Star Wars: Dooku: Jedi Lost

Dooku - Jedi Lost Cover

Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

Top Ten Tuesday – Autumn 2020 TBRs

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. For this week’s Top Ten Tuesday, participants need to list the top ten books on their Autumn 2020 (or Spring 2020 for those up in the Northern Hemisphere) to be read (TBR) list.

There are a huge number of novels coming out in the next couple of months which I have my eye on. Many of these are very impressive sounding books, and I am extremely excited for several of them. As a result, I was able to come up with a good list of Autumn TBR books, and each of the entries below are some of my most anticipated releases coming out in March, April and May 2020. I have previously addressed several of these books before in my weekly Waiting on Wednesday posts, and there is also likely to be some crossover between this list and some of my previous Top Ten Tuesday lists, such as My Most Anticipated Book Releases for the First Half of 2020 list and my Predicted Five Star Reads list. So let’s get to it and see which books I am most looking forward to reading in the next three months.

Honourable Mentions:


Providence
by Max Barry (31 March 2020)

Providence Cover


Execution
by S. J. Parris (30 April 2020)

Execution Cover


Lionheart
by Ben Kane (14 May 2020)

Lionheart Cover

Top Ten List (By Release Date):

Cyber Shogun Revolution by Peter Tieryas (3 March 2020)

Cyber Shogun Revolution


The Grove of the Caesars
by Lindsey Davis (2 April 2020)

The Grove of the Caesars Cover


Usagi Yojimbo
: Bunraku and Other Stories by Stan Sakai (21 April 2020)

Usagi Yojimbo Bunraku and Other Stories Cover

There was no way that I wasn’t going to include the new Usagi Yojimbo on this list (especially after I just did Throwback Thursday posts for the first three volumes in the series, The Ronin, Samurai and The Wanderer’s Road). This has been one of my favourite series for years, and I really enjoyed Sakai’s last two entries, Mysteries and The Hidden. This upcoming volume, Bunraku and Other Stories, has a lot of potential and some cool features to it. Not only is it the first volume to be released completely in colour but it sounds like it is going to have some fantastic stories, including one that revisits the very first Usagi Yojimbo comic.

Shorefall by Robert Jackson Bennett (21 April 2020)

Shorefall Cover


Firefly
: The Ghost Machine by James Lovegrove (28 April 2020)

Firefly The Ghost Machine Cover


The Kingdom of Liars
by Nick Martell (5 May 2020)

The Kingdom of Liars Cover


The Lion Shield
by Conn Iggulden (14 May 2020)

The Lion Shield Cover

Iggulden is one of the top historical fiction authors in the world today, and he has created some exceptional novels in the past, including his Emperor and War of the Roses series, as well as the 2018 standalone novel The Falcon of Sparta. I have deeply enjoyed Iggulden’s work in the past, and I cannot wait to check out his new novel later this year. The Lion Shield is the first book in a new series that will focus on the Peloponnesian War between Athens and Sparta. This is an extremely fascinating historical conflict that is criminally underutilised in the historical fiction genre. I cannot wait to see what outstanding novels Iggulden weaves around this conflict, and I am sure that The Lion Shield is going to be an impressive first entry in this series.

The Ballad of Songbirds and Snakes by Suzanne Collins (19 May 2020)

The Ballad of Songbirds and Snakes Cover


Eagle Station
by Dale Brown (26 May 2020)

Eagle Station Cover


Fair Warning
by Michael Connelly (26 May 2020)

Fair Warning Cover

Michael Connelly is an author that needs very little introduction, having produced some amazing and creative murder mysteries over the years. I have only recently started reading his books, but I loved his last two novels, Dark Sacred Night and The Night Fire (the latter of which was one of the best books I read in 2019, as well as one of my favourite audiobooks of 2019). As a result, I am extremely keen to check out his next novel, Fair Warning, which will be his third Jack McEvoy novel. Fair Warning sounds like it is going to be a thrilling and exciting novel, and I cannot wait to see Connelly’s reporter protagonist go up against a deadly and well-hidden serial killer.

