The Greater Good by Tim Ayliffe

The Greater Good Cover

Publisher: Simon & Schuster

Publication Date – 23 April 2018

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Australian author Tim Ayliffe presents a fantastic debut thriller set in iconic Sydney that delves into the heart of politics and the role of the media in the modern world.

John Bailey was a brilliant war correspondent for the Australian paper, The Journal.  However, his life took a downward turn when he was kidnapped in Iraq and tortured for several months.  Now, years later, Bailey is living a life of alcoholism and self-destruction, only occasionally contributing articles to The Journal.

However, when a prostitute is found murdered in her high-end Sydney apartment, his editor and old friend, Gerald Summers, sends him to investigate the crime, claiming that Bailey is the only person he trusts to report the story.  The prime suspect in the case is an influential political advisor who had a close relationship with the victim.  When Bailey encounters the advisor, he claims to have information that will clear his name, while at the same time implicating his boss, the defence minister.

After a run-in with an old friend in the CIA, Bailey soon realises that there is much more to this story than a simple murder.  Investigating further, he soon discovers that the murder was committed to cover up a massive conspiracy that the defence minister is linked to.  When witnesses to the crime start turning up dead and the police are pressured to drop their investigation, Bailey is determined to uncover the truth and publish the full story.  But powerful people are invested in keeping this case quiet, and Bailey soon finds himself in their crosshairs.

This is an exciting and high-energy first book from Ayliffe, who makes full use of his journalistic experience and political insights to create a smashing thriller with a tangible Australian presence.  The investigation into the conspiracy and its associated murders works well as the heart of this story, and readers are invited along on a wild thrill ride as the protagonists rush through this murky world of Australian politics and espionage in a quest to find the truth.

The character of Bailey serves as a great central narrator for this frenetic story, and readers will love the maverick approach he has to investigating the case and the lack of restraint of manners he has when it comes to dealing with Sydney’s political and financial elite.  Ayliffe also spends a significant amount of time attempting to humanise his main character by examining his past as a prisoner and the effects his PTSD has had on his life and career.  There are some great, emotional scenes as Bailey attempts to get over his problems with the help of other characters, and Bailey comes across as a much more grounded and damaged protagonist as a result.  The other main narrator in The Greater Good is Sharon Dexter, who serves as the official police investigator and Bailey’s main love interest.  Her investigation focuses more on cover-ups, sexism, and corruption in the police force, and these parts of the book serve as a great counterpoint to the sections featuring Bailey.

Ayliffe has made full use of his political knowledge and insight throughout this book.  A large amount of the plot revolves around both Australian and international politics, and readers will be amazed at the potential conspiracy he is able to create.  Various Australian political elements are dragged into the story and play a key part of the plot.  These include discussions about pre-selections of federal seats, government spending and the role of several federal government agencies.  World politics and the current status of Australia on the world stage are also examined within the story.  There is a large focus on the expanding role of China, and the discussion about whether Australia should strengthen its relationship with this new world power or whether it should maintain its current relationship with the United States.  This discussion is a key part of understanding the plot, and plays out in the book in a similar manner to current debates on the subject within Australia.  This adds a real sense of realism to the story and makes readers, especially those familiar with current Australian news and politics, very thoughtful.

Throughout The Greater Good, the main characters are attempting to obtain evidence of a conspiracy so that they can print it in their newspaper, The Journal.  As a result, the role of print media in keeping government’s honest and uncovering political corruption is examined in some detail.  It is clear that Ayliffe, a career Australian journalist, is very supportive of the media remaining in this role, and many of his characters are quite critical of attempts to stall the publication of these stories.  This allegorical analysis of the current role of media in politics and society is an intriguing part of the book and many readers will find this exceedingly relevant in light of recent world events.

Readers also need to keep an eye out for Ayliffe’s clever and entertaining inclusion of characters that are clearly based on real life Australian personalities.  For example, the fictional Australian Prime Minister is described as an athletic man who is known for his fun runs and surfing, in a way reminiscent of former Prime Minister Tony Abbott.  In addition, certain plot twists towards the end of the book will also remind the audience of another previous Prime Minster.  Another example is a minor character who is introduced as a prominent talk show radio host.  This character appears to be a composite creation of several of Australia’s right-wing radio commentators and comes across in a very similar manner to these real life presenters.  These cheeky additions are a fun inclusion that will amuse readers with even a passing knowledge of these Australian personalities.

