the next book in the series, White Night, which I will hopefully review next week. I honestly can’t give Proven Guilty a higher compliment than that, and this is a pretty damn amazing read.

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Throwback Thursday – Dead Beat by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday14 Comments

Dead Beat Cover

Publisher: Penguin Audio (Audiobook – 3 May 2005)

Series: Dresden Files – Book Seven

Length: 15 hours and 7 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this latest review I dive back into the epic Dresden Files series by Jim Butcher with the seventh entry, Dead Beat.

Over the last couple of years, I’ve had a ton of fun finally getting into the iconic Dresden Files books by legendary author Jim Butcher.  Generally considered one of the very best urban fantasy series, the Dresden Files are a deeply captivating series that follows Chicago’s resident wizard, Harry Dresden, as he investigates a series of mystical cases throughout the city, often resulting in epic moments loaded with magic.  I started this series with the latest book, Battle Ground (one of my favourite books and audiobooks of 2020), and then went back to the start to experience the series from the beginning.  So far, I have managed to read Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks and Blood Rites, as well as last year’s novella, The Law.  All these books have been extremely good in their own way, and I have loved the elaborate stories each of them contained.  As such, when I was in the mood for something I was guaranteed to love this week, listening to the next Dresden Files book on my to-read list was an easy choice for me, with the seventh book, Dead Beat.

Harry Dresden, private wizard detective and magical protector of Chicago is always willing to help a person in need no matter the cost.  But even he is unprepared for how far he’ll have to go when an old and merciless enemy imperils one of the people closest to him.  The ancient vampire Mavra has evidence that could destroy his best friend, Karrin Murphy, and threatens to unleash it unless Dresden recovers a powerful book of magic written by the legendary, long-dead necromancer Kemmler.

With no choice but to find the book, Dresden begins his search around Chicago, attempting to discover any trace of its location.  However, his search soon leads him into conflict with a new dark power arriving in the city.  Three of Kemmler’s students have their eyes on the book and the rituals it contains, and they are willing to destroy everyone and anyone to get it, including each other, especially when the prize at stake is godhood.

Caught between the three warring necromancers and their minions, Dresden needs to find the book first to stop their dark ultimate ritual before it can decimate Chicago.  However, each of Kemmler’s students far outclasses him in terms of magical ability and ruthlessness, and with only limited allies to call upon, it looks like even Dresden will have trouble saving the day again.  To survive, he might have to a make a dark deal with an even more malevolent evil, one that that has the potential to damn him forever.

I don’t know how he does it, but every single one of Jim Butcher’s novels that I read is so damn addictive and epic that I always struggle to put it down.  Dead Beat was another outstanding entry in the Dresden Files series, and honestly it might be one of the best I have read so far.  I absolutely powered through its clever and elaborate story as I tried to get to the end, and everything about it was highly enjoyable and fun.  Dead Beat gets another easy five-star rating and I have so much love for how amazing this seventh entry in the series turned out.

Dead Beat has an amazing story to it that effortlessly drew me in with the cool combination of magic, character moments and investigative angles.  Starting off quickly with Dresden drafted into the search for a powerful magic book, the protagonist begins his new investigation, only to discover the dangerous necromancers waiting for them.  Dresden soon has deadly encounters with all three necromancers in Chicago searching for the book, as well as their various minions and associates, which results in some brilliant scenes.  Dead Beat continues by setting Dresden and his allies on a dark course as they simultaneously attempt to find the book and the full extent of the warring necromancer’s plans, while also fending off their attacks.  Dresden keeps getting confronted again and again by his foes, barely escaping each time while also learning more about what is to come.  At the same time, he is forced to deal with certain personal issues, including trauma, complicated relationships, and a literal demon in his head, tempting him with power and knowledge.  There are some great twists, dark moments and emotionally powerful scenes set up around the middle of the novel, and I loved how well Butcher laid out the storylines and hinted at some big moments to come. Everything leads up to an epic concluding final third of the book as Dresden makes some hard decisions and compromises to save the day.  The final confrontation with the bad guys is pretty damn awesome, especially as the protagonist, utilising his usual restraint and good judgment, unleashes a very monstrous response to the antagonist’s minions.  This entire narrative was enthralling from start to finish, and I cannot emphasise just how addictive and entertaining the entire story was.

