Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
Originally published in the Canberra Weekly on 6 June 2017.
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
Originally published in the Canberra Weekly on 6 June 2017.
Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. Stay tuned to see reviews of these books when I get a copy of them.
This week, I look at War of the Bastards by Andrew Shvarts, the third book in the incredibly entertaining and addictive Royal Bastards young adult fantasy series.
Before I start talking about the series and why I want to read this book, can I just say how much I love this cover. It is an incredibly eye-catching piece of artwork, and I think it matches the dark tone of this series extremely well.
The Royal Bastards is Shvarts’s debut series, and it follows the adventures of a group of rebellious teenagers as they attempt to save the fantasy nation of Noveris. The series is told from the perspective of Tilla, the bastard daughter of a powerful western lord, whose life changes when she forms an unexpected friendship with the princess of Noveris, Lyriana. In the first book in the series, Tilla finds out that her father, Lord Elric Kent, is plotting a rebellion against Lyriana’s father, and acts quickly to save Lyriana’s life. In the second book, after escaping from the west, Tilla, Lyriana and Tilla’s love interest, Zell, arrive at the Lightspire, the capital of Noveris, and attempt to start new lives in the city. However, the western forces, led by fellow royal bastard Miles Hampstedt, manage to enact a brutal takeover of the city utilising a powerful new form of magic.
To be honest, I have been really looking forward to this book for months, ever since I finished City of Bastards, the second book in the series. City of Bastards had one hell of an ending, with the sudden and bloody death of the entire royal family and court, from which the protagonists were only just able to escape. I also really enjoyed Shvarts’s writing style in the second book, and I hope that War of the Bastards is written in a similar manner, but potentially with a darker tone. I am deeply intrigued to see where the story goes from here and I am already excited about the book’s awesome plot summary.
A year has passed since the fall of Lightspire. The Inquisitor Miles Hampstedt has usurped the throne and rules Noveris with a blood-soaked iron fist. Tilla and her friends have become hardened rebels in the Unbroken, a band of guerilla fighters hiding out in the fringes of the Kingdom. Tilla is plagued with doubt and regret; Lyriana struggles with the burdens of being a fugitive Queen; Zell atones for his guilt by killing for the cause. And even as they all fight, they know their cause is doomed, that with very passing day Miles’ power grows, his army of Bloodmages spreading to cover the continent.
Then a raid on an outpost produces two unexpected prisoners: Lord Elric Kent himself, now a prisoner obsessed with revenge, and Syan See, a strange girl from the Red Wastes. Tilla struggles with the emotional weight of confronting her father, but it’s Syan that offers the true revelation. She demonstrates a new incredible kind of magic, and speaks of a secret civilization hidden in isolation in the mysterious Wastes. With Miles’ forces closing in, Tilla and her friends (alongside a hostage Lord Kent) set out to make contact with Syan’s people, to make an pact that could turn the war. The journey will test their character, forge unlikely alliances, reveal the horrifying true nature of magic, and set in motion a battle that will determine the fate of Noveris itself.
There are quite a few amazing-sounding plot elements contained within this synopsis. The year-long gap since the last book in the series is going to be extremely interesting, and I am looking forward to seeing the main characters evolve once again into hardened resistance fighters after all the betrayals of the second book. A hopeless fight against impossible odds followed by a dangerous quest for lost magic is always a winning story combination in my book, and I will look forward to seeing how Shvarts portrays this in War of the Bastards. I believe that this will be the final book in this series, so I am expecting some massive twists and possibly one or two major character deaths to round out the story.
One of the best things about City of Bastards was Shvarts’s examination of the emotional trauma and damage experienced by the protagonists following their adventures in the first book. The synopsis seems to support that this interesting inclusion will be a major feature of War of the Bastards, and after the events of the second book, you have to imagine that the trauma and guilt that each character will be experiencing is going to be amplified even further. Tilla will no doubt feel guilty about the terrible things her father has made possible, and the impacts it has had on her friends. Zell, whose actions in the second book partially led to the bloody coup, is also going to have massive regrets. I also expect that Lyriana is going to be suffering quite a lot in this book. She already experienced severe survivor’s guilt in the second book following the death of her love interest, Tilla’s half-brother Jax, and now with most of her family killed, this is likely to be amplified by a significant degree. I am also curious to see what will happen to side-character Ellarion in this book. Ellarion is Lyriana’s cousin and he inherited the role of Royal Archmagus following the murder of the previous Royal Archmagus in the first book. As he avoided most of the trauma in the first book, he was one of the more buoyant characters in City of Bastards. However, at the end of the book, his attempted to shield his friends from a massive magical explosion and lost his hands as a result. I am very curious to see how Ellarion is portrayed in this final book, as not only has he lost most of his family like Lyriana but the loss of hands will also be extremely devastating to him, not just because of their physical use but because it will have a negative impact on his magical ability.
