WWW Wednesday – 19 March 2025

WWW Wednesday is a weekly post hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

The White Fortress by Boyd and Beth Morrison (ebook)

I’ve just started reading the compelling historical thriller The White Fortress from Boyd and Beth Morrison.  The follow-up to The Lawless Land and The Last True TemplarThe White Fortress is an exciting novel that sees two unlikely heroes attempt to save a small town from invasion by uncovering a journal written by Marco Polo.  I’ve made a bit of progress on The White Fortress, and it is proving to be an excellent addition the series and I cannot wait to finish it off.

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Burn to Shine by Jonathan Maberry (Audiobook)

I have also started listening to the epic new Jonathan Maberry novel, Burn to Shine. The fourth book in Maberry’s Rogue Team International series (RageRelentless and Cave 13), Burn to Shine is a brutal and deeply intense thriller loaded with action and an elaborate plot.  I have so much love for the Rogue Team International series and Burn to Shine will probably end up being one of my favourite books and audiobooks of 2025. 

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What did you recently finish reading?

The Reunion by Bronwyn Rivers (Trade Paperback)

A fantastic and compelling Australia debut that comes very highly recommended.

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Star Wars: Reign of the Empire: The Mask of Fear by Alexander Freed (Audiobook)

I managed to finish off the cool new Star Wars audiobook, The Mask of Fear by Alexander Freed, which follows the early day of the Emperor’s reign. A very intriguing addition to the Star Wars canon loaded with cool lore and some compelling political commentary, this was a very excellent book to check out. 

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A Death in Berlin by Simon Scarrow (Trade Paperback)

An impressive and addictive piece of historical crime fiction from one of my favourite authors.  Review to hopefully follow soon.

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The Whisperer’s War by Jackie French (Trade Paperback)

An outstanding historical drama from one of Australia’s best authors.

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What do you think you’ll read next?

How to Slay on Holiday by Sarah Bonner

I have quite a few books I want to read at the moment, but I think I might try to read the entertaining sounding thriller, How to Slay on Holiday next.  The cool new book from Sarah Bonner, who previously impressed me with Her Perfect Twin and Her Sweet Revenge, How to Slay on Holiday sounds extremely fun and I look forward to checking it out.

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That’s it for this week; check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Waiting on Wednesday – Circle of Days by Ken Follett

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For my latest Waiting on Wednesday post, I check out an awesome upcoming historical fiction novel, Circle of Days, from one of my favourite authors, Ken Follett.

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Ken Follett is an exceptional author who has been a leading thriller and historical fiction writer since the 1970s.  Originally known for an array of complex and intriguing thrillers, including Capricorn One, Eye of the Needle, Triple and more, Follett is probably better known these days as an author of historical fiction, thanks to Kingsbridge series and The Century trilogy.

Both these ambitious historical fiction series attempt to examine key periods of history, both in and outside of England, following large casts of complex characters.  For example, his Kingsbridge series, which started with the iconic novel, The Pillars of the Earth, showcases different eras of the fictional town of Kingsbridge, following a new set of protagonists with each book over a period of many years.  For example, A Column of Fire was set during the Elizabethan period, The Evening and the Morning (one of my favourite books of 2020) was a prequel novel set to the backdrop of Viking raids, while The Armour of Light (one of my favourite books of 2023) focused on the Industrial Revolution in Kingsbridge and the Napoleonic Wars.  The Century trilogy on the other hand was an impressive series that followed members of several connected families living in different countries (i.e. UK, US, Russia and Germany) as they experienced the key events of the 20th century from various perspectives.  I really enjoyed these elaborate and compelling historical epics, especially as Follett does a wonderful job of working key events into his fictional character’s personal dramas, and they are all five-star reads in my book.  As such, I am always keen for more historical fiction from Follett which is why I am so excited to see that he has a new novel coming out later this year with Circle of Days.

Circle of Days is an intriguing and awesome upcoming novel that will be based around the construction of Stonehenge.  Set for release in September 2025, Circle of Days will once again follow an array of compelling characters as they live their lives around this major event in England’s pre-history.

Plot Synopsis:

From the master of epic fiction comes the deeply human story of one of the world’s greatest mysteries: the building of Stonehenge.

A FLINT MINER WITH A GIFT

Seft, a talented flint miner, walks the Great Plain in the high summer heat, to witness the rituals that signal the start of a new year. He is there to trade his stone at the Midsummer Rite, and to find Neen, the girl he loves. Her family lives in prosperity and offers Seft an escape from his brutish father and brothers, within their herder community.

A PRIESTESS WHO BELIEVES THE IMPOSSIBLE

Joia, Neen’s sister, is a priestess with a vision and an unmatched ability to lead. As a child, she watches the Midsummer ceremony, enthralled, and dreams of a miraculous new monument, raised from the biggest stones in the world. But trouble is brewing among the hills and woodlands of the Great Plain.

A MONUMENT THAT WILL DEFINE A CIVILISATION

Joia’s vision of a great stone circle, assembled by the divided tribes of the Plain, will inspire Seft and become their life’s work. But as drought ravages the earth, mistrust grows between the herders, farmers and woodlanders – and an act of savage violence leads to open warfare . . .

Truly ambitious in scope, Circle of Days invites you to join master storyteller Ken Follett in exploring one of the greatest mysteries of our age: Stonehenge.

This sounds like another particularly cool and intriguing novel from Follett, and I cannot wait to see him explore this fascinating British period.  Focussing the plot of Circle of Days around the creation of Stonehenge is an awesome idea, and I look forward to seeing how the author envisions this era of pre-history.  It sounds like Follett will be utilising his typical style of focussing the story on multiple compelling characters, both protagonist and antagonist, which the author has used to great effects in his previous historical novels to create fantastic, character-driven narratives.  I am also very excited to see what complex and elaborate narratives evolve as a result, and the depictions of war, mistrust and shattered relationships, all set around the construction of Stonehenge, sounds extremely promising to me.  I am a little curious to see if Circle of Days will be some sort of very early prequel to the Kingsbridge books (the fictional town of Kingsbridge is set close to Salisbury), which will probably be a fun little revelation for existing Follett fans.