In many ways The Greater Good can be considered a love letter to the author’s home city of Sydney, as it contains a number of different locations and references that will be quite familiar to Sydneysiders.  The narrator visits a number of different suburbs within Sydney, including Palm Beach, King Street, Finger Wharf at Woolloomooloo, Bondi and Chinatown, and also frequents some real life Sydney venues, such as Harry’s Café de Wheels.  Not only is the food, geographical location and description of this Sydney café described in the text, but the author has also included a write-up of the restaurant’s owners and its history.  In addition to furnishing the story with real life Sydney locations, Ayliffe also includes brief references to events and occurrences that Australians would recognise the significance of, such as Australian rugby, lockout laws and the current ice epidemic.  While none of these locations or occurrences is essential to the plot, they do add a certain sense of reality to the entire novel, and Australian readers will enjoy seeing locations and scenarios that they recognise and understand.

Tim Ayliffe’s debut novel, The Greater Good, is a fun and exhilarating political crime thriller that is guaranteed to electrify and entertain in good measure.  Making full use of Ayliffe’s extensive knowledge of Australian politics, culture and media, this very topical book is an excellent read for Australian audiences and those international readers keen to explore Australia’s potential for thrillers.

My Rating:

Four stars

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The House on Half Moon Street by Alex Reeve

The House on Half Moon Street Cover

Publisher: Raven Books

Publication Date – 3 May 2018

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Prepare yourself for an extraordinary tale of love, life and murder in Victorian London, all with a unique twist that will make this book one of the most talked-about pieces of historical fiction this year.

In London, in 1880, Leo Stanhope is a bright young man living the city life.  He is employed as an assistant to a London coroner and is in love with Maria, a high-class prostitute.  However, Leo also has a big secret: he was actually born Charlotte.  Born a woman, but knowing deep inside that he was a man, he ran away as a teenager and has been living as Leo ever since.  Only a few trusted people know this, and Leo fears the day he’ll be discovered.

When Maria is found dead, Leo finds himself accused of her murder.  With his life falling down around him, Leo starts his own investigation into the case.  But what does Maria’s death have to do with another corpse found drowned in the river, and how do Maria’s rich employers and an infamous London abortionist fit into the case?  Leo will risk everything to find Maria’s killers, even if that means revealing his biggest secret.

This is an outstanding debut from author Alex Reeve, who has created a fabulous addition to the historical crime genre.  The House on Half Moon Street has massive potential to expand out into a fantastic and iconic new series.

Without a doubt, the most distinctive and memorable part of The House on Half Moon Street is the main character, Leo Stanhope, who is a transgender man.  The first thing that needs to be mentioned is that Reeve has done a great job of writing this character and has produced an appropriate and non-controversial description of a transgender person.  There is a lengthy examination of the protagonist’s views about his identity, which includes descriptions of his childhood, memories of how he has always felt this way and internal monologues on how uncomfortable he felt behaving as a woman.  Reeve also does a fantastic job of portraying Leo’s fears and frustrations at the way he has to live and the way some characters, such as members of his family, treat him.  Overall, this is an emotional and insightful examination of a transgender character in a historical setting, and Reeve has chosen an excellent protagonist for his novel.

The focus on a transgender main character and gender issues works well with Reeve’s great use of the Victorian setting, as he explores how transgender people lived in historical times.  As described in the book, transgender individuals were not treated well within Victorian England.  In one scene Leo describes how someone who was living in a similar situation to himself had recently been discovered by the authorities and institutionalised as a result.  The views and responses of the people who discover his secret also reflect the attitudes of the time, although there are some obvious parallels with some modern opinions, resulting in thought-provoking social commentary.  There are also some interesting descriptions of the techniques, tools and clothing that the protagonist uses to hide his female characteristics and make himself appear more masculine.  Due to differences in technology and social expectations, these techniques are obviously different from modern alternatives and represent some interesting hypotheses from Reeve.