I have a feeling that Tilla’s character relationships will be a key part of War of the Bastards, and I am looking forward to seeing what happens when she is forced to team up with her father. The two characters have always had a complex relationship due to Tilla’s status as a bastard, but following all the revelations of the first two books, I think that their relationship in this book will be incredibly dramatic. I am also curious to see how Tilla’s love angle with Zell goes. Despite coming together in the first book, their time in Lightspire really affected their relationship, as the two lied to each other. I imagine that they will get back together in this final book, but we will have to see what happens (especially as Zell is the main character most likely to die in my opinion). I am also expecting an appearance from antagonist Miles Hampstedt in this book. Miles was once a friend of Tilla, but his extreme jealousy after she chose Zell over him resulted in him betraying the group. Since then he has taken control of the west and the entirety of Noveris with complete dominance over the blood mages. No doubt, he will appear at some point, portray himself as the victim because Tilla did not choose him and be an extra despicable villain as a result.
I have a strong feeling that War of the Bastards will be an amazing and thrilling piece of fantasy fiction, and I am really looking forward to getting my hands on this book. Shvarts is an exceptional new fantasy author, and I have high hopes that he will do an outstanding job with this final book in the Royal Bastards series.
Publishers: Gollancz and Orion Audio (Audiobook format – 15 November 2018)
Series: Rivers of London – Book 7
Length: 10 hours 25 minutes
My Rating: 5 out of 5 stars
Prepare to dive headfirst into one of the best urban fantasy series in the world today, with the seventh book in Ben Aaronovitch’s Rivers of London series, Lies Sleeping.
London is a magical place, especially for Peter Grant, Detective Constable and apprentice wizard. Peter is a member of an elite unit of the London Metropolitan Police, known as the Folly, which is tasked with investigating magical crimes and protecting the city from all sorts of magical threats. The person at the top of the Folly’s most wanted list is Martin Chorley, also known as the Faceless Man, a magical criminal mastermind who is determined to do whatever it takes to gain power. However, despite the Met and the Folly’s considerable resources, Chorley is always able to stay one step ahead of those chasing him.
During a routine attempt to subtly panic several of Chorley’s known associates, a magical creature attacks a potential witness. Peter’s investigation soon reveals that the witness had ordered the forging of a large and mysterious bell, which Chorley is desperate to get his hands on. As Peter and his team dig deeper in the bell’s construction, they quickly begin to realise that Chorley is the final stages of his master plan, a plan tied deeply into the heart of London’s dark and bloody history, and one which could cause untold disaster for the entire city.
As the clock ticks down, Peter needs to work out the connection between London’s past and the mysterious magical events occurring all over the city. Can Peter and his team once again save the day, or will their adversary finally obtain the power he has always desired? Moreover, what will Peter do when he comes face to face with the woman who betrayed him to Chorley, his old partner in the Met, Lesley May?
Ben Aaronovitch is a highly regarded author with an interesting writing history to his name. His writing career began back in the late 1980s and early 1990s, when he wrote a couple of Doctor Who television serials, including the highly regarded serial Remembrance of the Daleks, as well as three entries in the Virgin New Adventures series of Doctor Who books. The Virgin New Adventure series chronicled the adventures of the Doctor after the television show’s hiatus in 1989. Aaronovitch’s three entries in this book series sound incredibly interesting, although they were considered to be somewhat controversial at the time due to their more adult content. Aaronovitch did not get around to writing his fantasy work until 2011, when he wrote the urban fantasy Rivers of London. This was the first book in the author’s Rivers of London series of books (alternatively known as the Peter Grant series or the PC Grant series), for which the author is best known for. The Rivers of London series is very highly regarded, and Aaronovitch has worked hard to expand on the story and universe of this series, writing a number of novellas, short stories and graphic novels on top of the series’ main seven books.
Before Lies Sleeping, I had never got around to reading any of Aaronovitch’s books, despite hearing good things about his main series. As a result, I was very happy that I finally managed to check out the series earlier this year. I did receive a trade paperback edition from Hachette Australia, but in the end, I chose to listen to the audiobook version of this book, narrated by Kobna Holdbrook-Smith. I have to say that I was extremely impressed with this brilliant book and found that I really enjoyed the excellent and captivating story. Lies Sleeping easily gets a full five-star rating from me, and I fully intend to go back and check out the other books in this series. This book is an excellent blend of the fantasy and crime fiction genres, both of which come together perfectly to create an extremely compelling and complex read.
Lies Sleeping will prove to be extremely appealing to huge range of people; not only pre-existing fans of the series but also those readers who have not read any of the Rivers of London books before. As a first-time Aaronovitch reader, I found that it was incredibly easy to step in and enjoy this series, as the author did a fantastic job making Lies Sleeping accessible to everyone. While Aaronovitch has created a huge amount of lore around his series, including in his novellas and comics, the reader does not need to have any knowledge of these or the previous six books in the series to fully understand the entirety of Lies Sleeping’s story. However, those readers who do have experience with this series will love how the story continues to development, as well as the massive and surprising twists that occur throughout the book.
