Runaways Volume 2: Best Friends Forever by Rainbow Rowell and Kris Anka

On November 28, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, LGBT+, Superhero, Young AdultLeave a comment

Runaways Volume 2 Cover.jpg

Publisher: Marvel Comics

Publication Date – 30 October 2018

Amazon Book Depository

Recently reunited and still coming to terms with being a family again, the adventures of Marvel Comics’ favourite group of misfit youths continues in Best Friends Forever, the second volume of young adult author Rainbow Rowell and artist Kris Anika’s run on Runaways.

The Runaways, Chase, Gert, Karolina, Nico, Victor, Molly and Old Lace are finally back together and living in one of their parents’ old hideouts. While most of the team have grown up since the last time they were all together, this does not mean that they have their lives together. Each of the Runaways has their issues to deal with, be it Gert’s recent return to life after several years of being dead, Karolina’s relationship problems or Victor’s current existence as a disembodied head. The only one who appears to have their life even remotely together is the team’s youngest and at times wisest member, Molly, who is enjoying her time in middle school. But even Molly is having problems, as she is faced with a hard choice and must consider whether she actually wants to grow up.

As Molly deliberates over the dilemma presented to her, a barrage of other arrivals impact on the Runaways. Karolina’s girlfriend, Julie Power of Power Pack fame, is in town, which causes significant drama for Karolina and Nico, while Dr Doom has apparently appeared on their doorstep, determined to find Victor. Can a team rife with squabbles, drama and internal strife come together to face the problems before them, or will their significant changes be too much to bear?

Runaways is still one of my favourite Marvel series. After the revamp earlier this year, previously reviewed here, these fantastic characters are still going strong. In this second volume, Rowell, Atkins and their creative team continue to produce some outstanding and emotional stories that are based more on the relationships between the main characters than the traditional crime-fighting storylines contained within other comics. While they do go up against a couple of superpowered opponents within this story, none of these antagonists is truly evil, and their motivations and history are a lot more morally ambiguous than some of the previous Runaways stories. The creative team do a fantastic job of blending highly emotional storylines with a bunch of fun and heart-warming sequences, filled with random and funny elements, such as an errant Doombot. This all comes together into one fantastic overall story that hits all the right buttons. This second volume contains issues #7 – #12 of this new run on Runaways.

One of the main aspects of this second volume of Runaways is the continued focus on the relationships between the series’ main characters. Most of these characters are still coming to terms with being back together after all of them attempted to live lives outside of their team. Quite a bit of Volume 2 involves the characters trying to determine what roles they have within this surrogate family, and the fact that they are not as close as they used to be. What I liked is the way that Chase, usually the most immature member of the team, attempts to become the father of the group, matching up with the traditional female leader of the team, Nico, as the team’s mother. This new parental role is highlighted in a funny couple of scenes where Chase and Nico use magic to become Molly’s legal guardians, a shortcut way that “seems totally legit and great”. A lot of this volume is also focused on the romantic relationships between several of the group’s characters, including the relationship between Gert and Victor and the new romantic feelings between Nico and Carolina. I thought the lead-in to both these relationships worked out very well and sets up some interesting potential in future volumes. I am also very curious to see how the friendship between Victor and Chase is going to be impacted as a result of this new relationship in future volumes of this series. I liked the way that the relationships and romantic considerations that featured between Carolina and Julie and Carolina and Nico were handled very well and with great sensitivity, and showed great representations of LGBT+ relationships.

I also appreciated the way that Rowell and Anika continued to focus on the emotional and mental damage that the team’s exploits have had on these characters over their entire comic book history. In this second volume, there is a significant focus on Victor, who was mentally and physically damaged during his previous appearances in Vision. Chase and Doombot’s attempts to rebuild Victor during this volume prove to be a particularly vivid trigger for Victor, and leads to some significant emotional moments. There is also a look at Victor’s fear of vibranium because of its addictive and mind-altering impact on him, which drove him to commit terrible acts in a previous series. The creative team also take a look at the life of old team member Klara, the young powered girl the team rescued from abuse back in 1907 during a time-travel adventure. It was previously revealed that Klara had been taken away from the team by the state and is now in a loving household. A brief section of this volume is dedicated to the team finding her and attempting to bring her back into the fold, but Klara refuses to come back, as she is happy in her new life. You have to appreciate Klara’s sound reasoning for not wanting to come back to the team, due to the death and multiple problems experienced in the previous adventures.

One of the most significant issues that the character’s experiences have had on them is based around their negative opinions of adults. Most of the truly terrible things in their lives have been the result of the plans of the adults they encounter, and their distrust of most adult characters has been a long-running aspect of the series. It is interesting to see that this carries through to the new series, even though several of the characters are now actually adults. This viewpoint is most prevalent in Gert, whose death during one of the previous run of this series means she still shares the beliefs these characters had while they were fugitives. However, the rest of the team also have a hard time trusting other adults, such as when they assume Klara’s new adopted parents have to be evil, as every adult they have previously dealt with in similar circumstances were also evil or abusive. This viewpoint has significant plot impacts in this second volume, as Molly, given the opportunity to stay young forever, talks to several of the other Runaways in an attempt to subtly work out their thoughts on growing up. Most of the characters, including non-team member Julie Powers, talk somewhat negatively about their current lives and regret growing up, which tempts Molly to accept the chance to stay young. The final message of this storyline strongly implies that growing up isn’t so bad, as even the antagonist, a young girl who has stayed 13 for 50 years, does not always want to be young. It was also interesting to see Klara try to correct the team when they say that no adults can be trusted; having had a loving family relationship, she no longer believes that.

The second volume of this run of Runaways continues to make use of some fun artwork throughout the various issues. The character designs continue to be fun, and it is interesting to see some new looks and some constantly changing character designs, especially for the trendy Nico. The art is often used for comedic affect. Victor has a fun use throughout the book, and it is pretty humorous to see the head floating around in a number of scenes, even in a middle of a fight scene. I also loved how throughout the course of the volume, he was given more and more advanced mobility upgrades in each scene that he appeared in, each more comedic than the last. For example, at the start of the volume he is mostly transported in other character’s hand, his own momentum or in a backpack. However, as the volume continues he is variously attached to a Roomba, a small tracked rover, several helium balloons (so he can get the feeling on flight back again) and eventually a new drone. All of these are slightly ridiculous and fun, but they do not take away from the emotional nature of several scenes, and I must point out some of the awesome drawings that hint at the issues Nico is having with her magic.

The second volume of this new series of Runaways, Best Friends Forever, is another strong and emotional addition to this new version of this young adult superhero comic. I really appreciated the creative teams continued focus on the character relationships and the emotional aspects of the characters’ lives. Best Friends Forever is another fantastic addition to this powerful new run of Runaways, and I am excited to see what happens to this great group of characters next.

My Rating:

Four and a half stars

Amazon Book Depository

X-Men Red Volume 1: The Hate Machine by Tom Taylor, Mahmud Asrar and Pascal Alixe

On November 8, 2018August 23, 2022 By The Unseen LibraryIn Australian, Comics/Manga, Extended Universe, Superhero1 Comment

Publisher: Marvel Comics

Publication Date – 18 September 2018

Amazon Book Depository

Writer Tom Taylor and his artistic team have created an excellent and thought-provoking new X-Men series that not only follows the reintroduction of one of comics’ most interesting characters to the turbulent Marvel Universe but once again examines the real world problems of hatred and prejudice.

For years, Jean Grey’s fate has always been tied to the universe-ending Phoenix Force, the cosmic entity of rebirth and destruction that is constantly seeking the most powerful host it can find. However, following her latest resurrection during the events of Phoenix Resurrection: The Return of Jean Grey, Jean has renounced the Phoenix power once and for all and is now determined to live her life on her own terms. Still one of the most powerful mutants in the entire world, Jean Grey sets out to restore her connections and find her place in a world that has changed dramatically since her last death.

The one thing that hasn’t changed is the fact that mutants are still feared and hated by a world that doesn’t understand them. Despite all the adventures and endeavours of Charles Xavier and his X-Men, animosity towards mutants has never been higher. Determined to change the world for the better, the resurrected founding member of the X-Men sets out to achieve her vision for the future and change world opinion about mutants once and for all. To do that, Jean first attempts to create a mutant nation at the UN. But when she is framed for the murder of politician, Jean is declared a criminal and mutants are subject to greater hatred from mankind.

Realising that someone must be behind the recent upswing in anti-mutant sentiment and determined to protect those mutants targeted by hatred, Jean forms a new team of X-Men, made up of Nightcrawler, Storm, Namor, Gambit, Gentle, Wolverine (Laura Kinney – X-23), Honey Badger (Wolverine’s adorable clone) and newcomer Trinary. But even as Jean and her team fight to save those mutants being targeted, more hatred and attacks are occurring around the world. The sinister Cassandra Nova is determined to wipe mutants out once and for all and views Jean Grey as the greatest threat to this goal.

Following the end of his All-New Wolverine series, Australian author Tom Taylor returns at the head of a brand new X-Men series, X-Men Red, which takes fans back to the basics of the X-Men franchise. Volume 1 of X-Men Red is made up of issues #1-5 of this new series, as well as Annual #1. After enjoying Taylor’s work in All-New Wolverine (check out my review here: https://unseenlibrary.com/2018/09/08/all-new-wolverine-volumes-1-6-complete-series-by-tom-taylor/), I was excited to see him continue to work with Marvel, especially as it allows him to expand on characters and story elements he introduced in his previous Marvel series. Most of the artistic work in this new series has been produced by veteran artist Mahmud Asrar, who has significant work in DC, Image, Marvel and other publishers. X-Men fans may be familiar with his work on All-New X-Men and Wolverine and the X-Men. Asrar was the main artist for issues #1-5, while the work on Annual #1, which is placed at the start of the volume, was drawn by Pascal Alixe.

It is always fun when starting a new superhero team comic book series made up of established characters to see which heroes the creative team will include in their version of the team. Taylor has certainly chosen an intriguing and previously unseen mixture of characters for this new X-Men series, and it is interesting to see which characters he focuses on. The central character of this new team is the newly resurrected Jean Grey, the red in the series title. This is one of the few times we see Jean step up to lead a team, as she is no longer in the shadow of her mentors or former lovers. Aside from Jean, the main team members are Nightcrawler, Wolverine and Honey Badger, who are featured in all the issues contained within this first volume. It was great to see Nightcrawler given such a prominent role in the comic, and it feels like it’s been a while since he’s been such a major character within an X-Men series. I also liked new character Trinary, who is introduced in this series and is given an interesting set of powers. Trinary is from India, and has technopathy powers, or the ability to manipulate technology. Introduced as a new mutant who is attempting to fight the good fight in her own way, Trinary is given a key role in the series understanding the full nature of the technological attacks of the volume’s antagonist, while also taking over a sentinel to use as the team’s new primary source of transportation. I think this character is given a great introduction, and could have an interesting future in the Marvel universe. Other characters, Namor, Gentile, Gambit and Storm join the team at various points in the volume, and have a slightly reduced role, appearing for some of the big team ups, with only some short introductory storylines.

I was especially happy to see Taylor transplant the main characters of his previous All-New Wolverine series, Wolverine and Honey Badger, into his next project. As I mentioned in my previous review, this version of Wolverine, Laura Kinney, also known as X-23, has always been one of my favourite X-Men characters, so I was very happy to see her used again in this series. She plays a similar role in this team to the original Wolverine, as the silent infiltrator and bodyguard who is loyal to the team’s leader, who in this case is Jean rather than Professor X. Just like in All-New Wolverine, the heart and soul of this series is definitely Honey Badger, Laura’s clone, who, as well as being a full member of the team, is the series’ comic relief. Her humorous interactions with all the other characters in the book, especially the stern and serious characters, add a good amount of levity to the book. Having her refer to Namor as Abs-lantis, or making Gambit hurriedly justify his actions for blowing up Honey Badger by saying it was “for strategic reasons” is particularly amusing and definitely made me smile. However, the best line in the book has to be given to Wolverine, who casually replies to Jean’s amusement about Laura’s excitement about being in an underwater city with “Being Wolverine doesn’t make me impervious to the wonder of a #$%@%$& mermaid”.