Dead Beat featured Butcher’s usual excellent writing style which once again lent itself extremely well to the elaborate narrative he came up with.  The pacing of this book was constantly fast and exciting, which guarantees that the reader is always paying attention, especially as every page has either action, some intriguing bit of lore or history, or some intense and compelling character development.  Butcher also ensures that this latest novel has the right blend of great story elements to it, and I deeply enjoyed how the fantasy and mystery elements are well featured as the protagonist is forced to do detective work to get the answers.  All this is overlayed by a great smattering of humour, mostly from the funny protagonist, who approaches the dark events and villains with his usual cockiness and disrespect.  The use of a first-person perspective from Dresden is also quite effective, and I loved seeing events through his eyes, as it allows readers to fully grasp the mystery, while also showcasing the great character developments.  While Dead Beat can be read as a standalone read, especially as Butcher is good at quickly recapping events, at this point in the series readers will benefit from going back and reading the earlier Dresden Files books first.  Dead Beat proves to be a key entry in the larger series, with multiple major events occurring here, and there are a ton of references to the preceding books, including the return of several fantastic characters.  I really got a lot more out of Dead Beat’s story for having read the previous novels, especially as you get to see how much Dresden has been through in the lead up to this book.  Overall, this was a very well-written and impressive novel, and Butcher really ensured that his cool story came through perfectly.

As with the rest of the Dresden Files books, I was really impressed with the blend of fantasy and urban fiction elements in Dead Beat, especially as Butcher has come up with such an elaborate world to set his stories in.  The author adds some cool new elements into his complex world throughout Dead Beat, as Dresden is forced to deal with a whole new branch of dark magic, necromancy.  Necromancy, or the control over the dead, is always a great villainous power in fantasy fiction, and Butcher makes excellent use of it in this book, with three rival necromancers vying for power.  Each uses a different form of necromantic magic in battle, and this results in some outstanding scenes where Dresden is forced to confront them.  The resulting magical mayhem is pretty epic, and Butcher’s unique depiction of zombies was both fun and a little scary.  This intriguing new form of magic ensured that Dead Beat really stood out, and I appreciated how Butcher turned it on its head towards the end when Dresden gets creative.  These excellent portrayals of magic fit within the fantastic setting of modern-day Chicago and it is always fun to see the elaborate balance of magical and mundane features that Butcher has set up within the city.  These great fantasy inclusions blend well with the character work and mystery elements of Dead Beat, and I look forward to seeing how Butcher further expands it in future books.

One thing that I felt Butcher did particularly well in Dead Beat was how he portrayed his brilliant cast of characters.  The Dresden Files always contain great protagonists and villains, but this novel had some of the best portrayals of them to date.  This is especially true for series protagonist and point-of-view character Harry Dresden, who had a great outing here.  Dresden has always been a damaged and conflicted figure in the series, but recent traumas are really weighing him down in Dead Beat as he struggles with a terrible hand injury, as well as the malign influence of the fallen angel bound to him, Lasciel.  The protagonist spends most of the book trying to deal with the influence of Lasciel who subtly manipulates him in many ways, tempting him with power or a solution to his many problems.  Each damaging and desperate encounter that Dresden survives in Dead Beat forces him to reconsider the wisdom of refusing her help, and the subsequent internal battles produce some of the most intense and compelling scenes in the novel.  This continued temptation and manipulation alters Dresden’s personality at times, and it was interesting to see how his allies and friends treat him, especially as Dresden begins to understand the different ways that members of the magical community view him.  Of course, Dresden hides most of his internal pain with his usual hilarious wit and humour, and his irreverent opinions, funny observations, and sheer ability to annoy anyone he encounters, results in most of the book’s humour and over-the-top moments.  Throw in other concerns, including complex relationships, unrequited love, and the character’s desire to prove himself and do the right thing, and this was some of the best character work that Butcher has ever done around his main protagonist.

On top of Dresden, Butcher also features a brilliant cast of support characters and villains that really help to enliven the book.  Dead Beat features a mixture of established supporting characters, as well as several great new ones, each of whom get some excellent moments to show off throughout the book.  I particularly enjoyed how well Butcher utilised the character of Waldo Butters in Dead Beat.  Butters, a kooky and big-hearted mortal medical examiner who had minor roles in a previous novel, is thrust into the limelight during this book, becoming a major ally to Dresden.  Butcher weaves some great storylines around him as he simultaneously finds his courage and begins to understand the magical world that keeps trying to kill him.  Butters proves to be a great supporting figure to Dresden in this book, and I loved their amusing team-up and developing friendship.  There is also a couple of great hints at some of the future storylines involving Butters, and I look forward to seeing more of him.