Based on Ken Follett’s previous historical fiction books alone, Circle of Days is a particularly highly anticipated read for me, especially as I have had an exceptional time reading Follett’s amazing books over the years.  However, I am also really intrigued by the new historical scenario that Follett is envisioning, and an elaborate, multi-protagonist narrative set around the creation of Stonehenge has so much potential.  I have no doubt that Circle of Days is going to be one of the top books of 2025 for me, and I look forward to reading it the second it comes out.

Waiting on Wednesday – Forged For Destiny by Andrew Knighton

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I check out an awesome upcoming fantasy book that looks to bring the laughs with Forged For Destiny by Andrew Kingston.

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Here at the Unseen Library, we’re a big fan of all things fantasy, whether that be compelling epics, elaborate tales of woe, or action-laded adventures.  However, sometimes it’s nice to settle in with a fun book that parodies the genre, which is why the upcoming book, Forged For Destiny has caught my attention.

A compelling new read from Andrew Knighton, Forged For Destiny looks set to be an entertaining satire on the classic chosen one story, as a supposed long-lost prince and hero begins to doubt his destiny on route to claim the throne.  Set for release late June 2025, Forged For Destiny sounds really cool, and I love the fantastic and entertaining plot synopsis laid out below.  I have a strong feeling that Forged For Destiny is going to be one of the more unique and captivating fantasy novels of 2025, and I cannot wait to get my hands on it.

Plot Synopsis:

Raul has a destiny: claim his birthright as the last surviving heir of King Balbainus and lead his conquered people to freedom.

The signs are all there—his birthmark, in the shape of Balbainus’ halfmoon and dagger sigil, the gemstone-hilted sword he found in his parents’ inn, and the sudden influx of illegal books featuring the late king’s lineage. Nevermind that his ma is a hidden scribe writing a play about Balbainus’ return, or that his da, a hardened warrior, has been training him to fight since he could stand. Or the fact that his sword doesn’t seem very old at all, he feels much more comfortable reading than fighting, and his birthmark is looking more and more like a burn scar…

As Raul leaves his simple village life to start a rebellion against the tyrannical Dunholmi government, he begins to wonder if his destiny is more someone else’s plan for a future he doesn’t want to be a part of. He’ll go along with things, for now, if only to prove that change can come from kindness instead of outright destruction.

After all, destiny is what you make of it. 

WWW Wednesday – 12 March 2025

WWW Wednesday is a weekly post hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

The Reunion by Bronwyn Rivers (Trade Paperback)

I just started reading the intriguing new Australia debut, The Reunion.  Set in the Blue Mountains (a location I have a lot of love for), The Reunion follows a group who return to the scene of their friend’s death and find their dark secrets coming to the surface. I haven’t made too much progress with The Reunion yet, but I am already very intrigued by the mystery and cannot wait to see how it unfolds.

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Star Wars: Reign of the Empire: The Mask of Fear by Alexander Freed (Audiobook)

I am still enjoying the cool new Star Wars audiobook, The Mask of Fear by Alexander Freed.  The first book in the outstanding Reign of the Empire trilogy, The Mask of Fear follows the early day of the Empire’s reign, as several key supporting characters attempt to fight back against it in various ways.  I am about two thirds through The Mask of Fear at the moment, and I am hoping to finish it off this week.  It will be very interesting to see how this outstanding book comes together, and I am really enjoying this cool read.

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What did you recently finish reading?

Nobody’s Fool by Harlan Coben (Trade Paperback)

I powered through the new Harlan Coben book, Nobody’s Fool, on the weekend, and it proved to be quite an exceptional read. A captivating and brilliant novel, Nobody’s Fool comes very highly recommended, and I am hoping to have a review up for it soon.

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What do you think you’ll read next?

The White Fortress by Boyd and Beth Morrison

The next book I am hoping to read is the compelling historical thriller The White Fortress from Boyd and Beth Morrison.  The follow-up to The Lawless Land and The Last True Templar, The White Fortress sounds very exceptional, and I cannot wait to dive into its captivating and exciting story.

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Burn to Shine by Jonathan Maberry

Finally, if I manage to finish off The Mask of Fear this week, I will probably start listening to the epic new Jonathan Maberry novel, Burn to Shine. The fourth book in Maberry’s Rogue Team International series (Rage, Relentless and Cave 13), Burn to Shine will probably end up being one of my favourite books and audiobooks of 2025, and I cannot wait to see how this new devastating adventure unfolds. 

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That’s it for this week; check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Book Haul – 11 March 2025

I’ve had an excellent couple of weeks for books, as I was lucky enough to receive several incredible and amazing new novels from local publishers and Netgalley.  These novels include some truly awesome new releases, including books that have the potential to be some of my top reads of the year.  I cannot wait to dive into them, and I so excited to see how they all turn out.

A Death In Berlin by Simon Scarrow

Let’s start this Book Haul post on a high with the new Simon Scarrow book, A Death in Berlin.  The latest entry in Scarrow’s Berlin Wartime Thriller series (Blackout and Dead of Night), A Death in Berlin will once again follow the series’ detective protagonist as he tries to investigate crimes in Berlin against the wishes of the Nazi leadership.

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Pacific Heights by S. R. White

Next, we have the very cool Australian murder mystery, Pacific Heights by S. R. White.  An intriguing new book from White, Pacific Heights will see new police protagonists attempt to investigate a murder using the conflicting testimony of five differing witnesses.  I look forward to unravelling this complex tale and it should be an exceptional read.

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Usagi Yojimbo: Volume 40: The Crow by Stan Sakai

I was very happy to get the latest volume of my favourite comic book series with Usagi Yojimbo: The Crow by Stan Sakai.  An outstanding addition to an epic series, I have already reviewed The Crow here, and it comes highly recommended.