There are also some amazing descriptions of Victorian London, which serves as a great backdrop for this story.  Not only does the dingy Victorian setting help to highlight Leo’s dark emotional state throughout the book; it is also the perfect background for a murder mystery that revolves around the murky criminal underworld.

On top of the compelling protagonist and the wonderful use of setting, those who read The House on Half Moon Street will also be treated to a top-notch murder mystery that also delves into the criminal and policing elements of 1880s London.  The investigation into the deaths is an intense experience that takes the protagonist through a series of different suspects and clues, creating an intriguing and complex case.  The emotional impact of the case on Leo is plainly obvious due to superb story narration, and this proves to be engaging to the reader, who becomes invested in solving the case.  The final solution to the book’s mystery is very clever, and the readers will love how the case comes to its conclusion.

Historical fiction buffs will also enjoy the examination of law and order during the era, as Reeve examines several police institutions, including the work of the coroner during the time.  The protagonist also encounters some of the city’s criminal elements, and there are some surprising crimes that are covered within the book.  Reeve’s use of a transgender protagonist once again comes into play during the character’s investigations, and the reader will be drawn into the scenes where Leo attempts to hide his previous life from the police and criminals.

The House on Half Moon Street is a phenomenal new book that takes a deep and sensitive look at transgender issues in Victorian London whilst also making use of a dark and detailed historical setting and a first-rate overarching murder mystery.

My Rating:

Four stars

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Pandora’s Boy by Lindsey Davis

Pandora's Boy Cover.jpg

Publisher: Hodder & Stoughton

Publication Date – 5 April 2018

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Ancient Rome’s premier female detective returns in the latest Flavia Albia mystery from veteran historical crime author Lindsey Davis.

Rome, 89 AD.  Flavia Albia, the daughter of the legendary investigator Falco, is now a proficient private investigator and informant in her own right.  When the ex-wife of her husband, Tiberius, brings a case of family drama to her, Flavia is tempted to refuse, but when Tiberius disappears she needs a distraction.

The case revolves around a teenaged girl found dead in the prosperous Quirinal Hill district of Rome.  The girl, Clodia, was the apparent victim of a poisoned love potion, and her parents and grandparents are blaming each other for her death.  What begins as a simple investigation quickly becomes complicated when the witch accused of supplying the potion turns out to be the sister of the city’s biggest crime boss.  No-one is talking, and everyone in the Quirinal Hill has a secret.

Flavia is forced to seek the truth from a variety of people, including warring grannies, concerned parents, criminal lawyers, secretive slaves, a lettuce salesman with an interesting religious statue and, worst of all, the overprivileged offspring of Rome’s elite.  However, as Flavia’s investigation continues and a friend of hers dies, it soon becomes apparent that a vicious gang war is imminent.  Can Flavia solve the crime without getting caught in the crossfire, especially when she has a terrible history with one of the gangs?

Pandora’s Boy is the sixth book in the Flavia Albia series, which acts as a direct sequel series to Davis’ Marcus Didius Falco series.  Davis is one of the most prolific authors of historical whodunits and has a particular focus on novels set in ancient Rome.  For example, her Marcus Didius Falco series contains 20 books, and she has produced some stand-alone books set in the same period.

Like the previous books in the Flavia Albia series, Pandora’s Boy takes a contemporary look at Roman culture and lifestyles.  The inhabitants of Davis’ books act in a very modern way despite their ancient surroundings, and this results in a very humorous interpretation of the ancient Roman characters.  Davis also uses this book to parody a specific group in modern society: the millennials.  Throughout the story, Flavia is forced to follow, interview and generally endure the victim’s friends, who are the offspring of the city’s rich and powerful.  These friends are exceedingly selfish, have sordid love lives and get into all sorts of mischief.  In other words, they act in a very similar way to how modern day millennials are often perceived and portrayed.  Their appearance is quite jarring in the ancient Roman setting and leads to a lot of the books humour.  In all, it is a fun, quirky addition, and an amusing examination of modern society through very ancient eyes.