Well that’s my latest top ten list. I am very happy with the final list that I pulled together, especially as this is a great mixture of impressive sounding novels. I think each of the books listed above have incredible potential, and I cannot wait to read each and every one of them. Let me know which of these books interests you the most in the comments below.

Book Haul – 17 March 2020

The books have been coming in a little slower the last couple of weeks, but I’ve managed to pick up a few intriguing reads which I think could be quite good. As I am hoping to get a bunch of new books in the coming weeks, I thought it would be useful to do a quick book haul post.  All of the novels below sound fun and I am looking forward to checking them out.

Gathering Dark by Candice Fox

Gathering Dark Cover

A fun sounding crime fiction thriller from a talented Australian author that follows four very different women as they attempt to save a child.  It sounds cool and I am hoping to read it in the next couple of weeks.

Rules for Perfect Murders by Peter Swanson

Rules for Perfect Murders Cover

This is an extremely intriguing murder mystery book with a lot of potential.  Rules for Perfect Murders, which is also being released as Eight Perfect Murders, has an awesome sounding plot, and I cannot wait to see how this compelling mystery unfolds.

The Viennese Girl by Jenny Lecoat

The Viennese Girl Cover

This one also sounds quite interesting.  A compelling and no doubt tragic historical drama based around the Nazi invasion of the Channel Islands (Jersey in particular), this one should be an excellent read.

Walk the Wire by David Baldacci

Walk the Wire Cover

The latest novel from bestselling author David Baldacci, this is another intriguing thriller from an author I really need to start reading.

The Abstainer by Ian McGuire

The Abstainer Cover

An exciting historical thriller that focuses on Irish rebels operating in London in the 19th century.

The Bear Pit by S. G. MacLean

The Bear Pit Cover

This is a book that I have been looking forward to for a while, and it was actually one of the novels I wish I had read in 2019.  I grabbed this the other day when I finally saw a good copy in the bookshop and I will hopefully read it when I get a quiet day or two.

 

That’s it for this latest book haul  post.  I am very happy with all the above books I have recently received, and each of them should prove to be really fun to read.  Let me know which of the above books you are most excited about and I’ll try to get to them ASAP.

Throwback Thursday: Usagi Yojimbo: Volume 3: The Wanderer’s Road by Stan Sakai

Usagi Yojimbo The Wanderer's Road Cover

Publisher: Fantagraphics Books (Paperback – 17 January 1989)

Series: Usagi Yojimbo – Book Three

Length: 146 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday, I check out the third volume of the outstanding Usagi Yojimbo comic book series, The Wanderer’s Road. I was originally planning to save this one until next week, but I just watched some episodes of the 2003 Teenage Mutant Ninja Turtles animated show today that featured Usagi, and so inspiration struck once again.

Usagi 7

The third volume of the Usagi Yojimbo series follows on from the events of the second volume, Samurai, and features several standalone adventures as the series’ titular protagonist, Miyamoto Usagi, continues to wander around this alternate version of Feudal Japan. The Wanderer’s Road features six first-rate and deeply enjoyable stories which were originally contained within issues #7 – 12 of the Fantagraphics Books’ Usagi Yojimbo series. It also contains a short bonus story from the Turtle Soup comic project which features a very special guest star.

The first of the stories featured within The Wanderer’s Road is The Tower. This story revolves around a hungry tokage lizard (the dinosaur-like lizards that infest Usagi’s world), who finds himself in a spot of bother and is chased up a tower by an angry shopkeeper, who refuses to let it down. Usagi, arriving upon the scene, decides to intervene, and attempts to rescue the tokage; however, thanks to the vindictive shopkeeper, he finds himself also trapped atop the tower. Attempting to bond with the tokage, who he names Spot, Usagi endures the conditions on the tower, while enraging the shopkeeper even more, until the story comes to a crashing end. The Tower was a fantastic start to this third volume, and it features a rather enjoyable and fun story. While it is perhaps the weakest story in this volume, only by dint of how incredible the other issues featured in The Wanderer’s Road are, it was still an excellent entry in this series, and served as a great introduction to a fun recurring character in Spot. The Tower contains some funny moments, from the way Usagi inadvertently keeps messing with the bullying shopkeeper on the ground, to the tiny turtle with a ninja mask that Sakai hides away in one of the crowd shots. All of this results in a fantastic story which I rather enjoyed.