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Vanish by Shelley Burr

One of Australia’s fastest rising murder mystery, Shelley Burr, returns with her third book, Vanish.  Following on from her previous novels, Wake and Ripper, Vanish will see the series’ troubled protagonist journey to another remote Australian town to investigate a historical murder, only to encounter a dangerous cult. I have really enjoyed Burr’s first two books, and I cannot wait to see how Vanish turns out.

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When the Moon Hits Your Eye by John Scalzi

I was extremely happy to receive a copy of the new John Scalzi book, When the Moon Hits Your Eye. A fun sounding science fiction comedy that will examine what happens to the world when the moon suddenly turning to cheese, When the Moon Hits Your Eye sounds so damn awesome, and I cannot wait to read it.

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Overgrowth by Mira Grant

One of the more intriguing novels I recently received was the intriguing science fiction book, Overgrowth by Mira Grant. A unique take on the alien invasion story, Overgrowth sounds extremely cool and I look forward to getting through it.

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The Other People by C. B. Everett

The final book I have recently received is The Other People by C. B. Everett.  An excellent sounding murder mystery, The Other People will follow ten strangers who wake up in a mysterious house and are forced to solve a missing person’s case while a killer stalks them. This sounds like an amazing concept, and I am intrigued to see how it turned out.

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Well, that’s the end of this latest Book Haul post.  As you can see I have quite a bit of reading to do at the moment thanks to all these awesome books that have come in.  Let me know which of the above you are most interested in and make sure to check back in a few weeks to see my reviews of them.

Usagi Yojimbo: Volume 40: The Crow by Stan Sakai

Publisher: Dark Horse Comics (Paperback – 21 January 2025)

Series: Usagi Yojimbo – Volume 40

Length: 152 pages

My Rating: 5 out of 5 stars

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Stan Sakai’s iconic Usagi Yojimbo comic series powers through to its 40th volume, with the compelling and action-packed collection, The Crow, which proves to be another intense and impressive read.

Readers of this blog will know that I have a lot of love for the amazing Usagi Yojimbo series by Stan Sakai, which has remained one of my favourite comic series for years.  Following a rabbit ronin in an alternate version of Feudal Japan populated by anthropomorphic animals, the Usagi Yojimbo series combines cool art and great characters with a fantastic Japanese samurai aesthetic to create a particularly awesome comic series.  I love the various elaborate stories and scenarios that Sakai comes up with for the Usagi Yojimbo comics, and it is a real highlight of my reading year to check out the new Usagi Yojimbo volume.

This latest volume, The Crow, is the 40th collected volume of the long-running Usagi Yojimbo comic and contains issues #275 to #279 of the series.  This is the second volume of the current Dark Horse Comics run of Usagi Yojimbo, which started last year with volume 39, Ice and Snow (one of my favourite books of 2024), and continues some of the ongoing storylines from the other recent volumes.  This volume is once again written and drawn by Sakai, with Hi-Fi Colour Design colouring in Sakai’s illustrations.  The Crow was another interesting addition to the series I was really looking forward to, as it follows Usagi and his unlikely companions into deadly danger.

Following their encounter in the mountains with the murderous Jei, Miyamoto Usagi and his cousin, Yamamoto Yukichi, have finally escaped the freezing north of Japan and have journeyed to warmer climes.  However, just because they are out of the ice and snow doesn’t mean they have escaped trouble.

Closing in on the nearest town, Usagi and Yukichi come across a man being attacked by four ruffians.  Interceding in the fight and driving the attackers off, Usagi and Yukichi initially believe that the man they rescued was a merchant being robbed.  However, when they arrive at their destination, they find the place overrun by disreputable bounty hunters on the hunt for a big reward, including Usagi’s old companions Gen and Stray Dog.  Once again conned into paying for lunch, Usagi and Yukichi are shocked to discover that the focus of the bounty hunters’ attention is the person they saved, a dangerous bandit warlord known as Jimmu due to his crow companion.

Despite their intentions to avoid the hunt for Jimmu, the two rabbit ronin find themselves dragged into the fight by the deadly mercenary Inuyoshi, another acquaintance of Usagi who is also seeking Jimmu’s bounty.  Initially forced into conflict with Inuyoshi, Usagi and his friends soon find themselves unlikely allies of Inuyoshi’s bounty hunter band, as they must work together to take down Jimmu and his massive bandit army.  But with skilled warriors on both sides, and no mercy on the horizon, will Usagi and his associates survive unscathed?

The Crow was another exceptional comic from Sakai, who continues his Usagi Yojimbo series with masterful style.  Featuring one major story that pitted the protagonists against an array of deadly warriors, The Crow had me hooked from the very beginning, and I finished the entire volume within an hour of getting my hands on it.  An outstanding comic with great art and some brilliant character arcs, The Crow unsurprisingly gets a full five-star rating from me and was so damn good.

I felt that The Crow had a particularly strong story behind it, as Sakai continues his recent trend of featuring a single multi-issue story in the volume, rather than a series of smaller short stories like in many of his earlier volumes.  This allowed the author to produce a complex, interwoven narrative that features several intriguing character-focused storylines.  Featuring the old classic start, with Usagi and Yukichi rescuing a traveller from assailants, you are drawn into familiar Usagi Yojimbo ground of bandits and bounty hunters, as the rabbit samurai encounter two of Usagi’s oldest companions, the money-focused Gen and Stray Dog.  This allows for some excellent early story tension, as the naïve and highly honourable Yukichi clashes with the morally flexible and cynical bounty hunters, especially when they discover that the traveller Yukichi helped was the notorious bandit chief Jimmu.  Sakai quickly moves the story into its central arc, when Yukichi is kidnapped by returning figure Inuyoshi, who seeks to keep Usagi, Gen and Stray Dog out of his hunt for Jimmu.