At the core of this book lies a series of intriguing mysteries that take place throughout London. In order to achieve his villainous goals, the antagonist has embarked on a series of seemingly random and chaotic crimes and ventures, all of which apparently form part of his master plan. These various mysteries or criminal events were really interesting, and I liked trying to work out how they would all come together. I particularly liked how various parts of these mysteries were deeply tied into the history of London, and the protagonist needed to gain a historical understanding of some of various myths and legends surrounding London. Watching the protagonist attempt to unwind the complex plan of the book’s villains was extremely compelling, and I had a great time trying to work out what was happening myself. One or two threads of these mysteries did go unsolved in this book, and I will be curious to see if they are picked up in any of the future entries in this franchise.
Aaronovitch is clearly a very creative writer, as he utilises a huge range of different and fairly unique fantasy elements throughout this book. While there are a large number of wizards, spells and elvish beings throughout the book, the main focus is on the titular rivers of the series. The more common magical beings encountered in this series are the personifications of the various rivers and waterways (current and historical) that flow through and around London. These beings are similar to gods, although the term genius loci may be more appropriate, and have a huge range of powers. These are a really intriguing addition to the book, and it was interesting to see the protagonist attempt to deal and interact with the various river characters, including his girlfriend, Beverly Brooke (yes, the main character of this series is dating a river). There is also a huge range of other genius loci, or similar beings, that are featured within the story, including the mysterious and insane Mr Punch. The magic that the human characters utilise is complex and slightly less ostentatious than some classic pieces of fantasy, but when the master wizards get to work it can be quite impressive.
One of the things I liked best about this book is how the author could create a realistic British police narrative and ensure magic became part of the procedure. The Folly may be a special branch of the Metropolitan Police, but it is still part of the police force, and as such the characters are forced to follow standard procedure when investigating magical crimes. Having these elite magical characters fill out paperwork and other various elements of day-to-day police life was deeply amusing. I did like seeing how regular law enforcement tactics, anti-crime strategies and police combat techniques could be utilised against magical opponents. The overall fantasy elements of this book are really enjoyable, but I really liked to see them be blended with a classic British police story.
Aaronovitch has done a fantastic job creating a huge and intriguing group of characters for this series. The protagonist of Lies Sleeping and the Rivers of London series is Peter Grant, police officer and official wizard’s apprentice. Peter is the sort of protagonist I really enjoy (sarcastic, funny and determined) so I quite enjoyed having him narrate the story, making a number of great jokes throughout. The other police characters make up a great supporting and diverse cast, with a range of different abilities and characteristics. I especially liked the classy and wise Detective Chief Inspector Thomas Nightingale, the last officially sanctioned English wizard and Peter’s mentor. He is an extremely charming and old-fashioned character who has a huge amount of magical power at his fingertips and who can be quite intimidating if he puts his mind to it. I also quite enjoyed the other magical characters that appeared throughout the book, as Aaronovitch has created a bevy of river gods and associated genius loci characters. I liked how many of these ancient characters portrayed modern characteristics and ways of speaking, even when talking in a historical context. Long-time readers of the series will also enjoy the further exploration of several recurring characters, including finally revealing the backstory of the mysterious Mr Punch.
While the protagonists and supporting cast are great characters, I really liked the antagonists in this story. The main villain of the story is Martin Chorley, also known as the Faceless Man. He is an excellent antagonist who is built up as a master planner, master magician and crazy villain before you even see him in the book. His master plan was fairly complex, and the character’s overall arc in this book featured some massive twists that I did not see coming. Lesley May is another really complex character who is a great addition to the series. Her relationship with Peter is one of the best parts of the book, as even after her betrayals earlier in the series, he is still trying to save her from herself. The way this works out in the end is quite dramatic, and it will be interesting to see where it goes from there.
While a large part of this book is set out more as a slow and steady police procedural, there are some fantastic action sequences within Lies Sleeping. These come about when the protagonist attempts to stop the plans of the Faceless Man, and all manner of chaos erupts. Nothing highlights this better than an extended action sequence which involves Peter chasing after a van on a bicycle, throwing fireballs, while all manner of debris is magically flung at him and several pursuing police vehicles. The magical duels between some of the participants, mainly Nightingale and Martin Chorley, can be particularly impressive, but I personally liked how many of the confrontations devolved into fist fights as both sides attempt to distract the other and disrupt their castings. Plus, where else are you likely to see British police with truncheons attempt to fight evil wizards? These amazing action sequences really added to the story, and it was great to see all this magic in action, rather than being theorised the entire time.