Aside from Butters, I also enjoyed the appearance of Dresden’s half-brother, the vampire Thomas Raith, who has been crashing at Dresden’s place.  Butcher paints a fun brotherly relationship between the two in this novel, which was quite entertaining at times.  However, the more humorous elements of their relationship are often overshadowed by the deep pain within Raith as he tries to overcome the emotional damage done to him in the previous novel.  I also loved learning more about Dresden’s skull spirit companion, Bob, in Dead Beat, and his dark history proves to be quite fascinating, especially as his former nature contrasts substantially with his usually entertaining persona.  The three necromantic villains, Grevane, the Corpsetaker and Cowl, each bring a certain level of sinisterness to the table, and they prove to be exceptional antagonists in their own way.  Finally, I must highlight the inclusion of Dresden’s new dog, Mouse, who has an awesome outing in Dead Beat.  A young and growing gentle giant, Mouse is a fun animal companion to Dresden and his allies, and I look forward to seeing more of his hijinks in the future.  Honestly, the entire cast of Dead Beat was pretty damn exceptional, and their powerful interactions and internal issues, added so much to the impact and power of this awesome novel.

As with all the Dresden Files novels, I chose to listen to Dead Beat on audiobook, which was an exceptional experience as the audio format helps to enhance the great characters and magical action.  Coming in at just over 15 hours, this is a substantial audiobook, however, I manage to knock it out in a few days, especially once I got caught up in fantastic story.  Naturally, the best thing about the Dead Beat audiobook is the return of actor James Marsters as the narrator.  Marsters, who is one of my favourite audiobook narrators thanks to his work on this series, did another brilliant job in Dead Beat and I have so much love for his outstanding performance.  After lending his voice to all the previous Dresden Files novels, Marsters has all the characters down, and each figure is given a fitting and powerful voice that carries through from book to book.  I particularly appreciated his portrayal of main character Harry Dresden, and Marsters perfectly captures the protagonist’s deep emotions and cocky demeaner, ensuring that you are both drawn to his pain and entertained by his antics.  In addition to the excellent voices, Marsters also has some noticeable and contagious enthusiasm in his narration, especially when it comes to the magical battles, and you can really feel his passion and excitement in parts of the story, especially when he loudly shouts out Dresden’s magical spells.  This narration from Marsters is so damn good, and it ensures that I had an exceptional time with Dead Beat’s audiobook, while is the absolute best way to enjoy a Dresden File novel.

In the seventh entry in his iconic Dresden Files series, Dead Beat, Jim Butcher has produced another exceptional read and one that I cannot recommended enough.  Featuring a particularly impressive and captivating narration, cool magical inclusions, and some of the best character work Butcher has ever done, Dead Beat is one the best Dresden Files novels I have read so far, and I loved everything about it.  This was such an amazing book, and I am very much intending to read several more entries in this outstanding series later this year.

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Throwback Thursday – Warhammer 40,000: The Guns of Tanith by Dan Abnett

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer14 Comments

The Guns of Tanith Cover

Publisher: Black Library (Audiobook – 25 April 2002)

Series: Gaunt’s Ghosts – Book Five

Length: 10 hours and 10 minutes

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  After having such a great time reviewing the previous Gaunt’s Ghosts novel, Honour Guard, in my last Throwback Thursday, I immediately read the fifth fantastic entry in the series, The Guns of Tanith, which proved to be just as awesome and exciting.

As I mentioned last week, I have been really getting into the works of Dan Abnett over the last year, and I now consider several of his books to be amongst the best Warhammer 40,000 novels I have had the pleasure of reading.  Not only did I deeply enjoy his epic Eisenhorn trilogy (made up of Xenos, Malleus and Hereticus) but I have also been powering through his Gaunt’s Ghosts books.  The Gaunt’s Ghosts books are some of the more iconic novels in the Warhammer 40,000 franchise and are often considered essential reading by fans of the franchise due to the captivating way they capture the gruelling experiences of ordinary human soldiers in this grim, futuristic setting.  The first four novels in the series, First and Only, Ghostmaker, Necropolis and Honour Guard, as well as the prequel novel The Vincula Insurgency, are all excellent and exciting in their own way, and I have had a ton of fun seeing the impressive war narratives set around the men of the Tanith First-and-Only, informally known as Gaunt’s Ghosts.  As I was still in the mood for some awesome action at the end of last week, I just had to keep going with these books and I quickly picked up the fifth entry, The Guns of Tanith.