This kidnapping arc proved to be quite interesting, especially as the formerly honourable Inuyoshi verbally clashes with Yukichi and is forced to find his honour in the face of betrayals within his own gang of bounty hunters.  I really enjoyed some of the compelling interactions between some of the cast in the central part of the story, and Sakai cleverly works events so that Usagi and his friends can find and rescue Yukichi.  This central part of the story also features some great action sequences, especially a brutal, multi-page ambush by Jimmu who robs a merchant convoy.  The revelation about the true size of Jimmu’s bandit army inevitably results in Usagi’s group teaming up with Inuyoshi to find and defeat Jimmu, which results in a massive battle that takes up most of the final quarter of the volume.  This battle was everything you could hope for, and Sakai is in fine form with his drawings as he portrays the various fights.  The final duels between bounty hunters and Jimmu have some outstanding and memorable moments, and Sakai ensures there is some powerful tragedy that will live with a certain protagonist.  Sakai ensures that all the key character-driven story arcs are well wrapped up, and there are some touching moments that perfectly define some of the major protagonist’s personalities or struggles in this volume, which I felt made The Crow really stand out.  A very impressive overall story from Sakai, that shows just how interesting and intense his writing can be, even when he returns to his well-trodden tales of bandits and bounty hunters.

One of the things that I felt Sakai did particularly well in The Crow was to feature an array of great characters, whose combined arcs come together extremely well in the context of the larger story.  There is an awesome collection of characters in this volume, including old favourites, returning one-shot figures, and some intriguing new characters who proved to be excellent additions to the overall story.  Sakai does an excellent job balancing a number of these character storylines within the course of The Crow’s four issues, and there are some moving and compelling moments as a result.

A lot of the volume focuses on the three longer-term recurring members of the cast, Gen, Stray Dog and Usagi himself, who are the veteran presence in The Crow.  While they are featured quite prominently, Sakai doesn’t provide a massive amount of development for them, as they mostly fall into the same routines as they previously have, with Gen being the money-fixated conman, Stray Dog being the seemingly selfish and unfriendly killer, while Usagi is his usual honourable self.  I did like how Sakai once again painted Usagi more as a mature and world-weary figure, especially when compared to Yukichi, and it was interesting to see how much more realistic he is here than in some of his earlier encounters with Gen and Stray Dog.  Sakai also has fun once again featuring the dichotomy of Stray Dog, whose selfish outer-shell is cleverly balanced by his actual charitable actions, which are used to great effect for a secondary character towards the end of the volume.  Finally, Gen was his usual self, although considering how fun that is, I was happy with the result.

While these three long-running figures were well utilised, I felt that Sakai did his work with two more recent, returning additions to the Usagi Yojimbo universe with Yamamoto Yukichi and the mercenary Inuyoshi.  Yukichi, Usagi’s cousin introduced in volume 36: Tengu War!, has proven to be an interesting traveling companion for the protagonist, especially as he is very similar to a younger Usagi.  His naivety and unbending belief in honour without compromise is on full display in this volume, especially in his first interaction with Gen and Stray Dog, and it is interesting to compare him to the now more flexible Usagi.  Inuyoshi on the other hand is an intriguing figure who was introduced in the story The Sword of Narukami in the series’ 27th volume, A Town Called Hell.  A formerly honourable samurai betrayed by his lord’s heir, Inuyoshi has become a much more deadly and disreputable figure since his last encounter with Usagi.  I really liked how Sakai devolved Inuyoshi since his last appearance, both in his art and personality, as while he still maintains some of his honour, he has become even more ruthless, going so far as to capture Yukichi to keep Usagi and his companions away.  These two characters are in a way antithesis of each other, with one strictly holding onto samurai ideals while the other has abandoned them and is now more interested in money and survival.  The two play off each other extremely well, despite some major fractious moments, and I liked how they both gain something from the experience, with Yukichi getting a lesson in the real world, while Inuyoshi remembers some of his old honour.  Inuyoshi’s appearance here also perfectly wraps up some of the open storylines from The Sword of Narukami, and I appreciated that Sakai finally provided some closure for a one-off tale from several years ago.

Aside from these great major characters, Sakai rounds out the cast of The Crow with some additional fun figures who each add some fantastic elements to the comic.  The volume’s main antagonist, Jimmu, proves to be a ruthless and competent outlaw leader, and I liked how his crow companion gave him a distinctive edge and allowed for some intriguing and well-drawn battle scenes.  The street urchin, Isamu, was a great mischievous figure who reminded me of a young, but brave, version of the recurring Snitch character.  Isamu has some fantastic interactions with some of the main characters, and it wouldn’t surprise me if we see more of him in the future.  Finally, Sakai has fun including a comedic merchant duo who get caught up in one of Jimmu’s raids.  Their entertaining banter during several scenes had me chuckling, especially when their newly discovered brotherhood is ruined by some ill-matched confessions, and they provided an excellent bit of humour amongst the darker story elements.  These great characters all filled their roles perfectly, and I deeply enjoyed how effectively Sakai utilised them in this fantastic narrative.

As with all the Usagi Yojimbo comics, I really need to highlight Sakai’s exceptional artwork featured within The Crow.  Sakai does another remarkable artistic job in this latest volume, and the comics are just gorgeous as he effortlessly brings his elaborate stories and characters to life with his amazing drawings.  All the characters are lovingly drawn, and their resultant actions, especially the cool battle sequences, are so intense and expressive.  I was particularly impressed with Sakai’s portrayal of rival samurai Inuyoshi, who had previously appeared once some years ago.  It was absolutely fascinating to see how Sakai’s drawing style has changed in the intervening years (I had a look at A Town Called Hell after reading The Crow), as Inuyoshi has so much more detail and depth in this appearance.  His scarred and somewhat more deranged appearance perfectly matched his darker personality, and I really think that he looked even more impressive in colour, which has only been a recurring feature since volume 34, Bunraku and Other Stories

These excellent character drawings are only matched by Sakai’s superb landscape drawings, which provide beautiful and powerful pictures of the story’s background setting.  These background drawings, whether they be depictions of historic Japanese towns or of the shaded natural forests, come across extremely well, and you really feel yourself becoming immersed in the setting as a result.  I must once again mention the awesome action scenes scattered throughout The Crow.  Sakai is a master of drawing epic sword clashes in his comic style, and you can feel every thrust and cut that the various samurai characters make.  Highlights for me this time included two massive group battle sequences that each have their own fantastic moments, cool duels against the bandit leader and his bird companion, and a somewhat graphic but very well-drawn decapitation panel which was both epic and gnarly.  This art once again perfectly enhances and compliments Sakai’s outstanding writing, and I love how even after 40 Usagi Yojimbo volumes, Sakai is still producing such masterful and moving pictures.