While I would have already been tempted to give Lies Sleeping a five-star review, the thing that definitely clinches it for me is the amazing audiobook adaption of the novel, narrated by actor Kobna Holdbrook-Smith. At nearly 10 hours and 30 minutes, this is a moderately easy audiobook to get through, and I had an absolute blast listening to it. Holdbrook-Smith has an amazing voice and his work narrating this audiobook was just incredible. His voice for protagonist and story narrator Peter perfectly encapsulated the character and got the full force of his witty and enjoyable personality across to the reader. I really liked all the voices that Holdbrook-Smith created for the various characters featured throughout Lies Sleeping, especially for some of the magical creatures, who had an air of ancient wisdom in their voices. However, without a doubt my favourite voice was the one for Nightingale. The voice chosen for Nightingale is full of all sorts of old British class, and I thought it fit the character perfectly and was one of my favourite parts of this whole audiobook. Aside from the outstanding voice work, I also quite liked the jazzy music that was played at the start of each chapter. It gave the book a real noir private investigator feel, and I like how it added to the tone of the book as a whole. The audiobook version of this book also helped me understand the story a bit better as an outsider to the series, and that, combined with Holdbrook-Smith’s brilliant voice work, makes me completely happy to recommend the audiobook format of Lies Sleeping.
Aaronovitch once again delivers a spectacular read that expertly combines amazing fantasy and crime fiction elements into one widely outstanding narrative. There are so many excellent elements to this book, and I had absolutely loved my first foray into the Rivers of London series. I strongly recommend listening to the Lies Sleeping audiobook, narrated by the very talented Kobna Holdbrook-Smith, but those readers who prefer to read their books will also find much to enjoy about this fantastic book. This is one of the best urban fantasy books I have ever had the pleasure of reading. I fully intend to go back and check out all the preceding books in this series, and I can’t wait to see where the series goes next. Five stars all the way.
Publishers: Orbit and Hachette Audio (Audiobook Format – 26 February 2019)
Series: Standalone/Book 1
Length: 12 hours and 1 Minute
My Rating: 4.25 out of 5 Stars
The bestselling author of the Imperial Radch series, Ann Leckie, presents her first foray into fantasy fiction with The Raven Tower, an intriguing fantasy read that I have been looking forward to for a while, and which attempts something new and different in its presentation.
The Raven Tower is set in a world filled with gods whose power and abilities can be gifted to humans in exchange for worship and offerings. For centuries, a powerful god known as the Raven has ruled over the rich kingdom of Iraden, offering protection and prosperity from atop a tower in the city of Vastai. The human ruler of all of Iraden is known as the Raven’s Lease and has been chosen by the Raven to bear his power and enact the god’s will. However, this power comes at a price, as each Lease must sacrifice himself to the Raven in order to keep the god strong and Iraden safe.
When Eolo and his lord, Mawat, heir to the Raven’s Lease, return to Vastai, they find the city in chaos. Mawat’s father, the former Lease, went missing just before he was required to pay the Raven’s price. In his place, Mawat’s uncle, Hibal, has taken the throne and has been named the new Raven’s Lease. Determined to find out what happened to the former Lease and reclaim the throne for his master, Eolo attempts to uncover the many secrets of Vastai. But as Eolo investigates he discovers that something ancient and mysterious is concealed within the Raven’s Tower: a secret from Iraden’s past that the Raven has kept hidden for centuries. It is clear there will be a reckoning, but is Eolo ready to pay the price?
To be honest, I found that The Raven Tower was a very challenging book to critically examine and assign an overall rating for. Before I had even started reading it, I saw that a number of other reviewers had noted that had great difficulty with this book, mainly due to the author’s unique way of narrating the story. As a result, I chose to listen to the audiobook version of The Raven Tower, narrated by Adjoa Andoh, in the hopes that this would make it easier for me to follow along. The audiobook version of the book is around 12 hours long, and I managed to get through it in around a week. While I did also experience some issues with the way the book was set out, I actually began to appreciate this unique format the more that I stuck with the story, and this turned out to be a really enjoyable piece of fantasy fiction.
For this book, Leckie chose to utilise a noticeably different second person limited narration format to tell her story. The story is told by a god known as the Strength and Patience of the Hill, who not only tells the main story in Vastai, specifically focusing on the character Eolo, but who also describes all the events of its own life that led up to this period of time. This god has a very unique way of speaking that impacts how the Vastai story is told. In particular, the god constantly describes what Eolo is doing, but, at the same time, it has no idea of what is going on inside Eolo’s head. As a result, it makes very generic statements and guesses about Eolo’s memories, state of mind or thought process. Take for example the following line, said as Eolo explores the docks near the tower: “I don’t think you grew up near the sea, and so you likely knew very little about boats or tides.” Having this being make guesses about the protagonist’s thoughts or feelings is a little unusual, and I was very confused about why the author had written her book this way, and for a large portion of the book I really thought that it would have made more sense to have a more traditional narrator system. However, as I read deeper into the story, it became a whole lot clearer why Leckie had set her story out in this way, and I was able to really appreciate it use.