As the massive Sabbat Worlds Crusade continues to pit the forces of the Imperium of Man against the foul forces of Chaos, the battlelines extend across multiple planets and systems, drawing in millions of soldiers.  The latest phase of the crusade has severely stretched the supply lines of the Imperial assault and the Chaos foes are quick to take advantage, threatening to cut off and surround the main Imperial force.  To stave off disaster, Warmaster Macaroth, needs the Tanith First-and-Only to recapture the vital promethium producing planet of Phantine so the crusade can be resupplied and continue.

Led by the heroic Colonel-Commissar Ibram Gaunt, the Tanith First-and-Only engage in a deadly airborne assault on several of the planet’s domed cities.  Relying on their unique skills of navigation and infiltration, the Ghosts prove to be vital to the operation and soon take the key city of Cirenholm.  However, holding the city proves to be harder than expected.  While preparing for the next assault, the vile murder of a freed Cirenholm civilian places a Ghost on trial and opens up the festering cultural divides within the regiment.

As Gaunt attempts to get to the bottom of the crime and ensure that the innocent are left alive, the Ghosts are given a vital mission to undertake.  A dangerous Chaos warlord has taken command of the final occupied city, Ouranberg, and his lethal command threatens to devastate an attack by the Imperials.  To ensure a successful invasion of this Chaos stronghold, a specialised team of Ghosts is tasked with infiltrating the city and assassinating the enemy leader in advance of the main assault force.  Featuring some of the best the Ghosts have to offer, the assassination squad will be forced to walk through hell to achieve their objective and not everyone will be coming back.

In this fifth entry in this amazing series, Abnett continues to impress with another powerful and captivating character-driven read that takes the Ghosts through a gruelling round of battles, tragedy and growth that proves near impossible to put down.  The Guns of Tanith was a pretty strong entry in the series, expanding on some of the interesting storylines from the first novel while also introducing a new dark scenario for the characters to deal with.

The Guns of Tanith features a fantastic narrative from Abnett that contains his usual blend of high-intensity action, character growth, and intriguing examinations of the Warhammer 40,000 universe, that make all the Gaunt’s Ghosts novels such a treat to read.  Following on from the events of the previous books in the series The Guns of Tanith is told in Abnett’s typical style, with a ton of unique character perspectives, mostly those of the Ghosts, which presents the reader with a rich and vibrant view of the events, as well as the unique, character-driven storylines that emerge.  While this fifth Gaunt’s Ghosts novel can be read as a standalone book, The Guns of Tanith does see several ongoing, character focused storylines come to a head or get even more complicated. As such, readers should really consider checking out the previous novels first so they can get the full emotional weight of the revelations and twists that emerge.

The main narrative of The Guns of Tanith is bookended by major extended battle sequences that see the Ghosts and their allies engage in elaborate fights across two separate cities.  The first of these battles, in Cirenhom, sees all the Ghosts forced to engage in a particularly bloody battle with limited ammunition against a dangerous and determined foe that has set up some elaborate traps.  This extended sequence is both epic and useful as it provides the reader with a ton of intense action to draw them into the novel while Abnett introduces the characters and storylines that this latest novel is focused on.  You also get a good overview to the new setting of Phantine, a polluted planet with a toxic atmosphere that requires multiple forms of airship to traverse.  This unique location adds some great spice to the overall story, especially as it requires the characters to learn some unique aerial skills, while also allowing Abnett to have fun featuring several impressive dogfights.  There are some great moments during this first extended battle sequence, and it sets the rest of the book up nicely.

The middle of the book is where the reader gets into the real meat of the story, especially as it lowers the intensity levels down from the action-packed introduction and allows the reader to breathe and absorb all the intriguing story elements to come.  At first, I wasn’t too keen on a quieter middle section to this novel, especially as I thought it would make The Guns of Tanith more of a bridging novel in the series, rather than a book that could stand on its own.  However, Abnett soon proved me wrong as this intriguing central storyline contained a lot of major character moments and intriguing plot lines, while also expertly setting up the final third of the book.  The main storyline explored in the centre involves a murder investigation when one of the Ghosts is accused of killing an innocent civilian.  Abnett does a great job with this murder storyline, especially as it brings in compelling mystery and legal thriller elements to it, while also driving the characters in some excellent directions.  However, the real joy of this part of the book is the focus on the camaraderie and factions within the Ghosts, and the fracturing coherence in places leads to some memorable moments later on.