One of the most defining things about the start of this new series is how it focused on the evolution of the character of Jean Grey. Despite being a founding member of the X-Men, Jean’s most significant storylines have usually been about her relationships with Cyclops and Wolverine, or her connection to the Phoenix Force. Now, after coming back to life, Jean has stepped out of these currently deceased characters’ shadows and starts her own attempt to change the world, as she is no longer content to return to her old life. Essentially, Taylor is trying to set Jean up as the new Professor X, with her own vision for mutant kind and her determination to change the world for the better and end the current level of hatred and prejudice. While she has her own unique style and vision, there are a lot of call backs to the original Professor X, including the standard “To me, my X-Men” saying that Professor X and other X-Men leaders utilised throughout X-Men history. I also enjoyed seeing a Jean Grey that is no longer defined by her relationship with the Phoenix Force, especially as Jean lets it be known that the Phoenix Force was holding her back.

It was also nice to see Jean repair the relationships she previously lost with several prominent X-Men characters, as well as establishing new relationships with characters she’s never had a chance to meet before. This is particularly prevalent in Annual #1, which starts the volume, as she reunites with her surrogate X-Men family, which is heart-warming, especially as there is a focus on her friendship with Nightcrawler, who spends the volume as her BFF. I also really enjoyed seeing her think about her relationships with Cyclops and Wolverine. For the first time in X-Men history, Jean is alive when Cyclops and Wolverine are both dead, and must focus on the world without the two men she’s loved. As such, she spends time adventuring with the daughters of these two men, Rachel Grey and the new Wolverine, and meeting up with them is one of the first priorities she has returning to the world. I liked how one of the definitive love triangles of Marvel Comics is acknowledged in this new series, even though two points of the triangle are currently dead, and the focus of Jean’s relationship with the next generation of these characters was a clever idea. I’ll be very interested to see what relationships are explored in the future, with all sorts of different iterations or offspring of Jean and Cyclops out in the world at the moment. It will also be very intriguing when the original Wolverine is resurrected to see what role he plays in this series, as the creative team will have to have a look at the relationships that this character has with Jean, the current Wolverine and Honey Badger, a new daughter character he’ll have to interact with.

Since its earliest days, X-Men has always been about the fight against prejudice, as the hatred the mutant characters experience has often been seen as an analogy for social issues such as racism, anti-Semitism and homophobia. Taylor and the creative team behind X-Men Red continue this tradition of using their X-Men series to reflect social issues, in this case focusing on modern issues such as the latest rise of the extreme right-wing, intense nationalism, islamophobia, fear and concern about refugees and migrants, as well as racism. All of these social issues are reflected in the portrayed hatred of mutants in this volume, with various elements of recent world events shown directed towards the mutant characters. For example, you have Poland attempting to use their military to round up and detain mutants, similar to how some countries have been using their military to stop or detain refugees. In another very unconcealed scene, rioters carrying tiki torches start attacking mutants, not considering them people, and even killing one mutant counter protestor, in events that are reminiscent of those of Charlottesville. There is also a focus on the damage or the impact that social media and the internet can have on these events, as many of the anti-mutant events or rhetoric are contained online. This will be very familiar to readers, as it is impossible not to see the online hatred that many anonymous people direct towards various groups around the world, and at least the one in the comic may be the result of supervillain plot. Overall this focus on prejudice is a familiar subject to X-Men readers, and many will appreciate how the creative team have tried to bring in modern issues in this new series. The creative team do end Volume 1 with a message of hope, with some of these antagonist people given a proper understanding of an opposing viewpoint, momentarily giving up their hatred and prejudice, and is something aspire for in the real world.

The artwork within Volume 1 of X-Men Red is just gorgeous and a real highlight of the book. As mentioned above, Alixe does the artwork for Annual 1, while Asrar does the artwork for issues #1-5. Both artists’ works are visually distinctive and give the reader something different when it comes to character design, displays of power and fight sequences. Asrar in particular does some gorgeous backdrops and landscapes, as the stories he is illustrating see the characters go to all sorts of locations, including India, underwater cities and Wakanda. There are a lot of well-drawn action scenes throughout this volume, although I found the final pages of issue #1 to be some of the most powerfully drawn in the entire volume. Not only is there a somewhat graphic scene for a Marvel comic but the final panel shows the look of despair on the main characters as the volume’s antagonist makes her first move. The artistic team of X-Men Red have outdone themselves in this first volume, creating some superbly drawn artworks that are catch the eye and the imagination.

X-Men Red takes this new version of this iconic superhero team back to the sort of storylines that made the X-Men such a smash hit in the first place. With a resurrected Jean Grey taking the lead, Australian author Tom Taylor and his creative team have cleverly brought current social issues to the forefront of their new series while also doing some superb character work, including redefining one of the original X-Men. This is a great start to an amazing new comic series and a fantastic read for fans of the X-Men franchise.

My Rating:

Amazon Book Depository

Throwback Thursday: Veronica Mars: The Thousand-Dollar Tan Line by Rob Thomas and Jennifer Graham

On November 1, 2018August 22, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Murder Mystery, Thriller, Throwback Thursday, Tie-in Novel4 Comments

Veronica Mars - The Thousand Dollar Tan Line Cover

Publishers: Vintage Books

Random House Audio

Publication Date – 25 March 2014

Amazon

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I will be looking at the thrilling and enjoyable first tie-in novel to the Veronica Mars franchise, The Thousand-Dollar Tan Line.

Veronica Mars was a highly regarded (at least for the first two seasons) teen crime television series that aired for three seasons between 2004 and 2007. The show, staring Kristen Bell in her breakout role as the titular character, was an incredibly fun and compelling mixture of teen drama and serious investigation. Veronica Mars is a teenage private investigator who finds herself investigating the murder of her best friend, following a cover up by the town’s rich and powerful inhabitants. The first two seasons featured epic season-long mysteries, while the third season contained two half-season mysteries. Each episode also featured a mystery-of-the-week storyline that would often play some part in that season’s overarching storyline. In addition to the intriguing and complex mystery based storylines, fans of the show could also enjoy the heartfelt drama and romance between the show’s main characters, as well as the interesting social dichotomy of the show’s main location, Neptune, California. Unfortunately, the show was cancelled after its third season, and fans were given an unsatisfactory and incomplete series finale.

However, due to support of the Veronica Mars hardcore fans, referred to as “Marshmallows”, as well as an incredibly successful Kickstarter campaign, the show was revived with a 2014 Veronica Mars feature film. This new movie was set nine years after the show’s third season and showed Veronica’s return to Neptune. The creators attempted to capitalise on the success of the Veronica Mars film by creating some additional material in the Veronica Mars universe. This included the meta web series Play it Again, Dick as well as two novels set in the aftermath of the movie. The Thousand-Dollar Tan Line was the first of these novels released, coming out the same month as the Veronica Mars movie, while the second book, Mr. Kiss and Tell was published a year later in 2015. Both books were written by series creator Rob Thomas and short story author Jennifer Graham, and Thomas has stated that they are both considered to be cannon.

I only ended up watching the Veronica Mars show a few years ago, but found myself really getting into the excellent storylines and memorable characters. I managed to avoid any spoilers so I was able to enjoy the incredible mysteries of the first two seasons, both of which were very clever, with complicated and hard to predict solutions. After enjoying both the shows and the movies, I also decided to check out the associated books and obtained an audiobook copy of The Thousand-Dollar Tan Line, which I have listened to several times. With the recent announcement of a Veronica Mars revival series airing in 2019 to be set five years after the events of the film, I decided this would be the perfect opportunity to re-listen to and review The Thousand-Dollar Tan Line as part of my Throwback Thursday series. I am particularly interested to see if Thomas will continue to consider this book as canon when the new series of the show is released, as there are significant narrative developments that may prove hard to explain to those who haven’t read this book.

Neptune, California is usually the home of sun, sand, the ultra-rich, their low-income employees and a corrupt sheriff’s department. But something else has descended on Neptune: spring breakers. With busloads of college students descending on Neptune, the town has been turned into one long and boozy event. It’s all fun and games until one girl disappears from a party and her case is picked up by the conservative media as a call to action against Neptune and spring break.

After nine years away, Veronica Mars has returned to Neptune, the town where she experienced so many traumatic events. After saving her former/current boyfriend Logan from a murder investigation, Veronica has given up her career as a lawyer and has returned to her old addiction, private investigating. With her father still recovering from a suspicious car crash, Veronica has taken over Mars Investigations and is desperately trying to keep the business afloat with small, petty cases.

With the media storm around the missing girl intensifying, Veronica is called in to find her before Neptune’s spring break economy is ruined. Diving into the parties and sordid holiday fun, Veronica soon finds that the house that the girl disappeared from is owned by a dangerous pair of brothers with serious criminal connections. Though Veronica is convinced that the owners of the house are behind the disappearance, the case becomes even more complicated when a second girl disappears from the same house. Worse, the second girl has a shocking connection to Veronica’s past that will rock her to the core.

While it would have been easy for the authors just to create a lazy tie-in novel, Thomas and Graham actually created a complex and multi-layered mystery narrative that serves to keep the readers excited and guessing the entire time they are enjoying it. There is quite a lot going on within this mystery storyline, as for most of it, the protagonist is uncertain about what crime she is actually investigating. There are a lot of false leads, suspects, hidden clues and several pulse-pounding scenes in which Veronica finds her life threatened as she attempts to uncover a major break in the case. The final conclusion of the investigation is pretty clever and has a few sneaky twists that are hard to see coming. The authors also amp up the drama during certain parts of the book as Veronica is forced to confront some heavy subjects from her past, as well as the anger and despair of the people she is investigating. There is also further antagonism between Veronica and the towns’ corrupt sheriff, who Veronica is actively investigating for corruption, as well as a dramatic fight with her father, Keith, who is dismayed by his daughter’s decision to remain in Neptune as a private investigator, a decision which caused her much grief in the past.

One of the more interesting things about the original show was the social makeup of the fictional setting of the town of Neptune. In the show, Neptune is home to both a rich upper class, known as the “09ers” in reference to Neptune’s fictional postcode, and the people who work for them or are employed in the town’s businesses and local economy. As a result, several of the episodes of the original series focused on this discrepancy between these two distinct social classes, which was often represented by the rich students receiving unfair advantages at Neptune High. This was continued in the 2014 Veronica Mars movie, which showed that the sheriff’s department had become especially corrupt and were more focused on protecting the rich and powerful than arresting real criminals, as seen when they framed a side character, Weevil, with a planted gun. The Thousand-Dollar Tan Line continues to explore how corrupt the city has become under the new sheriff, and how incompetent the police have become. This is shown early on in the book when Veronica is hired by the Neptune Chamber of Commerce to find the missing girls, as the town’s business leaders lack confidence in the sheriff’s investigative skills. When Veronica queries why they still support him, they make it clear that his policy of doing what the richer citizens want makes him a desirable tool. There are also some dark reveals about the serious crimes he turns a blind eye to in order to avoid confrontation and stay in power.