As the book progresses, the two halves of the story start to come together. Taken separately, both parts of the story are fairly interesting. The storyline focusing on Eolo and the mystery surrounding the Raven’s Lease is fairly intriguing mystery filled with politics, murder, mystery and the fate of an entire nation. The second storyline, which looks at the backstory of the Strength and Patience of the Hill, helps build up Leckie’s new world while also explaining much about the book’s primary fantasy element, the gods, as well as the Raven’s rise to power. While both these storylines are quite fascinating in their own right, when they start coming together in the later part of the book, it creates a much more complete and intense story. The author’s use of the Strength and Patience of the Hill as the book’s primary narrator becomes a lot clearer, and I actually really liked how this unconventional narration was utilised. I also really enjoyed the fantastic twists that occurred at the end of the book, and the author’s excellent lead-up to these events was really quite clever and subtle. Overall, this turned into quite an amazing story, and I was very glad that I stuck with it and got all the way through.
One of the main things that I enjoyed about The Raven Tower was the interesting fantasy elements that Leckie utilised throughout her story, mostly shown in the form of the gods that inhabit this world. The gods in this book are quite an interesting creation from Leckie, who has come up with a number of rules surrounding them, all of which is explored by the narrator. In this world, the gods have a finite amount of power, which they gain from worship and which they lose by altering the world, either for their own benefit or in order to answer prayers. The gods’ power is tied to their speech; anything they say as a fact, their power will act to make it so. For example, if they say that an object will turn, then their powers will act to make it turn. However, if the action they want to accomplish takes more power than they have access to, then they will die or become extremely weak. As a result, the gods are forced to speak extremely carefully, lest they inadvertently make a command that will take way too much energy. The gods, therefore, try to avoid absolutes in their conversations and have to use words such as “I think” or “I heard” to get around this. Leckie consequently has to have her narrator, the Strength and Patience of the Hill, utilise this language throughout the entire book, as to the god addresses the main character Eolo (even if Eolo does not hear them). That is why there are so many unusual language choices throughout the book, such as the recurring “Here is a story that I have heard”. While these language choices did throw me at first, once I understood why it was happening, I got used it and I thought it was extremely creative and commendable that the author stuck with this throughout the entire story.
In addition to this use of language, Leckie spends considerable time exploring the limitations and abilities of the gods throughout her book. Leckie uses all sorts of different narrative devices to showcase this, from the Strength and Patience of the Hill’s personal memories and experiments, conversations they have with other gods, as well as telling stories about other gods and how they utilise their powers (there is one particularly amusing story about a god-powered spear I liked). It is clear that the author put a lot of thought into her universe’s gods and the abilities that they have, and the exploration of these ideas were some of my favourite parts of the book. I was also extremely impressed with how Leckie was able to utilise these fantasy ideas so effectively in her story, and I liked the bearing that they had on both the plot and the way the book was written.
Another interesting aspect of The Raven Tower is the characters that the author has used within the story. The main protagonist is Eolo, whose attempts to get to the bottom of the mysterious events in Vastai are a large focus in the book. Eolo is a pretty boss protagonist, able to disguise his intelligence and cunning behind an ignorant peasant facade, while quickly unravelling what has occurred in the city and then playing the politics to get the best result for her master. Eolo is actually a transgender character, and I was really impressed with how well-written this part of the character’s identity was, and with how it was explored within the book. In addition to Eolo, there are also several other intriguing characters used throughout the book. Once you get the hang of its speech pattern, the Strength and Patience of the Hill is a pretty good narrator, and I found the god’s backstory and way of seeing the world to be incredibly intriguing. I quite liked the character of Tikaz, who serves as one of the main female characters in the book, as well as Eolo’s potential love interest. Tikaz is fleshed out incredibly well, and I loved the various interactions that she has with Eolo. The book’s main villain, Hibal, is suitably evil and conniving, and he even has a pair of creepy twins serving as his henchmen.
I need to point out the fantastic job Leckie did coming up with one of the main characters in the book, Mawat. Mawat is the heir to the Raven’s Lease, who finds his position usurped by his uncle. However, rather than write him as a noble character we are supposed to feel sympathy for, Mawat immediately has a temper tantrum and spends the rest of the book acting as an unreasonable child, completely ignoring Eolo’s advice and even attacking his loyal servant whenever he hears something he does not like. While a large amount of this is necessary for the story, I liked the reversal of the noble disenfranchised heir trope that is often utilised in fantasy, and instead we are left with a more complex character.
I quite liked the audiobook format of The Raven Tower and found it to be a really great way to enjoy this book. I definitely think it helped me follow the plot and navigate the different narrative devices of this book, and I absorbed more information about Leckie’s fantasy elements. I quite enjoyed Adjoa Andoh’s narration throughout the book and thought their voice was perfect for the mysterious and wise Strength and Patience of the Hill, who narrated most of the text. I especially liked how Andoh was able convey the Strength and Patience of the Hill’s anger at certain key points of the book and to make the god’s voice quite menacing. Apart from the Strength and Patience of the Hill, the other character voices throughout The Raven Tower were fairly distinctive and matched the personalities of the characters quite well. I was especially fond of the fitting accents she assigned to some of the human characters, such as Tikaz or the god known as the Myriad. Overall, I would strongly recommend that readers check out the audiobook format of The Raven Tower, as it may prove to be an easier way to enjoy this intricate story.