Stan Sakai continues to impress and wow me with his outstanding Usagi Yojimbo comic series.  This latest volume, The Crow, was another captivating comic, loaded with striking drawings, intense action, and some excellent samurai characters.  I felt that The Crow was a particularly strong entry in this always incredible series, and I am so very glad we were gifted a volume this early in the year.  I am hoping that we will get another volume later in 2025, but until then, do yourself a favour and make sure to check out the first exceptional 40 volumes of one of the best ongoing comic series.

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Nemesis by Gregg Hurwitz

Publisher: Michael Joseph (Trade Paperback – 18 February 2025)

Series: Orphan X – Book 10

Length: 493 pages

My Rating: 5 out of 5 stars

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One of my favourite thriller authors, Gregg Hurwitz, returns with a powerful and particularly addictive new entry in his Orphan X series with the emotionally charged and pulse-pounding read, Nemesis.

Gregg Hurwitz is an author I have had a wonderful time enjoying over the last few years, primarily thanks to his exceptional Orphan X books.  Following former government assassin Evan Smoak, formerly known as Orphan X, this compelling thriller series explores Smoak’s vigilante actions as the Nowhere Man, a source of lethal justice for those who can’t get help anywhere else.  I started reading these books several years ago with the amazing fourth entry, Out of the Dark, which saw the protagonist go to war with a corrupt US President, and I have been hooked ever since, grabbing every subsequent entry in the series.  This includes the outstanding novels Into the FireProdigal SonDark HorseThe Last Orphan and Lone Wolf, each of which did an intriguing job of continuing the series while also exploring Hurwitz’s complex protagonist and his unlikely family.  I really enjoyed all these books, and I have been eagerly awaiting the 10th novel, Nemesis, for a while now, especially as it promised to follow on from the intriguing cliff-hanger at the end of Lone Wolf.

No greater friend.  No worse enemy.

Evan Smoak, the Nowhere Man, has spent years taking on impossible vigilante missions, while also keeping his former government owners at bay.  No matter how hard the mission, Smoak always succeeds, in no small part to the group of loyal friends who have his back.  But Evan is about to discover the sad truth that it’s those closest to you that can cause you the most pain.

After foiling a lethal assassin with a penchant for taking out innocent bystanders, Evan is disturbed to discover that the assassin’s weapons were sourced from his trusted comrade and armourer, Tommy Stojack.  Shocked and determined to get answers, an emotionally compromised Evan finds himself unwilling to forgive Tommy for his lapse in moral code, and the two strong-willed warriors soon find themselves at odds.  When Evan’s next attempt to talk sees him ambushed by a flurry of thugs and shooters, he decides that it’s time to go to war, even if that means killing his best friend.

However, Tommy has his own problems to deal with.  Receiving a call for help from the son of an old war buddy, Tommy travels to a dying American town, filled with anger, corruption and racial tension.  Attempting to honour his debts, Tommy finds himself mentoring a group of neglected and angry young men whose uninformed actions have led to tragedy.  However, Tommy’s seemingly simple mission soon turns deadly when Evan arrives in town and takes issue with the actions of those under Tommy’s protection.  Thrown into opposite moral paths and plagued by assassins, local troubles and their own substantial personal issues, Evan and Tommy find themselves in conflict, with everyone around them caught in the crossfire.

Hurwitz continues to shine as one of the premier authors of thriller fiction with this particularly intense and complex entry in his Orphan X series.  Featuring a compelling plot loaded with action and captivating character moments, Nemesis was an addictive read that hits the reader hard and never gives them a chance to recover.  This was probably one of my favourite Orphan X books so far, and thanks to Hurwitz’s brilliant writing, I have very little choice but to give Nemesis a full five-star rating.

I was really impressed with the plot for Nemesis, which honestly went in some compelling directions that I didn’t expect, but which provides great closure and intense character moments, while also loaded up with the series’ trademark action.  Following on from Lone Wolf, Nemesis sees a preoccupied protagonist, Evan Smoak, distracted and distressed by the revelations that his best friend and armourer Tommy Stojack supplied weapons to a deadly assassin who killed multiple innocent people in the previous book.  Forced by his moral code into a confrontation, Evan finds himself in conflict with a stubborn and unapologetic Tommy.  However, what starts as a major disagreement between friends turns into a full-on war, when the two find themselves on different sides of an ethical fence, while also fending off assassins and killers after Tommy.

Hurwitz paced this narrative out extremely well, with a great intro and an early action set piece that worked to showcase the protagonist’s emotional instability.  The initial confrontation between Evan and Tommy sparks up the intensity of the plot, and the reader becomes engaged in seeing how the conflict between them will continue, especially after the second sequence forces Evan to fight for his life.  The author then takes the book in a very interesting direction, as Tommy journeys to a small town in heartland America to help the son of an old comrade and finds himself mentoring a group of young want-to-be militia members who have gotten into trouble.  Hurwitz spends a lot of time focusing on Tommy’s attempts to guide the group and trying to gently resolve the dark things they have done.