While there is less focus on the town’s social divide, the authors did add a new element to the plot of this Veronica Mars book: spring breakers. The plot of this book shows the town completely overrun with drunk, drugged-up and sexually excited college students keen to enjoy the beaches and parties of Neptune. Thomas and Graham pull no punches when it comes to these descriptions, attempting to fully encapsulate the chaotic and at times dangerous activities that the students get up to, often highlighting how their behaviour at times degenerates to the level of a drunken mob. This spring break background serves as an entertaining and intriguing background for the murder mystery storyline. There is a good amount of humour watching Veronica acting the part of a drunken sorority girl as she attempts to blend in with the crowd, as this is in complete opposition to her usual prickly demeanour. This spring break storyline will also be an interesting read for those planning to check out the upcoming revived season of Veronica Mars, which is apparently going to focus on a spring break serial killer which initiates a conflict between the upper and lower classes of the town.

As this is a tie-in book to a television and movie franchise, The Thousand-Dollar Tan Line appeals to fans of Veronica Mars the most. Readers will be relieved to see that Veronica still maintains her trademark sarcasm and the jaded personality she developed at a young age when she learned how much other people sucked. This book is set only a few months after the Veronica Mars film, and shows the aftermaths of the events that occurred during it. Long-time Veronica Mars characters Wallace Fennel, Keith Mars and Cindy “Mac” Mackenzie all appear in the book in significant roles, while minor movie antagonist, Dan Lamb, returns in a similar role for this book. In addition, other popular characters like Logan Echolls, Dick Casablancas, Eli “Weevil” Navarro and Cliff McCormack have smaller roles within the book. While it is good to see them again, their minor appearances have mainly been added in for fan service. One of the most memorable things about this book for fans of the show are the significant developments that happen in Veronica’s personal life, as a character from her past returns with some massive changes. While these developments serve an important part of the book’s plot and offer some excellent and well-appreciated emotional moments, I will be very surprised if they carry through into the new season of the television show. Overall, The Thousand-Dollar Tan Line serves as a fantastic addition to the Veronica Mars franchise and contains a huge number of elements that will prove extremely appealing to fans of the original show.

The Thousand-Dollar Tan Line is definitely one of those novels that is best enjoyed in its audiobook format. This is because the Rob Thomas and the producers of the audiobook were able to get Kristen Bell to come in and narrate this version of the book. As Kristen Bell does a bit of in-show narration, it makes sense for her to continue it here, with Veronica serving as the only point-of-view character. Having her narrate the actions of the book and everything she sees makes it feel a lot like the television show and gives it a natural and authentic feel. It was also pretty amusing to hear Bell do the voices of her co-stars from the shows and movies throughout the book. I think she does a pretty good job of her narration of the other character’s voices, as there are distinctive approximations of all the relevant characters, in addition to new voices for the exclusive book characters. Overall, if fans of this franchise are keen to experience a new Veronica Mars adventure, this is their best option. Written by the show’s creator and voiced by its lead actresses, the audiobook version of The Thousand-Dollar Tan Line is essentially just another episode of the show, and is the best way for fans of the Veronica Mars show to enjoy. At 8 hours 43 minutes, it is a quick audiobook to get through.

The Thousand-Dollar Tan Line is an excellent piece of the amazing Veronica Mars franchise which presents the reader with a continuation of this fun universe and allows fans of the show to see what happens next to their favourite characters. Featuring a clever and intricate central mystery that twists and turns in multiple unexpected ways, this book is a fantastic read as told by its iconic protagonist. Best enjoyed in its audiobook format with the voice of Veronica Mars herself, Kristen Bell, narrating the story, this is a recommended read for all fans of the fans of the show, and may prove to be an intriguing introduction for newcomers to the franchise.

My Rating:

Four and a half stars

Amazon

Throwback Thursday: Star Wars: Ahsoka by E. K. Johnston

On October 25, 2018August 22, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Throwback Thursday, Tie-in Novel, Young Adult8 Comments

Publishers: Disney Lucasfilm Press

Penguin Random House Audio

Release Date – 11 October 2016

Amazon

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

The apprentice lives. One of the best Star Wars characters that originated outside of the live-action movies returns in this action-packed, character-driven novel, which follows Ahsoka Tano’s adventures after the destruction of the Jedi Order.

Those people familiar with my previous reviews may have noticed that I am a bit of a Star Wars fan, having reviewed several pieces from the current Disney Star Wars extended universe in the last few months. Therefore, it should not come as a surprise to anyone that I have watched and enjoyed the Star Wars: The Clone Wars and Star Wars Rebels animated television shows. Both of these shows are very well done, can be appreciated by a varied audience and contain a large amount of the classic Star Wars heart and respect for the franchise’s lore and history that was missing in some of the more recent movies. While many memorable characters were introduced in these shows, perhaps the most significant to the lore is the titular character of this book, Ahsoka Tano, Anakin Skywalker’s apprentice.

For those of you failing to remember Anakin having an apprentice in the live-action movies, you are not going crazy; Ahsoka has yet to appear in any live action movie. She was instead introduced in The Clone Wars animated movie and served as one of the main characters of The Clone Wars television series, all of which take place in the years between Attack of the Clones and Revenge of the Sith. Despite being one of the most popular characters on the show, Ahsoka would leave the Jedi Order at the end of the fifth season of The Clone Wars and only appear in the sixth season as part of a short vision sequence. As a result, fans of the both the show and the character were frustrated and confused about what Ahsoka’s fate was and whether she had survived the events of the third prequel movie. Fans didn’t get their answer until a couple of years later, at the end of the first season of Star Wars Rebels, where it was revealed that Ahsoka had survived the Jedi purge, becoming a member of the early Rebel Alliance. Ahsoka, now wielding a pair of white lightsabers, became a key character in the second season of Star Wars Rebels, in which she was still an incredibly cool and powerful warrior. She was utilised to perfection in this new show and had what is easily the best scene in the entire run of Star Wars Rebels: her long-awaited confrontation with Darth Vader. The sheer emotion and intensity as Ahsoka finally came face-to-face with her old master and discovered that he was responsible for the fall of the Jedi was just amazing and is one of my favourite moments from all of television.

Following her appearance in Star Wars Rebels, Disney commissioned a young adult Ahsoka book, which was announced on 31 March 2016, one day after the Star Wars Rebels season 2 finale. This book was released in late 2016 and was written by young adult author and Star Wars fan E. K. Johnston. Ahsoka was Johnston’s first foray into Star Wars fiction, although she is currently working on Queen’s Shadow, a young adult novel focused on a post The Phantom Menace Padme Amidala, set to be released next year. I have no doubt that a review for Queen’s Shadow will appear on this website in due time. Now, with the recent announcement of a seventh season of The Clone Wars and the reveal that Ahsoka will be appearing in this new season, I decided to check out this book to see if it did the character any justice. I chose to enjoy this as an audiobook, rather than read a physical copy.

During the Clone War, Ahsoka Tano was a fierce warrior and a commander of the Republic’s clone troopers. However, after the devastation of Emperor Palpatine’s Order 66, which saw the clones turn on the Jedi, everything changed. Fighting on Mandalore, far away from her master, Anakin Skywalker, Ahsoka is unaware of his fall to the dark side of the Force, and only just manages to escape the purge of the Jedi Order.

Now, one year after the fall of the Republic and the rise of the new Galactic Empire, the former Padawan is in hiding on the outskirts of the galaxy, trying to avoid any Imperial attention. Living under an assumed name and with her trusty dual lightsabres gone, Ahsoka scrapes a living as a mechanic, intentionally distancing herself from the Force in order to hide her Jedi abilities.

Ahsoka journeys to a remote farming settlement on the Outer Rim moon of Raada. Settling into her new life and making connections with its inhabitants, Ahsoka believes that she has finally found her sanctuary. But her hopes of a peaceful life in her new home are quickly dashed when the Empire arrives, imposing their totalitarian rule on the people of Raada. The agricultural potential of the moon is vital to the future of the Empire, and the workers are being forced to farm a new and mysterious plant. Determined to help her new friends and wanting to make a difference, Ahsoka uses her wartime experience to help form a resistance in order to undermine Imperial control.

But when she is forced to reveal her full powers in order to save her friends, she once again finds herself on the run. However, this time her actions have not gone unnoticed. Her old ally, Senator Bail Organa wants her to join his fledgling rebellion, while the sinister Inquisitor, the Sixth Brother, arrives on Raada with plans to capture her, using Ahsoka’s friends as bait.

Because I am a fan of the titular character, I did go into Ahsoka with some rather high expectations. Luckily I quite enjoyed Ahsoka, powering through this book quickly while appreciating how Ahsoka’s new adventure fit into the existing Star Wars chronology. This story is very good, with an excellent blend of character development, Star Wars lore and some scintillating action and adventure. The book contains a well-paced narrative that not only features Ahsoka’s personal story, but also examines the viewpoint of several side characters, in order to move the plot along, while also showing the impacts of Ahsoka’s actions from a different viewpoint.

This book is mainly focused on the adventures of Ahsoka, and fans of the animated show will appreciate seeing how she not only managed to survived the purge of the Jedi, but how she became the hardened rebel agent we encountered in Star Wars Rebels. I feel that anyone who reads this book will appreciate the considerable amount of character development and insight that occurs with the titular character. At the start of the book, Ahsoka is afraid, hiding who and what she is from the world while also denying herself access to the Force. She is filled with regrets, concerns for her missing Jedi family and guilt not just about surviving but also about leaving the Jedi Order before its fall. Throughout the book, her adventures, the new friendships she develops, the people she helps and the role she plays on Raada all help her to find a new purpose, as well as re-establishing her connection with the Force.

There are a number of great scenes featuring or concerning Ahsoka in this book. These include her battle with the Sixth Brother, the forging of her new white lightsabres and the epic scene where she unleashes her Force abilities for the first time in a year. It was also intriguing to see her advising the farmers in guerrilla tactics and helping them sabotage the Imperial occupation. Fans of Ahsoka will appreciate the similarities this has to one of the character’s most significant arcs from The Clone Wars that featured her training a guerrilla army to combat a Separatist invasion, including a young Saw Gerrera (Forest Whitaker’s character in Rogue One). I also enjoyed Johnston’s focus on the connection between Ahsoka and the female character Kaedan Larte. It was great seeing this character help get Ahsoka out of her shell, and the subtle romantic feelings between the two of them was an interesting character direction for Ahsoka. Overall, I thought Ahsoka contained an incredible take on its titular character, as Johnston not only provides the reader with a much clearer picture of Ahsoka’s fate following The Clone Wars, but also provides a powerful look at her thoughts and feelings following the destruction of the Jedi.

In addition to exploring the fates of one of their favourite characters, fans of the franchise are also treated to another intriguing look at events in the Star Wars universe not covered in the movies or television shows. Ahsoka is set one year after the events of Revenge of the Sith, and shows the early days of Imperial control in the galaxy. There is a palpable and well-utilised feeling of dread throughout the book as the various point-of-view characters encounter the steady increases in Imperial control as their military expands its influence. It is fascinating to see the early Imperial military machine in action, especially when it comes to controlling and pacifying smaller planets and moons. One of the most interesting aspects of this is the type of troops being utilised. By this point in the Star Wars’ chronology, the Empire has started to phase out their clone troopers, replacing them with the human stormtroopers that appear in the original trilogy. During her encounters with them, Ahsoka notes that these stormtroopers are still quite green and are nowhere near the clones’ level of competency when it comes to battle, controlling territory or dealing with Jedi. This changeover in troop type for the Empire has not really been covered in too much detail before and is quite fascinating to see.

The exploration of the Empire’s methods of hunting down the remaining Jedi is also intriguing, as one of Vader’s Inquisitors serves as the book’s main antagonist. The Sixth Brother is shown not only hunting fully trained Jedi like Ahsoka but also tracking down Force-sensitive children for his masters. The extent of the Inquisitor’s power and influence is explored in some detail here, and I enjoyed seeing Ahsoka’s impression of these Inquisitors’ skills and actions, especially as the Inquisitors were also trained by Darth Vader. Readers will also note the obligatory hints at the creation of the Death Star throughout the plot of the book, which is an important part of the overall Star Wars chronology.