As I mentioned above, I had a hard time giving this book an overall rating. When I first started reading it and I encountered the strange narration style for the first section of the book, I thought I might have to give it a low score. However, once I started to get more into the story and the lore behind the gods of this world was explained in some detail, I ended up changing my score to something closer to 4 out of 5 stars. This reflected my appreciation of Leckie’s inventiveness, but also had a few demerits due to the slow start and issues I had getting into the story. However, I ended up changing this to a 4.25 out of 5 stars in the end, once I appreciated how the two separate storylines came together and that superb ending. As a result, I would highly recommend The Raven Tower to fantasy readers, and I encourage people to see past the issues at the start of the book. Leckie is an outstanding author, and her first foray into fantasy featured some unique elements that turned The Raven Tower into one of the most distinctive and clever reads of 2019. The Raven Tower works incredibly well as a stand-alone book, but if the author decides to return to this world in the future I would be extremely curious to see where she takes the story next.
It has been a good week for books, I have received several amazing novels that I am very much looking forward to reading.
This is one I am really looking forward to and I have previously featured it in one of my Waiting on Wednesday segments.
This book has an dragon fighting an elephant on the cover, what more do I need to know about this.
Publishers: Brilliance Audio (Audiobook Edition – 26 May 2015)
Knopf (12 May 1969)
Series: Standalone/Book 1
Length: 8 hours 15 minutes
My Rating: 4.5 out of 5 stars
Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.
For this week’s Throwback Thursday I take a look at a classic techno-thriller from legendary author Michael Crichton, The Andromeda Strain.
The Andromeda Strain was released nearly 50 years ago, in May 1969, and represented a bold new direction from Crichton, who had previously done several pulpy crime novels, such as Odds On and Scratch One, under the name John Lange, as well as the medical crime thriller A Case of Need, which he wrote under the name Jeffrey Hudson. The Andromeda Strain was considered to be part of the new techno-thriller genre and is still considered to be a major example of this genre.
I have only read three of Crichton’s books before, including Jurassic Park (for obvious reasons), The Lost World and Pirate Latitudes. While I have always intended to go back and read some more of Crichton’s works, I have never had the time to do so. However, with the recent announcement that The Andromeda Evolution is being released in November to correspond with the 50-year anniversary of The Andromeda Strain, I thought this would be the perfect opportunity to check out one of Crichton’s earlier books. For that reason, I listened to the audiobook version of The Andromeda Strain narrated by David Morse.
When a military satellite comes down in the small town of Piedmont, Arizona, nearly all the residents in the town die. They are victims of a mysterious new pathogen that either instantly clotted all the blood in their body or drove them to suicide. The military quickly activate the Wildfire protocol, and a small government team of scientists and doctors take command of Piedmont and the satellite.
Believing that the satellite contains an extraterrestrial organism, the team bring it and the two survivors of Piedmont, an old man and a baby, to a secret and secure underground Wildfire laboratory for study. Deep in the laboratory, the team attempt to identify and categorise the organism which has been given the codename Andromeda. However, Andromeda is evolving a way no member of the Wildfire team believed possible, and not even the laboratory’s nuclear bomb safeguards may be enough to keep it contained.
After listening to The Andromeda Strain over a couple of days, I found it to be an extremely thrilling and complex novel that I really got into and which I am eager to review. However, after 50 years and thousands of reviews I am not too sure how much I can really say about this book that has not already been said. That being said, when looking at this book from a 2019 perspective, I feel that The Andromeda Strain is still an extremely strong techno-thriller, with some expert storytelling and an in-depth scientific base that is still relevant in this modern era.
In this book, Crichton utilised a very dry, detailed and scientific approach to his writing, slowly covering every aspect of the events unfolding before each of the protagonists, while also providing the reader with backstory on the characters and briefings on the various relevant scientific and political components of the book. Despite this somewhat less exciting writing style, Crichton is still able to create quite a thrilling atmosphere throughout the book as the story gets closer to the inevitable disaster part of the plot. Crichton really adds to the suspense by mentioning the various mistakes that the protagonist are making and hinting at all the problems going on around them that will eventually lead to the release of the Andromeda microbe.
I did feel that the book ended rather suddenly, and I was surprised that the investigation part of the story was still going with only a short amount of the book left to go. I found it interesting that the part of the story that dealt with the release of Andromeda and the subsequent race to stop the nuclear explosion about to wipe out the lab was introduced so late in the book and solved so very quickly. I was expecting a large portion of the story to focus on the main characters getting past all of the impressive contamination protocols in order to stop the nuclear explosion. Instead, this was all solved within about 10 minutes of audiobook narration, or probably five to 10 pages of a normal book. While I was surprised about this, I suppose it does make sense in the context of the rest of the story, where the characters and briefing material did mention several times that there was a three-minute delay between the bomb arming and the explosion. This was all extremely thrilling, and I felt that the book is still capable of keeping authors on the edge of their seats.