While this journey to middle-America initially seemed an odd choice for plot progression, Hurwitz utilises it perfectly to showcase Tommy’s character and the differences in approach and personality between him and Evan.  Conflict inevitably emerges when Evan arrives and attempts to solve matters in a black-and-white manner, forcing Tommy to intervene.  This provides even greater emotional turmoil, and I loved how well the author set it out.  You find yourself getting really drawn into the nuanced situation that emerges, and I loved seeing the alternating methods and personalities of the two protagonists.  After an impressive action sequence where Evan and Tommy come together one time to face off against a scary group of assassins, Hurwitz sets up the book’s final confrontations, which are loaded with some brilliant moments that pushes both main characters to the edge.  I deeply enjoyed how Hurwitz resolved the entire situation, and you are on the edge of your seat the entire time, which results in a particularly addictive read.  I honestly was very satisfied with this book, right up to the final twist, which was impactful and clever, but for which I may never forgive Hurwitz.  This was easily one of Hurwitz’s best narratives, and I really appreciated the complex, character-driven thriller storyline he envisioned for this latest Orphan X book.

Hurwitz did an exceptional job bringing Nemesis’s complex and captivating narrative together, and I honestly feel that this is some of his best writing.  Featuring a fantastic continuation of the ongoing series, Nemesis had the perfect blend of action, intrigue and character-focused drama, which allowed for quite an addictive read.  The various action sequences scattered throughout the book are intense, brutal and very-well put together, and I loved how they showcase the various moods of the protagonist, as we go from his usual smooth sequences to more frenetic fights when he is emotionally compromised.  While these typical thriller elements are a lot of fun, it is the focus on the characters and the intense emotions between them that makes Nemesis particularly impressive.  Hurwitz sometimes struggles with the balance between action and character development, but I felt that this one was perfect, especially as he featured an array of damaged figures, including two former best friends in deep conflict.  While I do think that Nemesis could have gone without another manufactured conflict between Evan and his ward, Joey, for the most part it was exceptional to see the various character interactions and dives into the protagonist’s psyche that emerged.  This blended extremely well with the overarching thriller narrative and the fantastic action of the plot, and resulted in a particularly powerful read that, while more emotionally charged than most thrillers, worked extremely well in the context of this series.  I really appreciated how carefully Hurwitz set out these elements in Nemesis, and there is really something for everyone here including some thought-provoking discussions, awesome action scenes, and some major emotional moments that will hit you hard and really stick with you.

As with most books in the Orphan X series, Nemesis can be read as a standalone novel, as Hurwitz does an excellent job of recapping key events, elements and characters from the previous novels for new readers.  I personally felt that to get the full emotional impact of Nemesis, readers really need to have read some of the previous books in the series first.  Not only does the cause of the key conflict of Nemesis occur in the previous novel, Lone Wolf, but seeing just how close the emotionally shuttered Evan is with Tommy ensures you understand the emotional stakes of Nemesis and how far apart these two former friends have gotten.  However, if you decide to make Nemesis your first entry in the Orphan X series, you’ll still be in for an amazing treat, and I feel that Hurwitz features enough context and recaps to allow any reader to enjoy Nemesis.  This honestly was a very impressive book in the Orphan X series, and it will be very interesting to see where Hurwitz goes with this next.  The author has set up some big emotional hurdles for the next novel, and I look forward to seeing how his protagonist overcomes them.

As I have mentioned a few times above, I felt that Hurwitz’s character work was the element that made Nemesis particularly exceptional.  Not only does Hurwitz cleverly build on a range of existing character storylines and developments from the previous book but he also introduces several compelling one-off characters whose interactions with the main cast make for some impressively powerful moments.  Naturally a lot of the development is reserved for series protagonist Evan Smoak, the former government assassin turned vigilante.  Evan has always been an exceptionally complex character due to his unusual upbringing, lack of emotional awareness and OCD, and many books have dealt with his inability to deal with other people in his life.  Hurwitz does an excellent job revisiting that here in Nemesis as Evan faces another emotional hurdle when he is forced to come into conflict with his one true friend.  The emotional stress this puts him under turns him into a bit more of a deranged and careless creature.  The fantastic emotional range showed by Evan in Nemesis was fascinating, and Hurwitz writes some great story moments around his anger, poor judgement and strict moral code.  Few Orphan X books have pushed the protagonist in more ways than Nemesis, and I honestly felt every emotional bruise that occurred in this book, including the final one that is going to have some major repercussions for the protagonist.

Aside from Evan, the main character of Nemesis was the protagonist’s former friend turned opposing figure, Tommy Stojack.  Tommy, the gruff and cantankerous old soldier, has always been one of the more entertaining characters in the Orphan X books, and it has always been fun to see the unlikely friendship between him and Evan.  Given a much larger role in Nemesis, Tommy serves as a secondary protagonist and major point of view character, which really suits him.  I deeply enjoyed seeing more of Tommy’s perspective, especially as it is starkly different to Evans.  His interactions with many of the supporting characters of Nemesis really help to showcase his personality and mindset, especially when he takes on a stern mentor role for several younger characters.  However, it is the intense and strained relationship with Evan that is the major highlight of this book, as Hurwitz provides a compelling deep dive into their friendship.  Thanks to both characters pride and belief that they are right, the two face off several times in this book, proving that friends really make the worse enemies.  I really appreciate how well Hurwitz used Tommy in Nemesis, and the emotionally charged circumstances that surround his inclusion help to deeply enhance this book.

Aside from Evan and Tommy, there is a very fun and intriguing supporting cast in Nemesis who add to the story in some compelling ways.  Evan’s ward, Joey Morales, is her usual fun, rebel self, and while I think some of her conflicts with Evan are a little unnecessary, I liked her continued coming-of-age storylines, as well as a fun scene she has with Orphan V.  I felt that the highlight of the supporting characters was a small group of rebellious, angry young men who Tommy chooses to look out for.  Although they’re a hard group of characters to initially like, Hurwitz provides some fascinating context to their actions as the story continues.  I really appreciate the intelligent social commentary that Hurwitz featured around these characters, and you end up feeling a little sorry for them, despite what they have done.  Throw in some great villains, including four related assassins who are honestly quite freaky in their appearances, and this was an outstanding cast of characters, whose complex and captivating personal stories and interactions ensure that Nemesis is a particularly powerful read.