Usagi 8

For the second story in this volume, A Mother’s Love, we go from a comedy to a tragedy. In this story, Usagi and his new companion Spot befriend an old woman on the road and accompany her back to town. Once in town, it is revealed the that old woman is the mother of a ruthless moneylender whose thugs have been terrorising the populace. After a tense night at the moneylender’s house, the old lady begs Usagi to kill her son, as she cannot bear to see the evil creature that he has turned into. While Usagi refuses her request, he is soon forced into a fight with the moneylender’s men. However, it is revealed that the old woman has manipulated the guards into attacking Usagi so that she can use the distraction to kill her son herself. When Usagi and Spot discover this, the old woman beseeches a stunned Usagi to kill her and finally put her out of her misery. A Mother’s Love is an incredible and heartbreaking story, which puts Usagi in a no-win situation. The last three pages of the books have to be one of the most heartbreaking and tragic sequence in the entire series. The teary old woman sing a lullaby as she cradles her dead son in her arms while a heartbroken and defeated Usagi watches on is extremely sad. The way that the old woman’s lullaby suddenly ends heavily implies that Usagi fulfilled the old woman’s wish and killed her. His final statement, “I do pray the Gods will be merciful…. Mother” as his despondently leaves the moneylender’s house, accompanied by Spot’s mournful cry are a sad way to end this story, but it makes for one heck of a captivating sequence. Other highlights of this book include Usagi’s large-scale fight against an army of bodyguards, the fun inclusion of Spot in several of this fights (little dude is lethal with his tail), and a stare-down scene between Usagi and the moneylender, which highlighted how intimidating Usagi can be when he wants to. All in all, a perfect and compelling story which shows just how amazing Usagi Yojimbo can be.

The next story in this volume, Return of the Blind Swordspig, is another masterpiece from Sakai, which features another outing from one of the best characters from Usagi Yojimbo, Zato-Ino, who was first introduced in The Ronin. This story sees the blind outlaw Zato-Ino travelling the road, still pursued by assassins and bounty hunters. Ambushed in the woods once again, Ino is able to fight off his attackers thanks to a timely warning from Spot, who had briefly walked away from Usagi. While Spot and Ino part ways, Ino soon catches up with Usagi, who cut off Ino’s nose the last time they met (he’s got a wooden nose in this book, it’s a transplant!). Ino follows Usagi to a nearby temple, where he is able to gain an advantage over Usagi in the dark as the two engage in an epic duel. Usagi’s life is spared only by the intervention of Spot, who stands between them, forcing Ino to back down, envious of the friendship Usagi is blessed with. Realising that the two souls have much in common, Usagi sends Spot to accompany Ino on his journey to find peace, and the two wonder off as friends.

Usagi 9

Return of the Blind Swordspig is another fantastic story that shows some complex and powerful character work. Sakai’s portrayal of Ino as a tortured and hate-filled loner is once again tragic and very moving, and it was fantastic to see him finally find a true friend and companion, something he has always desired. The way that Ino changes his travel songs from ballads about walking the roads alone to a melody about how he is grateful to have a companion is telling, and Usagi’s parting utterance of “Have a good life… both of you” matches the audience’s thoughts for these two great supporting characters. While the best thing about Return of Blind Swordspig is the continued examination of Ino’s complex personality and the progression of his character arc, I also really need to highlight the incredible swordfight in the dark between Ino and Usagi. Not only is this amazingly drawn, but the start of the duel where Ino slices the candle in half once again shows off Sakai’s love for classic Japanese movies. Slicing a candle to make a room dark is the trademark move of Zatoichi, the movie character that Ino in based upon, and Sakai backs this up by having Ino say “Now we’re both blind, Usagi” which is very similar to what Zatoichi says in these circumstances. All in all, this is an outstanding entry that really shows of Sakai’s ability to weave a powerful narrative around some exceptional characters.