One of the things that really surprised me about the book was the advanced level of technology that was featured within a story written and set in 1969. Perhaps this is simply ignorance as a result of being a child of the 90s, but I feel it is more likely the result of Crichton having a great understanding of technology and potential future advances that might be utilised within a high-level government laboratory. Certainly, the scientific features of this book are extremely impressive, and I felt that they were still extremely relevant and understandable in a 2019 context. For example, all the extreme quarantine methods surrounding the Wildfire laboratory sound like perfectly reasonable steps that modern laboratories could use to keep pathogens contained. All the discussions about viruses and micro-organisms were also incredibly detailed, and I felt that much of the information discussed around those is still relevant today, and modern audiences will still be able to understand and consider it quite easily.
I did find the concept of the Odd-Man Hypothesis to be extremely interesting. In essence, the Odd-Man Hypothesis states that out of all the humans in the world, unmarried men are the most likely to make the best and most dispassionate decision in the face of an emergency. This becomes a key part of the story, as one of the characters is designated as the Odd-Man and is the only person with the ability to shut off the laboratory’s nuclear self-destruct device. Now this is one theory that does not translate to more modern times, although, in fairness, most of The Andromeda Strain’s characters did not take it that seriously either. That being said, it was an extremely intriguing element to read about, and I enjoyed the discussion around its viability and use within the context of the story.
As I mentioned above, I chose to listen to The Andromeda Strain in its audiobook format. There are actually a number of different audiobook versions of The Andromeda Strain out there, each with different narrators, such as an earlier version narrated by Chris Noth. I ended up listening to the most recent audiobook version of this book, although I imagine a new version is sure to follow soon, especially with a sequel about to come out. The version I listened to was narrated by actor David Morse and was released in 2015. This version is 8 hours and 15 minutes long, and I found myself powering through it very quickly.
I think that the audiobook was a really great way to listen to The Andromeda Strain, as it allows the reader to absorb the huge amount of scientific detail and discussion a lot easier. I felt that David Morse was an excellent narrator for this book, and that his basic narration voice perfectly fit the books tone and style. Morse also comes up with some great voices for this book, and I was particularly impressed by his weary old man voice. As a result, I would highly recommend the audiobook version of The Andromeda Strain, as it is definitely an outstanding way to the listen to this fantastic story.
Overall, I loved this dive back into the past and I had a lot of fun listening to this classic techno-thriller. Crichton is an amazing author, especially when it comes to a more science-based story, and I am incredibly impressed that his story still holds up 50 years after it was first published. I am extremely curious to see where the upcoming sequel, The Andromeda Evolution, takes the story, and how well new author Daniel H. Wilson replicates Crichton’s style. This book has also encouraged me to check out some more of Crichton’s works, and I am looking forward to reading some more of this author’s excellent techno-thrillers, as well as some of his intriguing historical fiction pieces.
Get ready to dive into the extended Star Trek universe with The Way To The Stars, the latest tie-in novel to the franchise’s current show, Star Trek Discovery.
While most people would be familiar with the iconic Star Trek television shows and movies, some may be unaware that there is an extremely rich and extensive Star Trek universe across a variety of different media formats. This is particularly true when it comes to the vast number of Star Trek novels which utilise the franchise’s massive universe. Since 1967, during the run of the original Star Trek television series, a bevy of authors have contributed to this extended universe by creating a huge number of novels made up a range of different series and publishers. There are now over 840 Star Trek novels, not only complementing the various Star Trek movies and television shows but also creating a series of new adventures.
With the announcement of the latest Star Trek television show, Star Trek Discovery, in late 2017, a new series of related novels was commissioned for release around the same time. This new series focused on several of the characters featured within Star Trek Discovery, providing intriguing character history and a series of new, exciting adventures. The first book in this series, Desperate Hours, was released in 2017, days after the premier episode of Star Trek Discovery. These books have so far covered several of the show’s key characters, including Michael Burnham, Saru, Gabriel Lorca and Philippa Georgiou, while a fifth book out later this year will focus on Christopher Pyke and the original crew of the U.S.S. Enterprise. I actually have a copy of the second book in this series, Drastic Measures, on my bookshelf at home, and I have been intending to read it for some time. I will hopefully get to that, and the other books in the Star Trek Discovery book range, at some point in the future.
I have to admit that I am more of a casual Star Trek fan and I have more of a preference for Star Wars (and with that, I lose several Trekkies reading this review). That being said, I have watched a number of the movies and I am really enjoying Star Trek Discovery at the moment. This book is the first actual Star Trek novel that I have had the pleasure of reading, and there are several cool-sounding upcoming Star Trek novels that I am probably going to try and check out.