These early days of the Imperial military is not the only thing covered in the book, as Johnston also explores the opening actions that would lead to the formation of the Rebel Alliance. Johnston uses minor Star Wars character Bail Organa to great effect here, showing the work he beings immediately after his heroics in Revenge of the Sith to oppose the Emperor. Ahsoka also features several cameos from other characters in the Star Wars cannon, and readers can look forward to seeing fan favourite characters Darth Maul, Obi-Wan Kenobi, R2D2, a young Princess Leia and the Grand Inquisitor. This is a compelling and insightful addition to the Star Wars extended universe, and readers will be amazed by this new viewpoint into one of the franchise’s most volatile periods.

As I mentioned above, I chose to listen to the audiobook version of Ahsoka rather than track down a physical copy to read. This was mainly because the creators of the Ahsoka audiobook managed to score Ashley Eckstein as the narrator. Eckstein is the actor who voices Ahsoka in both The Clone Wars and Star Wars Rebels, and I loved the idea of having the definitive voice of the character narrate this crucial Ahsoka story to me. As Ahsoka is the most prominent point-of-view character, this works out incredibly well, and the reader can enjoy hearing Ahsoka tell the story of what is around her. Eckstein also provides excellent voice work for all the other speaking characters that feature in the book, as each of these characters were given a distinctive voice that does not feel out of place.

While I really enjoyed hearing Eckstein narrate the story, another benefit of listening to Ahsoka on audiobook is the use of the iconic Star Wars music, as well as the book’s cool use of sound effects. The creators of the Ahsoka audiobook have inserted John Williams’s iconic score from the movies into a variety of the book’s scenes. While this is slightly distracting in one or two places where the music did not quite fit properly, it works incredibly well for most of the book. Several of the story’s big scenes, such as the pivotal battle sequence where Ahsoka reveals her Jedi powers for the first time since she went into hiding, are underscored by this music. With this grand and powerful music playing in the background, these scenes are given a real epic quality that you just do not get from reading a psychical copy of the book. It also serves to make Ahsoka feel a lot more connected to the movies, as the listeners are provided with a score that is instantly recognisable as belonging to this franchise. In addition to the spectacular musical inclusions, the audiobook also features a range of relevant sound effects that really add to the book’s atmosphere and authenticity. These sound effects range from droid noises and the sounds of ships starting up, to background music when the characters hang out in the cantina. None of these sound effects distracts from the story and for some of the battle scenes, the lightsabers and blasters sounds really add to the reader’s excitement and involvement in the action. Another thing I found fun while listening to Ahsoka on audiobook was the producer’s use of some sort of voice modulator for when Eckstein narrates the voices of stormtroopers or other characters wearing helmets. This is a nice touch and really speaks to the producer’s attention to detail. I am unsure how effective this would have been if Darth Vader had appeared in the book, but I’m sure I would found the end result amusing one way or another.

Clocking in at just over seven hours long, this is an easy book to get through and the inclusion of the classic Star Wars music, fun sounds effects and the definitive voice of the titular character make it an excellent way to experience this fantastic story.

Ahsoka has been written with a young adult audience in mind, and is definitely an enjoyable book for younger readers who are curious about the Star Wars universe, are fans of the animated shows, or are just looking for an exciting adventure in space. That being said, the book does not pull any punches, and features an extended torture scene and quite a few deaths, including one particularly gruesome kill by the Sixth Brother. While some of this can be a tad heavy, I personally feel that anyone mature enough to be familiar with the Star Wars franchise is probably going to be mature enough to not be affected by this violence. Despite being intended for a young adult audience, Ahsoka, like many of the Star Wars young adult range, is definitely a series that can be appreciated by an older audience, especially those familiar with the franchise and the titular character.

Overall, I was very happy that I checked out Ahsoka, as it not only provided greater insight into the history of one of my favourite Star War’s characters but also painted a detailed and intriguing picture about the early days of the Empire. Featuring a surprisingly deep and emotional story, this is a fantastic addition to the Star Wars extended universe that will appeal to fans of the amazing animated show, while also offering character based adventure to the more casual reader. Definitely best to check out in the audiobook format, readers will love how this morphs this impressive Star Wars story into a memorable experience that becomes very difficult to turn off.

My Rating:

Amazon

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/

Star Wars: Darth Vader: Dark Lord of the Sith, Volume 3 – The Burning Seas

On October 12, 2018May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars20 Comments

Publisher: Marvel Comics

Writer: Charles Soule

Artists: Giuseppe Camuncoli

Daniele Orlandini

David Curiel

Java Tartaglia

Publication Date – 11 September 2018

Amazon

I have previously reviewed the second volume of this series here:

Star Wars: Darth Vader: Dark Lord of the Sith, Volume 2 – Legacy’s End

The creative team behind the amazing Darth Vader: Dark Lord of the Sith series return with their third volume, The Burning Seas, which continues to follow the early adventures of one of fiction’s greatest villains, Darth Vader. This third volume contains issues #13-18 of what has to be one of my favourite current ongoing series.

This new volume is set one year after the formation of the Empire, and the Emperor is determined to show off the full military power he now commands. To that end, he dispatches Vader to the aquatic planet of Mon Cala, which has been resisting attempts to be completely incorporated into the growing Empire, and whose King appears to be receiving advice from a Jedi. However, this will not be Vader’s first journey to Mon Cala. Years ago, during the Clone Wars, Anakin Skywalker and the Jedi saved the planet from a Separatist invasion and supported the young Mon Calamari king’s ascent to the throne.

Leading a force of his Inquisitors to Mon Cala, Vader attempts to investigate the potential Jedi influencer, but the situation quickly devolves into all-out war. With Governor Wilhuff Tarkin leading the Imperial invasion, Vader and his forces attempt to locate the Jedi behind the unfolding events. How will Vader’s return impact the planet of Mon Cala, and what events will the mysterious Jedi’s actions have for the future of the galaxy?

In additional adventures, Governor Tarkin finds himself in the unenviable position of owing Darth Vader a favour. Vader’s request is a hunt with a twist: the hunter will be Tarkin, while the hunted will be Vader himself. Bored by a lack of challenges, Vader has tasked Tarkin to provide him with some worthy competition. Will Tarkin earn Vader’s respect, or will he and his team of mercenaries be the next victims of Vader’s rage? In addition, Vader has been tasked to investigate sabotage around the construction of the Death Star on Geonosis. As Vader encounters the creators of the Death Star, Commander Krenik and Galen Erso, he uncovers not only the saboteurs but also the full potential of the Death Star and the impact it could have on Vader’s position.

Darth Vader: Dark Lord of the Sith returns with another fantastic and captivating volume that not only furthers the adventures of Darth Vader but also ties the series into the wider Star Wars universe while fleshing out backstories and lore not explored in the movies. In this volume alone several minor characters’ pasts are shown, the history between Vader and Tarkin is explored and there is a particular focus on the events leading up to the Rogue One movie. Dedicated Star Wars fans will love that the main story of this volume is set on the planet of Mon Cala and introduces several key Mon Calamari characters. The readers are gifted with new origin stories for Admiral Raddus, who leads the Rebel fleet in Rogue One, and a young Commander Ackbar, famous for the line ‘It’s a trap’, which highlight their early abilities and show why they were so determined to fight the Empire. Fans of the Clone Wars television show also get an intriguing conclusion to the three-part Water War arc of the show’s fourth season. During this television arc, Anakin Skywalker and his allies helped save the planet from an invasion and helped the young Mon Calamari King Lee-Char ascend to the throne. Now, in a reversal of this arc, Vader returns as an invader and his main target is the Mon Calamari king he once protected with his life. It is a compelling switch that creates some terrific drama and emotion during this comic book arc. Surprisingly enough, there is also a focus on the Mon Calamari cruisers, the large imposing ships that become a fixture of Rebel Alliance and the subsequent Resistance. Several of the plans underway involve the future of these ships, and the twisted priorities of a Jedi regarding them are quite chilling to behold. In addition to the main story of this volume, one of the issues is heavily involved in the construction of the Death Star. As a result, Vader interacts with several characters who feature in the Rogue One movie, and the creative team are able to suggest he had a lot more to do with the events of Rogue One than shown in the movie. This issue also sees Vader return to Geonosis, the main setting for the latter half of the Attack of the Clones movie, and it is very cool to see him return to this important location in his previous life.

On top of the above insertions into the Star Wars universe, the creative team also spend a significant amount of time in this volume exploring the relationship between Darth Vader and Grand Moff Tarkin. When both characters are introduced in A New Hope, Tarkin always appeared to be in command of Vader and appeared to be someone that Vader respected. It was an unusual relationship, considering Vader’s personality and his role as the Emperor’s apprentice. This volume creates a fascinating new narrative that shows when Tarkin was put in charge and why Vader allowed it to happen. This is first shown during the main story of this volume, when Governor Tarkin, who is leading the invasion of Mon Cala, requests Vader’s assistance to end the war quickly. Vader is shown in these issues to independent from Tarkin, who still shows the ability to get what he wants from Vader, even if it may cost him down the line. The creative team spend a good amount of time during the four issues that focus on the invasion of Mon Cala highlighting Tarkin’s tactical ability and ruthlessness, reminding the reader what a great villain Tarkin is in his own right.

The rivalry between Vader and Tarkin comes to a head in the sixth issue of this volume, when the two of them hunt each other on a wild planet. This is one of my favourite stories in the whole Darth Vader: Dark Lord of the Sith series so far, as the two Imperial heavyweights go head to head in a true battle of the villains. This issue does an amazing job of highlighting the attributes of both characters. Tarkin’s cunning, intelligence and determination to win are in full display, while Vader is shown to be not only a destructive force but also a creative opponent who is able to surprise even Tarkin. The conclusion of this story is very clever and helps define the relationship these two characters have in the movie. The final issue of this volume finds Vader officially under Tarkin’s command, but shows that Vader is not as subservient as Tarkin would wish. The main focus of their rivalry in this volume is the Death Star, especially as Tarkin is convinced that his creation will make Vader obsolete. Soule laces some suggestions during this final issue that many readers will find extremely intriguing and puts a whole new light on Vader and Tarkin’s relationship, especially in the final exchange between the two, where Vader presents a prediction to Tarkin: ‘If you invest too much of yourself in this battle station – – it may end up your tomb.’ The exploration of the relationship between these two dynamic and iconic Star Wars villains is an exceptional part of this new addition to the fantastic series and a really cool feature for Star Wars fans.

For the first time in this series, the creative team tackle a large-scale Star Wars battle as the forces of the Empire attempt to invade or subdue the entire planet of Mon Cala. The battle sequences that are produced are breathtaking in their scope and execution, as the reader is treated to land battles, space fights, orbital bombardments, battles above, below and on the planet’s ocean surface and even a weaponised tidal wave which sweeps away masses of Imperial forces. The artwork of these battle scenes is really exceptional; especially the sequences set underwater, which offers an unique scenery backdrop not typically seen in other Star Wars comics. The creative team do a fantastic job showcasing the massive military capacities of the Empire and the pure devastation their newly created military machine can do. I also loved the clever and very entertaining way that the rogue Jedi Ferren Barr manages to use certain Imperial forces against Vader’s Inquisitors, in what has to be one of best examples of karma in the entire history of Star Wars.