The core of the book is the death of a young woman and its investigation by the main character.  This is a well-done mystery that takes many twists and turns to keep the attention of the reader.  Flavia’s investigation is done through interviews, trickery, observations and undercover work, and, like many other parts of the book, is infused with Davis’ trademark humour.  The investigation is wrapped up in a final scene that is a throwback to classic murder mystery dénouements.  All the interested parties are gathered together in one place and the investigator reveals their conclusions, eventually leading to their solution to the crime.  Davis provides a perfect parody of this, infused with her own unique touch.  As a result, there are several jokes about this well-used literary device, including discussions around the necessary prep work and tricks to keep the gathered parties’ concentration of the speaker that will greatly amuse many murder mystery buffs.

One of the more diverting and memorable aspects of the Flavia Albia series is Davis’ tendency to include big action sequences that devolve into near absurdity and provide some of the best laughs in the entire book.  For example, in Davis’ previous book, The Third Nero, the climactic scene was a battle in the heart of Rome that featured, among other things, a war elephant, Parthian cataphracts and one of the most improbable chase sequences in all of fiction.  While nothing will quite top this, Davis has striven to include one such scene in Pandora’s Boy, featuring an interrupted séance, an all-out brawl between legionnaires and Vigiles at a collapsing temple, all of which serves as a backdrop to a fight between two warring grannies.  This is an extremely entertaining scene and definitely a highlight to watch out for.

Another notable feature of the books in the Falco universe is the deeper examination of the Roman criminal justice system.  The investigators in these books often deal with the Vigiles and the Aediles, the ancient Roman equivalent of the police and magistrates, many of whom turn into key characters.  This is a unique feature, as most Roman historical fiction books neglect to focus on these institutions, only mentioning them if in the context of political gain.  Pandora’s Boy includes a detailed look at the Vigiles who patrol the Quirinal Hill district and their investigation into the death and other serious crimes.  Loaded up with a suitable modern twist, the inclusion of these characters is an intriguing addition that highlights an often-neglected side of ancient Roman life.

Pandora’s Boy is a wonderful addition to one of the best ancient crime series currently on the market.  Davis once again creates a fantastic murder mystery and infuses it with outrageous humour and a modernistic take on ancient Roman life.  This is an exceedingly fun and deeply absorbing novel that will appeal to a very wide audience of readers.

My Rating:

Five Stars

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The Seven Deaths of Evelyn Hardcastle by Stuart Turton

The Seven Deaths of Evelyn Hardcastle Cover

Publisher: Raven Books

Publication Date – 8 February 2018

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A classic and complex murder mystery in an English manor combines with ingenious elements from fantastic genres to create one of the best new releases of 2018.  Reading like the outrageous combination of Groundhog Day, Inception, Downton Abby and Sherlock Holmes written by Agatha Christie, The Seven Deaths of Eveyln Hardcastle is the triumph debut from outstanding new author Stuart Turton.

In a turn-of-the-century country manor, Blackheath, a group of distinguished family guests have gathered for the first time since a terrible incident many years ago.  Before the end of the weekend’s masquerade, a terrible crime will be committed.  A young woman will be killed, and no one will realise that her death was the result of murder.

Inserted into the middle of all this chaos is Aiden Charles, who awakens with no memory of who he really is.  Aiden thinks at first that he is a cowardly doctor with amnesia until a man wearing a plague mask reveals that nothing is as it seems.  Aiden is an outsider, inhabiting and controlling the body of the doctor through unknown means.  The plague doctor reveals that Aiden has been trapped within the manor and is being forced to repeatedly relive the same day again and again, awakening each morning in a different host and living the entire day in their body.

There is only one way Aiden can earn his freedom: solve the murder of Evelyn Hardcastle, the estranged daughter of the manor’s owners.  If Aiden can solve the murder by the end of his eighth day, he will be able to leave.  If he fails to solve the murder his memory will be erased and the cycle will start again.

Using the abilities and connections of his eight very different hosts, Aiden must navigate the halls of Blackheath and the various guests who have arrived for the party.  However, Blackheath has a dark history of murder and betrayal that still casts a shadow to this day.  Every one of its inhabitants has a secret, and many of the guests would willingly kill to protect theirs.