 

The fourth story in this volume is Blade of the Gods, which introduces readers to the incredible antagonist Jei. Jei is a skilled and murderous spear-wielding samurai who wanders the land killing those he deems evil in the name of the Gods (spoiler: pretty much everyone is evil in Jei’s eyes). Encountering Usagi one night in a peasant’s hut (it is heavily implied that Jei killed the peasant before Usagi showed up), Jei suddenly declares Usagi to be evil and they engage in a brutal fight to the death both inside and outside the hut. Usagi is only saved by a blast of lighting and is left wondering if Jei was a madman or a true emissary of the gods. This was a compelling and fantastic story, which features one of the best fight sequences in the entire volume. The true highlight of this story is the introduction of Jei, who is easily one of the best characters in the entire Usagi Yojimbo universe. Jei is probably the most dangerous antagonist so far encountered in the Usagi Yojimbo series (Lord Hijiki really hasn’t revealed himself too much yet), and he serves as a wonderful recurring character. Sakai did an excellent job introducing Jei in this story, showing off his motivations, his style and the fact that he is a killer without peer and a fighter on par with Usagi. The character design for this villain is really striking, from his black-bladed spear to his pure white eyes and deranged wolf smile. I also liked the way that the reader is left wondering whether he is actually supernatural in origin or just a crazy person. While this is revealed in later volumes, the mystery of him is an exciting feature for the early Usagi Yojimbo stories that he appears in. I really love the character of Jei, who is actually based on Jason from the Friday the 13th movies (fun fact: when you use the Japanese honorific his name, Jei-san, becomes a pun on Jason), and I think that this was an excellent first appearance for him.

Usagi 10

The next story in The Wanderer’s Road is the fun entry, The Tea Cup. The Tea Cup sees the return of the bounty hunter Gen, who Usagi encounters on the road in the midst of a fight. Gen is escorting a precious tea cup to a tea master and must defend it from assassins who are trying to steal it. Accompanying Gen, Usagi helps him defend the cup with the samurai encountering a number of complications, including a band of killers, two orphaned children and the bad luck that follows Usagi and Gen when they team up. This was easily the funniest story in the entire book, thanks to the inclusion of Gen. Usagi and Gen have a hilarious relationship which is always fun to see, and they play off each other really well. This includes a number of running jokes from the previous Gen stories, the final entry in their game of sticking the other person with the lunch bill (which doesn’t go the way they planned this time) and several other hilarious scenes, including one joke that takes the entire story to come to fruition (he really was slow of mind). In this story, you get to see a bit of Gen’s softer side and the fact that, despite his rough exterior, deep down he is a good and caring person. Sakai also fills this story with a number of fantastic references to the cartoon, Groo the Wanderer, which Sakai previously did the lettering on, including a unique stylised poem at the start of the story, a fun imitation of Groo “Gen does what Gen does best”, and even cameo appearances from Sakai, Sergio Aragonés and the rest of the creative team behind Groo the Wanderer. All of this makes for a hilarious and entertaining tale, which is going to produce quite a few laughs for readers.

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The final full story in this volume is The Shogun’s Gift, which sees Usagi facing off against a Neko Ninja who has stolen a valuable sword from his friends Noriyuki and Tomeo of the Geishu Clan. This turned into quite an action packed and clever game of cat and rabbit (I mean cat and mouse), as Usagi puts on a great dumb samurai act to fool the ninja, Shingen. It was entertaining to watch Usagi continually encountering Shingen, especially as the ninja got more and more enraged each time Usagi appeared and casually poked holes in his story. The Shogun’s Gift ends with a great fight sequence and a rather clever bit of trickery from Usagi, which serves to turn this into a cool and enjoyable tale. I liked the introduction of Shingen, who has a big role in a future volume, and the scene where he is able to conceal the fact that he is hidden in the ceiling even after being stabbed is pretty badass. I also think that this volume did need a story that looked at the larger political picture of this world, including the nefarious plans of Lord Hikiji and the Neko Ninja, and it was good to see some more of that. Overall, this proved to be another phenomenal entry in this volume, and it served as a great concluding main story.