The final section of the book focuses on the assault of the Phantine city, Ouranberg, and the special Ghosts mission to assassinate the Chaos warlord.  Following several supporting members of the cast, this final third of The Guns of Tanith takes these characters on a particularly dark mission through a Chaos stronghold, and Abnett throttles up the tension and brutality to the maximum, ensuring that the readers are strongly hooked on everything unfolding.  Watching the separated teams attempt to navigate through enemy territory leads to some dark and bloody sequences, and everything comes together in a brutal confrontation where all the characters get a moment to shine.  The invasion in the aftermath of this assault brings the entirety of The Guns of Tanith together in an outstanding way, as several major storylines are expertly and impressively resolved, often in ways that leave the characters even more damaged than when they started.  This is also a particularly shocking death of a major character that is guaranteed to move long-term readers of the series.  Abnett does a masterful job of setting this death up, including by showcasing several misleading near-misses, so you really don’t know who is going to live or die right up to the end.  His eventual choice is one designed to wound his readers, and you will have to come back to see how it impacts the rest of this series.  Overall, this was an extremely solid and impressive Gaunt’s Ghosts narrative, and I deeply enjoyed how Abnett continued and finalised some of the great character storylines from the previous books, while also providing the reader with more action and intrigue than they can handle.

As with most of the Gaunt’s Ghosts books, The Guns of Tanith is an open read to all those unfamiliar with the wider Warhammer 40,000 canon.  Abnett goes out of his way to make his books accessible for new readers, and he always provides enough detail and background so that anyone can catch up and enjoy the subsequent story.  However, for those fans more familiar with the Warhammer universe, there are always a ton of great elements or unique world building details that they will find particularly fascinating.  The new locations in The Guns of Tanith are pretty damn spiffing, and I had a lot of fun with the polluted planet, especially as it requires multiple arial sequences.  This is turn leads to the introduction of the Phantine XX Fighter Corps, who Abnett will go on to feature in his spin-off novel, Double Eagle, and it was fun to see how they get their start here.  For me, though, the best part of the universe expansion was Abnett’s in-depth look at the day-to-day life of the common soldier in the Imperial Guard.  While Abnett has always done a masterful job of capturing the footslogger experience in his novels, I felt that The Guns of Tanith was one of his best attempts to dive into the core of his beloved regiment.  Not only is there are lot of story focus on the various members and factions of the regiment, but Abnett also spent some time trying to explore the downtime and personal lives of the characters, and it was pretty intriguing to see the accompanying civilian baggage train of the regiment, which includes their families and other vital services.  I also personally loved the scenes that examined the problems associated with the Imperial bureaucracy as the Ghosts come up against their greatest enemy: bad paperwork.  Certain mistakes ensure that the Ghosts are left with minimal ammunition as the Departmento Munitorum orders the wrong power packs for their lasguns.  The following extended sequence which saw the regiment unable to fight effectively because their ammunition couldn’t fit their guns was an impressive part of the book and it definitely raised the stakes during the book’s introduction.

As usual, one of the major highlights of The Guns of Tanith is the amazing characters that the story focuses on, as Abnett once again fits a huge number of character-driven storylines into the book.  At this point in the series, Abnett has introduced a pretty substantial cast of characters, many of whom have ongoing storylines, and it is intriguing to see them unfold even further in The Guns of Tanith, especially as Abnett does a great job featuring most of them equally and then combining them into the larger narrative.  Many of the more intriguing character arcs in this book carry over from the previous novels and there are some great conclusions and expansions to them here that helps to improve the already great narrative of The Guns of Tanith.  At the same time, several new characters are introduced here or finally given prominence, and it was interesting to see how they fit into the already established character dynamics that Abnett has been building up.  The cohesiveness of the Ghosts as a regiment ends up becoming a huge fixture of this book as the Tanith-Verghastite divide is explored in greater detail by many of the characters.  It was fascinating to see how Abnett handled these character storylines in The Guns of Tanith, and several of them ended up being some of the best parts of the book.