Aiden is also forced to overcome several unnatural problems associated with his circumstances.  While the bodies he inhabits all hold the means to solving the crime, he is forced to balance the varied personalities of his hosts, each of which causes him to act or think in a very different way.  The longer he remains trapped in Blackheath, the more powerful the personalities are.

It also soon becomes apparent that Aiden is not as alone as he thought.  Two other people like him have also been trapped in Blackheath, but only one of them can solve the murder and earn their freedom.  One of his competitors appears to be trying to help him, but Aiden may not be able to trust the mysterious Anna, even though her name is the only thing from his past life that he can remember.  The third competitor has taken on the persona of a murderous footman and has no qualms about killing all of Aiden’s hosts to remove him from the competition.  Can Aiden solve an unsolvable crime before all his hosts are killed, or will he be trapped forever within Blackheath?

The Seven Deaths of Evelyn Hardcastle is a fantastic read that features a unique and imaginative combination of genres.  The basis of the story is a complicated murder mystery placed within the setting of a British manor house.  However, there is a certain and mysterious fantastic element that makes the narrator relive the day over and over again within a new host.  The murder mystery, the manor house setting and the time travelling body swapping, combine together perfectly into a tremendously addictive narrative.

At the heart of the story is an intense and compelling mystery that quickly becomes the main draw for the reader.  Solving the murder of Evelyn Hardcastle requires the protagonist to discover and expose every single secret and lie within the manor.  The sheer amount of details and enigmas that Turton has included with the book are so immense that it takes nearly eight different perspectives of the same sequence of events to get them all together.  Even then, the reader will be amazed by every single twist and turn that it takes to get to the final reveals.  The time travel and body  switching elements of the plot cleverly tie in and enhance the book’s mystery elements.  These elements allow the reader to see multiple versions of the same event, provide a wide variety of different perspectives on the clues, and pull together different testimonies from the same characters as they are questioned by the various hosts.

In addition to enhancing the murder mystery elements, the time travel and body switching aspects of the novel also help to increase the pacing and suspense throughout the book.  The transition between the main character’s various hosts is not as linear as it first appears.  Not only does the narrator switch to his next host once a day is over, he can also switch back to a previous host when he one of his hosts is knocked out, falls asleep or is killed.  This allows the reader to flip through these hosts when a lot of action is occurring, especially when the narrator’s various hosts are targeted in quick succession.  Additional suspense is also introduced due to many of the incidents within the story being out of sync with the narrator.  Various events have been put into place by either future hosts of the narrator or by characters from different points of the book’s timeline.  As a result, the reader has no idea why some events are happening, especially at the start of the book, and it is cool when the various causes of these events are revealed throughout the later parts of the book.

An appealing part of The Seven Deaths of Evelyn Hardcastle is the eight unique hosts for the main character to possess.  Each of these hosts has their own strengths and weaknesses, and it is intriguing watching the main character try and work out what they are.  They also have their own distinctive personalities that affect the main character in different and subtle ways.  The hosts also have their own way of dealing with people or situations, and this affects how the main character reacts and goes about his investigation.  It is intriguing to see how he changes from host to host.  In addition, there is no certainty about who the main character’s future hosts are going to be.  While there are hints, the reader doesn’t know until the narrator wakes up in the body, so the reader can’t help but examine the other characters with whom the narrator interacts in case they are a future host.  There are also some interesting scenes in which the narrator attempts to find and interact with a future version of himself.  Turton’s use of multiple hosts for his narrator is an important and distinctive part of this book that cleverly adds additional mystery to the narrative while also providing suspense and a changing array of personalities and challenges for the protagonist.

Representing a masterful combination of crime fiction and otherworldly attributes, The Seven Deaths of Evelyn Hardcastle is pure enthrallment that is guaranteed to transfix all eyes to its pages.  As one of the best releases of 2018, I cannot recommend this book enough.

My Rating:

Five Stars

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The Throne of Caesar by Steven Saylor

The Throne of Caesars Cover

Publisher: Constable

Australian Publication Date – 6 March 2018

World Publication Date – 20 February 2018

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Steven Saylor’s long-running ancient Roman detective series returns as Gordianus the Finder deals with the most infamous murder in Roman history: the assassination of Julius Caesar.