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In addition to all the big stories mentioned above, The Wanderer’s Road also contained the short bonus story, Turtle Soup and Rabbit Stew. This short story originally appeared in the Teenage Mutant Ninja Turtle comic project, Turtle Soup, and features the first encounter between Usagi and one of the turtles, in this case Leonardo. In this comical tale, Leonardo suddenly lands in Usagi’s realm and is immediately attacked by a band of ronin, while at the same time just down the road, Usagi is attacked by a group of Neko Ninja, the two fights join into one brawl, where Usagi and Leo are the only survivors. Upon seeing each other, the two assume that the other is part of the band that initially attacked them, and they run at each other to engage in battle, only for Leo to be dragged back to his Earth. This of course doesn’t stop the momentum they built up charging at each other, and it results in chaos and injury on both worlds. This was an exceedingly funny first meeting between these iconic comic characters, and this entire story is boundlessly amusing, even with its shorter size.

As you can see from my passionate descriptions above, each of the stories featured in this volume is an outstanding entry in its own right, and I deeply enjoyed each of them. I honestly cannot tell you which story in this volume was my favourite, as three in particular were quite exceptional. Sakai did a masterful job with each of these stories, and I really enjoyed how they are presented in this volume. I think that The Wanderer’s Road contains an excellent blend of stories, which range from the tragic, the dramatic and the comedic, and each of them contains some amazing examples of Sakai’s trademark artistic skill. I also think that having a volume made up entirely of shorter standalone stories also works really well, especially as Volume 3 falls between two other volumes made up of larger, multi-issue stories. The Wanderer’s Road gets another five-star rating from me, and I look forward to reviewing more Usagi Yojimbo volumes in the near future.

WWW Wednesday – 11 March 2020

WWW Wednesday is a weekly meme hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading?

Star Wars: Dooku: Jedi Lost by Cavan Scott (Audiobook)

Dooku - Jedi Lost Cover


What did you recently finish reading?

A Testament of Character, One Minute Out Covers
A Testament of Character by Sulari Gentill (Trade Paperback)

One Minute Out by Mark Greaney (Audiobook)

What do you think you’ll read next?

Where Fortune Lies by Mary-Anne O’Connor (Trade Paperback)

Where Fortune Lies
That’s it for this week, check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Waiting on Wednesday – Upcoming Historical Fiction Novels

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. In this week’s Waiting on Wednesday post, I check out three historical fiction novels coming out in the next couple of months that I think have an amazing amount of potential.

The Last Greek Cover

The first of these books is The Last Greek by Christian Cameron. The Last Greek will be the second book in The Commander series and it is the sequel to the 2019 release, The New Achilles. This series follows the life of an incredible and somewhat overlooked historical figure, the Greek hero Philopoemen, and the first book has already examined some of the key early events of his life. It looks like this upcoming second book will explore some of the central years of his life and should make for quite an interesting read.

Goodreads Synopsis:

211BCE. The Roman invasion from the western seas is imminent, and from the south the Spartans are burning and pillaging their way north.

Battle-hardened Philopoemen believes the Achean League is facing annihilation if it does not arm. But without a formal army or cavalry, they don’t stand a chance. Convincing his friend and healer Alexanor that the threat is real, together they begin to build a massive cavalry guard from the ground up – one that will fight on all fronts.

It is the last roll of the dice for the Achean League. But Alexanor knows Philopoemen is one of the greatest warriors Greece has ever known – the New Achilles. The Last Greek.

This is a very intriguing synopsis, and I cannot wait to see where the story goes. The historical period that this novel is set in was quite a chaotic time, with all manner of battles and wars for the control of Greece. The previous book in the series did a great job of setting up the various sides in the conflict. Cameron is quite a detail-orientated author, so The Last Greek is guaranteed to contain a well-researched and methodical novel that will accurately depict many of the key events surrounding Philopoemen’s life and present a fascinating and enjoyable historical story. This book is set for release here in Australia on 16 April, and I have already put in a request for it.