As they have in the previous volumes, the creative team behind the Darth Vader: Dark Lord of the Sith series go out of their way to showcase how much of a badass their titular character can be. In addition to the issue in which he powers through all that Tarkin can throw at him, Vader spends the rest of this volume cutting through opponents like they are nothing, including hordes of Mon Calamari and Geonosians. In addition to these fairly standard actions (standard, that is, for an all-powerful Sith Lord), Vader does some other extraordinary actions, whether it’s surviving explosive rock falls, attempting and nearly succeeding to push back a tidal wave, surviving at the bottom of the ocean and then subsequently taming and eventually killing a massive sea monster he encounters there using only the force, Vader appears like an absolute boss. He also has a fun reaction when his Inquisitors abandon their mission and attempt to save him from the bottom of an ocean, instead of being grateful, he calls them fools and makes it very clear that ‘I never need…RESCUE’. It is again captivating to watch how far Vader continues to move further and further away from the Jedi way, as even at the start of this series he had the potential to come back from the dark side. However, his actions in this book, such as the utter destruction of something significant and good that he previously created, re-imagining his previous battle with Obi-Wan Kenobi with devastating new details, and his slaughter of a whole brood of Geonosians that he compares to animals just like he previously did with the Tusken Raiders in Attack of the Clones, once again show how far he has fallen. I must also highlight the great artwork in this series when it comes to Vader. Not only are his exploits shown in full and exquisite detail but the artwork presents him in such a sinister light in every single scene he is in. This is another masterful portrayal of an exceptional fiction villain.

The third volume of the Darth Vader: Dark Lord of the Sith, The Burning Seas, is another outstanding addition to one of this year’s most consistent and entertaining comic book series. This specific volume features massive and intense battles, an intense fight for supremacy between Vader and the ruthless Tarkin, and the continued outrageous and destructive adventures of one of the greatest villains of all time. This entire run of Darth Vader: Dark Lord of the Sith is definitely worth getting into, and The Burning Seas is easily the best volume of this entire series so far. A must read that comes highly recommended.

My Rating:

Amazon

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/

Hit-Girl, Volume 1: Colombia by Mark Millar and Ricardo Lopez Ortiz

On September 26, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Superhero2 Comments

Publisher: Image Comics

Publication Date – 26 June 2018

Amazon Book Depository

The baddest little vigilante in America goes international in this outrageous new series from comic book legend Mark Millar.

Hit-Girl is the moniker of Mindy McCready, a pre-teen vigilante killer who is the Kick-Ass universe’s most effective and terrifying hero. Introduced early on in the first volume of the Kick-Ass comic, Mindy was a 10-year-old girl who had been indoctrinated by her father, Big Daddy, into becoming an expert killer and crime fighter. Despite an attempt to live a normal life after the death of her father, Mindy has reverted to her vigilante ways with her trademark extreme violence and sassy attitude.

Following the events of the Kick-Ass 3 comic, Hit-Girl has decided to take her vigilante gig international and bring her version of justice to criminals around the world. However, with her partner, Dave Lizewski, the original Kick-Ass, retired, and his replacement (a young man Hit-Girl randomly recruited off the street) deciding to quit in the face of armed criminals, Hit-Girl is all on her own. With a request for help in Colombia looking too big to handle by herself, Hit Girl decides to recruit a partner as deadly and deranged as herself.

Enter Fabio ‘Mano’ Mendoza, the most ruthless and dangerous hitman in Palmira, Colombia. Freeing him from imprisonment, Hit-Girl ‘convinces’ Mano to help her with her mission, utilising an explosive device to keep him in line. Armed with an array of advanced and insanely destructive weapons, Mano helps Hit-Girl turn all of the city’s gangsters into corpses. But what will happen when Hit-Girl forces Mano to target his own gang?

Hit-Girl was created by author Mark Millar, one of the most impressive and recognisable names in modern comics. Millar has worked with a number of different publishers throughout his career, including DC, where left his mark on titles including Swamp Thing, Superman and The Flash, and Marvel, where he wrote the iconic Civil War series and had significant input in Marvel’s Ultimate Universe, which serves as the inspiration for many recent comic book movies. Millar has also created a number of the best alternate universe stories these two major comic book publishers have ever produced, from the inventive Superman: Red Son to the incredible Old Man Logan, which served as the basis for 2017’s best comic book movie, Logan. Millar has also created a range of independent series, many of which are quite dark and brutal, such as Kingsman: The Secret Service, Jupiter’s Legacy, Superior and Wanted. However, one of Millar’s most iconic works is his independent series, Kick-Ass, which was adapted into a fantastic movie in 2010 that helped dramatically increase the author’s general profile. Kick-Ass ran for three volumes, and the final issue revealed that Kickass and the above independent series all exist in a shared universe, known as the Millarverse. Readers may recognise several of the above comics from recent movies, with Kingsman and Wanted both having been adapted into big screen movies. In addition to this current Hit-Girl series, Millar is currently working with Netflix to create a number of intriguing new comics, such as The Magic Order, and a range of movies and television series.

A large amount of the success of Kick-Ass can be attributed to the character of Hit-Girl, a sensational addition to both the comics and the subsequent movie adaption. Hit-Girl is easily the most popular character in the series due to the sheer craziness of having a 10-year-old girl tearing through groups of dangerous criminals while swearing her head off. This cool character continued in the movie, where Chloë Grace Moretz brought Hit-Girl to life in all her foul-mouthed, murderous glory, albeit with an altered costume. Hit-Girl appeared in all three volumes of Kick-Ass, and has already been the star of her own Hit-Girl miniseries comic, much of which was adapted into the Kick-Ass 2 movie. This current series of Hit-Girl represents the first work that has been done on the Kick-Ass storyline since 2014. The first volume of this new series is called Colombia and contains issues #1-4. The second volume of this series will continue Hit-Girl’s international murder spree as she heads to Canada, and will be released in late October.

This new Hit-Girl series contains pure insanity as the titular character goes on a rampage down in Colombia. There are some fantastic sequences throughout this book as artist Ricardo Ortiz draws a series of demented murders and deaths as Hit-Girl and Mano attack and kill hundreds of gang members in Palmira. These gang members suffer an insane amount of different gruesome deaths including being shredded by bullets, sliced by swords, shot with arrows, killed by a train, blown up into tiny pieces, vaporised by flesh-eating gas, and thrown off buildings. Ortiz’s artwork pulls no punches during these scenes, with the highlight having to be the microwave gun that cooks one gang member from the inside out. There are also a ton of great action sequences throughout this book, with the artist presenting some excellent battle artwork that really highlights the fast-paced and frenetic action portrayed within. Some of these scenes are so wonderfully over the top that it is hard not to laugh, such as the sequences where Hit-Girl and Mano are forced to overcome a zoo of coked-up animals standing between them and their target. This is some brilliant work from the artist and a real highlight of the volume.

While all the superfluous violence is outstanding, this first volume of Hit-Girl is far more than just about the killing of criminals. It is actually a complicated revenge plot, and Millar has created a fantastic overarching story for this entire volume. Watching the full extent of Hit-Girl’s plan unfold is so much fun, especially when you realise just how much she is playing all the other characters in the book. Hit-Girl revealing that her plan involves saving a kid who served as her patsy from joining a gang is pretty powerful, especially when the kid is left wondering about the origin of the ‘final message’ from his brother. By the end of these four issues, all the characters get what they deserve, leaving the reader extremely satisfied with the result, while Hit-Girl is left determining where to go for her next rampage against crime.

Hit-Girl is once again a fantastic main character for this book, and Millar and Ortiz’s portrayal of her is absolutely amazing. Placing murderous attitude and terrifying adult personality inside the body of a little girl is still spectacular to see, and it is quite jarring and very entertaining to see this little kid doing crazy stuff like jumping up and down in excitement while requesting that her associate perform a particularly gruesome murder. Ortiz presents some incredible changes in facial expression throughout the book that really show off the dual personality of the character. In some scenes, she looks quite innocent and childlike, while in others, she looks positively demonic, especially when she establishes control of a situation. While she is mostly portrayed as destructive, adult and emotionless, there are times when she comes across as more human and acting her age. She spends several scenes getting closer to Mano, and the two work out that they have some interesting similarities, including being manipulated by a controlling father figure for most of their lives. In hindsight, it is quite horrifying that she spent time getting close to Mano, considering the multiple ways she was playing him and her eventual intentions for him, but it is still great to see her team up with someone who has the same killer instinct, as well as a similar moral compass. I also love the scene at the end when Hit-Girl allows her ally, Camila to get a chance at revenge, but is not surprised when she does not take the shot, stating “you’re a good person”. Hit-Girl’s facial expression while she says that is perfect, as it helps portray the fact that our protagonist knows she is not a good person and never will be. Overall, this is some amazing character work and Hit-Girl is still an amazing protagonist.

Mark Millar is once again in top form as he brings in the first volume of his new Hit-Girl series. Featuring some outstanding artwork from Ricardo Ortiz, Hit-Girl Volume 1: Colombia contains an insane amount of graphic and entertaining violence and death, while also containing a fun and satisfying story with an awesome main character. I am already excited for the next volume of this new series, and I cannot wait to see what chaos Hit-Girl causes in Canada.

My Rating:

Amazon Book Depository

Runaways Volume 1: Find Your Way Home by Rainbow Rowell and Kris Anka

On September 13, 2018August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, LGBT+, Superhero, Young Adult1 Comment

Publisher: Marvel Comics

Publication Date – 8 May 2018

Amazon

From bestselling young adult fiction author Rainbow Rowell and exciting Marvel artist Kris Anka comes the revival we have all been waiting for, with the return of Runaways.

Years ago, six young friends found out a terrible truth: their parents were members of a supervillain group known as The Pride and were working towards the destruction of the planet. Uncovering their hidden powers and strengths, these friends, genius Alex Wilder, the sorceress Nico Minoru (Sister Grimm), alien Karolina Dean (Lucy in the Sky), mutant Molly Hayes (Princess Powerful/Bruiser), mad scientist offspring Chase Stein (Talkback) and proud dinosaur owner and daughter of two time travellers Gertrude Yorkes (Arsenic with her deinonychus, Old Lace), became the Runaways to escape their parents’ evil plans.

After the death of Alex and all of their parents, the surviving Runaways become family and even brought in new members, including the cyborg Victor, the Skrull Xavin and the time displaced mutant Klara. While the team’s plans to live in peace were often disrupted by their forced heroics, for a time they were happy. But even the best families have a hard time staying together in the Marvel Universe, and following the death of Gert, Xavin’s forced departure for the stars, the events of Murderworld and the elevation of several members to the Avengers, the Runaways have gone their separate ways.

However, one former Runaway has had a hard time letting go of the past. Stealing a time machine, the team’s wildcard member, Chase, has gone back in time to fix his biggest regret: the death of his girlfriend, Gertrude. But being brought back to life several years in the future is tough, and all Gertrude wants to do is reunite with her friends, even if they are now older than her. Chase is his old goofy self, but Nico and Carolina have moved on with their lives, , Victor is now just a head and Molly has moved in with her grandmother. Will the Runaways get together again, or have their subsequent adventures affected their relationships too much? And who is the evil scientist stalking them from afar?

Runaways was a ground breaking series originally released in 2003 that focused on a fresh new group of heroes with no previous connections to other characters in the Marvel Universe. Created by Brian K Vaughan of Y: The Last Man and Saga fame and artist Adrian Alphona, Runaways represents some of their most significant work with Marvel. Runaways was an exciting tale of teenage rebellion which was amplified by the superhero elements. Featuring some incredibly iconic characters, the initial series of Runaways featured a fantastic enclosed story about crime and heroics in Los Angeles with only minimal inclusions from the outside Marvel Universe. Featuring characters who acted in a contrary way to the other superheroes by actively avoiding fights, making fun of costumes and team names (they never actually referred to themselves as the Runaways) and only using superhero monikers ironically, this was a fun series with some clever new ideas.