As with most of the novels in the series, quite a lot of character focus goes towards the main protagonist, Colonel-Commissar Ibram Gaunt, whose experiences as the commander of this unique regiment continue to trouble him in various ways.  In The Guns of Tanith, this takes the form of his apparent unconscious bias towards the Tanith elements of his regiment over the Verghastite recruits, which is showcased by his differing reactions during two court cases.  This results in several intense interactions between Gaunt and members of his team, which helped to showcase the protagonist’s idealism and a certain degree of naiveté when it comes to Imperial politics, both of which will cause him trouble in the future.  This is also an intriguing look at the issues caused by Gaunt holding the dual rank of Colonel and Commissar, which make him simultaneously a command officer and a political officer in charge of discipline.  This is the first time the duality of his roles has caused some major problems for him, and it was interesting to see several characters question him about it.  Watching Gaunt try to balance his various hats while also maintaining the respect of his men and his superiors makes this a rather compelling novel for Gaunt and I will be intrigued to see how this affects the character in the future.

While there is always a lot of focus on Gaunt, many of the other characters have big moments here, and it is always interesting to see which characters Abnett will focus on in each particular novel.  Firstly, this is one of the Gaunt’s Ghosts books where the major characters of Colm Corbec and Elim Rawne do not get a lot of focus, as Abnett sets them aside to make room for others.  Corbec is once again wounded early on in the plot to keeps him out of the action, while Rawne, after getting a good needling into Gaunt, is showcased as the senior commander, but that’s about it.  Instead, a lot of the focus goes towards some of the newer members of the cast, such as Gol Kolea, whose attempts to balance his complex family concerns leads only to tragedy and despair for him and the reader.  Cuu continues to be a menace, while surgeon Ana Curth acts as several character’s consciences throughout the book.  The previously overlooked but surprisingly lucky Bonin finally got some prominence in this novel, and I loved finding out how he survived Necropolis.  The newer characters of Commissar Hark and Captain Ban Daur also proved to be essential parts of the plot, and I am really glad that Abnett continued to utilise them, as they helped Gaunt see the errors of several decisions while simultaneously taking on some of Gaunt’s more unorthodox methods.  Members of the original Ghosts, such as Brin Milo, Larkin, Bragg and Mkoll all had good roles in The Guns of Tanith as well, and their balanced scenes showcased different triumphs and tragedies.  Finally, I was glad that Abnett decided to keep featuring the mysterious preacher, Ayatani Zweil, after his fun introduction in Honour Guard.  Zweil is an always entertaining yet serious figure, and it was great to see him knock some sense into several characters when they needed it.  I’m honestly only scratching the surface here, as a ton of other characters were well featured throughout The Guns of Tanith as Abnett continues to build and bring together his final cast of major characters.  Each of these amazing protagonists had some superb impacts on narrative of this novel, and I cannot wait to see how Abnett continues to develop them in the later books of the series.  I am assuming it is only a matter of time until more of the characters start to die, and I am sure that will break my heart just as much as the big death in The Guns of Tanith did.

Due to my love of the format, I of course listened to The Guns of Tanith on audiobook, which is easily the best way to enjoy any Warhammer book.  I have gone on a lot about the fantastic Gaunt’s Ghosts audiobooks in recent reviews, and The Guns of Tanith has all the same advantages, as one of my favourite audiobook narrators, Toby Longworth, brings the reader right into the heart of the action with his great voice work.  Every scene is masterfully showcased by his narration, and all the characters are brought to life thanks to the great voices he utilises for them.  Longworth really stretched himself when it came to accents in this latest novel, and he features a ton of great new voices, as well as the existing tones from the previous audiobooks, to bring this entire audiobook together.  With the standard runtime of just over 10 hours, The Guns of Tanith audiobook is a real snap to power through, and I honestly finished it off in only a few days.

Unsurprisingly, I absolutely loved the fifth entry in Dan Abnett’s exceptional Gaunt’s Ghosts books, The Guns of Tanith, which proved to be another powerful and enjoyable Warhammer 40,000 novel.  Filled with Abnett’s usual impressive battles, The Guns of Tanith also had a brilliant focus on characters-driven storylines that dominated most of the plot and kept the readers hooked the entire time.  An intense, addictive, and deeply personal Gaunt’s Ghosts books, The Guns of Tanith was pretty damn outstanding and I loved every second of it.

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