Execution Cover

The next book I am going to look at is Execution by S. J. Parris, which is the sixth book in the Giordano Bruno series. The Giordano Bruno series by Parris (a pseudonym of writer Stephanie Merritt), is an amazing historical murder mystery/thriller series set during the reign of Queen Elizabeth. It follows its titular character, Giordano Bruno, a radical monk exiled to England, as he solves murders and helps uncover Catholic conspiracies against the Queen. I have been a fan of this series for a while, and have read several of Parris’s previous books, each of which has been extremely intriguing and captivating. As a result, I am really looking forward to getting the next book in the series, especially as it sounds like Parris has come up with a great plot for this latest novel.

Goodreads Synopsis:

England, 1586.

A TREASONOUS CONSPIRACY
Giordano Bruno returns to England to bring shocking new intelligence to Sir Francis Walsingham. A band of Catholic Englishmen are plotting to kill Queen Elizabeth and spring Mary Queen of Scots from prison to take the English throne in her place.

A DEADLY TRAP
Bruno is surprised to find that Walsingham is aware of the plot, led by the young, wealthy noble Anthony Babington, and is allowing it to progress. His hope is that Mary will put her support in writing and condemn herself to a traitor’s death.

A QUEEN IN MORTAL DANGER
Bruno is tasked with going undercover to join the conspirators. Can he stop them before he is exposed? Either way a queen will die; Bruno must make sure it is the right one.

This latest book sounds particularly compelling, and I am excited for another excellent historical thriller that explores all the intrigue and deception surrounding Mary Queen of Scots. Based on the author’s incredible work in the past, I already know that I am going to love this novel, and I am even more intrigued after reading the above synopsis. Set for release in late April 2020, Execution has the potential to be one of the best historical mysteries of the year and I am extremely keen to get a copy.

Lionheart Cover

The final book in this article is Lionheart by Ben Kane. Kane is one of the top authors of historical fiction in the world today, having written several amazing Roman historical series, including The Forgotten Legion trilogy, the Hannibal series, the Spartacus series, the Eagles of Rome series and the Clash of Empires series. I have read a bit of an eclectic mix of his books in the past, including his debut novel, The Forgotten Legion, the first two books in his Eagles of Rome series and the second book in his Hannibal series, Fields of Blood. All of these have been fantastic reads, and I really enjoyed each of them.

The upcoming book, Lionheart, which is due to be released in mid-May, is Kane’s first novel not set in the Roman period. This new book is set in 12th century and will follow the early life of King Richard the Lionheart as he battles his family in order to come to power. There have been some really cool books about Richard over the years, and I am looking forward to seeing Kane’s take on the character.

Goodreads Synopsis:

1179, Henry II’s Norman conquerors have swept through England, Wales – and now Ireland.

Irish nobleman Ferdia has been imprisoned in Wales to ensure the good behaviour of his rebellious father.

But during a skirmish on a neighbouring castle, Ferdia saves the life of the man who would become one of the most legendary warriors to have ever lived: Richard Plantagenet. The Lionheart.

Taken as Richard’s squire, Ferdia crosses the Narrow Sea to resist the rebellious nobles in Aquitaine, besieging castles and fighting bloody battles with brutal frequency.

But treachery and betrayal lurk around every corner. Infuriated by his younger brother Richard’s growing reputation, Henry rebels. And Ferdia learns that the biggest threat to Richard’s life may not be a foreign army – but Richard’s own family . . .

As you can see from the above, the historical fiction genre is set to have a strong couple of months. Each of these novels sound like they can be a lot of fun, and each of them has been written by an outstandingly talented author whose works I have enjoyed in the past. As a result, I have extremely high hopes for each of these historical fiction novels, and I am incredibly excited to read all three of them.

Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

Doctor Aphra Unspeakable Rebel Superweapon

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

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Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

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As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

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Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

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I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

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Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!