The always impressive Gregg Hurwitz continues his Orphan X series in incredible manner with Nemesis.  An exception and memorable entry in this always fun series, Nemesis had a brilliant and emotionally charged narrative behind it, loaded with amazing character moments.  Guaranteed to hook you with its fun action and complex character dynamics, Nemesis was so damn good, and I am still not over all of Hurwitz’s excellent, and brutal, twists.

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Quick Review – Little Red Death by A. K. Benedict

Publisher: Simon & Schuster (ebook – 13 February 2025)

Series: Standalone

Length: 383 pages

My Rating: 4.25 out of 5 stars

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I had a wonderful time reading one of the more unique murder mystery novels of 2025, the compelling and occasionally bonkers novel, Litte Red Death by bestselling author A. K. Benedict.


Plot Synopsis:

ONCE UPON A TIME LIKE YOU’VE NEVER READ IT BEFORE . . .

DI Lyla Rondell is on the case of a lifetime. Tasked with investigating a series of perplexing deaths, the only lead she has is that each appears to be based on a different classic fairy tale. Far from the stuff of bedtime stories, the press is having a field day with what they have named the Grimm Ripper Murders.

But as the bodies stack up, Lyla’s whole world is about to flip on its head. Because the killer’s bloody trail stretches deep into her own origin story, and when she discovers the truth, nothing will ever be the same again.

Faced with the fact that everything she knows is fiction, Lyla will have to take a little creative license of her own if she’s going to turn the final page on the killings . . .


Little Red Death
was a quite a fascinating read that went in some very surprising directions.  While I was expecting a less conventional crime fiction book, I honestly wasn’t prepared for just how fantastical Little Red Death turned out to be, as Benedict loads in some memorable twists that change everything, while keeping the readers engaged with its compelling plot.

I felt that Little Red Death started off strong and provided some intriguing details that will hook most readers.  The main plotline revolves around DI Lyla Rondell, who is called in to investigate a killing that has been inspired by classic Grimm fairytales.  This case strikes Lyla hard, as years before the girl she loved suddenly disappeared with a classic fairytale plot device left behind.  Receiving taunting messages apparently from the killer, known as the Grimm Ripper, as more vicious fairytale themed murders are carried, Lyla becomes obsessed with the case, hoping that she will finally find her missing friend.  This initial storyline around Lyla is quite impactful in its own right, and Benedict ensures that the first half of the book is made further intriguing thanks to a perspective from a second major character, Katie, a mystery writer who has been kidnapped by the killer and is now being forced to write a series of twisted fairytale murder stories that the Grimm Ripper is using as a guideline for his crimes.  These two major storylines blend quite nicely, and Benedict cleverly layers in some clues at the major events to come, which was very well done in hindsight.  However, despite some hints about the unusual nature of events, nothing quite prepares you for the big twist at the centre of the book.

Now, I don’t want to give too much away about what the big twist is, especially as it is quite fun to find out on your own.  I will say that Benedict does set it up nicely, and it fits the unusual nature of Little Red Death extremely well.  While I can see some murder mystery purists not enjoying it, especially as it veers the story towards fantasy grounds, I personally liked it.  I must admit that I did laugh like crazy when I initially discovered what was happening, because it is pretty out there, but Benedict really commits to it, and it makes Little Red Death really stand out.  Because of this twist, the second half of Little Red Death has a very different tone to it, but it also allows for some great character moments, especially as the main protagonists discover more about themselves and are forced to come to terms with some very hard truths.  It leads up nicely to a series of big twists and shocking moments at the end, which were quite clever in their way, although it did feel like Benedict was trying to make things too complicated at times.  Still, it was a very fun ending, and I liked the sadistically satisfying and unique overall conclusion to Little Red Death, which is extremely meta and brings together a lot of fun references from the rest of the book.

Little Red Death proved to be a very exciting and outrageous book in the end, and I think that Benedict did a great job of introducing and utilising all her unique ideas to create a very distinctive story.  As I mentioned above, the use of multiple character perspectives between Lyla and Katie worked very well to tell a layered narrative with some great added complexity, especially after the big twist showcases their unlikely connection.  Benedict also has fun including a series of Katie’s twisted fairytales throughout the book, which allows the reader to see the inspiration behind the killer’s next murders.  These stories, and other inclusions, add a great self-referential edge to the plot, especially as the characters discuss writing techniques and how to come up with elaborate murders which clearly emulate the author’s own personal experiences.  It also allowed Benedict to showcase knowledge of the original Grimm fairytales, and she twists the classic tales into even darker scenarios.  Benedict further adds to the mystery and darker elements of the story by including multiple subtle meta references and hints throughout the book.  While a few of these at the start seem weird, by the end you realise that Benedict was trying something very clever, and they play in nicely to the book’s complex ending.  I quite liked this fun way in which the author tried to make Little Red Death just a bit more memorable and zanier, and it ensures that you come away from the book really thinking about the full implications of the plot and what it means to both the reader and all the characters.

With a very out-there plot, a unique mystery and some intriguing characters, Little Red Death was one of the more distinctive novels of 2025, and one that I had an outstanding time with.  A. K. Benedict clearly had fun coming up with this dark fairytale themed romp (or maybe not depending on how you see the final meta twist), and Little Red Death is really worth a read, especially if you enjoy unusual and exciting murder mysteries.

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The Bluff by Joanna Jenkins

Publisher: Allen & Unwin (Trade Paperback – 4 March 2025)

Series: How to Kill a Client – Book Two

Length: 432 pages

My Rating: 4.5 out of 5 stars

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Impressive new Australian author Joanna Jenkins presents another captivating piece of crime fiction with the gripping and emotionally charged read, The Bluff.