Following this initial run, the story became a more traditional superhero series, focusing on the adventures of the titular heroes as they fought crime and other threats in LA. There were a series of great adventures during this period, which included memorable events such as the tragic loss of Gert, Xavin’s sacrifice, several team-ups with the Young Avengers and involvements in the Civil War and Secret Invasion crossover events. The series would abruptly end in 2009, and readers would have to wait years to see a significant follow-up. The characters have appeared in several other series, including Daken: Dark Wolverine and Avengers Academy. However, the characters would not significantly return until Avengers Arena, where Nico and Chase found themselves trapped in Murderworld, and Avengers Arena’s follow up series, Avengers Undercover, which saw the return of Alex Wilder. At the same time, Victor would join the cast of Avengers A.I. An alternate version of the Runaways got their own series as part of the 2015 Secret Wars crossover even, and Nico would eventually become a member of the female Avengers team in A-Force.

With the release of 2017s Runaways television show, a new comic series of Runaways was announced by Marvel which saw the first run of the original characters in nearly nine years. This new series is helmed by acclaimed young adult fiction author Rainbow Rowell and dedicated Marvel artist Kris Anka. Volume 1 of their run of Runways, Find Your Way Home, contains issues #1-6 of the series, with a second volume to be released in October 2018.

Runaways has long been one of my favourite series, and is probably one of the best comic examinations of young teenage characters that Marvel has ever produced. As a result, I was very excited to get my copy of Find Your Way Home, and headed into this new series with high expectations. I was not at all disappointed by the result and really enjoyed this new series. This first volume expertly captures the heart and soul of the original series, reunites several fan favourite characters, and skilfully addresses all the tragic events that have impacted this team over the last few years.

The first thing that can be seen in this series is the extreme emotional damage that most of the characters have experienced over the last few years and the strain this has placed on the team. Because of all the pressures in their lives, the Runaways have disbanded and each have gone their separate ways. This appears to have affected team members Nico and Chase the most because of their traumatic experiences in the Avengers Arena series. Nico comes across as very emotionally compromised from the very first scene, while Chase is still obsessed with his greatest tragedy, the sacrifice Gertrude made to save his life. The other Runaways are just as damaged in their own separate ways. Karolina is apparently trying to live a normal life, but while she seems unhappy, she is the most reluctant to re-join the team, and her eventual return results in emotional upheaval between her and Nico. After dying, Gert finds herself alive again in the future with older versions of her friends, as well as an adult boyfriend. She spends most of the volume trying to deal with these significant changes, the fact that her only real family fractured after her death, and the emotional trauma she experienced dying. After his death in Vision, Victor spends the entire series as a disembodied head, and keeps his status hidden for most of the volume as he tries to work out if he wants to remain online and re-join the team. Of all the characters, Molly seems to be the most together, as she is being looked after by her grandmother and is her usually bubbly and high-energy self. However, her behaviour disguises the fact she knows about some of the deep problems happening around her, and her emotional breakdown at the end of the volume is quiet heartbreaking to behold. Overall, the creative team handle these deep emotional issues well, and I really appreciated the fact that they did not deny or shy away from the trauma that these characters experienced in other Marvel series.

Despite the high level of emotional trauma, there are quite a few very nice moments within the book that fans of the original Runaways series will really appreciate. The team coming together at the end of the volume to save Molly and Gert is an amazing moment. After viewing all of the above trauma, it was also great to see the team decide to get back together to become each other’s emotional support. I also challenge anyone not to get emotional during the scene where Gertrude is reunited with Old Lace, as the two mentally connected friends are finally reunited for the first time in years. Once again, the youngest Runaway, Molly, is the heart and soul of the team, and it is great to see that despite her age, she is still one of the most emotionally mature, giving sage advice and actually being the only person to notice the threats around them or the fact that Victor’s head is rolling his eyes at the events around him. I also love that she still has the same Marvel fangirl attitude that she had in the original series, as she spends time wearing Captain Marvel inspired leggings. Here’s hoping she gets to have some fun interactions with the rest of the Marvel Universe as she did before (the issue she spent running around with Wolverine is one of the funniest bits in Runaways’ previous run).

One of the more interesting parts of this volume is that it focuses more on the character interactions than on action or adventure. There really is not too much violence until the end of the book, and even then their biggest fight is against a group of psychic cats whom they do not actually want to hurt or kill. I think that this is a good choice for the first volume, as this allows them to really focus on the characters, while also showing off the difference this series has to a classic comic book story. Despite the lack of action, the series starts with one of the best scenes in the entire volume, when Chase appears in the middle of Nico’s apartment with a mortally wounded Gert. Nico, despite her shock and the implications of what Chase has done, tries to use her magic to try to save Gert. While Nico is a powerful magic user, all her magic is tied up in The Staff of One, her parent’s magical staff that has bonded to Nico’s body. The Staff of One can bend reality to what Nico requests, however, it will only do the specific spell once. This far along in their adventures, Nico has used a lot of spells already, including ‘heal’, and must use a range of more obscure or very specific statements to try and achieve her goals. The first sequence where she uses a huge range of different spells really shows off the unique and in some ways limited nature of Nico’s powers and really shows emotional depth right off the bat as the characters get more and more desperate in their attempts to save Gert, and there is palpable relief when they manage to save her.

This series of Runaways has a new artist at its helm, Kris Anka, and as a result the art style of Find Your Way Home is slightly different from the previous series. It still works well to show off the story, and the depictions of the characters’ superpowers being used are pretty cool. The new character designs are interesting, as Nico, Chase and Karolina are each given a different design to reflect how they’ve aged up since the last series. Nico looks particularly worn and sad at the start of the comic, and is definitely showing off the strain of her adventure. Anka has created an interesting look for Chase, and he now looks like a cross between a beach bum and a mad scientist. The other characters, Molly, Victor, Gert and Old Lace retain similar styles to those they had in the previous series. These similarities make a lot of sense, as Gert has time-travelled from the previous series, Victor is a cyborg head and Old Lace is a dinosaur. The artist has also chosen not to change Molly’s age too much, and thankfully she retains her distinctive looks and hats. One of the highlights of Anka’s work is the dinosaur Old Lace, and quite a lot of the book’s humour can be seen in her funny reactions and antics. Overall, I really enjoyed the new art style of the book and found that the new character designs suited the book’s necessary changes.

Runaways return in top form with this fantastic first volume, which sticks true to the core of the beloved original series while also going off in some interesting new directions. Rowell has created an intense narrative that expertly plucks at the heartstrings and examines all the problems and horrors that this group of young heroes have experienced since their initial run. This is a superb new start to an excellent series. I’m so happy to have my Runaways back, and I can’t wait to see how they resolve some storylines from the original series. This is definitely a must-read for fans of the original series, but this is also the perfect chance for new readers to find out about this awesome superhero family.

My Rating:

Amazon

Star Wars: Darth Vader: Dark Lord of the Sith, Volume 2 – Legacy’s End

On September 12, 2018May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars17 Comments

Publisher: Marvel Comics

Writer: Charles Soule

Artists: Giuseppe Camuncoli

Daniele Orlandini

David Curiel

Publication Date – 12 June 2018

Amazon

Writer Charles Soule and artist Giuseppe Camuncoli return with an action-packed addition to the new and compelling series which follows the Dark Lord of the Sith in another sinister adventure in the newly formed Empire.

Legacy’s End is the second volume in the new Star Wars series, Darth Vader: Dark Lord of the Sith, which observes the shadowy journeys of fiction’s favourite villain immediately after he turned to the dark side of the force. The first volume of this series, Imperial Machine, followed on directly after the events of the third prequel movie, Revenge of the Sith, and contained Vader’s initial mission for the Empire, acquiring the materials to forge his first red-bladed lightsabre. It also featured the formation of the Emperor’s Inquisitors, the group of force users who, while not quite Sith, have fallen to the dark side of the force and are now being used to hunt down the remaining Jedi.

Set immediately after the events of the first volume of this series, Legacy’s End continues to focus on Vader’s service to the Emperor and his multiple missions to obliterate all threats to the new Empire. Vader has begun his training of the Emperor’s Inquisitors and is using his destructive teaching techniques to turn them into dangerous hunters. Reviewing the list of Jedi whose destruction is a priority for the Emperor, Vader notes one name that stands out from the rest: Jocasta Nu, the former librarian of the Jedi Temple. Despite her minor powers in the force, the Emperor views her as one of the most dangerous threats in the galaxy. This is because Madam Jocasta has an unsurpassed knowledge of the hidden lessons of the force and the powerful secrets and weapons that the Jedi are protecting, which could be used by or against the Sith.

Teaming up with the Grand Inquisitor, Vader prepares to engage in the hunt for the elusive librarian. There is just one problem: Jocasta Nu is already on Coruscant and has managed to infiltrate the Jedi Temple. Perhaps the most important secret of the Jedi lies hidden in the archives, and Jocasta plans to ensure that the Sith will never have access to it. But when Jocasta is discovered by Vader, the two force users must engage in a desperate fight, with the future of the Jedi in the balance. While Vader has the pure power, Jocasta has plenty of tricks up her sleeve and her entire archive at her disposal.

In another adventure in this volume, Vader finds himself also being hunted by a mysterious foe. Someone wants him dead, and the trail leads straight to the top of the Imperial Navy. Who is trying to kill him, and how will Vader react when he finds the people responsible?

This is a fantastic second outing from the team of Soule and Camuncoli, who team up with new artists Orlandini and Curiel for Volume 2 of this fantastic series. Soule is an experienced comic book writer, with significant work for both DC and Marvel under his belt, and is actually the man responsible for recently killing off Wolverine and Cyclops in two separate X-Men storylines. Soule has also written several different Star Wars comics, including two limited series and the entire 31-issue run of Star Wars: Poe Dameron. Legacy’s End collects issues #7-#12 of the Darth Vader: Dark Lord of the Sith series, with a third collected edition currently set to be released in the next few days.

This new Darth Vader series is an intriguing and entertaining series that takes place inside Disney’s new canon universe. This book contains elements from the movies, while also being strongly associated with the Clone Wars and Star Wars Rebels animated shows. As a result, it is a perfect series for dedicated fans of the Star Wars universe, although more casual fans of the movies will also enjoy this series, especially if the prospect of seeing Darth Vader kicking ass and taking names appeals to them.

This series primarily focuses on Vader and chronicles his early rise in power following his conversion to the dark side of the force. Legacy’s End continues to examine his new role and position within the newly formed Empire. Not only is he leading the fight against the remaining Jedi; he is also brutally training the Emperor’s Inquisitors and taking a commanding role in the imperial military complex. Legacy’s End also does much to highlight Vader’s mindset in these days and to reveal the hateful creature that he has become. For example, the first scene shows him chopping off the arms of several of the Inquisitors as a training exercise in order to teach them about loss, a lesson he claims they will never forget. There are also several scenes where Vader is shown meditating, and the dark and twisted creature that appears as a representation of his inner self is an ugly and scary sight to behold. The team behind this series do a fantastic job showing Vader’s sheer power and anger in several devastating battle sequences where he powers through his opponents with the maximum amount of brute force and zero concerns about collateral damage. In these scenes his power is not limited to the destruction he causes with his lightsabre; it highlights the devastation he can unleash with the force and even with his fists. For example, there is one memorable scene in which he punches a powerful droid to death when his lightsabre proves to be ineffective. There are also several great interactions between Vader and the Emperor, and it is absolutely fascinating to see the twisted master-and-apprentice relationship that they have, especially as it is a major part of this series. Overall, this volume continues to highlight Vader as a powerful badass, as well as showing him as a complex character, in order to create a powerful and addictive narrative.