The Way To The Stars focuses on the character of Sylvia Tilly, the young, brilliant and awkward Starfleet cadet and essential member of the U.S.S. Discovery’s crew. However, when she was 16, years before she joined Starfleet, her life was going down a different path. The daughter of a high-ranking United Federation of Planets (the Federation) diplomat, Tilly finds herself under intense pressure to succeed. Forced by her domineering mother to abandon her love of science and engineering to pursue a career as a diplomat, Tilly is shipped off to an elite off-world boarding school.
Forced out of her comfort zone, and continuously micromanaged by her mother, Tilly begins to crack under the pressure until, for the first time in her life, she rebels. Escaping the school and embarking on a dangerous off-world trip, Tilly seeks her own path in life, which will eventually lead her join Starfleet and adventure out into the stars.
The Way To The Stars is the fourth entry in the Star Trek Discovery book series, and it is written by veteran science fiction and tie-in novel author, Dr Una McCormack. Dr McCormack is an expert when it comes to the novelisation of popular science fiction television shows, having written a number of Doctor Who tie-in novels throughout her career. Dr McCormack also has a large amount of experience when it comes to the Star Trek extended universe, having authored several novels that continue the adventures of The Next Generation and Deep Space Nine television series.
This book was a little different to what I anticipated it would be. Rather than featuring an action-packed adventure with Starfleet like the previous books in the Star Trek Discovery series, The Way To The Stars mainly focused on Tilly’s school and family life. While this was still a very interesting and enjoyable read, I kept expecting pirates, aliens or some sort of antagonist to drop in and take over the school, forcing Tilly to use the engineering skills that her mother and school friends were so dismissive of to save the day. So it was a tad disappointing to find this book only contained a mostly school-based story, more concerned with Tilly’s studies, her overbearing mother and her problems making friends. Do not get me wrong; there are a lot of fun and enjoyable elements to these parts of the story, and the later part of the book in which Tilly runs away from school and tries to make her own way in space are very interesting. It was, however, somewhat lighter than what I was expecting from a Star Trek novel, and its tone and writing style reminded me more of a young adult school novel.
That said, this was still a very enjoyable novel as Dr McCormack does an amazing job of bringing one of Star Trek Discovery’s most entertaining characters to life while placing her in a fun and interesting coming of age story. The author makes great use of the Star Trek elements to tell her story, and I found it fascinating to see the advanced interplanetary schooling (rich boarding schools are rich boarding schools no matter what planet they are on), as well as Tilly’s adventures on human planets and ships outside of Federation space. The latter parts of the book set on the Starfleet ship were fun, and it was great to see the adventures of a scientific ship, as well as Tilly’s contributions to their voyage. The resultant first contact that they make was interesting, and it was cool to see elements from the part of the story set in the school come into play during this bit. Overall, I did have a lot of fun reading The Way To The Stars, and found it to be a very well-written story with a lot of intriguing elements to it. I really got into the story and managed to read it in only a couple of days, so many people should have fun reading it.
One of the things that I did like about The Way To The Stars was the way the author brought the book’s main character, Tilly, to life. Within Star Trek Discovery, Tilly, as portrayed by Mary Wiseman, is a fun, brilliant and neurotic character who serves as the show’s moral centre and heart. Despite mostly being a kind and thoughtful person, Tilly is regularly able to take control of a situation and act in a command capacity, often with humorous results. I felt that Dr McCormack’s portrayal of Tilly within this book did an excellent job of either showing that these were already existing qualities/personality traits or else examined the first time that Tilly ever showcased these traits. It was really good to see where Tilly came from and the sort of influences she had in her life to turn her into the character that is so beloved in the show. As a result, The Way To The Stars is an excellent coming of age story, and I really enjoyed the way that the author wrote the character within the book.
This book is strongly related to the Star Trek Discovery television show; however, I do not believe that too much pre-existing knowledge or fandom experience is required to enjoy The Way To The Stars. Dr McCormack has an inclusive writing style and I believe that anyone with even a basic knowledge of Star Trek will be able to pick this book up and enjoy the fun story within. It should go without saying, though, that those people who are fans of the Star Trek universe will get a lot more out of this story. This is especially true for fans of Star Trek Discovery, who will appreciate this deeper dive into the protagonist’s backstory and the examination of her early life. I believe that The Way To The Stars is considered to be a canon story within the Star Trek universe; however, I doubt that the events within will have any impact on the show. Still, it is quite an interesting inclusion that will really interest those who have come to enjoy the characters of Star Trek Discovery.
Star Trek Discovery: The Way To The Stars is a fun and enjoyable tie-in novel that does an amazing job of examining the past of a key character of the show. Dr McCormack creates an interesting coming-of-age story that will appeal to hardcore Trekkies and casual science fiction readers alike. I quite enjoyed my first foray into the Star Trek extended universe, and I am planning to try and get some of other Star Trek books coming out later this year. Stay tuned to see me go further beyond the final frontier.