Back in 2023 I had the very great pleasure of reading the fantastic legal thriller, How to Kill a Client.  The debut novel of Australian author Joanna Jenkins, How to Kill a Client followed various members of a prestigious Australian law firm who are forced to deal with the fallout of the murder of one of their biggest clients, a man who everyone in the firm had a motive to kill.  Jenkins produced an outstanding story in her first novel, and How to Kill a Client ended up being one of my favourite debuts and pieces of Australian fiction of 2023.  Due to how good her first book was, I have been keeping an eye out for anything else from Jenkins and I was very happy to see she had a new book coming out in 2025 with The Bluff.  A surprising sequel to How to Kill a Client, The Bluff has been on my to-read list for a while, and I was very glad that I finally got the chance to check it out.

Plot Synopsis:

People like Dash didn’t die. He was only what? Mid-thirties? Well off. Adored. By some anyway. World at his feet. Well, Myddle at his feet, which was his world.

Ruth Dawson has taken a break from big city law to fill in for a few months at a mate’s small-town legal practice in Myddle. It’s not what she’s used to . . .

So when she hears the front door of her office open she’s expecting a weird demand, or a question she doesn’t know the answer to. But it’s Bea Baulderstone’s mum, worried that she hasn’t seen her seventeen-year-old daughter for five days, and Constable Gazza Parker is refusing to report the girl missing.

Ruth tries to find Bea, but Myddle is a wall of indifference. Then Dash Rogers is found at his farm gate, dead from a gunshot wound, and suddenly the town is very interested in Bea’s whereabouts.

An unputdownable thriller of deception and greed, The Bluff reveals an enmeshed web of family and community loyalties, set in the lush rural hinterland of east coast Australia.


The Bluff
was an extremely captivating and complex Australian thriller from Joanna Jenkins that stands on its own feet while also serving as a great sequel to How to Kill a Client.  Featuring a fantastic character-driven story loaded with mystery, impressive storytelling and an excellent rural setting, The Bluff had me hooked very quickly, and I ended up powering through it in a day.

I really enjoyed the amazing story that Jenkins came up with for The Bluff, as she provides both an intriguing mystery, and some great character development.  A mostly standalone plot set after the events of How to Kill a Client, the reader is reintroduced to high profile layer Ruth Dawson, who is taking a break from the high-flying life to manage a small law firm in the small New South Wales town of Myddle.  This change in setting and story focus towards a rural thriller, rather than the big-city legal thriller of Jenkins’ previous book, proved to be quite effective, as was the very clever way the author set out The Bluff’s story.

Jenkins ensured that readers get dragged into The Bluff’s tale almost immediately, with two very quick sequences at the start: one that showed a key moment of the plot without any context, and then a subsequent scene where the protagonist is reintroduced and then finds out about the narrative’s two main mysteries, a missing girl and a murder.  With these important bits of information in your brain, the reader is then transported back six months and is shown all the events that occurred over this period that led up to the disappearance of Bea Baulderstone and the murder of Dash Rogers.  Through this six-month period, you become acquainted with all the key players around Myddle and observe their interactions with the victims and the protagonist, and you begin the appreciate the complex web of relationships, problems and personalities that surround the case, as well as the many potential motivations for the book’s main crimes.

This dive back in time was an outstanding writing choice by Jenkins that allowed the reader to really appreciate the full breadth of the relationships and troubles that accompany the crime, all while perfectly utilising The Bluff’s excellent rural setting.  With every brick of plot laid down to hint at the events to come, you find yourself becoming more and more involved with the plot as you try to picture how and why the murder will occur and which of the many interesting and emotional characters may commit it.  The inclusion of a countdown at the start of each new chapter gives a great ticking clock vibe to The Bluff, and you become more and more anxious and excited as you get closer the plot’s principal event.  The reader also begins to appreciate just how despicable the main murder victim is, and that allows for an even more compelling read, as you can see just how many potential people have a motive to kill him, as well as cause the disappearance of the missing girl.

The final third of The Bluff is probably the best, and I flew through it to find out how the story ends.  The final series of events leading up to the pivotal killings are particularly dark (and potentially triggering for some readers), and it was fascinating to see everyone’s emotional state in advance of this crime, especially as there are so many potential suspects.  However, rather than show the killings there, Jenkins instead jumps back to the timeline from the front of the book and spends the last 100 or so pages dealing with the subsequent investigation, with the protagonist pulling events together.  I liked this delay, as it provided an excellent trickle effect for the twists and also allowed the protagonist to shine as she uses her knowledge of events and her own skills at deduction to identify the culprit and protect her friends in the town.  The eventual solutions for the mysteries were very clever, and Jenkins did such a great job subtly dropping the clues throughout the backstory of the plot and setting up the various motivations.  I really appreciated the many complex and compelling twists which fit into the plot perfectly, especially the last one that really made you think.

This entire brilliant story is wrapped up in some great character arcs, as Jenkins features a range of protagonists and potential suspects, each of whom were quite compelling and brought different shades of drama to the plot.  I loved seeing their complex relationships and interactions throughout the plot of The Bluff, especially those that could lead to them committing the book’s main crimes.  There are some really great characters here, and it was especially interesting to see more of series protagonist Ruth Dawson, who is not only continuing to move on from the personal trauma and loneliness that was a key part of How to Kill Your Client, but is also trying to figure out where her life is going after the collapse of her previous law firm.  These character arcs come together in a very satisfying manner at the end of The Bluff, and a lot of this book’s complexity and strength came from how relatable and compelling Jenkins’ made these various characters, especially when it comes to their anger, fear and potential ability to commit murder.

Overall, The Bluff was an exceptional and deeply impressive sequel from Joanna Jenkins that I think was even stronger than the excellent first book.  Featuring a very clever and well-written narrative that brings together powerful character storylines and a great rural setting with complex mystery, The Bluff proved to be extremely captivating, and you will become engrossed in uncovering the full extent of the plot.  One of the best Australian crime fiction books of 2025 so far, The Bluff comes highly recommended and is really worth checking out.

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