This volume also contains some interesting connections to the rest of the Star Wars universe. Not only are the early days of the Empire once again shown, but the series makes use of the Inquisitors, who were introduced in the Star Wars Rebel’s animated show as key antagonists. It is great to see the formation of this group, as well as their early interactions with Vader, as none of this was really shown in the animated show. However, the most intriguing part of this whole book was Jocasta Nu, the Jedi Temple’s librarian. The character of Jocasta is fairly minor one that hasn’t been explored much before in the Star Wars canon. She appeared briefly in the second prequel movie, Attack of the Clones, played by late Australian actress Alethea McGrath, and was a minor character in a few episodes of the Clone Wars animated show. It is therefore very cool to see her in action in this series, and curious fans will be able to see what she is capable of for the first time. The team behind this volume cleverly showcase her talents as a librarian and archivist rather than as a great Jedi warrior, and her methods of fighting against Vader are quite fun, involving several unusual Jedi weapons, such as a blaster powered by a lightsabre. These scenes are pretty awesome, and interactions with Vader once she knowns he is Anakin Skywalker are very intense, especially when she realises that the terrifying figure hunting her was once one of her former comrades. I also found the exchanges between Jocasta and the Grand Inquisitor to be quite intriguing, hinting at some more of the Grand Inquisitor’s past as a Jedi and Temple Guard, much of which has yet to be revealed in the extended Star Wars universe.

The overall story within this volume is fantastic and it is backed up with some spectacular artwork. The second part of this volume, which focus on Vader being targeted by assassins is incredibly fun, especially the battle scene in which mercenaries who believed themselves capable of defeating a standard Jedi are completely overwhelmed by Vader’s insane battle tactics. However, the main storyline with Jocasta is the most impressive part of the volume and contains some memorable scenes. The conclusion of this storyline is the best part of the entire entry, and it will ensure all Star Wars fans will respect the courage of the Jedi librarian.

Legacy’s Fall, the second volume of Darth Vader: Dark Lord of the Sith is an amazing continuation of this outstanding series. Vader continues to shine as a sensational villain, and the creative team have done an excellent job showcasing this complex character as well as the sheer destruction and power that he possesses. If you love to see the antics of a great villain, this is the series for you, as the early and most destructive battles of one of fiction’s most popular antagonists are shown here with some breathtaking artwork and fantastic storylines. I have already ordered the third volume of this series and I cannot wait to see what happens next.

My Rating:

Amazon

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/

All-New Wolverine: Volumes 1 – 6: Complete Series by Tom Taylor

On September 8, 2018August 23, 2022 By The Unseen LibraryIn Australian, Comics/Manga, Extended Universe, Five-Star Books, Superhero6 Comments

Publisher: Marvel Comics

Publication Dates:

Prepare yourself for an all-new Wolverine in this exciting new series from Tom Taylor and a skilled team of Marvel artists, as one of the best characters in the Marvel Universe, X-23, rises to take the place of one of comic’s most beloved superheroes.

Following the death of the original Wolverine, Logan, in the 2014 series Death of Wolverine, Marvel chose to elevate his clone and surrogate daughter, X-23, to the role of Wolverine. Starting in 2015, the All-New Wolverine series followed X-23 as she took on the moniker of Wolverine and made it her own. Originally running between November 2015 and May 2018, the series is made up of 35 issues. These issues have been assembled together into six collected editions, which were released between May 2016 and July 2018. With the upcoming return of the original Wolverine to the Marvel Universe, All-New Wolverine has been cancelled, and the character has reverted back to the X-23 moniker, with a new X-23 series having just started.

I have been a major fan of X-23 for years, and find her to be one of the most interesting characters in the entire Marvel Universe. As a result, I was excited to see how she would be utilised as the new Wolverine, and have been keenly collecting all the volumes in this series. I had originally intended to review the latest volume, Old Woman Laura, by itself; however, as this volume ends the series, I thought I would take this opportunity to review the entire series in one go.

The protagonist of this series, the brand new Wolverine, Laura Kinney, is a fascinating example of character creation, and it has been intriguing to see how this character has evolved over the last 15 years. Originally known by the code name X-23, the character was first introduced in 2003, in the season 3 episode of the X-Men Evolution animated television series, X23, and was established as a female clone of Wolverine created by an evil scientific organisation. In her first appearance in X-Men Evolution, X-23 took out every single X-Man and went toe-to-toe with Wolverine himself, only stopping when he broke through to her emotionally. This was a surprisingly dark episode for kids cartoon, but the fun appeal of a young female Wolverine and her sheer badassary quickly made Laura a fan favourite character, and her transference in the comic universe was quickly established. These days most people would recognise the character from her amazing appearance in the 2017 film Logan, played by young actor Dafne Keen, which showed a slightly altered version of her origin story.

Her first appearance within the main comic Marvel Universe happened in the 2004 series NYX, where she was shown to be living in New York City. She was later introduced to the X-Men in Uncanny X-Men 450, with her origin story fleshed out in two limited series. The first of these series, Innocence Lost, looked at her creation, early life, training and missions as part of the institute that created her, as well as the relationship she had with her mother and their attempts to escape the institute. The second series, Target X, follows on directly after Innocence Lost and focuses on Laura’s attempts to start a life outside of the institution, her interactions with her mother’s family and the pursuit that would haunt her for the rest of her life. This second short series also shows how she ends up in New York in NYX and her first interactions with Wolverine, and is framed as a retelling of her life story to Captain America and Daredevil. Both of these series are extremely well written and serve as an excellent introduction to the character.

After her introduction, X-23 appeared in a number of different series including Uncanny X-Men, X-Men, New X-Men and Marvel Team-Up. She was a major character in Volume 3 of X-Force and appeared in key roles in several of the larger X-Men storylines. She obtained another X-23 series in 2010, before having starring roles in Avengers Academy, Avengers Arena and All-New X-Men. Following The Death of Wolverine, Laura was involved in some of the following storylines dealing with his death before taking up the role of Wolverine herself.

This series was created by Australian author Tom Taylor and a rotating roster of Marvel authors. Taylor has a range of writing experience in a number of different formats, including theatre, musicals, books and television, and has also created an animated series, The Deep. Over the last 10 years, Taylor has worked on several different comic books, including several Star Wars series, some Injustice series, Superior Iron Man and Green Lantern Corps. The original art style and new character design for the series was developed by veteran artist David Lopez, and the other artists closely replicated his style.

The first volume of the All-New Wolverine, The Four Sisters, sees Laura newly in the role of Wolverine and keen to honour the name by becoming a non-lethal hero. In this volume, she encounters four clones of herself that are being hunted by the sinister corporation who created them. In order to save them, Laura must work with several other Marvel heroes, such as Dr Strange, Wasp and her boyfriend, Angel (the young one transported from a past timeline). The volume ends with Laura taking in one of the surviving clones, the young girl Gabby, who becomes one of the main characters in the series. This book is a fantastic introduction to this new incarnation of the character, and it sets the tone for the rest of the issues.

Volume 2 of the series, Civil War II, starts with Laura teaming up with Squirrel Girl in a zany escapade to save a squirrel Laura wronged in the previous volume, while also introducing the actual wolverine Jonathan, who becomes Laura and Gabby’s pet. The second adventure in this volume sees Laura and Gabby help SHIELD, Iron Man and Captain Marvel fight against the giant monster Fin Fang Foom. During this story, Laura and Gabby encounter and rescue the Old Man Logan version of Wolverine. While the first two issues are both fun significant, the main storyline of this volume ties into the Civil War II crossover event. The Inhuman Ulysses has a vision of Logan killing Gabby, so SHIELD and Captain America attempt to intervene, but the confusion and chaos that follows only results in tragedy. This sees an exciting tie-in to one of Marvel’s more intriguing and high-profile recent crossover events, and this volume also helps highlight the discord and disagreement that the other Marvel heroes were experiencing in the main Civil War II event. Seeing Logan’s alternate world connections to Laura and Gabby is rather interesting, and the reveal of Gabby’s full potential as Laura’s main side character is amazing.

The third volume, Enemy of the State II, sees the return of Laura’s arch-nemesis and sadistic former handler, Kimura, who is once again determined to make Laura’s life a living hell. After engineering the massacre of a small town with Wolverine present, Kimura forces Laura and Gabby into hiding as part of a terrible plan to control Laura once again. However, Gabby, with the help of Angel, Gambit, young Jean Grey and Nick Fury Jnr, has a plan to free Laura once and for all from the terror of Kimura. This is probably the most emotional volume in the series, dealing with the protagonist’s biggest fear: being turned into a killing machine once again. Enemy of the State II is strongly connected to both of the original X-23 series, especially Target X, and represents a massive turning point for the character. It is fantastic to see some of these storylines concluded and Laura given the happy ending she’s been denied for so long.

Volume 4, Immune, takes Wolverine up into the stars for an intergalactic adventure. When an alien ship crash lands on Roosevelt Island, the dying alien child piloting it has time to whispers one name: Laura Kinney. Within minutes, the island is infected with a fast-acting alien virus and is immediately quarantined. Laura travels to the island and must work with Gabby, Ironheart, Logan, Daken and Deadpool to cure the disease. Laura, Gabby and Jonathan than travel into space with the Guardians of the Galaxy in order to trace the origins of the alien virus, but they find a far more dangerous threat on the planet they visit. This is a very fun volume that includes some notable team-ups, while at the same time really highlighting Laura’s potential for heroism. This serves as a fantastic example of a really well-done one-off intergalactic adventure for a terrestrial based series and proves to be very entertaining. It is probably the most laugh-out-loud funny volume in the series, with some remarkable interactions with characters such as Deadpool and the Guardians of the Galaxy.

The fifth volume of this series, Orphans of X, goes deeper into the mythology of Wolverine, as the only weapon that had the power to kill him, the Murumasa Blade, is recovered and unleashed upon his children. A mysterious organisation known as the Orphans of X is hunting down and killing all of the Marvel mutants with claws and a healing factor. Laura, Gabby and Daken must find a way to defend themselves from these devastating and well-coordinated attacks, but find themselves conflicted once they find out the truth behind the Orphans of X. This is another heavy and emotional volume with a great story premise behind it. This one ties into both Innocence Lost and Target X, and shows the devastating consequences of the Laura’s childhood missions.

The final volume, Old Woman Laura, contains an interesting mixture of stories. The first issue features Gabby and Deadpool teaming up to take down the scientific laboratory that Jonathan was rescued from in Volume 2. The second story follows on from the Orphans of X storyline, and sees Laura and Amber Griffen, the daughter of one of Laura’s first kills, team up to take down the person who ordered the hit. The final story is set far in the future and sees an older Laura and Gabby go on their final mission together in order rescue their long-lost sister, Bellona, from a dystopian landscape ruled by Dr Doom. These are some intriguing and diverse stories, and it serves as a good wrap-up to the entire series. The two team-ups in the first two adventures are very fun, while the issues showing the potential future for All-New Wolverine’s main characters is an intriguing and emotional affair that has some nice closing thoughts for this series.

A recurring theme throughout this series is Laura’s attempt to build on her character and to move past her childhood of being raised to be a vicious killer. Now, as Wolverine, she’s trying to live up to the legacy of her father, the original Wolverine, and become a non-lethal superhero, even though she will still maim many of her opponents. Taylor does a good job of conveying the guilt and responsibility that Laura feels. There are times where Laura thinks back to her past with Wolverine, seeing herself in his shoes. Like the original Wolverine, Laura establishes and maintains relationships with many of the other heroes in the Marvel Universe, most of whom find her to be a worthy replacement for Wolverine, even if they are surprised that she wanted to take on the mantle. There are also elements of family involved in this story, as not only does Laura take responsibility for Gabby, but she becomes closer to members of the Wolverine family, including Daken and Old Man Logan.

This series is a bit lighter than you’d expect of a series focusing on Wolverine or X-23, and perhaps this ties into the overarching feeling of redemption that Taylor was trying to infuse into the story. There is actually a huge amount of humour included within the various issues, including several crazy adventures and some real laugh-out-loud moments. Examples of this include Squirrel Girl randomly showing up to declare that Laura has “wronged the squirrel world” and bringing along a real life wolverine to help get her point across (she was under the impression that Wolverine could understand real life wolverines, just like Squirrel Girl can understand squirrels). Another of the series’ really funny scenes occurs when a serious conversation is interrupted by two burglars who break into the apartment and come face to face with Wolverine, Old Man Logan and Gabby. Having all three characters break down laughing as they consider just how unlucky these burglars are is a fun, hilarious scenario.