For decades, Gordianus the Finder has been the most respected investigator in all of ancient Rome.  After a lifetime of solving crimes and murders for the city’s rich and powerful, Gordianus is determined to retire from the investigative game and enjoy a life of luxury.  However, one last surprise has been thrust upon him: Gordianus’ adopted son Meto has spent years in the service of Caesar as his trusted aid and ghost-writer, and Caesar now seeks to reward Meto by making his father a senator.  Reluctantly accepting this rise in station, Gordianus’ ascension will take place in five days’ time, on the Ides of March.

Caesar has an ulterior motive for meeting with Gordianus.  Warned by visions and prophets, Caesar believes that his life may be in danger, and that disaster may strike before the conclusion of the Ides.  He requests that Gordianus keep his ears to the ground and quietly question leading members of the Roman nobility to see if there is any basis to his concerns.  While initially sceptical of any attempts on the dictator’s life, Gordianus’ suspicions are aroused when one of Caesar’s old rivals, Senator Cicero, also asks him to watch out for potential conspiracies.  As Gordianus begins his investigation, he finds himself in the middle of dangerous historical events, and even the legendary Finder may be unable to stop what is to come.  The Ides of March are approaching, and Caesar’s life isn’t the only one at risk.

The Throne of Caesar is the 16th book in the Roma Sub Rosa series, a series that also includes three prequel novels and two collections of short stories.  Saylor began in 1991 with Roman Blood, set in 80 B.C. some 36 years before the events of this book, and he has slowly been working towards the assassination of Julius Caesar.  Indeed, the last three instalments of the series were prequels produced while Saylor perfected his account of this famous murder.  It was definitely worth the wait, as Saylor has produced an extremely detailed and well-researched account of the infamous killing.

Gordianus’ investigation and social interactions are used to introduce the reader to many of the key people involved with the plot, as well as to discuss the political atmosphere that lead up to the assassination.  The Ides of March is the centrepiece of the novel.  It is clear that Saylor has consulted the key historical records of the killings, as he has made sure to include several of the lesser-known events that happened on the day.  For example, Saylor includes descriptions of the supposed visions Caesar’s wife, Calpurnia, had the night before, and Decimus Brutus’ intervention at Caesar’s residence the morning of the Ides.  Saylor also dedicates a good part of the book to examining the aftermath of Caesar’s death, including the political manoeuvrings that immediately followed, as well as the violent funeral.  As a result, the description of the killings and the surrounding circumstances are first rate, and this aspect of the book will appeal to Roman history buffs.

As Saylor discusses in the author’s notes, writing a murder mystery around the assassination of Julius Caesar is particularly hard, as his death is one of the most well-known events in Roman history, with all the conspirators condemned to historical infamy.  Saylor, however uses this to his advantage and manages to create a large amount of suspense by counting down the days until the 15th of March and hinting at the events that are to come.  All the reader can do is keep going through the novel, knowing that Gordianus will be unable to stop the murder, even as he gets closer and closer to the truth.

Saylor also compensates for the lack of mystery around the death of Caesar by including a second murder subplot.  Elements of this additional murder mystery are hidden in the background of most of the book, as the reader’s attention is directed towards the upcoming assassination, and the investigation into the second murder comes to the fore after Caesar’s death.  The actual events of the second murder are unique and will be of particular interest to fans of a certain Shakespearean play.

One of the best features of The Throne of Caesar is the significant incorporation of Greek mythology throughout the book.  Several Greek myths are discussed, and parts of the plot mirror elements of these myths.  Many of these myths are also included as centrepieces of two Roman epic poems written by Gaius Helvius Cinna, a famous historical poet, which are a major part of the plot.  While one of the plays featured is completely fictional and with no historical basis, the other play is Zmyrna, considered by Cinna to be his greatest achievement, the text of which is unfortunately lost to history.  Saylor provides an interesting possible narrative for the lost play, which flows into the plot of his mystery with great effect.  The overall effect of Saylor including these myths and legends is very striking, and it provides the reader another viewpoint into the lives of the ancient Roman characters who put great stock in these old and religious stories.