While All-New Wolverine has a somewhat lighter tone, Taylor is still able to produce some deep and emotional stories throughout the series. Many of these darker and more emotional stories are tied into the main character’s tragic past. It is great to see several of the old storylines wrapped up, and I was glad to see Laura reunited with the family who was forced to go into hiding.

For me, one of the best parts of the All-New Wolverine is the introduction of new character Gabby, who becomes the secondary protagonist of this series. Gabby is a young clone of Laura who has many of her abilities and training. However, due to protection she experienced from her clone sisters, Gabby grew up without the emotional damage that Laura and other members of the Wolverine family experienced. As a result, Gabby has a very funny and bubbly personality, as well as kick-ass combat skills, retractable claws and a healing factor. Given the moniker Honey Badger, Gabby ends up accompanying Laura on a range of missions, and proves to be quite a capable field agent. Much of the series’ comedy comes about because of her antics, as well as her humorous interactions with other members of the Marvel Universe, which sees her pull funny moments and comments out of several usually serious characters. Her instant friendship with Deadpool is comedy gold, and the two play off each other wonderfully, easily stealing the show in the issues they feature in together. Despite her major humorous overtones, Gabby does get serious when it comes to protecting her family, and she has several intense moments, as well as scenes where she makes scary threats in order to protect her sister. Laura’s relationship with Gabby is a major part of the series, and it is great to see Laura mirror the role Wolverine had in her life as a mentor and parent. Gabby is definitely one of my favourite new Marvel characters of the last couple of years, and I’m really hoping that she’ll have a similar role in the new X-23 series and will continue to have some insane adventures in the future.

Lopez and the other artists of the All-New Wolverine series have created a great style for this series, and I loved the new costumes that they pulled together for Laura, as well as the original and unique look of Gabby. There are some slight variations in drawing style between the various books, but the artists keep the style somewhat consistent throughout the series. There are a number of drawn scenes throughout the book that are particularly beautiful or memorable for various reasons. The final battle between Laura and Kimura in Volume 3 is very dark and brooding, but the artists are able to show the raw emotion on Laura’s face as she finally frees herself from Kimura’s shadow. I was also particularly drawn to the striking drawings of the Hand assassins in Volume 5, where the assassins wore the masks of the Orphan X organisation. The artists are also able to draw some funny pieces into their work. The potential comic cover art that Gabby imagines when she finally comes up with a superhero moniker, Honey Badger, is fantastic, especially as several classic Wolverine covers are replaced with Gabby’s evilly smiling face. I can also barely describe the awesomeness of the drawings in Volume 4 of the series, which see Gabby and Jonathon play with Baby Groot in the background in several funny scenes. Overall, the art displayed in this series is fun and has many uses to enhance the story.

Overall, All-New Wolverine is a fantastic, entertaining and really enjoyable series that promotes one of Marvel Comics’ most unique characters into the role of Wolverine. Featuring some amazing uses of humour, an excellent new supporting character and some deep, emotional storylines, this is an incredible series that is well worth getting into. I am definitely keen to check out the new X-23 series that has just been released, and I will also be looking into the new X-Men Red series from the Australian creator of All-New Wolverine, Tom Taylor, which will feature both Laura and Gabby. A perfect read for long term fans of the X-23 and the X-Men series, and also a great introduction to the comic universe if you loved X-23 in Logan.

My Rating (Series and Each Volume):

A Shot in the Dark by Lynne Truss

On August 26, 2018August 23, 2022 By The Unseen LibraryIn Comedy/Satire, Extended Universe, Five-Star Books, Historical Fiction, Murder Mystery, Tie-in Novel3 Comments

Publisher: Raven Books

Publication Date – 28 June 2018

Amazon Book Depository

From Lynne Truss, one of England’s most creative minds, comes A Shot in the Dark, a hilarious take on the historical murder mystery that sets three fantastic and exaggerated police characters against a sinister and surprising criminal mastermind.

Brighton, 1957. Following a terrible massacre that saw the death of every member of two rival gangs some years before, the city of Brighton is now clear of all crime. At least, that’s what Inspector Steine believes, and, as he is the famous and inspirational police detective whose actions allowed the eradication of these vicious gangs, that’s what the rest of the Brighton Constabulary believe as well. Unfortunately for everyone, Inspector Steine is nowhere near as smart as he thinks he is. Despite all the evidence, he simply refuses to believe the theory of his long suffering ‘bagman’ Sergeant Brunswick that a mysterious third crime boss organised the massacre and is currently running crime in Brighton.

So when the young, keen and exceedingly annoying Constable Twitten arrives in Brighton and starts investigating a series of burglaries, Steine is particularly aggrieved. Despite Steine’s insistence that Brighton’s criminal element is no more, Twitten seems determined to find criminal activity – and he does. The opening night of a new controversial play is unfortunately ruined when the opinionated and unpleasant film critic that Twitten is sitting next to is shot in the head. Finally a crime that even Steine can’t ignore.

Who could have wanted the critic dead? Is his death due to the multiple plays and productions that his reviews have destroyed? Or is it perhaps related to a bank robbery that the critic witnessed many years ago, and that Steine failed to solve. As Twitten and Brunswick start their investigation and Steine provides his own special brand of ‘help’, a second body is found. As the case continues, Brighton’s newest constable is about to uncover a dark secret about his city and the sinister figure manipulating everything behind the scenes.

Truss is a highly talented writer, author and radio personality who has produced a huge range of different works, including the non-fiction book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Truss has also created several other fictional and non-fictional books, as well as a number of popular radio series. A Shot in the Dark is Truss’s fifth fiction novel and is the first book in her Constable Twitten Mystery series.

One of the most interesting features of A Shot in the Dark is that it is actually a novelisation of Truss’s popular radio comedy drama series, Inspector Steine, which ran between 2007 and 2013 and starred the inimitable Michael Fenton-Stevens. This is a great introduction to the franchise that will have a massive amount of appeal both to fans of the radio show and people who are unfamiliar with this great comedy series. Rather than being a simple write-up of one of the Inspector Steine episodes, A Shot in the Dark is a combination of several different episodes, containing plot elements from various seasons of the show’s run. In particular, it contains components borrowed from the series one episodes While the Sun Shines, Separate Tales and The Deep Blue Sea, the series two episode The Entertainer, and the series three episode While the Sun Shines. As a result of this combination, people unfamiliar with this series get to experience several of the radio show’s best stories and plot points in their first outing. On the other hand, fans of the radio series get a completely new adventure that re-imagines Constable Twitten’s early days at Brighton. Storylines listeners may be familiar with have been altered in some new and substantial ways to create a fun and excellent combination of some key stories in the series.

In the original Inspector Steine series, Truss created some amazing characters who are not only terrific by themselves but who played off each other extremely well. The author has done an amazing job transplanting these characters into a completely different format. The three main characters are Inspector Steine, Constable Twitten and Sergeant Brunswick. Inspector Steine is your classic self-important senior management figure who thinks they are so much smarter than they actually are. Steine is extremely self-absorbed and very easily manipulated, but ultimately well meaning, given he is completely convinced that all the crime in Brighton was erased years ago as a result of his brilliant actions. Twitten, on the other hand, is actually as smart as he thinks and has no trouble letting everyone he meets know it. His clever investigative work is capable of solving the crime, but his cleverdick attitude ensures that no-one, especially Inspector Steine, will actually listen to him. Sergeant Brunswick plays straight man to both of his colleagues, and seems to be the middle ground between these two extreme personalities. However, while he is a competent investigator, he is also easily manipulated, and fails to see that his brilliant plans to go undercover on every case are hampered by the fact that all of Brighton’s criminals already know who his is. These three are all extreme examples of some of the classic police characters. In a normal piece of crime fiction, these three characters work well together (think Endeavour for example), but in A Shot in the Dark they bring out the worst in each other and combine together for great comedic value.

While the three police characters are excellently used and a whole lot of fun by themselves, special mention needs to be given to the brilliant antagonist of this story. Whiles fans of the radio series will not be surprised about their identity, I will try to avoid revealing too much in order not to ruin the surprise for any new readers. That being said, this character is an excellent villain who is able to manipulate the three police characters in some suitably comedic ways. The various and often quite unsubtle ways in which this villain manoeuvres the protagonists in A Shot in the Dark is absolutely hilarious, especially when their ridiculous plots actually work. New readers will have a fantastic time finding out who this character is and how they’ve gotten away with their crimes, while fans of the radio series will love seeing this outstanding antagonist in all their criminal glory once again.

A Shot in the Dark contains a fantastic story that expertly combines a clever murder mystery with hilarious comedy elements. As mentioned above, due to main characters’ various shortcomings and the devious nature of the villain, this is not your standard criminal investigation. The protagonists have to deal with some absurd situations as well as various unusual plans to stop them solving the case. That being said, the police do perform an investigation and the truth of the various crimes are eventually uncovered, although again without the standard solution crime fiction readers would be used to. The crime elements are compelling and there is a really interesting mystery contained within this book, with some imaginative twists leading up to the conclusion. In addition, the two murders are connected together in some clever ways, and the overarching conspiracy about Brighton is particularly intriguing. While the book contains some gripping mystery elements, it is a comedy at heart; there are some really amazing comedy elements, including some great sequences that really cracked me up. In addition to the shenanigans of the main characters, there are a range of other eccentric characters throughout the book that provide some fun moments of comic relief with their antics. These elements come together perfectly, and it is incredibly fun watching all attempts at a serious investigation get disrupted in various silly ways.

Truss set the Inspector Steine series within Brighton in the early 1950s. While this would already be an interesting setting, the author has amped this up by using elements from the classic crime novel and movie, Brighton Rock. Truss has stated that her series is based on captions at the start of the 1948 movie which declared that Brighton went from a crime hub between the two World Wars to an area completely free of criminals and corruption by the 1950s. While many people would be somewhat suspicious of such a statement, the Inspector Steine series is based on the idea that a member of the police actually believed this and acted accordingly. As a result, the whole city has, on the surface, a wholesome family atmosphere. That makes the crime hiding underneath a lot more fun to see, especially as the criminals really don’t need to do too much to disguise their activities, secure in Steine’s blissful ignorance. In addition, fans of the crime classic may be interested to know that there are a number of elements from Brighton Rock that play a key part in the story. As both the book and the movie exist within the Inspector Steine universe, Inspector Steine actually blames the events of this book on Graham Greene, the original author of Brighton Rock (a sentiment shared by Truss). In addition, various characters within A Shot in the Dark are obsessed with the events of the classic crime book, and many locations from the Brighton Rock book and movie become major plot settings in the story. In particular, there are several sequences based around one certain murder from the movie that results in some very entertaining scenes. Overall, this is a great setting for this excellent comedy-mystery hybrid, which also has some fantastic tie-ins to a classic post-war crime novel.

Lynne Truss delivers an extremely fun and very entertaining adaption of her popular Inspector Steine radio series with A Shot in the Dark. Featuring all of the exceptional characters that were a standout feature of the original series, A Shot in the Dark is an excellent piece of comedy that also contains some intriguing mystery elements and a unique settings with ties to the crime classic Brighton Rock. This five-star book comes highly recommended and is guaranteed to leave you laughing for hours. I am already looking forward to the next Constable Twitten Mystery.

My Rating:

Special thanks need to be given to my partner, Alex, who, on top of her usual editorial expertise for my reviews, happens to be a geek for BBC Radio 4 comedies and was able to help me properly analyse A Shot in the Dark without spoiling the identity of Brighton’s greatest criminal mastermind.

Amazon Book Depository