The latest addition to the Roma Sub Rosa series is a meticulously detailed and well-crafted book that acts as a unique and powerful chronicle of an important historical crime.  A suspenseful and compelling read, The Throne of Caesar serves as a great continuation of the story of Gordianus the Finder, and it will be interesting to see where Saylor takes the series next.

My Rating:

Four and a half stars

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Gunpowder Moon by David Pedreira

Gunpowder Moon Cover

Publisher: Harper Voyager

Publication Date – 13 February 2018

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Murder has just been committed on the Moon, and all hell is about to break loose.

By 2072 the world has dramatically changed.  A devastating natural disaster shook the planet and altered the balance of power between nations.  The only hope for the future lies in a new energy source, helium-3, which can power Earth’s fusion reactors and provide unlimited clean energy.

Earth’s main source of helium-3 is on the Moon.  Desperate to have as much of this valuable material as possible, the world’s leading nations each have their own mining expeditions in play.  Life is tough for the miners, death lies around every corner and Moon dust can quickly destroy the hardiest of equipment.

For Caden Dechert, the Moon is the perfect place for a man trying to escape his past, even if it does strongly smell of gunpowder.  Trying to forget the long wars he fought back on Earth as a marine, Caden has forged a new life as the chief of the U.S. mining station Sea of Serenity 1, a vital station for a country only just coming back into world prominence.

However, Caden’s small slice of peace is broken when a member of his mining team is murdered in a deliberate explosion.  Evidence quickly points to the United States’ most prominent rival, China, whose bases are located a short distance from Caden’s station.  Tensions are quick to rise, and a series of escalating incidents sees the two nations draw closer to the brink of war.

Despite the evidence supplied by his own country, Caden is not convinced that the Chinese are behind the explosion.  Years spent working near the Chinese mining team has built up a certain respect, and Caden’s suspicions of a conspiracy begin to grow after noticing other unusual activities around his base.  With his team trapped at Sea of Serenity 1, and with both nations ready to fire the first shot, Caden is forced to investigate the murder himself in order to stop a destructive war that could tear his beloved Moon apart.

From first time author David Pedreira comes Gunpowder Moon, a spectacular piece of crime fiction set on the harsh and unforgiving surface of the Moon.  Pedreira has created an interesting murder mystery that combines with a high-stakes plot, science fiction elements and exotic location in order to produce a great story.

Without a doubt, the most memorable feature of this book is its setting of the Moon.  Pedreira has done a remarkable job of highlighting and describing his story’s brutal backdrop.  Significant time is also spent describing the narrator’s emotional attachment to the Moon and how it represents a new beginning for his crew of outcasts.  By the end of the book, the Moon is nearly an additional character as it acts as an excellent emotive setting for the reader.

The Moon also serves as an important plot device, as various features of life on the Moon, such as the required technology, gravity, the isolation and the devastating effects of Moon dust, all play a key part in the overall story.  In addition, Pedreira’s observations about the requirements for living on the Moon and his descriptions of the technology and mining work will appeal to the interests of many curious readers.

While the Moon is the main location for this book, Pedreira has also created an interesting potential future for humanity that serves as a backdrop for the story.  Pedreira postulates an interesting build-up to a war between America and China made up of ecological problems on Earth, expansion outside the planet and a fight for a new energy source.  Views of the near future of Earth are always fascinating, and the predicted future presented in Gunpowder Moon is a particularly intriguing story element that combines well with the books overarching mystery.

The plot of Gunpowder Moon focuses on a riveting murder mystery that is made unique by its location and the limited options for an investigation.  The investigators do not have any traditional evidence or witnesses.  They have limited information due to their isolation and they are unable to discuss the case with many of their suspects, who may be on Earth.  The background plot of the United States and China going to war combines well with the murder elements, as there is a real sense of urgency and import to the investigation as the main characters are trying to stop an upcoming war.

Gunpowder Moon is an excellent science fiction murder mystery that contains a fast-paced, action-packed story.  The author makes great use of his futuristic setting and unique location, providing the reader with impassioned descriptions of the Moon’s surface.  David Pedreira’s debut novel is a captivating and intriguing new read that spectacularly captures humanity’s imagination with the Moon.

My Rating:

Four stars

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